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AUDIOVISUAL AUDIT REPORT 2010

The South African Liberation Struggle

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The South African History Archive (SAHA) is an independent human rights archive committed to recaptur-
ing lost and neglected histories, documenting past struggles against apartheid, as well as ongoing struggles in
the making of democracy in South Africa. SAHA’s central mission is to bring South African history out of the
archives and into schools, universities and communities in new and innovative ways. SAHA is also dedicated
to using South Africa’s Promotion of Access to Information Act in order to extend the boundaries of freedom
of information in South Africa and to build up an archive of materials released under the Act for public use.

A special thanks to the materials development team:


Researcher and writer: Freddy Ogterop
Design and layout: Oliver Barstow
Project coordinators: Piers Pigou / Catherine Kennedy
Copy editors: Catherine Kennedy / Michal Singer

For more information about SAHA’s archives, outreach projects and product development, please contact:

South African History Archive


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Email: info@saha.org.za
Web: www.saha.org.za

The Audiovisual Audit Report was made possible by the support of Atlantic Philanthropies.
CONTENTS

Introduction v
Film & Video Archives 1
Stock Footage Libraries 13
Reference & Lending Libraries 19
Liberation Struggle Documentaries 23
Index 98
INTRODUCTION

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undertaken on behalf of the South African History Archive (SAHA) at the University of the Witwatersrand, with funding
from the Atlantic Philanthropies and professional support from the Visual History Archive at the University of Cape Town.
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tails related mainly to fairly sizeable collections. An effort was thus made to include individuals and smaller production
companies that were not included in the first edition of this report. The aim is to update the report on an annual basis,
toward an exhaustive audit of audiovisual heritage related to the South African liberation struggle. This will be released
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The aim of this audit was to increase awareness of, and access to, audiovisual material relating to the liberation struggle
in South Africa through identifying and listing archives, stock footage libraries and other repositories, both nationally and
internationally, which currently house such materials. A brief overview of the holdings of each repository is included, along
with contact details and links to related finding aids, where available.
Because of time and other constraints, we have concentrated on fairly sizeable collections. There are many individuals
and production companies that have made one or two films on subjects related to the anti-apartheid struggle, but may not
been listed in this report as they do not necessarily own source material that can be made available to others. This report
should be seen as a work-in-progress, to which additional information can be added and for which the existing information
can be refined.

Film & Video Archives

The first section deals with film & video archives, both in South Africa and abroad.
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that of the UWC Robben Island Mayibuye Archives at the University of the Western Cape, to relatively small, but still useful
collections at privately owned companies or specialised distribution agencies, as well as those based at various state depart-
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While some custodians were extremely helpful and forthcoming about their holdings, others were very cagey and cau-
tious about revealing anything. With a few notable exceptions, the greatest problem in accessing materials is that in most
cases no easily accessible databases exist and there is no doubt that this is one of the greatest drawbacks facing any re-
searcher. A notable omission from this list is the SABC which, despite many attempts through various contacts, never came
back to us.

Stock Footage Libraries

There are many stock, archival and news footage libraries, but few of them have sizeable archives of relevance to individuals
or organisations interested in the South African liberation struggle. Those listed in this report have collections that have
been of interest in the past and possess footage that has appeared in many documentaries.
Most of the material originates from cinema newsreels, television newscasts and various news agencies. The websites
that don’t have material themselves provide useful guides to what has been produced and what still exists in various com-
mercial and other archives. In each case we did test searches on key words that should give potential users an idea of how
useful these libraries are likely to be.

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Reference & Lending Libraries

While there are many public and university libraries, especially in the United States, that have impressive collections of
African material, there tends to be a lot of duplication, with many having obtained the same material from the same dis-
tributors, practically all of them American-based. The libraries that we have included are ones that have unearthed material
that is not always easily accessible. As far as the two local libraries listed, there are certain restrictions on access, but within
South Africa they have the best selection.
The following two websites may be of interest in that they provide links to a number of potentially useful film databases:
t The University of Southampton Library has compiled a useful list of the websites of 85 film archives and footage sources
from around the world.
www.soton.ac.uk/library/subjects/filmstudies/filmarchives.html
t Focal International is maintained by the Federation of Commercial Audiovisual Libraries, a not-for-profit professional
USBEFBTTPDJBUJPOGPVOEFEJOUIBUQSPWJEFTBDDFTTUPOFBSMZBSDIJWFTBOEBOTXFSTBMMFORVJSJFTGSFFPGDIBSHF
www.focalint.org/index.htm

Liberation Struggle Documentaries

This is a selective list of internationally produced documentaries that deal with various aspects of the liberation struggle,
from the pre-apartheid era to the days immediately following the first democratic elections. They range from some very well
known films that have been shown at festivals and won various awards, to relatively obscure titles that deserve to be known
better. The summaries attached are really too short to do justice to the subject and a true reflection of their content will
have to await a properly developed database of South African film. However, the more than 300 documentaries that have
been included have all been watched and the information provided is from the films themselves rather than from secondary
sources. More than any other section in this report, this is of necessity a work-in-progress.
An index is included at the end of this list, with the titles of listed documentaries organised into broad subject areas, with
some titles appearing more than once under different headings.

Conclusion

While working on this project it became clear that though much work has gone into preserving and organising the surviv-
ing text-based material dealing with all aspects of South Africa’s Liberation Struggle, the film and video footage has not
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material they have in their possession, as yet there has been no attempt to provide a comprehensive overview of everything
that has been made. The Visual History Archive at the University of Cape Town (see listing in Film and Video Archives sec-
tion) has undertaken to address this gap by creating an online database, first of the struggle material and then, hopefully, of
the entire output of the South African cinema, from the very beginning to the present day. If anyone is aware of any similar
projects, or would like to suggest additions or amendments to this audit report, please contact SAHA.

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Copyright issues

It should be noted that many of the archives do not necessarily own the copyright to all the source material
they hold. While they can often provide on-site viewing copies, potential users should be prepared to follow
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5IF$FOUSFGPS4PDJBM.FEJBBUUIF"NFSJDBO6OJWFSTJUZJO8BTIJOHUPO%$oJODPMMBCPSBUJPOXJUIUIF
%PDVNFOUBSZ'JMNNBLFST"TTPDJBUJPOBOEUIF#MBDL'JMNNBLFST/FUXPSLJO4PVUI"GSJDBoIBTCFFOXPSL-
ing on an initiative looking at copyright, fair dealing and documentary filmmakers.
This has included:
t a legal advice network for documentary filmmakers on user rights in copyright law;
t a clear, easy to understand statement of fair and reasonable approaches to fair use, which is a crucial fea-
ture of copyright law.

For more information on this and related projects that may be of interest to audiovisual archivists and docu-
mentary filmmakers in South Africa, please see:

http://www.centerforsocialmedia.org/fair-use/best-practices/documentary/documentary-filmmakers-
statement-best-practices-fair-use

http://www.wcl.american.edu/pijip/go/filmmakerpapers

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FILM & VIDEO ARCHIVES

Name: African National Congress Video Archive


Current Physical Location: Unknown
Email Address: sndlovu@ananzi.co.za
Contact Person4UBOMFZ/EMPWV
Tel
Street/Postal Address: Unknown

Description5IFDPMMFDUJPOTFFNTUPDPOTJTUWFSZMBSHFMZPGNBUFSJBMTIPUCZ"/$DBNFSBNFOJOFYJMF FTQFDJBMMZJODPVO-
tries in Southern and Central Africa.
Holdings7BSJPVTMZFTUJNBUFEBU VOJUTBOEPS IPVST5IJTNBZCFUIFNBUFSJBMSFQPSUFEMZCFJOHEJHJUJTFE
through the South African Film & Video Project of Michigan State University.
Finding Aids/POFBUUIFNPNFOU
Access: Unknown

Name: African Skies


Current Physical Location'PVOEBUJPO"GSJDBO4LJFT 5VTTFOEF#PHFO "NTUFSEBN 5IF/FUIFSMBOET
Contact Email: africanskies@africaserver.nl
Contact Person: Fons Geerlings
Tel: 
Fax 
Street/Postal Address'PVOEBUJPO"GSJDBO4LJFT 5VTTFOEF#PHFO +#"NTUFSEBN 5IF/FUIFSMBOET

Description "GSJDBO 4LJFT DPOUBJOT UIF DBUBMPHVF PG UIF WJEFP BSDIJWFT PG UIF GPSNFS %VUDI "OUJ"QBSUIFJE .PWFNFOU
""#/
.PTUPGUIFNBUFSJBMXBTTIPUEVSJOHUIFQFSJPEUPCZGJMNNBLFSTBGGJMJBUFEUPUIF""#/ PGUFOJO
DPMMBCPSBUJPOXJUIUIF"/$7JEFP6OJU*UBMTPDPOUBJOTUFMFWJTJPONBUFSJBMPCUBJOFEGSPNUIFGSPOUMJOFTUBUFTBOEPUIFS
%VUDIUFMFWJTJPOTUBUJPOT5IF'PVOEBUJPO"GSJDBO4LJFTXBTFTUBCMJTIFEJOUPNBOBHFUIFBSDIJWFBGUFSUIF""#/
XBTEJTCBOEFE*UDPWFSTUIFIJTUPSZPGUIFTUSVHHMFPGUIF"/$ UIFTUPSZPG4PVUI"GSJDBOTJOFYJMF MJGFJOUIF"/$
refugee camps in Southern Africa, the aggression of the apartheid regime against the front-line states and support for
UIFMJCFSBUJPOTUSVHHMFJO5IF/FUIFSMBOET
Holdings"UPUBMPGUBQFTPGBTTPSUFEGPPUBHF BTXFMMBTFEJUFEQSPEVDUJPOT*OBDPNQMFUFNBTUFSTFUPGUIF
"GSJDBO4LJFTWJEFPBSDIJWFXBTIBOEFEPWFSUPUIF/BUJPOBM'JMN 7JEFP4PVOE"SDIJWFJO1SFUPSJB XIJMFJOB
UJNFDPEFE7)4TFUXBTQSFTFOUFEUPUIF"/$
Finding Aids"WFSZEFUBJMFEBOEBOOPUBUFEQSJOUFEi$BUBMPHVFPGUIF%VUDI"OUJ"QBSUIFJE.PWFNFOU7JEFP"SDIJWFw
DPNQJMFECZ'POT(FFSMJOHTGPSUIF'PVOEBUJPO"GSJDBO4LJFT QVCMJTIFEJOBTTPDJBUJPOXJUIUIF4PVUI"GSJDBO%FQBSU-
ment of Arts and Culture. There is also a web version at www.africaserver.nl/africanskies
Access5JNFDPEFEDPQJFTDBOCFPSEFSFEGSPNCPUI"GSJDBO4LJFTBOEUIF/'74"

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Name: Community Video Education Trust (CVET)
Current Physical Location: Centre for Curating the Archive, University of Cape Town.
Contact Email: cvet@mail.ngo.za
Contact Person/BUBMJF.D"TLJMM %FWFMPQNFOU.BOBHFS
Tel
Fax/"
Street/Postal Address$PNNVOJUZ7JEFP&EVDBUJPO5SVTU 10#PY $BQF5PXO 4PVUI"GSJDB

Description'PVOEFEJO UIF$PNNVOJUZ7JEFP&EVDBUJPO5SVTU GPSNFSMZUIF$PNNVOJUZ7JEFP3FTPVSDF"TTPDJB-


tion), was established to democratise media access and use video technology as a means of empowering community
activists in the Western Cape. As part of this project CVET trained members of various organisations and produced
OPCVEHFUEPDVNFOUBSJFTGPSBOVNCFSPG/(0T&TQFDJBMMZEVSJOHUIFTBOEFBSMZT JUDPWFSFEOVNFSPVT
QPMJUJDBMFWFOUT QSJNBSJMZJOUIF8FTUFSO$BQF GSPNUIFMBVODIJOHPGUIF6%'BOEVOJPONFFUJOHTUPUIFDBNQBJHO
leading up to the first democratic elections.
Holdings 6ODFSUBJO BU UIJT TUBHF  CVU BDDPSEJOH UP BO VODIFDLFE JOWFOUPSZ UIFSF DPVME CF BT NBOZ BT   UBQFT PO
6NBUJD 7)4BOEBTTPSUFEPUIFSGPSNBUT/PUBMMPGUIFTFXPVMECFUIFJSPXOQSPEVDUJPOTBOETPNFPGJUDPOTJTUTPG
time-coded production footage.
Finding Aids: At this stage only a somewhat erratic internal list that is currently being checked for accuracy and uniformity.
)PXFWFS BQQSPYJNBUFMZIPVSTPGTPVSDFNBUFSJBMIBTCFFOEJHJUJTFEBTQBSUPGUIF4PVUI"GSJDBO'JMN7JEFP1SPK-
ect of Michigan State University and is available as online through two websites, namely http://www.cvet.org.za and
http://www.overcomingapartheid.msu.edu
Access6QPOSFRVFTU

Name: Curious Pictures


Current Physical Location: Unknown
Email Address: curious@curious.co.za
Contact Person: Harriet Gavshon
Tel 
Fax 
Street/Postal AddressB'SPTU"WFOVF "VDLMBOE1BSL +PIBOOFTCVSH 

Description$VSJPVT1JDUVSFTXBTMBVODIFEJOCZ)BSSJFU(BWTIPOBOE%BWJE+BNNZBT8FFLMZ.BJM5FMFWJTJPO UIFO
became Mail & Guardian Television, morphed once more into M & G TV and finally, after it broke away from the Mail &
Guardian newspaper with which it had been affiliated, settled on its current name. Early on it achieved fame with three
TFBTPOTPGBOFYDFMMFOUEPDVNFOUBSZTFSJFTDBMMFEi0SEJOBSZQFPQMFw JOXIJDIFWFOUTXFSFTFFOGSPNUIFQPJOUPGWJFX
of three participants. A number of these are of relevance to the immediate post-apartheid era: “The lawyer, the farmer &
UIFDMFSLw i5IFCVSFBVDSBUTw i-BOEBGGBJSTw i5IFNBJEFOTQFFDIw i*GUSVUICFUPMEwBOEi5IFPUIFSTJEFw"OFBSMZGJMN
CZ)BSSJFU(BWTIPOXBTi5IFSJCCPOw 
XIJMFVOEFSUIF'SFF'JMNNBLFSTCBOOFSTIFNBEFi4IFFOB%VODBOUIF
CVSEFOPGQSJWJMFHFi 
5IJTXBTGPMMPXFECZ.BJM(VBSEJBO5FMFWJTJPOTi5IFEFBEMJOFwBOEi5SZGSFFEPNw CPUI
JOBOE.(57Ti.Z"GSJDBONPUIFSwBOEi:PVOHMJPOTw CPUIJO
Holdings: The above-mentioned titles are all available, as is some source material for them.

t4")""VEJPWJTVBM"VEJU3FQPSU
Finding Aids: Completed films are listed on an online database at http://www.curious.co.za/index.html
Access6QPOSFRVFTU
Name: Defence Television (South African National Defence Force)
Current Physical Location: Unknown
Email Address: ludickc@yahoo.com
Contact Person: Mrs. C. Ludick
Tel 

Fax 

Street/Postal Address: Unknown

Description"MMUIFWJEFPBDUJWJUJFTUIBUGPSNFSMZFYJTUFETFQBSBUFMZXJUIJOUIF4PVUI"GSJDBO"SNZ /BWZ "JS'PSDFBOEUIF


.JMJUBSZ)FBMUI4FSWJDFIBWFCFFOCSPVHIUUPHFUIFSVOEFSBOFXVOJUDBMMFE%FGFODF5FMFWJTJPO5IFZGJMNBMMOPUBCMF
FWFOUTJOXIJDIUIF4"%'JTJOWPMWFE JODMVEJOHEJTBTUFSTTVDIBTUIFTJOLJOHPGUIF0DFBOPT 
BOEUIFGJSFBU
UIF4PVUI"GSJDBO"HSJDVMUVSBM6OJPO#VJMEJOHJO1SFUPSJB 
5IFZIBWFNBUFSJBMGSPNUIFFBSMZTPOXBSET 
JODMVEJOHGPPUBHFPGUIFCVTIXBS UIFDJOFNBHB[JOFi5SPPQJFwBOETUBOEBMPOFEPDVNFOUBSJFT4PNFPGUIFNBUFSJBM
VTFEJOLZL/FUTi(SFOTPPSMPHw 
TFSJFTDBNFGSPNUIFN
Holdings.PTUPGUIFFBSMZNBUFSJBMJTPO6NBUJDBOEUIFMBUFSNBUFSJBMPO#FUBDBN XJUITPNFGPPUBHFPO.JOJ%7
Finding Aids: There are two internal Excel databases, one for the rough footage and one of edited programmes.
Access:6QPOSFRVFTU

Name: Kevin Harris Productions


Current Physical Location: Unknown
Email Address: contact@kevinharris.co.za
Contact Person: Kevin Harris
Tel 

Street/Postal Address-PDI"WFOVF 1BSLUPXO +PIBOOFTCVSH 

Description: Kevin Harris has been an independent film maker for almost 30 years and during this time he has produced
a large number of documentaries. Many of them deal with the anti-apartheid struggle and his first films were made for
UIF4PVUI"GSJDBO$PVODJMPG$IVSDIFTi5IJTXFDBOEPGPSKVTUJDFBOEGPSQFBDFw 
i*G(PECFGPSVTyw 

i5IFTUSVHHMFGSPNXJUIJOw 
BOEi/PNJEEMFSPBEUPGSFFEPNw 
0UIFSSFMFWBOUXPSLTBSFi/BNJCJBOPFBTZ
SPBEUPGSFFEPNw 
i$SZPGSFBTPO#FZFST/BVEFBO"GSJLBOFSTQFBLTPVUw 
i/PUZFUGSFFyw 
i4"#$
57oZFBSTUIFVOUPMETUPSZw 
i3PCFSU4PCVLXFBUSJCVUFUPJOUFHSJUZw 
i6OGJOJTIFECVTJOFTTw 

i%FMNBTUIFQBTTJPOyUIFQBJOw 
iGJOHFSPOUIFUSJHHFSw 
BOEi*OUIFEPDLw 
)BSSJTXBTBMTP
SFTQPOTJCMFGPSBOVNCFSPGQSPHSBNNFTJOUIFi4PVUI"GSJDBOPXwTFSJFT 
'PSNPTUPGUIFTFQSPHSBNNFT
there is source material and raw footage.
Holdings"MUPHFUIFSBCPVUUBQFT NPTUMZPO#FUBDBN41BOE%7GPSNBUT
Finding Aids: Completed films are listed on an online database at www.kevinharris.co.za
Access:0OMJOFVQPOSFRVFTU

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Name: Khalid Shamis c/o tubafilms
Current Physical Location: Personal Collection
Contact Email: khalid@tubafilms.com
Contact Person: Khalid Shamis
Tel: 
Fax: /"
Street/Postal Address: UVCBGJMNT 6OJU 5IF1MBOFU"SU +BNJFTPO4U $BQF5PXO

Description: The Imam Haron Archive is a collection of material related to the late Imam, who was a religious community
MFBEFSJODBSDFSBUFEBOELJMMFECZUIFBQBSUIFJESFHJNFVOEFSUIF5FSSPSJTN"DUPOUIFUIPG4FQUFNCFS5IF
document and photographic collection has been in the possession of the Haron family and trust. The video archive col-
lection has been collated by Khalid Shamis of tubafilms in relation to the documentaries on the Imam’s life, death and
legacy (www.tubafilms.com)
Holdings:NJOJ%7DBTTFUUFUBQFT NBJOMZJOUFSWJFXTXJUIQFPQMFXIPLOFXPSXFSFJOGMVFODFECZ*NBN)BSPOUIF
interviews are largely about the Imam and the relationship of the interviewees to him and/or his legacy. This includes
GBNJMZBOEGSJFOETPGUIF*NBN*OUFSWJFXFFTJODMVEF+BNFT.BUUIFXT *CSBIJN3BTPPM "DINBU$BTTJFN ;VCFJEB+BG-
GFS"MTPJODMVEFEJTBWBTUBSSBZPGQIPUPHSBQITPGUIF*NBNBOEEPDVNFOUTJOUIF*NBNTOBNF BTXFMMBTBNJOVUF
animated documentary entitled ‘The Killing of the Imam.’
Finding Aids: Unpublished catalogue
Access: Contact imamharon@gmail.com; visit www.imamharon.com.

Name: National Film, Video & Sound Archives


Current Physical LocationDP7FSNFVMFOBOE"OESJFT4USFFUT 1SFUPSJB 0Ost"QSJM UIF/'74"NPWFEUPUIFCVJME-
JOHPGUIFPME1SFUPSJB4UBUF-JCSBSZEVFUPFYUFOTJWFSFGVSCJTIJOHBUUIFJSQSFWJPVTQSFNJTFTBU$IVSDI4USFFU&BTUJO
Arcadia, Pretoria.)
Email Address: GJMNFORVJSJFT!EBDHPW[B
Contact Person#SFOEB,PU[Fo#SFOEBLPU[F!EBDHPW[B5SFWPS.PTFToTrevor.moses@dac.gov.za
Tel 

Fax 

Street/Postal Address1SJWBUF#BH9 1SFUPSJB 

Description0SJHJOBMMZQBSUPGUIF/BUJPOBM'JMN#PBSEPG4PVUI"GSJDB UIF/BUJPOBM'JMN"SDIJWFTXBTUIFPOMZTFDUJPOUP
TVSWJWFXIFO JO UIFBDUJWJUJFTPGUIF/'#XFSFUFSNJOBUFE"GUFSBCSJFGQFSJPEXJUIUIF%FQBSUNFOUPG/BUJPOBM
&EVDBUJPO JUCFDBNFQBSUPGUIF/BUJPOBM"SDIJWFTJOBOEJOJUTOBNFXBTDIBOHFEUP/BUJPOBM'JMN 7JEFP
4PVOE"SDIJWFT /'74"
*UJTUIFPGGJDJBMDVTUPEJBOPGUIFOBUJPOTGJMNBOESFDPSEFETPVOEIFSJUBHFBOEUIF-FHBM%F-
QPTJU"DUPGBMTPNBLFTQSPWJTJPOGPSUIFNBOEBUPSZEFQPTJUPGMPDBMMZQSPEVDFEGJMNT WJEFPT SFDPSET %7%T FUD
Copies of all audio-visual material produced for the various state departments are regularly transferred to the archive,
but their holdings include donations from production companies, institutions and private individuals. Occasionally
NBUFSJBMJTQVSDIBTFEPSFYDIBOHFE5IF/'74"GBMMTVOEFSUIF%FQBSUNFOUPG"SUTBOE$VMUVSF
Amongst the special collections are: the African Mirror / SA Mirror / Mirror International newsreel series and its Afri-
LBBOTFRVJWBMFOU0OT/VVT 
WBSJPVTPUIFS"GSJDBOOFXTSFFMT JODMVEJOH-./FXTBOE3IPEFTJBO4QPUMJHIU

t4")""VEJPWJTVBM"VEJU3FQPSU
UIF4PVUI"GSJDBO$BNFSBOFXTSFFMTFSJFTHPWFSONFOUTQPOTPSFEGJMNTNBEFCZUIF/BUJPOBM'JMN#PBSEPG4PVUI
"GSJDB 
UIF4PVUI"GSJDBO"OHMP#PFS8BSDPMMFDUJPOGJMNTNBEFGPSUIF%FQBSUNFOUPG%FGFODFEVSJOH
8PSME8BS**4PVUI"GSJDBOEPDVNFOUBSJFTEBUJOHGSPNUIFTUIF4"5063GJMNBSDIJWFUIF5&#" 5IF&NQMPZ-
NFOU#VSFBVPG"GSJDB
BSDIJWFTUIFDPMMFDUJPOPGUIF%VUDI"OUJ"QBSUIFJE.PWFNFOUGJMNTNBEFGPSUIFPME4PVUI
"GSJDBO*OGPSNBUJPO4FSWJDF%FQBSUNFOUPG*OGPSNBUJPOBOEBOFYUFOTJWFGFBUVSFGJMNDPMMFDUJPO
Holdings: There is currently no comprehensive record of its holdings, but the material it has goes right back to newsreel
GPPUBHFPGUIF4PVUI"GSJDBO8BS JFUIFWFSZCFHJOOJOHPGUIFDJOFNB"DDPSEJOHUPUIF+PVSOBMPG'JMN1SFTFSWBUJPOPG
/PWFNCFS BUUIFUJNFUIFBSDIJWFTIPMEJOHTDPOTJTUFEPGTPNF SFFMTPGGJMN XIJDIJODMVEFTOFXTSFFMT 
documentaries, educational items, television programmes and features. This material is on all major film and video
formats.
Finding Aids5IFSFJTOPDPNQSFIFOTJWFPOMJOFEBUBCBTF CVUUIFSFBSFWBSJPVTJOUFSOBMNBOVBMBJET JODMVEJOHB6/*-
5&3.UJUMFDBUBMPHVF BTVCKFDUDBUBMPHVFBOEUXPMJTUTDPNQJMFECZ5SFWPS.PTFT OBNFMZBGFBUVSFGJMN
EBUBCBTFBOEBOGJMNIJTUPSZFWFOUTEBUBCBTF*OBEEJUJPONVDIPGUIFFBSMJFTUNBUFSJBMJTJOEFYFEPOUIF
/BUJPOBM3FHJTUFSPG"VEJP7JTVBM.BUFSJBM /"30.
5IJTEBUBCBTFJTQBSUPGUIF/BUJPOBM"VUPNBUFE"SDIJWBM*OGPS-
NBUJPO 3FUSJFWBM 4ZTUFN /""*34
 NBJOUBJOFE CZ UIF /BUJPOBM "SDIJWFT PG 4PVUI "GSJDB 1BSUJDJQBUJOH JOTUJUVUJPOT
TVQQMZUIF/BUJPOBM"SDIJWFTXJUIBMMUIFOFDFTTBSZJOGPSNBUJPODPODFSOJOHUIFJSBVEJPWJTVBMDPMMFDUJPOTBOEUIFEFUBJMT
can be retrieved online from www.national.archives.gov.za/index.htm (click on Search Automated Archival Information
3FUSJFWBM4ZTUFNBOEUIFOPO/BUJPOBM3FHJTUFSPG"VEJP7JTVBM.BUFSJBM
"TFBSDIGPSi'JMNwXJMMCSJOHVQ IJUT 
QSJNBSJMZGSPNUIFDPMMFDUJPOPGUIF/'74"BOENPTUPGJUNBUFSJBMQSPEVDFEEVSJOHUIFGJSTUIBMGPGUIFth century.
Access: Access is open to all, but some material is restricted and may only be viewed with permission from the copyright
PXOFST7JFXJOHBOEQSJOUSFTFBSDIJTCZBQQPJOUNFOUPOMZBOEUIFNBUFSJBMNBZPOMZCFBDDFTTFEPO/'74"QSFNJTFT
5IFXSJUUFOQFSNJTTJPOPGUIFDPQZSJHIUIPMEFSJTSFRVJSFECFGPSFBOZNBUFSJBMDBOCFEVQMJDBUFE

Name: SAPS Video Unit


Current Physical Location#FBUSJY4USFFU 8JFSEB1BSL $FOUVSJPO
Email Address: govenders@saps.org.za
$POUBDU1FSTPO%JSFDUPS4USJOJ(PWFOEFS
5FM 

'BY 

4USFFU1PTUBM"EESFTT4"147JEFP6OJU 1SJWBUF#BH9 1SFUPSJB 

Description5IF4"147JEFP6OJUBTJUFYJTUTOPXXBTFTUBCMJTIFEJOUIFNJET*OSFDFOUZFBSTUIFZIBWFNPTUMZCFFO
involved in producing material for the SABC and Pol-TV, an internal channel that broadcasts to police stations through-
out the country. Also produced are straightforward training films and records of police exhibitions and similar events.
*OBEEJUJPOUIFZGJMNDSJNFTDFOFTGPSVTFJOTVCTFRVFOUUSJBMT)PXFWFS UIFZBMTPIBWFFYUFOTJWFGPPUBHFPGQPMJUJDBM
FWFOUTTVDIBTEFNPOTUSBUJPOT NBSDIFTBOEGVOFSBMTUIBUUPPLQMBDFUISPVHIPVUUIFTBOEFBSMZT"QQBS-
ently this material was primarily shot for use in possible court cases. It was policy (though not always possible) to make
use of two cameras, one to film the action of the crowds and another to record the reaction of the police. This footage
XBTVTVBMMZTIPUCZDBNFSBNFOBGGJMJBUFEUPUIF*OUFSOBM4UBCJMJUZ6OJU5IFFBSMJFTUGPPUBHFUIFZIBWFEBUFTGSPN
Holdings5IFSFJTOPBDDVSBUFSFDPSEPGKVTUIPXNBOZUBQFTUIFSFBSF CVUUIFSFBSFBUMFBTU 4PNFPGUIFPMEFS
NBUFSJBMJTPO6NBUJD CPUI-%BOE)%
BOEUIFSFBSFBOVNCFSPGQSPHSBNNFTPO7)4BOETPNFNJOJGPSNBUT CVU

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
most of the material that relates to the liberation struggle seems to be on early Betacam.
Finding Aids/POFBUUIFNPNFOU"GFXZFBSTBHPUIFZFNCBSLFEPOBOBUUFNQUUPDSFBUFBOJOEFYEBUBCBTF CVUBMBDLPG
IVNBOBOENPOFUBSZSFTPVSDFTIBTSFTVMUFEJOWFSZTMPXQSPHSFTT"CPVUUBQFTIBWFCFFOMJTUFETPGBS
Access: There is no real problem with providing access to bona fide researchers, but there is concern about supplying mate-
SJBMGPSVTFJOUFMFWJTJPOQSPEVDUJPOTPWFSXIJDIUIFZXPVMEIBWFOPDPOUSPM3FRVFTUTTIPVMECFBEESFTTFEUP%JSFDUPS
4USJOJ(PWFOEFSTUBUJOHUIFQVSQPTFGPSXIJDIBDDFTTJTSFRVJSFE

Name: Shifty Music Archive


Current Physical Location: %PSJT4USFFU ,FOTJOHUPO +PIBOOFTCVSH 
Contact Email: lloyd@shifty.co.za
Contact Person: Lloyd Ross
Tel: 
Fax: 
Street/Postal Address: 10#PY :FPWJMMF 
Description:4JODFUIFFBSMZT 4IJGUZ3FDPSETIBTEPDVNFOUFEUIF4PVUI"GSJDBONVTJDTDFOFJOGMVFODFECZUIFIBSTI
political reality of the time, and inspired by the liberation struggle. These recordings resulted in the most comprehen-
sive collection of South African political/social commentary music in existence. This includes a range of genres, includ-
JOH,BBQTFHPFNB NCBRBOHBKJWF SPDL GPML BWBOUHBSEF JTJDBUIBNJZB XPSLFSTPOHT CPFSFQVOL KB[[ NBTLBOEF 
reflecting the diverse cultures and influences from which these artists drew their inspiration. In addition, Lloyd Ross
IBTBNBTTFEBOFYUFOTJWFGJMNPHSBQIZPGQSPEVDUJPOTSFMFBTFENBJOMZJOUIFQPTUQFSJPE DPWFSJOHBEJWFSTFSBOHF
of themes focusing on, and influenced by, the South African alternative music scene and culture. Some of Ross’s work
covers sub-cultural phenomena that have shaped South African culture, including the popular Voelvry movement (see
Voelvry Tour, 2002) as well as individual artists such as Lesego Rampolokeng, Herman Charles Bosman and Vusi
Mahlasela.
Holdings:4PNFPGUIFNBUFSJBMJTBWBJMBCMFPO$%.PTUIPXFWFSJTOPUEJHJUJ[FEPSBSDIJWFEBOETUJMMTJUTPOUIFPSJHJOBM
recording formats.
Finding Aids: Some info can be found on www.shifty.co.za but this is very much a work in progress
"DDFTT6QPOSFRVFTU

Name: South Africa: overcoming apartheid, building democracy


Current Physical Location: Online
Contact Email/"
Contact Person/"
Tel/"
Fax/"
Street/Postal Address/"

Descriptioni4PVUI"GSJDBPWFSDPNJOHBQBSUIFJE CVJMEJOHEFNPDSBDZwJTBXFCTJUFTFUVQBOENBJOUBJOFECZ.JDIJHBO
State University in East Lansing. It consists of interviews with individuals who were involved in the anti-apartheid

t4")""VEJPWJTVBM"VEJU3FQPSU
struggle, supported by short segments of source material documenting mass resistance and police repression, as well
BTTFMFDUFEUFYUEPDVNFOUT5IFJOUFSWJFXTXFSFDPOEVDUFEJO4PVUI"GSJDBBOEUIF6OJUFE4UBUFTCFUXFFOBOE
.VDIPGUIFWJEFPGPPUBHFDPNFTGSPNUIF$7&5BSDIJWF
Holdings"UPUBMPGIPVSTPGJOUFSWJFXTXJUIJOEJWJEVBMT*UJODMVEFTCPUIUIFGVMMJOUFSWJFXTBTXFMMBTTPNF
shorter segments, together with 20 brief segments of interviews available through links from external websites.
Finding Aids: Online at www.overcomingapartheid.msu.edu/index.php
Access: Free consultation on the internet.

Name: South African Truth & Reconciliation Commission Collection


Current Physical Location/BUJPOBM"SDIJWFTBOE3FDPSET4FSWJDFPG4PVUI"GSJDB )BNJMUPO4USFFU "SDBEJB 1SFUPSJB
Email Address: Archives@dac.gov.za
Contact Person(FSSJU8BHFOFSogerrit.wagener@dac.gov.za/BUBMJF4LPNPMPonatalie.skomolo@dac.gov.za
5FM 
 

'BY 

Street/Postal Address/BUJPOBM"SDIJWFTBOE3FDPSET4FSWJDFPG4PVUI"GSJDB )BNJMUPO4USFFU "SDBEJB 1SFUPSJB
/BUJPOBM"SDIJWJTU 1SJWBUF#BH9 1SFUPSJB

Description: The SABC transmitted a large number of the hearings of the Truth & Reconciliation Commission while the
sessions were in progress and was responsible for the production of a series of Special Reports intended to explain their
significance to the general public. After the final report was delivered, the audio and video tapes were handed over to
UIF/BUJPOBM"SDIJWFTGPSTBGFLFFQJOH5IF4"#$BMTPIBTBGVMMTFUPGUIF53$NBUFSJBM UIPVHIUIFSFTFFNTUPCFTPNF
EJTDSFQBODZCFUXFFOUIFJSIPMEJOHTBOEXIBUUIF/BUJPOBM"SDIJWFTJTTBJEUPIBWF
Holdings"DDPSEJOHUPBOJOWFOUPSZESBXOVQJO UIFSFBSFNPSFUIBO WJEFPUBQFT  PO7)4BOE 
PO#FUBDBN
JOUIF/BUJPOBM"SDIJWFT BTXFMMBT BVEJPUBQFT"UUIJTTUBHFUIFSFJTOPDFSUBJOUZXIFUIFSUIFDPO-
tents of the different formats overlap or whether all these tapes are in working order.
Notes5IF53$7JEFP$PMMFDUJPOBUUIF:BMF-BX4DIPPM-JMMJBO(PMENBO-JCSBSZGFBUVSFTUIFBCPWFNFOUJPOFE4QFDJBM
Reports covering the history and activities of the TRC. Assembled from footage shot at hearings throughout the country,
UIFZXFSFQSPEVDFECZKPVSOBMJTU.BYEV1SFF[BOEPSJHJOBMMZUSBOTNJUUFECZUIF4"#$CFUXFFO"QSJMBOE.BSDI
"DDPSEJOHUPUIFJOEFY UIFSFBSFBUPUBMPGUBQFT FQJTPEFT

Finding Aids5IFPOMZPOMJOFJOEFYUIBUTFFNTUPFYJTUBUUIFNPNFOUJTUIFPOFUIBUDPODFSOTUIFNBUFSJBMBUUIF:BMF
Law School. The website at www.law.yale.edu/trc/index.htm includes two indexes, the first featuring places, incidents,
concepts, events, groups and political organisations, while the second is a name index.
Access5IF53$WJEFPNBUFSJBMDBOCFWJFXFEBUUIF/BUJPOBM"SDIJWFTJO1SFUPSJB XIPXJMMBSSBOHFUPIBWFDPQJFTNBEF
at the Government Communication and Information System (GCIS) at what is basically cost price. The Special Reports
DBOBMTPCFWJFXFEBUUIF/BUJPOBM"SDIJWFT CVUUIFDPQZSJHIUCFMPOHTUPUIF4"#$BOEUIFZXPVMEIBWFUPCFPSEFSFE
GSPNUIFN5IFQSPHSBNNFTIFMECZUIF:BMF-BX4DIPPMDBOCFDPOTVMUFEPOUIFJSXFCTJUF TFFBCPWF
XIJDIJODMVEFT
a short RealMedia presentation of several of the tapes.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Name: University of Cape Town Libraries, Manuscripts & Archives
Current Physical Location: Ground Floor, Harry Oppenheimer Institute, Library Road, Upper Campus, University of Cape
Town, Rondebosch.
Email Address: lib-mss@uct.ac.za
Contact Person: Lesley Hart
Tel 

Fax 

Street/Postal Address.BOVTDSJQUT"SDIJWFT 6OJWFSTJUZPG$BQF5PXO 1SJWBUF#BH9 3POEFCPTDI 

Description.BOVTDSJQUT"SDIJWFTBUUIF6OJWFSTJUZPG$BQF5PXOIPMETBOVNCFSPGTNBMMDPMMFDUJPOT 
5IF4PVUI"G-
SJDBO$PNNJUUFFGPS)JHIFS&EVDBUJPO 4"$)&%
XBTGPVOEFEJOJOSFTQPOTFUPUIFDSJTJTJOFEVDBUJPOCSPVHIU
BCPVUCZNPWFTUPFOGPSDFBQBSUIFJEBUVOJWFSTJUZMFWFM8IFOJUT$BQF5PXOPGGJDFDMPTFEBGUFS UIFJSBVEJPWJTVBM
material was deposited at UCT. It consists of material they had shot themselves, largely for teaching purposes, plus a
TFMFDUJPOPGQSPHSBNNFTUIFZIBEPCUBJOFEGSPNFMTFXIFSF 
*OUIFMBUFT EVSJOHUIF4UBUFTPG&NFSHFODZ GJMN
maker Cliff Bestall deposited some of his material at Manuscripts & Archives for safekeeping. Much of it was originally
TIPUGPSPWFSTFBTOFXTBHFODJFTBOEEFBMTXJUI.P[BNCJRVF 
5IFFYUFOTJWF#MBDL4BTIBSDIJWBMDPMMFDUJPOJODMVEFT
TPNFTPVSDFNBUFSJBMBOEJOUFSWJFXTTIPUGPSUIFEPDVNFOUBSZi5IF#MBDL4BTIUIFFBSMZZFBSTw 
.BUFSJBMQVS-
DIBTFEGSPN1FUFS%BWJTGPSUIFEPDVNFOUBSZi*OEBSLFTU)PMMZXPPEDJOFNBBOEBQBSUIFJEw
Holdings5IFNBUFSJBMJOUIF4"$)&%DPMMFDUJPODPOTJTUTPGBQQSPYJNBUFMZJOIPVTFUBQFT POCPUI6NBUJDBOE7)4

BOEBOPUIFSFYUFSOBM7)4QSJOUT5IFPSJHJOBMNBUFSJBMJOUIF$MJGG#FTUBMMDPMMFDUJPOJTWFSZMBSHFMZPO6NBUJD QMVT
some viewing prints on VHS. The Black Sash material is largely on Betacam. The format of the 85 cassettes from Peter
%BWJTJTVOLOPXO
Finding Aids'PSUIF4"$)&%BOE$MJGG#FTUBMMNBUFSJBMPOMZJOUFSOBMMJTUT'PSUIF#MBDL4BTINBUFSJBMTFFhttp://www.lib.
uct.ac.za/blacksash/index.php'PSUIF1FUFS%BWJTNBUFSJBMTFFhttp://www.lib.uct.ac.za/mss/index.php?html=/mss/
OFXBJET#$)5.NTTDPMMJE
Access: By appointment. Manuscripts & Archives does not hold the copyright for any of this material.

