Documentos de Académico
Documentos de Profesional
Documentos de Cultura
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The South African History Archive (SAHA) is an independent human rights archive committed to recaptur-
ing lost and neglected histories, documenting past struggles against apartheid, as well as ongoing struggles in
the making of democracy in South Africa. SAHA’s central mission is to bring South African history out of the
archives and into schools, universities and communities in new and innovative ways. SAHA is also dedicated
to using South Africa’s Promotion of Access to Information Act in order to extend the boundaries of freedom
of information in South Africa and to build up an archive of materials released under the Act for public use.
For more information about SAHA’s archives, outreach projects and product development, please contact:
The Audiovisual Audit Report was made possible by the support of Atlantic Philanthropies.
CONTENTS
Introduction v
Film & Video Archives 1
Stock Footage Libraries 13
Reference & Lending Libraries 19
Liberation Struggle Documentaries 23
Index 98
INTRODUCTION
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undertaken on behalf of the South African History Archive (SAHA) at the University of the Witwatersrand, with funding
from the Atlantic Philanthropies and professional support from the Visual History Archive at the University of Cape Town.
*O
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UIFJOJUJBMBVEJUSFQPSUDPOUBJOFEEF-
tails related mainly to fairly sizeable collections. An effort was thus made to include individuals and smaller production
companies that were not included in the first edition of this report. The aim is to update the report on an annual basis,
toward an exhaustive audit of audiovisual heritage related to the South African liberation struggle. This will be released
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The aim of this audit was to increase awareness of, and access to, audiovisual material relating to the liberation struggle
in South Africa through identifying and listing archives, stock footage libraries and other repositories, both nationally and
internationally, which currently house such materials. A brief overview of the holdings of each repository is included, along
with contact details and links to related finding aids, where available.
Because of time and other constraints, we have concentrated on fairly sizeable collections. There are many individuals
and production companies that have made one or two films on subjects related to the anti-apartheid struggle, but may not
been listed in this report as they do not necessarily own source material that can be made available to others. This report
should be seen as a work-in-progress, to which additional information can be added and for which the existing information
can be refined.
The first section deals with film & video archives, both in South Africa and abroad.
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that of the UWC Robben Island Mayibuye Archives at the University of the Western Cape, to relatively small, but still useful
collections at privately owned companies or specialised distribution agencies, as well as those based at various state depart-
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While some custodians were extremely helpful and forthcoming about their holdings, others were very cagey and cau-
tious about revealing anything. With a few notable exceptions, the greatest problem in accessing materials is that in most
cases no easily accessible databases exist and there is no doubt that this is one of the greatest drawbacks facing any re-
searcher. A notable omission from this list is the SABC which, despite many attempts through various contacts, never came
back to us.
There are many stock, archival and news footage libraries, but few of them have sizeable archives of relevance to individuals
or organisations interested in the South African liberation struggle. Those listed in this report have collections that have
been of interest in the past and possess footage that has appeared in many documentaries.
Most of the material originates from cinema newsreels, television newscasts and various news agencies. The websites
that don’t have material themselves provide useful guides to what has been produced and what still exists in various com-
mercial and other archives. In each case we did test searches on key words that should give potential users an idea of how
useful these libraries are likely to be.
*OUSPEVDUJPOtW
Reference & Lending Libraries
While there are many public and university libraries, especially in the United States, that have impressive collections of
African material, there tends to be a lot of duplication, with many having obtained the same material from the same dis-
tributors, practically all of them American-based. The libraries that we have included are ones that have unearthed material
that is not always easily accessible. As far as the two local libraries listed, there are certain restrictions on access, but within
South Africa they have the best selection.
The following two websites may be of interest in that they provide links to a number of potentially useful film databases:
t The University of Southampton Library has compiled a useful list of the websites of 85 film archives and footage sources
from around the world.
www.soton.ac.uk/library/subjects/filmstudies/filmarchives.html
t Focal International is maintained by the Federation of Commercial Audiovisual Libraries, a not-for-profit professional
USBEFBTTPDJBUJPOGPVOEFEJOUIBUQSPWJEFTBDDFTTUPOFBSMZBSDIJWFTBOEBOTXFSTBMMFORVJSJFTGSFFPGDIBSHF
www.focalint.org/index.htm
This is a selective list of internationally produced documentaries that deal with various aspects of the liberation struggle,
from the pre-apartheid era to the days immediately following the first democratic elections. They range from some very well
known films that have been shown at festivals and won various awards, to relatively obscure titles that deserve to be known
better. The summaries attached are really too short to do justice to the subject and a true reflection of their content will
have to await a properly developed database of South African film. However, the more than 300 documentaries that have
been included have all been watched and the information provided is from the films themselves rather than from secondary
sources. More than any other section in this report, this is of necessity a work-in-progress.
An index is included at the end of this list, with the titles of listed documentaries organised into broad subject areas, with
some titles appearing more than once under different headings.
Conclusion
While working on this project it became clear that though much work has gone into preserving and organising the surviv-
ing text-based material dealing with all aspects of South Africa’s Liberation Struggle, the film and video footage has not
ZFUSFDFJWFEBEFRVBUFBUUFOUJPO"CBTJDQSPCMFNJTUIBUXIJMFWBSJPVTJOTUJUVUJPOTUIBUIBWFDPMMFDUJPOTIBWFDBUBMPHVFEUIF
material they have in their possession, as yet there has been no attempt to provide a comprehensive overview of everything
that has been made. The Visual History Archive at the University of Cape Town (see listing in Film and Video Archives sec-
tion) has undertaken to address this gap by creating an online database, first of the struggle material and then, hopefully, of
the entire output of the South African cinema, from the very beginning to the present day. If anyone is aware of any similar
projects, or would like to suggest additions or amendments to this audit report, please contact SAHA.
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Copyright issues
It should be noted that many of the archives do not necessarily own the copyright to all the source material
they hold. While they can often provide on-site viewing copies, potential users should be prepared to follow
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5IF$FOUSFGPS4PDJBM.FEJBBUUIF"NFSJDBO6OJWFSTJUZJO8BTIJOHUPO%$oJODPMMBCPSBUJPOXJUIUIF
%PDVNFOUBSZ'JMNNBLFST"TTPDJBUJPOBOEUIF#MBDL'JMNNBLFST/FUXPSLJO4PVUI"GSJDBoIBTCFFOXPSL-
ing on an initiative looking at copyright, fair dealing and documentary filmmakers.
This has included:
t a legal advice network for documentary filmmakers on user rights in copyright law;
t a clear, easy to understand statement of fair and reasonable approaches to fair use, which is a crucial fea-
ture of copyright law.
For more information on this and related projects that may be of interest to audiovisual archivists and docu-
mentary filmmakers in South Africa, please see:
http://www.centerforsocialmedia.org/fair-use/best-practices/documentary/documentary-filmmakers-
statement-best-practices-fair-use
http://www.wcl.american.edu/pijip/go/filmmakerpapers
*OUSPEVDUJPOtWJJ
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FILM & VIDEO ARCHIVES
Description5IFDPMMFDUJPOTFFNTUPDPOTJTUWFSZMBSHFMZPGNBUFSJBMTIPUCZ"/$DBNFSBNFOJOFYJMF
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tries in Southern and Central Africa.
Holdings7BSJPVTMZFTUJNBUFEBU
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through the South African Film & Video Project of Michigan State University.
Finding Aids/POFBUUIFNPNFOU
Access: Unknown
Description "GSJDBO 4LJFT DPOUBJOT UIF DBUBMPHVF PG UIF WJEFP BSDIJWFT PG UIF GPSNFS %VUDI "OUJ"QBSUIFJE .PWFNFOU
""#/
.PTUPGUIFNBUFSJBMXBTTIPUEVSJOHUIFQFSJPEUPCZGJMNNBLFSTBGGJMJBUFEUPUIF""#/
PGUFOJO
DPMMBCPSBUJPOXJUIUIF"/$7JEFP6OJU*UBMTPDPOUBJOTUFMFWJTJPONBUFSJBMPCUBJOFEGSPNUIFGSPOUMJOFTUBUFTBOEPUIFS
%VUDIUFMFWJTJPOTUBUJPOT5IF'PVOEBUJPO"GSJDBO4LJFTXBTFTUBCMJTIFEJOUPNBOBHFUIFBSDIJWFBGUFSUIF""#/
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refugee camps in Southern Africa, the aggression of the apartheid regime against the front-line states and support for
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Holdings"UPUBMPGUBQFTPGBTTPSUFEGPPUBHF
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7JEFP4PVOE"SDIJWFJO1SFUPSJB
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UJNFDPEFE7)4TFUXBTQSFTFOUFEUPUIF"/$
Finding Aids"WFSZEFUBJMFEBOEBOOPUBUFEQSJOUFEi$BUBMPHVFPGUIF%VUDI"OUJ"QBSUIFJE.PWFNFOU7JEFP"SDIJWFw
DPNQJMFECZ'POT(FFSMJOHTGPSUIF'PVOEBUJPO"GSJDBO4LJFT
QVCMJTIFEJOBTTPDJBUJPOXJUIUIF4PVUI"GSJDBO%FQBSU-
ment of Arts and Culture. There is also a web version at www.africaserver.nl/africanskies
Access5JNFDPEFEDPQJFTDBOCFPSEFSFEGSPNCPUI"GSJDBO4LJFTBOEUIF/'74"
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Name: Community Video Education Trust (CVET)
Current Physical Location: Centre for Curating the Archive, University of Cape Town.
Contact Email: cvet@mail.ngo.za
Contact Person/BUBMJF.D"TLJMM
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Tel
Fax/"
Street/Postal Address$PNNVOJUZ7JEFP&EVDBUJPO5SVTU
10#PY
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Description$VSJPVT1JDUVSFTXBTMBVODIFEJOCZ)BSSJFU(BWTIPOBOE%BWJE+BNNZBT8FFLMZ.BJM5FMFWJTJPO
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became Mail & Guardian Television, morphed once more into M & G TV and finally, after it broke away from the Mail &
Guardian newspaper with which it had been affiliated, settled on its current name. Early on it achieved fame with three
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of three participants. A number of these are of relevance to the immediate post-apartheid era: “The lawyer, the farmer &
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CVSEFOPGQSJWJMFHFi
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CPUI
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Holdings: The above-mentioned titles are all available, as is some source material for them.
t4")""VEJPWJTVBM"VEJU3FQPSU
Finding Aids: Completed films are listed on an online database at http://www.curious.co.za/index.html
Access6QPOSFRVFTU
Name: Defence Television (South African National Defence Force)
Current Physical Location: Unknown
Email Address: ludickc@yahoo.com
Contact Person: Mrs. C. Ludick
Tel
Fax
Street/Postal Address: Unknown
Description: Kevin Harris has been an independent film maker for almost 30 years and during this time he has produced
a large number of documentaries. Many of them deal with the anti-apartheid struggle and his first films were made for
UIF4PVUI"GSJDBO$PVODJMPG$IVSDIFTi5IJTXFDBOEPGPSKVTUJDFBOEGPSQFBDFw
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i4"#$
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there is source material and raw footage.
Holdings"MUPHFUIFSBCPVUUBQFT
NPTUMZPO#FUBDBN41BOE%7GPSNBUT
Finding Aids: Completed films are listed on an online database at www.kevinharris.co.za
Access:0OMJOFVQPOSFRVFTU
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Name: Khalid Shamis c/o tubafilms
Current Physical Location: Personal Collection
Contact Email: khalid@tubafilms.com
Contact Person: Khalid Shamis
Tel:
Fax: /"
Street/Postal Address: UVCBGJMNT
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Description: The Imam Haron Archive is a collection of material related to the late Imam, who was a religious community
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document and photographic collection has been in the possession of the Haron family and trust. The video archive col-
lection has been collated by Khalid Shamis of tubafilms in relation to the documentaries on the Imam’s life, death and
legacy (www.tubafilms.com)
Holdings:NJOJ%7DBTTFUUFUBQFT
NBJOMZJOUFSWJFXTXJUIQFPQMFXIPLOFXPSXFSFJOGMVFODFECZ*NBN)BSPOUIF
interviews are largely about the Imam and the relationship of the interviewees to him and/or his legacy. This includes
GBNJMZBOEGSJFOETPGUIF*NBN*OUFSWJFXFFTJODMVEF+BNFT.BUUIFXT
*CSBIJN3BTPPM
"DINBU$BTTJFN
;VCFJEB+BG-
GFS"MTPJODMVEFEJTBWBTUBSSBZPGQIPUPHSBQITPGUIF*NBNBOEEPDVNFOUTJOUIF*NBNTOBNF
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animated documentary entitled ‘The Killing of the Imam.’
Finding Aids: Unpublished catalogue
Access: Contact imamharon@gmail.com; visit www.imamharon.com.
Description0SJHJOBMMZQBSUPGUIF/BUJPOBM'JMN#PBSEPG4PVUI"GSJDB
UIF/BUJPOBM'JMN"SDIJWFTXBTUIFPOMZTFDUJPOUP
TVSWJWFXIFO
JO
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&EVDBUJPO
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7JEFP
4PVOE"SDIJWFT /'74"
*UJTUIFPGGJDJBMDVTUPEJBOPGUIFOBUJPOTGJMNBOESFDPSEFETPVOEIFSJUBHFBOEUIF-FHBM%F-
QPTJU"DUPGBMTPNBLFTQSPWJTJPOGPSUIFNBOEBUPSZEFQPTJUPGMPDBMMZQSPEVDFEGJMNT
WJEFPT
SFDPSET
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Copies of all audio-visual material produced for the various state departments are regularly transferred to the archive,
but their holdings include donations from production companies, institutions and private individuals. Occasionally
NBUFSJBMJTQVSDIBTFEPSFYDIBOHFE5IF/'74"GBMMTVOEFSUIF%FQBSUNFOUPG"SUTBOE$VMUVSF
Amongst the special collections are: the African Mirror / SA Mirror / Mirror International newsreel series and its Afri-
LBBOTFRVJWBMFOU0OT/VVT
WBSJPVTPUIFS"GSJDBOOFXTSFFMT
JODMVEJOH-./FXTBOE3IPEFTJBO4QPUMJHIU
t4")""VEJPWJTVBM"VEJU3FQPSU
UIF4PVUI"GSJDBO$BNFSBOFXTSFFMTFSJFTHPWFSONFOUTQPOTPSFEGJMNTNBEFCZUIF/BUJPOBM'JMN#PBSEPG4PVUI
"GSJDB
UIF4PVUI"GSJDBO"OHMP#PFS8BSDPMMFDUJPOGJMNTNBEFGPSUIF%FQBSUNFOUPG%FGFODFEVSJOH
8PSME8BS**4PVUI"GSJDBOEPDVNFOUBSJFTEBUJOHGSPNUIFTUIF4"5063GJMNBSDIJWFUIF5&#" 5IF&NQMPZ-
NFOU#VSFBVPG"GSJDB
BSDIJWFTUIFDPMMFDUJPOPGUIF%VUDI"OUJ"QBSUIFJE.PWFNFOUGJMNTNBEFGPSUIFPME4PVUI
"GSJDBO*OGPSNBUJPO4FSWJDF%FQBSUNFOUPG*OGPSNBUJPOBOEBOFYUFOTJWFGFBUVSFGJMNDPMMFDUJPO
Holdings: There is currently no comprehensive record of its holdings, but the material it has goes right back to newsreel
GPPUBHFPGUIF4PVUI"GSJDBO8BS
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/PWFNCFS
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SFFMTPGGJMN
XIJDIJODMVEFTOFXTSFFMT
documentaries, educational items, television programmes and features. This material is on all major film and video
formats.
Finding Aids5IFSFJTOPDPNQSFIFOTJWFPOMJOFEBUBCBTF
CVUUIFSFBSFWBSJPVTJOUFSOBMNBOVBMBJET
JODMVEJOHB6/*-
5&3.UJUMFDBUBMPHVF
BTVCKFDUDBUBMPHVFBOEUXPMJTUTDPNQJMFECZ5SFWPS.PTFT
OBNFMZBGFBUVSFGJMN
EBUBCBTFBOEBOGJMNIJTUPSZFWFOUTEBUBCBTF*OBEEJUJPONVDIPGUIFFBSMJFTUNBUFSJBMJTJOEFYFEPOUIF
/BUJPOBM3FHJTUFSPG"VEJP7JTVBM.BUFSJBM /"30.
