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aia ZEN-ON GUITAR LIBRARY Hoty £9 + 9475 WEA JOU A AE HE FS R$ ETARREGA SmI EMI PIVEN S —EROLEMEN THD ET. MBILET PEAR PPE EOMMOKS OME PREIS 20, Beebe COMMER 6 Me HF —1EMTIS EO RMENEF EL TORMRTL EE. EOL Cobo, XI-MbRD LOFT 4 BBE LADS SEBMLRME AMI L, BOLO bw 2 Wet eM L, UN OR LEE ROL EL TL CARN TH LON FREER L. HERO SM OMBE ES EL Re AROKI Ab CHOMMEBTLVARE OE 2 TE ROME TIED DEA. LOLI, FUL HOMIE T 7 = 7 eA REPRE ER FOBRAMLO EL HOT, MBOIWETS Ane>Z ET TH. X IR BROKBE LOLZEILL HEMI, HOWERMNMIIC LEE EMBL Di ORBITS & EMS THD RT. SBABESLDSIDRY, BBERROMHAA ROL EMRL TBS at. Baa PREFACE Francisco Tarrega is considered the father of modern guitar music. During the period of his lifetime, the style in vogue was the large-scale orchestra piece, with its complicated harmonics and intricate textures. The guitar, which is incapable of imitating such grandiosity, was on the verge of being forgotten as a musical instrument. Tarrega proceeded to emphasize and develop the inherent melodic qualities, the lyric character of the guitar, while at the same time develop- ing to a high degree new fingering and performance techniques. Along with these advancements, he also created a completely new style for solo guitar performance which has endured to the present day. It is not too much to say that all modern guitarists have been influenced by Tarrega. However, in recent times, the difficulty of meeting the purely musical demands of Tarrega’s compositions has resulted in less and less attention being paid to them, It is my hope that the present volume of compositions will aid the guitarist in becoming acquainted with Tarrega, whose works are, afterall, the very essence of guitar music, and in so coming to know them, will acquaint himself as well with the rich variety of musical expressions available therein. I would like to express my appreciation to Mr. Masami Okabe for bis assistance in preparation of this book. 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Hayda) ——_____________gg SILA Prytt1 largo Assai (J. M. Haydn) ——-____________9g ARTYK Minveto(L. van Beethoven) — 92 BEAATIEGR Morcha fénebre(L. van Beethoven) ————______________________ 49 ARDYK Minveto (F. Schubert) —$__________igg BUN Adieu (F. Schubert) —— itt FADE Momento Musical (F. Schubert) $$$$$$$______________i4g IVY Vals (L. H. Berlioz) $$$ tig ROAR TNKGEA Romanzo sin Palabras op. 19—6 (F. Mendelssohn) ——_—118 AZRAOMBR XA Romanza sin Palabras op. 30-6 (F. Mendelssohn) 429 DYYARYS Canzonetta (F. Mendelssohn) —————___________________ 422 KO1XS-1 Reverie (R. Schumann) 126 DOVIYA Romanza (R. Schumann) — $$ — 128 PYTIVF4—/ DYIE—V Andantino Cantabile (R. Schumann) ——————___—_——-. 