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ARABIAN NIGHTS 1

(Fron Walt Disney´s "ALADIN")


Lyrics by HOWARD ASHMAN

 Moderately bright
Music by ALAN MENKEN


Arreglos J. Ramon Hernández Bellido

 
    
Violoncello 1      
p
  gliss.   gliss.
    
gliss.
Violoncello 2        
p

  
pizz
            
Violoncello 3    
p

          
pizz
Violoncello 4
    
 Moderately bright p


      
3

       



 
mp
Piano
      
                              
          

 
  
                   
7 3 3

Vc. 1 
p mp mf

   
 
 
  
divisi

   
Vc. 2
p sotto voce mf
arco  
Vc. 3
      
p sotto voce

            
Vc. 4
    
 
   
    
  
 


 
Pno

      
                             
           

 3              
                      
13 3 3 3

Vc. 1

 
f
simile gliss

      3        
gliss. gliss.
              
3 3
3
      
 
Vc. 2
mf


       
sul pont.
    
3

Vc. 3  
mp mf


Vc. 4          

     

  
mp mf

  
  
 
 


       

 
Pno

 
mf


    
  
    
  

     


    
 



f
 



 
 


      
2 3
  
           
   
19 3
 3

Vc. 1
mf
 
mp
      
3

  senza gliss.      


      
              
3

Vc. 2    
  p    mf

   
      pizz   
Vc. 3
   
naturale
       
p mf

                     
Vc. 4  p 
mf

     
  
 
 
3

          


   

Pno
    

    

  

      

    
  
     

           3              
          3 
3 3 3

25 solo 1

Vc. 1   
f espress.

 

sul pont.

 
 
Vc. 2
           
sfz mp
(arco)

     
sul pont.
Vc. 3         
sfz mp

    
 
  
 
    
Vc. 4
     mp

    
        
3
  
3

          
     
   
    





 




Pno f mp
   
    
                                  
      
  

    tutti        
          
32 3 3

Vc. 1 
mf f


sul pont.

 

Vc. 2
     
sfz
(arco)

 
sul pont.  
Vc. 3     
sfz

           
Vc. 4
   
   
    
3
  
3

 
      
  
 

    
  
Pno

      
       
  


mf f

 

            
  

     

3

    
rall.
    
3

  
3
   
37 3
 solo

Vc. 1    

un piu tenuto mp
(tutti)

 
pp

 
naturale
Vc. 2       
mp pp


 
naturale

Vc. 3     
mp pp

       
Vc. 4
  
mp pp
rall.

  
 
     


      






 



p
mp

Pno
        
              
       

Piano 1

ARABIAN NIGHTS
(Fron Walt Disney´s "ALADIN") Lyrics by HOWARD ASHMAN
Music by ALAN MENKEN
Moderately bright Arreglos J. Ramon Hernández Bellido

    
 

   
mp

  

   
  

   
  

   
  

   


5

     
3
 

       


                       
       

 
   
9
 
  
 

 
 

    
 

    
 

    


    

  
 
   
13
    


mf
                      
       
 

17
    
      
   
    
f

         
    
 
  

  
2 Piano

 
  
21
  
3
 
    
 

    
                    
      

     3        


3

25

        

   

   




f

 


          
   


  

 
29

 
     
   
   







  
mp
   
   
     
         
        
 

     
33 3
       
3

          

    

mf f

                    
    
  

  
rall.

 
37

      

       





 




p
mp

   
           
            
 

Violoncello 1 1
ARABIAN NIGHTS
(Fron Walt Disney´s "ALADIN")
Lyrics by HOWARD ASHMAN
Music by ALAN MENKEN
Arreglos J. Ramon Hernández Bellido
Moderately bright
 
   
     
      

p p mp

       
                    
10 3 3 3 3
  
3

mf

15
    
3
           
    
f

   
3
         3  
  
   

20 3

mp mf

25  
 
   
3
         3      3 
solo 1
      
f espress.

          3     tutti    
3    
3

 
30
   
mf f

35     
3
    
3


solo
   
un piu tenuto

    
rall.
  
3
 
3
38
    
mp (tutti) 

pp
Violoncello 2 1
ARABIAN NIGHTS
(Fron Walt Disney´s "ALADIN") Lyrics by HOWARD ASHMAN
Music by ALAN MENKEN
Arreglos J. Ramon Hernández Bellido
Moderately bright
   gliss.  gliss.   

      
divisi
    
p p


 
           
8
 
3 3

  
sotto voce mf

         gliss. gliss.
3

            
14 3

   
mf

 
simile gliss
   
 
             senza gliss.
      
18

  
    p 
 
 
3
    
sul pont.
          