5IJTEBUBCBTFJTQBSUPGUIF/BUJPOBM"VUPNBUFE"SDIJWBM*OGPS-
NBUJPO 3FUSJFWBM 4ZTUFN /""*34
NBJOUBJOFE CZ UIF /BUJPOBM "SDIJWFT PG 4PVUI "GSJDB 1BSUJDJQBUJOH JOTUJUVUJPOT
TVQQMZUIF/BUJPOBM"SDIJWFTXJUIBMMUIFOFDFTTBSZJOGPSNBUJPODPODFSOJOHUIFJSBVEJPWJTVBMDPMMFDUJPOTBOEUIFEFUBJMT
can be retrieved online from www.national.archives.gov.za/index.htm (click on Search Automated Archival Information
3FUSJFWBM4ZTUFNBOEUIFOPO/BUJPOBM3FHJTUFSPG"VEJP7JTVBM.BUFSJBM
"TFBSDIGPSi'JMNwXJMMCSJOHVQ
IJUT
QSJNBSJMZGSPNUIFDPMMFDUJPOPGUIF/'74"BOENPTUPGJUNBUFSJBMQSPEVDFEEVSJOHUIFGJSTUIBMGPGUIFth century.
Access: Access is open to all, but some material is restricted and may only be viewed with permission from the copyright
PXOFST7JFXJOHBOEQSJOUSFTFBSDIJTCZBQQPJOUNFOUPOMZBOEUIFNBUFSJBMNBZPOMZCFBDDFTTFEPO/'74"QSFNJTFT
5IFXSJUUFOQFSNJTTJPOPGUIFDPQZSJHIUIPMEFSJTSFRVJSFECFGPSFBOZNBUFSJBMDBOCFEVQMJDBUFE
Description5IF4"147JEFP6OJUBTJUFYJTUTOPXXBTFTUBCMJTIFEJOUIFNJET*OSFDFOUZFBSTUIFZIBWFNPTUMZCFFO
involved in producing material for the SABC and Pol-TV, an internal channel that broadcasts to police stations through-
out the country. Also produced are straightforward training films and records of police exhibitions and similar events.
*OBEEJUJPOUIFZGJMNDSJNFTDFOFTGPSVTFJOTVCTFRVFOUUSJBMT)PXFWFS
UIFZBMTPIBWFFYUFOTJWFGPPUBHFPGQPMJUJDBM
FWFOUTTVDIBTEFNPOTUSBUJPOT
NBSDIFTBOEGVOFSBMTUIBUUPPLQMBDFUISPVHIPVUUIFTBOEFBSMZT"QQBS-
ently this material was primarily shot for use in possible court cases. It was policy (though not always possible) to make
use of two cameras, one to film the action of the crowds and another to record the reaction of the police. This footage
XBTVTVBMMZTIPUCZDBNFSBNFOBGGJMJBUFEUPUIF*OUFSOBM4UBCJMJUZ6OJU5IFFBSMJFTUGPPUBHFUIFZIBWFEBUFTGSPN
Holdings5IFSFJTOPBDDVSBUFSFDPSEPGKVTUIPXNBOZUBQFTUIFSFBSF
CVUUIFSFBSFBUMFBTU
4PNFPGUIFPMEFS
NBUFSJBMJTPO6NBUJD CPUI-%BOE)%
BOEUIFSFBSFBOVNCFSPGQSPHSBNNFTPO7)4BOETPNFNJOJGPSNBUT
CVU
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
most of the material that relates to the liberation struggle seems to be on early Betacam.
Finding Aids/POFBUUIFNPNFOU"GFXZFBSTBHPUIFZFNCBSLFEPOBOBUUFNQUUPDSFBUFBOJOEFYEBUBCBTF
CVUBMBDLPG
IVNBOBOENPOFUBSZSFTPVSDFTIBTSFTVMUFEJOWFSZTMPXQSPHSFTT"CPVUUBQFTIBWFCFFOMJTUFETPGBS
Access: There is no real problem with providing access to bona fide researchers, but there is concern about supplying mate-
SJBMGPSVTFJOUFMFWJTJPOQSPEVDUJPOTPWFSXIJDIUIFZXPVMEIBWFOPDPOUSPM3FRVFTUTTIPVMECFBEESFTTFEUP%JSFDUPS
4USJOJ(PWFOEFSTUBUJOHUIFQVSQPTFGPSXIJDIBDDFTTJTSFRVJSFE
Descriptioni4PVUI"GSJDBPWFSDPNJOHBQBSUIFJE
CVJMEJOHEFNPDSBDZwJTBXFCTJUFTFUVQBOENBJOUBJOFECZ.JDIJHBO
State University in East Lansing. It consists of interviews with individuals who were involved in the anti-apartheid
t4")""VEJPWJTVBM"VEJU3FQPSU
struggle, supported by short segments of source material documenting mass resistance and police repression, as well
BTTFMFDUFEUFYUEPDVNFOUT5IFJOUFSWJFXTXFSFDPOEVDUFEJO4PVUI"GSJDBBOEUIF6OJUFE4UBUFTCFUXFFOBOE
.VDIPGUIFWJEFPGPPUBHFDPNFTGSPNUIF$7&5BSDIJWF
Holdings"UPUBMPGIPVSTPGJOUFSWJFXTXJUIJOEJWJEVBMT*UJODMVEFTCPUIUIFGVMMJOUFSWJFXTBTXFMMBTTPNF
shorter segments, together with 20 brief segments of interviews available through links from external websites.
Finding Aids: Online at www.overcomingapartheid.msu.edu/index.php
Access: Free consultation on the internet.
Description: The SABC transmitted a large number of the hearings of the Truth & Reconciliation Commission while the
sessions were in progress and was responsible for the production of a series of Special Reports intended to explain their
significance to the general public. After the final report was delivered, the audio and video tapes were handed over to
UIF/BUJPOBM"SDIJWFTGPSTBGFLFFQJOH5IF4"#$BMTPIBTBGVMMTFUPGUIF53$NBUFSJBM
UIPVHIUIFSFTFFNTUPCFTPNF
EJTDSFQBODZCFUXFFOUIFJSIPMEJOHTBOEXIBUUIF/BUJPOBM"SDIJWFTJTTBJEUPIBWF
Holdings"DDPSEJOHUPBOJOWFOUPSZESBXOVQJO
UIFSFBSFNPSFUIBO
WJEFPUBQFT
PO7)4BOE
PO#FUBDBN
JOUIF/BUJPOBM"SDIJWFT
BTXFMMBT
BVEJPUBQFT"UUIJTTUBHFUIFSFJTOPDFSUBJOUZXIFUIFSUIFDPO-
tents of the different formats overlap or whether all these tapes are in working order.
Notes5IF53$7JEFP$PMMFDUJPOBUUIF:BMF-BX4DIPPM-JMMJBO(PMENBO-JCSBSZGFBUVSFTUIFBCPWFNFOUJPOFE4QFDJBM
Reports covering the history and activities of the TRC. Assembled from footage shot at hearings throughout the country,
UIFZXFSFQSPEVDFECZKPVSOBMJTU.BYEV1SFF[BOEPSJHJOBMMZUSBOTNJUUFECZUIF4"#$CFUXFFO"QSJMBOE.BSDI
"DDPSEJOHUPUIFJOEFY
UIFSFBSFBUPUBMPGUBQFT FQJTPEFT
Finding Aids5IFPOMZPOMJOFJOEFYUIBUTFFNTUPFYJTUBUUIFNPNFOUJTUIFPOFUIBUDPODFSOTUIFNBUFSJBMBUUIF:BMF
Law School. The website at www.law.yale.edu/trc/index.htm includes two indexes, the first featuring places, incidents,
concepts, events, groups and political organisations, while the second is a name index.
Access5IF53$WJEFPNBUFSJBMDBOCFWJFXFEBUUIF/BUJPOBM"SDIJWFTJO1SFUPSJB
XIPXJMMBSSBOHFUPIBWFDPQJFTNBEF
at the Government Communication and Information System (GCIS) at what is basically cost price. The Special Reports
DBOBMTPCFWJFXFEBUUIF/BUJPOBM"SDIJWFT
CVUUIFDPQZSJHIUCFMPOHTUPUIF4"#$BOEUIFZXPVMEIBWFUPCFPSEFSFE
GSPNUIFN5IFQSPHSBNNFTIFMECZUIF:BMF-BX4DIPPMDBOCFDPOTVMUFEPOUIFJSXFCTJUF TFFBCPWF
XIJDIJODMVEFT
a short RealMedia presentation of several of the tapes.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Name: University of Cape Town Libraries, Manuscripts & Archives
Current Physical Location: Ground Floor, Harry Oppenheimer Institute, Library Road, Upper Campus, University of Cape
Town, Rondebosch.
Email Address: lib-mss@uct.ac.za
Contact Person: Lesley Hart
Tel
Fax
Street/Postal Address.BOVTDSJQUT"SDIJWFT
6OJWFSTJUZPG$BQF5PXO
1SJWBUF#BH9
3POEFCPTDI
Description.BOVTDSJQUT"SDIJWFTBUUIF6OJWFSTJUZPG$BQF5PXOIPMETBOVNCFSPGTNBMMDPMMFDUJPOT
5IF4PVUI"G-
SJDBO$PNNJUUFFGPS)JHIFS&EVDBUJPO 4"$)&%
XBTGPVOEFEJOJOSFTQPOTFUPUIFDSJTJTJOFEVDBUJPOCSPVHIU
BCPVUCZNPWFTUPFOGPSDFBQBSUIFJEBUVOJWFSTJUZMFWFM8IFOJUT$BQF5PXOPGGJDFDMPTFEBGUFS
UIFJSBVEJPWJTVBM
material was deposited at UCT. It consists of material they had shot themselves, largely for teaching purposes, plus a
TFMFDUJPOPGQSPHSBNNFTUIFZIBEPCUBJOFEGSPNFMTFXIFSF
*OUIFMBUFT
EVSJOHUIF4UBUFTPG&NFSHFODZ
GJMN
maker Cliff Bestall deposited some of his material at Manuscripts & Archives for safekeeping. Much of it was originally
TIPUGPSPWFSTFBTOFXTBHFODJFTBOEEFBMTXJUI.P[BNCJRVF
5IFFYUFOTJWF#MBDL4BTIBSDIJWBMDPMMFDUJPOJODMVEFT
TPNFTPVSDFNBUFSJBMBOEJOUFSWJFXTTIPUGPSUIFEPDVNFOUBSZi5IF#MBDL4BTIUIFFBSMZZFBSTw
.BUFSJBMQVS-
DIBTFEGSPN1FUFS%BWJTGPSUIFEPDVNFOUBSZi*OEBSLFTU)PMMZXPPEDJOFNBBOEBQBSUIFJEw
Holdings5IFNBUFSJBMJOUIF4"$)&%DPMMFDUJPODPOTJTUTPGBQQSPYJNBUFMZJOIPVTFUBQFT POCPUI6NBUJDBOE7)4
BOEBOPUIFSFYUFSOBM7)4QSJOUT5IFPSJHJOBMNBUFSJBMJOUIF$MJGG#FTUBMMDPMMFDUJPOJTWFSZMBSHFMZPO6NBUJD
QMVT
some viewing prints on VHS. The Black Sash material is largely on Betacam. The format of the 85 cassettes from Peter
%BWJTJTVOLOPXO
Finding Aids'PSUIF4"$)&%BOE$MJGG#FTUBMMNBUFSJBMPOMZJOUFSOBMMJTUT'PSUIF#MBDL4BTINBUFSJBMTFFhttp://www.lib.
uct.ac.za/blacksash/index.php'PSUIF1FUFS%BWJTNBUFSJBMTFFhttp://www.lib.uct.ac.za/mss/index.php?html=/mss/
OFXBJET#$)5.NTTDPMMJE
Access: By appointment. Manuscripts & Archives does not hold the copyright for any of this material.
Name: UWC Robben Island Mayibuye Archives Video & Film Collection
Current Physical Location: University of the Western Cape
Email Address: ggoddard@uwc.ac.za
Contact Person: Graham Goddard
5FM
Fax
Street/Postal Address6OJWFSTJUZPGUIF8FTUFSO$BQF
-FWFMPGUIF.BJO-JCSBSZ
.PEEFSEBN3PBE
#FMMWJMMF
Description5IFDPSFPGUIF68$3PCCFO*TMBOE.BZJCVZF"SDIJWFTJTUIFDPMMFDUJPOPGUIF*OUFSOBUJPOBM%FGFODF"JE
'VOEGPS4PVUIFSO"GSJDB'PVOEFEJO(SFBU#SJUBJOJOUIFFBSMZT
*%"'TFDSFUMZDPOUSJCVUFEUPUIFGVOEJOHPGUIF
BOUJBQBSUIFJETUSVHHMFBOETVCTFRVFOUMZQSPEVDFEBOVNCFSPGEPDVNFOUBSJFT
NBOZPGUIFNEJSFDUFECZ#BSSZ'FJO-
CFSH
XIJDIEJENVDIUPLFFQUIFMJCFSBUJPONPWFNFOUJOUIFQVCMJDFZF0WFSBQFSJPEPGBMNPTUZFBSTNBOZGJMN
NBLFSTEFQPTJUFEDPQJFTPGUIFJSXPSLXJUI*%"'*OBEEJUJPOUIFPSHBOJTBUJPOPCUBJOFENBUFSJBMUBQFEGSPNUFMFWJTJPO
both in Great Britain and South Africa.
t4")""VEJPWJTVBM"VEJU3FQPSU
'SPNUIFFBSMZFJHIUJFT
*%"'IBEBDMPTFXPSLJOHSFMBUJPOTIJQXJUI7/4"GSBWJTJPOBOEXIFOUIF*%"'BSDIJWFXBT
CSPVHIUUPUIF6OJWFSTJUZPGUIF8FTUFSO$BQF
UIF7/4DPMMFDUJPOXBTIPVTFEUIFSFBTXFMM5ISPVHIUIF*OTUJUVUFGPS
)JTUPSJDBM3FTFBSDIBU68$
UIF(FSNBOOFXTBHFODZ"3%BMTPEFQPTJUFEBTFMFDUJPOPGOFXTGPPUBHFSBOHJOHGSPNUIF
NJETUPBSPVOE'JOBMMZJUPCUBJOFETPNFTPVSDFNBUFSJBMGPSi)FBSUBOETUPOFw
#SJEHFU5IPNQTPOTGJMNPO
(PWBO.CFLJ5IFSFBSFBMTPBOVNCFSPGNNBOENNQSJOUT
Holdings5IF*%"'DPMMFDUJPODPOTJTUTPGUIFGPMMPXJOH6NBUJD -#BOETPNF)#
o
#FUBDBN NBJOMZPYJEF
o
POFJODISFFMTo
iPUIFSwo
7)4oBQQSPYJNBUFMZ
5IF7/4DPMMFDUJPODPOTJTUTPGBQQSPYJNBUFMZ
UBQFTo
PO#FUBDBN NBJOMZNFUBM
BOEPO6NBUJD -#BOE)#
5IFSFBSFTPNFUBQFTGSPN"3%
BMMPO6NBUJD
)#
5IFBQQSPYJNBUFMZNNDBOTDPOUBJONPTUMZ*%"'GJMNT
CPUIEJTUSJCVUJPOQSJOUTBOENBTUFSNBUFSJBM
CVU
JODMVEFTPNFNBTUFSTPGOPO*%"'UJUMFT
"QQSPYJNBUFMZ
UBQFT
QSJNBSJMZGSPNUIF7/4DPMMFDUJPO
IBWFCFFODPQJFEUP.JOJ%7EJHJUBMWJEFPUBQF
BTIBWF
TPNFPGUIF*%"'6NBUJDUBQFT"TNBMMOVNCFSPGUIF*%"'7)4UBQFTIBWFCFFODPOWFSUFEUP%7%3EJTDBOEUPEJTD
JNBHFGJMFTTUPSFEPOBOFYUFSOBMIBSEESJWF5IFQMBOJTUPPVUTPVSDFUIFDPOWFSTJPOPGUIFSFNBJOJOH*%"'NBUFSJBM
as it is considered too time-consuming to continue this process in-house.
