HANS KRASA BRUNDIBAR Détské opera o dvou jedndnich Children's opera in two acts Oper fiir Kinder in zwei Akten Text ADOLF HOFFMEISTER English version by JoZa Karas Deutsche Fassung von Matthias Harre und Frank Harders-Wuthenow KLAVIRNE VYTAH PIANO AND VOCAL SCORE KLAVIERAUSZUG HANS KRASA EDITOR BLANKA CERVINKOVA TEMPO PrahaTato publikace byla vydina za laskavého piispent Cesbeho budebnibo fond, shladatelovy sesiry Ady Krasa Lowit a nadace Hans Krasa Memorial Fund v réimei Terezin Music Memorial Project v lzraelt ‘his publication was supported by a generous grant from the Czech Music Fund, ‘from Ada Krasa Lowil, the composer's sister, and Hans Krasa Memorial Fund, courlesy of the Terezin Music Memorial Project in Israel. Diese Veroffetlichung wurde unterstiiet durch eine groBztigige Zuwendung des Tschechischen Musikfonds, von Ada Krasa Lowi, der Schwester des Komponisten, sot des Hans Krasa Memorial Fund, unter dem Patronat des Terezin Music Memorial Project in. Israel (© 1993 TEMPO Praha ‘Nlright reservedDisk pers BRUNDIBAR Hans Ky a dlls Holiness slam pe. ein dy lam, ran seh vances ie Tein. irl ge- gaa, pe eh, at i ‘Vania proziey voce 1938 nebo 1539 (ol 198 ea troops libre) pro som, rou wpa 3 dstou oper hi eskslvnst minsteso Sas ‘nila Kwhodnecn neo ir emt eras ‘ervane 4 safe prefslha Zdosiho sence to Freund ast naroaniny. Ses se pel gent Raf cher, sla ars rst, pianist Gideon lei, bok Bik Saude, trance dada Franek lena - mime in hosy slo najre Ze risa md dso oer. ‘Schihese haw obhod az sssecefeitlva ja Rol ail kai sc sore clapeckosinifnce, Transport, anné co a eprtasSchichiera do “Teeain xinds aay Dab v Paes Sundaes plow zaly-bez eres, Jenstiom samenalty heen! Wavientb tah.Schoranc ula ido fhjeh dt ago je nail Rall Preven, Proven apbarse ak ‘eo ani dens aulord kladael Kesey fae do wnsper BA, Kerf deel do Teesna 10.8192 Qsud autora tent asin Brndisr sel port do Lanna ad Cetoslresk se wl ap anode ‘Veer rl roku muse do ans denne. Jao xc ny pba prone jam why slat ea enrol,” naps avorce to ‘yavatelskt pny v oe 1965 RFratk (reunite tn oe slat, cy pol novo ptt” Slavnd premiére Brundibérav Terai se konala 23. xt 1943 vse agdcbufch karen, .Dem ce opera cd pri pslecb ile, dba te, Oba dit, hudba modern azo. Tees Bol Pra 1965) Veersén ght se la papas neon bach baa Rove évort nest jj ana repochybae snk imei Lgrkomando abl | ake daz rdsnho ta variském ‘mE Teen” pons’ nai ead Mie 23 fra 16. Goebel af email rf" lmoral Vell ,De irr slentt den Jude ne St ex auc natel el Kut Gen, Ben ely lm kein acisick§ propaganda sk naval zach reas _muednické dt apa Findleopery ich psc vs. Palen blamavané nay Cenendho kf sve lod dah kl. Unie noni stat a8. Tnspery sly. Aor rubra stl eral fn ler 940 transports, er yl wpraren 2 Tererina 16. a 1984 Do (sim vk dre ole ces v dry on, Pde nec h, co el, stood Ks fo je dex pinot komo AA 1s KRASA se nao y Peaze 30.11.1899 vse estore rin dy a undecky dsl vB dtp ven vy, Sota ao none ‘umn, povanesent ra nacional. Rs pat ken os ari, jel Won cundlebists pra pasted byl sn eax Sd ‘Deutch dkeden fr ius nd darlene Ket et Alesana vn “ela, ero skort Orchestral goteskarnna text Nongrsemaxeh Sbeninich pst. Kika dp ecnla Ryehnosy palo zz nxt ha rarely ato mila par ho Syfade pro aly orcheste a Sater} le ely Pa. Ke slo slabs u Abert Rowse, ranennsk hd ya lad so ako rancouned return. Vden unr octal sche a Fadora Dostoleskcho. Na eho novel Strfékbvsen sol srou pn opera ‘Verobung i Traum Casnoubetvesno), Ba edna ail pjatn-v mel -udebntofsvaly Maes vac 1938 v Meus deaths Thaler Psne asia mal Ekelenstou Sin cu rs ssf unlskou plot en dena Prage Tait as sj ay ery aso nes Seni eo eed, delim nest, sgolupracraldvaket Slo sonia huhu eho iradlnzn usu live be rl sey akém valle 351 axe Men Bite v ad Fda ‘Tecerga. Popularity Anny a ry igi shinee Koma how 2 komo’ hy sent vets Téa s asiacams Korner hu pro ‘cl asedm nist. Poruh spluacoral risa lesen: nds pie rund, rl lider dckosnf> nase Tee slo jsyos Tanga Pascal & Fuga, pn pro baryon Karin, vol a violoncello na ve A Rimbaud ves: kl Neal, a Ouvetura pro mal ores. Da get msoahy itera ‘ami aon, mex nimi yl mnoho wna unl Jen Ouretura se il prapadobnt iy Trend mata et Jp onal af pads oad? ra 1955 youre seein ick pe eee een ort sa eee tu kr fh stn ve (len Pama ees irene cn moe oe a rer eae ce Peco cae ie eerie merece aie eet et pian eae rete acer Be Govino Te lens opera BRUNDIDAR yas Kraan os Secome famous parla thnks tel played nthe comet ca Tee Rie tale rapa bpm mee ume neal otf sew ae ih ore sine no went se them tan iy pitmeresso teas ign 1938 199 (th frmer epee ped ma scp ie) a qty ancy fr Sc er eetion nana ythethen Cea ny aetna Nona Disenin ‘ona Rote Th sls tee ern itr nto ine 98 hice he Prag oh rpanae Ge reve as celsvating Ws SOIhbirthay. Amon ater ets ee! heen ‘endif Sehr, compere rh ani Gideon li, Afepnet rk Sauek a he stage ser of he atonal Theatre False Zeleks. Reamecut at Saha write aches peta ieiatly Sehr cinco desig nthe nancee eine ot Ado beneath eb cee opanae rasp, law and te dapertonf Seber tere pu an end ots Nereis, beaten nage perfor Brn Prague bout an ors ol ‘hh msi yng om plana score The opera ws eeu bY a rode wil ae Cdr fone pie Sth author, weer, washes thelr eonmance The cose Ris sige os sip sie efor fern oe ages 1 192 Tebets ky hanks Brunke al eee a sont Londen lua Ceo ny let elon "efalbvng ear inane asthe Fares wn oon etsy Aponte nae ost pra rg i ces Ste Fran Green) n alte th