Name: UWC Robben Island Mayibuye Archives Video & Film Collection
Current Physical Location: University of the Western Cape
Email Address: ggoddard@uwc.ac.za
Contact Person: Graham Goddard
5FM 

Fax 

Street/Postal Address6OJWFSTJUZPGUIF8FTUFSO$BQF -FWFMPGUIF.BJO-JCSBSZ .PEEFSEBN3PBE #FMMWJMMF 

Description5IFDPSFPGUIF68$3PCCFO*TMBOE.BZJCVZF"SDIJWFTJTUIFDPMMFDUJPOPGUIF*OUFSOBUJPOBM%FGFODF"JE
'VOEGPS4PVUIFSO"GSJDB'PVOEFEJO(SFBU#SJUBJOJOUIFFBSMZT *%"'TFDSFUMZDPOUSJCVUFEUPUIFGVOEJOHPGUIF
BOUJBQBSUIFJETUSVHHMFBOETVCTFRVFOUMZQSPEVDFEBOVNCFSPGEPDVNFOUBSJFT NBOZPGUIFNEJSFDUFECZ#BSSZ'FJO-
CFSH XIJDIEJENVDIUPLFFQUIFMJCFSBUJPONPWFNFOUJOUIFQVCMJDFZF0WFSBQFSJPEPGBMNPTUZFBSTNBOZGJMN
NBLFSTEFQPTJUFEDPQJFTPGUIFJSXPSLXJUI*%"'*OBEEJUJPOUIFPSHBOJTBUJPOPCUBJOFENBUFSJBMUBQFEGSPNUFMFWJTJPO 
both in Great Britain and South Africa.

t4")""VEJPWJTVBM"VEJU3FQPSU
'SPNUIFFBSMZFJHIUJFT *%"'IBEBDMPTFXPSLJOHSFMBUJPOTIJQXJUI7/4"GSBWJTJPOBOEXIFOUIF*%"'BSDIJWFXBT
CSPVHIUUPUIF6OJWFSTJUZPGUIF8FTUFSO$BQF UIF7/4DPMMFDUJPOXBTIPVTFEUIFSFBTXFMM5ISPVHIUIF*OTUJUVUFGPS
)JTUPSJDBM3FTFBSDIBU68$ UIF(FSNBOOFXTBHFODZ"3%BMTPEFQPTJUFEBTFMFDUJPOPGOFXTGPPUBHFSBOHJOHGSPNUIF
NJETUPBSPVOE'JOBMMZJUPCUBJOFETPNFTPVSDFNBUFSJBMGPSi)FBSUBOETUPOFw #SJEHFU5IPNQTPOTGJMNPO
(PWBO.CFLJ5IFSFBSFBMTPBOVNCFSPGNNBOENNQSJOUT
Holdings5IF*%"'DPMMFDUJPODPOTJTUTPGUIFGPMMPXJOH6NBUJD -#BOETPNF)#
o #FUBDBN NBJOMZPYJEF
o 
POFJODISFFMTo iPUIFSwo 7)4oBQQSPYJNBUFMZ 5IF7/4DPMMFDUJPODPOTJTUTPGBQQSPYJNBUFMZ UBQFTo
 PO#FUBDBN NBJOMZNFUBM
BOEPO6NBUJD -#BOE)#
5IFSFBSFTPNFUBQFTGSPN"3% BMMPO6NBUJD
)#
5IFBQQSPYJNBUFMZNNDBOTDPOUBJONPTUMZ*%"'GJMNT CPUIEJTUSJCVUJPOQSJOUTBOENBTUFSNBUFSJBM CVU
JODMVEFTPNFNBTUFSTPGOPO*%"'UJUMFT
"QQSPYJNBUFMZ UBQFT QSJNBSJMZGSPNUIF7/4DPMMFDUJPO IBWFCFFODPQJFEUP.JOJ%7EJHJUBMWJEFPUBQF BTIBWF
TPNFPGUIF*%"'6NBUJDUBQFT"TNBMMOVNCFSPGUIF*%"'7)4UBQFTIBWFCFFODPOWFSUFEUP%7%3EJTDBOEUPEJTD
JNBHFGJMFTTUPSFEPOBOFYUFSOBMIBSEESJWF5IFQMBOJTUPPVUTPVSDFUIFDPOWFSTJPOPGUIFSFNBJOJOH*%"'NBUFSJBM
as it is considered too time-consuming to continue this process in-house.
Finding Aids*O "OUIFB+PTJBTBOE/PSNBO,BQMBODPNQJMFEBi(VJEFUPUIFGJMNWJEFPDPMMFDUJPOw XIJDIXBT
SFQSJOUFEJO*O +PBO'BJSXFBUIFSDPNQJMFEBTJNJMBS CVUNPSFEFUBJMFEHVJEFUPUIFNNGJMNT QMVTBGFX
PONN
FOUJUMFEi5IF*%"''JMN"SDIJWFTw#PUIPGUIFTFDBUBMPHVFTBSFPVUPGQSJOU5IF*%"'NBUFSJBMJTMJTUFEPO
BOJOUFSOBMEBUBCBTFBOEGPSUIF7/4GPPUBHFUIFSFJTBOPSJHJOBM%04MPHPGSVTIFT TFFVOEFS7/4"GSBWJTJPO
'PSUIF
"3%NBUFSJBMUIFSFBSFPOMZUIFPSJHJOBMJOQVUTIFFUT5IFSFBSFOPDVSSFOUDBUBMPHVFT FJUIFSJOQSJOUPSPOMJOF CVUB
comprehensive database for the entire collection is being developed.
Access5PBDDFTTNBUFSJBM SFTFBSDIFSTOFFEUPDPOUBDUUIFBSDIJWFTUPSFRVFTUBSFTFBSDIGPSN0OUIJTUIFZNVTUQSPWJEF
UIFBSDIJWJTUXJUIEFUBJMTPGUIFNBUFSJBMUIFZSFRVJSFPSUIFBSFBPGSFTFBSDIJOXIJDIUIFZBSFJOWPMWFE5IFBSDIJWJTU
will check through the source material and inform them accordingly. After that arrangements can be made to have the
material either collected or sent.

Name: Villon Films


Current Physical Location: Unknown
Contact Email: peter@villonfilms.com
Contact Person1FUFS%BWJT
Tel 

Fax 

Street/Postal Address0OUBSJP4USFFU 7BODPVWFS #$ $BOBEB 77(

Description7JMMPO'JMNTJTBOJOEFQFOEFOU$BOBEJBOCBTFEQSPEVDUJPODPNQBOZGPVOEFEBOETUJMMSVOCZ1FUFS%BWJT 
who has devoted a considerable amount of time to promoting the liberation struggle and exploring South Africa’s film
IJTUPSZ )JT DSFEJUT BT EJSFDUPS JODMVEF i4PVUI "GSJDB UIF XIJUF MBBHFSw 
 i(FOFSBUJPOT PG SFTJTUBODFw 

i4PVUI"GSJDBUIFOVDMFBSGJMFw 
i8JOOJF.BOEFMBVOEFSBQBSUIFJEw 
i3FNFNCFS.BOEFMBw 
BOE
i*OEBSLFTU)PMMZXPPEDJOFNBBOEBQBSUIFJEw 
)FIBTEPOBUFEIJTTPVSDFDPMMFDUJPOPGGJMNNBUFSJBM QIPUP-
graphs and manuscripts to the Black Film Center at Indiana University, with access at www.indiana.edu/~bfca/collec-

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
tion/special/peterd.html.
Holdings#FTJEFTIJTPXOGJMNT 1FUFS%BWJTBMTPEJTUSJCVUFTBMNPTUPUIFSGJMNTXJUI4PVUI"GSJDBODPOOFDUJPOT JODMVE-
JOHi#PQIBw 
i6OEFSUIFWPMDBOPw 
i4POHPMPMPWPJDFTPGDIBOHF 
i"MBO1BUPOTCFMPWFEDPVOUSZw

i/BEJOF(PSEJNFSw 
i5IFMPTUCPZTyBQBSUIFJETMFHBDZw 
i0CFSMJO*OBOEBUIFMJGFBOEUJNFT
PG +PIO - %VCFw 
 BOE i-PWF  DPNNVOJTN  SFWPMVUJPO  3JWPOJB #SBN 'JTDIFST TUPSZw 
 *O BEEJUJPO
UIFSFBSFBOVNCFSPGWFSZFBSMZ4PVUI"GSJDBOQSPEVDUJPOT TVDIBTi%F7PPSUSFLLFSTwi8JOOJOHBDPOUJOFOUw 

i+JNDPNFTUP+PCVSHww"GSJDBO+JNw 
i;POLw 
BOEi4POHPG"GSJDBw 
BTXFMMBTBOBTTPSUNFOUPG
BQBSUIFJEFSBHPWFSONFOUBMGJMNT JODMVEJOHi5IFDPOEFNOFEBSFIBQQZw 
BOEi5IFGPYIBTGPVSFZFTw 

Finding Aids: An online database at www.villonfilms.com that can be searched according to title, subject/country, director
and keyword. (Titles are not always correctly identified.)
Access: Online sales catalogue.

Name: The Visual History Archive (ex DOXA)


Current Physical Location: UI'MPPS .JMM4USFFU (BSEFOT $BQF5PXO
Email Address: craig@doxa.co.za
Contact Person: Craig Matthew
Tel: 
Postal Address: 10#PY )PVU#BZ 

Description: %PYB1SPEVDUJPOTJTBOJOEFQFOEFOUEPDVNFOUBSZBOEJOUFSBDUJWFEFTJHODPNQBOZUIBUXBTGPVOEFEJO
*UTDPMMFDUJPODPOTJTUTPGNBUFSJBMSFMBUJOHUPUIFBOUJBQBSUIFJETUSVHHMFoFTQFDJBMMZFWFOUTVOGPMEJOHJOUIF8FTUFSO
$BQFoJODMVEJOHUIFIJTUPSZPGUIF"GSJDBO/BUJPOBM$POHSFTTBOEPUIFSMJCFSBUJPOPSHBOJTBUJPOT NBTTQSPUFTUTBOE
GVOFSBMT GBSSJHIUXJOHBDUJWJUJFT UIFMBVODIPGUIF6%' UIFSFMFBTFPG/FMTPO.BOEFMBBOEUIFUSBOTJUJPOUPBOFX
EFNPDSBUJDHPWFSONFOU BTXFMMBTFYUFOTJWFGPPUBHFPGUIFTVCTFRVFOU5SVUIBOE3FDPODJMJBUJPO$PNNJTTJPOIFBSJOHT
*OUIF%PYB-JCFSBUJPO4USVHHMF$PMMFDUJPOXBTQMBDFEPOUIF6/&4$0.FNPSZPGUIF8PSME3FHJTUFS
Holdings: Close to 500 tapes on both Umatic and BetacamSP. The material is currently being digitised by the Visual His-
tory Archive, which is part of the Centre for Curating the Archive at the University of Cape Town.
Finding aids: A new inventory and metadata-base is being created as part of the digitization process.
Access: 6QPOSFRVFTU

Name: VNS/Afravision Collection


Current Physical Location68$3PCCFO*TMBOE.BZJCVZF"SDIJWFT -FWFMPGUIF.BJO-JCSBSZ 6OJWFSTJUZPGUIF8FTUFSO
Cape, Modderdam Road, Bellville.
Email: briant@mail.ngo.za / laurence@steps.co.za
Contact Person#SJBO5JMMFZ-BVSFODF%XPSLJO
Tel
Street/Postal AddressB'MPXFS4USFFU 0SBOKF[JDIU $BQF5PXO 

t4")""VEJPWJTVBM"VEJU3FQPSU
Description5IF"GSBWJTJPOBSDIJWFDPOTJTUTPGNBUFSJBMTIPUGSPNUIFFBSMZFJHIUJFTVOUJMBOEEPDVNFOUTUIFTUSVHHMF
against apartheid with a particular focus on the trade union and youth movements. Initially operating anonymously,
UIFGVMMUJNF7/4DPMMFDUJWFQSPEVDFEAWJEFPQBNQIMFUTPGTUSVHHMFTJO4PVUI"GSJDBBOEEJTUSJCVUFEUIFNUISPVHIWBSJ-
ous progressive structures and through a distribution organisation set up in London called Afravision. The collection
JODMVEFTCSPBEDPWFSBHFPGUIFEFNPDSBUJDNPWFNFOUBOEVOJRVFAJOTJEFSNBUFSJBMPGUSBEFVOJPOEFCBUFTBOEDPO-
gresses. Many major events and uprisings were covered and documented with the aim of consolidating a video record
of the struggle period.
Holdings: Original material runs to approximately 3,000 hours on BetacamSP. About 30 edited films or video pamphlets
PO#FUBDBN41BOE6NBUJD
JODMVEFi5IFTVOXJMMSJTFw 
i.BSDIJOHPSEFSTw 
i$04"56BHJBOUIBTSJTFOw

i$PNQFMMJOHGSFFEPNw 
i$FSUBJOVOLOPXOQFSTPOTw 
i%BWJE8FCTUFSMJWFEGPSEFNPDSBDZ LJMMFE
CZBQBSUIFJEw 
i'SVJUTPGEFGJBODFw 
BOEi5IFMJGFUJNFTPG$ISJT)BOJw 
5IFSFJTBMTPUIFQBSU
IJTUPSZPGUIF"/$ i)PMEVQUIFTVOw 
BOEUIFQBSUTFSJFTi)JTUPSZVODVUw 

Finding Aids/PDBUBMPHVFFYJTUT CVUUIFSFJTBOPSJHJOBM%04MPHPGSVTIFTUIBUJTCFJOHDPOWFSUFE
Access 7JB "GSBWJTJPO NFNCFST #SJBO 5JMMFZ PS -BVSFODF %XPSLJO PS UISPVHI UIF 3PCCFO *TMBOE .VTFVN.BZJCVZF
Archive.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Poster: Offset litho, issued by the Weekly Mail and Black Sash, date unknown. Archived as SAHA
$PMMFDUJPO"-
STOCK FOOTAGE LIBRARIES

Name: ABC News Videosource


Email Address: abcvideosource@abc.com
Tel 

Tel 

Fax 

Street/Postal Address8FTU&OE"WFOVF thGMPPS /FX:PSL /: 64"

Description"#$/FXT7JEFPTPVSDFJTUIFMJDFOTJOHEJWJTJPOPG"#$/FXT POFPG"NFSJDBTPSJHJOBMCJHUISFFDPNNFSDJBM
OFUXPSLT#FTJEFTJUTPXOBSDIJWBMOFXTGPPUBHF XIJDIEBUFTGSPN JUTDPOUFOUQBSUOFSTJODMVEFUIF"TTPDJBUFE
1SFTT"SDIJWFBOE#SJUJTI.PWJFUPOF/FXT5IFJODMVTJPOPGUIFMBUUFSNFBOTUIBUDPWFSBHFHPFTSJHIUCBDLUP
Both AP and British Movietone material is also available from elsewhere.
Finding Aids: Searchable online database with detailed descriptions at www.abcnewsvideosource.com. As yet the search
engine has no viewing facilities.
Test Search4PVUI"GSJDBo IJUT "QBSUIFJEo IJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: AP Archive
Email Address: info@aparchive.com
Tel  

Fax  

British Street/Postal Address5IF*OUFSDIBOHF $BNEFO-PDL -POEPO/8%; &OHMBOE

Description: Associated Press is a global news network that maintains one of the largest news stock footage libraries in
the world. The AP Archive contains material from a number of television news agency collections that are owned by
"15FMFWJTJPO/FXT JODMVEJOH"15/"15FMFWJTJPO 61*5/BOE85/ 
"157 
BOE6OJWFSTBM
/FXTSFFM 
5IFZBMTPSFQSFTFOUBOVNCFSPGPUIFSBSDIJWBMDPMMFDUJPOT PGXIJDI"#$"NFSJDB $57$BOBEB 
)JTUPSJD'JMNTBOE4LZ/FXTBSFUIFNPTUSFMFWBOU5IFJSBSDIJWFDPOUBJOTGPPUBHFGSPNUPUIFQSFTFOUEBZ
Finding Aids: Searchable online database with detailed descriptions, a storyline and a shot list at www.aparchive.com. Some
clips are viewable upon registration.
Test Search4PVUI"GSJDBo IJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: BFI Archival Footage Sales


Email Address: Form Online
Tel 
Fax 
Street/Postal Address4UFQIFO4USFFU -POEPO85-/ &OHMBOE

Description#FTJEFTJUTWFSZFYUFOTJWF'JMN57%BUBCBTF UIF#SJUJTI'JMN*OTUJUVUFIBTBO"SDIJWBM'PPUBHF4BMFTTFDUJPO
UIBUIBOEMFTSFRVFTUTGSPNGJMNNBLFSTBOEPUIFSTGPSFYUSBDUTGSPNBSDIJWBMGPPUBHFGPSXIJDIJUPXOTUIFSJHIUT5IF
selection relevant to South African users consists primarily of material from early newsreels (especially Topical Budget),

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
British government documentaries and out-of-copyright material. Though there seem to be no programmes that deal
TQFDJGJDBMMZXJUIUIFMJCFSBUJPOTUSVHHMF UIFSFJTRVJUFBMPUPGNBUFSJBMUIBUXBTTIPUJOUIFDPVOUSZQSJPSUP JODMVE-
ing the war years. The emphasis tends to be on Britain’s ties with South Africa.
Finding Aids: Searchable online database at www.bfi.org.uk/nftva/access/afs/
Test Search4PVUI"GSJDBIJUT "QBSUIFJEoIJUT7FSXPFSEoIJUT -VUIVMJoIJUT 0ORVJUFBGFXFOUSJFTUIF4PVUI
African link seems tenuous, to say the least.)

Name: British Movietonews Ltd.


Email Address: library@mtone.co.uk
Tel  

Fax  

Street/Postal Address/"

Description#SJUJTI.PWJFUPOF/FXTXBTUIFGJSTU#SJUJTITPVOEOFXTSFFM5IPVHIFTUBCMJTIFEJOCZJUT"NFSJDBO
QBSFOUDPNQBOZ 'PY.PWJFUPOF JUTVCTFRVFOUMZEFWFMPQFEBMPOHJOEFQFOEFOUMJOFT'PSTPNFZFBSTJUGFBUVSFEJO
TVQQPSUJOHDJOFNBQSPHSBNNFTJOWBSJPVTDPVOUSJFT JODMVEJOH4PVUI"GSJDB DFBTJOHPQFSBUJPOJO
Finding Aids: Searchable online database with detailed descriptions at www.movietone.com, with the added attraction that
all clips are playable upon registration.
Test Search4PVUI"GSJDBoIJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: British Pathe News


Email Address: customerservice@itnsource.com
Tel 
Fax 
South African Street/Postal AddressDP*5/4PVSDF rdGMPPS $IFMTFB)PVTF 8FTU4USFFU 4BOEUPO 
British Street/Posta1 AddressDP*5/4PVSDF (SBZT*OO3PBE -POEPO8$99; &OHMBOE

Description:'PVOEFECZ$IBSMFT1BUIFJO'SBODF JOUIF1BUIFDPNQBOZFTUBCMJTIFEB-POEPOPGGJDFBOECZ
was producing a bi-weekly British newsreel entitled Pathe Gazette, later joined by a number of other cinema magazine
QSPHSBNNFT#ZUIFUJNFUIFGJSNDFBTFEPQFSBUJPOJO JUIBEBDDVNVMBUFETPNF IPVSTPGNBUFSJBM5IFJS
complete back catalogue has been digitised and is claimed to be the world’s first digital news archive. Though it still
NBJOUBJOTJUTPXOEBUBCBTF TBMFTBSFOPXNBOBHFECZ*5/4PVSDF
Finding Aids: Searchable online database with detailed descriptions at www.britishpathe.com. Free preview facilities are
available to residents of the British Isles, but individuals elsewhere are able to preview the material in stills format.
Test Search:4PVUI"GSJDBo IJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

t4")""VEJPWJTVBM"VEJU3FQPSU
Name: British Universities Newsreel Database
Email Address: newsreels@bufvc.ac.uk
Tel.: 
Fax 
British Street/Postal Address#SJUJTI6OJWFSTJUJFT'JMN7JEFP$PVODJM 8FMMT4USFFU -POEPO852+ &OHMBOE

Description%BUBIBTCFFOHBUIFSFEPOUIF#SJUJTIDJOFNBOFXTSFFMTGPSBDBEFNJDTUVEZTJODFBOEVOEFSUIFDBSFPG
UIF#SJUJTI6OJWFSTJUJFT'JMN7JEFP$PVODJM #6'7$
TJODF8IBUJTOPXDBMMFEUIF#SJUJTI6OJWFSTJUJFT/FXT-
SFFM%BUBCBTF #6/%
GFBUVSFTUIFSFDPSETPGBMMUIFNBKPS#SJUJTIOFXTSFFMT XJUIGVMMSFMFBTFEBUBBOECBTJDTZOPQTFT
5IFEBUBCBTFDPOUBJOTTPNF TUPSJFTGSPN#SJUJTIOFXTSFFMTBOEDJOFNBHB[JOFTTIPXOCFUXFFOBOE 
as well as a large collection of digitised documents and web links to much of the footage. Please note that it is a record
of what was produced, rather than of what is known to physically exist.
Finding Aids: Searchable online database with detailed descriptions at www.bufvc.ac.uk/databases/newsreels/index.html.
It does not offer material for sale, but refers viewers to the relevant archives.
Test Search4PVUI"GSJDBo IJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: CBC TV Archive Sales / CBC Digital Archives


Email Address: archives@cbc.ca
Tel 
Fax 
Street/Postal Address8FMMJOHUPO4USFFU8FTU 5PSPOUP 0OUBSJP .7( $BOBEB

Description: The Canadian Broadcasting Corporation (CBC) is Canada’s public broadcaster, originally set up along the lines
of the BBC. Though it has a huge archive of Canadian material, there is relatively little on South Africa. The reason it
has been included is that, being Canadian, it has some footage that is not available elsewhere.
Finding Aids: Searchable online database with detailed descriptions at http://archives.cbc.ca/. Both television and radio
clips are playable.
Test Search4PVUI"GSJDBoIJUT "QBSUIFJEoIJUT 7FSXPFSEIJU -VUIVMJo

Name: Gaumont Pathe Archives


Email Address: contact@gaumontpathearchives.com
Tel
Fax
Street/Postal AddressSVFEVEPDUFVS#BVFS 4U0VFO 'SBODF

Description: This very large collection contains the combined archives of Pathé and Gaumont, two pioneering French com-
QBOJFTXIPXFSFUIFGPVOEFSTPGFBSMZOFXTSFFMTTVDIBT1BUI˜+PVSOBM 
BOE(BVNPOU"DUVBMJUJ˜T 
"DUJWF
throughout the following decades, either jointly or separately, they eventually branched out into documentary filmmak-
JOH8JUIUFMFWJTJPOJODSFBTJOHMZFODSPBDIJOHVQPOUIFDJOFNB UIFOFXTSFFMTGPMEFEJO*O%FDFNCFS UIF

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
DBUBMPHVFTPG$JO˜NBUI™RVF(BVNPOUBOE1BUI˜"SDIJWFTNFSHFEUPDSFBUFBOBSDIJWFDPOUBJOJOHPWFS IPVSTPG
film. It being French, it has some footage not available elsewhere.
Finding Aids: Searchable online database with fairly detailed descriptions (some in French) and an occasional storyboard at
www.gaumontpathearchives.com. Video access is restricted to broadcasting professionals who have registered.
Test Search4PVUI"GSJDBoIJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJU

Name: ITN Source


Email Address: sasales@itnsource.com and customerservice@itnsource.com
Tel 
Fax 
South African Street/Postal Address: 3rdGMPPS $IFMTFB)PVTF 8FTU4USFFU 4BOEUPO 
British Street/Postal Address(SBZT*OO3PBE -POEPO8$99; &OHMBOE

Description*5/XBTGPVOEFEJOBTQBSUPGUIFOFX#SJUJTIDPNNFSDJBMOFUXPSLBOECFHBOBTBDPOTPSUJVNPGCSPBE-
casters collectively known as ITV. For many years it provided the national news bulletins for the ITV partners, with
#SJUBJOTTFDPOEDPNNFSDJBMTUBUJPO $IBOOFM CFJOHBEEFEMBUFS5PEBZ*5/4PVSDFJTBIVHFBOEEJWFSTFDPNNFSDJBM
archive that is said to contain over one million hours of digitised newsreel material from its own library as well as from
DPMMFDUJPOTTVDIBT3FVUFST JODMVEJOH7JTOFXT-UE
(SBOBEB5FMFWJTJPO $IBOOFM 'PY/FXT 'PY.PWJFUPOF #SJUJTI
Pathe and others. Its South African material dates from the Boer War to the present day. (Much of the footage used in
UIF"QBSUIFJE.VTFVNJO+PIBOOFTCVSHDBNFGSPNUIF*5/"SDIJWF

Finding Aids: Searchable online database with detailed descriptions at www.itn.source.com.


Test Search4PVUI"GSJDBo IJUT "QBSUIFJEo IJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: NBC News Archives


Email Address: footage@nbc.com
Tel
Fax
4USFFU1PTUBM"EESFTT/"

Description5IF/BUJPOBM#SPBEDBTUJOH$PNQBOZ /#$
JTPOFPG"NFSJDBTPSJHJOBMCJHUISFFOFUXPSLT'PVOEFEJO
CZ3$" JUXBTUBLFOPWFSCZ(FOFSBM&MFDUSJDJO*UNBJOUBJOTBMBSHFGPPUBHFMJCSBSZ UBLFOGSPNSFHVMBSOFXTDBTUT
and special reports.
Finding Aids: Searchable online database with detailed descriptions of varying lengths.
Test Search4PVUI"GSJDBo IJUT "QBSUIFJEo IJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

t4")""VEJPWJTVBM"VEJU3FQPSU
Name: NewsFilm Online
Email Address: edina@ed.ac.uk
Tel  

Fax  

British Street/Postal Address&%*/" $BVTFXBZTJEF)PVTF $BVTFXBZTJEF &EJOCVSHI&)13 6OJUFE,JOHEPN

Description #BTFE BU &EJOCVSHI 6OJWFSTJUZ  /FXT'JMN 0OMJOF JT GVOEFE CZ UIF +PJOU *OGPSNBUJPO 4ZTUFNT $PNNJUUFF
+*4$
UPTVQQPSUUIFVTFPG*$5JOFEVDBUJPOBOESFTFBSDI*UDPNQSJTFTBTFMFDUJPOPGOFXTTUPSJFTBOEQSPHSBNNFT
GSPNUIFBSDIJWFTPG*5/3FVUFSTBOEDPOUBJOTTPNF IPVSTPGGPPUBHF5IJTGPPUBHFJTBWBJMBCMFGPSTBMFGSPN*5/
TPVSDF CVU/FXT'JMN0OMJOFQSPWJEFTBGBDJMJUZUPQSFWJFXUIFNBUFSJBMJOTUJMMTGPSNBU UIVNCOBJMT

Finding Aids: Searchable online database with detailed descriptions at www.nfo.ac.uk. Video playback and downloading are
available to staff and students at subscribing UK universities and colleges.
Test Search4PVUI"GSJDBoIJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJU

Name: South African National Film, Video & Sound Archive


Email Address: 'JMN&ORVJSJFT!EBDHPW[B
Tel 

Fax 

Street/Postal Address7FSNFVMFO4USFFU 1SFUPSJB 1SJWBUF#BH9 1SFUPSJB 

Description5IF/BUJPOBM'JMN 7JEFP4PVOE"SDIJWFJTUIFSFQPTJUPSZGPSUIF"GSJDBO.JSSPSDPMMFDUJPO TBJEUPIBWFCFFO


UIFMPOHFTUSVOOJOHOFXTSFFMJOUIFXPSME-BVODIFEJO JUXBTQSPEVDFECZ"GSJDBO'JMN1SPEVDUJPOTBOESBO
VOUJMJUTEFNJTFJO*UT"GSJLBBOTFRVJWBMFOUXBT0OT/VVT-JLFDJOFNBOFXTSFFMTFWFSZXIFSF JUSFDPSEFEOPUBCMF
local and national events for screening in supporting programmes, serving both as information/entertainment and as a
QSPQBHBOEBUPPMGPSUIFHPWFSONFOUJOQPXFS5IF/BUJPOBM3FHJTUFSPG"VEJP7JTVBM.BUFSJBM /"30.
QSPWJEFT
IJUTGPS"GSJDBO.JSSPSBOEGPS0OT/VVTBOEJUMPPLTBTUIPVHINBOZPGUIFFBSMJFSXFFLMZJTTVFTBSFNJTTJOH5IF
"GSJDBO.FEJB1SPHSBNNFBU.JDIJHBO4UBUF6OJWFSTJUZQSPWJEFTUIFTBNFJOGPSNBUJPOGPSTFMFDUFEFOUSJFTGPS
"GSJDBO.JSSPSBOEGPS0OT/VVT
Finding Aids: Searchable online database with descriptions at www.national.archives.gov.za DMJDL/BUJPOBM"VUPNBUFE"S-
DIJWBM3FUSJFWBM4ZTUFN DMJDL/BUJPOBM3FHJTUFSPG"VEJP7JTVBM.BUFSJBM
"MTPBU www.africanmedia.msu.edu/database.
php.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
1PTUFS0GGTFUMJUIP JTTVFECZUIF&OWJSPONFOUBM'JMN8PSLTIPQ "SDIJWFEBT4")"$PMMFD-
UJPO"-
REFERENCE & LENDING LIBRARIES

Name: African Media Program, Michigan State University


Email Address: afrmedia@msu.edu
Tel 

Fax 

Street/Postal Address"GSJDBO4UVEJFT$FOUSF .JDIJHBO4UBUF6OJWFSTJUZ *OUFSOBUJPOBM$FOUFS &BTU-BOTJOH .JDIJ-
HBO 64"

Description: The African Media Program is a project of the African Studies Center at Michigan State University. Started in
 JUTGJSTUQSJOUFEJUJPO i"GSJDBPO'JMNBOE7JEFPUBQF XBTQVCMJTIFEJO4JODFJUIBTCVJMUVQBOPOMJOF
SFGFSFODFHVJEFUPNPSFUIBO GJMNT WJEFPTBOEPUIFSBVEJPWJTVBMNBUFSJBMTUIBUEFBMXJUI"GSJDB*UQSPWJEFTB
XFBMUIPGJOGPSNBUJPOPONBOZ4PVUI"GSJDBOUJUMFT CVUJTOPUBMXBZTSFMJBCMF.VDIPGUIFNBUFSJBMIBTOPUOFD-
essarily been viewed and summaries and credit details are often taken from distributors’ catalogues, review journals,
television schedules, etc. Where the material has been seen the synopsis is usually accurate.
Access: Free consultation on the internet.
Finding Aids: Online database searchable by title, year, topic, genre, format, language, country, etc. at www.africanmedia.
msu.edu/~afrmedia/about/php.

Name: African Studies Library, University of Cape Town


Email Address: lib-asl@uct.ac.za
Tel 

Fax 

Street/ Postal Address"GSJDBO4UVEJFT-JCSBSZ 6OJWFSTJUZPG$BQF5PXO 1SJWBUF#BH9 3POEFCPTDI 

Description: The African Studies Library at the University of Cape Town has built up an extensive collection of videos and
%7%TDPWFSJOHIJTUPSJDBM TPDJBMBOEDVMUVSBMBTQFDUTPG"GSJDB XJUIBTUSPOHFNQIBTJTPO4PVUIFSO"GSJDB5IJTJODMVEFT
a wide selection of material dealing with the liberation struggle, including titles not easily available from elsewhere.
Holdings"QQSPYJNBUFMZ UJUMFTPOCPUIWJEFPBOE%7%
Access: As it is a research library, material is primarily meant for use by staff and students of the University of Cape Town,
as well as visiting academics and researchers (see www.lib.uct.ac.za/asl/)
Finding Aids: Online searchable alphabetical list at www.lib.uct.ac.za/asl/info/films2008/pdf

Name: British Film Institute Film & TV Database


Email Address: See Contacts at www.bfi.org.uk
Tel:/PUMJTUFE
Fax/PUMJTUFE
Street/Postal Address/PUMJTUFE

Description5IF#SJUJTI'JMN*OTUJUVUFT'JMN57%BUBCBTFQSPWJEFTQSPEVDUJPODSFEJUTBOEPUIFSJOGPSNBUJPOBCPVU
many films and television programmes that deal with Southern Africa. These range from contemporary governmental

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
propaganda films to the many anti-apartheid television films that were made throughout the years.
For the latter it often supplies the original transmission dates. The information is not always obtained from primary sources
and is thus not always complete or reliable, but for many entries it is the only record that these programmes ever existed.
Access: Free consultation on the internet.
Finding Aids: Online database searchable by title, names and events on the website at www.bfi.org.uk/filmtvinfo/ftvdb/

Western Cape Provincial Library Service


Email Address: hsalaam@pgwc.gov.za
Tel 

Fax 

Street/Postal Address8FTUFSO$BQF1SPWJODJBM-JCSBSZ4FSWJDF $IJBQQJOJ4USFFU $BQF5PXO 

Description4JODFJUTUBSUFEQVSDIBTJOHBVEJPWJTVBMNBUFSJBMJO UIF8FTUFSO$BQF1SPWJODJBM-JCSBSZ4FSWJDFIBTCVJMU
VQBXJEFSBOHJOHDPMMFDUJPOPGBQQSPYJNBUFMZ UJUMFTPONN WJEFPBOE%7%5IFFBSMZNBUFSJBMPONN
includes a number of state information films sponsored by the various government departments and parastatals, as well
BTEPDVNFOUBSJFTQSPEVDFEGPSDVMUVSBMPSHBOJTBUJPOTBOEQSJWBUFDPNQBOJFT5IFWJEFPBOE%7%DPMMFDUJPOTJODMVEF
many titles dealing with the anti-apartheid struggle.
Holdings"QQSPYJNBUFMZUJUMFTUIBUSFMBUFUPUIFMJCFSBUJPOTUSVHHMF GSPNBOFBSMZ+BNJF6ZTGJMNNBEFGPSUIF
4PVUI"GSJDBO*OGPSNBUJPO4FSWJDFPONN UPNBOZEPDVNFOUBSJFTNBEFGPSUIF4"#$POFJUIFSWJEFPPS%7%
Access: All material is made available for viewing through affiliated libraries in the Western Cape. Most libraries have small
WJEFP%7%DPMMFDUJPOTUIFNTFMWFT CVUUIFSFJTBMTPB$FOUSBM$PMMFDUJPOGSPNXIJDINBUFSJBMDBOCFSFRVFTUFEUISPVHI
the local public library. Borrowers from outside the Western Cape can obtain material on interlibrary loan. There is also
a courtesy service for registered filmmakers.
Finding Aids: An online database searchable by keyword, title, subject heading and author (filmmaker). Potential borrow-
ers can also check whether their local library has a particular title in stock and whether it is currently on the shelves.
5IFSFBSFQSJOUFENNBOEWJEFPDBUBMPHVFTPGNBUFSJBMQVSDIBTFEVQUP

Name: Yale University Library, Manuscripts & Archives (South Africa Now Collection)
Email Address: mssa.assist@yale.edu
Contact Person/"
Tel 

Fax 

Street/Postal Address.BOVTDSJQUT"SDIJWFT :BMF6OJWFSTJUZ-JCSBSZ 10#PY /FX)BWFO $5 
USA.

Description: The collection consists of videotapes and a small number of transcripts, log books and publicity files relating
UPUIFUFMFWJTJPONBHB[JOFQSPHSBNNFi4PVUI"GSJDB/PXw QSPEVDFECZ(MPCBMWJTJPOGSPNUP*UJODMVEFT
BOFBSMZDPNQMFUFSVOPGUIFBQQSPYJNBUFMZPSJHJOBMOFXTDBTUTQSPEVDFEEVSJOHUIJTUJNF BTXFMMBTUBQFTPGJOUFS-
views, short reports, documentaries, stock footage and other material used during production. There is also material

t4")""VEJPWJTVBM"VEJU3FQPSU
from independent South African filmmakers, other television networks, the South African Tourism Board, the United
/BUJPOT FUD
Holdings: Besides the original masters of the series (on Umatic), duplicating masters (on BetacamSP) and VHS viewing
copies, there are an estimated additional 2,000 tapes.
Access: The original videotapes, as well as the preservation masters and duplicating masters, may not be played. If viewing
copies do not exist, researchers should consult with the reference archivist.
Finding Aids5IFSFJTBi1SFMJNJOBSZ(VJEFUPUIF4PVUI"GSJDB/PX$PMMFDUJPOwUIBUDBOCFDPOTVMUFEBU http://mssa.
MJCSBSZZBMFFEVGJOEBJETTUSFBNQIQ YNMGJMFNTTBNTYNM.

Trying to find a copy of a particular film?


4"$BUJTBVOJPODBUBMPHVFBWBJMBCMFGSPN4BCJOFU0OMJOFUIBUMJTUTJUFNT JODMVEJOHWJEFPUBQFTBOE%7%T 
available in Southern African libraries. It is possible to search for films on this database to find out which
libraries hold copies of particular films. Please see:
http://sabinet.worldcat.org

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Poster: Offset litho, issued by the End Conscription Campaign (ECC), date unknown. Archived as
4")"$PMMFDUJPO"-
LIBERATION STRUGGLE DOCUMENTARIES

THE 16TH MAN


:FBS
%JSFDUPS$MJGGPSE#FTUBMM
%FTDSJQUJPO5IJTEPDVNFOUBSZSFDSFBUFTUIFUFOTJPOBOEESBNBPGFWFOUTPOBOEPGGUIFQJUDIMFBEJOHVQUPBOEJODMVE-
JOHUIFNPNFOUPVTSVHCZ8PSME$VQ*UJOUFSUXJOFTGPPUBHFPGUIFHBNFT IBQQFOJOHTJOUIFDPVOUSZBOE
key interviews with those at the heart of events, to tell the amazing true story of how the contest, and the thrilling
Springbok victory, changed everyone involved and the country with it.

1973: THE REBIRTH OF AFRICAN TRADE UNIONS


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ/BUBM8PSLFS)JTUPSZ1SPKFDU"VEJP7JTVBM"MUFSOBUJWFT 6OJWFSTJUZPG/BUBM
4VNNBSZ5IFTUSJLFTJO/BUBMBSFXJEFMZSFHBSEFEBTIBWJOHCFFOSFTQPOTJCMFGPSUIFSFCJSUIPGUIFQSPHSFTTJWF
trade union movement in South Africa. This video takes a look at these strikes by talking to a number of individuals
who were involved in them, from ordinary workers to those who acted as spokespersons.