Finding Aids*O
"OUIFB+PTJBTBOE/PSNBO,BQMBODPNQJMFEBi(VJEFUPUIFGJMNWJEFPDPMMFDUJPOw
XIJDIXBT
SFQSJOUFEJO*O
+PBO'BJSXFBUIFSDPNQJMFEBTJNJMBS
CVUNPSFEFUBJMFEHVJEFUPUIFNNGJMNT QMVTBGFX
PONN
FOUJUMFEi5IF*%"''JMN"SDIJWFTw#PUIPGUIFTFDBUBMPHVFTBSFPVUPGQSJOU5IF*%"'NBUFSJBMJTMJTUFEPO
BOJOUFSOBMEBUBCBTFBOEGPSUIF7/4GPPUBHFUIFSFJTBOPSJHJOBM%04MPHPGSVTIFT TFFVOEFS7/4"GSBWJTJPO
'PSUIF
"3%NBUFSJBMUIFSFBSFPOMZUIFPSJHJOBMJOQVUTIFFUT5IFSFBSFOPDVSSFOUDBUBMPHVFT
FJUIFSJOQSJOUPSPOMJOF
CVUB
comprehensive database for the entire collection is being developed.
Access5PBDDFTTNBUFSJBM
SFTFBSDIFSTOFFEUPDPOUBDUUIFBSDIJWFTUPSFRVFTUBSFTFBSDIGPSN0OUIJTUIFZNVTUQSPWJEF
UIFBSDIJWJTUXJUIEFUBJMTPGUIFNBUFSJBMUIFZSFRVJSFPSUIFBSFBPGSFTFBSDIJOXIJDIUIFZBSFJOWPMWFE5IFBSDIJWJTU
will check through the source material and inform them accordingly. After that arrangements can be made to have the
material either collected or sent.
Description7JMMPO'JMNTJTBOJOEFQFOEFOU$BOBEJBOCBTFEQSPEVDUJPODPNQBOZGPVOEFEBOETUJMMSVOCZ1FUFS%BWJT
who has devoted a considerable amount of time to promoting the liberation struggle and exploring South Africa’s film
IJTUPSZ )JT DSFEJUT BT EJSFDUPS JODMVEF i4PVUI "GSJDB UIF XIJUF MBBHFSw
i(FOFSBUJPOT PG SFTJTUBODFw
i4PVUI"GSJDBUIFOVDMFBSGJMFw
i8JOOJF.BOEFMBVOEFSBQBSUIFJEw
i3FNFNCFS.BOEFMBw
BOE
i*OEBSLFTU)PMMZXPPEDJOFNBBOEBQBSUIFJEw
)FIBTEPOBUFEIJTTPVSDFDPMMFDUJPOPGGJMNNBUFSJBM
QIPUP-
graphs and manuscripts to the Black Film Center at Indiana University, with access at www.indiana.edu/~bfca/collec-
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
tion/special/peterd.html.
Holdings#FTJEFTIJTPXOGJMNT
1FUFS%BWJTBMTPEJTUSJCVUFTBMNPTUPUIFSGJMNTXJUI4PVUI"GSJDBODPOOFDUJPOT
JODMVE-
JOHi#PQIBw
i6OEFSUIFWPMDBOPw
i4POHPMPMPWPJDFTPGDIBOHF
i"MBO1BUPOTCFMPWFEDPVOUSZw
i/BEJOF(PSEJNFSw
i5IFMPTUCPZTyBQBSUIFJETMFHBDZw
i0CFSMJO*OBOEBUIFMJGFBOEUJNFT
PG +PIO - %VCFw
BOE i-PWF
DPNNVOJTN
SFWPMVUJPO 3JWPOJB #SBN 'JTDIFST TUPSZw
*O BEEJUJPO
UIFSFBSFBOVNCFSPGWFSZFBSMZ4PVUI"GSJDBOQSPEVDUJPOT
TVDIBTi%F7PPSUSFLLFSTwi8JOOJOHBDPOUJOFOUw
i+JNDPNFTUP+PCVSHww"GSJDBO+JNw
i;POLw
BOEi4POHPG"GSJDBw
BTXFMMBTBOBTTPSUNFOUPG
BQBSUIFJEFSBHPWFSONFOUBMGJMNT
JODMVEJOHi5IFDPOEFNOFEBSFIBQQZw
BOEi5IFGPYIBTGPVSFZFTw
Finding Aids: An online database at www.villonfilms.com that can be searched according to title, subject/country, director
and keyword. (Titles are not always correctly identified.)
Access: Online sales catalogue.
Description: %PYB1SPEVDUJPOTJTBOJOEFQFOEFOUEPDVNFOUBSZBOEJOUFSBDUJWFEFTJHODPNQBOZUIBUXBTGPVOEFEJO
*UTDPMMFDUJPODPOTJTUTPGNBUFSJBMSFMBUJOHUPUIFBOUJBQBSUIFJETUSVHHMFoFTQFDJBMMZFWFOUTVOGPMEJOHJOUIF8FTUFSO
$BQFoJODMVEJOHUIFIJTUPSZPGUIF"GSJDBO/BUJPOBM$POHSFTTBOEPUIFSMJCFSBUJPOPSHBOJTBUJPOT
NBTTQSPUFTUTBOE
GVOFSBMT
GBSSJHIUXJOHBDUJWJUJFT
UIFMBVODIPGUIF6%'
UIFSFMFBTFPG/FMTPO.BOEFMBBOEUIFUSBOTJUJPOUPBOFX
EFNPDSBUJDHPWFSONFOU
BTXFMMBTFYUFOTJWFGPPUBHFPGUIFTVCTFRVFOU5SVUIBOE3FDPODJMJBUJPO$PNNJTTJPOIFBSJOHT
*OUIF%PYB-JCFSBUJPO4USVHHMF$PMMFDUJPOXBTQMBDFEPOUIF6/&4$0.FNPSZPGUIF8PSME3FHJTUFS
Holdings: Close to 500 tapes on both Umatic and BetacamSP. The material is currently being digitised by the Visual His-
tory Archive, which is part of the Centre for Curating the Archive at the University of Cape Town.
Finding aids: A new inventory and metadata-base is being created as part of the digitization process.
Access: 6QPOSFRVFTU
t4")""VEJPWJTVBM"VEJU3FQPSU
Description5IF"GSBWJTJPOBSDIJWFDPOTJTUTPGNBUFSJBMTIPUGSPNUIFFBSMZFJHIUJFTVOUJMBOEEPDVNFOUTUIFTUSVHHMF
against apartheid with a particular focus on the trade union and youth movements. Initially operating anonymously,
UIFGVMMUJNF7/4DPMMFDUJWFQSPEVDFEAWJEFPQBNQIMFUTPGTUSVHHMFTJO4PVUI"GSJDBBOEEJTUSJCVUFEUIFNUISPVHIWBSJ-
ous progressive structures and through a distribution organisation set up in London called Afravision. The collection
JODMVEFTCSPBEDPWFSBHFPGUIFEFNPDSBUJDNPWFNFOUBOEVOJRVFAJOTJEFSNBUFSJBMPGUSBEFVOJPOEFCBUFTBOEDPO-
gresses. Many major events and uprisings were covered and documented with the aim of consolidating a video record
of the struggle period.
Holdings: Original material runs to approximately 3,000 hours on BetacamSP. About 30 edited films or video pamphlets
PO#FUBDBN41BOE6NBUJD
JODMVEFi5IFTVOXJMMSJTFw
i.BSDIJOHPSEFSTw
i$04"56BHJBOUIBTSJTFOw
i$PNQFMMJOHGSFFEPNw
i$FSUBJOVOLOPXOQFSTPOTw
i%BWJE8FCTUFSMJWFEGPSEFNPDSBDZ
LJMMFE
CZBQBSUIFJEw
i'SVJUTPGEFGJBODFw
BOEi5IFMJGFUJNFTPG$ISJT)BOJw
5IFSFJTBMTPUIFQBSU
IJTUPSZPGUIF"/$
i)PMEVQUIFTVOw
BOEUIFQBSUTFSJFTi)JTUPSZVODVUw
Finding Aids/PDBUBMPHVFFYJTUT
CVUUIFSFJTBOPSJHJOBM%04MPHPGSVTIFTUIBUJTCFJOHDPOWFSUFE
Access 7JB "GSBWJTJPO NFNCFST #SJBO 5JMMFZ PS -BVSFODF %XPSLJO PS UISPVHI UIF 3PCCFO *TMBOE .VTFVN.BZJCVZF
Archive.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Poster: Offset litho, issued by the Weekly Mail and Black Sash, date unknown. Archived as SAHA
$PMMFDUJPO"-
STOCK FOOTAGE LIBRARIES
Description"#$/FXT7JEFPTPVSDFJTUIFMJDFOTJOHEJWJTJPOPG"#$/FXT
POFPG"NFSJDBTPSJHJOBMCJHUISFFDPNNFSDJBM
OFUXPSLT#FTJEFTJUTPXOBSDIJWBMOFXTGPPUBHF
XIJDIEBUFTGSPN
JUTDPOUFOUQBSUOFSTJODMVEFUIF"TTPDJBUFE
1SFTT"SDIJWFBOE#SJUJTI.PWJFUPOF/FXT5IFJODMVTJPOPGUIFMBUUFSNFBOTUIBUDPWFSBHFHPFTSJHIUCBDLUP
Both AP and British Movietone material is also available from elsewhere.
Finding Aids: Searchable online database with detailed descriptions at www.abcnewsvideosource.com. As yet the search
engine has no viewing facilities.
Test Search4PVUI"GSJDBo
IJUT
"QBSUIFJEo
IJUT
7FSXPFSEoIJUT
-VUIVMJoIJUT
Name: AP Archive
Email Address: info@aparchive.com
Tel
Fax
British Street/Postal Address5IF*OUFSDIBOHF
$BNEFO-PDL
-POEPO/8%;
&OHMBOE
Description: Associated Press is a global news network that maintains one of the largest news stock footage libraries in
the world. The AP Archive contains material from a number of television news agency collections that are owned by
"15FMFWJTJPO/FXT
JODMVEJOH"15/"15FMFWJTJPO
61*5/BOE85/
"157
BOE6OJWFSTBM
/FXTSFFM
5IFZBMTPSFQSFTFOUBOVNCFSPGPUIFSBSDIJWBMDPMMFDUJPOT
PGXIJDI"#$"NFSJDB
$57$BOBEB
)JTUPSJD'JMNTBOE4LZ/FXTBSFUIFNPTUSFMFWBOU5IFJSBSDIJWFDPOUBJOTGPPUBHFGSPNUPUIFQSFTFOUEBZ
Finding Aids: Searchable online database with detailed descriptions, a storyline and a shot list at www.aparchive.com. Some
clips are viewable upon registration.
Test Search4PVUI"GSJDBo
IJUT
"QBSUIFJEoIJUT
7FSXPFSEoIJUT
-VUIVMJoIJUT
Description#FTJEFTJUTWFSZFYUFOTJWF'JMN57%BUBCBTF
UIF#SJUJTI'JMN*OTUJUVUFIBTBO"SDIJWBM'PPUBHF4BMFTTFDUJPO
UIBUIBOEMFTSFRVFTUTGSPNGJMNNBLFSTBOEPUIFSTGPSFYUSBDUTGSPNBSDIJWBMGPPUBHFGPSXIJDIJUPXOTUIFSJHIUT5IF
selection relevant to South African users consists primarily of material from early newsreels (especially Topical Budget),
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
British government documentaries and out-of-copyright material. Though there seem to be no programmes that deal
TQFDJGJDBMMZXJUIUIFMJCFSBUJPOTUSVHHMF
UIFSFJTRVJUFBMPUPGNBUFSJBMUIBUXBTTIPUJOUIFDPVOUSZQSJPSUP
JODMVE-
ing the war years. The emphasis tends to be on Britain’s ties with South Africa.
Finding Aids: Searchable online database at www.bfi.org.uk/nftva/access/afs/
Test Search4PVUI"GSJDBIJUT
"QBSUIFJEoIJUT7FSXPFSEoIJUT
-VUIVMJoIJUT 0ORVJUFBGFXFOUSJFTUIF4PVUI
African link seems tenuous, to say the least.)
Description#SJUJTI.PWJFUPOF/FXTXBTUIFGJSTU#SJUJTITPVOEOFXTSFFM5IPVHIFTUBCMJTIFEJOCZJUT"NFSJDBO
QBSFOUDPNQBOZ
'PY.PWJFUPOF
JUTVCTFRVFOUMZEFWFMPQFEBMPOHJOEFQFOEFOUMJOFT'PSTPNFZFBSTJUGFBUVSFEJO
TVQQPSUJOHDJOFNBQSPHSBNNFTJOWBSJPVTDPVOUSJFT
JODMVEJOH4PVUI"GSJDB
DFBTJOHPQFSBUJPOJO
Finding Aids: Searchable online database with detailed descriptions at www.movietone.com, with the added attraction that
all clips are playable upon registration.
Test Search4PVUI"GSJDBoIJUT
"QBSUIFJEoIJUT
7FSXPFSEoIJUT
-VUIVMJoIJUT
Description:'PVOEFECZ$IBSMFT1BUIFJO'SBODF
JOUIF1BUIFDPNQBOZFTUBCMJTIFEB-POEPOPGGJDFBOECZ
was producing a bi-weekly British newsreel entitled Pathe Gazette, later joined by a number of other cinema magazine
QSPHSBNNFT#ZUIFUJNFUIFGJSNDFBTFEPQFSBUJPOJO
JUIBEBDDVNVMBUFETPNF
IPVSTPGNBUFSJBM5IFJS
complete back catalogue has been digitised and is claimed to be the world’s first digital news archive. Though it still
NBJOUBJOTJUTPXOEBUBCBTF
TBMFTBSFOPXNBOBHFECZ*5/4PVSDF
Finding Aids: Searchable online database with detailed descriptions at www.britishpathe.com. Free preview facilities are
available to residents of the British Isles, but individuals elsewhere are able to preview the material in stills format.
Test Search:4PVUI"GSJDBo
IJUT
"QBSUIFJEoIJUT
7FSXPFSEoIJUT
-VUIVMJoIJUT
t4")""VEJPWJTVBM"VEJU3FQPSU
Name: British Universities Newsreel Database
Email Address: newsreels@bufvc.ac.uk
Tel.:
Fax
British Street/Postal Address#SJUJTI6OJWFSTJUJFT'JMN7JEFP$PVODJM
8FMMT4USFFU
-POEPO852+
&OHMBOE
Description%BUBIBTCFFOHBUIFSFEPOUIF#SJUJTIDJOFNBOFXTSFFMTGPSBDBEFNJDTUVEZTJODFBOEVOEFSUIFDBSFPG
UIF#SJUJTI6OJWFSTJUJFT'JMN7JEFP$PVODJM #6'7$
TJODF8IBUJTOPXDBMMFEUIF#SJUJTI6OJWFSTJUJFT/FXT-
SFFM%BUBCBTF #6/%
GFBUVSFTUIFSFDPSETPGBMMUIFNBKPS#SJUJTIOFXTSFFMT
XJUIGVMMSFMFBTFEBUBBOECBTJDTZOPQTFT
5IFEBUBCBTFDPOUBJOTTPNF
TUPSJFTGSPN#SJUJTIOFXTSFFMTBOEDJOFNBHB[JOFTTIPXOCFUXFFOBOE
as well as a large collection of digitised documents and web links to much of the footage. Please note that it is a record
of what was produced, rather than of what is known to physically exist.
Finding Aids: Searchable online database with detailed descriptions at www.bufvc.ac.uk/databases/newsreels/index.html.
It does not offer material for sale, but refers viewers to the relevant archives.
Test Search4PVUI"GSJDBo
IJUT
"QBSUIFJEoIJUT
7FSXPFSEoIJUT
-VUIVMJoIJUT
Description: The Canadian Broadcasting Corporation (CBC) is Canada’s public broadcaster, originally set up along the lines
of the BBC. Though it has a huge archive of Canadian material, there is relatively little on South Africa. The reason it
has been included is that, being Canadian, it has some footage that is not available elsewhere.
Finding Aids: Searchable online database with detailed descriptions at http://archives.cbc.ca/. Both television and radio
clips are playable.