stor of hepublshr notin T96,condbevry ft dybaa ocrrobcompeser owe ne Tefanousist nigh of rnin Terex ok lace Spcner 230 19fbinthe tal of Hagieburg barack Techland epee fom Ley fist. Bb he muse cb i. ad arc, he mise marae meta rate Tesla (The Tera Stal Fag i9) ne ein hetothe pres peo ty ris an ‘ofl inthe cote trator an ieee abe eau octen hat isiposvle cunt I npc was nol doutel ey ite German Lagehommando they chon 8a he seul ie Irie, eer tunel Tee ripen vy the neato eb Groce 2rd 8 Gone eel in be made Tein para Inthe Der Pro eh ln fd eine iach the Aer tur eon woe he oss ot sg, Ths alent Nes ppazands dione ing, hove earlobe Teen chien nays gg pers Pe henge “teeth dei Redes it i est ako te eis sate The et kel onde say thes hind esa Tears ere om ngmore and mre eet, The aba of rand bean the rdnal umber 40 ink espe Ewch as dispatched fon Teen Ge Oe ts 54 The ran bog he balled psges Ashi ‘So dnp itr zing twine hae insure Kes Hecae Seal lnaechanber heey sey ae Tax KAA was born in Prague on November 31899 anne Cac German fay. As aha began an ais was tring inthe diel tins of WUE, vas ala the tine when ae a asl abr atonal sins, vas bom, ida as ene fs ows ahs hse aig of boning wt Prague environment wa sronger than racial sflaton Festa at Deuche Adem ir Mus wd arte aval n sane on Zl’. Hiefinshed his stds ath Orchestral Grtesqusbase on tex Monsen’ Galo Song andthe rt ceived the work paste. B Rychnonsy wate of ‘een a, Two yeas ter his Synphony or Small Orchestra an Te ‘Sing Quart had the penibe in Pars For asi tne he tle composcn ‘nde Abert Roel Peach muse was ao his bear ust as Frc itera tee al ound the work of Fyodor Dostoyesky rerycongnil. sis oper, "Yerlobong im Traum (Beata in Dream) was campos with asters’ short novel Uncle's ear au basis vas presented ~ and warmly rected at themself in 1938 n ees duces Pater in Prague ad Thecrmposer ws ranted the Cxhosovak Saad oi "ea wasn toch with he ast eles around the ly Praer Yoga and wth the Cah graphic arts ames of eters rom te association ns Hecallaboraed with one of meraber, elf limesr, wie: composed incl mise for Honea’ ply vl ve be (Youth at ly), which was eforma nthe Coch ete D 9 arin the Gene Bune (nich Torberystranlation). he Populi of tiesong an em ths pay inspire risa to compae ops of chanber muse the stiagquce Theme and Varisuons an the Chamber Msi for Gembalo and Seven Instruments. Qn the second ‘cesonheelabrate wih aftr chden'spera Bruni which ‘wishisst oko become hile ie. In Teen be weat ano compas ering ts Tanz and assicalia 8 Pg, ‘Three Songs for Baritone, Cre, Vola and Vnlonedlte& Riau pty inthe Coch alton by VNezral snd Overare for Smal Orchestra, The pees ere brillant pefemed by the het innate among which hee ere {numberof astandng aris yl seounts, Ouverture waste only one they {id ot manage peo in Teens pre okplace ify yeasaer-on eo 1588 ners, ae ‘THE TWO VERSIONS OF TI OPERA BRUNDIR ifr pinyin instrament ston. Original, he opera was ined fort, 2elaes, ang, pana, sting, section | and of vlins and elles, large and small drum, and ejmbals. In ‘Tera, risa wtea ew soretaking aecoutfiheintrumets avalible The results acaereeata wi eer nara, Te stings were hid > ‘sel of four iin cell nd doubebass, The Mute semats ath heen dhe rae tection complemented by clarinet 2rd rumpet. The pressions ‘mewithoot cymbals, but theelou of le sound is made ey bya guitar and on lhe sene, by an ecard. couse, the plano rains the poniplnseument ener ‘yr rar the diferent isrunertain the Tern ves nla some ether changes The mos inpartant anes ae the miso ef cee, At (Te 2a ‘Sage Chie), tnecors Tres grou up fe Sexe 6 et and he sc tethepursu of Bra (Son 7 At) Mino alterations incite length ‘ingor sbreingf he intact bas fale tol pats, deetons in the umes of anes sgh mold or yhrsc hangs orton raspostos ‘On te the hand, orth Terai ghettpreduton Krise compose new lsd - Serenade whe he bul up om thereto thet ie Thisedivon assis baste orginal Prague veson ofthe opera Bath the era cre andthe piano sores oly in acpy (he ar etn the Terex Monueat unde the invenay nanber 756). Asboth sores inte had-wniten is od conecons bythe auto himself we hue incor al his wean, leans in ore of be pan sce "Tomake is pian score serve fr bath versions ofthe opera we have sl ier psi, these os (Hesigaed xs Oia fr deviation ‘he Terein veo owe have ransorednezesary explanation i fetes (Thesuthographe Teeata score andthe cop ofthe iano score ae kein the ‘Teela Nonuent under th mentary numbers 118 and 11902). owe, the iano sors. praia dor perfomance and tcannet be encumbered wilh ‘eon ool nts. Theclre we retain fom erence o winners (amangelies in chars, chins, namie, eos, and acento). Anyone ‘unt in eal formato refered oe aval scars of xh vesons othisreson we meton ony this point the txt variant in theconlson of ‘he oer aint contin in th Teen iano sae page 36. The res foe ‘appar inthe pubic eezikd koi, were on page 27 R. redenelt ss Orginal lead un by oypa ome fh con wore unable (ogres ero the olla That why we have change and segue wil! th eulber’ lave, wo was already abroad, te conclusion by E A Sauda’ ew es jut stands by tan fears nosing. "Inst ot afimitr's wel: "Heb ow bis dad, rater and native land, (hereon pags Bad 9). Tsai that ft autho he variant was A Sauk th test mist hae buen writenifo towr sin Sauls was tin he Terai et. This modifi ‘nape was sung in Tere iat tse to ta by rele but aboby Gen’ veer, the sen and compre fhe words fre lobe uncesoed nthe context ofthe tines andteereumstances Today Hallnestes eckson apes ous asthe loa ulmintin ofthe work we hae na ren or jutton- change Blane Cecio Die Kinderoper BRUNDIBAR (Die Hummel) von Hans Krésa und Adoll atest wun vor alm dank er Rel bert, de sein Kontos ‘horses ppl ha. Sihat ds ee Shika der Wallinge rere led dele Oper geil habe, und doer, dese be Uber iz Reqrisen alsdschanr edt haben ‘Se tal prosusche Wese 1938 eer 1939 estan (aufder Maschinen de Libetos steht 1938 fir enen Wetbever, dn das damage Minister fir Schulwesen une Vollsbildung fr eine Knderoperausescrieben hatte. 