22 3

                
  mf sfz

27 
 
   

sul pont.


       
mp sfz


  
rall. naturale

36
  
divisi
      
mp pp
Violoncello 3 1
ARABIAN NIGHTS
(Fron Walt Disney´s "ALADIN") Lyrics by HOWARD ASHMAN
Music by ALAN MENKEN
Arreglos J. Ramon Hernández Bellido
Moderately bright
pizz
                    
p

6 
arco 
      
 
p sotto voce mp

14 sul pont.
3 
              
 
mf

s.
  pizz g lis
21  naturale    
     liss.              
 
g
p mf

(arco) (arco)
26 sul pont.  sul pont.
   




 





sfz mp sfz

36 rall. naturale 
   
    

mp pp
Violoncello 4 1
ARABIAN NIGHTS
(Fron Walt Disney´s "ALADIN") Lyrics by HOWARD ASHMAN
Music by ALAN MENKEN
Arreglos J. Ramon Hernández Bellido
Moderately bright
pizz
            
p
   

7
            
   

13
             
  
mp mf

18
                 
 p 

23
               
   
mf

28 
           
   
mp

36 rall.

        
  
mp pp
BEAUTY AND THE BEAST 1
(Fron Walt Disney´s "ALADIN")
Lyrics by HOWARD ASHMAN


Music by ALAN MENKEN

 
Arreglos J. Ramon Hernández Bellido



Lyrically
  
solo
   

tutti
Violoncello 1

 
p pp mp


solo
Violoncello 2        
p pp

 

solo
Violoncello 3       
p pp
pizz
      
solo

Violoncello 4
 
 Lyrically
p

    
        


 
mp
Piano

               
         

 
   
6

Vc. 1           


mf

Vc. 2
   
 
    
      
p
 mf

    
             
Vc. 3
p mf

  arco
 
Vc. 4
   
mp

   
                    
                





mf
  
Pno

 
   
2

 
 
11
       
Vc. 1    mp
mf

     
Vc. 2        

p
mf

       
Vc. 3      
p

        
Vc. 4
  
p

 
     
                  
  
 


    


     
Pno mp
   
 

    


Poco rit. A tempo

   
16

Vc. 1
  

 
       
Vc. 2  
 
   
Vc. 3      
mf

     
Vc. 4
         
mf
Poco rit. A tempo

            


          


  


mf
 
   
Pno
     
      
 
3

    
 
21
   
Vc. 1

    
   
      
Vc. 2  

   
Vc. 3
       
  


Vc. 4
     

  
          


    
          




              
Pno f

           
        

     



26

Vc. 1     
f
         
Vc. 2
                
mf

Vc. 3
                           
mf

              
Vc. 4
      
mf

         
                 



    
Pno f
      
         
4

 
31
    

Vc. 1   

     


     
Vc. 2

             


Vc. 3   

              
Vc. 4
   


       
                   







     
Pno
       
       

     
 
36
  
Vc. 1   
mf
         
Vc. 2
      
mp

    
Vc. 3     
mp


Vc. 4

           
mp


            
         


       
Pno mf
    
       

  

5

      
      
Poco rit. A tempo
41
  solo
    

Vc. 1
mp slower

     
p

              

solo
Vc. 2
  
mp slower p



solo
   


mp

    
       
      
solo
   

Vc. 3
mp slower p

  
Vc. 4
 
       
(Si tocan chelos,

Poco rit. A tempo
 
tacet piano)
  
(Piano obligato)

                
  


     p
mp slower


Pno

             


 

       


      
Rit.

47 tutti
    
   
Vc. 1
 pp

 
     
  
tutti
Vc. 2  
pp

  
    
tutti
Vc. 3    
pp

      
Vc. 4



Rit.
      
   
 
 
                       
    
Pno

  
  
         




 


pp


 
Piano 1

BEAUTY AND THE BEAST


Lyrics by HOWARD ASHMAN
(Fron Walt Disney´s "ALADIN") Music by ALAN MENKEN
Arreglos J. Ramon Hernández Bellido
Lyrically
    
   
  
mp

                             

 
              
5

       


     

  
 



9

                   


  



  
mf

      
   

13     
                        
    
     
mp mf

    
      
2 Piano

18 Poco rit. A tempo

             


     


f

           
 
   
 

   

22

          



   
  


                
     
 

      
26

                       


   
f
      
           


31

       


              



      
     
       
Piano 3


35

       
                   
    


mf
    
          
  

(Si tocan chelos,

 
Poco rit.

tacet piano)

40

    
                
  mpslower

      
 
      
  

A tempo

    
(Piano obligato)
45
  
      
    
p


          
  
   
    



    
     
49 Rit.

       


 

    
 

 

 
pp

  


    
 
 

Violoncello 1 1
BEAUTY AND THE BEAST
Lyrics by HOWARD ASHMAN
(Fron Walt Disney´s "ALADIN") Music by ALAN MENKEN
Arreglos J. Ramon Hernández Bellido