Test Search4PVUI"GSJDBoIJUT
"QBSUIFJEoIJUT
7FSXPFSEIJU
-VUIVMJo
Description: This very large collection contains the combined archives of Pathé and Gaumont, two pioneering French com-
QBOJFTXIPXFSFUIFGPVOEFSTPGFBSMZOFXTSFFMTTVDIBT1BUI+PVSOBM
BOE(BVNPOU"DUVBMJUJT
"DUJWF
throughout the following decades, either jointly or separately, they eventually branched out into documentary filmmak-
JOH8JUIUFMFWJTJPOJODSFBTJOHMZFODSPBDIJOHVQPOUIFDJOFNB
UIFOFXTSFFMTGPMEFEJO*O%FDFNCFS
UIF
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
DBUBMPHVFTPG$JONBUIRVF(BVNPOUBOE1BUI"SDIJWFTNFSHFEUPDSFBUFBOBSDIJWFDPOUBJOJOHPWFS
IPVSTPG
film. It being French, it has some footage not available elsewhere.
Finding Aids: Searchable online database with fairly detailed descriptions (some in French) and an occasional storyboard at
www.gaumontpathearchives.com. Video access is restricted to broadcasting professionals who have registered.
Test Search4PVUI"GSJDBoIJUT
"QBSUIFJEoIJUT
7FSXPFSEoIJUT
-VUIVMJoIJU
Description*5/XBTGPVOEFEJOBTQBSUPGUIFOFX#SJUJTIDPNNFSDJBMOFUXPSLBOECFHBOBTBDPOTPSUJVNPGCSPBE-
casters collectively known as ITV. For many years it provided the national news bulletins for the ITV partners, with
#SJUBJOTTFDPOEDPNNFSDJBMTUBUJPO
$IBOOFM
CFJOHBEEFEMBUFS5PEBZ*5/4PVSDFJTBIVHFBOEEJWFSTFDPNNFSDJBM
archive that is said to contain over one million hours of digitised newsreel material from its own library as well as from
DPMMFDUJPOTTVDIBT3FVUFST JODMVEJOH7JTOFXT-UE
(SBOBEB5FMFWJTJPO
$IBOOFM
'PY/FXT
'PY.PWJFUPOF
#SJUJTI
Pathe and others. Its South African material dates from the Boer War to the present day. (Much of the footage used in
UIF"QBSUIFJE.VTFVNJO+PIBOOFTCVSHDBNFGSPNUIF*5/"SDIJWF
Description5IF/BUJPOBM#SPBEDBTUJOH$PNQBOZ /#$
JTPOFPG"NFSJDBTPSJHJOBMCJHUISFFOFUXPSLT'PVOEFEJO
CZ3$"
JUXBTUBLFOPWFSCZ(FOFSBM&MFDUSJDJO*UNBJOUBJOTBMBSHFGPPUBHFMJCSBSZ
UBLFOGSPNSFHVMBSOFXTDBTUT
and special reports.
Finding Aids: Searchable online database with detailed descriptions of varying lengths.
Test Search4PVUI"GSJDBo
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"QBSUIFJEo
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Name: NewsFilm Online
Email Address: edina@ed.ac.uk
Tel
Fax
British Street/Postal Address&%*/"
$BVTFXBZTJEF)PVTF
$BVTFXBZTJEF
&EJOCVSHI&)13
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Description #BTFE BU &EJOCVSHI 6OJWFSTJUZ
/FXT'JMN 0OMJOF JT GVOEFE CZ UIF +PJOU *OGPSNBUJPO 4ZTUFNT $PNNJUUFF
+*4$
UPTVQQPSUUIFVTFPG*$5JOFEVDBUJPOBOESFTFBSDI*UDPNQSJTFTBTFMFDUJPOPGOFXTTUPSJFTBOEQSPHSBNNFT
GSPNUIFBSDIJWFTPG*5/3FVUFSTBOEDPOUBJOTTPNF
IPVSTPGGPPUBHF5IJTGPPUBHFJTBWBJMBCMFGPSTBMFGSPN*5/
TPVSDF
CVU/FXT'JMN0OMJOFQSPWJEFTBGBDJMJUZUPQSFWJFXUIFNBUFSJBMJOTUJMMTGPSNBU UIVNCOBJMT
Finding Aids: Searchable online database with detailed descriptions at www.nfo.ac.uk. Video playback and downloading are
available to staff and students at subscribing UK universities and colleges.
Test Search4PVUI"GSJDBoIJUT
"QBSUIFJEoIJUT
7FSXPFSEoIJUT
-VUIVMJoIJU
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
1PTUFS0GGTFUMJUIP
JTTVFECZUIF&OWJSPONFOUBM'JMN8PSLTIPQ
"SDIJWFEBT4")"$PMMFD-
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REFERENCE & LENDING LIBRARIES
Description: The African Media Program is a project of the African Studies Center at Michigan State University. Started in
JUTGJSTUQSJOUFEJUJPO
i"GSJDBPO'JMNBOE7JEFPUBQF
XBTQVCMJTIFEJO4JODFJUIBTCVJMUVQBOPOMJOF
SFGFSFODFHVJEFUPNPSFUIBO
GJMNT
WJEFPTBOEPUIFSBVEJPWJTVBMNBUFSJBMTUIBUEFBMXJUI"GSJDB*UQSPWJEFTB
XFBMUIPGJOGPSNBUJPOPONBOZ4PVUI"GSJDBOUJUMFT
CVUJTOPUBMXBZTSFMJBCMF.VDIPGUIFNBUFSJBMIBTOPUOFD-
essarily been viewed and summaries and credit details are often taken from distributors’ catalogues, review journals,
television schedules, etc. Where the material has been seen the synopsis is usually accurate.
Access: Free consultation on the internet.
Finding Aids: Online database searchable by title, year, topic, genre, format, language, country, etc. at www.africanmedia.
msu.edu/~afrmedia/about/php.
Description: The African Studies Library at the University of Cape Town has built up an extensive collection of videos and
%7%TDPWFSJOHIJTUPSJDBM
TPDJBMBOEDVMUVSBMBTQFDUTPG"GSJDB
XJUIBTUSPOHFNQIBTJTPO4PVUIFSO"GSJDB5IJTJODMVEFT
a wide selection of material dealing with the liberation struggle, including titles not easily available from elsewhere.
Holdings"QQSPYJNBUFMZ
UJUMFTPOCPUIWJEFPBOE%7%
Access: As it is a research library, material is primarily meant for use by staff and students of the University of Cape Town,
as well as visiting academics and researchers (see www.lib.uct.ac.za/asl/)
Finding Aids: Online searchable alphabetical list at www.lib.uct.ac.za/asl/info/films2008/pdf
Description5IF#SJUJTI'JMN*OTUJUVUFT'JMN57%BUBCBTFQSPWJEFTQSPEVDUJPODSFEJUTBOEPUIFSJOGPSNBUJPOBCPVU
many films and television programmes that deal with Southern Africa. These range from contemporary governmental
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
propaganda films to the many anti-apartheid television films that were made throughout the years.
For the latter it often supplies the original transmission dates. The information is not always obtained from primary sources
and is thus not always complete or reliable, but for many entries it is the only record that these programmes ever existed.
Access: Free consultation on the internet.
Finding Aids: Online database searchable by title, names and events on the website at www.bfi.org.uk/filmtvinfo/ftvdb/
Description4JODFJUTUBSUFEQVSDIBTJOHBVEJPWJTVBMNBUFSJBMJO
UIF8FTUFSO$BQF1SPWJODJBM-JCSBSZ4FSWJDFIBTCVJMU
VQBXJEFSBOHJOHDPMMFDUJPOPGBQQSPYJNBUFMZ
UJUMFTPONN
WJEFPBOE%7%5IFFBSMZNBUFSJBMPONN
includes a number of state information films sponsored by the various government departments and parastatals, as well
BTEPDVNFOUBSJFTQSPEVDFEGPSDVMUVSBMPSHBOJTBUJPOTBOEQSJWBUFDPNQBOJFT5IFWJEFPBOE%7%DPMMFDUJPOTJODMVEF
many titles dealing with the anti-apartheid struggle.
Holdings"QQSPYJNBUFMZUJUMFTUIBUSFMBUFUPUIFMJCFSBUJPOTUSVHHMF
GSPNBOFBSMZ+BNJF6ZTGJMNNBEFGPSUIF
4PVUI"GSJDBO*OGPSNBUJPO4FSWJDFPONN
UPNBOZEPDVNFOUBSJFTNBEFGPSUIF4"#$POFJUIFSWJEFPPS%7%
Access: All material is made available for viewing through affiliated libraries in the Western Cape. Most libraries have small
WJEFP%7%DPMMFDUJPOTUIFNTFMWFT
CVUUIFSFJTBMTPB$FOUSBM$PMMFDUJPOGSPNXIJDINBUFSJBMDBOCFSFRVFTUFEUISPVHI
the local public library. Borrowers from outside the Western Cape can obtain material on interlibrary loan. There is also
a courtesy service for registered filmmakers.
Finding Aids: An online database searchable by keyword, title, subject heading and author (filmmaker). Potential borrow-
ers can also check whether their local library has a particular title in stock and whether it is currently on the shelves.
5IFSFBSFQSJOUFENNBOEWJEFPDBUBMPHVFTPGNBUFSJBMQVSDIBTFEVQUP
Name: Yale University Library, Manuscripts & Archives (South Africa Now Collection)
Email Address: mssa.assist@yale.edu
Contact Person/"
Tel
Fax
Street/Postal Address.BOVTDSJQUT"SDIJWFT
:BMF6OJWFSTJUZ-JCSBSZ
10#PY
/FX)BWFO
$5
USA.
Description: The collection consists of videotapes and a small number of transcripts, log books and publicity files relating
UPUIFUFMFWJTJPONBHB[JOFQSPHSBNNFi4PVUI"GSJDB/PXw
QSPEVDFECZ(MPCBMWJTJPOGSPNUP*UJODMVEFT
BOFBSMZDPNQMFUFSVOPGUIFBQQSPYJNBUFMZPSJHJOBMOFXTDBTUTQSPEVDFEEVSJOHUIJTUJNF
BTXFMMBTUBQFTPGJOUFS-
views, short reports, documentaries, stock footage and other material used during production. There is also material
t4")""VEJPWJTVBM"VEJU3FQPSU
from independent South African filmmakers, other television networks, the South African Tourism Board, the United
/BUJPOT
FUD
Holdings: Besides the original masters of the series (on Umatic), duplicating masters (on BetacamSP) and VHS viewing
copies, there are an estimated additional 2,000 tapes.
Access: The original videotapes, as well as the preservation masters and duplicating masters, may not be played. If viewing
copies do not exist, researchers should consult with the reference archivist.
Finding Aids5IFSFJTBi1SFMJNJOBSZ(VJEFUPUIF4PVUI"GSJDB/PX$PMMFDUJPOwUIBUDBOCFDPOTVMUFEBU http://mssa.
MJCSBSZZBMFFEVGJOEBJETTUSFBNQIQ YNMGJMFNTTBNTYNM.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Poster: Offset litho, issued by the End Conscription Campaign (ECC), date unknown. Archived as
4")"$PMMFDUJPO"-
LIBERATION STRUGGLE DOCUMENTARIES
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
ACT OF UNION
:FBS-FOHUINJO
%JSFDUPS-VDZ)PPCFSNBO
1SPEVDUJPO$PNQBOZ.BOJGFTUGPS$IBOOFM
Summary: This British television programme looks at the relationship between Great Britain and South Africa, cover-
JOHUIFBSSJWBMPGUIFGJSTU#SJUJTITFUUMFSTJO
UIFBMJFOBUJPOPGUIF"GSJLBOFS
UIFDPNJOHUPQPXFSPGUIF/BUJPOBM
Party and the various political events that influenced official policy towards South Africa.
AFRIKAAPS
:FBS-FOHUINJO
%JSFDUPS%ZMBO7BMMFZ
Producer: Lauren Groenewald
%FTDSJQUJPO5IJTNJOVUFEPDVNFOUBSZJOWFSUTOPUJPOTPG"GSJLBBOTBTBMBOHVBHFPGUIFPQQSFTTPS5ISPVHIUIF
VOJRVFSFQSFTFOUBUJPOPGUIFATUBHFQMBZXJUIJOUIFGJMN
UIFGJMNNBLFSTCSFBLHSPVOECZCPMEMZBUUFNQUJOHUPSF-
claim the language within a culture of liberation.
AFRIKA MAYIBUYE
:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS"/$%FQBSUNFOUPG*OGPSNBUJPO1VCMJDJUZ
4VNNBSZ.BEFGPSTDSFFOJOHQSJPSUPUIFFMFDUJPOPG
UIJTWJEFPQSFTFOUTBCSJFGPWFSWJFXPGUIF"/$TSPMFJO
UIFTUSVHHMFBHBJOTUBQBSUIFJE*UTUBSUTXJUIBTUBUFNFOUGSPN/FMTPO.BOEFMBBOEUIFOVTFTBSDIJWBMGPPUBHFUP
highlight various historical milestones.
t4")""VEJPWJTVBM"VEJU3FQPSU
ALBERT LUTHULI: THE LEGACY. THE LEGEND
:FBS-FOHUINJO
%JSFDUPS#VOUV8JMMJBNT
1SPEVDUJPO$PNQBOZ"NBOEMB$PNNVOJDBUJPOTGPS%FQBSUNFOUPG"SUT$VMUVSF
4VNNBSZ$IJFG"MCFSU-VUIVMJ
XBTFMFDUFE1SFTJEFOUPGUIF"GSJDBO/BUJPOBM$POHSFTTJOBOEVOEFS
his stewardship the organisation gained international recognition and support, which culminated in him winning
UIF/PCFM1SJ[FGPS1FBDF5IJTEPDVNFOUBSZQSPWJEFTBOJOUSPEVDUJPOUPIJTMJGFBOEMFHBDZ
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
ANC NATIONAL CONSULTATIVE CONFERENCE – DECEMBER 1990
:FBS-FOHUINJO
1SPEVDFST-BVSFODF%XPSLJO+FSFNZ/BUIBO
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ'SPNthUPth%FDFNCFS
UIF"GSJDBO/BUJPOBM$POHSFTTIFMEJUT'JSTU/BUJPOBM$POTVMUBUJWF$POGFS-
ence since its unbanning and the return of its leaders from exile or prison. This video presents an overview of the
discussions that took place, with extracts from some of the addresses.
APARTHEID
:FBS-FOHUINJO
%JSFDUPST+FBO.JDIFM.FVSJDFJODPMMBCPSBUJPOXJUI+PFMMF$IFTTFMFU
1SPEVDUJPO$PNQBOZ1PJOUEV+PVSJODPMMBCPSBUJPOXJUI%PYB1SPEVDUJPOT
Summary: Originally made for French television as a two-part documentary, this video presents an overview of the his-
tory of apartheid, starting by locating its origin in South Africa’s past and then discussing some of the many laws
UIBUXFSFUPTFSWFBTJUTDPSOFSTUPOFT*UFOETXJUIUIFSFGFSFOEVNPG
APARTHEID (Series)
:FBS-FOHUIYNJO
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Production Company: Granada Television
Summary: Made for television, this is a four-part series that uses extensive archival footage and interviews with a great
NBOZJOEJWJEVBMTUPQSFTFOUBDPNQSFIFOTJWFPWFSWJFXPGUIFIJTUPSZBOEEFWFMPQNFOUPGBQBSUIFJEVQUP5IF
JOEJWJEVBMDIBQUFSTBSF
0SJHJOT
"OFXPSEFS
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APARTHEID GOLD
:FBS-FOHUINJO
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Production Company: Seipone Productions for Swiss TV
Summary: The first half of this two-part film focuses on the relationship between South Africa’s goldmines, the apart-
heid government and the Swiss banks who continued to trade with the country despite the call for sanctions. The
second half deals with calls for compensation from those who benefited from apartheid.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
APARTHEID’S LAST STAND
:FBS-FOHUINJO
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Production Company: WGBH Television
4VNNBSZ"OPWFSWJFXPGQPMJUJDBMFWFOUTJO4PVUI"GSJDBJOUIFUISFFZFBSTTJODF/FMTPO.BOEFMBXBTSFMFBTFEBOE
UIF"GSJDBO/BUJPOBM$POHSFTTBOEPUIFSPSHBOJTBUJPOTXFSFVOCBOOFE
FOEJOHXJUIUIFPQFOJOHPGUIFMBTUXIJUF
EPNJOBUFE1BSMJBNFOUJO+BOVBSZ
t4")""VEJPWJTVBM"VEJU3FQPSU
BACK ON THE FRONTIER
:FBS-FOHUINJO
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Production Company: Central Independent Television
4VNNBSZ.BEFJO
UIJTEPDVNFOUBSZUBLFTBMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBBUUIFUJNF*OTUFBEPG
travelling throughout the country, it primarily focuses on the small Eastern Cape town of Kirkwood, where there is
general agreement that racial segregation is essential to preserve the Afrikaner’s identity.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
BEHIND BLACK ON BLACK (Series: SOUTH AFRICA NOW)
:FBS-FOHUINJO
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Production Company: 5th Encounter Motion Picture Company
Summary: Though government controlled media have blamed so-called black-on-black violence on inter-tribal rivalries
and communist manipulation, there is increasing evidence that the state itself is behind a number of these inci-
dents. This programme investigates some of these allegations.
