Está en la página 1de 3

B♭

Trumpet 1 Lion King Medley


For Brass quintet

     
              
              
N.Menkhorst

       
 = 84

  
     
Meastoso

           
 
         
        

 14

     
          
10

 
8 Moderate African Beat ''Circle of life''


                        
 

          
16

                       
            

    
22
22

                                           

     
25

       
  
       
 
  
          
  
 


30
30

        
     
      
              


   

38 44

  
38


     
   
   

  

                                     
46 Ritt.

 
                              
 


52  = 100

       
50

      
     
  
 


        
                 

64

            
63


       
                    
                
71

      
          
                           
      
79

                       
                       
 

    
   
89

     
      
  
                      
   = 88

   
 
Mysterious
100

      
  
                              
 = 120 St. Mute 

  
Urgently To St. Mute

 
112

              
 

                         
122 Open

             
  

                      
               
129

   Molto Rit.
                
  3 3 

   
 = 88

       
(jazz Style) Freely
137

  
              
                   
     


  
 = 160

  
149 Dixieland shuffle

            
           
3

 
          
158 Solo All

       
           
 

            

 
 
169
g li

ss.

 

2
               
                     
 = 68


180 Molto Ritt. Quasi Organ

   


  
   
 
               

               
         
190

 


                              
    
197

 

         
        
                
 = 190


206 (-Picc.) Rall. Presto

 

            
cresc. poco a poco

   
    
    

          
     
     
    
 
 
´´King Off Pride Rock´´


216



             
            
                      
  
227

               
  
 = 165

             
 
Grandioso
237

  

También podría gustarte