   

Lyrically
  
solo tutti
      
p pp mp

 

7
         

      
mf

   
   
12

     
mp
mf


    
Poco rit. A tempo

  
17
   

       



23
   
f

          
  
29
     

 
   
   
34

   
mf

      


 
40 Poco rit.
solo
  
mp slower

  
45   
A tempo
  
Rit.
  
  
tutti
   
     
p pp
Violoncello 2 1
BEAUTY AND THE BEAST
Lyrics by HOWARD ASHMAN
(Fron Walt Disney´s "ALADIN")
Music by ALAN MENKEN
Arreglos J. Ramon Hernández Bellido

 
   
Lyrically
  
solo
        
p pp p

    
   
8
     
mf

    Poco rit.

  
14
   
p

mf

  
                     
19 A tempo

 

        
             
24
   

           
29
   

mf

            
 
34

     
mp

       Poco rit.
   
         
40
  
solo

 
mpslower

solo
 
   
mp

  
  
      
45 A tempo Rit.
 
tutti
 
p pp
Violoncello 3 1
BEAUTY AND THE BEAST
(Fron Walt Disney´s "ALADIN") Lyrics by HOWARD ASHMAN
Music by ALAN MENKEN
Arreglos J. Ramon Hernández Bellido

Lyrically
  
    
solo
      
 p pp p

        
7
   
mf

   
   
Poco rit.

 
13

   
p
mf

  
        
19 A tempo
      
  

             
24
    

                 
       
29


mf

        
33
     
   
mp

 
                      
39 Poco rit.

   
solo

mpslower

     A tempo

44

       
 p

48

Rit.
 
   
tutti
   
pp
Violoncello 4 1
BEAUTY AND THE BEAST
(Fron Walt Disney´s "ALADIN") Lyrics by HOWARD ASHMAN
Music by ALAN MENKEN
Arreglos J. Ramon Hernández Bellido
Lyrically pizz
 solo arco
      
    
p mp

12
              
  
p mf

17 Poco rit. A tempo


       
      

24

 

          
    
mf

30
                 
 

36
   
     
mp

Poco rit. A tempo


41   Rit.
    
   

FOXTROT FLEUR
By PATRICK DOYLE
Arreglos: José Ramón Hernández Bellido

   
3 
 
3

 
         
3

    3      3   
3
solo

      
Violoncello 1
mf 3 3 3
  3
 
3

3

 3    

3
     
           
solo
    
3

3

 3   3  
Violoncello 2
mf 3 3

      
Violoncello 3 

       
Violoncello 4

     3
3 3 3
         3 
                        
      
3 3

  
3 3
mf
      
Piano 3 3

         
  

   
3

        
3


        
 
6 tutti

    
legato
    
Vc. 1
3 3 a tempo 3 3
 
rit. mf
3
       
           
3

     
tutti
Vc. 2   3 3
     
           
mf
         
pizz
Vc. 3
p

   
 p                
pizz
Vc. 4

      
                  
3

         


 
3
Pno. a tempo

rit.
      
    
2
12
 
     
 
         
  
Vc. 1    
 
3 3 3 3 3

              
3

    
Vc. 2  
3 3 3 3 3 3

     
Vc. 3
                   

      
Vc. 4
   
     
    

  
          
 

       
  


 
Pno.
      
   

       

To Coda

  
17
  
Vc. 1     

                  
3 3 3

     
3

       
Vc. 2
  
3 3 3 3 3
3

           
Vc. 3                  

  
Vc. 4
                  

  
  
                    
   


  
Pno.
         
  
3

     
                    
 
23

Vc. 1   
3 3 3 3 3

     
Vc. 2
         
 


3 3


3

Vc. 3
     
arco
          
3

          

arco
Vc. 4
    

   
          
  
            
        


 
   
Pno.
      
   

29                   
    
Vc. 1
3 3 3 3 3 3 3 3


                       
Vc. 2    

3 3 3 3 3 3

  
3

   
Vc. 3   
3 3

         
Vc. 4
    
     
                   
3
    


 

Pno.
        
   
4

                 

35 3

Vc. 1    
3 3 3 3

           
Vc. 2
       
3 3 3 3 3 3

    
Vc. 3
  
        
3 3 3 3

        
Vc. 4
   
            

         



Pno.
        
 

 al Coda  Coda

D.S
   

      
39

Vc. 1  
3 3 pp



 3   
Vc. 2
             
3 3 pp
rit.
3
    
   
pizz
    
arco
Vc. 3
pp


pizz
 
           
Vc. 4  
pp



      
  


  
         


 

Pno. rit. (straight eights)
  
      
  
 

Violoncello 1 FOXTROT FLEUR
By PATRICK DOYLE
Arreglos: José Ramón Hernández Bellido

    
3 
 
3

 3         
     
3

      
3
solo

     
3

     
mf 3 3 3 3 3 3

      
3 a tempo
     
3
rit.
    