BELONGING (Series: PROJECT 10: REAL STORIES FROM A FREE SOUTH AFRICA)
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ'V[FCPY1SPEVDUJPOTGPS4"#$
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of their children were born in England, including the co-director of this film, which illustrates the problems the
PGGTQSJOHPGNBOZGPSNFSFYJMFTIBWFJOBEKVTUJOHUPMJGFJOXIBUIBTBMXBZTCFFOSFHBSEFEBTiIPNFw
BETRAYAL
:FBS-FOHUINJO
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Production Company: Grey Matter Media & SABC
4VNNBSZ*O
ZFBSPME/PLVUIVMB4JNFMBOF
UIFOBTUVEFOUBUUIF6OJWFSTJUZPG4XB[JMBOE
XBTBDUJOHBTBDPV-
SJFSGPS6NLIPOUPXF4J[XF*O"VHVTUPGUIBUZFBSTIFEJTBQQFBSFEBOEEVSJOHTVCTFRVFOUIFBSJOHTPGUIF53$JU
was established that she was captured by the security police. This film tells her story.
t4")""VEJPWJTVBM"VEJU3FQPSU
BEYERS AND ILSE NAUDE: A JOURNEY
:FBS-FOHUINJO
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Production Company: Fokus Suid for SABC2
4VNNBSZ8IFO
BGUFSUIF4IBSQFWJMMFNBTTBDSF
%S#FZFST/BVEFGFMUUIBUIFIBEUPTQFBLPVUBHBJOTUUIFTZTUFNPG
apartheid, he did not fully foresee the results this decision would have. This documentary tells the story of the jour-
ney on which he and his wife embarked when they decided to follow the dictates of their conscience.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
BISHOP DESMOND TUTU: APARTHEID IN SOUTH AFRICA
:FBS-FOHUINJO
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Production Company: Trans World International
Summary: This film starts by providing a brief introduction to the history of apartheid and its impact on black South
"GSJDBOTCFGPSFUVSOJOHUPUIFQFSTPOPG"SDICJTIPQ%FTNPOE5VUV*UJODMVEFTFYDFSQUTGSPNJOUFSWJFXTBOEQVCMJD
BEESFTTFT
BNPOHTUUIFNIJTBDDFQUBODFTQFFDIXIFOIFXPOUIF/PCFM1SJ[FGPS1FBDF
THE BLOODY MONEY SMUGGLING: NORWAY’S COVERT AID FOR THE LIBERATION OF SOUTH AFRICA
:FBS-FOHUINJO
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Production Company: Borgen Production for TV2
4VNNBSZ%VSJOHUIFBQBSUIFJEZFBST
BOVNCFSPGPSHBOJTBUJPOTTNVHHMFENPOFZJOUPUIFDPVOUSZUPBTTJTUWJDUJNT
PG4PVUI"GSJDBTSBDFQPMJDJFT5IJTGJMNGPDVTFTPOUIFBTTJTUBODFQSPWJEFECZ/PSXFHJBO$IVSDI"JE
XIJDIDIBO-
nelled the money through Archbishop Walter Makhulu in Gabarone, Botswana.
BLOWING HOME
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ"SFLPQBOFOH*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB
4VNNBSZ8IFO/FMTPO.BOEFMBXBTSFMFBTFEJO
BDPODFSUJOUSJCVUFUPIJNXBTPSHBOJTFEBU8FNCMFZ4UBEJVN
BOENBOZPMEFSNVTJDJBOTXIPXFSFPSJHJOBMNFNCFSTPGUIFDBTUPGi,JOH,POHwXFSFLFFOUPDPOUSJCVUFUIFJS
talents to the occasion. The film documents them rehearsing with their younger compatriots.
t4")""VEJPWJTVBM"VEJU3FQPSU
BOPHA! / ARREST
:FBS-FOHUINJO
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4VNNBSZ 0OF PG UIF NPTU JNQPSUBOU QMBZT UP DPNF PVU PG UIF BOUJBQBSUIFJE TUSVHHMF XBT 1FSDZ .UXBT i#PQIBw
This video presents extracts from a performance by the Earth Players at the Market Theatre and intercuts them with
documentary footage depicting related events in real life.
BORDERLINES
:FBS-FOHUINJO
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Producer: Tina-Louise Smith
Production Company: Griffin Films
%FTDSJQUJPO"NJOVUFEPDVNFOUBSZQSPEVDFEGPS4"#$TA5)&53$'30.#&-08TFSJFT#03%&3-*/&4JT
the story of Kayakazi Soldati’s journey to Mthatha and her past as a child growing up under apartheid. Through the
journey, Kaya hopes to uncover the truth behind many vague memories of her father and life in Mthatha.
THE BOXER
:FBS-FOHUINJO
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Production Company: Lizardfilm
4VNNBSZ4IPUJOJOUIFNJOJOHTVCVSCPG%FOWFS
+PIBOOFTCVSH
UIJTGJMNGPDVTFTPOBXIJUFXPSLJOHDMBTT
family, representative of those who are struggling to defend a way of life in the face of loss of privilege based on race.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
BREAKING THE FETTERS
:FBS-FOHUINJO
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Production Company: Fokus Suid
4VNNBSZ*O+VMZ
BHSPVQPGEJTTJEFOU"GSJLBOFSTGMFXUP%BLBSJO4FOFHBMUPNFFUXJUISFQSFTFOUBUJWFTPGUIF
"/$JOPQFOEFGJBODFPGUIFXJTIPGUIFBVUIPSJUJFT6QPOUIFJSSFUVSOUIFZXFSFEFOPVODFEBTUSBJUPST
ZFUMFTTUIBO
UISFFZFBSTMBUFSUIFGJSTUPGGJDJBMNFFUJOHCFUXFFOUIF/BUJPOBM1BSUZHPWFSONFOUBOEUIF"/$UPPLQMBDF
THE BROEDERBOND AND THE DUTCH REFORMED CHURCH (Series: ISSUES OF FAITH)
:FBS-FOHUINJO
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Production Company: Fokus Suid for SABC Religion
Summary: The Broederbond was founded to promote the role of the Afrikaner in all aspects of South African life, in-
DMVEJOHUIF%VUDI3FGPSNFE$IVSDI5IJTUXPQBSUQSPHSBNNFUBLFTBMPPLBUUIFJOGMVFODFPGUIJTTFDSFUJWFPSHBOJ-
TBUJPOPOUIF%3$BOEJUTTVQQPSUPGUIFHPWFSONFOUTBQBSUIFJEQPMJDZ
t4")""VEJPWJTVBM"VEJU3FQPSU
THE BROKEN STRING
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ%BZ;FSP1SPEVDUJPOT
Summary: The scale of land dispossession that took place during the apartheid years has left a formidable task for the
Land Commission. This programme takes a look at the beginning of land reform by visiting a number of communi-
UJFTUISPVHIPVUUIFDPVOUSZ
FBDIIJHIMJHIUJOHEJGGFSFOUBTQFDUTPGUIFMBOERVFTUJPO
BROTHERS IN ARMS
:FBS-FOHUINJO
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Production Company: Idol Pictures
4VNNBSZ8IFO
JO
3POBME)FSCPMEUGSPN$BQF5PXOGPVOEIJNTFMGJO$VCBBUUIFUJNFXIFOUIFSFCFMGPSDFT
of Fidel Castro were overthrowing the Battista dictatorship, he jumped ship to take part, eventually landing up with
the Cuban troops who fought in Angola. This tells the story of his life and his return from exile.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
CATO MANOR: PEOPLE WERE LIVING THERE
:FBS-FOHUINJO
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Production Company: Charlotte Owen Productions
4VNNBSZ"GUFSUIFSBDJBMDMBTIFTCFUXFFOCMBDLTBOE*OEJBOTJO/BUBM
$BUP.BOPS
KVTUPVUTJEF%VSCBO
CFDBNF
one of the first areas to fall victim to the Group Areas Act. In this programme former inhabitants recall a stable,
impoverished community and tell of the upheavals caused by the forced removals.
CHILDREN OF APARTHEID
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ$#4/FXT
4VNNBSZ5IJTSFQPSUUBLFTBMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBJOUISPVHIUIFFZFTPGJUTZPVOHQFPQMF
both black and white. In the process it touches upon issues such as the detention of children, opposing lifestyles and
cultural backgrounds, and the commitment of many black youths to the liberation struggle.
t4")""VEJPWJTVBM"VEJU3FQPSU
CHILDREN OF GOD
:FBS-FOHUINJO
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Production Company: BBC
Summary: After upholding the rule of apartheid for some forty years, South Africa’s police force now has to cope with
DIBOHFEDJSDVNTUBODFT'JMNFEUPXBSETUIFFOEPG
UIJTQSPHSBNNFQSPWJEFTBOJOTJEFWJFXPGUIF$BQF3JPU
4RVBEBTJUSFTQPOETUPQFUSPMCPNCT
QPMJUJDBMNVSEFSTBOEQSPUFTUNBSDIFT
CISSIE GOOL
:FBSMFOHUINJO
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1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSJDBM4UVEJFT
6OJWFSTJUZPG$BQF5PXO
4VNNBSZ%VSJOHIFSMJGFUJNF
$JTTJF(PPMXBTBTUBVODIPQQPOFOUPGBMMGPSNTPGEJTDSJNJOBUJPOBOETFSWFEPO$BQF
Town’s City Council for 25 years. This film follows her political career and also deals with her personal life. It is
largely structured around interviews with some of the people who knew her.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
CIVILISATION ON TRIAL IN SOUTH AFRICA
:FBS-FOHUINJO
Producer: Michael Scott
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
4VNNBSZ4IPUCZ3FW.JDIBFM4DPUUCFGPSFIFXBTJTTVFEXJUIBCBOOJOHPSEFSJO
UIJTJTXJUIPVUEPVCUUIFGJSTU
anti-apartheid film ever made. It depicts the living conditions of the black population in South Africa, notably in
4PQIJBUPXOBOEUIFTRVBUUFSDBNQPG5PCSVL
BOEBMTPSFGFSTUPUIFQMJHIUPGUIF)FSFSPQFPQMF
t4")""VEJPWJTVBM"VEJU3FQPSU
COMPELLING FREEDOM / ZILIMA ZIYA ETSHENI
:FBS-FOHUINJO
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-BVSFODF%XPSLJO#SJBO5JMMFZ
1SPEVDUJPO$PNQBOZ7/4
Summary: Produced in association with COSATU, this film shows how various cultural forms that have emerged from
within the trade union movement are linked to the struggles on the shop-floor and are related to the concerns of the
community as a whole. It includes examples of resistance poetry, songs and dances, as well as extracts from plays.
THE COMRADES
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Production Company: BBC
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known as Comrades. This programme focuses on events in Munsieville, a township on the outskirts of Krugersdorp,
in the conservative heartland of white South Africa.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
COSATU: A GIANT HAS RISEN
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
Summary: After four years of unity talks, the Congress of South African Trade Unions was launched during the first
XFFLFOEPG%FDFNCFS5IJTWJEFPEFQJDUTTPNFPGUIFBDUJWJUJFT
GSPNUIFPQFOJOHBEESFTTCZ$ZSJM3BNBQIPTB
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UPUIFFMFDUJPOPGUIFJODPNJOHFYFDVUJWF
CROSSROADS
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%JSFDUPS-JOEZ8JMTPO
Production Company: Lindy Wilson Productions
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threat of demolition from the authorities.
t4")""VEJPWJTVBM"VEJU3FQPSU
CROSSROADS / SOUTH AFRICA: THE STRUGGLE CONTINUES
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1SPEVDUJPO$PNQBOZ+POBUIBO8BDLT1SPEVDUJPOT
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UIJTGJMNHPFTJOUPUIFJOGPSNBMTFUUMFNFOUPG$SPTTSPBET
PVUTJEF$BQF5PXO
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Modderdam and Unibel, where bulldozers were sent in, those interviewed are determined to stay.
THE DEADLINE
:FBS-FOHUINJO
%JSFDUPS%BWJE+BNNZ
Production Company: Mail & Guardian Television for Constitutional Assembly
Summary: Following South Africa’s first democratic election, the government was given a two-year mandate to write a
Constitution that would reflect the new order. As the deadline of 8th.BZESBXTOFBSFS
UIJTQSPHSBNNFGPDVTFT
on activities during the last three weeks of a most intensive negotiating process.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
DEAFENING ECHOES
:FBS-FOHUIJO
%JSFDUPS&VHFOF1BSBNPFS
Production Company: Rainbow Circle Films
Summary: Anton Fransch was one of the members of the Bonteheuwel Military Wing, set up to take arms against apart-
IFJE*O"VHVTU
IFXBTLJMMFEJOBTIPPUPVUXJUIUIFQPMJDFXIJMFTIFMUFSJOHJOBIPVTFJO$SBXGPSE5IJTGJMN
QBZTUSJCVUFUPIJTNFNPSZ
NVDIPGJUTFFOUISPVHIUIFFZFTPG"OESFXi(PSSJFw/PWFNCFS
DEATH OF APARTHEID
:FBS-FOHUINJO
%JSFDUPST.JDL(PME
4UFXBSU-BOTMFZ4UFQIFO$MBSLF
1SPEVDUJPO$PNQBOZ#SJBO-BQQJOH"TTPDJBUFTGPS##$BOE%JTDPWFSZ$IBOOFM
4VNNBSZ#BTFEPOUIFCPPLi5PNPSSPXJTBOPUIFSDPVOUSZwCZ"MMJTUFS4QBSLT
UIJTUISFFQBSUTFSJFTUFMMTUIFTUPSZPG
how the white minority government, led by F.W. de Klerk, came to hand over power to their erstwhile enemies, the
"GSJDBO/BUJPOBM$POHSFTT
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t4")""VEJPWJTVBM"VEJU3FQPSU
DENNIS BRUTUS: I AM A REBEL
:FBS-FOHUINJO
%JSFDUPS7JODFOU.PMPJ
1SPEVDUJPO$PNQBOZ4FJQPOF1SPEVDUJPOTGPS4"#$
4VNNBSZ5FBDIFS
QPFUBOEQPMJUJDBMBDUJWJTU
%FOOJT#SVUVTHSFXVQJO1PSU&MJ[BCFUI
CFDBNFJOWPMWFEJOUIFBOUJ
apartheid struggle and served time on Robben Island. While in exile he campaigned to have South Africa expelled
GSPNUIF0MZNQJD(BNFT/PXBMNPTU
IFJTUIFTVCKFDUPGUIJTEPDVNFOUBSZ
DROWNING IN BLOOD
:FBS-FOHUINJO
%JSFDUPS%BWJE)BSSJTPO
1SPEVDUJPO$PNQBOZ##$/FXT$VSSFOU"GGBJST
4VNNBSZ"QSPHSBNNFPOUIF5SBOTWBBMUPXOTIJQDPOGSPOUBUJPOTCFUXFFO"/$BOE*OLBUIBTVQQPSUFST
JODMVEJOH
UIFUSBJONBTTBDSF*UBMTPSFQPSUTPOBUUFNQUTUPTUPQUIFWJPMFODF
/FMTPO.BOEFMBATQVCMJDQMFBGPSQFBDF
JOUFS
USJCBMSBMMJFTBOEUIFQPTTJCMFJOWPMWFNFOUPGBiUIJSEGPSDFw
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE DUMPING GROUNDS (SERIES: WORLD IN ACTION)
:FBS-FOHUINJO
%JSFDUPS+PIO4IFQIFSE
Production Company: Granada Television
Summary: Television documentary on the human cost of forced removals, with comments from doctors working in the
,XB;VMVIPNFMBOEBOEJOUIF,VSVNBOSFHJPOPGUIF/PSUIFSO$BQF"EEJUJPOBMDPNNFOUTDPNFGSPN'S$PTNPT
%FTNPOE
XIPEFTDSJCFTUIFBQQBMMJOHMJWJOHDPOEJUJPOTJOUIFTFBSFBT
EAT MY CALL-UP
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ1JDUVSF/FU'JMNTGPS4"#$
4VNNBSZ#FUXFFOBOE
BMMZPVOH4PVUI"GSJDBOXIJUFNFOXFSFMJBCMFUPCFDPOTDSJQUFEJOUPUIF4"%'
with many of them being sent to the country’s borders or into the townships. This film is structured around inter-
WJFXTXJUIGPVSNFOXIPSFGVTFEUPEFGFOEUIFBQBSUIFJETUBUFBOEXFSFQSFQBSFEUPTVGGFSUIFDPOTFRVFODFT
t4")""VEJPWJTVBM"VEJU3FQPSU
END OF THE DIALOGUE: APARTHEID IN SOUTH AFRICA 1970 / PHELA-NDABA
:FBS-FOHUINJO
%JSFDUPS/BOB.BIPNP VD
ENTHOMBE
:FBS-FOHUINJO
%JSFDUPS(VZ4QJMMFS
Production Company: Lizardfilm
Summary: The families comprising the Enthombe community have lived on a portion of the farm Saaihoek for many
years. This documentary records their fight to stay on what they regard as their ancestral lands.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
FAITH IN RESISTANCE (SERIES: ISSUES OF FAITH)
:FBS-FOHUIYNJO
%JSFDUPS-FOB'BSVHJB
Production Company: GBA Productions for SABC Religion
4VNNBSZ1SFTFOUFECZ4FUI.B[JCVLP
BGPSNFSTUVEFOUMFBEFSBUUIFUJNFPGUIF4PXFUPVQSJTJOH
UIJTTJYQBSU
series takes a look at the way the anti-apartheid struggle was intertwined with spirituality, with people prompted by
their conscience to become involved in what, for many, was a moral as well as a political fight.