1976: FINGER ON THE TRIGGER


:FBS-FOHUINJO
%JSFDUPS(VZ)VCCBSE
Production Company: Kevin Harris Productions for SABC
Production Company: Peter Magubane, one of South Africa’s most distinguished photojournalists, used his camera as a
weapon in the fight against apartheid. This programme, originally transmitted in two parts, is a tribute to his legacy
and the courage he displayed during a career that stretches over some 50 years.

ABAPHUCIWE: THE DISPOSSESSED


:FBS-FOHUINJO
%JSFDUPS(BWJO:PVOHF
1SPEVDUJPO/PUDSFEJUFE
4VNNBSZ0OFPGUIFDPSOFSTUPOFTPGUIF/BUJPOBM1BSUZTBQBSUIFJEQPMJDZXBTUIFGPSDFESFNPWBMPGUIPVTBOETPG
QFPQMFUPRVBTJJOEFQFOEFOUSVSBMIPNFMBOETUIBUXFSFUPTFSWFBTMBCPVSQPPMTGPSJOEVTUSZBOEBHSJDVMUVSF5IJT
film explains the hardships created by these massive resettlement programmes.

ACCUSED #1: NELSON MANDELA: THE TRIAL OF THE RIVONIA 10


:FBS-FOHUINJO
%JSFDUPS1BTDBMF-BNDIF
Production Company: Little Bird Productions
4VNNBSZ*O0DUPCFS POFPGUIFHSFBUQPMJUJDBMUSJBMTPGUIFDFOUVSZTUBSUFEJOUIF4VQSFNF$PVSUJO1SFUPSJB5FO
JOEJWJEVBMT BNPOHTUUIFN/FMTPO.BOEFMB XFSFDIBSHFEXJUITBCPUBHFBOEQMBOOJOHUPPWFSUISPXUIFHPWFSO-
ment. Combining interviews with limited dramatisations and archival footage, this film tells the story.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
ACT OF UNION
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ.BOJGFTUGPS$IBOOFM
Summary: This British television programme looks at the relationship between Great Britain and South Africa, cover-
JOHUIFBSSJWBMPGUIFGJSTU#SJUJTITFUUMFSTJO UIFBMJFOBUJPOPGUIF"GSJLBOFS UIFDPNJOHUPQPXFSPGUIF/BUJPOBM
Party and the various political events that influenced official policy towards South Africa.

THE AFRICAN FROM ABERYSTWYTH


:FBS-FOHUINJO
%JSFDUPS$PMJO5IPNBT
1SPEVDUJPO$PNQBOZ5FMJFTZOGPS4$BOE##$8BMFT
4VNNBSZ%BWJE*WPO+POFT 
XBTB8FMTINBOXIPCFDBNF(FOFSBM4FDSFUBSZPGUIF4PVUI"GSJDBO-BCPVS
Party and dedicated his life to the liberation of his adopted country’s black workers. In this film Professor Gwynn
Williams follows his journey from Aberystwyth to his death in the Soviet Union.

AFRIKAAPS
:FBS-FOHUINJO
%JSFDUPS%ZMBO7BMMFZ
Producer: Lauren Groenewald
%FTDSJQUJPO5IJTNJOVUFEPDVNFOUBSZJOWFSUTOPUJPOTPG"GSJLBBOTBTBMBOHVBHFPGUIFPQQSFTTPS5ISPVHIUIF
VOJRVFSFQSFTFOUBUJPOPGUIFATUBHFQMBZXJUIJOUIFGJMN UIFGJMNNBLFSTCSFBLHSPVOECZCPMEMZBUUFNQUJOHUPSF-
claim the language within a culture of liberation.

AFRIKA MAYIBUYE
:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS"/$%FQBSUNFOUPG*OGPSNBUJPO1VCMJDJUZ
4VNNBSZ.BEFGPSTDSFFOJOHQSJPSUPUIFFMFDUJPOPG UIJTWJEFPQSFTFOUTBCSJFGPWFSWJFXPGUIF"/$TSPMFJO
UIFTUSVHHMFBHBJOTUBQBSUIFJE*UTUBSUTXJUIBTUBUFNFOUGSPN/FMTPO.BOEFMBBOEUIFOVTFTBSDIJWBMGPPUBHFUP
highlight various historical milestones.

ALAN PATON’S BELOVED COUNTRY


:FBS-FOHUINJO
%JSFDUPS$BUIFSJOF.FZCVSHI
Production Company: Clive Morris Productions
4VNNBSZ5IJTEPDVNFOUBSZQSFTFOUTBOJOUJNBUFQPSUSBJUPG"MBO1BUPO BVUIPSPGi$SZ UIFCFMPWFEDPVOUSZwBOEB
strong opponent of the government’s apartheid policies, which resulted in him becoming a founder member of the
Liberal Party. The film traces his private as well as his literary and political life.

t4")""VEJPWJTVBM"VEJU3FQPSU
ALBERT LUTHULI: THE LEGACY. THE LEGEND
:FBS-FOHUINJO
%JSFDUPS#VOUV8JMMJBNT
1SPEVDUJPO$PNQBOZ"NBOEMB$PNNVOJDBUJPOTGPS%FQBSUNFOUPG"SUT$VMUVSF
4VNNBSZ$IJFG"MCFSU-VUIVMJ 
XBTFMFDUFE1SFTJEFOUPGUIF"GSJDBO/BUJPOBM$POHSFTTJOBOEVOEFS
his stewardship the organisation gained international recognition and support, which culminated in him winning
UIF/PCFM1SJ[FGPS1FBDF5IJTEPDVNFOUBSZQSPWJEFTBOJOUSPEVDUJPOUPIJTMJGFBOEMFHBDZ

ALBIE SACHS: BROKEN BUT UNBROKEN: A PORTRAIT OF AN IRREPRESSIBLE FREEDOM FIGHTER


:FBS-FOHUINJO
Producer: Erika Edman
1SPEVDUJPO$PNQBOZ475$IBOOFM&ENBOBOE&ENBO7JTJPO
Summary: Swedish journalist Lis Asklund interviews Albie Sachs some months after he was severely injured in a bomb
CMBTUJO.BQVUP .P[BNCJRVF)FSFDBMMTUIFJODJEFOUBOEJUTBGUFSNBUI SFGMFDUTPOWBSJPVTBTQFDUTPGIJTMJGFBOE
talks about his commitment to the struggle and his hopes for the future.

AMAKOMANISI: THE SOUTH AFRICAN COMMUNIST PARTY 1921-1986


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Inkululeko Films
4VNNBSZ'PVOEFEJO UIF4PVUI"GSJDBO$PNNVOJTU1BSUZDFMFCSBUFEJUTthBOOJWFSTBSZJO*OUIJTGJMN
%BO5MPPNF +PF4MPWPBOE3%/BJEPPEJTDVTTJUTFBSMZZFBSTBOEHSPXUI JUTSPMFJOUIFTIBQJOHPGBXPSLJOHDMBTT
consciousness and its alliance with the liberation movement.

AMANDLA! A REVOLUTION IN FOUR PART HARMONY


:FBS-FOHUINJO
%JSFDUPS-FF)JSTDI
Production Company: ATO Pictures & Kwela Productions
4VNNBSZ'SPNUIFTPOXBSET NVTJDCFDBNFBOJOFYUSJDBCMFQBSUPGUIFBOUJBQBSUIFJETUSVHHMF0WFSUIFZFBST 
this music not only reflected the mood of the people, but was written in response to specific political developments.
This film celebrates the music and shows how it changed according to circumstances.

AMANDLA! MAATLA!: A FILM ABOUT SOUTH AFRICAN YOUTH


:FBS-FOHUINJO
%JSFDUPST.BHOVT#FSHNBS,KFMM4¤EFSMVOE
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
Summary: Swedish documentary which intercuts scenes of life at the Solomon Mahlangu Freedom College in Tanzania
XJUITFRVFODFTEFQJDUJOHUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDB

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
ANC NATIONAL CONSULTATIVE CONFERENCE – DECEMBER 1990
:FBS-FOHUINJO
1SPEVDFST-BVSFODF%XPSLJO+FSFNZ/BUIBO
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ'SPNthUPth%FDFNCFS UIF"GSJDBO/BUJPOBM$POHSFTTIFMEJUT'JSTU/BUJPOBM$POTVMUBUJWF$POGFS-
ence since its unbanning and the return of its leaders from exile or prison. This video presents an overview of the
discussions that took place, with extracts from some of the addresses.

THE ANVIL & THE HAMMER


:FBS-FOHUINJO
%JSFDUPS#BSSZ'FJOCFSH
1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB
4VNNBSZ"SFQPSUPOUIFTJUVBUJPOJO4PVUI"GSJDBJO XIFSFUIFJODSFBTJOHMZNJMJUBOUBDUJPOCZPQQPOFOUTPGUIF
government was being met with brute force on the part of the authorities. Amongst others it depicts the launch of
UIF6%' UIFCPZDPUUPGUIFUSJDBNFSBMQBSMJBNFOUBOEUIFCBUUMFGPSDPOUSPMPGUIFUPXOTIJQT

ANY CHILD IS MY CHILD


:FBS-FOHUINJO
%JSFDUPS#BSSZ'FJOCFSH
1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODFBOE"JE'VOEGPS4PVUIFSO"GSJDB
4VNNBSZ*O4FQUFNCFS BOJOUFSOBUJPOBMDPOGFSFODFJO)BSBSFGPDVTFEPO$IJMESFO 3FQSFTTJPOBOEUIF-BXJO
Apartheid South Africa. This programme uses extracts from addresses and statements presented on that occasion to
draw attention to the suffering of black children at the hands of the South African security forces.

APARTHEID
:FBS-FOHUINJO
%JSFDUPST+FBO.JDIFM.FVSJDFJODPMMBCPSBUJPOXJUI+PFMMF$IFTTFMFU
1SPEVDUJPO$PNQBOZ1PJOUEV+PVSJODPMMBCPSBUJPOXJUI%PYB1SPEVDUJPOT
Summary: Originally made for French television as a two-part documentary, this video presents an overview of the his-
tory of apartheid, starting by locating its origin in South Africa’s past and then discussing some of the many laws
UIBUXFSFUPTFSWFBTJUTDPSOFSTUPOFT*UFOETXJUIUIFSFGFSFOEVNPG

APARTHEID (Series)
:FBS-FOHUIYNJO
%JSFDUPST+PIO#MBLF "MMBO4FHBM .BSL"OEFSTPO/PSNB1FSDZ
Production Company: Granada Television
Summary: Made for television, this is a four-part series that uses extensive archival footage and interviews with a great
NBOZJOEJWJEVBMTUPQSFTFOUBDPNQSFIFOTJWFPWFSWJFXPGUIFIJTUPSZBOEEFWFMPQNFOUPGBQBSUIFJEVQUP5IF
JOEJWJEVBMDIBQUFSTBSF 
0SJHJOT  
"OFXPSEFS  
%JWJTJPOTBOE 
"EBQUPSEJF

t4")""VEJPWJTVBM"VEJU3FQPSU
APARTHEID GOLD
:FBS-FOHUINJO
%JSFDUPS#FO$BTIEBO
Production Company: Seipone Productions for Swiss TV
Summary: The first half of this two-part film focuses on the relationship between South Africa’s goldmines, the apart-
heid government and the Swiss banks who continued to trade with the country despite the call for sanctions. The
second half deals with calls for compensation from those who benefited from apartheid.

APARTHEID: INSIDE, OUTSIDE


:FBS-FOHUINJO
%JSFDUPS3PFMBOE,FSCPTDI
Production Company: Roeland Kerbosch Filmproduktie
4VNNBSZ.BEFTPNFGJWFNPOUITMBUFS UIJTGPMMPXTNVDIUIFTBNFGPSNBUBTi7PJDFTGSPNQVSHBUPSZw4PNFPGUIF
NBUFSJBMXBTGJMNFEPVUTJEF4PVUI"GSJDB OPUBCMZJO;BNCJBBOE5BO[BOJB BOEUIFGJMNUIFOUPVDIFTVQPOBOVN-
ber of issues that made the headlines during those years.

APARTHEID: THE DAKAR CONFERENCE


:FBS-FOHUINJO
1SPEVDFS*SW%SBTOJO
Production Company: WGBH/Boston
4VNNBSZ"OBDDPVOUPGUIF+VMZNFFUJOHCFUXFFOBHSPVQPGEJTTJEFOUMJCFSBM"GSJLBOFSTBOENFNCFSTPGUIF
/BUJPOBM&YFDVUJWFPGUIF"/$JO%BLBS 4FOFHBM5IFQSPHSBNNFSFQPSUTPOGPSNBMBOEJOGPSNBMEJTDVTTJPOTCF-
tween representatives of both groups in an attempt to find common ground. (Shown in the United States as Part V
PG(SBOBEB5FMFWJTJPOTi"QBSUIFJEwTFSJFT

APARTHEID: THE STRESS ON THE MIND


:FBS-FOHUINJO
%JSFDUPS%BWJE$PIFO
1SPEVDUJPO$PNQBOZ1TZDIPMPHZ/FXTGPS$IBOOFM
Summary: This programme focuses on apartheid as a mental health issue and cites what was becoming a growing body
PGFWJEFODFBTUPUIFMBTUJOHJNQBDUPGEFUFOUJPOBOEJUTBDDPNQBOZJOHCSVUBMUSFBUNFOUPOUIPTFXIPIBWFTVCTFRVFOUMZ
CFFOSFMFBTFE.VDIPGJUDPODFOUSBUFTPOUIFWJFXTPG1SPGFTTPS.JDIBFM4JNQTPOPG/BUBM

APARTHEID’S FOOT SOLDIERS (Series: ENCOUNTERS)


:FBS-FOHUINJO
%JSFDUPS*OHSJE(BWTIPO
Production Company: Free Filmmakers
4VNNBSZ1BVM&SBTNVTKPJOFEUIF4PVUI"GSJDBO1PMJDFJOBTBOBMUFSOBUJWFUPEPJOHIJTNJMJUBSZTFSWJDFBOE 
eventually, became part of Stratcom. In this programme he is brought face to face with some of the white political
activists whom he harassed, officially and unofficially, over many years.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
APARTHEID’S LAST STAND
:FBS-FOHUINJO
%JSFDUPS%BWJE)BSSJTPO
Production Company: WGBH Television
4VNNBSZ"OPWFSWJFXPGQPMJUJDBMFWFOUTJO4PVUI"GSJDBJOUIFUISFFZFBSTTJODF/FMTPO.BOEFMBXBTSFMFBTFEBOE
UIF"GSJDBO/BUJPOBM$POHSFTTBOEPUIFSPSHBOJTBUJPOTXFSFVOCBOOFE FOEJOHXJUIUIFPQFOJOHPGUIFMBTUXIJUF
EPNJOBUFE1BSMJBNFOUJO+BOVBSZ 

APLA STICKS TO GUNS


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ6CVMF#F"GSJLBGPS1"$%FQBSUNFOUPG1VCMJDJUZ*OGPSNBUJPO
4VNNBSZ5IJTWJEFPGJSTUQSFTFOUTBCSJFGPWFSWJFXPGUIFGPVOEJOHPGUIF1BO"GSJDBOJTU$POHSFTTJO"QSJMBOE
FTQFDJBMMZJUTNJMJUBSZXJOH UIF"[BOJBO1FPQMFT-JCFSBUJPO"SNZJO*UFYQMBJOTUIFPSHBOJTBUJPOTCBTJDQPMJDZ
and refers to highlights of its struggle against the apartheid regime.

ASINAMALI / NOTHING TO LOSE


:FBS-FOHUINJO
%JSFDUPS3PTT%FWFOJTI
Production Company: Portobello Productions
4VNNBSZ%VSJOHUIFFJHIUJFT UIFSFXFSFNBOZTPDBMMFEQSPUFTUQMBZTUIBUFOHBHFEUIFBVEJFODFBTQBSUPGUIFBOUJ
BQBSUIFJETUSVHHMF0OFPGUIFNXBT.CPOHFOJ/HFNBTi"TJOBNBMJw GJSTUTUBHFEJO%FDFNCFS1IPUPHSBQIFE
at the Market Theatre, this is a filmed record of the play.

AWAKE FROM MOURNING


:FBS-FOHUINJO
%JSFDUPS$ISJT"VTUJO
Production Company: E. Wolpert Productions
4VNNBSZ'PMMPXJOHUIFVQSJTJOHPG+VOF UIFNPUIFSTPG4PXFUPGFMUBOFFEUPDPNFUPHFUIFSBOEBTQJSJUPG
self-help amongst women was born. One of the results was the founding of the Maggie Magaba Trust. Organised at
grassroots level, its aim was to assist in the development of women and the upliftment of the population.

BACK HOME: ROOTS OF A NEW SOUTH AFRICA


:FBS-FOHUINJO
%JSFDUPS.BSD,PCMFS
1SPEVDUJPO$PNQBOZ$SFX:PV
4VNNBSZ#ZUIFUJNF/FMTPO.BOEFMBXBTTFOUFODFEUPTFSWFIJTKBJMTFOUFODFPO3PCCFO*TMBOE PUIFSQPMJUJDBMBDUJW-
JTUTXFSFBMSFBEZUIFSF*OUIJTGJMN UXPPGUIFN 4JOEJMF.OHRJCJTJBOE&MJBT.[BNP XIPBSSJWFEUIFSFJO 
SFMBUFUIFJSTUPSJFTBOEBSFKPJOFECZ7VTVN[J.DPOHPXIP BTBTUVEFOUBDUJWJTU XBTKBJMFEJO

t4")""VEJPWJTVBM"VEJU3FQPSU
BACK ON THE FRONTIER
:FBS-FOHUINJO
%JSFDUPS'SBODJT(FSBSE
Production Company: Central Independent Television
4VNNBSZ.BEFJO UIJTEPDVNFOUBSZUBLFTBMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBBUUIFUJNF*OTUFBEPG
travelling throughout the country, it primarily focuses on the small Eastern Cape town of Kirkwood, where there is
general agreement that racial segregation is essential to preserve the Afrikaner’s identity.

BANTU STEVE BIKO: BEACON OF HOPE


:FBS-FOHUINJO
%JSFDUPST7VTJ%JCBLXBOF$SBJH+PIOOF,FMMZ
1SPEVDUJPO$PNQBOZ2VBUUSP.FEJB1SPEVDUJPOT
4VNNBSZ5IJTGJMN XSJUUFOBOEOBSSBUFECZ/LPTJOBUIJ#JLP UIFTPOPG#MBDL$POTDJPVTOFTTMFBEFS4UFWF#JLP XBT
made on the occasion of the 20th anniversary of his father’s death. It is structured around interviews with a number
of people who knew him and discusses his death while in custody of the security police.

THE BATTLE FOR JOHANNESBURG


:FBS
%JSFDUPS1SPEVDFS3FIBE%FTBJ
%FTDSJQUJPO5IF#BUUMFGPS+PIBOOFTCVSHJTBGFBUVSFMFOHUIEPDVNFOUBSZGJMNUIBUFYBNJOFTUIFDPOGMJDUTBOEDPOTF-
RVFODFTPG+PIBOOFTCVSHTSBQJEUSBOTGPSNBUJPOJOUIFNPOUITMFBEJOHVQUPUIF8PSME$VQ

THE BATTLE FOR SOUTH AFRICA


:FBS-FOHUINJO
%JSFDUPS+VEZ$SJDIUPO
1SPEVDUJPO$PNQBOZ$#4/FXT
4VNNBSZ"GUFSUIF4PXFUPVQSJTJOHPG UIF4PVUI"GSJDBOHPWFSONFOUDMBNQFEEPXOPOBMMNFUIPETPGCMBDL
resistance and the general perception was that an armed conflict between black and white was inevitable. It was
against this background that CBS Television sent a film crew to South Africa to assess the situation.

BEFORE DAWN: CULTURE IN ANOTHER SOUTH AFRICA


:FBS-FOHUINJO
%JSFDUPS.BBSUFO3FOT
1SPEVDUJPO$PNQBOZ"/$""#/
4VNNBSZ*O%FDFNCFS 4PVUI"GSJDBOBSUJTUT JODMVEJOHFYJMFT HBUIFSFEJO"NTUFSEBNUPBUUFOEBDPO-
ference entitled Culture in Another South Africa (CASA). This account of the deliberations includes performances
by musicians, extracts from plays and interviews with many individuals.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
BEHIND BLACK ON BLACK (Series: SOUTH AFRICA NOW)
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: 5th Encounter Motion Picture Company
Summary: Though government controlled media have blamed so-called black-on-black violence on inter-tribal rivalries
and communist manipulation, there is increasing evidence that the state itself is behind a number of these inci-
dents. This programme investigates some of these allegations.

BELEAGUERED LAST HOPE (Series: SOUTH AFRICA NOW)


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: 5th Encounter Motion Picture Company
Summary: Since it was launched at the Rocklands Civic Centre near Cape Town on 20th "VHVTU   UIF 6OJUFE
%FNPDSBUJD'SPOUIBTCFFOJOUIFWBOHVBSEPGUIFGSFFEPNTUSVHHMF5IJTWJEFPQSBJTFTJUBDIJFWFNFOUTBOESFGFST
to grassroots opposition in general.

BELONGING (Series: PROJECT 10: REAL STORIES FROM A FREE SOUTH AFRICA)
:FBS-FOHUINJO
%JSFDUPST.JOLZ4DIMFTJOHFS,FUIJXF/HDPCP
1SPEVDUJPO$PNQBOZ'V[FCPY1SPEVDUJPOTGPS4"#$
4VNNBSZ*O "#/HDPCP BNFNCFSPGUIF1"$OBUJPOBMFYFDVUJWF BOEIJTXJGF -BVSFUUB XFOUJOUPFYJMF5ISFF
of their children were born in England, including the co-director of this film, which illustrates the problems the
PGGTQSJOHPGNBOZGPSNFSFYJMFTIBWFJOBEKVTUJOHUPMJGFJOXIBUIBTBMXBZTCFFOSFHBSEFEBTiIPNFw

BETRAYAL
:FBS-FOHUINJO
%JSFDUPS.BSL+,BQMBO
Production Company: Grey Matter Media & SABC
4VNNBSZ*O ZFBSPME/PLVUIVMB4JNFMBOF UIFOBTUVEFOUBUUIF6OJWFSTJUZPG4XB[JMBOE XBTBDUJOHBTBDPV-
SJFSGPS6NLIPOUPXF4J[XF*O"VHVTUPGUIBUZFBSTIFEJTBQQFBSFEBOEEVSJOHTVCTFRVFOUIFBSJOHTPGUIF53$JU
was established that she was captured by the security police. This film tells her story.

BETWEEN JOYCE AND REMEMBRANCE


:FBS-FOHUINJO
%JSFDUPS.BSL+,BQMBO
1SPEVDUJPO$PNQBOZ(SFZ.BUUFS.FEJBGPS4"#$
Summary: What happened to student leader Siphiwo Mtimkulu was traced in two earlier films, namely an episode in
UIFi*GUSVUICFUPMEwTFSJFTBOEUIFi8IFSFUSVUIMJFTw5IJTGJMNDPNCJOFTFMFNFOUTPGCPUIBOEJODPS-
porates additional material to bring the story up to date by focusing on his now elderly mother.

t4")""VEJPWJTVBM"VEJU3FQPSU
BEYERS AND ILSE NAUDE: A JOURNEY
:FBS-FOHUINJO
%JSFDUPS)FOOJF4FSGPOUFJO
Production Company: Fokus Suid for SABC2
4VNNBSZ8IFO BGUFSUIF4IBSQFWJMMFNBTTBDSF %S#FZFST/BVEFGFMUUIBUIFIBEUPTQFBLPVUBHBJOTUUIFTZTUFNPG
apartheid, he did not fully foresee the results this decision would have. This documentary tells the story of the jour-
ney on which he and his wife embarked when they decided to follow the dictates of their conscience.

BEYERS NAUDE: PILGRIMAGE OF AN AFRIKANER PROPHET


:FBS-FOHUINJO
%JSFDUPS)FOOJF4FSGPOUFJO
Production Company: SABC
4VNNBSZ"CJPHSBQIZPGUIF3FW#FZFST/BVEF USBDJOHIJTMJGFBOENJOJTUSZGSPNBOVORVFTUJPOJOHBDDFQUBODFPGUIF
political heritage of having been born an Afrikaner, through his growing conviction that the government’s apartheid
policy was morally wrong, to his final total commitment to the freedom struggle.

BHAMBATHA: WAR OF THE HEADS 1906


:FBS-FOHUINJO
%JSFDUPS3FIBE%FTBJ
Production Company: Uhuru Productions
Summary: The name of this relatively low-ranking chief is forever associated with the Bhambatha Rebellion, which was
BOBSNFESFWPMUBHBJOTUUIFJNQPTJUJPOPGBQPMMUBYPOBMMBEVMUNFOCZUIFDPMPOJBMSVMFSTPG/BUBM5IJTGJMNTLFUDIFT
the background to the conflict, which is often regarded as the beginning of the anti-apartheid struggle.

BIKO: THE SPIRIT LIVES


:FBS-FOHUINJO
%JSFDUPS5FSSFODF'SBODJT
Production Company: BBC Pebble Mill
4VNNBSZ.BEFQBSUMZUPDPJODJEFXJUIUIFBOOJWFSTBSZPGUIFEFBUIPG4UFWF#JLP 
BEFDBEFFBSMJFSBOE
QBSUMZUPQSFTFOUBEJGGFSFOUQFSTQFDUJWFUPUIBUQSPWJEFEJOUIFGFBUVSFGJMNi$SZGSFFEPNw UIJTQSPHSBNNFEFBMT
with the life and death of the Black Consciousness leader and discusses the movement as a whole.

BIRTHDAY TRIBUTE TO NELSON MANDELA


:FBS-FOHUINJO
%JSFDUPS'BJUI*TJBLQFSF
1SPEVDUJPO$PNQBOZ"/$%FQBSUNFOUPG*OGPSNBUJPO1VCMJDJUZ
4VNNBSZ&YUSBDUTGSPNUIFQSPDFFEJOHTPOUIFPDDBTJPOPG/FMTPO.BOEFMBTth birthday celebrations at the Carlton
)PUFM  +PIBOOFTCVSH *U JODMVEFT B OVNCFS PG NVTJDBM DPOUSJCVUJPOT BT XFMM BT .BOEFMBT BEESFTT UP UIF JOWJUFE
HVFTUT 3FMFBTFEPOWJEFPBTi/FMTPO.BOEFMBthCJSUIEBZw


5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
BISHOP DESMOND TUTU: APARTHEID IN SOUTH AFRICA
:FBS-FOHUINJO
%JSFDUPS$PMJO/BQUIJOF
Production Company: Trans World International
Summary: This film starts by providing a brief introduction to the history of apartheid and its impact on black South
"GSJDBOTCFGPSFUVSOJOHUPUIFQFSTPOPG"SDICJTIPQ%FTNPOE5VUV*UJODMVEFTFYDFSQUTGSPNJOUFSWJFXTBOEQVCMJD
BEESFTTFT BNPOHTUUIFNIJTBDDFQUBODFTQFFDIXIFOIFXPOUIF/PCFM1SJ[FGPS1FBDF

BISHO: THE STORY BEHIND THE MASSACRE


:FBS-FOHUINJO
%JSFDUPS;FQI.BLHFUMB
1SPEVDUJPO$PNQBOZ"/$7JEFP6OJU
4VNNBSZ*O4FQUFNCFS UIF"/$PSHBOJTFEBNBSDIBDSPTTUIF4PVUI"GSJDBOCPSEFSJOUP#JTIP DBQJUBMPGUIF
homeland of Ciskei. When the marchers reached the local stadium, soldiers of the Ciskei defence force opened fire,
LJMMJOHQFPQMF5IJTWJEFPQSFTFOUTUIF"/$TJOUFSQSFUBUJPOPGXIBUIBQQFOFE

THE BLACK SASH: THE EARLY YEARS


:FBS-FOHUINJO
%JSFDUPST$BTTBOESB1BSLFS /PEJ.VSQIZ%FOJTF"DLFSNBOO
Production Company: Black Sash
Summary: A documentary on the history of The Black Sash, a women’s movement formed to protest against the govern-
ment’s measures to ensure the passing of an act aimed at removing Coloured voters from the common electoral role.
It discusses the issues it embraced and the different forms of protest it adopted.

THE BLOODY MONEY SMUGGLING: NORWAY’S COVERT AID FOR THE LIBERATION OF SOUTH AFRICA
:FBS-FOHUINJO
%JSFDUPS&SMJOH#PSHFO
Production Company: Borgen Production for TV2
4VNNBSZ%VSJOHUIFBQBSUIFJEZFBST BOVNCFSPGPSHBOJTBUJPOTTNVHHMFENPOFZJOUPUIFDPVOUSZUPBTTJTUWJDUJNT
PG4PVUI"GSJDBTSBDFQPMJDJFT5IJTGJMNGPDVTFTPOUIFBTTJTUBODFQSPWJEFECZ/PSXFHJBO$IVSDI"JE XIJDIDIBO-
nelled the money through Archbishop Walter Makhulu in Gabarone, Botswana.

BLOWING HOME
:FBS-FOHUINJO
%JSFDUPS.JDIBFM3PCJOT
1SPEVDUJPO$PNQBOZ"SFLPQBOFOH*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB
4VNNBSZ8IFO/FMTPO.BOEFMBXBTSFMFBTFEJO BDPODFSUJOUSJCVUFUPIJNXBTPSHBOJTFEBU8FNCMFZ4UBEJVN
BOENBOZPMEFSNVTJDJBOTXIPXFSFPSJHJOBMNFNCFSTPGUIFDBTUPGi,JOH,POHwXFSFLFFOUPDPOUSJCVUFUIFJS
talents to the occasion. The film documents them rehearsing with their younger compatriots.

t4")""VEJPWJTVBM"VEJU3FQPSU
BOPHA! / ARREST
:FBS-FOHUINJO
%JSFDUPS%BOJFM3JFTFOGFME
1SPEVDUJPO$PNQBOZ%+3
4VNNBSZ 0OF PG UIF NPTU JNQPSUBOU QMBZT UP DPNF PVU PG UIF BOUJBQBSUIFJE TUSVHHMF XBT 1FSDZ .UXBT i#PQIBw
This video presents extracts from a performance by the Earth Players at the Market Theatre and intercuts them with
documentary footage depicting related events in real life.

BORDERLINES
:FBS-FOHUINJO
%JSFDUPS,BZBLB[J4PMEBUJ5JOB-PVJTF4NJUI
Producer: Tina-Louise Smith
Production Company: Griffin Films
%FTDSJQUJPO"NJOVUFEPDVNFOUBSZQSPEVDFEGPS4"#$TA5)&53$'30.#&-08TFSJFT#03%&3-*/&4JT
the story of Kayakazi Soldati’s journey to Mthatha and her past as a child growing up under apartheid. Through the
journey, Kaya hopes to uncover the truth behind many vague memories of her father and life in Mthatha.

BORN INTO STRUGGLE


:FBS-FOHUINJO
%JSFDUPS3FIBE%FTBJ
Production Company: Uhuru Productions
4VNNBSZ"MMIJTMJGF #BSOFZ%FTBJXBTBTUBMXBSUPGUIFBOUJBQBSUIFJETUSVHHMFBOEFWFOUVBMMZGPVOEBQPMJUJDBMIPNF
in the PAC. Because he was forced to go into exile, his children grew up in England, including the director of this
GJMN*OUIJTWFSZQFSTPOBMEPDVNFOUBSZ3FIBE%FTBJFYBNJOFTUIFSFMBUJPOTIJQCFUXFFOIJNBOEIJTGBUIFS

BOUND TO STRIKE BACK


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Capricorn Video Unit
4VNNBSZ5IJTUISFFQBSUEPDVNFOUBSZQSFTFOUTBOPWFSWJFXPGUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBJO JOQBS-
UJDVMBSUIFFTDBMBUJOHDMBTICFUXFFOUIFTFDVSJUZGPSDFTBOEUIF"/$MFESFTJTUBODFUPBQBSUIFJE

THE BOXER
:FBS-FOHUINJO
%JSFDUPS(VZ4QJMMFS
Production Company: Lizardfilm
4VNNBSZ4IPUJOJOUIFNJOJOHTVCVSCPG%FOWFS +PIBOOFTCVSH UIJTGJMNGPDVTFTPOBXIJUFXPSLJOHDMBTT
family, representative of those who are struggling to defend a way of life in the face of loss of privilege based on race.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
BREAKING THE FETTERS
:FBS-FOHUINJO
%JSFDUPS)FOOJF4FSGPOUFJO
Production Company: Fokus Suid
4VNNBSZ*O+VMZ BHSPVQPGEJTTJEFOU"GSJLBOFSTGMFXUP%BLBSJO4FOFHBMUPNFFUXJUISFQSFTFOUBUJWFTPGUIF
"/$JOPQFOEFGJBODFPGUIFXJTIPGUIFBVUIPSJUJFT6QPOUIFJSSFUVSOUIFZXFSFEFOPVODFEBTUSBJUPST ZFUMFTTUIBO
UISFFZFBSTMBUFSUIFGJSTUPGGJDJBMNFFUJOHCFUXFFOUIF/BUJPOBM1BSUZHPWFSONFOUBOEUIF"/$UPPLQMBDF

BREAKING THE LINE


:FBS-FOHUINJO
%JSFDUPS5BNBSJO,BQMBO
Production Company: TK Productions for e.tv
4VNNBSZ*O0DUPCFS BSVHCZNBUDIQMBZFEJOBUPXOTIJQJO1PSU&MJ[BCFUISFDFJWFEXJEFQVCMJDJUZCFDBVTFPOF
of the teams was racially mixed. This film tells the story of how the match came about and of the impact it had in
both sporting and political circles. It includes interviews with three of the players involved.

BREYTEN BREYTENBACH: THE ARTIST


:FBS-FOHUINJO
%JSFDUPS)FOOJF4FSGPOUFJO
Production Company: SABC
Summary: This programme focuses not on Breyten Breytenbach’s poetry, but on his paintings, first exhibited in South
"GSJDBJO%VSJOHFYUFOTJWFJOUFSWJFXTIFEJTDVTTFTBXJEFSBOHFPGTVCKFDUT JODMVEJOHIJTJEFOUJGJDBUJPOXJUIUIF
anti-apartheid struggle and his time in prison.

THE BRITISH DESK: SOUTH AFRICA’S INTELLIGENCE OPERATIONS IN BRITAIN


:FBS-FOHUINJO
%JSFDUPS"MBO$MBSLF
Production Company: Central Independent Television
Summary: Based entirely on interviews with individuals with inside information, this television programme takes a
MPPLBUBTQFDUTPG4PVUI"GSJDBTJOUFMMJHFODFPQFSBUJPOTEVSJOHUIFTBOEFBSMZT QSPWJEJOHEFUBJMTPGTFW-
eral projects.

THE BROEDERBOND AND THE DUTCH REFORMED CHURCH (Series: ISSUES OF FAITH)
:FBS-FOHUINJO
%JSFDUPS)FOOJF4FSGPOUFJO
Production Company: Fokus Suid for SABC Religion
Summary: The Broederbond was founded to promote the role of the Afrikaner in all aspects of South African life, in-
DMVEJOHUIF%VUDI3FGPSNFE$IVSDI5IJTUXPQBSUQSPHSBNNFUBLFTBMPPLBUUIFJOGMVFODFPGUIJTTFDSFUJWFPSHBOJ-
TBUJPOPOUIF%3$BOEJUTTVQQPSUPGUIFHPWFSONFOUTBQBSUIFJEQPMJDZ

t4")""VEJPWJTVBM"VEJU3FQPSU
THE BROKEN STRING
:FBS-FOHUINJO
%JSFDUPST%PO&ELJOT-BVSFODF%XPSLJO
1SPEVDUJPO$PNQBOZ%BZ;FSP1SPEVDUJPOT
Summary: The scale of land dispossession that took place during the apartheid years has left a formidable task for the
Land Commission. This programme takes a look at the beginning of land reform by visiting a number of communi-
UJFTUISPVHIPVUUIFDPVOUSZ FBDIIJHIMJHIUJOHEJGGFSFOUBTQFDUTPGUIFMBOERVFTUJPO

BROTHERS IN ARMS
:FBS-FOHUINJO
%JSFDUPS+BDL-FXJT
Production Company: Idol Pictures
4VNNBSZ8IFO JO 3POBME)FSCPMEUGSPN$BQF5PXOGPVOEIJNTFMGJO$VCBBUUIFUJNFXIFOUIFSFCFMGPSDFT
of Fidel Castro were overthrowing the Battista dictatorship, he jumped ship to take part, eventually landing up with
the Cuban troops who fought in Angola. This tells the story of his life and his return from exile.

THE BUREAUCRATS (Series: ORDINARY PEOPLE)


:FBS-FOHUINJO
%JSFDUPST)BSSJFU(BWTIPO+POBUIBO4.JMMFS
Production Company: Weekly Mail Television for SABC
4VNNBSZ'PMMPXJOHJUTFMFDUJPOWJDUPSZJOUIF/PSUIFSO5SBOTWBBM UIF"/$MFESFHJPOBMHPWFSONFOUJOIFSJUFE
 DJWJMTFSWBOUT NPTUPGXIPNXFSFFNQMPZFEJOUIFGPSNFSIPNFMBOET8JUINBOZPGUIFNJOTFDVSFBCPVU
UIFJSGVUVSF UIFUSBEFVOJPO/&)"86DIBMMFOHFTJUTMPOHUJNFQPMJUJDBMBMMZ
BURNING DOWN THE HOUSE
:FBS-FOHUINJO
%JSFDUPST3PZ"DLFSNBO1FUFS(PSEPO
1SPEVDUJPO$PNQBOZ:PSLTIJSF5FMFWJTJPO
4VNNBSZ"EPDVNFOUBSZPOIPXUIF8BUTPOCSPUIFSTPG1PSU&MJ[BCFUIoEFWPVU$ISJTUJBOT TVDDFTTGVMCVTJOFTTNFO
BOEUPQTQPSUTNFOoHSBEVBMMZCFDBNFJOWPMWFEJOQPMJUJDTBOEIPXUIFJSDPNNJUNFOUUPUIFBOUJBQBSUIFJETUSVHHMF
led to ostracism by the white establishment and harassment by the security police.

CALLING FOR PRESSURE (Series: SOUTH AFRICA NOW)


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: 5th Encounter Motion Picture Company
Summary: After providing background information to the erosion of subsistence farming and the extent of rural pov-
erty, this programme calls for punitive economic sanctions to force the South African government to abandon its
apartheid policies, arguing that the black population will accept these if whites are also affected.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
CATO MANOR: PEOPLE WERE LIVING THERE
:FBS-FOHUINJO
%JSFDUPS$IBSMPUUF0XFO
Production Company: Charlotte Owen Productions
4VNNBSZ"GUFSUIFSBDJBMDMBTIFTCFUXFFOCMBDLTBOE*OEJBOTJO/BUBM $BUP.BOPS KVTUPVUTJEF%VSCBO CFDBNF
one of the first areas to fall victim to the Group Areas Act. In this programme former inhabitants recall a stable,
impoverished community and tell of the upheavals caused by the forced removals.

CERTAIN UNKNOWN PERSONS


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ%VSJOHUIFT BOVNCFSPGBOUJBQBSUIFJEBDUJWJTUTCFDBNFUIFWJDUJNTPGVOTPMWFEQPMJUJDBMBTTBTTJOB-
tions. This programme examines a number of case histories and speculates about the state’s involvement in them,
with relatives and political associates voicing their suspicions.