      
6 tutti

  
legato
    
3 3 3 3
mf

          
         
   
12
      
3 3 3 3 3
3

        
 
To Coda

      
17
       
3 3 3
3

 
      
                 
 
24

 
3 3 3 3 3

       
      
30
   
3 3 3 3 3 3 3 3

al Coda 
  
D.S

       
   
            
35
   
3

3 3 3 3 3 3

40 
Coda
 

  
pp
Violoncello 2
FOXTROT FLEUR
By PATRICK DOYLE
Arreglos: José Ramón Hernández Bellido

    
3 
solo
       3
    
         
3
   
3

mf 3 3       
3 3

rit. 3  a tempo 
6
 
3
    
tutti         
          
3 3
mf

    
  
 
           
13
            
3 3 3 3 3 3 3 3

To Coda 
18
                       

      
3 3 3
3

      
glis

24
   
s.
    
3 3 3

       
30
            
     
3 3 3 3 3 3 3

  al Coda  D.S
              
   
35
   
3
    
3 3 3 3 3 3 3



40
 
Coda  
   
 
3 pp
rit.
3
Violoncello 3
FOXTROT FLEUR By PATRICK DOYLE
Arreglos: José Ramón Hernández Bellido

 rit. a tempo
    
  
pizz
  

p

  
                             
9

To Coda 
                             
   
16

 
     
23


arco
           
3

30
    
        
3 3

 al Coda D.S

       
    
35
         
pizz

3 3 3 3


Coda
40
     arco

  
pp
Violoncello 4
FOXTROT FLEUR
By PATRICK DOYLE
Arreglos: José Ramón Hernández Bellido

 rit. a tempo
   
pizz
  
    
p

9 
                      
 

15
     

             

20 
To Coda
    
arco
 
  
    

24
            
   

31
           
   

D.S
 al Coda Coda

37 pizz
     
          
 
pp
LES AVIONS
1

C. BARRATIER et B. COULAIS

q=138 
          
Violonchelo 1    

Violonchelo 2
        

              
Violonchelo 3 
Pizz siempre
            
Violonchelo 4
        

7         
              
Vc.1  
   
Vc. 2
          

                 
Vc. 3

              
Vc. 4
       

14    
                 
Vc.1  

Vc. 2
    
        

     
Vc. 3        


Vc. 4
                 

 

2 21 
                   
Vc.1 

Vc. 2
       
 

                 
Vc. 3  

    
Vc. 4
           

 

 

28  
         
     
Vc.1  

            
Vc. 2
       

Vc. 3
              

         
     
 
Vc. 4
    

35 Solo          
 
Vc.1
tutti
           

       
Vc. 2 

Vc. 3
          


Vc. 4
       
 

 

     
 
42  3
                   
Vc.1 

          
Vc. 2 

                  
Vc. 3 

    
Vc. 4
        

 

 

 

49             
           
Vc.1  
       
Vc. 2
        

        
Vc. 3        

          
Vc. 4
         
 

56     
                
Vc.1 

       
Vc. 2 

          
Vc. 3    


Vc. 4
     

 

 

       

4 63  
           
Vc.1   

    
      
Vc. 2 

                
Vc. 3  

             
Vc. 4
      

69 
          
Vc.1  

        
      
Vc. 2


Vc. 3
       


  
Vc. 4
       

 

 
Violonchelo 1 1
LES AVIONS
C. BARRATIER et B. COULAIS
q=138 
                  
  

9               
        

16 
                    

23
                 
   

Solo
      
  

31
               

40  
    

tutti        
            

47               
       



54 
                    

61
                  
 

68 
    
       
Violonchelo 2 1
LES AVIONS
C. BARRATIER et B. COULAIS
q=138

             

11        

        

18 
        
 

29
             
        

41
  
 
        

50    
    

       

58
 
       
 

68             
       

Violonchelo 3 1
LES AVIONS
C. BARRATIER et B. COULAIS
q=138

 
                 

9
                

16 
            
  

24
                      

31 
            

43
  
               

50 
               

58
               
   

65
            

70 
    
 
Violonchelo 4 1
LES AVIONS
C. BARRATIER et B. COULAIS
q=138
Pizz siempre
              
     
7
              
    
 
14

                

 

21
              
      
28

          

 

   
 
35

     

         
 
 
42

    

 

 

   

 
 
49
        
          
  
56
               
     
63

    

          

69 
  

        

 

Song of the bird

Catalan folk-song

  
           
    
Adagio
   
Violoncello 1  
mf p

       
Violoncello 2      
mf p

       
sul pont.

ord.
 