2 Aaswerngis esc meh kommen flr ant ports Im Jul 194 feierte dee Diekor des Prager schon Wasenauses Oto Freund seinen fngten Gurus laren ch Freunde samen er Diignt Rafa Scher, er Srponst Han sa, er Panis Gib Kn de Dar Er A. Sadek, de Buhoenbder vom Naoalbeatrezntek Zena under Gist. Eswure bland rs ne Knderoper bbe Schiche: hat ‘ih sofort entbioen und nahn une sstenz des Drktrensohes Rudo de Proben mit dem Chor des Waisealauses fr Kuaben at Die Transport, dat Stanrech und ie Deportation ehhirs nach Therese abe ds Vorkaen riche gemacht. De Kinder in Prag haben Brundibdr wotadem gsi, ohne(chet, sure ee tstramenalitn ds en lavesuau esl abe, ite 2iglngen des Heimes Or Judisch in Hagibor hat Rul Fenened ie Op ingebbt. Die Aufhrang in borat each eine de Axtoren xb. Der rons Krist wurle dem Tarpon BA yeoréret der am 1081942 ah ‘hersienstalt abgahen Dec Textator hae. lick ichers Sebi Dak Brandi” etl eine Biladung nach London und Keb erst nach der ‘BreungindleTihhloae zrice Tul es folgenden fares mufiea such Fendeflds2um Trarspar Als oben Sat be ich len vasa Kava durch oriole sschnggel, “hat 1965 Fran (revdenfel) der Avorn der vregenden omaang des Heras eter, dlc rm eta Tabs he arpa ibergebe, dante ner Prdtu fet" Diefetiehe Premier von Bruni in Theresensd and sm 2, Span 196i Saal er Magebuge aseme sat,.Den Ree at dl Oper vom. trslen dnbiren ane gefallen, die Musik und auch der Text. Besdes iat indore Sass madera melds.” (Ferd: Teint Sha, Pag 1965). Im Tharsientier ho wand Brandi Uleignl eile wn urge infil -aufdenGingen der Wobabaracken ud in tckn. A ‘eine eleaung evel rch elnal ds dete Lagerkowmaado tnd wale dic Oper als Benes des seinen Lbens" im ,Kurort Theresia ur dle Inspection des Inteatonalen RoenKeues as 23 Juni 1984, Gos rete 4a, ds Thereserstiier Parades rien. lm Fl ,Der Fer bert den iden cine iad, dn er Reisseur Kurt Gorton za drohengovungen erie, fee ach Grand nich DerFm-ee inickshe nzasich Pagan hat allerdng ah ial Zaten de Therese artyeinde fehl, as Fre de pega he Ld Ses. Nach der Wega des lamablen Bescies des ote rezk alsin Alan Glee ate. ie Serbeplocke uae drelhundrtal in er Woo, Die Transpoae wurden ne rier Der ulrvon rnd wurde forza ‘Nummer 0 im Transport, der von Therese 16. Okobe 14 bigs Fertig ode vel Tag pita rice dt Zug diebabttenPesngere nach ‘ashi Nach de eugenusayon deer, dsl bert aben, end ds Le on ans rs. oh am pee Ta indo Gaara ee ls KSA wurde am 30.11.1859 nner gemicen chehise-detshen| Famili gebren,Vensclich und kunlerish ei er in der sewern Zit des, sien Neti bran, Glechtigeatéand dine nee Runs e ere anna Jen Leidosehltn eran war. sn gore 2u dn dicen Autoren, deren BevuBisn de Zasammengshiriglt mit dem Prope Mille ster nar als das -Rasslevullsen" Er hat an der Deuce Akademii Music und daste- finde Kunst in dr Kase Aesander von Zelinsky studi, die er mit Orchestergrotesken auf Tete on Mongentes Galgenleder boxnet Die ih iads Werk gvdrdg E. Ryehzowsly sch beds Aleubio eines even Sirs Ze Jae danach kate sene Symphonie fr lens Orebester~ und das Steichquartet” in Pars Premier. Bine kure Bet studierie er emstion beater Rowse, Die franzahe Misi wari rab eeno we leans Liar Eine ee Vewandscha fle each mitdem Wek Fodor Desens Auf seine Novel ,Des Oke Tau komponioee sine ese Oper ,Verlobung im Traum". Siowurd im Rabmen ds Musisivals ‘Nifespie 1933m leven deuschen Theatr in Pragraagelart nd beset ‘geroramen; dr Romponis eri doi den ueechsoraahen Sines. sn ere ide kserchen Geelichat un die Tapsetng Prager “agbat und at wchechshen bldnden KUnsera und Lierer von Verband ‘Aas teem sent viet, a ofits, hater roenal msm ‘abet. rkarpenerte de sence Sika desen Tesestick Ml vee” Jugend Spe"), dasim ichechischen Theater 35 und aul de deaths einen Be n der Obesetaung Flee Torbers gs wurde, De Popul ‘tides, der Anas aus dest Stk hat dn Kronen au Kops: tin meter KarmerrosiRverke inspire: um treicquarit Thema mit Villines" und ar, Karmermusie fir Gembalo und sebea Instrumente” ‘urn avian alba rea mi times an dee Winderape ren 2 ‘sunmengerbte sen lesa Fret eedees Wet st ln Teresina ae och das tech Tera und Pascal & Pug”, Drei Lieder fi Bacio, Klaine, Viola ved Violoncello” auf Vesa von ‘A Rimbavd in der twchechischen Dbersetaung on, eval nd ene ,Ovvertre ‘ie Kies Orchester” Romponiet. Di Werkekaben dedamalge flings Chet esr inert. Uns teen wen vlan Ks Ardea i wee ahah Ten sr pi ren, he rem hate ing abe persone aa 2 Jnl 1998 nj, a ee DIE 2 VERSTONEN DER OPER BRLNDIRR, de rags nde Tharsen- soi nbd eh eal inertoaneneg Ungringih var de Ger bt ie? Harem, Steep Tod. Gen Voie, pte dee ane een a Testa fate ong Partie ne psn, chen net de \egug hate Ds rns ote Fane sere Boy Oi Suehirsvmen ei not ind asanmensany i ee Viol ena rsken De ie tomas mt ete nd et Blaserguppe shen Keine nd Trmpete i endglige Catal Di Sclaghsnmen id she Deca fr ben Gin