FIELDS OF PLAY
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ%JTUSJDU4JY.VTFVN
$VSSFOU1IZTJDBM-PDBUJPO%JTUSJDU4JY.VTFVN
%FTDSJQUJPO"NJOVUFEPDVNFOUBSZUIBUQSPWJEFTBCSJFGIJTUPSZBOEJOTJHIUJOUPUIFGBTDJOBUJOHXPSMEPGJOOFSDJUZ
Cape Town soccer from the late nineteenth century through to the mid-and-late twentieth century.
t4")""VEJPWJTVBM"VEJU3FQPSU
FLOWERS OF THE REVOLUTION: DEBORAH MATSHOBA
:FBS-FOHUINJO
%JSFDUPST/PNPOEF(POHYFLB$MBSFODF)BNJMUPO
1SPEVDUJPO$PNQBOZ#BDLUPUIF8BMM'JMNT/BUJPOBM'JMNBOE7JEFP'PVOEBUJPO
4VNNBSZ%VSJOHUIFT
%FCPSBI.BUTIPCBXBTBOFYFDVUJWFNFNCFSPG4"40
XBTBSSFTUFEBOETQFOUTPNFFJHI-
teen months in solitary confinement, during which time she was also tortured. In this programme she talks about
her life and her involvement in the freedom struggle.
FORGOTTEN
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%JSFDUPS3JOB+PPTUF
Production Company: KIKA Productions for SABC
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compensated for the sacrifices they had made. And while some have done well for themselves, many others are still
struggling to make a living. This documentary focuses on three ex-MK members who relate their experiences.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
FREE MANDELA
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%JSFDUPS#BSSZ'FJOCFSH
1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB
4VNNBSZ5IJTGJMN
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th birthday, which resulted in messages of support from all over the world. A large gathering took place in Hyde
Park and Wembley Stadium was the site of one of the greatest concerts ever.
FREEDOM BEAT
:FBS-FOHUINJO
%JSFDUPS$IBSMFT.D%PVHBMM
Production Company: Clapham Common Productions
4VNNBSZ"SFDPSEPGPOFPGUIFCJHBOUJBQBSUIFJEDPODFSUTUIBUXFSFIFMEEVSJOHUIFT0SHBOJTFECZ"""
PS
"SUJTUT"HBJOTU"QBSUIFJE
JUXBTTUBHFEPO$MBQIBN$PNNPOPO+VOFthBOEESFXBOFTUJNBUFE
people. The line-up included top names like Sade, Elvis Costello, Peter Gabriel and Hugh Masekela.
t4")""VEJPWJTVBM"VEJU3FQPSU
FREEDOM WAS NOT FREE!
:FBS-FOHUINJO
%JSFDUPS4J[XF/EV[VMXBOB
1SPEVDUJPO$PNQBOZ.JTGJU1JDUV[%JOJ.FEJB5FDIOPMPHJFT
4VNNBSZ5IJTEPDVNFOUBSZEFBMTXJUIUIFQPMJUJDBMTJUVBUJPOJOUIF&BTUFSO$BQFEVSJOHUIFTBOEGPDVTFTQSJ-
NBSJMZPOUXPGJHVSFT
.LIVTFMJ+BDL
UIFGPSNFSMFBEFSPGUIF1PSU&MJ[BCFUI:PVUI$POHSFTTBOE/FMWJT2FLFNBPG
";"105IFZUFMMPGUIFJSFYQFSJFODFTBOEUIFJTTVFTUIBUPDDVQJFEQFPQMFEVSJOHUIPTFEBZT
FRUITS OF DEFIANCE
:FBS-FOHUINJO
%JSFDUPST#SJBO5JMMFZ0MJWFS4DINJU[
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ4IPUJOBOEBSPVOE$BQF5PXOEVSJOHUIFXFFLTCFGPSFBOEBGUFSUIF(FOFSBM&MFDUJPOPGUI4FQUFNCFS
UIJTWJEFPEFQJDUTUIFQPMJUJDBMFWFOUTPGUIJTQFSJPECZSFMBUJOHUIFNUPUIFXPSLJOHDMBTTBSFBPG.BOFOCFSH
on the Cape Flats.
GENERATIONS OF RESISTANCE
:FBS-FOHUINJO
%JSFDUPS1FUFS%BWJT
1SPEVDUJPO$PNQBOZ6OJUFE/BUJPOT5FMFWJTJPO
Summary: Using archival and newsreel footage intercut with interviews with political activists, this film highlights the
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5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
GOING FOR SPARROWS WITH A MACHINE GUN
:FBS-FOHUINJO
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+BSFE#PSLVN
/JOB+BDPCTPO.POEF/LBTBXF
1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSZ
6OJWFSTJUZPG$BQF5PXO
4VNNBSZ*OUIFMBUFTJYUJFTBOEFBSMZTFWFOUJFT
UIF/BUJPOBM6OJPOPG4PVUI"GSJDBO4UVEFOUT /64"4
CFDBNFB
UIPSOJOUIFTJEFPGUIF/BUJPOBM1BSUZ-BSHFMZCBTFEPOJOUFSWJFXTXJUIFYTUVEFOUMFBEFSTBOEPUIFST
UIJTGJMN
focuses on these years of political activism and highlights some of the issues of the day
GOLDWIDOWS
:FBS-FOHUINJO
%JSFDUPST%PO&ELJOT
6UF)PMM.JDIBFM4DIM¤NFS
Production Company: Medienwerkstatt Freiburg
Summary: German-made documentary that portrays the impact of the migratory labour system through the lives of
Lesotho women whose men work as migrant labourers in the goldmines of South Africa.
/BNF30"%503&4*45"/$&
%FTDSJQUJPO"TUIF6/BEPQUTUIF%FDMBSBUJPOPG)VNBO3JHIUT
4PVUI"GSJDBIFBETJOUIFPQQPTJUFEJSFDUJPOBOE
JNQMFNFOUTBQBSUIFJE"NBTTNPWFNFOUJTCPSO
UIFODSVTIFE
BOE/FMTPO.BOEFMBJTKBJMFEGPSMJGF
t4")""VEJPWJTVBM"VEJU3FQPSU
/BNF)&--0'"+0#
%FTDSJQUJPO5IFGVUVSFPGUIFNPWFNFOUJTPOUIFTIPVMEFSTPG0MJWFS5BNCP
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year journey to engage the world in the struggle to bring democracy to South Africa.
/BNF5)&/&8(&/&3"5*0/
%FTDSJQUJPO:PVUIJO4PVUI"GSJDBBOEBSPVOEUIFXPSMEBSFOFYUUPKPJOUIFHSPXJOHNPWFNFOUBHBJOTUBQBSUIFJE
BOE
the brutal suppression of a youth uprising in Soweto galvanizes public support for sanctions against South Africa.
/BNF'"*31-":
%FTDSJQUJPO"UIMFUFTBOEBDUJWJTUTBSPVOEUIFXPSMEIJUXIJUF4PVUI"GSJDBXIFSFJUIVSUTPOUIFQMBZJOHGJFME5IF
sports boycott pushes apartheid South Africa out of international sporting competitions, isolating it in an area of
passionate importance.
/BNF'30.4&-."50408&50 QSFWJPVTMZ"1"35)&*%"/%5)&$-6#0'5)&8&45
%FTDSJQUJPO"GSJDBO"NFSJDBOTBMUFS64GPSFJHOQPMJDZGPSUIFGJSTUUJNFJOIJTUPSZ
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impose sanctions and politically isolate Pretoria.
/BNF5)Ȧ.-*/&
%FTDSJQUJPO*OUFSOBUJPOBMHSBTTSPPUTDBNQBJHOTBHBJOTU1PMBSPJE
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(FOFSBM.PUPSTBOEPUIFSTEPJOH
business in South Africa economically isolate the apartheid regime and become the first successful effort to use
economic pressure to help bring down a government.
/BNF'3&&"5-"45
%FTDSJQUJPO"OVQSJTJOHJO4PVUI"GSJDBCFDPNFTUIFGJOBMCMPXJOUIFDVNVMBUJWFXPSMEFGGPSUUPUPQQMFBQBSUIFJE
/FMTPO.BOEFMBCFDPNFTBIPVTFIPMEOBNFBTUIFDBNQBJHOUPGSFFIJNJHOJUFTBXPSMEXJEFDSVTBEF
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
HERE BE DRAGONS
:FBS-FOHUINJO
%JSFDUPS0EFUUF(FMEFOIVZT
Producers: Odette Geldenhuys / Catharina Weinek
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and it takes us on the emotional, personal and political journey of one of South Africa’s greatest jurists.
t4")""VEJPWJTVBM"VEJU3FQPSU
IF TRUTH BE TOLD… (SERIES: ORDINARY PEOPLE)
:FBS-FOHUINJO
%JSFDUPS%BWJE+BNNZ
Production Company: Mail & Guardian Television for SABC
Summary: Prior to the Truth & Reconciliation Commission’s first sitting, a number of victims and their families got to-
gether to establish an organisation that would prepare them for the hearings. This programme talks to three people
who joined the Khulumani Support Group.
IN THE DOCK
:FBS-FOHUINJO
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1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS4"#$
4VNNBSZ#FDBVTF
JO"VHVTUIFIBETIPUGPPUBHFPGBQSPUFTUNFFUJOHBUBDIVSDIJO4IBSQFWJMMF
,FWJO)BSSJT
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personal film the director traces his life to describe how he came to this point.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
IN THE NAME OF MANDELA: WAR AND PEACE
:FBSNJO
%JSFDUPS+VSHFO4DIBEFCFSH
1SPEVDUJPO$PNQBOZ"EBHF/FXT
Summary: An overview of South Africa’s political history during the 20th century, with an emphasis on the role of the
"GSJDBO/BUJPOBM$POHSFTT6TJOHBSDIJWBMGPPUBHFBOETUJMMQIPUPHSBQIT
JUIJHIMJHIUTWBSJPVTLFZFWFOUTPWFSUIF
ZFBST
DVMNJOBUJOHJOUIFSFMFBTFPGBOVNCFSPGMPOHUFSNQPMJUJDBMQSJTPOFSTJO 6QEBUFEBOESFMFBTFEPO
WJEFPVOEFSUIFUJUMFi/FMTPO.BOEFMBBOEUIFSJTFPGUIF"/$w
THE INAUGURATION
:FBSNJO
1SPEVDFS*OB+PVCFSU
1SPEVDUJPO$PNQBOZ5/1GPS4"#$
4VNNBSZ"OFEJUFEWFSTJPOPGUIFEBZMPOHBDUJWJUJFTPOth.BZ
UIFEBUF/FMTPO.BOEFMBXBTJOBVHVSBUFEBT
the first democratically elected President of South Africa, as originally broadcast by the SABC.
ISITWALANDWE: THE STORY OF THE SOUTH AFRICAN ‘FREEDOM CHARTER’ TOLD BY THOSE WHO
STRUGGLE FOR IT
:FBS-FOHUINJO
%JSFDUPS#BSSZ'FJOCFSH
1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODFBOE"JE'VOEGPS4PVUIFSO"GSJDB
Summary: On 25thBOEth+VOF
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EFMFHBUFTGSPNBMMPWFS4PVUI"GSJDBDBNFUPHFUIFSBU,MJQUPXOGPS
the Congress of the People. The culmination of the event was the adoption of the Freedom Charter, an occasion
recalled by a number of people who were present at the time.
t4")""VEJPWJTVBM"VEJU3FQPSU
THE ISLAND & THE APPLE BOX
:FBS-FOHUINJO
%JSFDUPST4IBSPO'BSS-FF0UUFO VODSFEJUFE
Production Company: Shoot the Breeze Productions for Robben Island Museum
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BTXFMMBTBIJTUPSZPG3PCCFO*TMBOE
designed for presentation to school children everywhere. The video is a straightforward record of the play, with a
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A JOURNEY BACK
:FBS-FOHUINJO
%JSFDUPST;JO[J,VMV5BNBSB4FNFWTLZ
1SPEVDUJPO$PNQBOZ;JO[J,VMV1SPEVDUJPOT
Summary: Many of the individuals who were incarcerated on Robben Island were leaders of liberation movements and
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UIJTGJMNBDDPNQBOJFT1SFTJEFOU/FMTPO.BOEFMB
%S/FWJMMF"MFY-
BOEFS
%S/DIBVQF.PLPBQFBOE"EW%JLHBOH.PTFOFLFBTUIFZSFUVSOUPUIFJTMBOEBTGSFFNFO
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
JUST AN INCH AWAY
:FBS-FOHUINJO
%JSFDUPS"OESFX#FUIFMM
1SPEVDUJPO$PNQBOZ%PVCMF&YQPTVSFGPS$IBOOFM
4VNNBSZ*O"QSJM
EVSJOHUIFQSFWBJMJOH4UBUFPG&NFSHFODZ
GPVSZPVOHQFPQMFGSPN(SFBU#SJUBJOWJTJUFE4PVUI
"GSJDBUPFYQFSJFODFBQBSUIFJEBUGJSTUIBOE5IJTEPDVNFOUBSZWJTJUTUIFNXJUIUIFJSIPTUGBNJMJFTJO+PIBOOFTCVSH
/PSUIBOE4PXFUPSFTQFDUJWFMZBOESFDPSETUIFJSSFBDUJPOTUPUIFDPOUSBTUTUIFZGJOE
KATUTURA
:FBS-FOHUINJO
%JSFDUPS6MSJDI4DIXFJ[FS
Production Company: Protestant Churches and Missions of Switzerland
Summary: One of the first documentaries to give overseas audiences an idea of what it was like for black South Africans
to live under apartheid, this presents an overview of the impact of strict racial segregation.