Violoncello 3
   
mf p p

    
    
sul pont. ord.
Violoncello 4     
mf p p


    
Adagio
 
   

















mf

p
  
Piano

          
    

 
        
Vc.1 Divisi
 solo 1          
   
11

   
 
calando
         
       
tutti
    
 calando

            
     
   

Vc.2


               
Vc.3      

   
sul pont.

 
ord.
           
Vc.4
      


     
  


      
Pno 
     
           

2
 
   
                   
18 tutti
Vc.1
 

    
mf
 
     
Vc.2
               
mf

 
       

     
Vc.3   
mf

  
divisi
   
Vc.4      
mf

    
           
    
Pno  mf

     
 
        





                 
pizz
     
26 arco
   
f
Vc.1 mf dim.

                    
 
arco
   


f
mf dim.

 arco     
pizz

Vc.2
                    


f mf dim. 
            
            
pizz

arco


Vc.3
f mf dim.

               
pizz arco divisi 
     
 
Vc.4


f mf mf dim.
    
      
   
  


 
Pno f

f mf dim.
       
      
   

Violoncello 1

Song of the bird



Catalan folk-song
  

        
Adagio
         
 
mf p

       
Divisi
           
10
 
solo 1
      

        
      
tutti
    

       
                   
17 tutti
 
calando
mf
       
 


calando

 
            
pizz

24

arco
  
f

 
      
 
arco


f



      
29
     

mf dim.

        
     

mf dim.
Violoncello 2

Song of the bird


Catalan folk-song

       
Adagio

     
mf p


        
              
11

 


     
pizz arco

          
  
19

    
mf f


      
              
27
   
   
mf dim.
Violoncello 3

Song of the bird


Catalan folk-song
sul pont. ord.
Adagio
          
   
mf p p

 
11
             

   

19 pizz
         

    arco
 
   
       
mf f


27
    
            
  
   
mf dim.

Violoncello 4

Song of the bird


Catalan folk-song
Adagio 
    sul pont. ord.
    
    
mf p p

sul pont.
11    ord.
        
         
 

20 divisi pizz arco
             
    
  f
mf

28 divisi
      
     
 
mf mf dim.
THE QUIDDITCH WORLD CUP
(The Irish)
By PATRICK DOYLE
Irish "Jig" (q=108) Arreglos: José Ramón Hernández Bellido

                           
  solo

Violoncello 1   

     
mf
     
pizz
Violoncello 2
mp
      pizz
Violoncello 3
               
mf mp
  pizz
 
   
      mp  
Violoncello 4

mf
tacet
  piano
               
          



          
mf
  
Piano

          

    tutti  

                     

                          
5

Vc.1    
f


         
arco

Vc.2 
f

  
Vc.3
              
f
  
Vc.4
          
f

                           
  



         
     
Pno.

 
 
 
  
         
2

                     
8
     
Vc.1 

                       
Vc.2
          

  
     
         
   
Vc.3 

  
Vc.4
          

                         
 



         
  
Pno.

       

   
    
 solo 
11

                  


  
Vc.1
 
mf

   

  

   

pizz
Vc.2
mp

Vc.3
             
mp

   
Vc.4
         
mp

 tacet   
         
Pno.

 
     





    
  tutti
3
         
                                  
14 *

Vc.1     
f

   
                                   
arco
Vc.2

(mf)

   
      
arco
Vc.3   
(mf)

  
      
   
Vc.4

(mf)

  
                 
 
Pno.

  





     





   
 
17
          
    
Vc.1
mp 
                                 
Vc.2
    
f mp
   
Vc.3                             
 arco   
(mf) (mp)

    
Vc.4
       
 
            
      
Pno.

 
     





    
4
20 

divisi
 
 
Vc.1    
mp

    
                                    
Vc.2 

Vc.3
   

   
Vc.4


                                 


 
         
Pno.
   
     



23                
Vc.1 
f
                               
                      
      
Vc.2
                         
f        
     
arco
Vc.3            
f


arco       
Vc.4


            
Pno.

 
     




 
5

25                      

Vc.1 
                             
                            
            
Vc.2
                           
       
 
arco
     
Vc.3          

 

arco
  
Vc.4
    

                      
Pno.