a ae Gia oreo dclsngin ds Gan Sees i uch ia Sverre ‘ied techie ameniunght de Tenses esin roche Anu een cn essen ge sen es AW Aisin (ete der ei) s esl tea fet 2A udder esr jen Brad ul es 2.) ees dering arch un ine tinge Kings Emperor Sauften Seeburg der dS. ig meter yt nrg ot ‘ral apse Andere hat es re Trung im Therese Gat ee ‘atch cove “hmsengane dif tren den ae Sot eta tier gabe sire eine Pree dr Orme peg Sol ire Patios oh der Uaertopensiven nu Ase {Gg shal Those neds enaanys 713) lsh bed Quelle ingen amperage nd hneoechbene Eryn nd refer ete bende ng fe es Asn es ds san soe Dat dese eta ire einen de Oper eater an tale dameh ar de bene Terese Xeon dyin emlnctent vin) genet en Sele rng ering a Serene ie apace ‘renseatler Patron de eh des as dana ‘hers tr den Inventor 1080 a 90 ape). Det “averaging en prt urd ven oan tpl it alas ven Pdeonshnerongeelsten Dab ‘ncn i wer btn ner (ra bean orm yh. indertynami going) nee cere Intresienenveresen wi cngshenes tdi aie mice Parte elder einen, Desi bereen wit man ise Sede ‘exami Oo Thesetider inser {at ee 8) ler nn ind Si nah Ss det reser afSee 71 nah Cynic blo Renting op ‘ed engender don aot seman” Jone i nee ces ed bw lr a, ‘es nde deste on E Sue abet nd eer de ‘end da si nd or el oneal Wore tts er ier nd ats ht wd malo (ma Sele bund 4: nf Nchdehtng Prema alee, lf each Juke Seles ance Sth soe EA Sih Abd Yani, da der Te iso den Srigerstnden en mai enn Sade veri Thera Ceo. Derso mare elu itn Thera ich espn van die Tasch bvest sue, Freee ch Gorn Hadise Saf un erste exes Roeder und de tnd begin seve. escent sili Se as tg Kel ta es ir se nade minis Blok roodObsazeni / Cast / Besetaung: PEPICEK LITTLE JOB PEPICEK ANINKA, jeho sestra ANNETTE, hissister ANINKA, seine Schwester FlaSineté# BRUNDIBAR Organ-grinder BRUNDIBAR Leiermann BRUNDIBAR ‘ZMRZLINAR ICE CREAM MAN EISMANN, PEKAR BAKER BACKER MLEKAR MILKMAN ‘MILCHMANN STRAZNIK POLICEMAN POLIZIST VRABEC SPARROW SPATZ KOCOUR car KATZE, PESAZOR DOG FIDO HUND AZOR OKNA*, sbor WINDOWS®, choir FENSTER®, Chot SKOLNI DET, sbor ‘SCHOOLCHILDREN, choir SCHULKINDER, Chor DOSPELL ADULTS BRWACHSENE * Dit jou doa. * The children * Die Kinder sind ojo wid, ale areal bome. You 2 Hause, Man birt sie ‘eich ah je shel can bear them sing durch die giffuten teen oy rough te open Fenster sigen, seit windows bul you sie jedoch nih. caseot se then Orchestr / Orchestra / Orchester: PRAZSKA VERZE / PRAHA VERSION (P): Flauto - Clarinetti 1, 2in Sip - Tromba in Do -Tamburo piccolo - Piatti - ‘Tamburo grande - Pianoforte- Violin I, I -Violoncelli ‘TEREZINSKA VERZE / TEREZIN VERSION (1): Flauto / Flauto piccolo - Clarinetto in Sip - Tromba in Sip - Chitarra- Tamburo piccolo - Pamburo grande - Pianoforte -4 Violini- Violoncello - Contrabasso; nnasoéné /on the stage / auf der Szene:fisarmonica Déjisté / Scene / Szene: Méstské ulice se Skolou, mlékarnou, pekémou, stnkem zmralinde a flaSinetate Brundibara. ‘Astreet in town with school, milkstore, bakery ice cream stand and the stand of the organ-grinder Brundibat. ine Stadistrae mit Schule, Molkerei, Bickerei, mit den Standen des Bismanns und des Leiermanns Brundiba. Durata cca 35 min.BRUNDIBAR PRVNi JEDNANI ACT ONE ERSTER AKT iE Drbatipovsiedematie Vos o1%2% Camnen gars ele Raseaenesey Two children are walking inthe idle of the street a (1902-1995) eit ‘Zwei Kinder gehen durch die Strae ieee Allegro energico I = Mgmpon) G1). (owas wivpows/ FENSTER) coro fi To ek te Pe koma ohm elm Bow cient EM dee 705 Aire ete RS di fe el tn 2p (© 1993 TEMPO Praha Tos All rights reserved10 ‘ caaaaen (( pid tranquilloe rit, / c — = ae <= ta = tf - exe Za m-kuve - de A = nin - ku, ie 5B ieee eer an ee mar Bei eri nee ny te pugpeder aay Be Sega guetta oy pas pe, Ge ee Allegro (a tempo) ++ rmaji vemeenoe a - harsek — mothers home mit sel ner Sehvester (A. = ys made ce Ger- + Travno mu emt ‘+ Toco pil tranquil To16GDrertecx (Luisia) Ji se menu ju Pe E.- very-one calls me Lit ~ Ten "bin Pep - Bek, ihe Mo me lla —— | mo tm oj nu fel mij ta. Sek Za rao ku we. du A nin ky T lon my dad - "ty tong a = go Ti ad my 3 > im dar’ Anche dos ‘St G2 ei = ne AS in fo Mut. tert Krank, ex! geht ‘ine seiget, fem= te de wa_macne Yor y a) pees i m molto rit. ANINKA, PEPICEK SS 2 See 0 eR 2B ————__ Nee eotctest ier iar woduas —— 7 d4vno mi zemfeltatiek. rospit animato PEPICEK ANINKA Piifel pan dok - tor shee} ~ le -ma, se suede ny - ma Hi ma Bocter dime in the “day” was cold hte wore big gla > ser wos old eae Box «lor satpel_ hese dee dan at oo Heese gen Dok tes sel gue ee fot gee ae el at ie ang " € € PEPICEK ** Tit. used si ved = Jo ma. min-ky ave dr - Zel ho - din-ky. He sar down nest {0 mom ~ my's bed, with “his vold hand” he touched her head. or aisel ME ha ents Nien ait aS 38 dill (amoroso) ANINKA, PEPICEK Za chvi-li vstal = po vi - dé, Af-ter a while in tow - ered voice “Al Wes yird.gut, es ist) alc schlimmt = es pp dokeiss. Al P. | go bude dal se Ti - 06. hhe said 10 us: Don't make such noise, — Bigibt schon im aur ges hat Sina! a ether in Bet age - eens Ser, wT: PEPICER STR ANINKA rasPp? mossy B n> ita ge mm, - tte Been ele ts By > peers” athe Your eth = gc sl i sche cea nae oh SSE Pe re Ore _ CORO => WE -ti vam do jdou pro Ma-min“ka spin - ki ma - TE -ko 0, buy some for ‘her, go “In -deed! Milk and sleep, that’s your moth e's need, ch ist die be - ste’ Ar - ze-neil™ Wenn Mutter, schlaft, dann gei'n die ‘vel, onda: ya - te peda the ole ” Con tuens te -~ che Sq- na. a aE — J | SS a = 2 lim Bo elo ea ay ok Bae Me er dee ese Mn gem Ma fes Neh eh a Ses 3 ve = coe a ri 2 uF be z (a paweastertee ig ey a pon bet ovmnes sana ge - = pS ta = 2 SS ha See ogee ee es 8 eu ou Me cad kee, Hats "pur moth ere need Hom Sin" ebay Gainer m, —iee Ean” Ge font norton Sey “rs eof = “oh ro — ie “ L SS a a He “°T: Obs del spiral unisono span melody Both ehldren sing unison the lower melody Beide Kinder singen unsone die untere Melodie, To16rit, n> pro mlié-ko. how — in- deed? = Me ey, Gs molto rit. eS morendo ‘attacea I lice se plat The sree isting wih people Lo calle se Were de gede Die StraBe ist voller Menschen ¥ea . 