KILLING A DREAM
:FBS-FOHUINJO
%JSFDUPST"OEFST/JMTTPO(VOJMMB"LFTTPO
Production Company: SVT2
4VNNBSZ'SPN
TJYZFBSTBGUFS.P[BNCJRVFHBJOFEJUTJOEFQFOEFODF
4PVUI"GSJDBFNCBSLFEVQPOBDBNQBJHO
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at home. This Swedish-made film gathers evidence of the destruction wrought.
t4")""VEJPWJTVBM"VEJU3FQPSU
KLIPTOWN (SERIES: THE HEART OF SOWETO)
:FBS-FOHUINJO
%JSFDUPS)B[FM$IBOEMFS
1SPEVDUJPO$PNQBOZ%PVCMF&YQPTVSFGPS##$1FCCMF.JMM
4VNNBSZ,MJQUPXO
OFBS+PIBOOFTCVSH
JTCFTULOPXOBTUIFQMBDFXIFSF
JO
UIF'SFFEPN$IBSUFSXBTMBVODIFE
1BSUPGHSFBUFS4PXFUP
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JOIBCJUBOUT
This programme visits the area, where people’s shacks are regularly bulldozed by the authorities.
LAKUTSHON ‘ILANGA
:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
Production Company: Kevin Harris Productions
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encourages national unity, promotes cultural identity and pays tribute to all those who played pivotal roles in the
liberation struggle. The video presents extracts and includes an interview with the author.
THE LAWYER, THE FARMER & THE CLERK (SERIES: ORDINARY PEOPLE)
:FBS-FOHUINJO
%JSFDUPS$MJGGPSE#FTUBMM
Production Company: Weekly Mail Television for SABC
Summary: On 25th+VOF
UIF"8#VTFEBWFIJDMFUPCSFBLUISPVHIUIFIFBWZHMBTTEPPSTPGUIFCVJMEJOHXIFSFOF-
gotiations concerning the future of the country were in progress and occupied part of the premises. This programme
documents the events of the day as seen through the eyes of three individuals.
t4")""VEJPWJTVBM"VEJU3FQPSU
LEMBEDE
:FBS-FOHUINJO
%JSFDUPS/JSWBOB4JOHI
1SPEVDUJPO$PNQBOZ6IVSV1SPEVDUJPOT8IPMJTUJD1SPEVDUJPOTGPS4"#$
4VNNBSZ)BEIFMJWFE
"OUPO-FNCFEF
XPVMEIBWFCFFOPOFPG4PVUI"GSJDBTNPTUQSPNJOFOUQPMJUJ-
DJBOT0OFPGUIFGPVOEFSTPGUIF"/$:PVUI-FBHVF
IFCFDBNFJUTGJSTUQSFTJEFOU5IJTGJMNFYBNJOFTIJTDPOUSJCV-
tion to the cause of freedom, from his youth as a farm labourer to his sudden death at the age of 33.
LET MY PEOPLE GO
:FBS-FOHUINJO
%JSFDUPS+PIO,SJTI
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
Summary: Released the year after the Sharpeville massacre, this is one of the first anti-apartheid films to have been
made in Great Britain. It employs a combination of newsreel footage and re-enactments to illustrate the effect of the
apartheid laws.
LIBERATION WOMEN
:FBS-FOHUINJO
%JSFDUPS#FBUB-JQNBO
Production Company: BBC Wales
4VNNBSZ"OPWFSWJFXPGUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBJO
BUJNFXIFOHSPXJOHPQQPTJUJPOUPBQBSUIFJE
led to violent confrontations between youthful protesters and the police. Much of this is seen through the eyes of five
women who talk about various issues and describe some of their own experiences.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE LIFE AND DEATH OF STEVE BIKO
:FBS-FOHUINJO
%JSFDUPST.BMDPMN$MBSLF.JDIBFM3ZBO
Production Company: Granada Television
Summary: Made two weeks after the announcement of the death of Steve Biko, this assesses his impact on black opposi-
tion against the government and especially his involvement with the Black Consciousness movement. It includes a
report on his funeral and attends a memorial service in London.
t4")""VEJPWJTVBM"VEJU3FQPSU
LOVE, COMMUNISM, REVOLUTION & RIVONIA: BRAM FISCHER’S STORY
:FBS-FOHUINJO
%JSFDUPST4IBSPO'BSS-FF0UUFO
1SPEVDUJPO$PNQBOZ4IPPUUIF#SFF[F1SPEVDUJPOTGPS./FU/FX%JSFDUJPOT
4VNNBSZ%FTQJUFCFJOHUIFTDJPOPGBEJTUJOHVJTIFE"GSJLBOFSGBNJMZ
#SBN'JTDIFSUISFXJOIJTMPUXJUIUIPTFTUSVH-
gling against apartheid. A member of the SACP, he is best remembered for defending those accused during the
5SFBTPO5SJBMBOEMBUFSUIF3JWPOJB5SJBMPG5IJTEPDVNFOUBSZUSBDFTIJTMJGFBOEDBSFFS
MANDELA
:FBS-FOHUINJO
%JSFDUPST+P.FOFMM"OHVT(JCTPO
Production Company: Clinica Estetico for Island Pictures
4VNNBSZ.BEFXJUIIJTGVMMDPPQFSBUJPO
UIJTXBTUIFGJSTUBVUIPSJUBUJWFCJPHSBQIZPG/FMTPO.BOEFMB&NQMPZJOHCPUI
archival material and new documentary footage, intercut with extracts from interviews with Mandela himself and
NBOZPGIJTBTTPDJBUFT
JUXBTOPNJOBUFEGPSBO"DBEFNZ"XBSEBT#FTU%PDVNFOUBSZ'FBUVSF *OUIF6OJUFE4UBUFT
JUXBTSFMFBTFEBTi.BOEFMBTPOPG"GSJDB
GBUIFSPGBOBUJPOw
t4")""VEJPWJTVBM"VEJU3FQPSU
MANDELA TRIBUTE, WEMBLEY
:FBS-FOHUINJO
%JSFDUPS,FO0/FJMM
Production Company: Tribute Productions for Freedom Productions
4VNNBSZ5IFNBNNPUIDPODFSUIFMEPOth+VOFUPDFMFCSBUFUIFthCJSUIEBZPGUIFUIFOTUJMMJNQSJTPOFE/FM-
son Mandela was an event organised by Artists Against Apartheid. This is a record of the entire concert, attended by
BDSPXEFTUJNBUFEBUTPNF
QFPQMF
MARCHING ORDERS
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Afravision
4VNNBSZ5IF&OE$POTDSJQUJPO$BNQBJHOXBTMBVODIFEUPXBSETUIFFOEPGUPTVQQPSUBOJODSFBTJOHOVNCFS
PGZPVOHXIJUFNFOXIPSFGVTFEUPTFSWFJOUIF4"%'5IJTGJMNQSPWJEFTBOJOUSPEVDUJPOUPUIF&$$FYQMBJOTUIF
reasoning behind its founding and calls for an end to compulsory military conscription.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
MARTIN THEMBISILE HANI 1942-1993
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: SABC
4VNNBSZ$ISJT)BOJXBTBTTBTTJOBUFEEVSJOHUIF&BTUFSXFFLFOEPG"GUFSQSFTFOUJOHBOPWFSWJFXPGIJTSPMF
JOUIF"/$BOE4"$1
UIJTWJEFPEFQJDUTUIFGVOFSBMTFSWJDFBUUIF'/#4UBEJVNJO4PXFUPXIFSFUIFDSPXEJTBE-
dressed by various dignitaries, as well as the proceedings at Elspark Cemetery.
MEMORIES OF DREAMS
:FBS-FOHUINJO
%JSFDUPS5POJ4USBTCVSH
1SPEVDUJPO$PNQBOZ#JH8PSME$JOFNB
&CBOP.VMUJNFEJB+#"1SPEVDUJPO
Summary: Hilda Bernstein is a veteran of the SACP. Her late husband, Rusty, was one of Mandela’s co-accused at the
Rivonia trial and after years of bannings and police harassment, they were eventually forced to flee the country. This
film, made by their daughter, deals with the family’s involvement in the liberation struggle.
t4")""VEJPWJTVBM"VEJU3FQPSU
THE MIDAS TOUCH
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Granada Television
Summary: At a time when Barclays Bank announced its withdrawal from South Africa, another British-based company,
Consolidated Gold Fields, confirmed that it had no intention of doing so. This programme accuses the firm of taking
advantage of the apartheid system and of exploiting the migrant labourers who work in its mines.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE MOON IN MY POCKET (SERIES: LOVE STORIES)
:FBS-FOHUINJO
%JSFDUPS,HPNPUTP.BUTVOZBOF
Production Company: Curious Pictures for SABC3
Summary: This film tells the story of Robben Island prisoner Wilton Mkwayi, an MK commander convicted of treason,
XIPGPSZFBSTSVOOJOHBQQMJFEGPSQFSNJTTJPOUPNBSSZ*SFOF,IVNBMP:FBSBGUFSZFBSIFXBTSFGVTFEBOEXIFO
QFSNJTTJPOXBTGJOBMMZHSBOUFE
IJTXJGFEJFEPGDBODFSNPOUITCFGPSFIFXBTSFMFBTFE
MY AFRICAN MOTHER
:FBS-FOHUINJO
%JSFDUPS$BUIFSJOF8JOUFS
Production Company: M&G TV for e.tv
Summary: Many white South Africans have experiences similar to those of the individuals interviewed in this film.
They had African domestic workers looking after them when they were small, as a result of which a close bond was
established between them, a situation that grew out of the country’s apartheid past.
t4")""VEJPWJTVBM"VEJU3FQPSU
THE MYSTERIOUS DISAPPEARANCE OF BOIKI MAJESTIC MLHAPI (SERIES: ENCOUNTERS)
:FBS-FOHUINJO
%JSFDUPS*OHSJE(BWTIPO
Production Company: Free Filmmakers
Summary: On March 20th
#PJLJ.IMBQJBOEFJHIUPUIFSTTFUPVUGSPN1PUDIFGTUSPPNUP,MFSLTEPSQUPBUUFOEB
GVOFSBM0OUIFXBZUIFZXFSFTUPQQFECZUIFQPMJDF
XIPNBJOUBJOUIBUIFXBTTVCTFRVFOUMZSFMFBTFE
UIPVHIIF
never came home. This programme traces the events of that day.
NAGGING DOUBT
:FBS-FOHUINJO
%JSFDUPS3PHFS(SBFG
1SPEVDUJPO$PNQBOZ-JNFIPVTF1SPEVDUJPOTGPS$IBOOFM
4VNNBSZ"DUPS+BDL,MBGGSFQSFTFOUTBOVNCFSPGJOEJWJEVBMTXIPXFSFBGGFDUFECZUIF4IBSQFWJMMFNBTTBDSFPG.BSDI
BOEJUTBGUFSNBUI
GSPNBOBOPOZNPVTWJDUJNUP%S7FSXPFSE,MBGGJTUIFPOMZBDUPSPOUIFNVMUJQVSQPTFTFU
and he uses extracts from official records and specially written monologues as his text.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
NDABENI: THE FIRST FORCED REMOVAL
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Teaching Methods Unit, University of Cape Town
4VNNBSZ*O
XIFOCVCPOJDQMBHVFCSPLFPVUJO$BQF5PXO
UIF"GSJDBOEPDLXPSLFSTMJWJOHJOBSFBTTVDIBT
%JTUSJDU4JY
XFSFTFJ[FEVQPOBTBIFBMUIIB[BSEBOEXFSFGPSDJCMZSFNPWFEUPBDBNQBU6JUWMVHU'PSFTU4UBUJPO
BO
BSFBUIBUMBUFSCFDBNFLOPXOBT/ECFOJ
NEED TO KNOW
:FBS-FOHUINJO
%JSFDUPS+BOO5VSOFS
1SPEVDUJPO$PNQBOZ+PO#MBJS'JMN$PNQBOZGPS$IBOOFM
4VNNBSZ8IFO
JO+BOVBSZ
%S3JDL5VSOFS
BMFBEJOHBOUJBQBSUIFJEBDUJWJTU
XBTTIPUBUQPJOUCMBOLSBOHFJOIJT
%VSCBOIPNF
IFEJFEJOUIFBSNTPGIJTUIFOZFBSPMEEBVHIUFS'JGUFFOZFBSTMBUFSTIFSFUVSOTUP4PVUI"GSJDBUP
confront her past and to investigate why and by whom her father was killed.
t4")""VEJPWJTVBM"VEJU3FQPSU
NO APARTHEID WAR: STAND BY IVAN TOMS
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: Oppie Oomblik Productions
4VNNBSZ*WBO5PNTXBTBNFEJDBMEPDUPSBOEHBZBDUJWJTUXIPTFSWFEBTBOPODPNCBUBOUJO/BNJCJBBOEBGUFSXBSET
worked for eight years in Cape Town’s black townships. In this video he is interviewed three weeks before he is due
UPTUBOEUSJBMGPSIJTSFGVTBMUPTFSWFJOUIF4"%'
NO WAY BACK
:FBS-FOHUINJO
%JSFDUPS%BWJE)BSSJTPO
1SPEVDUJPO$PNQBOZ##$/FXT$VSSFOU"GGBJST
4VNNBSZ*O
BGUFSUIFVOCBOOJOHPGUIF"/$BOEUIFSFMFBTFPG/FMTPO.BOEFMB
UIFSFXBTXJEFTQSFBESFBDUJPO
from the white right wing. In this programme, representatives of the Conservative Party, the White Transport Union,
the AWB and the Oranjewerkers all express their anger at the government’s actions.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
NOTICE TO QUIT!
:FBS-FOHUINJO
%JSFDUPS&TEPO'SPTU
Production Company: Compass Films
Summary: This film, made at the instigation of the Western Cape branch of the Black Sash, sets out to show the effect
the implementation of the Group Areas Act would have on the Coloured inhabitants of Cape Town. Shot during
JUTPOFPGUIFGJSTUBOUJBQBSUIFJEGJMNTNBEFJO4PVUI"GSJDBCZ4PVUI"GSJDBOT
t4")""VEJPWJTVBM"VEJU3FQPSU
OUT IN THE OPEN (SERIES: IF TRUTH BE TOLD)
:FBS-FOHUINJO
%JSFDUPS.BSL+,BQMBO
Production Company: Big World Cinema
Summary: One in a three part series made to facilitate the work of the TRC, this focuses on some representative case
IJTUPSJFTJOUIF&BTUFSO$BQF
OBNFMZ0QFSBUJPO0SQIFVT BJNFEBHBJOTUUIFMPDBM6%'MFBEFSTIJQ
UIFEJTBQQFBS-
ance of the PEBCO three and the murder of Matthew Goniwe and his colleagues.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
PATU!
:FBS-FOHUINJO
%JSFDUPS.FSBUB.JUB
Production Company: Awatea Films
4VNNBSZ*OUIF/FX;FBMBOE3VHCZ6OJPOJOWJUFEUIF4PVUI"GSJDBOSVHCZUFBNUPUPVSUIFDPVOUSZ5IJTJTBO
BDDPVOUPGUIFBUUFNQUTCZWBSJPVTHSPVQTBOEPSHBOJTBUJPOTJO/FX;FBMBOEUPQSFWFOUUIFUPVSGSPNUBLJOHQMBDF
and later, once the Springboks are in the country, to disrupt the matches.
t4")""VEJPWJTVBM"VEJU3FQPSU
PHAMBILI! WORKING WOMEN IN SOUTH AFRICA
:FBS-FOHUINJO
%JSFDUPS4IFMMFZ8FMMT
1SPEVDUJPO$PNQBOZ7/4
Summary: Though South Africa’s working women have made a major contribution to the wealth of the country, theirs
has been an uphill struggle against prejudice and oppression. This video takes a look at what it means to be a black
or Coloured woman working in the South African economy.
PHANTSI MELLOW YELLOW (SERIES: PETROL BOMBS & BAD HAIR DAYS)
:FBS-FOHUINJO
%JSFDUPS$IBSMFOF)PVTUPO
Production Company: AfroSoul Productions for SABC
4VNNBSZ5IJTEPDVNFOUBSZEFBMTXJUIUIFQPMJUJDBMQSPUFTUTJOUIF8FTUFSO$BQFEVSJOHUIFTBOETFUTPVUUPQBZ
tribute to the foot soldiers of the struggle, i.e. those individuals whose later careers weren’t based on their promi-
nence as leaders of the anti-apartheid movement, but who were just as much involved.