 
     






Violoncello 1 THE QUIDDITCH WORLD CUP
(The Irish)
By PATRICK DOYLE
Arreglos: José Ramón Hernández Bellido

                           
Irish "Jig" (q=108)
  
solo
 
mf

     tutti  

                            
  
    
5
     

f

                                  
8
   

   
solo    
            
11
 
        

mf

  tutti
  *   
           
            
  
     
14
       
   
   mp
f

18
             divisi
  
       
 
 mp


23                          
 
f


25                        
 
Violoncello 2
THE QUIDDITCH WORLD CUP
By PATRICK DOYLE
Arreglos: José Ramón Hernández Bellido
Irish "Jig" (q=108)
 pizz
            
     

mp

7 arco
         

               
  
f

10  

       
    pizz
             
mp

15
arco                          

                                  
f
(mf)

18           
      
          
mp

20  
  
                                   
 

                               
23 
                                 

               
f
           
   
                           
25               
                   
           
                       
Violoncello 3
THE QUIDDITCH WORLD CUP
By PATRICK DOYLE
Arreglos: José Ramón Hernández Bellido
Irish "Jig" (q=108)
      pizz
                        

mf mp

7

             
               
f

11 arco  
                         
mp
(mf)

17 
arco 
                                 
(mf) (mp)

23 arco arco
                  
                      
f
Violoncello 4
THE QUIDDITCH WORLD CUP
By PATRICK DOYLE
Irish "Jig" (q=108) Arreglos: José Ramón Hernández Bellido

pizz
   
     
mf         
mp
  

6
  
             
    
f

11
               
         
mp (mf)

17 
        
   

23
 arco    arco
   
      

Piano
Alan Menken Under the sea Howard Ashman
Brigthly (Arreglos José Ramón hernández Bellido)
  
           
 
 
 
           


     

mf
 
          
   

7
 
         


   
   
      
       
                 

14
    
          
  
     


    
         
  
     
  
    

   
21
 
                
      



    

      
                  
  

27
       
    

      


  
  
   
                        
  
1.
33
  
 
 
           
 
    
 


    
             
 
 
       V.S.
2 Piano

39 2.
       
            
   
 


       
      
        
        
44

                
   
       


    
 
          
             
     

50
 
          
 
 
 
   


   
           
    
 
            

56

  
 
 
  


    
 
     
                   
 

   
62

   
 
 
 
 


     
     
         
             


68
   
  
                



         
 

  

  

        


  

Piano 3

73
               
  
                   
   
         
  




    

    
   
          

  
   
78

   
             



   



    
                   


83
            
     
                
 
  


      
        
   

   
    


89

                
    
  


     
        
           

  
94

                 
    
 


      
  
 

                      
 

 
100
 
           
 
      


    
          
      

           V.S.
4 Piano


106

            

 
   


 
              
    
     


112

           
   
 


 
 
    
       
      
 
  

118
          
        
 
     
  


      

      
            

Violoncello 1

Alan Menken Howard Ashman


Under the sea (Arreglos José Ramón hernández Bellido)

Brigthly
         
        
   
   
mp (sólo 2ª vez) mf

8       
             
mp

15
                   
          

21          


  
          
f

27              


      
solo      

33  
 
    1. tutti
   2.
        

41       


         
     

47         


            

52           
      
tutti
     
f

58                
             
V.S.
2 Violoncello 1
ord.
64
             
sul pont.
 
       
 

70    pizz.   
                    
mp

arco          
divisi
77
            
  

    


     

           
83
    
tutti pizz



mp

       
   

  
arco


89
  
divisi
         
mf
arco
 
mf
      

           
 
95
   
            
     
                     
  

    gliss.          


 
100
  SOLO 
     

      

Violoncello 1 3

      


           
106
 
       

tutti  
                
  
mf

      


      
112
      
        
p cresc.. siempre

     
                         
    
p
cresc.. siempre

        
     
118

       
f

           
           
divisi
  
   
f

  
121
  
   
pizz
   
  

     
        pizz
    


Under the sea
Howard Ashman
(Arreglos José Ramón hernández Bellido)

Alan Menken Brigthly
   
    
Violoncello 1 
mp (sólo 2ª vez)

             arco 
pizz (non divisi)
Violoncello 2      
mf (sólo 2ª vez) mf

    
pizz (non divisi)
Violoncello 3              
mf (sólo 2ª vez) mf

   
pizz
        
Violoncello 4      
mf (sólo 2ª vez) mf
  
                   
    


    
Piano mf
      

      
5
              
Vc. 1      
mf mp
         
Vc. 2
   
mp
 
     
(divisi)

Vc. 3
       arco
mp p mp

            
      
Vc. 4
mp p mp
 
 
      



     
 
Pno.
       
      
             
2
11
         
Vc. 1

         
  

 
     
 
     
 
Vc. 2     
mf
 
Vc. 3
    

 
(8ª opcional)
 
       
arco
Vc. 4     
p
 
mf
 
        



   
Pno.
   
    
      

   

                 
16

Vc. 1      

           
     
 
 

Vc. 2 

   
          

  
Vc. 3 
mf

 
(8ª opcional)
 
  
pizz
Vc. 4        
 
  
            
 


    
Pno.
   