1s [U]poco a poco animato * ZMRZLINAR: * ICE CREAM MAN: * EISVERKAUFER: Md amralina katda jind, Come ard get your ice cream! Kommt, kauft ever Lieblingseis! chad tak, Ze skoro pal, M's s0 cold it pleases al Alle Sorten, kleiner Preis: mou zmralinu veichni chvalt, Everyone loves fee erear, Himbeer, Brombeer, Kirsch, Banane, at jsou velei, nebo mali. Young, ola and big and sinall. uund das ganze mit viel Sahnei iIkové,jahodov, Vanilla, strawberry, Straciatella und Vanille, mnovd, ta ledova, Chocolate and raspberry! kommt schnell her, putzt eure Brille: Get ius ley, tik, oye and gris everywhare Grose Kupein, hcier Pris! dejtesobé do trinpeky. ‘try hes, get your share Kommt,keutcuer Lietingses! diy Staue, 3G cheese16 (7:11) Allegro LZ, f CORO \ a a When hot wea. ther maker you wen ry, | lee crm cones wil keep you chee. So vel Ei auf el sem Hausen! [Lon wir wol- ten al’ les. kau fen! she | Pe. * PEKAR: * BAKER: * BACKER: Robiky jak potmesee, Roll, burs, breed, cakes, Wer mein Brot it, der blebs kratig, hovsky ako sluneenice, doughnuts, pasry! hier gis ales, fein und dette cheba jako cele sunce, ‘All deticious, full f flavor, ‘Avs dem Ofen kommt es fish, propesene - jak Suid es, straight from the oven liegt nicht lang auf meinem Tisch ‘echo tu mam jedné ni Taste i! Do yoursefa favor! Ihrbekommt bei mie auch Torten, privé Cerstvé «na mou ds Satisfy your appetite die berdhmt sind allerorten! ec Wa ny goodies! Try abt Fatter die, ie euch besuchen, El pen Traiga, “Mone 98 szcaehso™, gan tasted ‘nus mit meinem guten Kuchen! Ban aarten My g0r OMe asaasittar nadtecadas Roce garilis y keyed Allegro Ya quner ae queht ead lames f, : 7m ses = os == =z = Roz -pro-dat vie, co mil vid fe, | to je chlou-ba pre -clf - ka - Fe No -thing gives the ba - ker pleasure more,than when he sells his trea sure Brot-chen hat er, vie - le Sor-ten, Ho - nig brot, Ge - buck und Tor . ten. Pup hp ppp gts ——— Fa 3 oe ~ PEK ™ MILKMAN: 7 ** MILCHMANN: Mlcko, mléko, mléko, Mil milk, fresh mt, bute, cheese Meine Mite ist friseh gemotken, roleko,erstvé miéko, Come and busy some, i you please? gerade komm ich von der Kuh! pro déieky, pro matiy, For the children and thelr mother, Kom, probier fll aus don Wolken, pro kotitky od kraviy. For the pets and all he other. Leute kau, get zu! Cersivé mléko, miéko, mléko, Milk, milk, fresh milk, butter, cheese! Meine Milch, die rahmig feine, mléko, mléko, méslo, sr! ‘Come and buy some, if you please! hilft auch Kranken auf die Beine! Meedo deere ,lecne Frees, Pace mites 4 names Com pre echo, Vee Fress Pavia tethe , y S059 Que ba Neve? berate’ sep te negra Mosiegulla qos Teter fee Coyle bate reganWi (T:IV) Ensemble owat iit SET CORO (OKNA/ WINDOWS/FENSTER) : Allegro ip te Re GE ee, f= 2 BFP Pik See 2 2 ep 5 Es ——— 243 ; i 2 ot = =——= po an yok ao cer Cp ania, pePtceK ~ ro H He, sae omié- ka - th, de} = te din mie - ko, A - nin - ka Hie), Big tere” “nana “gad mie for mom ~ mj, How” can we Milchmann "sib uns Milch, fait ‘die. Hasche” wie’ der! Wit’—Brauchen Net gars dw ol Get. Ae ee thee on “ > rytaktovy dvod jen vtereznske vera. Fowbars-ttroduetion in the Teezin version ony Die vir Binleitungtakie nur in der Theresiorstdter Version. Ttaeet TonsA P, me ka - fe - ko. short of mo ~ ney? ier hat Fie_= er! MLEKAR / MILKMANN// MILCHMANN Kio ne = chee KIé - ka-ti, Who needs “a doc - tors eure? Wes neil ram Dok "tor i sidecttot can cen hanes | p dolce Vs are: go StSH uM pi - do -w pm. Gta eee ee thts” the ohau-y a ee ee wee, te “Bins de wat “Eh seuo giles aa "ar ot "Tale oe Wiaien suite Tey A ee Pee = Germ che — EEE eee ees Eee eee cono Motto ritmien [simile} Za ava go-Se i - tr omi- ka pale - jo vim do ren ali ~ ka. ‘Mili and creansthe jolly mulk- man glad ty pours in ~ 10 your milk cart Fir owe} Mack as eh gor “Ta = Soho fultér "dir "die" gan "20" Pa. Sthe at a chan (ee mas a errernt mf molto ritmico Towtre eas hs an WE - ku one - di have @ quar ter, your poor er kein Trépfehen, nicht mal an WE ku one - di five guar te, your poor ich kein Tropfehen, nicht ‘mal mg os ko = ku lap” wa - ter nen Katz chen. oe Bread and roll, ay kos, ichts her, Mille and. cream Fir zyet Mark a on = 1 ay ve, _ loa - ded cart Be lehman ‘ant Relen komen rae — 3 a Jol ty mile min glad by dei ee "ta soho fit” ge z & ve "Pl =i = ren = dif - ka, your milk can, n> = = fae_nichis mehr. ai gros. ly oles. = Roa ae vir sind arm’ avr = Se SSS a. ni ku one dt have @ quar ter, your poor er Kein ‘Tropfehen, —ieht “mal ko lap = © Codsud osm taktd pis shor jen vtereinsks vere ‘he following eight Bars are sung bythe er only tn the Verein version Abbie ingt der Chor in den nchsten ach Taken nur in der Theresionstidter Version, THs20 Molto giocoso me Be aie ks Mis - ter milk mas, Mitch - mana, hie doch ote ea — = ¢ = _ Hot His ter