CHANGING THIS COUNTRY: THE TESTIMONY OF FOUR SOUTH AFRICAN WORKERS


:FBS-FOHUINJO
%JSFDUPS1FUFS&OUFMM
Production Company: Show & Tell Films for International Labour Office
4VNNBSZ.BEFGPSUIF*OUFSOBUJPOBM-BCPVS0GGJDF UIJTEPDVNFOUBSZXBTTIPUJOEVSJOHUIF4UBUFPG&NFSHFODZ
%VSJOHUIJTUJNFPSHBOJTFEMBCPVSXBTPOFPGUIFTUSPOHFTUBOUJBQBSUIFJEGPSDFTJOUIFDPVOUSZBOEUIFGJMNGPDVTFT
on four Port Elizabeth shop stewards as they talk about their experiences.

CHILDREN IN DETENTION (SERIES: SOUTH AFRICA NOW)


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: 5th Encounter Motion Picture Company
4VNNBSZ4JYNPOUITJOUPUIFTFDPOE4UBUFPG&NFSHFODZ EFDMBSFEPO+VOFth BOFTUJNBUFE QFPQMF
IBECFFOEFUBJOFE PGXIPNBQQSPYJNBUFMZ XFSFDIJMESFOCFUXFFOBOEZFBSTPGBHF*OUIJTQSPHSBNNF
various individuals comment on this situation and its impact on those in detention.

CHILDREN OF APARTHEID
:FBS-FOHUINJO
%JSFDUPS,FO4BCMF
1SPEVDUJPO$PNQBOZ$#4/FXT
4VNNBSZ5IJTSFQPSUUBLFTBMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBJOUISPVHIUIFFZFTPGJUTZPVOHQFPQMF 
both black and white. In the process it touches upon issues such as the detention of children, opposing lifestyles and
cultural backgrounds, and the commitment of many black youths to the liberation struggle.

t4")""VEJPWJTVBM"VEJU3FQPSU
CHILDREN OF GOD
:FBS-FOHUINJO
%JSFDUPS4UFQIFO-BNCFSU
Production Company: BBC
Summary: After upholding the rule of apartheid for some forty years, South Africa’s police force now has to cope with
DIBOHFEDJSDVNTUBODFT'JMNFEUPXBSETUIFFOEPG UIJTQSPHSBNNFQSPWJEFTBOJOTJEFWJFXPGUIF$BQF3JPU
4RVBEBTJUSFTQPOETUPQFUSPMCPNCT QPMJUJDBMNVSEFSTBOEQSPUFTUNBSDIFT

CHILDREN OF THE REVOLUTION


:FBS-FOHUINJO
%JSFDUPS;PMB.BTFLP
1SPEVDUJPO$PNQBOZ.BYJ%57
4VNNBSZ4PVUI"GSJDBOGJMNNBLFS;PMB.BTFLPHSFXVQJOFYJMFBOEBUUFOEFEUIF4PMPNPO.BIMBOHV'SFFEPN$PM-
lege in Tanzania. In this film he tracks down five former comrades whom he last saw twelve years ago in order to
find out what became of them upon their return to South Africa.

CHRISTIANS AND THE UNDERGROUND STRUGGLE (SERIES: ISSUES OF FAITH)


:FBS-FOHUINJO
%JSFDUPS)FOOJF4FSGPOUFJO
Production Company: Fokus Suid for SABC Religion
Summary: Originally transmitted in two parts, this programme takes a look at those white Christians who took a prin-
DJQMFETUBOEBHBJOTUBQBSUIFJE FTQFDJBMMZUIPTFBGGJMJBUFEUPUIF$ISJTUJBO*OTUJUVUF XIJDIXBTCBOOFEJO5IFZ
JODMVEF%S#FZFST/BVEF 3FW$FESJD.BZTPOBOE)PSTU,MFJOTDINJEU

THE CHURCH AND THE STRUGGLE


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ'JMNFEJO UIJTWJEFPQSFTFOUTBOJOUSPEVDUJPOUPUIFDIVSDIFTSPMFJOUIFGJHIUBHBJOTUBQBSUIFJE*U
begins by describing the four broad church groups and their position vis-à-vis the apartheid system before focusing
on the South African Council of Churches, some of whose leaders are in the forefront of the struggle.

CISSIE GOOL
:FBSMFOHUINJO
%JSFDUPS(BJSPPOJTB1BSLFS
1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSJDBM4UVEJFT 6OJWFSTJUZPG$BQF5PXO
4VNNBSZ%VSJOHIFSMJGFUJNF $JTTJF(PPMXBTBTUBVODIPQQPOFOUPGBMMGPSNTPGEJTDSJNJOBUJPOBOETFSWFEPO$BQF
Town’s City Council for 25 years. This film follows her political career and also deals with her personal life. It is
largely structured around interviews with some of the people who knew her.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
CIVILISATION ON TRIAL IN SOUTH AFRICA
:FBS-FOHUINJO
Producer: Michael Scott
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
4VNNBSZ4IPUCZ3FW.JDIBFM4DPUUCFGPSFIFXBTJTTVFEXJUIBCBOOJOHPSEFSJO UIJTJTXJUIPVUEPVCUUIFGJSTU
anti-apartheid film ever made. It depicts the living conditions of the black population in South Africa, notably in
4PQIJBUPXOBOEUIFTRVBUUFSDBNQPG5PCSVL BOEBMTPSFGFSTUPUIFQMJHIUPGUIF)FSFSPQFPQMF

CLAIMING THE PAST: THE RICHTERSVELD STORY


:FBS-FOHUINJO
'JMNNBLFST"MFY#SPPLF .POJRVF-FEFTNBBOE.BZB.PSHBO
1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSJDBM4UVEJFT 6OJWFSTJUZPG$BQF5PXO
4VNNBSZ5IF/BNBQFPQMFPGUIF3JDIUFSTWFME JOUIFOPSUIXFTUFSODPSOFSPGUIF/PSUIFSO$BQF XFSFBNPOHTUNBOZ
groups who were dispossessed of their land, first by the colonial government of the Cape Province and then by the
South African government. This video deals with their appeal to the Land Claims Commission.

CLIENT NUMBER TWO


:FBS-FOHUINJO
%JSFDUPS5JNP,PSIPOFO
Production Company: Millennium Film & Road Movies
Summary: A Finnish documentary that examines the story behind the murder of Anton Lubowski, a lawyer who became
UIFGJSTUXIJUF/BNJCJBOUPKPJO48"10BOEXBTBTTBTTJOBUFEPVUTJEFIJT8JOEIPFLIPNFPOth4FQUFNCFS

COLOURING-IN OUR CLASSROOMS


:FBS-FOHUINJO
%JSFDUPS"OESFB4QJU[
Production Company: Education Policy Unit, University of the Witwatersrand
4VNNBSZ.BEFBHBJOTUUIFHPWFSONFOUTEFDJTJPOPG4FQUFNCFSUPPQFOQSFWJPVTMZXIJUFTUBUFTDIPPMTUPBMM
races and allow parents to vote for one of three prescribed models, this film interviews a number of Sub A children
of different races.

COME BACK, AFRICA


:FBS-FOHUINJO
%JSFDUPS-JPOFM3PHPTJO
Production Company: Lionel Rogosin Films
4VNNBSZ.BEFUPXBSETUIFFOEPGUIFGJSTUEFDBEFVOEFS/BUJPOBM1BSUZSVMF UIJTXBTPOFPGUIFGJSTUBOUJBQBSUIFJE
films to reveal the circumstances under which the majority of black South Africans lived. Combining drama with
EPDVNFOUBSZGPPUBHF JUGPMMPXTUIFGBUFPGPOFNBOXIPMFBWFT;VMVMBOEUPTFFLXPSLJO+PIBOOFTCVSH

t4")""VEJPWJTVBM"VEJU3FQPSU
COMPELLING FREEDOM / ZILIMA ZIYA ETSHENI
:FBS-FOHUINJO
%JSFDUPST.PLPOFOZBOB.PMFUF -BVSFODF%XPSLJO#SJBO5JMMFZ
1SPEVDUJPO$PNQBOZ7/4
Summary: Produced in association with COSATU, this film shows how various cultural forms that have emerged from
within the trade union movement are linked to the struggles on the shop-floor and are related to the concerns of the
community as a whole. It includes examples of resistance poetry, songs and dances, as well as extracts from plays.

THE COMRADE KING


:FBS-FOHUINJO
%JSFDUPS#FO)PSPXJU[
Production Company: Trader Films
4VNNBSZ,JOH4BCBUB%BMJOEZFCPXBTJOTUBMMFEBTSVMFSPGUIF5FNCVOBUJPOJO)BWJOHDIPTFOUPDBNQBJHO
BHBJOTUTFMGSVMFGPSUIF5SBOTLFJ IFTVCTFRVFOUMZBMJHOFEIJNTFMGXJUIUIPTFPQQPTJOHUIFBQBSUIFJETZTUFNBOE
was deposed by the homeland government. This film pays tribute to his memory.

THE COMRADES
:FBS-FOHUINJO
%JSFDUPS.JLF%VUGJFME
Production Company: BBC
4VNNBSZ%VSJOHUIFTFDPOEIBMGPGUIFT NBOZPG4PVUI"GSJDBTUPXOTIJQTXFSFUBLFOPWFSCZCMBDLZPVUIT
known as Comrades. This programme focuses on events in Munsieville, a township on the outskirts of Krugersdorp,
in the conservative heartland of white South Africa.

CONFRONTING THE HIT-MEN


:FBS-FOHUINJO
%JSFDUPS3PHFS'JOOJHBO
1SPEVDUJPO$PNQBOZ:PSLTIJSF5FMFWJTJPOGPS*57
4VNNBSZ%VSJOHUIFBQBSUIFJEFSB NBOZQFPQMFEJFEBTBSFTVMUPGBDUJPOTPOUIFQBSUPGBDUJWJTUTPOCPUITJEFTPGUIF
political barrier. This programme, made prior to the hearings of the TRC, focuses on two specific incidents and asks
whether a reconciliation between victims and perpetrators can ever be effected.

CONSUMER BOYCOTTS (SERIES: SOUTH AFRICA NOW)


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: 5th Encounter Motion Picture Company
Summary: Many black leaders have come to see consumer boycotts as one of the few remaining non-violent means of
putting pressure on the government to dismantle apartheid. In this video three boycott organisers talk about the
aims of this strategy and of the need to coordinate such boycotts on a wider basis.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
COSATU: A GIANT HAS RISEN
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
Summary: After four years of unity talks, the Congress of South African Trade Unions was launched during the first
XFFLFOEPG%FDFNCFS5IJTWJEFPEFQJDUTTPNFPGUIFBDUJWJUJFT GSPNUIFPQFOJOHBEESFTTCZ$ZSJM3BNBQIPTB 
UIFO(FOFSBM4FDSFUBSZPG/6. UPUIFFMFDUJPOPGUIFJODPNJOHFYFDVUJWF

COUNTDOWN TO FREEDOM: 10 DAYS THAT CHANGED SOUTH AFRICA


:FBS-FOHUINJO
%JSFDUPS%BOOZ4DIFDIUFS
Production Company: Globalvision
4VNNBSZ5IJTGJMNUSBDFTUIFFWFOUTPGPGUIFNPTUNPNFOUPVTEBZTJOUIFDPVOUSZTIJTUPSZoUIFXFFLMFBEJOH
VQUPUIFGJSTUGSFFBOEEFNPDSBUJDFMFDUJPOTBOEUIFJOBVHVSBUJPOPG/FMTPO.BOEFMBBT1SFTJEFOUPGUIFOFX4PVUI
Africa. Includes interviews with many political figures, amongst them Mandela himself.

THE CRADOCK FOUR


:FBS-FOHUINJONJO
%JSFDUPS%BWJE'PSCFT
Production Company: Shadow Films
4VNNBSZ%BWJE'PSCFTTQFOUTFWFOZFBSTQSPEVDJOHIJTEPDVNFOUBSZPOUIFBTTBTTJOBUJPOPGUIF$SBEPDL'PVSJODMVE-
ing Matthew Goniwe, Fort Calata, Sparrow Mkhonto and Sicelo Mhlauli. Forbes has also released a 52 TV version
PGUIFTUPSZFOUJUMFE5)&$3"%0$,.63%&34."55)&8(0/*8&5)&%&.*4&0'5)&"1"35)&*%
Archival footage was sourced from Reuters, Mayibuye, Avusa, Fort Hare University, the Cradock Four Museum, and
a number of privately owned people.

CROSSING THE BORDER / OVER DE GRENS


:FBS-FOHUINJO
%JSFDUPS4BTLJB7SFEFWFME
Production Company: VPRO
4VNNBSZ%VSJOHUIFTBOET UIF4PVUI"GSJDBOHPWFSONFOUTFOUUIPVTBOETPGZPVOH XIJUFTPMEJFSTUPUIF/B-
mibian/Angolan border to fight what was presented as the communist threat to the nation. Today many ex-soldiers
still have trouble coming to term with their experiences, which is the subject of this documentary.

CROSSROADS
:FBS-FOHUINJO
%JSFDUPS-JOEZ8JMTPO
Production Company: Lindy Wilson Productions
4VNNBSZ"EPDVNFOUBSZUIBUUSBDFTUIFHSPXUIBOEEFQJDUTEBJMZMJGFJO$SPTTSPBET BTRVBUUFSDPNNVOJUZDPOTJTUJOH
PGTPNF QFPQMFTJUVBUFEPOUIFPVUTLJSUTPG$BQF5PXO8IFOJUXBTGJMNFE JO4FQUFNCFS JUXBTVOEFS
threat of demolition from the authorities.

t4")""VEJPWJTVBM"VEJU3FQPSU
CROSSROADS / SOUTH AFRICA: THE STRUGGLE CONTINUES
:FBS-FOHUINJO
%JSFDUPS+POBUIBO8BDLT
1SPEVDUJPO$PNQBOZ+POBUIBO8BDLT1SPEVDUJPOT
4VNNBSZ.BEFJO UIJTGJMNHPFTJOUPUIFJOGPSNBMTFUUMFNFOUPG$SPTTSPBET PVUTJEF$BQF5PXO UPTIPXTPNF-
UIJOHPGEBJMZMJGFUIFSFBOEUPUBMLUPUIFQFPQMFXIPIBENBEFJUUIFJSIPNF%FTQJUFXIBUIBQQFOFEJOOFBSCZ
Modderdam and Unibel, where bulldozers were sent in, those interviewed are determined to stay.

A CRY FOR FREEDOM


:FBS-FOHUINJO
%JSFDUPS+PIO"&WFOTPO
Production Company: Lutheran Church in America
4VNNBSZ4QPOTPSFECZUIF-VUIFSBO$IVSDIJO"NFSJDB UIJTEPDVNFOUBSZUBLFTBMPPLBUUIFPDDVQBUJPOPG/BNJCJB
by South Africa and accuses it of oppression, torture and murder on a large scale.

THE CRY OF REASON: BEYERS NAUDE: AN AFRIKANER SPEAKS OUT


:FBS-FOHUINJO
%JSFDUPS3PCFSU#JMIFJNFS
1SPEVDUJPO$PNQBOZ8PSMEXJEF%PDVNFOUBSJFT
4VNNBSZ5IJTGJMNQSFTFOUTBQPSUSBJUPGUIFQPMJUJDBMBOETQJSJUVBMQJMHSJNBHFPG%S#FZFST/BVEF BNBOXIPXPOUIF
respect and support of his black countrymen when he turned his back on his Afrikaner past and became an ardent
campaigner against the government’s apartheid policies.

DAVID WEBSTER: LIVED FOR DEMOCRACY, KILLED BY APARTHEID


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ"OUJBQBSUIFJEBDUJWJTU%BWJE8FCTUFSXBTBTTBTTJOBUFEPVUTJEFIJTIPNFJO5SPZFWJMMF +PIBOOFTCVSH PO
.BZst5IJTUSJCVUFUPIJNDPOTJTUTPGFYUSBDUTGSPNNFFUJOHTDBMMFEUPDPNNFNPSBUFIJTDPOUSJCVUJPOUPUIF
TUSVHHMF BTXFMMBTGSPNUIFGVOFSBMTFSWJDFBOEGSPNUIFNPVSOFSTNBSDIUISPVHIUIFTUSFFUTPG+PIBOOFTCVSH

THE DEADLINE
:FBS-FOHUINJO
%JSFDUPS%BWJE+BNNZ
Production Company: Mail & Guardian Television for Constitutional Assembly
Summary: Following South Africa’s first democratic election, the government was given a two-year mandate to write a
Constitution that would reflect the new order. As the deadline of 8th.BZESBXTOFBSFS UIJTQSPHSBNNFGPDVTFT
on activities during the last three weeks of a most intensive negotiating process.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
DEAFENING ECHOES
:FBS-FOHUIJO
%JSFDUPS&VHFOF1BSBNPFS
Production Company: Rainbow Circle Films
Summary: Anton Fransch was one of the members of the Bonteheuwel Military Wing, set up to take arms against apart-
IFJE*O"VHVTU IFXBTLJMMFEJOBTIPPUPVUXJUIUIFQPMJDFXIJMFTIFMUFSJOHJOBIPVTFJO$SBXGPSE5IJTGJMN
QBZTUSJCVUFUPIJTNFNPSZ NVDIPGJUTFFOUISPVHIUIFFZFTPG"OESFXi(PSSJFw/PWFNCFS

DEATH OF APARTHEID
:FBS-FOHUINJO
%JSFDUPST.JDL(PME 4UFXBSU-BOTMFZ4UFQIFO$MBSLF
1SPEVDUJPO$PNQBOZ#SJBO-BQQJOH"TTPDJBUFTGPS##$BOE%JTDPWFSZ$IBOOFM
4VNNBSZ#BTFEPOUIFCPPLi5PNPSSPXJTBOPUIFSDPVOUSZwCZ"MMJTUFS4QBSLT UIJTUISFFQBSUTFSJFTUFMMTUIFTUPSZPG
how the white minority government, led by F.W. de Klerk, came to hand over power to their erstwhile enemies, the
"GSJDBO/BUJPOBM$POHSFTT MFECZ/FMTPO.BOEFMB BOEIPXBUUFNQUTXFSFNBEFUPQSFWFOUUIJT

THE DEATH OF NEIL AGGETT


:FBS-FOHUINJO
1SPEVDFS-JOEB.D%PVHBMM
Production Company: Thames Television
4VNNBSZ0Oth/PWFNCFS /FJM"HHFUU BNFEJDBMEPDUPSBOEUSBEFVOJPOPSHBOJTFS XBTBSSFTUFECZUIFTF-
DVSJUZQPMJDF"GUFSEBZTJOTPMJUBSZDPOGJOFNFOU IFXBTGPVOEIBOHFEJOIJTDFMMBU+PIO7PSTUFS4RVBSF5IJT
QSPHSBNNF QSPEVDFETIPSUMZBGUFSIJTEFBUI XBTNBEFCFGPSFUIFSFTVMUTPGUIFPGGJDJBMJORVFTUXFSFLOPXO

THE DEATH OF PETRUS NCHABELENG (SERIES: SOUTH AFRICA NOW)


:FBS-FOHUINJO
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Production Company: 5th Encounter Motion Picture Company
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died while in police detention, officially as a result of a heart attack. Post mortem findings of the state pathologist
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DELMAS: THE PASSION… THE PAIN


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Production Company: Kevin Harris Productions for SABC
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deaths of a number of people and ending with a summary of what happened to some of the defendants.

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DENNIS BRUTUS: I AM A REBEL
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apartheid struggle and served time on Robben Island. While in exile he campaigned to have South Africa expelled
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THE DISCARDED PEOPLE (SERIES: WORLD IN ACTION)


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Production Company: Granada Television
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residence in the cities. Their real home was deemed to be in the various Bantustans, where they and their families
were forcibly resettled. This television report looks at the poverty in the homeland of Ciskei.

DOGMA AND DREAMS


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Hein Willemse talk about the role culture has played in the anti-apartheid struggle and debate the kind of culture
they should like to see in a future democratic South Africa.

DOWN SECOND AVENUE: THE LIFE AND TIMES OF ES’KIA MPHAHLELE


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Production Company: Ladida Kommunikaxions & Kurira Films International for SABC
Summary: When this programme was made, Es’kia Mphahlele was one of South Africa’s most distinguished writers
BOEBDBEFNJDT CVUJOIFXBTGPSDFEUPHPJOUPFYJMFBGUFSIFXBTCBOOFEGSPNUFBDIJOHCFDBVTFPGIJTPQQPTJ-
tion to the government’s Bantu education policies.

DROWNING IN BLOOD
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USJCBMSBMMJFTBOEUIFQPTTJCMFJOWPMWFNFOUPGBiUIJSEGPSDFw

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THE DUMPING GROUNDS (SERIES: WORLD IN ACTION)
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Production Company: Granada Television
Summary: Television documentary on the human cost of forced removals, with comments from doctors working in the
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DURBAN: A CITY PLANNED BY APARTHEID


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this video traces the growth of the city and recounts the impact of the Group Areas Act on its inhabitants.

EAT MY CALL-UP
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with many of them being sent to the country’s borders or into the townships. This film is structured around inter-
WJFXTXJUIGPVSNFOXIPSFGVTFEUPEFGFOEUIFBQBSUIFJETUBUFBOEXFSFQSFQBSFEUPTVGGFSUIFDPOTFRVFODFT

ECHOES OF MY PAST: A PERSONAL HISTORY OF THE SHARPEVILLE MASSACRE


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%JSFDUPS5IBCBOH.PMJCFMJ
Production Company: Thabang Molibeli Films
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ELI WEINBERG, PHOTOGRAPHER / DE DONKERE KAMER VAN ELI WEINBERG


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%JSFDUPS3VEJ#PPO
Production Company: VPRO
Summary: Under the guise of a highly regarded society photographer, Latvian-born Eli Weinberg became the unofficial
QIPUPHSBQIFSPGUIF"/$BOENBOZPGUIFJDPOJDQPSUSBJUTPGUIFTBOETXFSFUBLFOJOIJTTUVEJP5IJT
documentary traces his life and work through the reminiscences of friends and relatives.

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END OF THE DIALOGUE: APARTHEID IN SOUTH AFRICA 1970 / PHELA-NDABA
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Production Company: Morena Films


4VNNBSZ4IPUDMBOEFTUJOFMZJO4PVUI"GSJDBJOCZNFNCFSTPGUIF1BO"GSJDBOJTU$POHSFTT UIJTQSFTFOUT
an overview of the brutal reality of the apartheid system at the time.

EDUCATION: A BASIC HUMAN RIGHT


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GBDJOHFEVDBUJPOJO*UQVUTNVDIPGUIFCMBNFGPSUIFDSJTJTBTQFSDFJWFEBUUIFUJNFPOUIFMFHBDZPGBQBSUIFJE

ERNEST COLE 1940-1990, PHOTO JOURNALIST


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%JSFDUPS+VSHFO$MBVEJB4DIBEFCFSH
Production Company: Schadeberg Movie Company for e.tv
Summary: Ernest Cole was one of the first photo journalists to expose the realities of life under apartheid and though
his work is said not to be overtly political, he nevertheless intended it to alert the world to the injustices created by a
specific political system. This programme pays tribute to his memory.

ENTHOMBE
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%JSFDUPS(VZ4QJMMFS
Production Company: Lizardfilm
Summary: The families comprising the Enthombe community have lived on a portion of the farm Saaihoek for many
years. This documentary records their fight to stay on what they regard as their ancestral lands.

FACING DEATH, FACING LIFE


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%JSFDUPS*OHSJE(BWTIPO
Production Company: Angel Films for e.tv & Humanistische Omroep
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JOKBJM CVUFWFOBGUFSIFXBTSFMFBTFEJO IFGPVOEJUEJGGJDVMUUPDPNFUPUFSNTXJUIMJGF

FACING THE TRUTH, WITH BILL MOYERS


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1SPEVDUJPO$PNQBOZ1VCMJD"GGBJST5FMFWJTJPOGPS5IJSUFFO8/&5
Summary: The Truth & Reconciliation Commission was established to investigate human rights violations in apartheid
South Africa and to give surviving victims the opportunity to share their experiences. This two-part documentary
presents moments from some of the most dramatic confrontations and follows up with a number of them.

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FAITH IN RESISTANCE (SERIES: ISSUES OF FAITH)
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Production Company: GBA Productions for SABC Religion
4VNNBSZ1SFTFOUFECZ4FUI.B[JCVLP BGPSNFSTUVEFOUMFBEFSBUUIFUJNFPGUIF4PXFUPVQSJTJOH UIJTTJYQBSU
series takes a look at the way the anti-apartheid struggle was intertwined with spirituality, with people prompted by
their conscience to become involved in what, for many, was a moral as well as a political fight.

FIELDS OF PLAY
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$VSSFOU1IZTJDBM-PDBUJPO%JTUSJDU4JY.VTFVN
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Cape Town soccer from the late nineteenth century through to the mid-and-late twentieth century.

FIGHT, MABHIDA FIGHT!


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%JSFDUPS.BSJP#PSHOFUI
Production Company: Kanemo Producao e Comunicacao
Summary: Moses Mhabida, the General Secretary of the South African Communist Party and Vice President of SACTU,
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interspersed with selected archival footage of the anti-apartheid struggle.

THE FIRST ACCUSED: AN INTIMATE PORTRAIT OF NELSON MANDELA


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%JSFDUPS$MJGGPSE#FTUBMM
Production Company: Films 2 People & Story Street Productions for Unapix Entertainment
4VNNBSZ.BEFPOUIFPDDBTJPOPG/FMTPO.BOEFMBTUFQQJOHEPXOBT1SFTJEFOUPG4PVUI"GSJDB UIJTUXPQBSUEPDV-
mentary presents an overview of his life. Though it uses both archival footage and illustrative documentary material,
it is structured around interviews with a wide selection of people who knew him at various stages of his life. (It was
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FLOWERS OF THE NATION


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Production Company: KIKA Productions for SABC
4VNNBSZ/PUBMMNFNCFSTPG6NLIPOUPXF4J[XFXFSFNFOBOEUIJTGJMNGPDVTFTPOUISFFXPNFOXIPXFSFQBSUPG
MK and landed up in training camps in Tanzania and Angola. As they talk about their lives in exile, their experiences
BSFDPNQBSFEUPUIPTFPGBGFNBMFFY4"%'"JS'PSDFNFNCFSXIPTFSWFEPOUIFCPSEFS

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FLOWERS OF THE REVOLUTION: DEBORAH MATSHOBA
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teen months in solitary confinement, during which time she was also tortured. In this programme she talks about
her life and her involvement in the freedom struggle.

FLOWERS OF THE REVOLUTION: FLORENCE RIBEIRO


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JO5IJTQSPHSBNNFUFMMTPGUIFJSXPSLBTQPMJUJDBMBDUJWJTUT.VDIPGUIFSVOOJOHUJNFJTEFWPUFEUPUIFNVS-
EFSTBOEUPUIFTVCTFRVFOU53$IFBSJOHT

FLOWERS OF THE REVOLUTION: VESTA SMITH


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JOHUIFXPNFOTNBSDIPOUIF6OJPO#VJMEJOHTJO0WFSUIFZFBSTTIFXPSLFEGPSPSHBOJTBUJPOTTVDIBTUIF
4"$$ 4"$)&%BOEUIF-FHBM3FTPVSDFT$FOUSF*OUIJTQSPGJMFTIFSFDBMMTIFSMJGFBOEXPSL

FORGOTTEN
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Production Company: KIKA Productions for SABC
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compensated for the sacrifices they had made. And while some have done well for themselves, many others are still
struggling to make a living. This documentary focuses on three ex-MK members who relate their experiences.

FORWARD TO A PEOPLE’S REPUBLIC


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HBOEBQJFDFEFQJDUTBTQFDUTPGQPQVMBSPQQPTJUJPOUPUIF3FQVCMJD%BZDFMFCSBUJPOTBOEUIFDPOUJOVJOHSFTJTUBODF
against the apartheid government.

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FREE MANDELA
:FBS-FOHUINJO
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4VNNBSZ5IJTGJMN DPNQJMFEGSPNGPPUBHFPCUBJOFEGSPNBWBSJFUZPGTPVSDFT XBTNBEFUPDFMFCSBUF/FMTPO.BOEFMBT
th birthday, which resulted in messages of support from all over the world. A large gathering took place in Hyde
Park and Wembley Stadium was the site of one of the greatest concerts ever.

FREEDOM BEAT
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%JSFDUPS$IBSMFT.D%PVHBMM
Production Company: Clapham Common Productions
4VNNBSZ"SFDPSEPGPOFPGUIFCJHBOUJBQBSUIFJEDPODFSUTUIBUXFSFIFMEEVSJOHUIFT0SHBOJTFECZ""" PS
"SUJTUT"HBJOTU"QBSUIFJE JUXBTTUBHFEPO$MBQIBN$PNNPOPO+VOFthBOEESFXBOFTUJNBUFE 
people. The line-up included top names like Sade, Elvis Costello, Peter Gabriel and Hugh Masekela.

FREEDOM IN OUR LIFETIME


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T XIFSFZPVUIMFBEFS.LIVTFMJ+BDLFNFSHFEBUUIFGPSFGSPOUPGBNBTTJWFDPOTVNFSCPZDPUUEFTJHOFEUPCSJOH
pressure on white-owned business interests to persuade the government to accede to black demands.

FREEDOM IS A PERSONAL JOURNEY


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1SPEVDUJPO$PNQBOZ.BYJ%57
Summary: This documentary focuses on two women who landed in prison for very different reasons. The first is Mir-
iam Benjamin, who more or less wandered into a life of petty crime, while the other is Gertrude Fester, a political
activist from an early age, who was one of the people charged during the so-called Rainbow Trial.

FREEDOM SQUARE AND BACK OF THE MOON


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1SPEVDUJPO$PNQBOZ*OUIFTBOET 4PQIJBUPXO BCMBDLGSFFIPMEPOUIFPVUTLJSUTPG+PIBOOFTCVSH XBTUIF
centre of a vibrant cultural and political world. This film sketches a portrait of life in Sophiatown against the back-
ground of the newly elected government’s apartheid policies.

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FREEDOM WAS NOT FREE!
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";"105IFZUFMMPGUIFJSFYQFSJFODFTBOEUIFJTTVFTUIBUPDDVQJFEQFPQMFEVSJOHUIPTFEBZT

FRUITS OF DEFIANCE
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1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ4IPUJOBOEBSPVOE$BQF5PXOEVSJOHUIFXFFLTCFGPSFBOEBGUFSUIF(FOFSBM&MFDUJPOPGUI4FQUFNCFS
 UIJTWJEFPEFQJDUTUIFQPMJUJDBMFWFOUTPGUIJTQFSJPECZSFMBUJOHUIFNUPUIFXPSLJOHDMBTTBSFBPG.BOFOCFSH
on the Cape Flats.

GENERATIONS OF RESISTANCE
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1SPEVDUJPO$PNQBOZ6OJUFE/BUJPOT5FMFWJTJPO
Summary: Using archival and newsreel footage intercut with interviews with political activists, this film highlights the
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GEORGE PEMBA: PAINTER OF THE PEOPLE


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Production Company: Mayibuye Centre
4VNNBSZ #PSO JO1PSU &MJ[BCFUI JO  (FPSHF 1FNCB XBT POF PG NBOZ CMBDL BSUJTUT XIP XFSF NBSHJOBMJTFE CZ
apartheid. This film presents a representative selection of the painter’s work, with the artist himself providing infor-
mation concerning his life and artistic career.

GOD BLESS AFRICA (SERIES)


:FBS-FOHUIYNJO
%JSFDUPS-FTMFZ-BXTPO
Production Company: Storyline Productions & Phakathi Films for SABC3
Summary: A three-part series that takes a look at the role of the mission churches in Africa, of which the third episode,
i%JWJTJPOTw EFBMTXJUIUIFJSDMBTIFTXJUIUIF/BUJPOBM1BSUZHPWFSONFOU QBSUJDVMBSMZPWFSUIF#BOUV&EVDBUJPO"DU
and the Group Areas Act, and their increasing involvement in the anti-apartheid struggle.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
GOING FOR SPARROWS WITH A MACHINE GUN
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'JMNNBLFST3PCZO#FSOTUFJO +BSFE#PSLVN /JOB+BDPCTPO.POEF/LBTBXF
1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSZ 6OJWFSTJUZPG$BQF5PXO
4VNNBSZ*OUIFMBUFTJYUJFTBOEFBSMZTFWFOUJFT UIF/BUJPOBM6OJPOPG4PVUI"GSJDBO4UVEFOUT /64"4
CFDBNFB
UIPSOJOUIFTJEFPGUIF/BUJPOBM1BSUZ-BSHFMZCBTFEPOJOUFSWJFXTXJUIFYTUVEFOUMFBEFSTBOEPUIFST UIJTGJMN
focuses on these years of political activism and highlights some of the issues of the day

GOLDWIDOWS
:FBS-FOHUINJO
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Production Company: Medienwerkstatt Freiburg
Summary: German-made documentary that portrays the impact of the migratory labour system through the lives of
Lesotho women whose men work as migrant labourers in the goldmines of South Africa.

GROWING UNDER APARTHEID’S FEET: FOUR FILMS FROM SOUTH AFRICA


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Afravision
4VNNBSZ5IJTDPNQJMBUJPODPOTJTUTPGGPVSTIPSUGJMNTTIPUEVSJOH BQFSJPEXIFO4PVUI"GSJDBOTMJWFEVOEFS
B4UBUFPG&NFSHFODZ5IFZBSFi$IBMMFOHFUPUIFDIVSDIFTw NJO
i.BZ%BZw NJO
i5IJTSFQPSUIBTCFFO
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BOEi8PNFOBXBLF NJO


THE GUGULETU SEVEN


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Production Company: Lindy Wilson Productions
Summary: On 3rd.BSDI BQPMJDFEFUBDINFOUTIPUBOELJMMFETFWFOZPVOHNFOJO(VHVMFUV $BQF5PXO"DDPSE-
JOHUPUIFBVUIPSJUJFT UIFWJDUJNTXFSF"/$DBESFTXIPIBEQMBOOFEUPBNCVTIBQPMJDFCVT5IJTGJMNQSFTFOUTB
detailed account of the event and of the investigative process that brought the truth to light.

HAVE YOU HEARD FROM JOHANNESBURG?


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%JSFDUPS$POOJF'JFME
Production Company: Clarity Films
%FTDSJQUJPO5IFTFWFOQBSUTFSJFTQVMMTUPHFUIFSWBSJPVTFMFNFOUTPGUIFJOUFSOBUJPOBMBOUJBQBSUIFJENPWFNFOU BOE
includes interviews conducted in twelve countries, and over the course of three decades, which highlight the legacy
of the liberation struggle.

The series includes:

/BNF30"%503&4*45"/$&
%FTDSJQUJPO"TUIF6/BEPQUTUIF%FDMBSBUJPOPG)VNBO3JHIUT 4PVUI"GSJDBIFBETJOUIFPQQPTJUFEJSFDUJPOBOE
JNQMFNFOUTBQBSUIFJE"NBTTNPWFNFOUJTCPSO UIFODSVTIFE BOE/FMTPO.BOEFMBJTKBJMFEGPSMJGF

t4")""VEJPWJTVBM"VEJU3FQPSU
/BNF)&--0'"+0#
%FTDSJQUJPO5IFGVUVSFPGUIFNPWFNFOUJTPOUIFTIPVMEFSTPG0MJWFS5BNCP XIPFTDBQFTJOUPFYJMFBOECFHJOTB
year journey to engage the world in the struggle to bring democracy to South Africa.

/BNF5)&/&8(&/&3"5*0/
%FTDSJQUJPO:PVUIJO4PVUI"GSJDBBOEBSPVOEUIFXPSMEBSFOFYUUPKPJOUIFHSPXJOHNPWFNFOUBHBJOTUBQBSUIFJE BOE
the brutal suppression of a youth uprising in Soweto galvanizes public support for sanctions against South Africa.

/BNF'"*31-":
%FTDSJQUJPO"UIMFUFTBOEBDUJWJTUTBSPVOEUIFXPSMEIJUXIJUF4PVUI"GSJDBXIFSFJUIVSUTPOUIFQMBZJOHGJFME5IF
sports boycott pushes apartheid South Africa out of international sporting competitions, isolating it in an area of
passionate importance.

/BNF'30.4&-."50408&50 QSFWJPVTMZ"1"35)&*%"/%5)&$-6#0'5)&8&45

%FTDSJQUJPO"GSJDBO"NFSJDBOTBMUFS64GPSFJHOQPMJDZGPSUIFGJSTUUJNFJOIJTUPSZ TVDDFTTGVMMZQSFTTVSJOHUIF64UP
impose sanctions and politically isolate Pretoria.

/BNF5)&#0550.-*/&
%FTDSJQUJPO*OUFSOBUJPOBMHSBTTSPPUTDBNQBJHOTBHBJOTU1PMBSPJE 4IFMM #BSDMBZT (FOFSBM.PUPSTBOEPUIFSTEPJOH
business in South Africa economically isolate the apartheid regime and become the first successful effort to use
economic pressure to help bring down a government.

/BNF'3&&"5-"45
%FTDSJQUJPO"OVQSJTJOHJO4PVUI"GSJDBCFDPNFTUIFGJOBMCMPXJOUIFDVNVMBUJWFXPSMEFGGPSUUPUPQQMFBQBSUIFJE
/FMTPO.BOEFMBCFDPNFTBIPVTFIPMEOBNFBTUIFDBNQBJHOUPGSFFIJNJHOJUFTBXPSMEXJEFDSVTBEF

HAVE YOU SEEN DRUM RECENTLY?


:FBS-FOHUINJO
%JSFDUPS+VSHFO4DIBEFCFSH
Production Company: Bailey’s African Photo Archives
Summary: This film uses a wealth of still photographs from Bailey’s African Photo Archives to recall black urban life in
UIFGJGUJFTBTQSFTFOUFEJOUIFQBHFTPG%SVNNBHB[JOF*OUIFQSPDFTTJUBMTPIJHIMJHIUTQPMJUJDBMJTTVFTPGUIFUJNF 
JODMVEJOHUIF%FGJBODF$BNQBJHOPGBOEUIF$POHSFTTPGUIF1FPQMFJO

HEART AND STONE


:FBS-FOHUINJO
%JSFDUPS#SJEHFU5IPNQTPO
Production Company: Tomas Films
4VNNBSZ#PSOJOUPB5SBOTLFJQFBTBOUGBNJMZ (PWBO.CFLJXBTBTUBMXBSUPGUIF"GSJDBO/BUJPOBM$POHSFTTGPSNBOZ
years. This film presents an overview of his life and alternates his conversations with the filmmaker with two cross-
cutting narratives, the first a visit to Robben Island and the second a return to his rural origins.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
HERE BE DRAGONS
:FBS-FOHUINJO
%JSFDUPS0EFUUF(FMEFOIVZT
Producers: Odette Geldenhuys / Catharina Weinek
%FTDSJQUJPO5IJTNJOVUFGJMNPOIVNBOSJHIUTBEWPDBUF(FPSHF#J[PTJTBOJNQPSUBOUEPDVNFOUPGBWFSZGVMMMJGF
and it takes us on the emotional, personal and political journey of one of South Africa’s greatest jurists.

HELEN SUZMAN: ANTI APARTHEID CAMPAIGNER


:FBS-FOHUINJO
%JSFDUPS*OHSJE(BWTIPO
Production Company: Angel Films for Kaplan Kushlick Foundation
4VNNBSZ#FUXFFOBOE )FMFO4V[NBOXBTUIFPOMZMJCFSBMWPJDFJO4PVUI"GSJDBTQBSMJBNFOU5IJTGJMN 
structured around an interview with her, recalls some of the issues she raised over a political career that lasted thirty-
seven years.