           
  
3

           
21
          
Vc. 1 
f
    
Vc. 2
         
        

        
pizz arco
Vc. 3         

 
    
Vc. 4       



     
mf

            
          
 


       
Pno.
    

            
   

         
   
26
      
solo

Vc. 1  

Vc. 2
           
  

Vc. 3
         

   
Vc. 4  

           

   
          
  



     

Pno.
    
          
        
4
31
                  
Vc. 1          

  
  
con sord.
Vc. 2
mp


con sord.
Vc. 3     
mp


con sord.
Vc. 4      
mp

   
  
 
 


   
Pno.
      
             
    

1.
   tutti
36 2.

Vc. 1        

Vc. 2
  senza

sord.
     

Vc. 3
  senza

sord.
     

Vc. 4 
 
senza sord.
      

  
 

  
      
 
              


        
Pno.
          
         
5
41
                 
      
Vc. 1   
 
Vc. 2
     
sigue sord. pizz
           
mf

Vc. 3
       


Vc. 4        

         
       
    



      
Pno.
   
           
        

46          


         
Vc. 1 

     
arco
  
Vc. 2
   
p

Vc. 3
     

  
Vc. 4    
  
            

    


 
  
Pno.
   
         
    
     
 
6
51               
         
tutti
Vc. 1     

f
         
senza sord.
Vc. 2
f

Vc. 3
      
senza sord.
 

 
    
senza sord.
Vc. 4   

 
          
 
  
  


  
Pno.
           
   
              

                
     
57

Vc. 1
       

Vc. 2
                          
 


   
           
Vc. 3   
f

   
Vc. 4            
     
f

  
 
  


   
 
Pno.
     
                
  
7
62      
sul pont.    
                
Vc. 1
 

                
Vc. 2         

      
                      
Vc. 3
 



(8ª opcional)
    
Vc. 4 
       
   
      


   
  
 


    
Pno.
    
            
      

ord.

67
        
     
Vc. 1  

        

 

       
Vc. 2   

                  
Vc. 3
      

   
Vc. 4             


   


 
 
Pno.
   
         
 
8
70        
  
pizz.
Vc. 1      
mp

        
pizz.
Vc. 2     
mp

       
   
pizz.
Vc. 3
mp

  
pizz.
 
Vc. 4        
mp

   
          
        


   
Pno.  
   
       


  
73
    
Vc. 1           

Vc. 2
                

Vc. 3
                


Vc. 4   



  

 

    

                   
                         
    


      
Pno.
    
                         
9

         
divisi
 
79
       
  
arco
 

Vc. 1
         
     

 con sord.   

ARCO
Vc. 2
p

 ARCO

con sord.
  
Vc. 3
p

 ARCO

con sord.
  
Vc. 4  
p


       

             



Pno.
  
              


83       
        

  
  
Vc. 1
    
 

Vc. 2
      senza sord.

Vc. 3
       
senza sord.

  
pizz
 
senza sord.

    
Vc. 4

 
                  
   



Pno.
   
     
         
  
10
  tuttipizz       
87

Vc. 1          
mp mf

Vc. 2
  pizz
               
mp mf

Vc. 3
  pizz
               
mp
mf

  
pizz
         
  
 
Vc. 4 
mp mf

  
            
             
 


    
Pno.
           
     

  

93
arco
       
     
divisi
    
mf
Vc. 1
  
arco           
  

     
 legno                

col
   
arco
Vc. 2 
mp

       
 legno 
arco col
                 
Vc. 3    
mp

 
  
(8ª opcional)

      
Vc. 4       
     
mf

  
             
         
   


    
Pno.
    
            
    
11
          
          
gliss.
98

       
SOLO

Vc. 1
         
          

               
Vc. 2
          

                      
Vc. 3   

   
(8ª opcional)
  
Vc. 4 
            
   
mf

  
            
 
     


  
Pno.
      
        
        

103
                    
    
Vc. 1    

Vc. 2
     
p

Vc. 3
     
p

   
arco

Vc. 4  
p


   
  
  


   
Pno.
         
             
12
       
  
108

        
Vc. 1
        
     
tutti
 
mf

Vc. 2
         
mp

Vc. 3
         
mp


Vc. 4          
mp
     
      
   

      
 


 
Pno.
 
     
 
 
        

      


     
113
            

p cresc.. siempre
         
Vc. 1
              
  
p
cresc.. siempre

     
 legno
                   
col
Vc. 2    
p
cresc.. siempre
 
                       
col legno

Vc. 3
 
p cresc.. siempre
 
col legno
   
Vc. 4                         
p
  
cresc.. siempre

       
 
 



 
Pno.
         