muh man, Beet Hy, _Milch- mano, hoe doch eee: tS ee tt «ale Row je ® Fresh milk is health © Dal mpi man hel pr mlie- Ko, je ada aye ain give us some ‘Bu must “ons Sllusote >a oj te nm ease, hie is tome Fresh mik ts heath fat Br mui uns Da mob man hel Me ata wy a a Mio Zann, tt” doen spe ae fh a : =v ee Haden wy be heath “= ys” heath “= yt a ¢ : = fen, Mil mn, “at” doch! - — * V tercainské verai Aninka a Poptzk odsud do konee wistupu nezp va Inshe Terezn version, Annene and Joe do not sing front here unl che end ofthe scene In der Thersionstidter Version singen Aninka und Popiésk ab hier bis aur Ende der Szane nicht sen! only TY nur? ToN621 IV(T:V) STRAZNIK /POLICEMAN/ POLIZIST Piseii /Song/ Lied o Moderato Pee 5s Za pe-nf-2 vie ckokméoni, zdar-ma ne- bu-de Eve- ry -thing is quite ex pen-sive, you'll get nothing for Wollt ihr von der Mileh, be -zahlt den Preis,den man cuch Con din ot 2 gn tan Ts tyes to -da puedes com kéyé je né- co ro -chu ep -% —hned-ka to sta jf but the sad fact is that_ mo -ney does not grow on a Geld ist wie cin Zau- ber- wort, es Brenas tor and na san grants a = = “ih Mis-kaf bf - lou ma &-pi- ci, pe- kat proutt. ny ‘Milk and bread you must eat dai- ly to stay healthy and Alles ist fir Geld 7 ha-ben, Mileh uad Brot un Goce Sane cr ta ass Hiened del ronskos, strong. Eis on. mig. ko Kou-pi 20 diva gro-S0, roh-lik jenom za ares. With. owt mo-ney iw yourpock- et you won't get by for long. Nich gigs m-sontidemn ay es koe-et ae - nen Pra Vewdhetlan yey nalcececclee gues os sonet i= gets eiieet sree. ake f ber pe - abe In this world tt Wer den gan Sine Hee nes 01 Katy mu-sl wy d&- 1k vat, ko chee pe = af ze Wf you want 1» have some sio-nes, you must work every day Je er tut was fr goin Geld sieht hier nicht so blo rum Fe aueias comprashe ge glata debes ga- oat! == mi tom-hle 38-12 oni ko nemo ze ~ swt easy tex ~ ist with ont pay. ven Tag lang triumt,der ist nur foul und dumm! 9&0 = de ma-les- tart “* ANINKA: Nae maminka chee carer ANNETTE: Latte Joe do you know what? siy> jo NINKA: Und wenn wir auch... PS ed 4 aoe 5g [PP statin ——* a 7 = = jin také zazpivam. PEPICEK: Pisnitku n&kterov, Buena dee Hale. Wrsimes en wa We could sing and earn a tot! JOE: Cheerful song, ahappy tunel Core rr abeaee y afauie ses “was singen worden? PEPICEK: Das te det Fangen wir gleich sn, = = = p_—_e__| e— L a SESE =e = F= An dd pews 5 gata? te dd nis ye wrays! -hlavné hodné veselou. |ANINKA: O pejtkovi ao kodigze? PEPICEK: 0 babé #0 holttee? Wecan make some money soon, ANNETTE: Lessing about birds and bees! JOE: Or perhaps a mouse and cheese? ‘Was meinst du, "was lustiges? ANINKA: Das Lied vor Hund? PEPIGEK::.. oder vom Kater paretie tt ernie =e poco a poco rallent. ecrese. : eis = Sask. Caden ba Seles igans-rs ANINKA:Ojaruao et, © 's ean Sn meses OPA Ancbosead ube” ANNETTE: Song abou! the spring orf? BOTH: We lke his one most ofa ‘ANINKA: Das Lied vom Frahling! PEPICEK: Nein, das vom Sommer! BEIDE: Oder... unser Lieblingslied! sien P/ only P/ aur a ‘atiacea +1 Trjenjednataktovy vod ly one-barlnroducton f nu ela Einleungstakt ‘TalsVI(T: VII)’ * ANINKA, PEPICEK Prvni pisefi / Song one/Exstes Lied Allegretto alt ut mp Hos - iy omi od le te ly, vw do nich Couk uci nd pte p hve fig ona Sin ey. Was ge Gost as ag8 uo Reh armen ar se ee \ Aan mis eos} rit, n> pir ti. je vi. di le - tt, ho nem 20-kna —_kouk. - ber. Bar gt elfen Tae od ped oe a oe (2 Wee Bema En Dig rit. == SS ee ee ee ee ee Why td jou, gies, and” you duck tgs, fly from fre So fae? ME cram SE hcg ge oto Je Moa Stim fn ay ae og" gt Sb 5 AE le eo - on 2 ie ie ee Ee Me = ae ee = 6 = SS a oe 4 z z Z = # z rit, A “ 5 = Mi e-news mma Tonge = Wee Te dak ake | LD imp ly fore hin on the plate Warmer “ge ‘sda im SO Rs, fomm me ach ME bas fis ena a2", peiggat ange HNN i “T-notace o tn ni de notation down by atone die Notation um einen Tom tefer s+jomP fondy P7 aur P Tosst ANINKA, PEPICEK Tempo di marcia « Druhé piseit / Song Tivo / Zweites Lied (Moderato) Blip] : i N@h= (SS =| Baer gir eS eign Of te ig” ; eS tei, See ah Ss ff fs 34. == a-pi- tin No vik down "to 4s from the shes. so. wie es ihm ge - lle. Zeo-ine co > yn ke mri - Gok pH - Wher ro: plae Wee elds Sg = Wage ke sich nah “an the awe a ee ae es ena Gre A Gre Wa. df mo Ma -vin- kus br - now wr tuk fe” sokes thom gest —y wth “tis =a ve Wy prop tape “or we” Sit “ih mit don Propel” Be age CM geee IR Jpeelipas decor) lose Bore inant —_ 1 | ‘© Tevypustina deleted / weggeasson Tosa al P| j Cho = din i p00 te mi at vim se do 9 blak, an Co feet goes ke ese ~yhen toch “au fim” 2k inktone r= BR ax fete ee Semmes BE aR 4 A : - chal byeh bt eho Wy me evil ta ky pl 1 - Bigh "up thee vith Birds would tke 10 "hy Kin a a ee tieds mye - Uwe gored agin a que BI Chel —bych_ mit ac = To pin hs lej - ned vlak, lhe “tox a. plane fas ter than ack, se, =_ ber’ gern oer eo P e P pPHIAEG f P hist bych byt i=in jako je pan. No vik, gol, We ght Ar oles Gap~ cde pte ic “oe No e Hon 70, den Ster= nen fe geno, das Mf schon VEE Nankang eresc. TH8 3 poke ecabens torsade, Setbansa de maledsa, nade perecbic 9 (Flasingta braje dal svou pisei a viichnibroukajf do taktu. Dati nikdo nesly8i) > 94 (The organ-grinder goes on playing, all are humming, Nobody noticed the chitdren.) (Der Leierkasteamana spielt weiter alle summen dazu. Niemand hort den Kindsrn zu.) LE ee at EY es : Valse (lento cantabile) sentimentale pS eee ANINKA: Snad se jim to nelibilo, e to pills détské bylo? C4 queonetiea canudn sale ANNETTE: [ don't think they liked our song. Was i childish or too long? 4 \9% "iho 'ANINKA: Schade! Keiner hort zu! Bestimmt, weil wir nur Kinder sind, PEPICEK: Jak my mime vEd8ti, co vé neni pro d8ti? “We!