HISTORY UNCUT (SERIES)


:FBS-FOHUIYNJO
%JSFDUPST#SJBO5JMMFZ-BVSFODF%XPSLJO
Production Company: Afravision
4VNNBSZ%VSJOHUIFT BHSPVQPG4PVUI"GSJDBOGJMNNBLFSTGPSNFEUIF7/4"GSBWJTJPOWJEFPDPMMFDUJWF*OJUJBMMZ
operating anonymously, they documented various aspects of the anti-apartheid struggle. A selection of this material
IBTTVCTFRVFOUMZCFFOPSHBOJTFEJOUPBUIJSUFFOQBSUTFSJFT

HLANGANINI: A SHORT HISTORY OF COSATU


:FBS-FOHUINJO
%JSFDUPST#SJBO5JMMFZ0MJWFS4DINJU[
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ4UBSUJOHXJUIUIF%VSCBOTUSJLFTPGBOEUIFGPVOEJOHPG'04"56BGFXZFBSTMBUFS UIFWJEFPUSBDFTUIF
history of the progressive trade union movement in South Africa, culminating in the launch of COSATU and the
scrapping of the Labour Relations Amendment Act.

HORSEMAN MANIE RIDES TO DEFEAT


:FBS-FOHUINJO
%JSFDUPS#FBUB-JQNBO
Production Company: Free Filmmakers
4VNNBSZ'JMNFEEVSJOHUIFSFGFSFOEVNDBNQBJHO UIJTQSPHSBNNFGPDVTFTBUMFBTUQBSUMZPO.BSJF.BSJU[ B
former wrestling champion and a prominent opponent of the government’s dismantling of its apartheid policies.

IF GOD BE FOR US…


:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
Production Company: Kevin Harris Productions for South African Council of Churches
4VNNBSZ.BEFJO UIJTGJMNEFBMTXJUIUIFXPSLDBSSJFEPVUCZUIF4PVUI"GSJDBO$PVODJMPG$IVSDIFTBOEWJTJUT
different parts of the country to illustrate its involvement in a variety of projects. It is especially concerned with al-
leviating the impact of the government’s apartheid policies, which it regards as sinful and unjust.

t4")""VEJPWJTVBM"VEJU3FQPSU
IF TRUTH BE TOLD… (SERIES: ORDINARY PEOPLE)
:FBS-FOHUINJO
%JSFDUPS%BWJE+BNNZ
Production Company: Mail & Guardian Television for SABC
Summary: Prior to the Truth & Reconciliation Commission’s first sitting, a number of victims and their families got to-
gether to establish an organisation that would prepare them for the hearings. This programme talks to three people
who joined the Khulumani Support Group.

IMAGES IN STRUGGLE: SOUTH AFRICAN PHOTOGRAPHERS SPEAK


:FBS-FOHUINJO
%JSFDUPS#BSSZ'FJOCFSH
1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB
Summary: South African photographers have contributed much to conveying the reality of apartheid to the outside
XPSME*OUIJTWJEFP3BTIJE-PNCBSE 0NBS#BETIB 4BOUV.PGPLFOH ;VCFJEB7BMMJF $FESJD/VOO 1BVM8FJOCFSH
and Lesley Lawson talk about their work and aspirations.

IMBABAZANE: THE LIFE AND TIMES OF MANGOSUTHU BUTHELEZI


:FBS-FOHUINJO
%JSFDUPS%BMJ5BNCP
Production Company: Southern Streams for SABC
Summary: This two-part programme combines limited reconstructions, archival footage and interviews with academics
and others to present an overview of the life and political career of Mangosuthu Buthelezi, including the rebirth of
*OLBUIBJOBOEUIFBOJNPTJUZCFUXFFOJUBOEUIF6%'CFUXFFOBOE

IN DARKEST HOLLYWOOD: CINEMA AND APARTHEID


:FBS-FOHUINJO
1SPEVDFST1FUFS%BWJT%BOJFM3JFTFOGFME
1SPEVDUJPO$PNQBOZ/JHIUJOHBMF'JMNT
Summary: A wide-ranging documentary that takes a look at certain issues relating to the South African film-going ex-
QFSJFODFEVSJOHUIFBQBSUIFJEFSB#FHJOOJOHXJUIUIFQFSJPEJNNFEJBUFMZBGUFSUIF/BUJPOBM1BSUZDBNFUPQPXFS JU
includes extracts from many films, as well as interviews with a number of directors, actors and scriptwriters.

IN THE DOCK
:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS4"#$
4VNNBSZ#FDBVTF JO"VHVTUIFIBETIPUGPPUBHFPGBQSPUFTUNFFUJOHBUBDIVSDIJO4IBSQFWJMMF ,FWJO)BSSJT
FWFOUVBMMZGPVOEIJNTFMGJODPVSUBTBXJUOFTTGPSUIFEFGFODFEVSJOHUIFTPDBMMFE%FMNBT5SFBTPO5SJBM*OUIJT
personal film the director traces his life to describe how he came to this point.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
IN THE NAME OF MANDELA: WAR AND PEACE
:FBSNJO
%JSFDUPS+VSHFO4DIBEFCFSH
1SPEVDUJPO$PNQBOZ"EBHF/FXT
Summary: An overview of South Africa’s political history during the 20th century, with an emphasis on the role of the
"GSJDBO/BUJPOBM$POHSFTT6TJOHBSDIJWBMGPPUBHFBOETUJMMQIPUPHSBQIT JUIJHIMJHIUTWBSJPVTLFZFWFOUTPWFSUIF
ZFBST DVMNJOBUJOHJOUIFSFMFBTFPGBOVNCFSPGMPOHUFSNQPMJUJDBMQSJTPOFSTJO 6QEBUFEBOESFMFBTFEPO
WJEFPVOEFSUIFUJUMFi/FMTPO.BOEFMBBOEUIFSJTFPGUIF"/$w


THE INAUGURATION
:FBSNJO
1SPEVDFS*OB+PVCFSU
1SPEVDUJPO$PNQBOZ5/1GPS4"#$
4VNNBSZ"OFEJUFEWFSTJPOPGUIFEBZMPOHBDUJWJUJFTPOth.BZ UIFEBUF/FMTPO.BOEFMBXBTJOBVHVSBUFEBT
the first democratically elected President of South Africa, as originally broadcast by the SABC.

INSIMBI AYIGOBI: A HISTORY OF THE NATIONAL UNION OF METALWORKERS OF S.A.


:FBS-FOHUINJO
%JSFDUPS/ZBOB.PMFUF
1SPEVDUJPO$PNQBOZ"GSBWJTJPOGPS/6.4"&EVDBUJPO3FTFBSDI%FQBSUNFOU
4VNNBSZ5IF/BUJPOBM6OJPOPG.FUBMXPSLFSTPG4PVUI"GSJDBJTPOFPGUIFMBSHFTUUSBEFVOJPOTJOUIFDPVOUSZBOEB
powerful voice within COSATU. This video traces its growth over the years, from the coming together of a number
PGTNBMMFSVOJPOTUPJUT/BUJPOBM$POHSFTTPG+VMZ

IQABA / HARDBALL: THE HISTORY OF BLACK CRICKET IN SOUTH AFRICA (SERIES)


:FBS-FOHUINJO
%JSFDUPS+VOBJE"INFE
Production Company: Fineline Productions for Primedia Pictures & UCB
4VNNBSZ5IJTIJTUPSZPGCMBDLDSJDLFUJO4PVUI"GSJDBDPWFSTTPNFZFBSTPGUIFHBNF TUBSUJOHXJUIJUDPMPOJBM
beginnings and ending with the founding of the United Cricket Board. It shows how, throughout the years, politics
influenced the game and, like other sports, cricket became part of the anti-apartheid struggle.

ISITWALANDWE: THE STORY OF THE SOUTH AFRICAN ‘FREEDOM CHARTER’ TOLD BY THOSE WHO
STRUGGLE FOR IT
:FBS-FOHUINJO
%JSFDUPS#BSSZ'FJOCFSH
1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODFBOE"JE'VOEGPS4PVUIFSO"GSJDB
Summary: On 25thBOEth+VOF TPNF EFMFHBUFTGSPNBMMPWFS4PVUI"GSJDBDBNFUPHFUIFSBU,MJQUPXOGPS
the Congress of the People. The culmination of the event was the adoption of the Freedom Charter, an occasion
recalled by a number of people who were present at the time.

t4")""VEJPWJTVBM"VEJU3FQPSU
THE ISLAND & THE APPLE BOX
:FBS-FOHUINJO
%JSFDUPST4IBSPO'BSS-FF0UUFO VODSFEJUFE

Production Company: Shoot the Breeze Productions for Robben Island Museum
4VNNBSZi5IFJTMBOEBOEUIFBQQMFCPYwJTBQMBZBCPVUUIFMJCFSBUJPOTUSVHHMF BTXFMMBTBIJTUPSZPG3PCCFO*TMBOE 
designed for presentation to school children everywhere. The video is a straightforward record of the play, with a
NJOVUFTFRVFODFEVSJOHXIJDI-JPOFM%BWJTBOTXFSTUIFNPTUGSFRVFOUMZBTLFERVFTUJPOT

JAMES MANGE: THE MAN WHO SHOOK PRETORIA


:FBS-FOHUINJO
%JSFDUPS7BVHIBO(JPTF
Production Company: Rainbow Circle Films for SABC
4VNNBSZ+BNFT.BOHFXBTPOFPGUIFNBOZQFPQMFXIPXFOUJOUPFYJMFGPMMPXJOHUIF4PXFUPVQSJTJOHPG5IFSF
he joined Umkhonto we Sizwe, but was arrested soon after his return and was sent to Robben Island, where he be-
DBNFB3BTUBGBSJBO3FMFBTFEJO UIJTGJMNGPMMPXTCPUIIJTQPMJUJDBMMJGFBOEIJTNVTJDBMDBSFFS

JAMES PHILLIPS: FAMOUS FOR NOT BEING FAMOUS


:FBS-FOHUINJO
%JSFDUPST-MPZE3PTT3PCCJF5IPSQF
1SPEVDUJPO$PNQBOZ /PUDSFEJUFE
GPS4"#$
4VNNBSZ+BNFT1IJMMJQTXBTBNVTJDJBOBOEDPNQPTFSXIP EVSJOHUIFFJHIUJFT XBTSFHBSEFEBTUIFWPJDFBOEDPO-
science of a generation of apartheid-era white South Africans. His refusal to compromise, together with his opposi-
tion to the political dispensation, made commercial success unlikely, but he developed a cult following.

JOE SEREMANE: NO MAN’S MAN


:FBS-FOHUINJO
%JSFDUPS)FOOJF4FSGPOUFJO
Production Company: Fokus Suid for SABC
4VNNBSZ+PF4FSFNBOFHSFXVQEVSJOHUIFGJSTUZFBSTPGBQBSUIFJEBOEKPJOFEUIFOFXMZGPSNFE1BO"GSJDBOJTU$PO-
HSFTTJO%FTQJUFIJTFYQFSJFODFTJOKBJM IFFWFOUVBMMZCFDBNFBOBEWPDBUFPGSFDPODJMJBUJPOBOEKPJOFEUIF
South African Council of Churches. In this film he traces his political evolvement.

A JOURNEY BACK
:FBS-FOHUINJO
%JSFDUPST;JO[J,VMV5BNBSB4FNFWTLZ
1SPEVDUJPO$PNQBOZ;JO[J,VMV1SPEVDUJPOT
Summary: Many of the individuals who were incarcerated on Robben Island were leaders of liberation movements and
BGUFSBCSJFGJOUSPEVDUJPOUPUIFQSJTPOTIJTUPSZ UIJTGJMNBDDPNQBOJFT1SFTJEFOU/FMTPO.BOEFMB %S/FWJMMF"MFY-
BOEFS %S/DIBVQF.PLPBQFBOE"EW%JLHBOH.PTFOFLFBTUIFZSFUVSOUPUIFJTMBOEBTGSFFNFO

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
JUST AN INCH AWAY
:FBS-FOHUINJO
%JSFDUPS"OESFX#FUIFMM
1SPEVDUJPO$PNQBOZ%PVCMF&YQPTVSFGPS$IBOOFM
4VNNBSZ*O"QSJM EVSJOHUIFQSFWBJMJOH4UBUFPG&NFSHFODZ GPVSZPVOHQFPQMFGSPN(SFBU#SJUBJOWJTJUFE4PVUI
"GSJDBUPFYQFSJFODFBQBSUIFJEBUGJSTUIBOE5IJTEPDVNFOUBSZWJTJUTUIFNXJUIUIFJSIPTUGBNJMJFTJO+PIBOOFTCVSH
/PSUIBOE4PXFUPSFTQFDUJWFMZBOESFDPSETUIFJSSFBDUJPOTUPUIFDPOUSBTUTUIFZGJOE

KATUTURA
:FBS-FOHUINJO
%JSFDUPS6MSJDI4DIXFJ[FS
Production Company: Protestant Churches and Missions of Switzerland
Summary: One of the first documentaries to give overseas audiences an idea of what it was like for black South Africans
to live under apartheid, this presents an overview of the impact of strict racial segregation.

KHULUMANI / SPEAK OUT


:FBS-FOHUINJO
%JSFDUPS)FOJPO)BO
Production Company: The TRC was created to deal with human rights abuses that occurred during the apartheid era. To
prepare themselves for the hearings, a number of victims and their families founded the Khulumani Support Group.
This video provides an introduction to its functioning and the reasons for its existence.

KHUTSONG: DEMOCRACY 101


:FBS-FOHUINJO
%JSFDUPS/BNJ.IMPOHP
%FTDSJQUJPO5IJTGJGUFFONJOVUFEPDVNFOUBSZJOWPMWFTJOUFSWJFXTXJUI1SPGFTTPS"EBN)BCJCBOESFTJEFOUTPG,IVU-
TPOH XIFSFUIFZDPOTJEFS4PVUI"GSJDBTTVDDFTTFTBOEGBJMVSFTBTBEFNPDSBDZZFBSTBGUFSUIFMJCFSBUJPOTUSVHHMF
was won.

KILLER OR HEALER (SERIES: ENCOUNTERS)


:FBS-FOHUINJO
%JSFDUPS*OHSJE(BWTIPO
Production Company: Free Filmmakers
4VNNBSZ5IJTQSPHSBNNFWJTJUTUIFBSFBPG$MFSNPOUJO,XB;VMV/BUBM XIFSF JO BTFSJFTPGQPMJUJDBMNVSEFST
XFSFDPNNJUUFE0OFPGUIPTFJNQMJDBUFEXBT4BNVFM+BNJMF BGPSNFS%FQVUZ.JOJTUFSPGUIF*OUFSJPSJOUIF1SP-
vincial Government and a member of Inkatha’s Central Committee.

KILLING A DREAM
:FBS-FOHUINJO
%JSFDUPST"OEFST/JMTTPO(VOJMMB"LFTTPO
Production Company: SVT2
4VNNBSZ'SPN TJYZFBSTBGUFS.P[BNCJRVFHBJOFEJUTJOEFQFOEFODF 4PVUI"GSJDBFNCBSLFEVQPOBDBNQBJHO
UPEFTUBCJMJTFUIFDPVOUSZXIPTFBUUFNQUTUPFTUBCMJTIBNPSFFRVJUBCMFTPDJFUZJUTBXBTBUISFBUUPJUTSBDJBMQPMJDJFT
at home. This Swedish-made film gathers evidence of the destruction wrought.

t4")""VEJPWJTVBM"VEJU3FQPSU
KLIPTOWN (SERIES: THE HEART OF SOWETO)
:FBS-FOHUINJO
%JSFDUPS)B[FM$IBOEMFS
1SPEVDUJPO$PNQBOZ%PVCMF&YQPTVSFGPS##$1FCCMF.JMM
4VNNBSZ,MJQUPXO OFBS+PIBOOFTCVSH JTCFTULOPXOBTUIFQMBDFXIFSF JO UIF'SFFEPN$IBSUFSXBTMBVODIFE
1BSUPGHSFBUFS4PXFUP JUJTBMTPUIFTJUFPGBMBSHFJMMFHBMTRVBUUFSDBNQUIBUIBTBQQSPYJNBUFMZ JOIBCJUBOUT
This programme visits the area, where people’s shacks are regularly bulldozed by the authorities.

THE KNITTING NEEDLES GUERRILLAS: FATIGUES ON FIRE


:FBS-FOHUINJO
%JSFDUPS4FUMPHPMB/PBI5IPLF
1SPEVDUJPO$PNQBOZ"GUFSUIF4PXFUPVQSJTJOHPG IVOESFETPGZPVOHQFPQMFMFGU4PVUI"GSJDBUPQMBZUIFJSQBSU
in the armed struggle. This documentary deals with the experiences of six women who underwent military training
in Angola and traces what became of them after they returned from exile.

LAKUTSHON ‘ILANGA
:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
Production Company: Kevin Harris Productions
4VNNBSZi-BLVUTIPOAJMBOHBw i4FUUJOHTVOw
CZ.PUIPCJ.VUMPBUTFJTBQSPUFTUQMBZXIJDI BNPOHTUPUIFSUIJOHT 
encourages national unity, promotes cultural identity and pays tribute to all those who played pivotal roles in the
liberation struggle. The video presents extracts and includes an interview with the author.

LAND AFFAIRS (SERIES: ORDINARY PEOPLE)


:FBS-FOHUINJO
%JSFDUPS(VZ4QJMMFS
Production Company: Weekly Mail Television for SABC
4VNNBSZ4JODF XIFOUIFTZTUFNPGMBCPVSUFOBODZXBTBCPMJTIFE UFOTPGUIPVTBOETPGCMBDLMBCPVSFSTBOEUIFJS
families have been evicted from the white-owned farms on which they have lived and worked for generations. This
QSPHSBNNFEFBMTXJUIBMBOEEJTQVUFJOUIFEJTUSJDUPG8FFOFOJO,XB;VMV/BUBM

THE LAST DOMINO


:FBS-FOHUINJO
%JSFDUPS"M+7FOUFS
Production Company: Ashanti International Films
4VNNBSZ8IFOUIJTEPDVNFOUBSZXBTNBEF UIFXBSPOUIFCPSEFSCFUXFFO4PVUI8FTU"GSJDB/BNJCJBBOE"OHPMB
had been going for eighteen years. Filmed entirely from the South African point of view, it discusses the conduct of
UIFXBSBOEBDDPNQBOJFTUIF4"%'POBTUSJLFJOUPFOFNZUFSSJUPSZ

LAST GRAVE AT DIMBAZA


:FBS-FOHUINJO
%JSFDUPS/BOB.BIPNP
Production Company: Morena Films
Summary: Shot illegally in the mid-seventies, this film set out to illustrate the reality of what the country’s official
BQBSUIFJEQPMJDZNFBOUUPCMBDL4PVUI"GSJDBOT%JTDVTTFEJOTPNFEFUBJMBSFUIFIPNFMBOETZTUFN KPCSFTFSWBUJPO 
influx control and forced removals.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
LAST SUPPER IN HORTSLEY STREET
:FBS-FOHUINJO
%JSFDUPS-JOEZ8JMTPO
Production Company: Lindy Wilson Productions
Summary: On 2nd'FCSVBSZ BHPWFSONFOUHB[FUUFQSPDMBJNFE$BQF5PXOT%JTUSJDU4JYBXIJUFHSPVQBSFB BTB
SFTVMUPGXIJDITPNF QFPQMFXFSFGPSDJCMZSFNPWFE5IJTGJMNGPDVTFTPOUIFFYQFSJFODFTPGPOF.VTMJN
family, who were amongst the last to leave.

LAUNCH ANC WOMEN’S LEAGUE


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ"VEJP7JTVBM"MUFSOBUJWFT $VMUVSFBOE8PSLJOH-JGF1SPKFDU/07"8
4VNNBSZ*O"VHVTU EFMFHBUFTHBUIFSFEBU$VSSJFT'PVOUBJOJO%VSCBOUPBUUFOEUIFSFMBVODIPGUIF"/$T
8PNFOT-FBHVF5IJTWJEFP TIPUCZGPVSDBNFSBDSFXTPSHBOJTFECZUIF/BUBM0SHBOJTBUJPOPG7JEFPBOE"MMJFE
Workers, consists of footage shot at the proceedings.

LAW AND FREEDOM: PART 1, WHO WAS MRS. KOMANI?


:FBS-FOHUINJO
%JSFDUPS;BDLJF"DINBU
Production Company: Idol Pictures for CHMT
4VNNBSZi-BXBOEGSFFEPNwJTBUXPQBSUTFSJFTJOXIJDI;BDLJF"DINBUQSPWJEFTBOJOUSPEVDUJPOUPBOVNCFSPG
cases in which the courts expanded the boundaries of human freedom. This first episode focuses, amongst others,
on Komani vs. the Bantu Administration Board, which was to lead to the collapse of the pass law system.

THE LAWYER, THE FARMER & THE CLERK (SERIES: ORDINARY PEOPLE)
:FBS-FOHUINJO
%JSFDUPS$MJGGPSE#FTUBMM
Production Company: Weekly Mail Television for SABC
Summary: On 25th+VOF UIF"8#VTFEBWFIJDMFUPCSFBLUISPVHIUIFIFBWZHMBTTEPPSTPGUIFCVJMEJOHXIFSFOF-
gotiations concerning the future of the country were in progress and occupied part of the premises. This programme
documents the events of the day as seen through the eyes of three individuals.

THE LEADER, HIS DRIVER AND THE DRIVER’S WIFE


:FBS-FOHUINJO
%JSFDUPS/JDL#SPPNGJFME
1SPEVDUJPO$PNQBOZ-BGBZFUUF'JMNGPS$IBOOFM
4VNNBSZ*O XIJMFWJTJUJOH4PVUI"GSJDB #SJUJTIGJMNNBLFS/JDL#SPPNGJFMEUSJFTUPPCUBJOBOJOUFSWJFXXJUIUIF
leader of the AWB, Eugene Terre’blanche. While waiting to hear from him, Broomfield and his crew attend AWB
BDUJWJUJFTBOECFDPNFGSJFOEMZXJUI5FSSFCMBODIFTESJWFS +1.FZFS BOEIJTXJGF "OJUB

t4")""VEJPWJTVBM"VEJU3FQPSU
LEMBEDE
:FBS-FOHUINJO
%JSFDUPS/JSWBOB4JOHI
1SPEVDUJPO$PNQBOZ6IVSV1SPEVDUJPOT8IPMJTUJD1SPEVDUJPOTGPS4"#$
4VNNBSZ)BEIFMJWFE "OUPO-FNCFEF 
XPVMEIBWFCFFOPOFPG4PVUI"GSJDBTNPTUQSPNJOFOUQPMJUJ-
DJBOT0OFPGUIFGPVOEFSTPGUIF"/$:PVUI-FBHVF IFCFDBNFJUTGJSTUQSFTJEFOU5IJTGJMNFYBNJOFTIJTDPOUSJCV-
tion to the cause of freedom, from his youth as a farm labourer to his sudden death at the age of 33.

LET MY PEOPLE GO
:FBS-FOHUINJO
%JSFDUPS+PIO,SJTI
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
Summary: Released the year after the Sharpeville massacre, this is one of the first anti-apartheid films to have been
made in Great Britain. It employs a combination of newsreel footage and re-enactments to illustrate the effect of the
apartheid laws.

THE LIBERAL AND THE PIRATE


:FBS-FOHUINJO
%JSFDUPS(VZ4QJMMFS
Production Company: Sweetness and Light for e.tv
4VNNBSZ0Oth"QSJM BOBUUFNQUXBTNBEFPOUIFMJGFPG%S)'7FSXPFSE5IFNBOSFTQPOTJCMFXBT%BWJE
1SBUU XIPXBTBCVTJOFTTQBSUOFSPGUIFGJMNNBLFSTHSBOENPUIFSJOBTFBTJEFIPUFMPOUIF/BUBM4PVUI$PBTU*UJT
from this unusual angle that this film embarks upon an exploration of his character and motivation.

LIBERATION OF THE SOUL


:FBS-FOHUINJO
%JSFDUPS$IBSMFOF)PVTUPO
Production Company: AfroSoul Productions for SABC
4VNNBSZ*O%FDFNCFS (JOO'PVSJFTEBVHIUFSXBTLJMMFEJOBOBUUBDLPOUIF)FJEFMCFSH5BWFSOJO$BQF5PXO
CZNFNCFSTPG"1-" UIF1"$TNJMJUBSZXJOH5IJTGJMNEFBMTXJUIIPXTIFBOE"1-"T%JSFDUPSPG0QFSBUJPOT 
Letlapa Mphahlele, embarked upon a voyage of reconciliation.

LIBERATION WOMEN
:FBS-FOHUINJO
%JSFDUPS#FBUB-JQNBO
Production Company: BBC Wales
4VNNBSZ"OPWFSWJFXPGUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBJO BUJNFXIFOHSPXJOHPQQPTJUJPOUPBQBSUIFJE
led to violent confrontations between youthful protesters and the police. Much of this is seen through the eyes of five
women who talk about various issues and describe some of their own experiences.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE LIFE AND DEATH OF STEVE BIKO
:FBS-FOHUINJO
%JSFDUPST.BMDPMN$MBSLF.JDIBFM3ZBO
Production Company: Granada Television
Summary: Made two weeks after the announcement of the death of Steve Biko, this assesses his impact on black opposi-
tion against the government and especially his involvement with the Black Consciousness movement. It includes a
report on his funeral and attends a memorial service in London.

THE LIFE & TIMES OF CHRIS HANI


:FBS-FOHUINJO
%JSFDUPS,FO,BQMBO
Production Company: Afravision
Summary: Chris Hani had recently been elected General Secretary of the South African Communist Party when, in
"QSJM IFXBTBTTBTTJOBUFE6TJOHBSDIJWBMGPPUBHFBOEFYUSBDUTGSPNJOUFSWJFXTXJUIIJTDPNSBEFTJOBSNT UIJT
programme presents a portrait of the man and pays tribute to his memory.

THE LONG JOURNEY OF CLEMENT ZULU


:FBS-FOHUINJO
%JSFDUPS-J['JTI
1SPEVDUJPO$PNQBOZ0QFO%PPS1SPEVDUJPOTGPS##$
4VNNBSZ0O"QSJMth &CSBIJN*TNBJM&CSBIJN +BNFT.BOHFBOE$MFNFOU;VMVXFSFBNPOHTUBOVNCFSPG
political prisoners who were released from Robben Island. This film follows them for the next few months as they
are reunited with their families and comrades.

LONG NIGHT’S JOURNEY INTO DAY


:FBS-FOHUINJO
%JSFDUPST'SBODFT3FJE%FCPSBI)PGGNBOO
Production Company: Iris Films
4VNNBSZ5IJT"NFSJDBOEPDVNFOUBSZFYQMPSFTUIFBJNTBOEQSPDFTTCZXIJDITPNF JOEJWJEVBMTBQQMJFEGPS
amnesty to the Truth & Reconciliation Commission for crimes committed during the apartheid era. To give it some
focus, the filmmakers have chosen to concentrate on four high profile case histories.

LOVE AND THE BULLDOZERS (SERIES: ISSUES OF FAITH)


:FBS-FOHUINJO
%JSFDUPS-BVSFO(SPFOFXBME
Production Company: Plexus Films for SABC Religion
4VNNBSZ*O ZFBSTBGUFSUIFHPWFSONFOUPGUIFUJNFEFNPMJTIFE$BQF5PXOT%JTUSJDU4JY TPNFPGUIFPSJHJOBM
inhabitants were given the keys to new houses erected on the site. That’s the occasion for the making of this film,
which focuses on the role of the churches as a symbol of resistance against apartheid.

t4")""VEJPWJTVBM"VEJU3FQPSU
LOVE, COMMUNISM, REVOLUTION & RIVONIA: BRAM FISCHER’S STORY
:FBS-FOHUINJO
%JSFDUPST4IBSPO'BSS-FF0UUFO
1SPEVDUJPO$PNQBOZ4IPPUUIF#SFF[F1SPEVDUJPOTGPS./FU/FX%JSFDUJPOT
4VNNBSZ%FTQJUFCFJOHUIFTDJPOPGBEJTUJOHVJTIFE"GSJLBOFSGBNJMZ #SBN'JTDIFSUISFXJOIJTMPUXJUIUIPTFTUSVH-
gling against apartheid. A member of the SACP, he is best remembered for defending those accused during the
5SFBTPO5SJBMBOEMBUFSUIF3JWPOJB5SJBMPG5IJTEPDVNFOUBSZUSBDFTIJTMJGFBOEDBSFFS

THE MAIDEN SPEECH (SERIES: ORDINARY PEOPLE)


:FBS-FOHUINJO
%JSFDUPS/JDPMBBT)PGNFZS
Production Company: Weekly Mail Television for SABC
Summary: On the day that a woman MP is to make her maiden speech in South Africa’s first democratically elected
QBSMJBNFOU UIJTGJMNEFQJDUTUISFFJOEJWJEVBMTEVSJOHUIFDPVSTFPGUIFJSEVUJFToUIF.1IFSTFMG BGPSFNBOJOUIF
cleaning department and a newspaper correspondent.

MAIDS AND MADAMS


:FBS-FOHUINJO
%JSFDUPS.JSB)BNFSNFTI
1SPEVDUJPO$PNQBOZ$IBOOFM5FMFWJTJPO
Summary: Besides the agricultural sector, domestic service is the largest source of employment for black women in
4PVUI"GSJDB5IJTGJMNUBLFTBMPPLBUUIFSFMBUJPOTIJQCFUXFFOCMBDLiNBJETwBOEUIFJSXIJUFiNBEBNTw

MAKE BELIEVE (SERIES: ORDINARY PEOPLE)


:FBS-FOHUINJO
%JSFDUPS$MJGGPSE#FTUBMM
Production Company: Weekly Mail Television for SABC
4VNNBSZ*O"VHVTU UIFXIJUFUPXODPVODJMPG4DIXFJ[FS3FOFLFHSBOUFEUIFGSFFEPNPGUIFUPXOUPUIF"8#T
Wenkommando, led by Eugene Terre’blanche. On the same day, the neighbouring township of Ipelegeng decided to
IPOPVS+PF.PEJTF DPNNBOEFSPG6NLIPOUPXF4J[XF

MAKHALIPILE: THE DAUNTLESS ONE


:FBS-FOHUINJO
%JSFDUPS#BSSZ'FJOCFSH
1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB
Summary: This documentary pays tribute to Father Trevor Huddleston and traces his life and career, first in South Af-
SJDB UIFOBT#JTIPQPG.BTBTJJO5BO[BOJBBOEUIFOJO(SFBU#SJUBJOXIFSF BGUFSIJTSFUJSFNFOUJO IFEFWPUFE
all his energy to the anti-apartheid movement.

MAMA MKHIZE (SERIES: CHRONICLES OF CHANGE)


:FBS-FOHUINJO
%JSFDUPS#BSCBSB'PMTDIFS
Production Company: Current Affairs Productions for SABC
Summary: On April 2nd 4BVM.LIJ[F BDPNNVOJUZMFBEFSBU%SJFGPOUFJO XBTTIPUCZBQPMJDFNBOXIPCFMJFWFE
his life was in danger. Since his death, his wife has become a leader in her own right, involved in trying to obtain
better services for the local inhabitants.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE MAN WHO DROVE WITH MANDELA
:FBS-FOHUINJO
%JSFDUPS(SFUB4DIJMMFS
1SPEVDUJPO$PNQBOJFT+F[FCFM1SPEVDUJPOT#FVMBI'JMNTGPS1#4$IBOOFM
Summary: On 5th.BZ /FMTPO.BOEFMBXBTBSSFTUFEPVUTJEF)PXJDL JO/BUBM8JUIIJNXBT$FDJM8JMMJBNT BUIF-
atrical producer for whom Mandela had supposedly been acting as chauffeur. This film tells the story of Williams’s
involvement in the freedom struggle, as well as in the gay subculture of the time.

THE MAN WHO KNOWS TOO MUCH


:FBS-FOHUINJO
%JSFDUPS-J[B,FZ
Production Company: Key Films
4VNNBSZ*O"QSJM %S8PVUFS#BTTPO GPSNFSIFBEPG4PVUI"GSJDBT$IFNJDBM#JPMPHJDBM8BSGBSF1SPHSBNNF 
XBTBDRVJUUFEPGBMMDIBSHFTCSPVHIUBHBJOTUIJN5IJTGJMNDPNCJOFTEPDVNFOUBSZNBUFSJBM JOUFSWJFXTBOEGPPUBHF
from the TRC hearings to examine the apparent inability of anyone to establish the truth.

MAN WITHOUT FEAR: DESMOND MPILO TUTU


:FBS-FOHUINJO
%JSFDUPS)FOOJF4FSGPOUFJO
Production Company: Fokus Suid for SABC3
4VNNBSZ*O+VOF %FTNPOE5VUVSFUJSFEBT"SDICJTIPQPG$BQF5PXOBOEBDDFQUFEBOFXSPMFBT$IBJSQFSTPOPG
the Truth & Reconciliation Commission. This programme presents a portrait of the man, charting the highlights of
his ecclesiastical career while at the same time discussing his confrontations with the apartheid state.

MANDELA
:FBS-FOHUINJO
%JSFDUPST+P.FOFMM"OHVT(JCTPO
Production Company: Clinica Estetico for Island Pictures
4VNNBSZ.BEFXJUIIJTGVMMDPPQFSBUJPO UIJTXBTUIFGJSTUBVUIPSJUBUJWFCJPHSBQIZPG/FMTPO.BOEFMB&NQMPZJOHCPUI
archival material and new documentary footage, intercut with extracts from interviews with Mandela himself and
NBOZPGIJTBTTPDJBUFT JUXBTOPNJOBUFEGPSBO"DBEFNZ"XBSEBT#FTU%PDVNFOUBSZ'FBUVSF *OUIF6OJUFE4UBUFT
JUXBTSFMFBTFEBTi.BOEFMBTPOPG"GSJDB GBUIFSPGBOBUJPOw


MANDELA FREED AND ORGANISATIONS UNBANNED


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ$PNQJMFEGSPNNBUFSJBMTIPUEVSJOHUIFGJSTUIBMGPG UIJTQSPHSBNNFJODMVEFTGPPUBHFPGUIFNBSDI
for democracy to Parliament in February, F.W. de Klerk’s announcement that various organisations would be un-
banned, the release of Mandela, his first public address in Cape Town and the gathering at Soweto Stadium.

t4")""VEJPWJTVBM"VEJU3FQPSU
MANDELA TRIBUTE, WEMBLEY
:FBS-FOHUINJO
%JSFDUPS,FO0/FJMM
Production Company: Tribute Productions for Freedom Productions
4VNNBSZ5IFNBNNPUIDPODFSUIFMEPOth+VOFUPDFMFCSBUFUIFthCJSUIEBZPGUIFUIFOTUJMMJNQSJTPOFE/FM-
son Mandela was an event organised by Artists Against Apartheid. This is a record of the entire concert, attended by
BDSPXEFTUJNBUFEBUTPNF QFPQMF

MANDELA: FATHER OF A NATION


:FBS-FOHUINJO
Producer: Richard Hughes
Production Company: Mentorn International for Carlton International
4VNNBSZ5IJTCJPHSBQIZPG/FMTPO.BOEFMBTUBSUTXJUIIJTth birthday celebrations and then goes back to traces
IJTQPMJUJDBMDBSFFSBHBJOTUUIFCBDLHSPVOEPGOBUJPOBMFWFOUT GSPNUIFDPNJOHUPQPXFSPGUIF/BUJPOBM1BSUZUPIJT
inauguration as President of a democratic South Africa.

MANDELA: THE LIVING LEGEND


:FBS-FOHUINJO
%JSFDUPS%PNJOJD"MMBO
Production Companies: BBC & SABC
Summary: Made to coincide with Mandela’s 85th birthday in 2003, this film presents both an overview of his political life
BOEIJToBUUIFUJNFoTUJMMWFSZCVTZTDIFEVMF5ISPVHIPVU JUDVUTGSPNBSDIJWBMNBUFSJBMUPUIFNPSFDPOUFNQPSBSZ
footage, interspersed with comments from both Madiba himself and those who know him.

MANDELA: THE MAN AND HIS COUNTRY


:FBS-FOHUINJO
%JSFDUPS"OO#FOKBNJO
1SPEVDUJPO$PNQBOZ"#$/FXT
4VNNBSZ.BEFJNNFEJBUFMZBGUFSUIFSFMFBTFPG/FMTPO.BOEFMBPOth'FCSVBSZ UIJTSFQPSUGSPN"#$/FXT
was intended to introduce the man and what he stands for to the American public. In the process it takes viewers
through key events of the previous decades and comments on prospects for the future.

MARCHING ORDERS
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Afravision
4VNNBSZ5IF&OE$POTDSJQUJPO$BNQBJHOXBTMBVODIFEUPXBSETUIFFOEPGUPTVQQPSUBOJODSFBTJOHOVNCFS
PGZPVOHXIJUFNFOXIPSFGVTFEUPTFSWFJOUIF4"%'5IJTGJMNQSPWJEFTBOJOUSPEVDUJPOUPUIF&$$FYQMBJOTUIF
reasoning behind its founding and calls for an end to compulsory military conscription.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
MARTIN THEMBISILE HANI 1942-1993
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: SABC
4VNNBSZ$ISJT)BOJXBTBTTBTTJOBUFEEVSJOHUIF&BTUFSXFFLFOEPG"GUFSQSFTFOUJOHBOPWFSWJFXPGIJTSPMF
JOUIF"/$BOE4"$1 UIJTWJEFPEFQJDUTUIFGVOFSBMTFSWJDFBUUIF'/#4UBEJVNJO4PXFUPXIFSFUIFDSPXEJTBE-
dressed by various dignitaries, as well as the proceedings at Elspark Cemetery.

MAWU AND MAY DAY 1986


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ'PMMPXJOHUIFMBVODIPG$04"56JO%FDFNCFS UIFGJSTUGFXNPOUITPGUIFGPMMPXJOHZFBSTBXBOJO-
crease in worker militancy. This video focuses on industrial strikes organised by MAWU at Haggie Rand plants on
UIF8JUXBUFSTSBOEBOEB.BZ%BZHBUIFSJOHBU0SMBOEP4UBEJVN

MAYIBUYE AFRIKA: CHIEF ALBERT LUTULI – HIS STORY


:FBS-FOHUINJO
%JSFDUPST$IBSMPUUF0XFO1FXUFS$PSCFUU
Production Company: Charlotte Owen Productions
Summary: Using photographs, archival material, location footage and interviews, this video presents a portrait of Chief
"MCFSU-VUIVMJ 
1SFTJEFOUPGUIF"GSJDBO/BUJPOBM$POHSFTT 
BOEUIFSFDJQJFOUPGUIF
/PCFM1SJ[FGPS1FBDF
MAZIMBU
:FBS-FOHUINJO
%JSFDUPS5POJ4USBTCVSH
Production Company: Scope Films
Summary: A British documentary about the Solomon Mahlangu Freedom College in Tanzania which sets out to explain
how those students now in exile are prepared to play a role in a free and democratic South Africa. In the process it
depicts aspects of a variety of activities.

MEMORIES OF DREAMS
:FBS-FOHUINJO
%JSFDUPS5POJ4USBTCVSH
1SPEVDUJPO$PNQBOZ#JH8PSME$JOFNB &CBOP.VMUJNFEJB+#"1SPEVDUJPO
Summary: Hilda Bernstein is a veteran of the SACP. Her late husband, Rusty, was one of Mandela’s co-accused at the
Rivonia trial and after years of bannings and police harassment, they were eventually forced to flee the country. This
film, made by their daughter, deals with the family’s involvement in the liberation struggle.

t4")""VEJPWJTVBM"VEJU3FQPSU
THE MIDAS TOUCH
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Granada Television
Summary: At a time when Barclays Bank announced its withdrawal from South Africa, another British-based company,
Consolidated Gold Fields, confirmed that it had no intention of doing so. This programme accuses the firm of taking
advantage of the apartheid system and of exploiting the migrant labourers who work in its mines.