139 FPA Berceuse (R. Schumann) 439 IVY Vole (F. Chopin op. 34— 2) —$$___________agg AII=Y_ Nocturno (F. Chopin) $_______________4gg YALA Mazurka (F. Chopin op. 33—4) 142 BUSER 98158 (AHEM) Preludio (F. Chopin) A @@@@$_$_$_$$__$_______________tyz 8803 $87 Preludio (F. Chopin) A $$$ £-_________________________459 3-INOV lo Paloma (S. Yradier) Lagrima (preludio) a Andante ad F. Tarrega Pi _xn boco cresc. ee Marieta (mazurka) VU Dy F, Tarrega iy = idan. do atempo Pid mosso C5. f a tempo a tempo —= Gavoto cs. wi JA 4 F. Tarrega dotteme PF = ene * == Es FA gf urd ~ ym ZA —l II 4 fs 7 2 T — Rosita @®=pd ig 6 F. Tarrega F D.C. al Fine TW! El] Columpio oor CORK ). fai: 2a ei gO zo oe fr ay Bfa4e > D ) 0 Lento Cr Sueno (mazurka) F, Tarrega un poco cresc, 7 eats F Fine = Fe tompo ? as 1 FoF Poo PT ——$ === SS OT } om Duda Pee t D.C.al Fine SP g or Tt Sa= “ misterioso La Mariposa 3 ; firm ait F F, Tarrega = § F. Tarrega Coeeeerer ree tam tam ruse _ tam: cue oo oe rasg tam tam_msg tam = tam_rasg_tam tam Cf poh i Ta | pO Fe po PF OD ; P| a A oh 6 a an Dor OD Ww wae fAdifad Sadia WGan ~ Hi Vals en Re @=-pD Diy =Ra F. Tarrega Pavana RN Al 7 rfzdd 4) 4 = (@ritard, a tempo ? i) 4 7 OF F II vitard.. 2 2 ee MIL Alborada ° ( capricho) mw oO K Andante F, Tarrega 2, — 8 24 Mazurka vRNA F. Tarrega (© . ‘molto rit, oe F. Tarrega 28 Endecha => (preludio) nO F. Tarrega C7 4 to Oremus Malaguenia VRF-=V F, Tarrega Danza Mora A — 7 Jae HH F. Tarrega 33 34 Andante Recuerdos de la Alhambra TINY TF ORB F. Tarrega = 36 (Cae ee eet a Feat Cd oe eee ome — D.Gal ® y sigue 37 Suefio (estudio de trémolo) F. Tarrega Allegretto q molto rit, @ tempo py fo = i iisnieni Ae 39 EE ET mm — ———— to AU Be SSS or Pinel Derk re lpcrMerrreprre Pcl per! lis So Vo rp — SS et Pret pere] C7 - 2 - Ai mie ee é lo @ 'poco cresc, s 4 —— —¥ =r Fa tempo = oo = P Pp» motto tegato pia ws i ml Hie mime - f SS o P r dim, 7 SI re tempo 7 T 28 HSE te awe a z ————— Rie Te wm P Mai mii ie 4H r a wii 3 4 af Ft Pr ieee MERA ee r fF * Estudio Brillante TINO BE SHE JD. Alard F. Tare c 222. Capricho Arabe FIET AAA F, Tarrega ? PTs c, a an Jaman Swipe ie Raw RI +O Preludio No.1 Bizet 1 Moderato F, Tarrega P poco rit, TH TH % 7 C2... 2. ar. 8408 a 7 por Pfr Preludio No.2 BizeHh 2 F, Tarrega 4 pocotents FF FT 7 molto rit. - - - - = = m2] FH I 4 52. Preludio No.3 RiZsHh 3 Allegretto dr idecresc, 53 Preludio No.4 RiZeth 84 F, Tarrega ——— cvese- rit. pes CB co G7. - C4 Gg ———<—$<———_ ~ f 17 Pp S decrese, Fit, "p | poco poco © atempo 54 Preludio No.5 aged 5 Terres Andante Sostenuto C2... = 7 a ot un poco cresc. Prit. z F Preludio No.6 RiZsHH 58 6 cs... F. Tarrega 56 Preludio No.7 RiZsth 7H F. Tarrega 87 Preludio No.8 RUZSHH 9 8 F. Tarrega Preludio No.9 RizHh OH C2 F, Tarrega 58 Preludio No.10 RzsHh | 107 C2... 33 a @®=-p Preludio No.11 aizeth 98118 3 F. Tarrega 342 apo - = ? Ae Preludio No.12 Bish | S12 F, Tarrega 60 Preludio No.13 AGZeHH | 3A13% Preludio No.14 Bith | 14 F, Tarrega él Preludio No.15 BSHh | 15% F, Tarrega C3 C5 td 4 62 Andante Variaciones Sobre el Carnaval de Venecia Na ADM ASBIE £ BBA F, Tarrega Allegro Var. 2 “85 pulgar oro pulgar 68 Var. 6 (ar Saos. a 2 Gran Jota de Concierto WAKA a ¥. Tarrega Introduction C5 ois See a |S SS SES cé Cr... cr cs ca Var.1 Var. 3 Var.5 (1) Tabalet 8 compases ad Lbitum VVVV VVV VY VVVV VVV VY VVVY V¥V Vo VV¥VV Vv 97 by PCGRRE SHIH BEHEOD AI TARO CARO Var. 8 a2 Sou deed d 2 dd dy o Tabalet ST T T T T 224 44y dtd idy Ie T T Tabalet Illentond hte perdon ARBOR L NIC B25 Var.9 6 Var. 11 Var. 13 EFA PEMUIET, BRAC BCAN EAS OX Var. 14 mano izquierda sola 1 Var. 15 ‘mano izquierda sola See 1% EFEUCOX eer +f AS LHC Var. 16 Var.I7 BO EPRICE ERAS) Var. 18 Var. 22 Var. 24 Var. 25 Allegretto al Tema y Estudio de Concierto RRAAE SG CMA S. Thalberg F, Tarrega Sacurdas - 2 2 2 2 eee SP eagiero f 82 con expresione Armonicos octavados . 