> 9° dantema5 que 4 gudla o bos em JOE: What the grownups want to hear, He ids don't kuow, Lear. Scam emaspt | PEPICEK: Woher sollen wie auch wissen, was die horen wollen? .,und dabei ists unser Lieblingslied. [ANINKA; Vielleiht sind wir einfach 2u lise! A ea a= PEPICEK: PFi hie jeho MaSinelu neni siySet ani vétu. To co jim na kolovedtku od soboty af do patku... L& Cuips co Se Brand doar JOE: When he plays that hurdy-gurdy, he maker much nts, tha, inspite ofall my efforts, I ean’thear my yoie. 9ge0%7 += ne PEPICEK: Die kénnen uns gar nicht hdven, man verscht ja sein eigenes Wort nicht mehr. eg os pounding p sentimentale “TAL ‘ros2» ANINKA: ..tenbleten beznohy muzikant bez viohy.. No eos a1 dee de emvsice ANNETTE: This msiian without let play here every day, ‘ANINKA Wahrcheintch halt er sich auch noch fr mosaic, THe ym cone ws widuess. PEPICEK: .hraje a¥ do omrzent, aé'na tom pee pranie nent. 10% JOB: his music is weary, borin, he should go away! cartoons PEPICEK: ...dabei dreht er doch die ganze Zeit nur an der Korbel ‘rum. din pw lescamisle bar ada, becrende rhode (oc maladie db orgenthe «Lense (Obs det Spake Nasinetovu pier piwotf se po velkfeh a tant. | 5 eepesen our Lia SITU hal tom Matinee sick povdionn a ropa) RN > eeperen Woe ad Annee are nioking te adults, making fur of the organ-grinder's melody, and caricaturing the dance. “The ads wke notice of them) (Beide Kinder singen des Lied des Leierkastenmanns nach, machen die Groen nach und tanzen, DDie Leute um den Leierkastenmann herum werdon daraul aulmerksam und beginnen ai schimnpfen.) aa LL) i= [G] Pitt tranquitlo Gun ete manlende ? He duce dos tohin eat eee , MLEKAR: Ko to tady poFfd miouké? ZMRZLINAR: Az miztoho boli usi, PEKAR: Kdo to tady jeSté brouka? MILKMAN: ICE CREAM MAN: BAKER: Who ls making ll that fuss? Wo trscrecching squealing here? ‘These darn noses art my ear! BACKER: Wer brummt dazu? MILCHMANN: Wer piepst da so? EISMANN: Mir tua davon die Ohren weh, pp molto Senttmentale Jen PI only P 1 nur? + T:jenjednotaktovy ved / only one-ber-inroduction I our ein Einleltungstakt Tasx0 ® api qorive ge io dew Teo ce Set y 1 Paliere } BRUNDIBAR: Tenhle evosek nds tw i. ZMRZLINAR: Rosina mu 208 koukd! BRUNDIBAR: That shrinp i disturbing us! ICE C MAN: Fil of mischief are his eyes! BRUNDIBAR: Die Blagen da, die toren uns! BRUNDIBAR: Und schaut, wie frech er ‘ruberguckt! =. oo Satecmie poco a poco Tallent. ¢ eres. Gal ouss agai? : VES mocosmt STRAZNIK: Copak toto se sus” PEKAR: Hele nang utinosy, jk ve nosy veh ns POLICEMAN: Do you thik that hss niee? BAKER: Look at wo pests, acting ough, how they hold ther noses up! POLIZIST: Pas blo aul! Ich werd’ bos! DACKER: Die kleinen Krten werden Keck! Lat das seint Haut ab! Los wee! fa = Wy L Vv = - te BRUNDIBAR: BRUNDIBAR: BRUNDIBAR: Ach wie sid, _ Mito cima @wlan ‘Aten maly smrkanes, ‘And ti aaa a glance dee Kleine denktertanet. kav ox1 ete umd! anys. Zee to tanec detest were o dance. Gienmaai cae a MLEKAR MILA glaubst Do, dab Dusingst™ os, area Ale ver, toskréck, fet jasta ite squirt atts has ma sotva jako evrsek. ina dirty wont outs. Bas quiets und scheppert 2 Ct een — EMRZLINAR, ICECREAM MAN. wc Sn rostiges Paberage 9 Geren gSlns emt! Atenhleten, kal vieehpisklat, can yl and sera and shout, NaiBA apes ae ASSOLE SIE dat RRONOIAR ei God oe BRUNDIBAR: BRUNDIDAR: POLIZIST sete Dam vis, uliénici, sebrat. Til have you, kids, put in jail! Und laa euch nich beim Beyteln, StS 8 Peder doer STRAZNIK: POLICEMAN: eawgchen! go wed engpeme gt oe Bb comm Gpovade se mi febrat That woul tiem witoutfa, aA RAN a ny So PEPIGEK, ANINKA: ANNETTE, JOE: veneee me Nc sede ft pe, le pn.” Guten beg your pardon. Oe ee ser tadibag “Po * ry emel an zddn. pane Wir matin Mu ’ BRUNDIBAR: Shuto nove! Satu, in hander! | BRUNDIBARS | Ani muk a isle brom6, How jou dobeleve, wonder,” | Kein Worl mehr, thr Racker, : sae pecans | mashn ab i BEPICER, ANIA: eee agree | ane na ‘Ale pane ale pn, ' “ nicht singe ee BRUNDIBAR et PEPICEK: Und Geld vrdenen, ence! And get out of her tie der Leierkasten PRURDIEAR: (Brundibérswings wits his ann Cee MONS Miva Kouke}, jst vpracho, (Brandibdr swings DRUNDIBAR es Gauge set poste Te ee and ide) ienrecheriestasooasl Ror? Sette Brundibérverjagt dle Kinder, > } MLEKAR: They are overcome by fear {inten Gaven Gnd version sch) ot hae | Maj gate pine strachu MILCHMANN: Endlich ist Rue, © $ iehaben jetzt die Hosen voll t,o, suc ve len Teuela | Toa llegro perpetuoso e furioso* (f BRUNDIBAR Za uo- le. nd pi pr - Mt - kal [Kéy-bych ff byl je jich Dog: gone hit dren, wha both er! |) Tn «fy are their fs ‘kr fet ,‘nen' "fe chen Hel den, | gor alehis tabs” thr hier ‘zu ge deat Neo Was har Gwe feta = an See eles quan tes ye 5 ao man loz Chey Fl adve Kw as. buf-te fk thle. je moje By And you kids don’t make a ri ott Where I rule You must be qui - et. ‘Mier mach ich ‘Mu ~ sik al; Toi = ome, Kon ku ren- ten dul ich el ne! Nyreca_nonde hy de ser do al Pa- tren te di mere ca = do “ +7: Allegro vivace jan Pony Pi? nue P role2 Be = Sine 5 tt Bran ak or. gonsgrind er Brun - eure = ner: Brun - di te. dy vid - dae ja - ko ei Here's my em. pe Tm the czar ‘Aut dem Marki- plat, das ist Klar, sich be, mk Zar rye, Sultan macdl fay A Pa- Ta- dy kaz- dy pi vol mu- si, jake ja tou- ble, KIL. kou to - Bim, When I” play and ture this han dle, Sing with me, don't make a scan dalf Wenn ich uch 2 pak ken krie- ge, sot es cin Paar fe - ste Hie be! To-do que Whe cantey barnla ab compés de_mmor-ga-n- We Hf je = mom ne = ko aku sf hed - ka po. alm do, 18k i Don't you like ‘my mu sic making? Out of here!’ Or you'll be ach ingh Tech be - stim me hier den Ton, der Brun. di-bér Kennt kein Par don! so) A G- m2, 55 ls mas mor 02+ a ead ek ma a + fen P/ only PY our P Tos3 = HT molto rit, > >= > = | atempo Allegro Ta-dy vlad nu ja ko kell, fla Si-ne- it Bron di - bar By ae ew Tbe te Set OF gins gio- der Brut at © Bar 5 Seid, SE deli ake | gullet Sine ee | Forks weenen qeyeucchor = 6 al goons gp Bergaree , (Brundibar hraje a odehixs.Lide se rozehzejf. Pad soumrak,) (Brndibér plysand departs. People disperse. Nightfall approaches.) (Brundibsr spielt und geht ab. Die Menge lost sich aul, Dammerung sett ein.) TAL ee oT Adagio Tis4 ANINKA(ylez@'Hi'suiter) Gos potnem, achich, bed. Sun bee ANNETTE: (coones out fom bein the barrel) PEPICEK: PMLA" Gawd Line Joe, what can be done? Uz neni ten zly déda. ech JOE: ANINKA: Fata. rN creche, LewieThat old man at least is gone. ind se lik 8a ANNETTE: PEPICEK: Co Na ool uc” Isolate, Pn feling lee. se stiny stindm BI. Ss.crece JOB: Noctu bude v okamikuy \, “Ait de shadows look so ereepy. snyinse RI mand Mee oende os ANINKA: (ont hinter dem Fa8 nervor) Wes konnen wir etal noch tun? PEPICEK: Hauptsache, erist wes, der alte Nosglet. ANINKA: Teh bin so mide, ta uns sehlafen gehen. PEPICEK: Jaichaueh. Es wird sehon dun fe ANNETTE! Night ie coming, i's so scary! JOB: ia ‘ce Perkaps we'll sce good fairy, ‘ooevbat here the dawn. ANINKA: “Weqae Ve adie ee Roctepindtepasticd.Vays de hoe PEPICEK: ¥ peree0 ys’ e% Potidine tu Jobvidnt lek ar ANINKA: Wikies, 3 Shad potkame biiou pani pn) ANNETTE: boars PEPICEK: Gucte Bote Wes (yy Dazem dik well mee a fun? Eihenesi agin’ Yep" be soe tvs Sitddown, Annette, hold my hand, drfne sera raciekv. "> bs me ‘on this bench the night we'll spend. v a iell vote! ANINKA: Teh hab* Angst. Was ist, wenn, die bésen Geister kommen? PEPICEK: Wenn wir schlafen, sehen wir sie nicht ‘Auordem ist es ja bald weser hel ‘omm, legen wir uns hin, {ch halte auch deine Hand. Anke. Qeonkbe we da pant 7 Latins Dake Rue Lavine + Btardhicce 4 Maid Fenepls : Ande Vode ta cage mit Bote. Bla estoy temblends © ‘Andante sostenuto (lugubre) ANINKA, pEPICEK p | - — @ = ———— mp? oe eee e ee ee Jé se bo jim sBrundi - ba-remto je jt - ad, Tm a-fraid of With hin its an-oth- er Sto- Fy. Brin - Gi-bir, der Jelat ist" der doch langst zu Hau se VEN Camay om M2 m= A09 PP molioespress. | — pS 4 > = TH6 Meteo TiesTa 35 r jjspad to by - Ia mo - jew - ta, |e er-haps we went too Jar. Gem ige er doch ge- fhe ~ Heh Ted uh chr&. pe, Now he's sno ring, ch, ef schnarcht schon. cafe -nom a - by. Ti mim hls - sek pi - sla. by, AC ki me makes ‘me wor-ry. ‘My weak voice sounds somewhat sor ~ ry. With our’ voic - es ‘Du, ich glau be, nur “wir bel de sind 7u we. mig, und 2a schwach sind wet Chae = mp = eas Qentaen 32 = = At kid me With our voie - es und zu schwach sind jak kL me, fla Sheet ne eK ome, fot too sturdy" we cant match tat r= dy - gar ~ dy tia ‘re sim > men, gh Kin dermis. sen” Sin gen, oe ae we” Brun de ane Mins Sey jak tia me, fla - fi-net_ ne - pie. kr. &- me, mot, to star - dy we can't match that hur - dy ~ gur- ‘dy, uns! re Stim - men, viel mehr Kin- der mls - sen Sin - gen, Sr ace ae To16\ 36 ay Maes al c nis mi - 1, ja Konic. MBlo by ndsbyftivie thee fret iS to optus! Many more could make iss Wil omihr Kin = don, dag waetoll Wir mien vil mehr Kinder sein, 3 % je ism lo, ja konie flere are on y wo of us! viel mehr ‘Kin = des, das war’tol! vel __m 3 eerbinde 2 Allegro (molto) VRABEC/ SPARROW /SPAT2 (selina sinu/ fies on the stage! nop a die zene) @ Cim vic tim lip, Sha ly peal "To vrabec pip! Hear bide speaks ps Pag Pe aqrate Agitato a Tiesto i wie Mag sic pra-nie neni po fom, a, Je zpranic jd vimo tom, Wak my lng beak ie to peck, fe 10 what's going on during the week. Zuei-e al t nicht aus, da a e ‘kenne mich aus, kenne mich aus! re MeO er pe sor ms Tosa” [E]Moderatotusingando (Sette dande ve pared) KOCOUR/CATIKATZE py dolce_(stskttse zl jumps rom the wal spring von det Mautt) Jeo yag sgh vi dim i vo0 - oh tt « in is dark ~ ness sets im iy. ‘eye sight gets Keen Nacht‘will ch) ja geo, kaon at 8" Sea Gate sa- Ae ee) Pili animato a Kayt se cou - rim sim asim, ak se no) = vie na = ml - sé When 1 roam a= lone a night, = content smy ap pe = ile eae ue eee al = $0) seid ur aug Ser” Ht Se Mens 69 = 99.9-ce = chee du-de el mee jor incite osen FSS SS Tp ts) Agitato VRABEC/ SPARROW! SPATZ Tam-ble vkou-t8 —ko- cour pie- de Ta the nook he tar“ faring Seht, de r= Bon schlecht deat 7e, “Bondi goa: es TFL pee °° Tetroly, jako Ef oiplets ae tx (3)! Teioten wie in Tos38 no na - mou-té, co t& ko- 18 co t@ ve - de? Come and look, what kind of mischief is he stir-ring. sie kann elfen, gcharle Kral-le, schnel-le Tate I yes RAE ON peor mes 52 Moderato lusingando |p dolce KOCOUR | CAT/KATZE Pid animato Pe eee eo Pred. ab Te Sth tonal Ob aer — Ye = ton My fiend Hilfe mon Kon, word) teh be = den ~ Ken ech tag nis dn, ase etd a gels ger ges Ree ce pi dolce spor A wm - 1, ja je nd 2 - do's ve - ry wise, he us good ad - vice. gn Hund 2 dep ad) er yor. Tos ae