MIRIAM MAKEBA: MAMA AFRICA (SERIES: THE SOUTH BANK SHOW)


:FBS-FOHUINJO
%JSFDUPS.FMJTTB3BJNFT
Production Company: LWT Productions
4VNNBSZ#PSOJO .JSJBN.BLFCBMFGU4PVUI"GSJDBJOBOETQFOUNPSFUIBOZFBSTJOFYJMF5IJTEPDV-
mentary presents an introduction to her life and the role of music as a source of strength and hope in South Africa’s
history, especially during the anti-apartheid struggle.

MIRIAM MAKEBA: SOUTH AFRICAN SINGER


:FBS-FOHUINJO
%JSFDUPS'BJUI*TJBLQFSF
Production Company: BBC
4VNNBSZ"QSPHSBNNFJOBUFMFWJTJPOTFSJFTDBMMFEi&YJMFTw UIJTEPDVNFOUBSZUFMMTPGIPXTJOHFS.JSJBN.BLFCBIBT
EFBMUXJUIOFBSMZZFBSTPGFYJMFGSPN4PVUI"GSJDB EVSJOHXIJDITIFGSFRVFOUMZTQPLFPVUBHBJOTUUIFBQBSUIFJE
government.

MK: THE PEOPLE’S ARMY: GRADUATION TO THE FUTURE


:FBS-FOHUINJO
%JSFDUPS;FQI.BLHFUMB
1SPEVDUJPO$PNQBOZ3.1SPEVDUJPOT"/$7JEFP6OJU
Summary: Combining archival footage and interviews with prominent individuals, this video pays tribute to the soldiers
PG6NLIPOUFXF4J[XF*UTUBSUTXJUIUIFMBVODIJOHPGUIFSFTJTUBODFNPWFNFOUJO%FDFNCFSBOEGJOJTIFTXJUI
a discussion of the organisation’s future as part of a non-racial South African army.

THE MOHALE STR. BROTHERS


:FBS-FOHUINJO
%JSFDUPS.JDIBFM)BNNPO
Production Company: Michael Hammon
4VNNBSZ*O.BZ %JMJ[B.BUTIPCB B4PVUI"GSJDBO$PVODJMPG$IVSDIFTDPNNVOJUZXPSLFS EJFEVOEFSTVTQJ-
cious circumstances. Six months earlier the family had mourned the death of his younger brother, who was a gang-
ster. This film presents a portrait of the brothers and their impact on their community.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE MOON IN MY POCKET (SERIES: LOVE STORIES)
:FBS-FOHUINJO
%JSFDUPS,HPNPUTP.BUTVOZBOF
Production Company: Curious Pictures for SABC3
Summary: This film tells the story of Robben Island prisoner Wilton Mkwayi, an MK commander convicted of treason,
XIPGPSZFBSTSVOOJOHBQQMJFEGPSQFSNJTTJPOUPNBSSZ*SFOF,IVNBMP:FBSBGUFSZFBSIFXBTSFGVTFEBOEXIFO
QFSNJTTJPOXBTGJOBMMZHSBOUFE IJTXJGFEJFEPGDBODFSNPOUITCFGPSFIFXBTSFMFBTFE

MOZAMBIQUE: APARTHEID’S SECOND FRONT (SERIES: PANORAMA)


:FBS-FOHUINJO
Producer: Peter Molloy
Production Company: BBC
4VNNBSZ*O XIFOUIJTQSPHSBNNFXBTNBEF .P[BNCJRVFXBTTUJMMJOWPMWFEJOBDJWJMXBSCFUXFFOUIF'SFMJNP
HPWFSONFOUBOEUIF./3 BOPSHBOJTBUJPOUIBUSFDFJWFEFDPOPNJDBOENJMJUBSZTVQQPSUGSPNB4PVUI"GSJDBUIBU
saw the country as a threat to its interests and policies.

MY AFRICAN MOTHER
:FBS-FOHUINJO
%JSFDUPS$BUIFSJOF8JOUFS
Production Company: M&G TV for e.tv
Summary: Many white South Africans have experiences similar to those of the individuals interviewed in this film.
They had African domestic workers looking after them when they were small, as a result of which a close bond was
established between them, a situation that grew out of the country’s apartheid past.

MY BELOVED COUNTRY: THE EXTREME RIGHT IN SOUTH AFRICA


:FBS-FOHUINJO
%JSFDUPS4BTLJB7SFEFWFME
Production Company: CineTe Filmproduktie
4VNNBSZ.BEFJO UIJT%VUDINBEFGJMNUBLFTBMPPLBUUIFTUBUFPGFYUSFNFSJHIUXJOHQPMJUJDTJO4PVUI"GSJDB
#ZGPDVTJOHPOUISFFTQFDJGJDHSPVQToUIF"GSJLBOFS8FFSTUBOETCFXFHJOH UIF#PFSFTUBBU1BSUZBOEUIFQSPQPOFOUT
PGUIFJOEFQFOEFOUXIJUFTUBUFPG0SBOJBoJUQSFTFOUTBDSPTTTFDUJPOPGUIFJSWJFXT

MY FATHER, RICK TURNER


:FBS-FOHUINJO
%JSFDUPS+BOO5VSOFS
Production Company: e.tv
4VNNBSZ0OUIFOJHIUPG+BOVBSZth VOJWFSTJUZMFDUVSFSBOEQPMJUJDBMBDUJWJTU%S3JDL5VSOFSXBTBTTBTTJOBUFE
BUIJT%VSCBOIPNF5IJTEPDVNFOUBSZEJSFDUFECZIJTFMEFTUEBVHIUFSBOETUSVDUVSFEBSPVOEJOUFSWJFXTXJUIJOEJ-
viduals who knew him, was transmitted on the occasion of the 25th anniversary of his death.

t4")""VEJPWJTVBM"VEJU3FQPSU
THE MYSTERIOUS DISAPPEARANCE OF BOIKI MAJESTIC MLHAPI (SERIES: ENCOUNTERS)
:FBS-FOHUINJO
%JSFDUPS*OHSJE(BWTIPO
Production Company: Free Filmmakers
Summary: On March 20th #PJLJ.IMBQJBOEFJHIUPUIFSTTFUPVUGSPN1PUDIFGTUSPPNUP,MFSLTEPSQUPBUUFOEB
GVOFSBM0OUIFXBZUIFZXFSFTUPQQFECZUIFQPMJDF XIPNBJOUBJOUIBUIFXBTTVCTFRVFOUMZSFMFBTFE UIPVHIIF
never came home. This programme traces the events of that day.

MZWAKHE MBULI: THE PEOPLE’S POET


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ4JODFIFGJSTUTUPPEVQUPSFDJUFIJTXPSLBUUIFJOBVHVSBMNFFUJOHPGUIF6%' .[XBLIF.CVMJIBTCFDPNF
LOPXOBTiUIFQFPQMFTQPFUw*OUIJTWJEFPIFQFSGPSNTJOQVCMJDBUQPMJUJDBMHBUIFSJOHT XIJMFPUIFSQPFNTBSFBD-
companied by footage of police action of partial re-enactments of his experiences.

NAGGING DOUBT
:FBS-FOHUINJO
%JSFDUPS3PHFS(SBFG
1SPEVDUJPO$PNQBOZ-JNFIPVTF1SPEVDUJPOTGPS$IBOOFM
4VNNBSZ"DUPS+BDL,MBGGSFQSFTFOUTBOVNCFSPGJOEJWJEVBMTXIPXFSFBGGFDUFECZUIF4IBSQFWJMMFNBTTBDSFPG.BSDI
BOEJUTBGUFSNBUI GSPNBOBOPOZNPVTWJDUJNUP%S7FSXPFSE,MBGGJTUIFPOMZBDUPSPOUIFNVMUJQVSQPTFTFU
and he uses extracts from official records and specially written monologues as his text.

NAMIBIA: NUCLEAR REACTIONS


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Open Eye for BBC Community Programme Unit
4VNNBSZ5IJTQSPHSBNNF NBEFXJUIUIF/BNJCJB4VQQPSU$PNNJUUFF BDDVTFTUXP#SJUJTINVMUJOBUJPOBMDPNQBOJFT
PGTNVHHMJOHJOVSBOJVNGSPN/BNJCJBJOTQJUFPG6OJUFE/BUJPOT4FDVSJUZ$PVODJMSFTPMVUJPOTSFRVJSJOHNFNCFS
nations to boycott goods from that country while it is still occupied by South Africa.

NAMIBIA – TELL THE WORLD


:FBS-FOHUINJO
%JSFDUPS$PMJO5IPNBT
1SPEVDUJPO$PNQBOZ/FXTSFFM$PMMFDUJWFGPS$IBOOFM
4VNNBSZ/BSSBUFECZB/BNJCJBOFYJMF UIJTQSPHSBNNFQSPWJEFTBOPWFSWJFXPGUIF/BNJCJBOQFPQMFTTUSVHHMFGPS
independence, discussing the imposition of all aspects of the apartheid system, but also highlighting attempts at
social upliftment, the role of the churches, public protests and the history of the armed struggle.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
NDABENI: THE FIRST FORCED REMOVAL
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Teaching Methods Unit, University of Cape Town
4VNNBSZ*O XIFOCVCPOJDQMBHVFCSPLFPVUJO$BQF5PXO UIF"GSJDBOEPDLXPSLFSTMJWJOHJOBSFBTTVDIBT
%JTUSJDU4JY XFSFTFJ[FEVQPOBTBIFBMUIIB[BSEBOEXFSFGPSDJCMZSFNPWFEUPBDBNQBU6JUWMVHU'PSFTU4UBUJPO BO
BSFBUIBUMBUFSCFDBNFLOPXOBT/ECFOJ

NEED TO KNOW
:FBS-FOHUINJO
%JSFDUPS+BOO5VSOFS
1SPEVDUJPO$PNQBOZ+PO#MBJS'JMN$PNQBOZGPS$IBOOFM
4VNNBSZ8IFO JO+BOVBSZ %S3JDL5VSOFS BMFBEJOHBOUJBQBSUIFJEBDUJWJTU XBTTIPUBUQPJOUCMBOLSBOHFJOIJT
%VSCBOIPNF IFEJFEJOUIFBSNTPGIJTUIFOZFBSPMEEBVHIUFS'JGUFFOZFBSTMBUFSTIFSFUVSOTUP4PVUI"GSJDBUP
confront her past and to investigate why and by whom her father was killed.

NELSON MANDELA IN HIS OWN WORDS


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: BBC
4IPSUMZBGUFSIJTSFMFBTFGSPNQSJTPOJO'FCSVBSZ /FMTPO.BOEFMBWJTJUFE4XFEFOJOPSEFSUPWJTJUIJTGSJFOEBOE
DPNSBEF 0MJWFS5BNCP XIPIBESFDFOUMZTVGGFSFEBTUSPLF0OUIFPDDBTJPOIFXBTJOUFSWJFXFECZ+PBO#BLFXFMM 
XIPRVFTUJPOTIJNPOBWBSJFUZPGUPQJDT

NELSON MANDELA: JOURNEY TO FREEDOM


:FBS-FOHUINJO
Producer: Gigi Maartens
1SPEVDUJPO$PNQBOZ"#$/FXT1SPEVDUJPOTGPS"&/FUXPSL
4VNNBSZ"CJPHSBQIZPG/FMTPO.BOEFMBNBEFUXPZFBSTBGUFSIJTFMFDUJPOBTUIFGJSTUQSFTJEFOUPGBEFNPDSBUJD4PVUI
"GSJDB*UTUBSUTXJUIIJTSFMFBTFGSPNQSJTPOPOUI'FCSVBSZBOEUIFOHPFTCBDLUPUSBDFIJTMJGFGSPNIJTSVSBM
DIJMEIPPEUPUIF"/$FMFDUJPOWJDUPSZBOEJOUFSOBUJPOBMBDDMBJNGPSIJTBDDPNQMJTINFOUT

NELSON MANDELA: THE STRUGGLE IS MY LIFE


:FBS-FOHUINJO
%JSFDUPS-JPOFM/HBLBOF
1SPEVDUJPO$PNQBOZ%JWFNBZ'JMNT
4VNNBSZ.BEFJO UIJTJTBQPMJUJDBMCJPHSBQIZPG/FMTPO.BOEFMB BUUIFUJNFTUJMMUIFTVCKFDUPGBXPSMEXJEF
campaign aimed at obtaining his release from prison. Making extensive use of archive material, it sketches the back-
ground to some of the key events of his fight against apartheid.

t4")""VEJPWJTVBM"VEJU3FQPSU
NO APARTHEID WAR: STAND BY IVAN TOMS
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Oppie Oomblik Productions
4VNNBSZ*WBO5PNTXBTBNFEJDBMEPDUPSBOEHBZBDUJWJTUXIPTFSWFEBTBOPODPNCBUBOUJO/BNJCJBBOEBGUFSXBSET
worked for eight years in Cape Town’s black townships. In this video he is interviewed three weeks before he is due
UPTUBOEUSJBMGPSIJTSFGVTBMUPTFSWFJOUIF4"%'

NO MIDDLE ROAD TO FREEDOM


:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
4VNNBSZ"HFOFSBMMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBCFUXFFO%FDFNCFSBOE.BZ XJUIQBSUJDV-
lar reference to the role of the church in the struggle against apartheid. The title comes from Bishop Tutu’s statement
that there is no middle road to freedom.

NO WAY BACK
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1SPEVDUJPO$PNQBOZ##$/FXT$VSSFOU"GGBJST
4VNNBSZ*O BGUFSUIFVOCBOOJOHPGUIF"/$BOEUIFSFMFBTFPG/FMTPO.BOEFMB UIFSFXBTXJEFTQSFBESFBDUJPO
from the white right wing. In this programme, representatives of the Conservative Party, the White Transport Union,
the AWB and the Oranjewerkers all express their anger at the government’s actions.

NOT CRICKET: THE BASIL D’OLIVEIRA CONSPIRACY


:FBS-FOHUINJO
%JSFDUPS1BVM:VMF
1SPEVDUJPO$PNQBOZ#FSXJDL6OJWFSTBM1JDUVSFT%JWFSTF(SPVQ
4VNNBSZ*O UIFPNJTTJPOPG#BTJM%0MJWFJSBGSPNUIFDSJDLFUUFBNUIBUXBTEVFUPUPVS4PVUI"GSJDBPVUSBHFE
many and led to the cancellation of the tour and the beginning of the sports boycott. On the occasion of the 2003
$SJDLFU8PSME$VQ UIJTEPDVNFOUBSZBDDPNQBOJFT%0MJWFJSBPOBSFUVSOWJTJUUP4PVUI"GSJDB

NOT YET FREE…


:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS/"$56
4VNNBSZ0O+VMZth UIFTFDVSJUZQPMJDFBSSFTUFE%BO.BTIBCBBUIJT%JFQLMPPGIPNF"GUFSTQFOEJOHEBZT
in detention he was released without being charged and immediately served with banning orders. This film set out
to explain how these restrictions were designed to ensure his isolation in the community.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
NOTICE TO QUIT!
:FBS-FOHUINJO
%JSFDUPS&TEPO'SPTU
Production Company: Compass Films
Summary: This film, made at the instigation of the Western Cape branch of the Black Sash, sets out to show the effect
the implementation of the Group Areas Act would have on the Coloured inhabitants of Cape Town. Shot during
 JUTPOFPGUIFGJSTUBOUJBQBSUIFJEGJMNTNBEFJO4PVUI"GSJDBCZ4PVUI"GSJDBOT

NOWHERE TO PLAY: CONVERSATIONS WITH SOWETO GOLFERS


:FBS-FOHUINJO
%JSFDUPS"OHVT(JCTPO
1SPEVDUJPO$PNQBOZ1SJODJQBM'JMNTGPS$IBOOFM
4VNNBSZ 5IJT WJEFP  NBEF JO   UBLFT B MPPL BU UIBU TNBMM TFDUJPO PG 4PVUI "GSJDBT CMBDL QPQVMBUJPO UIBU IBT
achieved economic success and has attained a lifestyle on a par with upper middle class whites.

O.R. TAMBO 1917-1993


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: SABC
4VNNBSZ0MJWFS5BNCP UIFO/BUJPOBM$IBJSNBOPGUIF"GSJDBO/BUJPOBM$POHSFTT EJFEPOth"QSJM"GUFSQSF-
TFOUJOHBCSJFGPWFSWJFXPGIJTMJGFBOEIJTMFBEJOHSPMFJOUIF"/$ UIJTWJEFPGPDVTFTQSJNBSJMZPOUIFGVOFSBMTFSWJDF
BU4PXFUPT'/#4UBEJVN GPMMPXFECZGPPUBHFTIPUBUUIFHSBWFTJEFJO5BNCPWJMMF #FOPOJ

THE OTHER MANDELA


:FBS-FOHUINJO
1SPEVDFS.JLF%VUGJFME
1SPEVDUJPO$PNQBOZ#BSSBDMPVHI$BSFZGPS$IBOOFM
Summary: Three weeks before the first democratic elections, a British television crew visits South Africa to examine
how, after a series of scandals, including the murder of the teenaged Stompie Seipei, Winnie Mandela was able to
make a political comeback by gaining the support and trust of the poorest and most marginalised people.

THE OTHER SIDE (SERIES: ORDINARY PEOPLE)


:FBS-FOHUINJO
%JSFDUPS%JOHBO5IPNBT,BQB
Production Company: Mail & Guardian Television for SABC
Summary: This programme spends an average day with the leaders of two opposing factions in a war-torn district of
TPVUIFSO,XB;VMV/BUBM BCPVULJMPNFUSFTGSPN1PSU4IFQTUPOF XIFSFBDPNNVOJUZIBTCFFOSBWBHFECZUIF
POHPJOHDPOGMJDUCFUXFFOTVQQPSUFSTPGUIF"GSJDBO/BUJPOBM$POHSFTTBOEUIF*OLBUIB'SFFEPN1BSUZ

t4")""VEJPWJTVBM"VEJU3FQPSU
OUT IN THE OPEN (SERIES: IF TRUTH BE TOLD)
:FBS-FOHUINJO
%JSFDUPS.BSL+,BQMBO
Production Company: Big World Cinema
Summary: One in a three part series made to facilitate the work of the TRC, this focuses on some representative case
IJTUPSJFTJOUIF&BTUFSO$BQF OBNFMZ0QFSBUJPO0SQIFVT BJNFEBHBJOTUUIFMPDBM6%'MFBEFSTIJQ
UIFEJTBQQFBS-
ance of the PEBCO three and the murder of Matthew Goniwe and his colleagues.

OUT OF DESPAIR - ITHUSENG


:FBS-FOHUINJO
%JSFDUPS-JOEZ8JMTPO
Production Company: Lindy Wilson Productions
4VNNBSZ *O   %S .BNQIFMB 3BNQIFMF  B NFEJDBM EPDUPS JO DIBSHF PG B DMJOJD JO ,JOH 8JMMJBNT 5PXO  XBT
CBOJTIFEUPBSFNPUFBSFBOFBS5[BOFFO JOUIF/PSUIFSO5SBOTWBBM3FTUSJDUFEUPBTJOHMFNBHJTUFSJBMEJTUSJDU TIF
founded a health project designed to assist the people of the dislocated community of Lenyenye.

PAN AFRICANIST CONGRESS SPEAKS


:FBS-FOHUINJO
%JSFDUPS4UVBSU#SPXO
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
4VNNBSZ*O+VMZ B1BO"GSJDBOJTU$POHSFTTEFMFHBUJPOWJTJUFE/FX:PSLJOPSEFSUPQFUJUJPOUIF4FDVSJUZ$PVODJM
PGUIF6OJUFE/BUJPOTPOUIFPOHPJOHWJPMFODFJO4PVUI"GSJDB0OUIJTPDDBTJPOJUT1SFTJEFOU $MBSFODF.BLXFUV 
BOEJUT4FDPOE%FQVUZ1SFTJEFOU %JLHBOH.PTFOFLF XFSFJOUFSWJFXFE

PART OF THE PROCESS


:FBS-FOHUINJO
Filmmakers: Paul Weinberg & Harriet Gavshon (uncredited)
Production Company: I.M.P. Super 8 Film Unit
4VNNBSZ1BHFWJFX BMTPLOPXOBT'JFUBT XBTBOBSFBJO+PIBOOFTCVSHUIBUIBEBMXBZTCFFOSFHBSEFEBTBQSFEPNJ-
OBOUMZ*OEJBOTVCVSC*OJUXBTEFDMBSFEBXIJUFBSFBBOEPWFSUIFGPMMPXJOHZFBSTNPTUPGUIF*OEJBOGBNJMJFT
were resettled in Lenasia. This film was made just before the bulldozers moved in.

PASSING THE MESSAGE


:FBS-FOHUINJO
Filmmakers: Cliff Bestall & Mike Gavshon
Production Company: VARA-TV
4VNNBSZ5IPVHICZUIF4PVUI"GSJDBOBVUIPSJUJFTIBESFMBYFETPNFPGUIFSFTUSJDUJPOTPOCMBDLUSBEFVOJPOT 
workers’ lives were still governed by the contract labour system and the pass laws. This film takes a look at the state
of the black trade union movement by focusing on a contract worker and two union organisers.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
PATU!
:FBS-FOHUINJO
%JSFDUPS.FSBUB.JUB
Production Company: Awatea Films
4VNNBSZ*OUIF/FX;FBMBOE3VHCZ6OJPOJOWJUFEUIF4PVUI"GSJDBOSVHCZUFBNUPUPVSUIFDPVOUSZ5IJTJTBO
BDDPVOUPGUIFBUUFNQUTCZWBSJPVTHSPVQTBOEPSHBOJTBUJPOTJO/FX;FBMBOEUPQSFWFOUUIFUPVSGSPNUBLJOHQMBDF
and later, once the Springboks are in the country, to disrupt the matches.

THE PEACEMAKERS (SERIES: ORDINARY PEOPLE)


:FBS-FOHUINJO
%JSFDUPS$MJGGPSE#FTUBMM
Production Company: Weekly Mail Television for SABC
4VNNBSZ&WFSZZFBS PO.BSDIst 4PVUI"GSJDBOTDPNNFNPSBUFUIF4IBSQFWJMMFNBTTBDSFPG)JTUPSJDBMMZB
EBZGPSEFNPOTUSBUJPOTPGVOJUZBOESFTJTUBODFUPBQBSUIFJE UIJTQSPHSBNNFMPPLTBUUIFSBMMJFTJO7PTMPPSVT 
XIFSFBDMBTICFUXFFOTVQQPSUFSTPGUIF"/$BOE*OLBUIBUISFBUFOT

PEOPLE UNDER FIRE: A SHOOTING IN SOWETO


:FBS-FOHUINJO
%JSFDUPS.BOEMB4NJU
1SPEVDUJPO$PNQBOZ"/$%FQBSUNFOUPG*OGPSNBUJPO1VCMJDJUZ
4VNNBSZ0O"QSJMth BGUFSMJTUFOJOHUPBOBEESFTTCZ/FMTPO.BOEFMBDPNNFNPSBUJOHUIFEFBUIPG$ISJT)BOJ 
inhabitants of Soweto marched to the Protea police station where the police opened fire. This video recounts the
events, presenting the views of eyewitnesses and relatives of the victims.

PEOPLE’S EDUCATION FOR PEOPLE’S POWER (SERIES: SOUTH AFRICA NOW)


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: 5th Encounter Motion Picture Company
4VNNBSZ%JTTBUJTGBDUJPOXJUI#BOUV&EVDBUJPOGJSTUFYQMPEFEJOBOETJNNFSJOHEJTDPOUFOUDPOUJOVFEVOUJMUIF
TUVEFOUVQSJTJOHTPGSFTVMUFEJOUIFCBOOJOHPG$04"4*OUIJTSFQPSU&SJD.PMPCFPGUIF4PXFUP1BSFOUT$SJTJT
Committee and Msindise Mbalo, a Transvaal Students Congress member, talk about these issues.

PEOPLE’S POWER: INTERIM GOVERNMENT NOW


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ"VEJP7JTVBM"MUFSOBUJWFT 6OJWFSTJUZPG/BUBM
4VNNBSZ8IFO$0%&4"CSPLFEPXO UIF"/$4"$1$04"56BMMJBODFFNCBSLFEVQPOBQSPHSBNNFPGNBTT
BDUJPO5IJTWJEFPQSFTFOUTBOBDDPVOUPGUIFDBNQBJHOBTJUBGGFDUFEUIFDJUZPG%VSCBO CFHJOOJOHXJUIBNBSDIUP
DPNNFNPSBUFUIFTUVEFOUVQSJTJOHBOEFOEJOHXJUIUIFPDDVQBUJPOPGUIFDJUZDFOUSF

t4")""VEJPWJTVBM"VEJU3FQPSU
PHAMBILI! WORKING WOMEN IN SOUTH AFRICA
:FBS-FOHUINJO
%JSFDUPS4IFMMFZ8FMMT
1SPEVDUJPO$PNQBOZ7/4
Summary: Though South Africa’s working women have made a major contribution to the wealth of the country, theirs
has been an uphill struggle against prejudice and oppression. This video takes a look at what it means to be a black
or Coloured woman working in the South African economy.

PHANTSI MELLOW YELLOW (SERIES: PETROL BOMBS & BAD HAIR DAYS)
:FBS-FOHUINJO
%JSFDUPS$IBSMFOF)PVTUPO
Production Company: AfroSoul Productions for SABC
4VNNBSZ5IJTEPDVNFOUBSZEFBMTXJUIUIFQPMJUJDBMQSPUFTUTJOUIF8FTUFSO$BQFEVSJOHUIFTBOETFUTPVUUPQBZ
tribute to the foot soldiers of the struggle, i.e. those individuals whose later careers weren’t based on their promi-
nence as leaders of the anti-apartheid movement, but who were just as much involved.
PLAGUE WARS: THE SECRET KILLINGS
:FBS-FOHUINJO
%JSFDUPS1FUFS.PMMPZ
Production Company: Paladin for BBC & WGBH Frontline
4VNNBSZ5IJTEPDVNFOUBSZEFBMTXJUIUIFDPWFSUCJPMPHJDBMXBSGBSFQSPHSBNNFSVOCZ%S8PVUFS#BTTPOEVSJOHUIF
apartheid era. Incorporating evidence given at the TRC hearings, it discussed how a number of poisons were devel-
PQFEBOEIPX%S#BTTPO JOTUFBEPGEFTUSPZJOHUIFTFEPDVNFOUTBGUFS IBEBQQSPQSJBUFEUIFGJMFT

PLAYING HISTORY
:FBS-FOHUINJO
%JSFDUPS.BBSUFO3FOT
Production Company: Afrikan Connection Productions & Maarten Rens Produkties
Summary: Prior to South Africa’s first democratic elections, those involved in the freedom struggle received growing
support from the international anti-apartheid movement, which had chapters throughout the world. This film fo-
DVTFTPOUIFSFMBUJPOTIJQCFUXFFOUIF"/$BOEUIF%VUDI"OUJ"QBSUIFJE.PWFNFOU ""#/


POLICE BRUTALITY IN BOPHUTHATSWANA (SERIES: SOUTH AFRICA NOW)


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: 5th Encounter Motion Picture Company
4VNNBSZ%VSJOH BOVNCFSPGBMMFHBUJPOTXFSFNBEFUIBUUIFQPMJDFJOUIFIPNFMBOEPG#PQIVUIBUTXBOBXFSF
VTJOH FYUSFNF WJPMFODF PO PQQPOFOUT PG UIF HPWFSONFOU *O UIJT WJEFP %S 'BCJBO 3JCFJSP  $BUIPMJD "SDICJTIPQ
(FPSHF%BOJFMBOEBUUPSOFZ1FUFS)BSSJTUFMMPGTVDIJOTUBODFT

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
POLITICAL IMPRISONMENT: LESSONS IN AFRICAN LEADERSHIP
:FBS-FOHUINJO
%JSFDUPS+BDL-FXJT
Production Company: Idol Pictures for Robben Island Museum
Summary: This four-part series sets out to illustrate how political imprisonment helped to shape our traditions of lead-
ership in the South African struggle for democracy. It is structured around interviews with people who were involved
in the fight against apartheid and are now in positions of some prominence.

THE PRESIDENT & THE PROSECUTOR


:FBS-FOHUINJO
%JSFDUPS*OHSJE(BWTIPO
Production Company: Free Filmmakers
4VNNBSZ"UUIF3JWPOJBUSJBM XIFSF/FMTPO.BOEFMBBOEOJOFPUIFSTXFSFDIBSHFEXJUITBCPUBHF UIF$IJFG1SPTFDV-
UPSXBT%S1FSDZ:VUBS*O BGUFS.S.BOEFMBIBECFDPNF4UBUF1SFTJEFOU IFNFUXJUI%S:VUBSBUUIFQSFTJ-
dential residence in Pretoria. This programme records part of the meeting and reflects on the trial itself.

PRIME EVIL
:FBS-FOHUINJO
%JSFDUPS+BDRVFT1BVX
Production Company: SABC
4VNNBSZ*O"VHVTU $PMPOFM&VHFOFEF,PDLXBTDPOWJDUFEPGDSJNFT SBOHJOHGSPNNVSEFSUPGSBVE BMMPG
UIFNDPNNJUUFEEVSJOHUIFZFBSTUIBUIFXBTDPNNBOEFSPGBGBSNXIFSFUIFTFDVSJUZQPMJDFPQFSBUFEBIJUTRVBE
This two-part programme tries to determine what turned him into one of apartheid’s top assassins.

PRISCILLA: A WOMAN OF THE 90’S


:FBS-FOHUINJO
%JSFDUPS'BJUI*TJBLQFSF
Production Company: Moments Entertainment for SABC
4VNNBSZ"TBIVNBOSJHIUTMBXZFS 1SJTDJMMB+BOBSFQSFTFOUFENBOZPGUIFNPTUQSPNJOFOUQFPQMFJOWPMWFEJOUIF
BOUJBQBSUIFJETUSVHHMF*OUIJTQSPHSBNNFTIFUBMLTBCPVUIFSMFHBMDBSFFS JODMVEJOHIFSGJSTUNFFUJOHXJUI/FMTPO
Mandela and her representation of the young activist Solomon Mahlangu.

PRISONERS OF HOPE: ROBBEN ISLAND REUNION


:FBS-FOHUINJO
%JSFDUPS%BOOZ4DIFDIUFS
Production Company: Videovision Entertainment
4VNNBSZ*O'FCSVBSZ TPNF GPSNFSQPMJUJDBMQSJTPOFSTHPUUPHFUIFSGPSBSFVOJPO.PTUPGUIFNIBECFFO
incarcerated on Robben Island and this documentary accompanies them as they tour the island, discuss its future
and reunite with friends whom they had not seen for a number of years.

t4")""VEJPWJTVBM"VEJU3FQPSU
PROPERTY OF THE STATE: GAY MEN IN THE APARTHEID MILITARY
:FBS-FOHUINJO
%JSFDUPS(FSBME,SBBL
Production Companies: GALA & Out in Africa
4VNNBSZ'PSBOZZFBSPME DPOTDSJQUJPOJOUPUIFBSNZJTPGUFOBOVOOFSWJOHFYQFSJFODF CVUGPSHBZNFOJOBQBSU-
IFJE4PVUI"GSJDBJUDPVMECFUSBVNBUJD*OUIJTEPDVNFOUBSZBOVNCFSPGJOEJWJEVBMTXIPTFSWFEJOUIF4"%'UFMM
of their experiences, some of which have been reinterpreted in their writings.

QAMATA UVUMILE / EVEN THE GODS HAVE AGREED


:FBS-FOHUINJO
'JMNNBLFST+FOOZ#FSHFS .FMBOJF'MFUDIFS /JDLZ-B[BS%ZMBO8SBZ
1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSZ 6OJWFSTJUZPG$BQF5PXO
Summary: This video uses stills, archival newsreel footage and interviews to sketch the background to the PAC’s anti-
pass campaign and then recalls the events of 30th .BSDI   XIFO UIF PSHBOJTBUJPOT 8FTUFSO $BQF 3FHJPOBM
Secretary, Philip Kgosana, led a crowd estimated at 30,000 on a march from Langa to Cape Town’s city centre.

A QUESTION OF MADNESS
:FBS-FOHUINJO
%JSFDUPS-J[B,FZ
1SPEVDUJPO$PNQBOZ,FZ'JMNTGPS4"#$
4VNNBSZ0Oth4FQUFNCFS BQBSMJBNFOUBSZNFTTFOHFSOBNFE%JNJUSJ5TBGFOEBTLJMMFE%S)'7FSXPFSE 
then Prime Minister of South Africa and regarded by many as the founder of the political ideology of apartheid. This
film recalls the assassination and then goes on to examine aspects of Tsafendas’s life.

RALLY FOR PEACE


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ/BUBM0SHBOJTBUJPOPG7JEFPBOE"MMJFE8PSLFSTGPS/BUBM3FDFQUJPO$PNNJUUFF
4VNNBSZ5IFWJEFPEPDVNFOUTTPNFPGUIFIJHIMJHIUTPGBSBMMZIFMEBU,JOHT1BSL %VSCBO POth'FCSVBSZ 
PSHBOJTFEUPXFMDPNF/FMTPO.BOEFMBUP/BUBMBGUFSIJTSFMFBTFGSPNQSJTPO*UJODMVEFTFYUSBDUTGSPNTQFFDIFTCZ
Archie Gumede, Harry Gwala and the address by Mandela himself.

THE RED FLAG


:FBS-FOHUINJO
1SPEVDFST3BQJUTF.POUTIP4UBOMFZ/EMPWV
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
Summary: After having been banned for forty years, the Communist Party of South Africa is now allowed to operate in
the open again and in this programme a number of their leaders, as well as their ideological opponents, discuss the
options for South Africa.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
REMEMBER KASSINGA
:FBS-FOHUINJO
%JSFDUPS(1BHBOP
Production Company: International University Exchange Fund
4VNNBSZ0Oth.BZ 4PVUI"GSJDBOGPSDFTBUUBDLFEXIBUUIFZTBJEXBTB48"10NJMJUBSZDBNQBU$BTTJOHB 
TPNFLJMPNFUSFTJOTJEF"OHPMB0UIFSTDMBJNFEUIBUJUXBTBDPNNVOJUZPGTPNF /BNJCJBOSFGVHFFT

REMEMBER MANDELA!
:FBS-FOHUINJO
1SPEVDFS1FUFS%BWJT
Production Company: Villon Films
4VNNBSZ.BEFJO XIFO/FMTPO.BOEFMBXBTTUJMMJOQSJTPOBOEUIFSFTFFNFEUPCFOPMJLFMJIPPEPGIJNCFJOH
released, this film was designed to keep his memory alive and to contribute to the campaign to help him regain his
freedom. It includes footage of concerts and actions abroad designed to keep him in the public eye.

RETURN, THE
:FBS-FOHUINJO
%JSFDUPS.JSJBN1BUTBO[B
Production Company: Talent Consortium
Summary: Over a period of some three decades, South Africans opposed to apartheid left the country to continue the
TUSVHHMFFMTFXIFSF"GUFS'FCSVBSZ NBOZPGUIFNNBEFQMBOTUPSFUVSOUPUIFDPVOUSZPGUIFJSCJSUI5IJTQSP-
gramme talks to a number of these returnees and raises some of the issues facing them.

RETURN IN HOPE: MIRIAM MAKEBA COMES HOME


:FBS-FOHUINJO
%JSFDUPS#FBUB-JQNBO
Production Company: Targacatch
4VNNBSZ 'PMMPXJOH UIF TVDDFTT PG IFS BQQFBSBODF JO UIF TUBHF NVTJDBM i,JOH ,POHw  .JSJBN .BLFCB JOWPMVOUBSZ
embarked on a period of political exile that was to last for more than 30 years. This film was made on her return to
4PVUI"GSJDBJOBOEDPWFSTIFSGJSTUDPODFSUBU&MMJT1BSL +PIBOOFTCVSH

RETURN TO GUGULETHU (SERIES: CHRONICLES OF CHANGE)


:FBS-FOHUINJO
%JSFDUPS#BSCBSB'PMTDIFS
Production Company: Current Affairs Productions for SABC
4VNNBSZ"TBTUVEFOUBOEUFBDIFS ;FMEB)PMU[NBOXBTBOBOUJBQBSUIFJEBDUJWJTUXIPXBTBSSFTUFEBOEJOUFSSPHBUFE
by the police. Today, as Commissioner Holtzman, she is the highest ranking female officer in the Police Service. This
programme tells her story.

t4")""VEJPWJTVBM"VEJU3FQPSU
REVOLUTIONARIES LOVE LIFE (SERIES: PETROL BOMBS & BAD HAIR DAYS)
:FBS-FOHUINJO
%JSFDUPS3JBBO)FOESJDLT
1SPEVDUJPO$PNQBOZ:PVOH-JPO'JMNTGPS4"#$
4VNNBSZ#BTJM'FCSVBSZXBTBNFNCFSPG6NLIPOUPXF4J[XFXIPEJFEJOCBUUMFJO3IPEFTJBJO)FBOEPUI-
ers like him sacrificed a lot for the liberation struggle and this very personal film sets out to determine whether the
revolution actually achieved what its supporters hoped it would.

RHYTHM OF RESISTANCE: THE BLACK MUSIC OF SOUTH AFRICA


:FBS-FOHUINJO
%JSFDUPST$ISJT"VTUJO+FSFNZ.BSSF
1SPEVDUJPO$PNQBOZ)BSDPVSU'JMNTGPS$IBOOFM
Summary: An introduction to aspects of black music in South Africa which, according to the commentary, is often a
subtle form of resistance to the apartheid regime. It refers to the black recording industry, as well as to rural tradi-
tions, the origins of street workers’ songs and the phenomenon of isicathamiya.

THE RIBBON
:FBS-FOHUINJO
%JSFDUPS)BSSJFU(BWTIPO
1SPEVDUJPO$PNQBOZ$PPQFSBUJPOGPS%FWFMPQNFOU*OUFSOBUJPOBM
4VNNBSZ*O BHSPVQPGXIJUFXPNFOPGUIF#MBDL4BTI XPSLJOHJODPOKVODUJPOXJUIUIF&OE$POTDSJQUJPO$BN-
paign, embarked on a project to display a unifying peace ribbon. This programme follows their efforts over eight
months and depicts public and official reaction to the showing of the banner.

A RIGHTEOUS MAN: NELSON MANDELA AND THE JEWS OF SOUTH AFRICA


:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ"OHFM'JMNTGPS4PVUI"GSJDBO+FXJTI.VTFVN
4VNNBSZ.BEFGPSUIF4PVUI"GSJDBO+FXJTI.VTFVN XIFSFJUJTTIPXOBTQBSUPGUIFPWFSBMMFYIJCJUJPO UIJTGJMN
QBZTUSJCVUFUP/FMTPO.BOEFMBXIP JOUVSO BDLOPXMFEHFTUIFDPOUSJCVUJPOPGNBOZ+FXJTINFOBOEXPNFOUPUIF
anti-apartheid struggle.