       
 
13
     pizz
                
118
   
    

 

    
f
                pizz
Vc. 1
 
               
  
divisi
      

f
                  
ord.
            
pizz
    

Vc. 2
f
        
           
ord. pizz

        
        

Vc. 3
f
   ord.
  pizz
Vc. 4                       

        
  
   
f
                 
 
  


    


Pno.
   
            


Violoncello 2
Alan Menken Under the sea Howard Ashman
Brigthly (Arreglos José Ramón hernández Bellido)

pizz (non divisi)    


               arco  
  
mf (sólo 2ª vez) mf mp

9      
         
        
mf

15         
            
        

21
       
                  

28 1.
 
     
 
con sord.
    senza
 
sord.

mp

40 2.
sigue sord. pizz  
                       

mf

47
arco      senza sord.
       
 p
2 Violoncello 2

56
               
            
f
62
                    
      

68 pizz.
         
               
mp

74 con sord.
               ARCO  
   
p

82
 senza sord. pizz
              
mp

90 col     
arco  legno
           

           
mf mp

96                          
       

102 
            
p mp

114 col legno


                              
    
p
cresc.. siempre

119
pizz
       ord.
                  
   
f 
Violoncello 3

Alan Menken Under the sea Howard Ashman


Brigthly (Arreglos José Ramón hernández Bellido)

(divisi)
pizz
 (non divisi)
     
                 

mf (sólo 2ª vez) mf mp

7     
arco 
            
p mp mf

19
pizz
                        
 

25  con sord.
arco
              
mp

35 1. 2.
senza sord.  
         

48 
  senza sord.
       
2 Violoncello 3
57
                   
  
f

63
                             
       
68
                    pizz.
        
  
mp

74 con sord.
ARCO 
                  
p

81
senza sord. pizz
                
mp
89
arco col
 legno
                  


mf mp
95
    
                              
   
100 
     
                
p mp

111 col legno


                       
 
p cresc.. siempre
117
                  
  
120 ord. pizz
           
         
    
f 
Violoncello 4

Alan Menken Under the sea Howard Ashman


Brigthly (Arreglos José Ramón hernández Bellido)
pizz
 
                 
(sólo 2ª vez)
   
mf mf mp

7

   
    
      
   
p mp p

14 (8ª opcional) (8ª opcional)


 arco  pizz 
               
     
mf

21
    
   

    




     

mf

27 1.
 
 con sord. senza sord.
 
    
          
mp

37 2.
 
       

50 
  senza sord.
     
2 Violoncello 4
58 (8ª opcional)
  
        
      
  
          
f
64
   
                       

70
 pizz.
              

       
mp

77
ARCO con sord.
           
  p

84
pizz senza sord. pizz
       
        
mp
90 (8ª opcional)

  
            
      
mf mf
96 (8ª opcional)
 
                
               
mf
102  arco
           
p mp

113 col legno


     
                     
    
p cresc.. siempre
118
ord.
   
                 
f
121
pizz
 
           
  
VOIS SUR TON CHEMIN 1

B. COULAIS

q=92             
 
Violonchelo 1   

Violonchelo 2
    

Pizz siempre
   
Violonchelo 3
    
       

   

5               

Vc.   
 
 
Vc. 1
  

Vc. 2

                  


9
                
Vc.     
         
Vc. 1


                
Vc. 2
 

13     


 
Vc.   
     
Vc. 1
   

    
Vc. 2
     

   
2 17               

Vc.   
      
Vc. 1
    

Vc. 2

                  

21
                 
   
Vc. 
         
Vc. 1


          
Vc. 2
      


25
               
Vc.       

                    

    
Vc. 1 

  
Vc. 2
           

        
29
                 
Vc.       

     

                  
Vc. 1
      

         
Vc. 2
      
33             3
 
Vc.     
           
Vc. 1
      

Vc. 2
             
       

38        


 
Vc.  
  
Vc. 1
   

              
Vc. 2 
  


42          
Vc.     
           
 
Vc. 1  

Vc. 2

            

45      
  



 


Vc. 
    

Vc. 1
 

 
Vc. 2
     
Violonchelo 1 VOIS SUR TON CHEMIN 1
B. COULAIS
q=92                     



 
6           
    

 
11           
    

16                       
  

21                     
    


25               
      

        
29                
       

33                 
   

38   
  
  

43          
   


45           
   

Violonchelo 2
VOIS SUR TON CHEMIN 1
B. COULAIS
q=92 
       
 

11       

 
  

16        
 

23                    
 

   
27       
         
     

      
30             

    

33                 
      
   

42            
 


45     

 

Violonchelo 3 VOIS SUR TON CHEMIN 1
B. COULAIS
q=92
Pizz siempre
                
      
 
6
    
                  

11
                


16
    
                 
 
21
                   

26
           
 

29
         
     

33
        
      


  
38
 
       
             

43
   
    
   