34 leggiero 85 86 87 C8. eer a ea ritenuto Allegro Serenata Espanola ANA YR LI-F 92 Minueto ARDY hb GF. Handel @-D F. Tarrega 4 Adagio C2 GF. Handel F, Tarrega Minueto XKLDYb J.M. Haydn F. Tarrega 2 4) 96 Andante TURF JM. Haydn F, Tarrega Largo Assai GMAT IGA J.M. Haydn F. Tarrega ca see 5 ca C3. . <5 ep Ry * DE Bp Ee 100 101 102 @-D O=G Minueto ARDYh L. van Beethoven F. Tarrega a tempo 7 103 105 Marcha finebre PErK AT HEM L. van Beethoven F. Tarrega rere rt P fr " t rey 107 108 Minueto AKRDyb 109 F.Schubert F. Tarrega 110 Trio 4 PPP molto legato 1 ® F ul 2 F, Schubert F, Tarrega Chcoocces 4 4 Momento Musical 3 RL) WE F, Schubert F, Tarrega 15 6 Vals IVI(TTIAbORMMELY ) LH. Berlios F, Tarrega A ‘ee 2 oy dy F r F r DC. al Fine uz 118 Andante sostenuto Barcarola (Romanza sin Palabras) ASAD TK RL F, Mendelssohn F. Tarrega ug ar Bar 19 a C2... - elf z ? Jamentando & a arJ9ar.i9 arJ9 ar.19 ———————— Day ba ae Barcarola (Romanza sin Palabras) N=A2DIK = ar.8 dos ar.8dos F. Mendelssohn F. Tarrega 121 122 Canzonetta AYY Ry thos F. Mendelssohn Allegro moderato(J-76) _ F. Tarrega > Un poco pitt mosso c, FF dim. 123, 124 apagados, 125 126 Réverie (tréumerei) pat Z274 R. Schumann F. Tarrega wr 128 Romanza nvyvaz R. Schumann - 47 F. Tarrega ‘ag tet ee od yf 129 Andantino Cantabile TYIVFIAA) NYVEV R. Schumann F, Tarrega jis c : r r 131 132 Berceuse @=D +o W Allegretto a ee tarrega ) Peer reer ate aa 134 135, Vals DIY feih342 F. Chopin Lento F. Tarrega 2 2 Df 136 ca de T aes 2nd time D.C.al 137 pizzicato 2 poco rit, ar.12 138 Andante Nocturno JIB-Y F. Chopin F, Tarrega 139 veg PEL T ad libiton 40 C6 41 tr a ed Of # J mano izg sola 758 2 8 on oe oe meno der rit. molto 42 Mazurka AIA (Pii33O4 F. Chopin oan - F. Tarrega SF = T6F ro arr ar7 43 44 ~ Tce C7 o cé C7 : “afi. ‘o > g ie lo a2 > 1 M5 46 Preludio Hi 2S th 15% (ZE) Sostenuto con espresione ur F. Chopin F. Tarrega 148 149 150 Preludio Fra F BIE F.Chopin OP gndante eg etree aps ‘ i = os—T fh? > ; La Paloma Fr WU S. Yradier @®=-D -3~ F. 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MALET OLA WIR EDM Wy) Fx NORE wie 266420 BREN MARR D BUF 2 770 MH 2 BWV10G3E 9 5 SBWVIUS6E, RADRBOREE EAL CHAR) 72 41 BE. TY FTE LCHETMS BLM INTER. MEL-J=hO-N VIF 4H Mir rs2H8K RUROMBEAC, HREM ESET EF TALIO SPELT) EHSER, BRB EMANCS S ih, BOTTA ND TY TUM YR, UPS FF — RM mr “968 Ya) 7—=ORREMMLE, KBE? — RH LE EB pH0E RLOMM 2 Hf Kept, EP—EUT/ ONSET A SPE LCM IRL, EE AEA LCR 2 BH ZI TFT: Va MOR AS mB 48+ 16K FPA GRH_RBELCHONT HS IFN £7 19h DERE GPE TOS NIT AEM, BADSD MEMO HI. Bameee—L eT OwRMeT TE LCM TRS BPS LFF EBOBU A) > Mims 16548 Ri) SPNEBVONT— 7 OI, UT OMEERABE DM Bands, C77 LORwI MICS SEI. UTI ONEEE BiH TATA RIM ATT EA PRL Y 7 EROS aif — asteotetneamitsith — sii: | —— sore EAT DO TIGL TEL seeasos- 5227-6270 og-3227-€280, URL htpi//www.zen-on coin! ISBNST8-4-11-230106-1 528 (142,800F1+ 8) 4 I 048684