THE RIGHTS OF THE WRONGED (SERIES: IF TRUTH BE TOLD)


:FBS-FOHUINJO
%JSFDUPS.BSL+,BQMBO
Production Company: Big World Cinema
4VNNBSZ0OFJOBUISFFQBSUTFSJFTNBEFUPGBDJMJUBUFUIFXPSLPGUIF53$ UIJTSBJTFTUIFRVFTUJPOPGXIFUIFSJUDBO
BDIJFWFBMMJUTFUTPVUUPEP8IJMFESBXJOHVQPOUIFFYQFSJFODFTPGPUIFSDPVOUSJFT "SDICJTIPQ%FTNPOE5VUVBOE
%S"MFY#PSBJOFFYQMBJOUIFQVSQPTFPGUIFDPNNJTTJPO XIJMF.JOJTUFSPG+VTUJDF%VMMBI0NBSEJTDVTTFTUIFMFHBM
SFRVJSFNFOUT

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
ROBBEN ISLAND, OUR UNIVERSITY
:FBS-FOHUINJO
%JSFDUPS-JOEZ8JMTPO
Production Company: Lindy Wilson Productions
4VNNBSZ-BXZFS'JLT#BN 
$SFEJU6OJPOPSHBOJTFS,XFEJ.LBMJQJ 
BOEFEVDBUJPOBMJTU/FWJMMF
"MFYBOEFS 
XFSFBMMQSJTPOFSTPO3PCCFO*TMBOE*OUIJTQSPHSBNNFUIFZHFUUPHFUIFSUPUBMLBCPVUUIFJS
years on the island and what it taught them.

ROBERT SOBUKWE: A TRIBUTE TO INTEGRITY


:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS4"#$
4VNNBSZ3PCFSU4PCVLXF 
1SFTJEFOUPGUIF1"$ XBTPOFPGUIFNPTUBENJSFEMFBEFSTPGUIFMJCFSBUJPO
struggle. This film traces his life through the comments of people who knew him, notably his wife, Veronica, his
ZPVOHFTUTPO %BMJOEZFCP IJTGSJFOEBOECJPHSBQIFS #FOKBNJO1PHSVOE BOE1IJMJQ,HPTBOB
SABC TV – 20 YEARS: THE UNTOLD STORY
:FBS-FOHUINJO
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Production Company: Kevin Harris Productions for SABC
Summary: Transmitted just prior to the launch of the reconstructed SABC TV, this programme takes a look at aspects of
the broadcaster’s political past, specifically its editorial policy as determined by the government of the time. Various
individuals recall their experiences working for an organisation governed by the Broederbond.

SANDRA LAING: A SPIRITUAL JOURNEY


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Production Company: SABC
4VNNBSZ*O BZPVOHHJSMOBNFE4BOESB-BJOHCFDBNFBTZNCPMPGUIFCSVUBMJUZPGBQBSUIFJE#PSOUP"GSJLBBOT
QBSFOUT TIFIBEBEBSLFSTLJOUIBOPUIFSNFNCFSTPGIFSGBNJMZBOEXBTTVCTFRVFOUMZFYQFMMFEGSPNIFSTDIPPM
This report pays a return visit to Sandra Laing and asks her to relive the events of 25 years ago.

A SAVAGE WAR OF PEACE


:FBS-FOHUINJO
1SPEVDFST+FSFNZ/BUIBO-BVSFODF%XPSLJO
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ#FUXFFO+VMZBOE.BZ PWFS QFPQMFMPTUUIFJSMJWFTJOUIFWJPMFODFUIBUTXFQUUISPVHIUIF
Reef townships. This programme presents a picture of the situation at the time and records the accusations and
DPVOUFSBDDVTBUJPOTPGTVQQPSUFSTPGUIF"/$BOE*OLBUIB

t4")""VEJPWJTVBM"VEJU3FQPSU
A SCARLET PIMPERNEL IN SOUTH AFRICA: THE LIFE IN VIOLENT TIMES OF MAC MAHARAJ
:FBS-FOHUINJO
%JSFDUPS#FBUB-JQNBO
1SPEVDUJPO$PNQBOZ$VSSFOU"GGBJST'JMNTGPS5/1
4VNNBSZ4FOUFODFEUPUXFMWFZFBSTJOQSJTPOJO .BD.BIBSBKTFSWFEIJTUJNFPO3PCCFO*TMBOEBOE BGUFSIJT
release, left South Africa, only to return in secret as commander of Operation Vula. In this programme Maharaj and
a number of his political associates recall their experiences.

SCHOOL CRISIS IN SOWETO (AKA SCHOOLS CRISIS 1989)


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ*O 4PXFUPTDIPPMTGBDFEBOPUIFSQPUFOUJBMDSJTJTXIFOUIFQSFWJPVTZFBSTGBJMFENBUSJDTUVEFOUTXFSF
SFGVTFESFBENJTTJPO XIJMFQPMJUJDBMBDUJWJTUTXFSFFYQFMMFEBOECBSSFEGSPNBMM%FQBSUNFOUPG&EVDBUJPOBOE5SBJO-
ing schools. In this video students, parents, a teacher and a principal comment on the issues.

THE SEARCH FOR SANDRA LAING


:FBS-FOHUINJO
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expelled from the white school she had been attending. Some eleven years later, this film recalls the events in an
attempt to establish what became of the victim of these injustices.

THE SECRET SAFARI


:FBS-FOHUINJO
%JSFDUPS5PN;VCSZDLJ
Production Company: Emerald Films
4VNNBSZ%VSJOHUIFQSPUSBDUFETUSVHHMFBHBJOTUBQBSUIFJE WBSJPVTTDIFNFTXFSFEFWJTFEUPTNVHHMFXFBQPOTJOUP
4PVUI"GSJDB POFPGUIFNBOPWFSMBOETBGBSJPQFSBUJPOUIBUDBSSJFEUPVSJTUTPWFSUIFCPSEFSXJUI;JNCBCXF5IJT
programme tells the story of Africa Hinterland Safaris and those involved on various levels.

SEGOPOTSO
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ%PYB1SPEVDUJPOT
4VNNBSZi5PXOTIJQCPZw DSFBUFECZ+PIO.PBMVTJ-FEXBCBBOE$ISJTUP-FBDI XBTPOFPGNBOZQSPUFTUQMBZTUIBU
XFSFQVUPOEVSJOHUIFT*OUIJTGJMNFYUSBDUTGSPNUIFQMBZBSFJOUFSDVUXJUIEPDVNFOUBSZGPPUBHFBOEJOUFS-
views with some of the actors and the co-directors.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
SHEENA DUNCAN: THE BURDEN OF PRIVILEGE
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ'SFF'JMNNBLFSTGPS5FMFWJTJPO/FXT1SPEVDUJPOT
4VNNBSZ"CJPHSBQIZPG4IFFOB%VODBO MPOHUJNFDBNQBJHOFSGPSDJWJMSJHIUTBOEGPSNPSFUIBOZFBSTBQSPNJ-
OFOU NFNCFS PG UIF #MBDL 4BTI *U CSJFGMZ TLFUDIFT UIF CBDLHSPVOE UP UIF GPVOEJOH PG UIF PSHBOJTBUJPO JO  
CFGPSFGPDVTJOHPO%VODBOIFSTFMG

SIMON NGUBANE – STILL ON STRIKE


:FBS-FOHUINJO
%JSFDUPS.FMBOJF$IBJU
1SPEVDUJPO$PNQBOZ-VTJB'JMNTGPS$IBOOFM
Summary: After a decade of enforced silence, the early eighties saw a re-emergence of trade unions as a major force for
liberation in South Africa. This programme focuses on one of them, the Metal and Allied Workers Union (MAWU),
and in particular their on-going struggle for workers’ rights.

SIPHIWO MTIMKULU’S STORY (SERIES: IF TRUTH BE TOLD)


:FBS-FOHUINJO
%JSFDUPS.BSL+,BQMBO
Production Company: Big World Cinema
Summary: One in a three part series made to facilitate the work of the TRC, this focuses on the story of Siphiwo Mtim-
kulu, a prominent student leader in the Eastern Cape who was shot, detained and tortured by the security police.
"GUFSIJTSFMFBTFJUXBTFTUBCMJTIFEUIBUIFIBECFFOQPJTPOFEBOEJO"QSJMIFBOEBGSJFOEEJTBQQFBSFEBOE
were never seen again.
SIX DAYS IN SOWETO
:FBS-FOHUINJO
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4VNNBSZ.BEFJO UIJTGJMNEFBMTXJUIUIF4PXFUPVQSJTJOHPGUIFQSFWJPVTZFBS XIJDICFHBOXIFOTUVEFOUT
at a number of schools, who set out to demonstrate against the use of Afrikaans as a medium of instruction, were
confronted and shot at by the police. It also covers the hostel massacres of 23rd to 25th August.

SOLOMON PLAATJE: A MAN FOR OUR TIME


:FBS-FOHUINJO
%JSFDUPS+BOF5IBOEJ-JQNBO
Production Company: Current Affairs Films for e.tv
4VNNBSZ#FTJEFTCFJOHBXSJUFSBOEKPVSOBMJTUPGEJTUJODUJPO 4PMPNPO5TIFLJTP1MBBUKF 
XBTBMTPUIFGJSTU
TFDSFUBSZHFOFSBMPGUIF4PVUI"GSJDBO/BUJWF/BUJPOBM$POHSFTT UIFQSFEFDFTTPSPGUIF"/$5IJTQSPHSBNNFQSFT-
ents an account of his life, ending with his role as a spokesperson for dispossessed Africans.

t4")""VEJPWJTVBM"VEJU3FQPSU
SONG OF THE SPEAR
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB
4VNNBSZ %VSJOH UIF BOUJBQBSUIFJE TUSVHHMF  UIF "/$ QSPNPUFE UIF BSUT BT B XBZ PG DVMUJWBUJOH B TQJSJU PG SFWPMU
amongst the people. This film focuses on the work of the cultural ensemble Amandla as an instrument of mobilisa-
tion, combining extracts from a stage performance with archival footage shot inside South Africa.

SONGOLOLO: VOICES OF CHANGE


:FBS-FOHUINJO
%JSFDUPS.BSJBOOF,BQMBO
Production Company: MSK Productions
Summary: This Canadian documentary portrays aspects of the emergent post-apartheid culture, born of the collective
hopes, aspirations and memories of black South Africans. More specifically it focuses on the lives and work of writer-
storyteller Gcina Mhlophe and poet-musician Mzwakhe Mbuli.

SOUTH AFRICA BELONGS TO US: FIVE PORTRAITS OF WOMEN UNDER APARTHEID


:FBS-FOHUINJO
%JSFDUPS$ISJT"VTUJO
Production Company: Gerhard Schmidt Produktion
4VNNBSZ4IPUGPVSZFBSTBGUFSUIF4PXFUPVQSJTJOHPG UIJTEPDVNFOUBSZTIPXTUIBU BUUIFUJNF OPUNVDIIBE
changed in South Africa. By focusing on the daily lives of five black women, it depicts the dehumanizing reality of
life under apartheid.

SOUTH AFRICA LOVES JESUS


:FBS-FOHUINJO
Producer: Hugh Burnett
Production Company: BBC
4VNNBSZ.BEFBUUIFUJNFUIBUUIF"SDICJTIPQPG$BOUFSCVSZ %S.JDIBFM3BNTFZ XBTWJTJUJOHUIFDPVOUSZ UIJTSF-
port touches upon various aspects of religion in South Africa, but focuses especially on the possible confrontation
CFUXFFOUIFTUBUFBOETPNFPGUIF&OHMJTIMBOHVBHFDIVSDIFT BTXFMMBTUIFSPMFPGUIF%VUDI3FGPSNFE$IVSDI

SOUTH AFRICA: THE BLACK MAN’S BURDEN


:FBS-FOHUINJO
%JSFDUPS%BWJE8JDLIBN
Production Company: BBC
Summary: The BBC’s Panorama programme asks a number of black South Africans to comment on the state of the
OBUJPOJO FTQFDJBMMZJOWJFXPGSFDFOUMZJOUSPEVDFEDIBOHFTJOUIFBQBSUIFJEMBXT XIJDIBSFHFOFSBMMZTFFOBT
cosmetic. Those interviewed include union organiser Elijah Barayi and actor Peter Se-Puma.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
SOUTH AFRICA: THE NUCLEAR FILE
:FBS-FOHUINJO
%JSFDUPS1FUFS%BWJT
Production Company: Villon Films
4VNNBSZ5IJTEPDVNFOUBSZGPMMPXTVQTPNFBMMFHBUJPOTNBEFJOUIFCPPLi5IFOVDMFBSBYJTwCZ;EFOFL$FSWFOLBBOE
Barbara Rogers, notably the involvement of firms in the United States and West Germany in the transfer of nuclear
technology to South Africa.

SOUTH AFRICA: THE WASTED LAND


:FBS-FOHUINJO
%JSFDUPS+BNJF)BSU[FMM
1SPEVDUJPO$PNQBOZ%FCPOBJS1SPEVDUJPOTGPS$IBOOFM
4VNNBSZ5IJTEPDVNFOUBSZTIPXTUIBUPOFPGUIFVOJOUFOEFEDPOTFRVFODFTPGBQBSUIFJEIBTCFFOJUTDPOUSJCVUJPO
to the devastation of the South African landscape, with much of the country’s wealth having been created at the
expense of the environment.

SOUTH AFRICA: THE WHITE LAAGER


:FBS-FOHUINJO
%JSFDUPS1FUFS%BWJT
1SPEVDUJPO$PNQBOZ6OJUFE/BUJPOT 8(#) 4WFSJHFT3BEJP7JMMPO'JMNT
4VNNBSZ1SPEVDFEUIFZFBSBGUFSUIF4PXFUPVQSJTJOHPG UIJTGJMNVTFTBSDIJWBMSFFOBDUNFOUT OFXTSFFMNBUFSJBM
and documentary footage to focus on the Afrikaner and the ideological thinking behind his apartheid policy, as well
as its eventual political purpose.

SOUTH AFRICA TODAY: A QUESTION OF POWER


:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ,57/FXTGPS1"(* 1UZ
-UE
4VNNBSZ.BEFJO UIJTQSPHSBNNFUBLFTBMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBBUUIFUJNFUISPVHIUIF
FZFTPGUXPOFXTQBQFSFEJUPSTo5FSUJVT.ZCVSHIPGUIF4VOEBZ5JNFTBOE1FSDZ2PCP[BPGUIF$JUZ1SFTT*OUIF
QSPDFTTJUTQFDVMBUFTPOUIFQPTTJCJMJUJFTPGBKVTUBOEFRVJUBCMFGVUVSFGPSUIFDPVOUSZ

A SOUTH AFRICAN LOVE STORY: WALTER AND ALBERTINA SISULU


:FBS-FOHUINJO
%JSFDUPS5POJ4USBTCVSH
Production Company: Xoxa Productions
Summary: The first half of this documentary is a straightforward account of Walter and Albertina Sisulu’s involvement
in the anti-apartheid struggle, while the second half deals more specifically with the family as a whole and includes
interviews with their children, who discuss the importance of their mother’s role.

t4")""VEJPWJTVBM"VEJU3FQPSU
SOUTH AFRICA’S KILLING GROUND
:FBS-FOHUINJO
%JSFDUPS(FPSHF$BTF
Production Company: Twenty Twenty Television for BBC
4VNNBSZ6QUPFBSMZ TPNF QFPQMFIBECFFOLJMMFEJOUIFQPMJUJDBMWJPMFODFUIBUFOHVMGFE/BUBM5IJTQSP-
HSBNNFFYQMBJOTUIFCBDLHSPVOEUPUIFDMBTIFTCFUXFFO*OLBUIBPOUIFPOFIBOEBOEUIF"/$6%'POUIFPUIFS
*UQSFTFOUTBOVNCFSPGDBTFIJTUPSJFTBOERVFTUJPOTUIFQFSDFJWFEJOBDUJWJUZPGUIF4"14

SOWETO: A HISTORY
:FBS-FOHUINJO
%JSFDUPS"OHVT(JCTPO
Production Company: Free Filmmakers
Summary: Originally transmitted as a three-part series, each consisting of two episodes, this programme traces the his-
UPSZPG4PXFUP GSPNUIFFBSMZEBZTPG+PIBOOFTCVSHBOEUIFDJUZTEFDJTJPOJOUPEFWFMPQBTFQBSBUFSFTJEFOUJBM
BSFBGPSJUTCMBDLXPSLFST UPUIFQFSJPEKVTUCFGPSFUIFFMFDUJPOT

SOWETO BLUES
:FBS-FOHUINJO
%JSFDUPS'BJUI*TJBLQFSF
Production Company: Moments Entertainment
Summary: A documentary commissioned to commemorate the 30thBOOJWFSTBSZPGUIF4PXFUPVQSJTJOHPG UIJT
film focuses primarily on the response of musicians to that fateful day, from Hugh Masekela, who composed “Sowe-
UPCMVFTwXIJMFJOFYJMFJO(IBOB UP.CPOHFOJ/HFNB XIPXSPUFUIFTUBHFNVTJDBMi4BSBGJOBw

THE SOWETO UPRISING


:FBSNJO
%JSFDUPS,BUF5PXOTFOE
Production Company: BBC & SABC
4VNNBSZ0OUIFNPSOJOHPGth+VOF UIFTDIPPMDIJMESFOPG4PXFUPUPPLUPUIFTUSFFUTUPQSPUFTUBHBJOTUUIF
imposition of Afrikaans as a medium of instruction. This documentary, made to commemorate the 30th anniversary
of the occasion, traces the events of that day and discusses their significance.

SPEAR OF THE NATION


:FBS-FOHUINJO
%JSFDUPST*BO4UVUUBSE%BWJE5FSFTIDIVL
Production Company: Thames Television
4VNNBSZ.BEFJO KVTUGPVSZFBSTQSJPSUPUIFSFMFBTFPG/FMTPO.BOEFMB UIJT#SJUJTIUFMFWJTJPOEPDVNFOUBSZ
QSFTFOUTBOJOUSPEVDUJPOUPUIFPSJHJO HSPXUIBOEQPMJDJFTPGUIF"GSJDBO/BUJPOBM$POHSFTT GSPNJUTGPVOEJOHBU
the turn of the century, to its commitment to the liberation struggle in all its forms.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE SPIRIT OF NO SURRENDER
:FBS-FOHUINJO
%JSFDUPS/PLVUIVMB.B[JCVLP
Production Company: Thulacreative for SABC Education
4VNNBSZ5IFSFIBWFCFFOBOVNCFSPGEPDVNFOUBSJFTPOUIF4PXFUPTUVEFOUVQSJTJOH CVUMFTTBUUFOUJPOIBT
been paid to the activist teachers who, against impossible odds, tried to educate, protect and conscientise their
charges. This programme focuses on the experiences of three of them.

STEVE BIKO: JOURNEY OF THE SPIRIT


:FBS-FOHUINJO
%JSFDUPS.BUTFNFMB.BOBLB
1SPEVDUJPO$PNQBOZ&LIBZB5FOUGPS4"#$
Summary: Made to commemorate the twentieth anniversary of Steve Biko’s death, this programme is not so much a
biography as a tribute to the Black Consciousness leader’s social, cultural and political legacy. It is structured around
interviews with a number of people who knew him or were influenced by his writings.

STOPPING THE MUSIC


:FBS-FOHUINJO
%JSFDUPS%PVH.JUDIFMM
Production Company: Freemuse & Cutting Grooves
4VNNBSZ%VSJOHUIFBQBSUIFJEFSB 3PHFS-VDFZXBTPOFPGBOVNCFSPGXIJUFNVTJDJBOTXIPNBEFUIFJSWJFXTLOPXO
UISPVHIUIFMZSJDTPGUIFJSTPOHTBOETVCTFRVFOUMZCFDBNFUBSHFUTPGUIFTFDVSJUZQPMJDF"TTJHOFEUPIJTDBTFXBT
Paul Erasmus. This documentary traces their relationship.

THE STORY OF UMKHUMBANE-CATO MANOR: WHOSE LAND? WHOSE MEMORY?


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ.FEJB3FTPVSDF$FOUSF 6OJWFSTJUZPG/BUBM
4VNNBSZ$BUP.BOPS BMTPLOPXOBT6NLIVNCBOF JTTJUVBUFEKVTUPVUTJEF%VSCBO*UXBTBOFBSMZWJDUJNPGUIF
Group Areas Act and this video presents a history of the area, recalling the story of the forced removals through the
recollections of former residents.

A STRANGER IN A STRANGE LAND: PAUL SIMON IN SOUTH AFRICA


:FBS-FOHUINJO
%JSFDUPS)BSSJFU(BWTIPO
Production Company: Free Filmmakers
4VNNBSZ*O BGUFSNBOZZFBSTPGTVQQPSUJOHUIFDVMUVSBMCPZDPUU 1BVM4JNPOEFDJEFEUPWJTJU4PVUI"GSJDB)F
IBEUIFTVQQPSUPGNBOZPSHBOJTBUJPOT JODMVEJOHUIF"/$ UIPVHINFNCFSTPG";"10PQQPTFEJU5IJTGJMNGPM-
MPXTFWFOUTPWFSBQFSJPEPGGJWFEBZTQSFDFEJOHUIFGJSTUDPODFSUJO+PIBOOFTCVSH

t4")""VEJPWJTVBM"VEJU3FQPSU
STREETS ON FIRE (SERIES: PETROL BOMBS & BAD HAIR DAYS)
:FBS-FOHUINJO
%JSFDUPS#FSUSBN'SFEFSJDLT
Production Company: Ancestral Voices Pictures for SABC
Summary: Thousands of people were affected by the violence that engulfed townships like KTC and Crossroads in the
8FTUFSO$BQFJOUIFT*OUIJTGJMNGPVSXPNFOSFDBMMUIFFWFOUTPGUIPTFEBZTBOEUIFJSQBSUJOUIFN4PNF
continue to live with the trauma they experienced and are still trying to come to terms with the past.

STRENGTH IN UNITY: THE 1976 CAPE TOWN UPRISING


:FBS-FOHUINJO
'JMNNBLFST"MFYBOESB"MMFN/JDIPMBT.FSSFUU
1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSJDBM4UVEJFT 6OJWFSTJUZPG$BQF5PXO
4VNNBSZ8IFO BGUFSUIF4PXFUPVQSJTJOHTPG UIF$BQF5PXOTDIPPMTSFPQFOFE UIFTUVEFOUTPGUIF$BQF'MBUT
also took to the streets. This film makes use of archival footage, still photographs and the reminiscences of those
involved to trace events in the Cape Peninsula over these weeks.

THE STRUGGLE FROM WITHIN


:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
Production Company: Kevin Harris Productions for South African Council of Churches
4VNNBSZ$PNQJMFEGSPNGPPUBHFTIPUEVSJOHBOE UIJTQSFTFOUTBOPWFSWJFXPGQPMJUJDBMMZJNQPSUBOUFWFOUT
in the people’s struggle against apartheid. It contrasts the official view as presented by the SABC with those ex-
pressed by government opponents, especially individuals involved with the SACC.

STRYDOM IS VERY, VERY DEAD


:FBS-FOHUINJO
%JSFDUPS1VMF%JQIBSF
Production Company: Films 2 People for e.tv
4VNNBSZ1SFUPSJBT4USZEPN4RVBSFXBTOBNFEBGUFS+(4USZEPN 1SJNF.JOJTUFSPG4PVUI"GSJDBGSPNUP 
XIPXBTBGJSNCFMJFWFSJOBQBSUIFJE5IJTJTUIFGJMNNBLFSTQFSTPOBMWJFXPGUIFTRVBSFBOEJUTTVSSPVOEJOHT 
XIFSF JO XIJUFFYUSFNJTU#BSFOE4USZEPNXFOUPOBTIPPUJOHTQSFF

SUFFER THE CHILDREN: A REPORT FROM INSIDE SOUTH AFRICA


:FBS-FOHUINJO
%JSFDUPS/JDIPMBT$MBYUPO
Production Company: Penumbra Productions for BBC
Summary: This television programme focuses primarily on the suffering of black children under the then prevailing
State of Emergency. Their demand for political change through both violent and peaceful means has placed them in
the forefront of the struggle and a number of them testify to the brutal treatment they have received.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE SUN WILL RISE
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ5IJTGJMN NBEFJO GJSTUGPDVTFTPOTJYZPVOHNFOXIP BUUIFUJNF XFSFVOEFSTFOUFODFPGEFBUIGPS
high treason. The parents of two of them, as well as the mother of Solomon Mahlangu, affirm their support, while a
number of other young people assert their commitment to the armed struggle.

TAKE A PLACE LIKE CANAAN


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ"VEJP7JTVBM"MUFSOBUJWFT 6OJWFSTJUZPG/BUBMGPS#MBDL4BTI
4VNNBSZ$BOBBOXBTBDPNNVOJUZPGTRVBUUFSTXIPIBETFUUMFEPOWBDBOUMBOEPXOFECZUIF%FQBSUNFOUPG5SBOTQPSU
POUIFQFSJQIFSZPGUIFDJUZPG%VSCBO8IFOUIJTGJMNXBTNBEFUIFQFPQMFXFSFVOEFSUISFBUPGFWJDUJPOCZUIF
authorities.

THABO MBEKI: RENAISSANCE MAN


:FBS-FOHUINJO
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Production Company: Southern Streams for SABC
Summary: Originally transmitted to coincide with Thabo Mbeki becoming the second democratically elected president
PG4PVUI"GSJDB UIJTUXPQBSUQSPHSBNNFUSBDFTIJTSJTFJOUIFMFBEFSTIJQPGUIF"/$BOEQSFTFOUTBOPWFSWJFXPG
his thinking on a wide range of subjects. It incorporates extracts from some of his speeches.

THEMBA HARRY GWALA: SOUTH AFRICAN REVOLUTIONARY


:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Inkululeko Productions
Summary: An interview with Harry Gwala, a long-time trade unionist, during which he talks about his membership of
UIF4"$1BOEUIF"/$ UIFEJGGFSFODFTJOQPQVMBSNPPEBGUFSIJTSFMFBTFGSPNQSJTPOJOBOESFTQFDUJWFMZ 
UIFDPOGMJDUCFUXFFO6%'$04"56BOE*OLBUIB BOEUIFJTTVFTUIBUIFSFHBSETBTOPOOFHPUJBCMF

THIS CRAZY THING CALLED GRACE


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1SPEVDUJPO$PNQBOZ%PYB1SPEVDUJPOT
4VNNBSZ'PSNBOZZFBST%FTNPOE5VUVIBTCFFOPOFPGUIFNPTUQSPNJOFOUQFSTPOBMJUJFTJO4PVUI"GSJDB GJSTUBT
Archbishop of Cape Town and, at the time this film was made, as Chairperson of the Truth & Reconciliation Com-
mission. The programme alternates interviews with him with extracts from the TRC hearings.

t4")""VEJPWJTVBM"VEJU3FQPSU
THIS WE CAN DO FOR JUSTICE AND FOR PEACE
:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
Production Company: Kevin Harris Productions for South African Council of Churches
Summary: A film made for the SACC intended to confirm the organisation’s commitment against apartheid. It focuses
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Specifically singled out for attack are the Group Areas Act and the migrant labour policy.

THOSE GLOWING EYES: LETTER FROM SOUTHERN AFRICA


:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ%FOBMJ
4VNNBSZ*O UIFQFPQMFPG3JFNWBTNBBLJOUIF/PSUIFSO$BQFXFSFUBLFOGSPNUIFJSQMBDFPGCJSUIBOETDBUUFSFE
throughout South and South West Africa. Twenty-one years later they are finally able to return to their homeland and
UIJTGJMNGPMMPXTPOFHSPVQBTUIFZQBDLVQUIFJSCFMPOHJOHTBOEMFBWF%F3JFUJO%BNBSBMBOE

THROUGH MY EYES: BLANCHE LA GUMA


:FBS-FOHUINJO
%JSFDUPS-VDJMMB#MBOLFOCFSH
Production Company: Idol Pictures for SABC
Summary: After spending some 30 years in exile, Blanche La Guma, the widow of writer Alex La Guma, returned to
South Africa and now lives in Cape Town. In this film she speaks to filmmaker Lucilla Blankenberg about her life,
her marriage and her involvement in the anti-apartheid struggle as a member of the SACP.

TIDE MARKS: LEGACIES OF APARTHEID


:FBS-FOHUINJO
%JSFDUPS4BSBI"CCPUU
Production Company: Amoeba Works
Summary: The Khulumani Support Group campaigns for reparations from the authorities and from companies who
benefited from the apartheid policies. In this film its work is seen through the eyes of three members, as well as
through those of Shirley Gunn, at the time Chairperson of the Western Cape chapter.

TO BE AGAINST APARTHEID IS NORMAL: AFRIKAANS WRITERS MEET THE ANC


:FBS-FOHUINJO
%JSFDUPS3JDIBSE8JDLTUFFE
Production Company: Capricorn Video Unit
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NFFUXJUINFNCFSTPGUIFDVMUVSBMXJOHPGUIF"/$0WFSBOVNCFSPGEBZT UIPTFBUUFOEJOHUPPLQBSUJOBTFSJFTPG
discussions covering a variety of issues. This film presents an account of these deliberations.

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TOO FAR APART
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%JSFDUPS-J['JTI
Production Company: BBC
4VNNBSZ"UUIFUJNFUIJTQSPHSBNNFXBTNBEF JUXBTFTUJNBUFEUIBUUIFSFXFSFTPNF 4PVUI"GSJDBOESBGU
evaders in London alone. The video takes a look at the lives of these young men who chose to go into exile rather
UIBOTFSWFJOUIF4PVUI"GSJDBO%FGFODF'PSDF

TOOTHLESS TIGERS?: THE DEMOBILISATION OF SOUTH AFRICAN FREEDOM FIGHTERS


:FBS-FOHUINJO
Filmmakers: Lars Henry Andersen, Tammy Gardner, Andreas Mansholt & Vuyile Cameron Voyiya
1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSJDBM4UVEJFT 6OJWFSTJUZPG$BQF5PXO
4VNNBSZ%VSJOHUIFBQBSUIFJEZFBST NBOZZPVOH4PVUI"GSJDBOTMFGUUIFDPVOUSZUPKPJOUIFBSNFETUSVHHMF8IFO 
BGUFSUIFFMFDUJPO UIFZSFUVSOFEGSPNFYJMF TPNFIPQFEUPCFDPNFQFSNBOFOUNFNCFSTPGUIF4PVUI"GSJDBO
%FGFODF'PSDF5IJTQSPHSBNNFUBLFTBMPPLBUIPXUIFJSJOJUJBMIPQFTGPSUIFGVUVSFXFSFEBTIFE

TREKKING TO UTOPIA
:FBS-FOHUINJO
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South Africa in order to listen to ordinary Afrikaners expressing their often conflicting views on the political changes
GBDJOHUIFDPVOUSZ5IFZSBOHFGSPNNFNCFSTPGUIF"8#UPBGBSNFSXIPCFMPOHTUPUIF"/$

TRUE CONFESSIONS OF AN ALBINO TERRORIST


:FBS-FOHUINJO
%JSFDUPS/JHFM8JMMJBNT
Production Company: BBC
Summary: An interview with Afrikaans author Breyten Breytenbach, conducted one year after his release from prison
JO)FUBMLTBCPVUBOVNCFSPGJTTVFT CVUUIFCVMLPGUIFQSPHSBNNFEFBMTXJUIIJTFYQFSJFODFTJOQSJTPO GJSTU
in Pretoria Central and then in Pollsmoor, near Cape Town.

A TRULY WONDERFUL ADVENTURE (SERIES: PETROL BOMS & BAD HAIR DAYS)
:FBS-FOHUINJO
%JSFDUPS-FEFSMF#PTDI
Production Company: Idol Pictures for SABC
4VNNBSZ'PSNBOZZPVOHQFPQMFUIFQSPUFTUTUIBUXFSFTQSFBEJOHUISPVHIPVUUIFDPVOUSZJOUIFTXFSFUPCFB
defining period in their lives. In this programme director Lederle Bosch relives those days and talks to a range of his
fellow activists about what motivated them and what they remember most vividly.

t4")""VEJPWJTVBM"VEJU3FQPSU
TRY FREEDOM
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ.BJM(VBSEJBO5FMFWJTJPOGPS4"#$57/FX;FBMBOE
4VNNBSZ8IFOUIF/FX;FBMBOE3VHCZ6OJPOJOWJUFEUIF4QSJOHCPLUFBNUPUPVSUIFDPVOUSZJO JUDBVTFEBO
enormous conflict between rugby fans and those supporting the sports boycott. This programme re-examines the
tour and assesses its impact on both players and politicians.

TSIAMELO: A PLACE OF GOODNESS


:FBS-FOHUINJO
%JSFDUPS#FUUZ8PMQFSU
Production Company: E. Wolpert Productions
4VNNBSZ8IJMFWJTJUJOH-POEPO &MMFO,V[XBZPSFDBMMTUIBU JO 4PM51MBBUKFXBTUIFSFBTQBSUPGB4PVUI"GSJDBO
/BUJWF/BUJPOBM$POHSFTTEFMFHBUJPO4IFUBMLTBCPVUIFSGBNJMZTGSJFOETIJQXJUIUIFBVUIPSBOEUIFOSFUVSOTUP
5IBCB/DIVXIFSFIFSFMEFSMZBVOUBOEPUIFSTEFTDSJCFIPXUIFJSGBNJMJFTXFSFEJTQPTTFTTFEPGUIFJSGBSNT

TSIETSI, MY HERO
:FBS-FOHUINJO
%JSFDUPS1PSUJB3BOLPBOF
Production Company: Gatirisano Productions
4VNNBSZ5TJFUTJ.BTIJOJOJ BZFBSPMETUVEFOUBUUIF.PSSJT*TBBDTPO)JHI4DIPPM XBTBMFBEFSBOETQPLFTQFSTPO
PGUIF4PXFUPTUVEFOUVQSJTJOHPG5IJTEPDVNFOUBSZQSFTFOUTBOBDDPVOUPGIJTMJGFBOEUIFJNQBDUIFIBEPO
the politics of his generation.

TUTU
:FBS-FOHUINJO
Producer: Christine Morgan
Production Company: BBC Manchester
4VNNBSZ%VSJOHUIFIFBSJOHTPGUIF53$ BOVNCFSPGEPDVNFOUBSJFTXFSFNBEFBCPVUJUT$IBJSNBO "SDICJTIPQ
%FTNPOE5VUV5IJTQBSUJDVMBSPOFXBTNBEFGPSUIF##$T&WFSZNBOTFSJFTBOEUPVDIFTVQPOBHSFBUNBOZJTTVFT 
discussing the milestones of his career as well as aspects of his personality.

TWELVE DISCIPLES OF NELSON MANDELA


:FBS-FOHUINJO
%JSFDUPS5IPNBT"MMFO)BSSJT
Production Company: Chimpanzee Productions for Independent Television Service
4VNNBSZ"GUFSUIF"/$XBTCBOOFEJO 1VMFi-FFw-FJOBFOHXBTPOFPGBHSPVQPGUXFMWFZPVOHNFNCFSTXIP
chose to go into exile and continue the anti-apartheid struggle from abroad. This film discusses his life in Bloemfon-
tein against the background of the political events of the day and traces the group’s journey.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
TWO DECADES STILL
:FBS-FOHUINJO
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Production Company: The Gatehouse for SABC3
4VNNBSZ0O+VOFth UIFTDIPPMDIJMESFOPG4PXFUPUPPLUPUIFTUSFFUTUPQSPUFTUBHBJOTUUIFVTFPG"GSJLBBOTBT
a medium of instruction. In this programme, commissioned to commemorate the 20th anniversary, some of those
involved recall the events that played such an important part in the liberation struggle.

THE TWO RIVERS


:FBS-FOHUINJO
%JSFDUPS.BSL/FXNBO
Production Company: Murunzi Motion Picture Company
Summary: In this documentary Rashaka Ratshitanga, a Venda writer and poet, chronicles the cultural and social history
of his people. Beginning in the land of his ancestors, he then travels to Soweto, explaining how a new culture, much
of it centred on the struggle against apartheid, was formed.

ULIBAMBE LINGASHONI: THE ANC AND POPULAR POWER IN THE MAKING


:FBS-FOHUIYNJO
%JSFDUPST-FTMFZ-BXTPO #SJBO5JMMFZ -BVSFODF%XPSLJO $MBSFODF)BNJMUPO.PLPOFOZBOB.PMFUF
Production Company: Afravision for Toron & Thebe Investment Corporation
Summary: A documentary series that uses archival footage and interviews with many individuals to trace the history of
UIF"GSJDBO/BUJPOBM$POHSFTTBOEUIFHSPXUIPGUIFMJCFSBUJPONPWFNFOUJOGJWFQBSUT 
3PPUTPGTUSVHHMF 

 
&OUFSUIFNBTTFT 
 
4VCNJUPSGJHIU 
 
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BOE

/PUUIFLJOHTBOEHFOFSBMT 


THE UNBANNINGS AND MANDELA FREED


:FBS-FOHUINJO
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,MFSLTBOOPVODFNFOUUIBUUIFSFTUSJDUJPOTQMBDFEPOUIF"/$BOEPUIFSPSHBOJTBUJPOTXPVMECFMJGUFEBOEUIFSF-
MFBTFPG/FMTPO.BOEFMB UPGPPUBHFPGUIFGJSTUPGGJDJBMNFFUJOHCFUXFFOUIFHPWFSONFOUBOEUIF"/$

UNDER THE VOLCANO


:FBS-FOHUINJO
Producers: Lasse Berg & Anders Ribbsjo
Production Company: Sveriges Television
4VNNBSZ#FHJOOJOHJOUIFTBOEMBTUJOHBMNPTUUPUIFFOEPGBQBSUIFJEJOUIFFBSMZT UIF4PVUI"GSJDBOHPW-
ernment carried out a campaign of destabilization against neighbouring states. This Swedish-made documentary
WJTJUT"OHPMB .P[BNCJRVF #PUTXBOBBOE;JNCBCXFUPTIPXUIFFGGFDUPGUIFTFNJMJUBSZFYDVSTJPOT

t4")""VEJPWJTVBM"VEJU3FQPSU
UNFINISHED BUSINESS
:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
1SPEVDUJPO$PNQBOZ+PVSOPDBN1SPEVDUJPOT
4VNNBSZ"NPOHTUUIPTFXIPMFGU4PVUI"GSJDBUPKPJO6NLPOUIPXF4J[XFJOFYJMFXBT5JNPUIZi$IJFGw4FSFNBOF 
XIPXBTTVCTFRVFOUMZFYFDVUFEBUUIF"/$T2VBUSP%FUFOUJPO$BNQJO"OHPMB5IJTQSPHSBNNFEFBMTXJUIUIF
BUUFNQUPG$IJFGTPMEFSCSPUIFS +PF4FSFNBOF UPGJOEPVUUIFUSVUIBCPVUXIBUIBQQFOFE

THE UNFOLDING OF SKY (SERIES: LANDSCAPE OF MEMORY)


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1SPEVDUJPO$PNQBOZ%BZ;FSP'JMN7JEFPGPS4"$0%BOE4"#$
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intention she was tortured and on the day of her release she was put under house arrest for five years. She was one
of the many individuals who gave evidence to the TRC and in this film she talks to Antjie Krog.

