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Assignment 6.6
I. Identifying all interval types
Identify the size and quality of the following intervals. In the second row of blanks, label each interval
P (perfect consonance), I (imperfect consonance), or D (dissonance).

(1) (2) (3) (4) (5) (6) (7) (8)

bO
Interval: m6

Type:

9) (10) (11) (12) (13) (14) (15) (16)

Interval:

Type:

II. Writing all intervals


A. Write the following harmonic intervals, as whole notes, below the given pitch.
(1) (2) (3)
e-
(4) (5) (6) (7) (8)
6-

m6 d3 M7 d4 A2 A6 d5 d7
B. Write the following harmonic intervals, as whole notes, above the given pitch.
(1) (2) (3) (4) (5) (6) (7) (8)

Eo
A4 P5 d7 M2 m7 A2 A3 M7

C. Write the inversion of each given harmonic interval, as whole notes, on the staff beneath. Write the
name of each interval in the blank provided. O
(1) (2) (3) (4) (5) (6) (7) (8)

bT
M3

Inversion:

m6

Chapter 6 Intervals 69
II. Melodic analysis
A. Begin by playing the melody notes, either on the piano or on your own instrument. Then (1) lahel
melodic interval in the blanks below the staff: (2) circle any pitch pairs that are compound each ..

intervals 1 bel
chromatic half steps as AU (augmented unison).

Webern, "In Windesweben, from FünfLieder aus Der siebente Ring. Op. 3, No. 2, mm. 3-9 (melody onl
PPP 5

Nur Lä - chein war was du ge- ge ben. Aus nas ser Nacht ein Glanz ent
Interval: M6
Tempo I
mp

facht Nun drängt der Mai, nun muls ich gar um dein

Ang und Haar al le Ta - ge in Seh nen le ben.

Translation: Only a smile was your reply. A wet night kindled a glow. Now it pushes toward May, and I must live for your eyes and hair
all the days in longing

B. For class discussion or in a


paragraph, as assigned by your teacher, consider Webern's vocal writing
style. What types of melodic intervals do you find? How wide is the range and what are the highest and
lowest pitches? What challenges would a singer face in
preparing this melody for performance?

70 Part I Elerments of Music


Music Theory I (MUT 1111) w Name:

Due Wednesday, September 9

Don’t forget workbook pages 69-70.


Fill in the missing portions of the table below.

Meter Type Meter Beat Beat Whole


Signature Division Measure

8 !"
simple quadruple !
duple !!
triple !
41
!"

The melodies below sound okay, but they contain a lot of notation errors (some obvious,
others perhaps not so obvious). Without actually changing the sound of the melodies,
rewrite them with scrupulously correct notation.

% $ $ $ $ $ ($ $
22 ## $ $ $ $ $ $ $ & $ '
" $
! """"""""""""""""""""""" $ $ $ "

"
! """"""""""""""""""""""""

34 ##### $ $ & $ $ $ $ $ $
% #$ $ #$ $
!!!!!!!!!!!!!!!!!!!!!!!!
" #$ $ $ $ '!

!!!!!!!!!!!!!!!!!!!!!!!!
" !

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