THE UNTOLD TRUTH


:FBS-FOHUINJO
%JSFDUPS+PIO+PIO.LIPO[B
Production Company: The BOMB for SABC
Summary: One of a number of documentaries that were made to commemorate the 30thBOOJWFSTBSZPGUIF4PXFUP
VQSJTJOH UIJTGFBUVSFTGJMNNBLFS+PIO+PIO.LIPO[BSFWJTJUJOH1IFGFOJ+VOJPS4FDPOEBSZ4DIPPMXJUIUISFFPGIJT
classmates to talk about the events that led to these historic protests.
VIVA MANDELA!
:FBS-FOHUINJO
%JSFDUPS7BSJPVT
Production Company: Wadham Film Productions for Canon Collins Educational Trust
4VNNBSZ5IJTWJEFPXBTNBEFUPDFMFCSBUFUIFSFMFBTFPG/FMTPO.BOEFMBGSPNQSJTPOJO'FCSVBSZ6TJOHBS-
DIJWBMNBUFSJBMBOEEPDVNFOUBSZGPPUBHF JUJTPOMZQBSUMZBCJPHSBQIZPGUIF"/$MFBEFS'PSUIFNPTUJUUSBDFTUIF
restrictive legislation that has governed the lives of black South Africans, intercut with concert footage.

VOICES FOR NAMIBIA


:FBS-FOHUINJO
%JSFDUPS#BSSZ'FJOCFSH
1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB
4VNNBSZ0Oth+VMZ TPNFJOEJWJEVBMTUPPLQBSUJOBQSPEVDUJPOTUBHFEBUUIF#MPPNTCVSZ5IFBUSFJO-PO-
don in aid of Archbishop Trevor Huddleston’s SWAPO Election Campaign Appeal. In this film extracts from the
TUBHFQSPEVDUJPOBSFJOUFSDVUXJUIEPDVNFOUBSZGPPUBHFTIPUPOMPDBUJPOJO/BNJCJB

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
VOICES FROM PURGATORY
:FBS-FOHUINJO
%JSFDUPS3PFMBOE,FSCPTDI
Production Company: Roeland Kerbosch Filmproduktie
4VNNBSZ4IPUDMBOEFTUJOFMZXIFOUIF%VUDIGJMNNBLFSWJTJUFE4PVUI"GSJDBBTBUPVSJTU UIJTEPDVNFOUBSZDPOTJTUTPG
twelve short segments that deal, rather loosely, with various aspects of apartheid. It combines fairly innocuous foot-
age with more pointed material and interviews with individuals involved in the liberation struggle.

VOICES FROM THE ISLAND


:FBS-FOHUINJO
%JSFDUPS"EBN-PX
Production Company: Schadeberg Movie Company & BBC
Summary: This documentary takes a look at the history of Robben Island, first as an asylum for mental patients and as
a leper colony, and then as a place of exile for opponents of the governments of the day. Interviews with ex-political
prisoners are intercut with archival material, photographs and documentary footage.

VUKANI – AWAKE!
:FBS-FOHUINJO
%JSFDUPS-JPOFM/HBLBOF
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
4VNNBSZ3FMFBTFEJO UIJTJTUIFGJSTUEPDVNFOUBSZBCPVUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBNBEFFYDMVTJWFMZ
from a black filmmaker’s point of view. It explains how various discriminatory laws keep the African population in
poverty and servitude.

WALTER SISULU: FATHER OF THE NATION


:FBS-FOHUINJO
%JSFDUPS#FBUB-JQNBO
Production Company: Current Affairs Films
4VNNBSZ3FHBSEFEBTUIFFMEFSTUBUFTNBOPGUIF"/$ 8BMUFS4JTVMVXBTCPSOJO UIFZFBSJOXIJDIUIFPSHBOJ-
sation was founded. This programme pays tribute to his role in the struggle and retraces his steps from the rural
5SBOTLFJVQUPIJTSFMFBTFGSPNQSJTPOUPXBSETUIFFOEPG

WANTED: SHIRLEY GUNN


:FBS-FOHUINJO
%JSFDUPS;VMGBI0UUP4BMMJFT
Production Company: O’dacity Films
4VNNBSZ*O"VHVTU BCPNCXFOUPGGJO,IPUTP)PVTF BCVJMEJOHJO+PIBOOFTCVSHUIBUIPVTFEBOVNCFSPG
BOUJBQBSUIFJEPSHBOJTBUJPOT5IFQPMJDFBOOPVODFEUIBUUIFZXFSFTFFLJOH4IJSMFZ(VOOXIPXBTTVCTFRVFOUMZ
BSSFTUFEoUIPVHIJUXBTMBUFSBDLOPXMFEHFEUIBUBQPMJDFUFBNIBE JOGBDU CFFOSFTQPOTJCMF

t4")""VEJPWJTVBM"VEJU3FQPSU
WE ARE THE ELEPHANT
:FBS-FOHUINJO
%JSFDUPS(MFOO6KFCF.BTPLPBOF
Production Company: Ceddo Film & Video Workshop
4VNNBSZ"HFOFSBMPWFSWJFXPGCMBDLQPMJUJDBMBDUJWJUZJO4PVUI"GSJDBJOUIFT DPWFSJOHTUVEFOUJO-
volvement, union meetings, alternative newspapers, cultural groups, etc. It includes an extract from
#FOKZ'SBODJTTi#VSOJOHFNCFSTwCZUIF/BUJPOBM5IFBUSFPG"[BOJB

WE NEVER GIVE UP
:FBS-FOHUINJO
%JSFDUPS$BIBM.D-BVHIMJO
Production Company: Human Rights Media Centre
Summary: This documentary is a tapestry of stories told by eleven survivors of apartheid violence, represent-
ing the harsh experiences of thousands of ordinary South Africans who participated in the TRC hearings
or who, for various reasons, were excluded from it and never received any form of compensation for their
sacrifices.

WE TELL OUR STORIES THE WAY WE LIKE: THE WIVES OF THE CRADOCK FOUR
:FBS-FOHUINJO
Filmmakers: Taryn da Canha, Gaironisa Parker & Lauren van Vuuren
1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSZ 6OJWFSTJUZPG$BQF5PXO
4VNNBSZ*O+VOF GPVSPSHBOJTFSTPGUIF6OJUFE%FNPDSBUJD'SPOUJOUIF&BTUFSO$BQFXFSFNVSEFSFE
by the security police. This video visits the Karoo town of Cradock and seeks out the widows of the four
men in order to ask them about their own experiences, both before and after their husbands were killed.

WEBSTER SPIRIT
:FBS-FOHUINJO
%JSFDUPS.JLF"MESJEHF
Production Company: Black Flag Productions
4VNNBSZ0O.BZst BOUJBQBSUIFJEBDUJWJTU%BWJE8FCTUFSXBTBTTBTTJOBUFEPVUTJEFIJT+PIBOOFT-
burg home. This video presents a composite portrait of Webster, from his academic career as a social
BOUISPQPMPHJTUUPIJTJOWPMWFNFOUXJUIPSHBOJTBUJPOTTVDIBTUIF%14$BOE/64"4

WEDNESDAY
:FBS-FOHUINJO
%JSFDUPS%BWJE.D,FO[JF
1SPEVDUJPO$PNQBOZ5IF#PNCGPS4"#$
4VNNBSZ0O+VOFth DIJMESFOGSPNTFDPOEBSZBOEIJHITDIPPMTJO4PXFUPFNCBSLFEVQPOBQSPUFTU
march against the compulsory use of Afrikaans as a medium of instruction. Combining the recollections
of a few participants with selected archival footage, this programme recalls the events of that day.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
WHAT HAPPENED TO MBUYISA?
:FBS-FOHUINJO
%JSFDUPS'FJ[FM.BNEPP
Production Company: Endemol Productions
Summary: Though the name of Mbuyisa Makhubu may not be immediately familiar, the photograph of him carrying
UIFCPEZPG)FDUPS1FUFSTPOFQJUPNJ[FTUIF4PXFUPVQSJTJOHPG5IJTGJMNUSBDFTUIFCBDLHSPVOEUPUIFQIPUP-
graph and then tries to find out what happened to Mbuyisa.

WHEN I EAT CHOCOLATE I REMEMBER YOU


:FBS-FOHUINJO
%JSFDUPST3BNPMBP.BLIFOF "SUIVS.PMFQP1BUSJDL4IBJ
Production Company: Free Filmmakers
4VNNBSZi4PQIJBUPXOw BNVTJDBMQMBZBCPVUUIFGPSDFESFNPWBMTPGUIFT XBTGJSTUQFSGPSNFEBUUIF.BSLFU5IF-
BUSFJO+PIBOOFTCVSH5IJTGJMN QIPUPHSBQIFEBOEEJSFDUFECZUISFFNFNCFSTPGUIFDBTU SFDPSETUIFJSJNQSFTTJPOT
of a four-week tour of Europe.

WHEN THE WAR IS OVER


:FBS-FOHUINJO
%JSFDUPS'SBODPJT7FSTUFS
Production Company: Undercurrent Film & Television
4VNNBSZ%VSJOHUIFT UFFOBHFSTBDSPTT4PVUI"GSJDBKPJOFEUIFBSNFETUSVHHMFBHBJOTUBQBSUIFJE BOE#POUFIFV-
wel, on the Cape Flats, became renowned for militant activism. After the fall of apartheid, its members had to find
their own way in life and this documentary focuses on two such individuals.

WHEN YOU COME BACK HOME… (SERIES: THE HEART OF SOWETO)


:FBS-FOHUINJO
%JSFDUPS+FOOZ.PSHBO
1SPEVDUJPO$PNQBOZ%PVCMF&YQPTVSFGPS##$1FCCMF.JMM
4VNNBSZ5IJTQSPHSBNNFGPDVTFTPOUIFMJWFTPGUXP4PXFUPNPUIFSTo'MPSFODF8JMMJBNT POFPGXIPTFEBVHIUFST
XBTTFOUUPKBJMJOGPSKPJOJOHUIF"/$ BOE/PNCVMFMP.BLIVCV POFPGXIPTFTPOTXBTUIFZPVOHNBOXIP
QJDLFEVQUIFCPEZPG)FDUPS1FUFSTPOEVSJOHUIF4PXFUPVQSJTJOHPG

WHITE GIRL IN SEARCH OF THE PARTY: THE STORY OF PAULINE PODBREY AND H.A. NAIDOO (SERIES: LOVE
STORIES)
:FBS-FOHUINJO
%JSFDUPS1BUSJDJBWBO)FFSEFO
Production Company: Curious Pictures for SABC3
4VNNBSZ1BVMJOF1PECSFZXBTKVTUZFBSTPMEBOETUJMMBUTDIPPMXIFOTIFBUUFOEFEBNFFUJOHPGUIF$PNNVOJTU
1BSUZJO%VSCBOBOENFU)"/BJEPP UIFNBOXIPNTIFXBTUPNBSSZ5IJTJTUIFTUPSZPGUIFJSMJGFUPHFUIFS GJSTU
in South Africa and later in exile in Hungary and Great Britain.

t4")""VEJPWJTVBM"VEJU3FQPSU
WHITES AGAINST APARTHEID (SERIES: SOUTH AFRICA NOW)
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: 5th Encounter Motion Picture Company
4VNNBSZ/PUBMMXIJUF4PVUI"GSJDBOTTVQQPSUUIFHPWFSONFOUTQPMJDJFTBOEUIJTQSPHSBNNFGPDVTFTPOTPNFPGUIF
organisations and individuals that are actively engaged in the anti-apartheid struggle, namely the End Conscription
$BNQBJHO UIF#MBDL4BTIBOEUIF+PIBOOFTCVSH%FNPDSBUJD"DUJPO$PNNJUUFF

WHITE LIES
:FBS-FOHUINJO
%JSFDUPS1BVM:VMF
1SPEVDUJPO$PNQBOZ#FSXJDL6OJWFSTBM1JDUVSFT$BTF5FMFWJTJPOGPS$IBOOFM
4VNNBSZ"IJTUPSZPGUIF*OUFSOBUJPOBM%FGFODFBOE"JE'VOEGPS4PVUIFSO"GSJDB GPVOEFEJOUIFFBSMZTCZ
$BOPO+PIO$PMMJOTPG4U1BVMT$BUIFESBM XIJDITFDSFUMZVOEFSQJOOFEUIFBOUJBQBSUIFJETUSVHHMFPWFSBQFSJPEPG
forty years.
WHITER THAN WHITE
:FBS-FOHUINJO
%JSFDUPS(VZ4QJMMFS
Production Company: Lizardfilm
4VNNBSZ*OUIJTGJMNBXIJUFXPSLJOHDMBTTGBNJMZXBUDIFTUIFSFMFBTFPG/FMTPO.BOEFMBPOUFMFWJTJPOBOEDPNNFOUT
EJTQBSBHJOHMZPOUIFFGGFDUUIJTXJMMIBWFPOUIFiXIJUFOFTTwPGCMBDLT XIJMFSFHSFUUJOHUIFGBDUUIBU8JU8PMG#BSFOE
Strydom remains in jail.

WINNIE MANDELA: UNDER APARTHEID


:FBS-FOHUINJO
1SPEVDFS1FUFS%BWJT
1SPEVDUJPO$PNQBOZ/BUJPOBM#MBDL1SPHSBNNJOH$POTPSUJVN7JMMPO'JMNT
4VNNBSZ%VSJOHUIFZFBSTUIBU/FMTPO.BOEFMBTQFOUJOQSJTPO IJTXJGF 8JOOJF JODSFBTJOHMZSFQSFTFOUFEIJNUP
UIFPVUTJEFXPSME%FTQJUFDPOUJOVBMIBSBTTNFOUCZUIFTFDVSJUZQPMJDF IFSTUSFOHUIBOEGPSUJUVEFQPTFEBOPOHPJOH
challenge to white supremacy. This film presents an introduction to her life under apartheid.

WINNIE: THE POLITICS OF VIOLENCE


:FBS-FOHUINJO
%JSFDUPS#FBUB-JQNBO
Production Company: Targacatch
4VNNBSZ"UUIFUJNFUIJTGJMNXBTNBEF 8JOOJF.BOEFMBXBTQSPCBCMZUIFNPTUDPOUSPWFSTJBMGJHVSFJOUIF"/$
Made just after her conviction in an assault trial, the programme takes a closer look at the woman who, despite years
of harassment, carried on a resolute fight against government repression.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
WORKING FOR BRITAIN
:FBS-FOHUINJO
%JSFDUPS"OUPOZ5IPNBT
1SPEVDUJPO$PNQBOZ"57/FUXPSL
4VNNBSZ*O XIFOUIJTEPDVNFOUBSZXBTNBEF (SFBU#SJUBJOXBT4PVUI"GSJDBTMBSHFTUUSBEJOHQBSUOFSBOE
British-owned or controlled firms were estimated to employ some 250,000 black workers. The film sets out to show
that, on the whole, these workers had not benefited from this relationship.

WORKING FOR THE WORKERS


:FBS-FOHUINJO
%JSFDUPS4IFMMFZ8FMMT
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ"QPSUSBJUPG+PIO(PNPNP BOFNQMPZFFPGUIF7PMLTXBHFOQMBOUJO6JUFOIBHFXIPSPTFUISPVHIUIFSBOLT
PG/6.4"UPCFFMFDUFEQSFTJEFOUPG$04"56JO

YOU HAVE STRUCK A ROCK!


:FBS-FOHUINJO
1SPEVDFS%FCPSBI.BZ
1SPEVDUJPO$PNQBOZ6OJUFE/BUJPOT
Summary: A documentary that recalls women’s involvement in the anti-pass campaign, from the first protests to the
NBSDIUIBUUPPLQMBDFJO1SFUPSJBJO"VHVTU XIFO XPNFOEFMJWFSFEBQFUJUJPOUPUIF1SJNF.JOJTUFST
office.

YOUNG LIONS
:FBS-FOHUINJO
%JSFDUPS,IBMP.BUBCBOF
Production Company: M&G TV for SABC3
4VNNBSZ%VSJOHUIFT NBOZZPVOHQFPQMFCFDBNFJOWPMWFEJOUIFBOUJBQBSUIFJETUSVHHMFBOE BTTUVEFOUBDUJW-
ists, were part of the ‘young lions’ who fought to bring down the regime. This documentary examines what hap-
pened to the youth of the time and assesses the price they paid for their involvement.

t4")""VEJPWJTVBM"VEJU3FQPSU
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
SUBJECT INDEX - LIBERATION STRUGGLE DOCUMENTARIES

African National Congress


"GSJLB.BZJCVZF
"/$/BUJPOBM$POTVMUBUJWF$POGFSFODFo%FDFNCFS
*OUIFOBNFPG.BOEFMBXBSBOEQFBDF
-BVODI"/$8PNFOT-FBHVF
4QFBSPGUIFOBUJPO
Ulibambe lingashoni (Series) 82

African National Congress Leaders


(see also under Hani, Luthuli, Mandela, Sisulu)
)FBSUBOETUPOF 
-FNCFEF
035BNCP
"TDBSMFUQJNQFSOFMJO4PVUI"GSJDBUIFMJGFJOWJPMFOUUJNFTPG.BD.BIBSBK
4PMPNPO1MBBUKFBNBOGPSPVSUJNF
5IBCP.CFLJSFOBJTTBODFNBO
5IFNCB)BSSZ(XBMB4PVUI"GSJDBSFWPMVUJPOBSZ

Anti-Apartheid Movement
Before dawn: culture in another South Africa 28
5IFCMPPEZNPOFZTNVHHMJOH/PSXBZTDPWFSUBJEGPSUIFMJCFSBUJPOPG4PVUI"GSJDB
)BWFZPVIFBSEGSPN+PIBOOFTCVSH "QBSUIFJEBOEUIFDMVCPGUIF8FTU
1MBZJOHIJTUPSZ
5IFTFDSFUTBGBSJ
8IJUFMJFT

Apartheid History & Ideology


Apartheid 25
"QBSUIFJE 4FSJFT

Back on the frontier 28
5IF#SPFEFSCPOEBOEUIF%VUDI3FGPSNFE$IVSDI
4PVUI"GSJDBUIFXIJUFMBBHFS 

Armed Struggle
The battle for South Africa 28
%FBGFOJOHFDIPFT
'MPXFSTPGUIFOBUJPO
'PSHPUUFO
The knitting needles guerrillas: fatigues on fire 52
.,UIFQFPQMFTBSNZHSBEVBUJPOUPUIFGVUVSF
5IFTFDSFUTBGBSJ
5IFTVOXJMMSJTF 
Toothless tigers? The demobilisation of South African freedom fighters 80
8IFOUIFXBSJTPWFS

t4")""VEJPWJTVBM"VEJU3FQPSU
Biko, Steve
Bantu Steve Biko: beacon of hope28
Biko: the spirit lives 30
The life and death of Steve Biko 55
4UFWF#JLPKPVSOFZPGUIFTQJSJU

Black Sash
5IF#MBDL4BTIUIFFBSMZZFBST 
5IFSJCCPO 
4IFFOB%VODBOUIFCVSEFOPGQSJWJMFHF 

Culture
Before dawn: culture in another South Africa 28
Breyten Breytenbach: the artist 32
$PNQFMMJOHGSFFEPN;JMJNB[JZBFUTIFOJ 
%PHNBBOEESFBNT
(FPSHF1FNCBQBJOUFSPGUIFQFPQMF
*OEBSLFTU)PMMZXPPEDJOFNBBOEBQBSUIFJE  
.[XBLIF.CVMJUIFQFPQMFTQPFU
4"#$oZFBSTUIFVOUPMETUPSZ
4POHPGUIFTQFBS
4POHPMPMPWPJDFTPGDIBOHF 
"TUSBOHFSJOBTUSBOHFMBOE1BVM4JNPOJO4PVUI"GSJDB
The two rivers 82
7PJDFTGPS/BNJCJB
8IFO*FBUDIPDPMBUF*SFNFNCFSZPV

Daily Life Under Apartheid


"QBSUIFJEJOTJEF PVUTJEF
Civilisation on trial in South Africa 35
$PNFCBDL "GSJDB
&OEPGUIFEJBMPHVFBQBSUIFJEJO4PVUI"GSJDB1IFMBOEBCB
)BWFZPVTFFO%SVNSFDFOUMZ  
+VTUBOJODIBXBZ
,BUVUVSB
-BTUHSBWFBU%JNCB[B
-FUNZQFPQMFHP
4BOESB-BJOHBTQJSJUVBMKPVSOFZ
5IF4FBSDIGPS4BOESB-BJOH
4PVUI"GSJDBUIFCMBDLNBOTCVSEFO
4PVUI"GSJDBUIFXBTUFEMBOE
4PXFUPBIJTUPSZ
7PJDFTGSPNQVSHBUPSZ
7VLBOJo"XBLF

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Destabilisation of Frontline States
Killing a dream 52
The last domino 52
.P[BNCJRVFBQBSUIFJETTFDPOEGSPOU
6OEFSUIFWPMDBOP 

Detention, Torture & Assassination


(see also Biko, Steve)
Any child is my child 25
"QBSUIFJEUIFTUSFTTPOUIFNJOE
#FUSBZBM
#FUXFFO+PZDFBOESFNFNCSBODF
$FSUBJOVOLOPXOQFSTPOT 
$IJMESFOJOEFUFOUJPO
$MJFOUOVNCFSUXP
%BWJE8FCTUFSMJWFEGPSEFNPDSBDZ LJMMFECZBQBSUIFJE 
5IFEFBUIPG/FJM"HHFUU
5IFEFBUIPG1FUSVT/DIBCFMFOH
'BDJOHEFBUI GBDJOHMJGF
'MPXFSTPGUIFSFWPMVUJPO%FCPSBI.BUTIPCB
'MPXFSTPGUIFSFWPMVUJPO'MPSFODF3JCFJSP
5IF(VHVMFUVTFWFO
5IFMJCFSBMBOEUIFQJSBUF
5IFNBOXIPLOPXTUPPNVDI
5IF.PIBMF4US#SPUIFST
5IFNPPOJONZQPDLFU
5IFNZTUFSJPVTEJTBQQFBSBODFPG#PJLJ.BKFTUJD.IMBQJ
/FFEUPLOPX
/PUZFUGSFFy 
0VUJOUIFPQFO
1MBHVFXBSTUIFTFDSFULJMMJOHT
1PMJDFCSVUBMJUZJO#PQIVUIBUTXBOB
1SJNFFWJM
"RVFTUJPOPGNBEOFTT
4JQIJXP.UJNLVMVTTUPSZ
4VGGFSUIFDIJMESFOBSFQPSUGSPNJOTJEF4PVUI"GSJDB
5IFTVOXJMMSJTF 
5SVFDPOGFTTJPOTPGBOBMCJOPUFSSPSJTU
Unfinished business 5, 83
The unfolding of sky 83
Wanted: Shirley Gunn 85
Webster spirit 85

t4")""VEJPWJTVBM"VEJU3FQPSU
Domestic Workers
.BJETBOENBEBNT
.Z"GSJDBONPUIFS 

Economic Sanctions & Consumer Boycotts


Act of Union 23
"QBSUIFJEHPME
Calling for pressure 33
$POTVNFSCPZDPUUT
'SFFEPNJOPVSMJGFUJNF
)BWFZPVIFBSEGSPN+PIBOOFTCVSH "QBSUIFJEBOEUIFDMVCPGUIF8FTU
5IF.JEBTUPVDI
/BNJCJBOVDMFBSSFBDUJPOT
4PVUI"GSJDBUIFOVDMFBSGJMF 
Working for Britain 88

Education
$PMPVSJOHJOPVSDMBTTSPPNT
&EVDBUJPOBCBTJDIVNBOSJHIU
The island & the apple box 50
1FPQMFTFEVDBUJPOGPSQFPQMFTQPXFS
4DIPPMDSJTJTJO4PXFUP
5IFTQJSJUPGOPTVSSFOEFS

End Conscription Campaign & National Service


Crossing the border / Over de grens 38
&BUNZDBMMVQ
.BSDIJOHPSEFST 
/PBQBSUIFJEXBSTUBOECZ*WBO5PNT
1SPQFSUZPGUIFTUBUFHBZNFOJOUIFBQBSUIFJENJMJUBSZ
Too far apart 80

Forced Removals
Abaphuciwe: the dispossessed 23
The broken string 33
$BUP.BOPSQFPQMFXFSFMJWJOHUIFSF
Crossroads 38
Crossroads / South Africa: the struggle continues 38
%JTDBSEFEQFPQMF
5IFEVNQJOHHSPVOET
%VSCBOBDJUZQMBOOFECZBQBSUIFJE
&OUIPNCF
Kliptown 52

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Land affairs2, 52
Last supper in Hortsley Street 53
/EBCFOJUIFGJSTUGPSDFESFNPWBM
/PUJDFUPRVJU
1BSUPGUIFQSPDFTT
5IFTUPSZPG6NLIVNCBOF$BUP.BOPS8IPTFMBOE 8IPTFNFNPSZ 
4USFFUTPOGJSF
5BLFBQMBDFMJLF$BOBBO

Freedom Charter
Isitwalandwe: the story of the South African ‘Freedom Charter’ told by those who struggle for it 50
Kliptown 52

Hani, Chris
5IFMJGFUJNFTPG$ISJT)BOJ 
.BSUJO5IFNCJTJMF)BOJ

Homeland Policy
Abaphuciwe: the dispossessed 23
5IFDPNSBEFLJOH
5IFEJTDBSEFEQFPQMF
5IFEVNQJOHHSPVOET

Individual Anti-Apartheid Activists


(see also Women)
#PSOJOUPTUSVHHMF
Brothers in arms 33
5IFDPNSBEFLJOH
%FOOJT#SVUVT*BNBSFCFM
+BNFT.BOHFUIFNBOXIPTIPPL1SFUPSJB
+PF4FSFNBOFOPNBOTNBO
3PCFSU4PCVLXFBUSJCVUFUPJOUFHSJUZ 

Inkatha
*NCBCB[BOFUIFMJGFBOEUJNFTPG.BOHPTVUIV#VUIFMF[J
,JMMFSPSIFBMFS

Internecine Violence
Behind black on black 28
Bisho: the story behind the massacre 30
5IF$PNSBEFT
%SPXOJOHJOCMPPE
,JMMFSPSIFBMFS

t4")""VEJPWJTVBM"VEJU3FQPSU
5IFPUIFSTJEF 
5IFQFBDFNBLFST
"TBWBHFXBSPGQFBDF
4PVUI"GSJDBTLJMMJOHHSPVOE

Land Reform
The broken string 33
$MBJNJOHUIFQBTUUIF3JDIUFSTWFMETUPSZ
Love and the bulldozers 55
Those glowing eyes: letter from Southern Africa 80

Luthuli. Albert
"MCFSU-VUIVMJUIFMFHBDZ5IFMFHFOE
.BZJCVZF"GSJDB$IJFG"MCFSU-VUVMJoIJTTUPSZ

Mandela, Nelson
#JSUIEBZUSJCVUFUP/FMTPO.BOEFMB
5IFGJSTUBDDVTFEBOJOUJNBUFQPSUSBJUPG/FMTPO.BOEFMB
'SFF.BOEFMB
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.BOEFMB
Mandela: father of a nation 58
Mandela: the living legend 58
Mandela: the man and his country 58
/FMTPO.BOEFMBJOIJTPXOXPSET
/FMTPO.BOEFMBKPVSOFZUPGSFFEPN
/FMTPO.BOEFMBUIFTUSVHHMFJTNZMJGF
5IFQSFTJEFOUUIFQSPTFDVUPS
"SJHIUFPVTNBO/FMTPO.BOEFMBBOEUIF+FXTPG4PVUI"GSJDB
7JWB.BOEFMB

Mandela, Winnie
5IFPUIFS.BOEFMB
8JOOJF.BOEFMBVOEFSBQBSUIFJE 
8JOOJFUIFQPMJUJDTPGWJPMFODF

Migrant Labour
(PMEXJEPXT

Music
"NBOEMB"SFWPMVUJPOJOGPVSQBSUIBSNPOZ
#MPXJOHIPNF
'SFFEPNCFBU

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
+BNFT.BOHFUIFNBOXIPTIPPL1SFUPSJB
+BNFT1IJMMJQTGBNPVTGPSOPUCFJOHGBNPVT
Mandela tribute, Wembley 58
.JSJBN.BLFCB.BNB"GSJDB
3IZUINPGSFTJTUBODFUIFCMBDLNVTJDPG4PVUI"GSJDB
4PXFUPCMVFT
4UPQQJOHUIFNVTJD
"TUSBOHFSJOBTUSBOHFMBOE1BVM4JNPOJO4PVUI"GSJDB
7JWB.BOEFMB

Namibia
$MJFOUOVNCFSUXP
A cry for freedom 38
/BNJCJBOVDMFBSSFBDUJPOT
/BNJCJBoUFMMUIFXPSME
3FNFNCFS,BTTJOHB
7PJDFTGPS/BNJCJB

Naude, Beyers
#FZFSTBOE*MTF/BVEFBKPVSOFZ
5IFDSZPGSFBTPO#FZFST/BVEFBO"GSJLBOFSTQFBLTPVU

Negotiations
"QBSUIFJEUIF%BLBSDPOGFSFODF
"QBSUIFJETMBTUTUBOE
Breaking the fetters 32
$PVOUEPXOUPGSFFEPNEBZTUIBUDIBOHFE4PVUI"GSJDB 
5IFEFBEMJOF 
%FBUIPGBQBSUIFJE
.BOEFMBGSFFEBOEPSHBOJTBUJPOTVOCBOOFE
The lawyer, the farmer & the clerk 2, 53
5IFQFBDFNBLFST
3BMMZGPSQFBDF
4PVUI"GSJDBUPEBZBRVFTUJPOPGQPXFS
5PCFBHBJOTUBQBSUIFJEJTOPSNBM"GSJLBBOTXSJUFSTNFFUUIF"/$
The unbannings and Mandela freed 83

Pan Africanist Congress


"1-"TUJDLTUPHVOT
&OEPGUIFEJBMPHVFBQBSUIFJEJO4PVUI"GSJDB1IFMBOEBCB
1BO"GSJDBOJTU$POHSFTTTQFBLT
2BNBUBVWVNJMF&WFOUIFHPETIBWFBHSFFE
3PCFSU4PCVLXFBUSJCVUFUPJOUFHSJUZ 

t4")""VEJPWJTVBM"VEJU3FQPSU
Pass Law System
-BXBOEGSFFEPN1BSU 8IPXBT.ST ,PNBOJ 
:PVIBWFTUSVDLBSPDL

Photographers
GJOHFSPOUIFUSJHHFS 
&MJ8FJOCFSH QIPUPHSBQIFS%FEPOLFSFLBNFSWBO&MJ8FJOCFSH
&SOFTU$PMFQIPUPKPVSOBMJTU
*NBHFTJOTUSVHHMF4PVUI"GSJDBOQIPUPHSBQIFSTTQFBL

Political Trials
"DDVTFE/FMTPO.BOEFMBUIFUSJBMPGUIF3JWPOJB
%FMNBTUIFQBTTJPOyUIFQBJO 
*OUIFEPDL 
5IFQSFTJEFOUUIFQSPTFDVUPS

Popular Resistance
The anvil & the hammer 25
#FMFBHVFSFEMBTUIPQF
Bound to strike back32
'PSXBSEUPBQFPQMFTSFQVCMJD
'SFFEPNXBTOPUGSFF
'SVJUTPGEFGJBODF 
(FOFSBUJPOTPGSFTJTUBODF 
)JTUPSZVODVU 4FSJFT

1FPQMFVOEFSGJSFBTIPPUJOHJO4PXFUP
1IBOUTJNFMMPXZFMMPX
3FWPMVUJPOBSJFTMPWFMJGF
4USFOHUIJOVOJUZUIF$BQF5PXOVQSJTJOH
"USVMZXPOEFSGVMBEWFOUVSF
We are the elephant 85
8IFOUIFXBSJTPWFS
:PVOHMJPOT 

Post-Apartheid
The bureaucrats 33
Children of God 35
5IFEFBEMJOF 
5IFJOBVHVSBUJPO
5IFNBJEFOTQFFDI 
4USZEPNJTWFSZ WFSZEFBE

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Pre-Apartheid
The African from Aberystwyth 23
#IBNCBUIBXBSPGUIFIFBET
/EBCFOJUIFGJSTUGPSDFESFNPWBM
4PMPNPO1MBBUKFBNBOGPSPVSUJNF

Press
5IJTSFQPSUIBTCFFODFOTPSFE TFF(SPXJOHVOEFSBQBSUIFJETGFFU

)BWFZPVTFFO%SVNSFDFOUMZ  

Protest Theatre
"TJOBNBMJ/PUIJOHUPMPTF
#PQIB"SSFTU 
Lakutshon ‘ilanga 52
/BHHJOHEPVCU
4FHPQPUTP
7PJDFTGPS/BNJCJB
8IFO*FBUDIPDPMBUF*SFNFNCFSZPV

Religion and Apartheid


#FZFSTBOE*MTF/BVEFBKPVSOFZ
#JTIPQ%FTNPOE5VUVBQBSUIFJEJO4PVUI"GSJDB
5IFCMPPEZNPOFZTNVHHMJOH/PSXBZTDPWFSUBJEGPSUIFMJCFSBUJPOPG4PVUI"GSJDB
5IF#SPFEFSCPOEBOEUIF%VUDISFGPSNFE$IVSDI
$IBMMFOHFUPUIFDIVSDIFT TFF(SPXJOHVOEFSBQBSUIFJETGFFU

Christians and the underground struggle 35
The church and the struggle 35
5IFDSZPGSFBTPO#FZFST/BVEFBO"GSJLBOFSTQFBLTPVU
'BJUIJOSFTJTUBODF 4FSJFT

(PECMFTT"GSJDB 4FSJFT

*G(PECFGPSVTy 
Love and the bulldozers 55
.BLIBMJQJMFUIFEBVOUMFTTPOF
.BOXJUIPVUGFBS%FTNPOE.QJMP5VUV
/PNJEEMFSPBEUPGSFFEPN 
4PVUI"GSJDBMPWFT+FTVT
5IFTUSVHHMFGSPNXJUIJO 
5IJTXFDBOEPGPSKVTUJDFBOEGPSQFBDF 

Returning Exiles
#FMPOHJOH
#PSOJOUPTUSVHHMF
Children of the revolution 35

t4")""VEJPWJTVBM"VEJU3FQPSU
%PXO4FDPOE"WFOVFUIFMJGFBOEUJNFTPG&TLJB.QIBIMFMF
'PSHPUUFO
5IFSFUVSO
3FUVSOJOIPQF.JSJBN.BLFCBDPNFTIPNF
Toothless tigers? The return of South African freedom fighters 80
5XFMWFEJTDJQMFTPG/FMTPO.BOEFMB

Robben Island
#BDLIPNFSPPUTPGBOFX4PVUI"GSJDB
The island & the apple box 50
"KPVSOFZCBDL
5IFMPOHKPVSOFZPG$MFNFOU;VMV
1PMJUJDBMJNQSJTPONFOUMFTTPOTJO"GSJDBOMFBEFSTIJQ
1SJTPOFSTPGIPQF3PCCFO*TMBOESFVOJPO 
3PCCFO*TMBOE PVSVOJWFSTJUZ
7PJDFTGSPNUIFJTMBOE

Security Police
"QBSUIFJETGPPUTPMEJFST
The British desk: South Africa’s intelligence operations in Britain 32
1SJNFFWJM

Sharpeville Massacre
&DIPFTPGNZQBTUBQFSTPOBMIJTUPSZPGUIF4IBSQFWJMMFNBTTBDSF
/BHHJOHEPVCU

Sisulu, Walter
"4PVUI"GSJDBOMPWFTUPSZ8BMUFSBOE"MCFSUJOB4JTVMV
8BMUFS4JTVMVGBUIFSPGUIFOBUJPO

Solomon Mahlangu Freedom College


"NBOEMB.BBUMBBGJMNBCPVU4PVUI"GSJDBOZPVUI
.B[JNCV

South African Communist Party


"NBLPNBOJTJUIF4PVUI"GSJDBO$PNNVOJTUQBSUZ 
-PWF DPNNVOJTN SFWPMVUJPO3JWPOJB#SBN'JTDIFSTTUPSZ 
5IFSFEGMBH
8IJUFHJSMJOTFBSDIPGUIFQBSUZUIFTUPSZPG1BVMJOF1PECSFZBOE)"/BJEPP

Soweto Uprising
4JYEBZTJO4PXFUP 
4PXFUPBIJTUPSZ

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
4PXFUPCMVFT
5IF4PXFUPVQSJTJOH
5IFTQJSJUPGOPTVSSFOEFS
Tsietsi, my hero 82
Two decades still 82
The untold truth 83
8FEOFTEBZ
8IBUIBQQFOFEUP.CVZJTB 

Sport
Breaking the line 32
Burning down the house 33
*RBCB)BSECBMMUIFIJTUPSZPGCMBDLDSJDLFUJO4PVUI"GSJDB
/PUDSJDLFUUIF#BTJM%0MJWFJSBDPOTQJSBDZ
/PXIFSFUPQMBZDPOWFSTBUJPOTXJUI4PXFUPHPMGFST
1BUV
5SZGSFFEPN 

Trade Unions
UIFSFCJSUIPG"GSJDBOUSBEFVOJPOT
$IBOHJOHUIJTDPVOUSZUIFUFTUJNPOZPGGPVS4PVUI"GSJDBOXPSLFST
$PNQFMMJOHGSFFEPN;JMJNB[JZBFUTIFOJ 
$04"56BHJBOUIBTSJTFO 
'JHIU .BCIJEBGJHIU
.BZ%BZ TFF(SPXJOHVOEFSBQBSUIFJETGFFU
 
)MBOHBOJOJBTIPSUIJTUPSZPG$04"56
*OTJNCJBZJHPCJBIJTUPSZPGUIF/BUJPOBM6OJPOPG.FUBMXPSLFSTPG4"
."86BOE.BZ%BZ
/PUZFUGSFFy 
1BTTJOHUIFNFTTBHF
1IBNCJMJ8PSLJOHXPNFOJO4PVUI"GSJDB
4JNPO/HVCBOFoTUJMMPOTUSJLF
Working for Britain 88
Working for the workers 88

Truth, Reconciliation & Compensation


#FUSBZBM
$POGSPOUJOHUIFIJUNFO
'BDJOHUIFUSVUI XJUI#JMM.PZFST
*GUSVUICFUPMEy     
,IVMVNBOJ4QFBLPVU
-JCFSBUJPOPGUIFTPVM
Long night’s journey into day 55

t4")""VEJPWJTVBM"VEJU3FQPSU
0VUJOUIFPQFO
5IFSJHIUTPGUIFXSPOHFE
4JQIJXP.UJNLVMVTTUPSZ
5IJTDSB[ZUIJOHDBMMFEHSBDF
Tide marks: legacies of apartheid 80
Tutu 82
The unfolding of sky 83
We never give up 85

Tutu, Desmond
#JTIPQ%FTNPOE5VUVBQBSUIFJEJO4PVUI"GSJDB
.BOXJUIPVUGFBS%FTNPOE.QJMP5VUV
5IJTDSB[ZUIJOHDBMMFEHSBDF
Tutu 82

Whites Against Apartheid


(see also Black Sash, End Conscription Campaign)
"MBO1BUPOTCFMPWFEDPVOUSZ 
"MCJF4BDITCSPLFOCVUVOCSPLFOBQPSUSBJUPGBOJSSFQSFTTJCMFGSFFEPNGJHIUFS
"QBSUIFJETGPPUTPMEJFST
#FZFSTBOE*MTF/BVEFBKPVSOFZ
Burning down the house 33
Christians and the underground struggle 35
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Wanted: Shirley Gunn 85
Webster spirit 85
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White Right-Wing
The boxer 32
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The lawyer, the farmer & the clerk 2, 53

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Women
(see also Black Sash)
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Cissie Gool 35
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The knitting needles guerrillas: fatigues on fire 52
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Through my eyes: Blanche La Guma8 0
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We tell our stories the way we like: the wives of the Cradock four 85
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Youth
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Any child is my child 25
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