PLAGUE WARS: THE SECRET KILLINGS
:FBS-FOHUINJO
%JSFDUPS1FUFS.PMMPZ
Production Company: Paladin for BBC & WGBH Frontline
4VNNBSZ5IJTEPDVNFOUBSZEFBMTXJUIUIFDPWFSUCJPMPHJDBMXBSGBSFQSPHSBNNFSVOCZ%S8PVUFS#BTTPOEVSJOHUIF
apartheid era. Incorporating evidence given at the TRC hearings, it discussed how a number of poisons were devel-
PQFEBOEIPX%S#BTTPO
JOTUFBEPGEFTUSPZJOHUIFTFEPDVNFOUTBGUFS
IBEBQQSPQSJBUFEUIFGJMFT
PLAYING HISTORY
:FBS-FOHUINJO
%JSFDUPS.BBSUFO3FOT
Production Company: Afrikan Connection Productions & Maarten Rens Produkties
Summary: Prior to South Africa’s first democratic elections, those involved in the freedom struggle received growing
support from the international anti-apartheid movement, which had chapters throughout the world. This film fo-
DVTFTPOUIFSFMBUJPOTIJQCFUXFFOUIF"/$BOEUIF%VUDI"OUJ"QBSUIFJE.PWFNFOU ""#/
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
POLITICAL IMPRISONMENT: LESSONS IN AFRICAN LEADERSHIP
:FBS-FOHUINJO
%JSFDUPS+BDL-FXJT
Production Company: Idol Pictures for Robben Island Museum
Summary: This four-part series sets out to illustrate how political imprisonment helped to shape our traditions of lead-
ership in the South African struggle for democracy. It is structured around interviews with people who were involved
in the fight against apartheid and are now in positions of some prominence.
PRIME EVIL
:FBS-FOHUINJO
%JSFDUPS+BDRVFT1BVX
Production Company: SABC
4VNNBSZ*O"VHVTU
$PMPOFM&VHFOFEF,PDLXBTDPOWJDUFEPGDSJNFT
SBOHJOHGSPNNVSEFSUPGSBVE
BMMPG
UIFNDPNNJUUFEEVSJOHUIFZFBSTUIBUIFXBTDPNNBOEFSPGBGBSNXIFSFUIFTFDVSJUZQPMJDFPQFSBUFEBIJUTRVBE
This two-part programme tries to determine what turned him into one of apartheid’s top assassins.
t4")""VEJPWJTVBM"VEJU3FQPSU
PROPERTY OF THE STATE: GAY MEN IN THE APARTHEID MILITARY
:FBS-FOHUINJO
%JSFDUPS(FSBME,SBBL
Production Companies: GALA & Out in Africa
4VNNBSZ'PSBOZZFBSPME
DPOTDSJQUJPOJOUPUIFBSNZJTPGUFOBOVOOFSWJOHFYQFSJFODF
CVUGPSHBZNFOJOBQBSU-
IFJE4PVUI"GSJDBJUDPVMECFUSBVNBUJD*OUIJTEPDVNFOUBSZBOVNCFSPGJOEJWJEVBMTXIPTFSWFEJOUIF4"%'UFMM
of their experiences, some of which have been reinterpreted in their writings.
A QUESTION OF MADNESS
:FBS-FOHUINJO
%JSFDUPS-J[B,FZ
1SPEVDUJPO$PNQBOZ,FZ'JMNTGPS4"#$
4VNNBSZ0Oth4FQUFNCFS
BQBSMJBNFOUBSZNFTTFOHFSOBNFE%JNJUSJ5TBGFOEBTLJMMFE%S)'7FSXPFSE
then Prime Minister of South Africa and regarded by many as the founder of the political ideology of apartheid. This
film recalls the assassination and then goes on to examine aspects of Tsafendas’s life.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
REMEMBER KASSINGA
:FBS-FOHUINJO
%JSFDUPS(1BHBOP
Production Company: International University Exchange Fund
4VNNBSZ0Oth.BZ
4PVUI"GSJDBOGPSDFTBUUBDLFEXIBUUIFZTBJEXBTB48"10NJMJUBSZDBNQBU$BTTJOHB
TPNFLJMPNFUSFTJOTJEF"OHPMB0UIFSTDMBJNFEUIBUJUXBTBDPNNVOJUZPGTPNF
/BNJCJBOSFGVHFFT
REMEMBER MANDELA!
:FBS-FOHUINJO
1SPEVDFS1FUFS%BWJT
Production Company: Villon Films
4VNNBSZ.BEFJO
XIFO/FMTPO.BOEFMBXBTTUJMMJOQSJTPOBOEUIFSFTFFNFEUPCFOPMJLFMJIPPEPGIJNCFJOH
released, this film was designed to keep his memory alive and to contribute to the campaign to help him regain his
freedom. It includes footage of concerts and actions abroad designed to keep him in the public eye.
RETURN, THE
:FBS-FOHUINJO
%JSFDUPS.JSJBN1BUTBO[B
Production Company: Talent Consortium
Summary: Over a period of some three decades, South Africans opposed to apartheid left the country to continue the
TUSVHHMFFMTFXIFSF"GUFS'FCSVBSZ
NBOZPGUIFNNBEFQMBOTUPSFUVSOUPUIFDPVOUSZPGUIFJSCJSUI5IJTQSP-
gramme talks to a number of these returnees and raises some of the issues facing them.
t4")""VEJPWJTVBM"VEJU3FQPSU
REVOLUTIONARIES LOVE LIFE (SERIES: PETROL BOMBS & BAD HAIR DAYS)
:FBS-FOHUINJO
%JSFDUPS3JBBO)FOESJDLT
1SPEVDUJPO$PNQBOZ:PVOH-JPO'JMNTGPS4"#$
4VNNBSZ#BTJM'FCSVBSZXBTBNFNCFSPG6NLIPOUPXF4J[XFXIPEJFEJOCBUUMFJO3IPEFTJBJO)FBOEPUI-
ers like him sacrificed a lot for the liberation struggle and this very personal film sets out to determine whether the
revolution actually achieved what its supporters hoped it would.
THE RIBBON
:FBS-FOHUINJO
%JSFDUPS)BSSJFU(BWTIPO
1SPEVDUJPO$PNQBOZ$PPQFSBUJPOGPS%FWFMPQNFOU*OUFSOBUJPOBM
4VNNBSZ*O
BHSPVQPGXIJUFXPNFOPGUIF#MBDL4BTI
XPSLJOHJODPOKVODUJPOXJUIUIF&OE$POTDSJQUJPO$BN-
paign, embarked on a project to display a unifying peace ribbon. This programme follows their efforts over eight
months and depicts public and official reaction to the showing of the banner.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
ROBBEN ISLAND, OUR UNIVERSITY
:FBS-FOHUINJO
%JSFDUPS-JOEZ8JMTPO
Production Company: Lindy Wilson Productions
4VNNBSZ-BXZFS'JLT#BN
$SFEJU6OJPOPSHBOJTFS,XFEJ.LBMJQJ
BOEFEVDBUJPOBMJTU/FWJMMF
"MFYBOEFS
XFSFBMMQSJTPOFSTPO3PCCFO*TMBOE*OUIJTQSPHSBNNFUIFZHFUUPHFUIFSUPUBMLBCPVUUIFJS
years on the island and what it taught them.
t4")""VEJPWJTVBM"VEJU3FQPSU
A SCARLET PIMPERNEL IN SOUTH AFRICA: THE LIFE IN VIOLENT TIMES OF MAC MAHARAJ
:FBS-FOHUINJO
%JSFDUPS#FBUB-JQNBO
1SPEVDUJPO$PNQBOZ$VSSFOU"GGBJST'JMNTGPS5/1
4VNNBSZ4FOUFODFEUPUXFMWFZFBSTJOQSJTPOJO
.BD.BIBSBKTFSWFEIJTUJNFPO3PCCFO*TMBOEBOE
BGUFSIJT
release, left South Africa, only to return in secret as commander of Operation Vula. In this programme Maharaj and
a number of his political associates recall their experiences.
SEGOPOTSO
:FBS-FOHUINJO
1SPEVDFST+PFMMF$IFTTFMFU$SBJH.BUUIFX
1SPEVDUJPO$PNQBOZ%PYB1SPEVDUJPOT
4VNNBSZi5PXOTIJQCPZw
DSFBUFECZ+PIO.PBMVTJ-FEXBCBBOE$ISJTUP-FBDI
XBTPOFPGNBOZQSPUFTUQMBZTUIBU
XFSFQVUPOEVSJOHUIFT*OUIJTGJMNFYUSBDUTGSPNUIFQMBZBSFJOUFSDVUXJUIEPDVNFOUBSZGPPUBHFBOEJOUFS-
views with some of the actors and the co-directors.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
SHEENA DUNCAN: THE BURDEN OF PRIVILEGE
:FBS-FOHUINJO
%JSFDUPS)BSSJFU(BWTIPO
1SPEVDUJPO$PNQBOZ'SFF'JMNNBLFSTGPS5FMFWJTJPO/FXT1SPEVDUJPOT
4VNNBSZ"CJPHSBQIZPG4IFFOB%VODBO
MPOHUJNFDBNQBJHOFSGPSDJWJMSJHIUTBOEGPSNPSFUIBOZFBSTBQSPNJ-
OFOU NFNCFS PG UIF #MBDL 4BTI *U CSJFGMZ TLFUDIFT UIF CBDLHSPVOE UP UIF GPVOEJOH PG UIF PSHBOJTBUJPO JO
CFGPSFGPDVTJOHPO%VODBOIFSTFMG
t4")""VEJPWJTVBM"VEJU3FQPSU
SONG OF THE SPEAR
:FBS-FOHUINJO
%JSFDUPS#BSSZ'FJOCFSH
1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB
4VNNBSZ %VSJOH UIF BOUJBQBSUIFJE TUSVHHMF
UIF "/$ QSPNPUFE UIF BSUT BT B XBZ PG DVMUJWBUJOH B TQJSJU PG SFWPMU
amongst the people. This film focuses on the work of the cultural ensemble Amandla as an instrument of mobilisa-
tion, combining extracts from a stage performance with archival footage shot inside South Africa.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
SOUTH AFRICA: THE NUCLEAR FILE
:FBS-FOHUINJO
%JSFDUPS1FUFS%BWJT
Production Company: Villon Films
4VNNBSZ5IJTEPDVNFOUBSZGPMMPXTVQTPNFBMMFHBUJPOTNBEFJOUIFCPPLi5IFOVDMFBSBYJTwCZ;EFOFL$FSWFOLBBOE
Barbara Rogers, notably the involvement of firms in the United States and West Germany in the transfer of nuclear
technology to South Africa.
t4")""VEJPWJTVBM"VEJU3FQPSU
SOUTH AFRICA’S KILLING GROUND
:FBS-FOHUINJO
%JSFDUPS(FPSHF$BTF
Production Company: Twenty Twenty Television for BBC
4VNNBSZ6QUPFBSMZ
TPNF
QFPQMFIBECFFOLJMMFEJOUIFQPMJUJDBMWJPMFODFUIBUFOHVMGFE/BUBM5IJTQSP-
HSBNNFFYQMBJOTUIFCBDLHSPVOEUPUIFDMBTIFTCFUXFFO*OLBUIBPOUIFPOFIBOEBOEUIF"/$6%'POUIFPUIFS
*UQSFTFOUTBOVNCFSPGDBTFIJTUPSJFTBOERVFTUJPOTUIFQFSDFJWFEJOBDUJWJUZPGUIF4"14
SOWETO: A HISTORY
:FBS-FOHUINJO
%JSFDUPS"OHVT(JCTPO
Production Company: Free Filmmakers
Summary: Originally transmitted as a three-part series, each consisting of two episodes, this programme traces the his-
UPSZPG4PXFUP
GSPNUIFFBSMZEBZTPG+PIBOOFTCVSHBOEUIFDJUZTEFDJTJPOJOUPEFWFMPQBTFQBSBUFSFTJEFOUJBM
BSFBGPSJUTCMBDLXPSLFST
UPUIFQFSJPEKVTUCFGPSFUIFFMFDUJPOT
SOWETO BLUES
:FBS-FOHUINJO
%JSFDUPS'BJUI*TJBLQFSF
Production Company: Moments Entertainment
Summary: A documentary commissioned to commemorate the 30thBOOJWFSTBSZPGUIF4PXFUPVQSJTJOHPG
UIJT
film focuses primarily on the response of musicians to that fateful day, from Hugh Masekela, who composed “Sowe-
UPCMVFTwXIJMFJOFYJMFJO(IBOB
UP.CPOHFOJ/HFNB
XIPXSPUFUIFTUBHFNVTJDBMi4BSBGJOBw
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE SPIRIT OF NO SURRENDER
:FBS-FOHUINJO
%JSFDUPS/PLVUIVMB.B[JCVLP
Production Company: Thulacreative for SABC Education
4VNNBSZ5IFSFIBWFCFFOBOVNCFSPGEPDVNFOUBSJFTPOUIF4PXFUPTUVEFOUVQSJTJOH
CVUMFTTBUUFOUJPOIBT
been paid to the activist teachers who, against impossible odds, tried to educate, protect and conscientise their
charges. This programme focuses on the experiences of three of them.
t4")""VEJPWJTVBM"VEJU3FQPSU
STREETS ON FIRE (SERIES: PETROL BOMBS & BAD HAIR DAYS)
:FBS-FOHUINJO
%JSFDUPS#FSUSBN'SFEFSJDLT
Production Company: Ancestral Voices Pictures for SABC
Summary: Thousands of people were affected by the violence that engulfed townships like KTC and Crossroads in the
8FTUFSO$BQFJOUIFT*OUIJTGJMNGPVSXPNFOSFDBMMUIFFWFOUTPGUIPTFEBZTBOEUIFJSQBSUJOUIFN4PNF
continue to live with the trauma they experienced and are still trying to come to terms with the past.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
THE SUN WILL RISE
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
1SPEVDUJPO$PNQBOZ7/4
4VNNBSZ5IJTGJMN
NBEFJO
GJSTUGPDVTFTPOTJYZPVOHNFOXIP
BUUIFUJNF
XFSFVOEFSTFOUFODFPGEFBUIGPS
high treason. The parents of two of them, as well as the mother of Solomon Mahlangu, affirm their support, while a
number of other young people assert their commitment to the armed struggle.
t4")""VEJPWJTVBM"VEJU3FQPSU
THIS WE CAN DO FOR JUSTICE AND FOR PEACE
:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
Production Company: Kevin Harris Productions for South African Council of Churches
Summary: A film made for the SACC intended to confirm the organisation’s commitment against apartheid. It focuses
QSJNBSJMZPOUIF(FOFSBM4FDSFUBSZ
#JTIPQ%FTNPOE5VUV
BOEIJTJNNFEJBUFQSFEFDFTTPS
UIF3FW1FUFS4UPSFZ
Specifically singled out for attack are the Group Areas Act and the migrant labour policy.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
TOO FAR APART
:FBS-FOHUINJO
%JSFDUPS-J['JTI
Production Company: BBC
4VNNBSZ"UUIFUJNFUIJTQSPHSBNNFXBTNBEF
JUXBTFTUJNBUFEUIBUUIFSFXFSFTPNF
4PVUI"GSJDBOESBGU
evaders in London alone. The video takes a look at the lives of these young men who chose to go into exile rather
UIBOTFSWFJOUIF4PVUI"GSJDBO%FGFODF'PSDF
TREKKING TO UTOPIA
:FBS-FOHUINJO
%JSFDUPS.JDIBFM)BNNPO
1SPEVDUJPO$PNQBOZ.FUSPGJMNGPS;%'
4VNNBSZ.BEFCFGPSFUIFFMFDUJPO
UIJTGJMNUSBWFMTBMPOHSPVUFTUBLFOCZUIFPSJHJOBM7PPSUSFLLFSTJOUPSVSBM
South Africa in order to listen to ordinary Afrikaners expressing their often conflicting views on the political changes
GBDJOHUIFDPVOUSZ5IFZSBOHFGSPNNFNCFSTPGUIF"8#UPBGBSNFSXIPCFMPOHTUPUIF"/$
A TRULY WONDERFUL ADVENTURE (SERIES: PETROL BOMS & BAD HAIR DAYS)
:FBS-FOHUINJO
%JSFDUPS-FEFSMF#PTDI
Production Company: Idol Pictures for SABC
4VNNBSZ'PSNBOZZPVOHQFPQMFUIFQSPUFTUTUIBUXFSFTQSFBEJOHUISPVHIPVUUIFDPVOUSZJOUIFTXFSFUPCFB
defining period in their lives. In this programme director Lederle Bosch relives those days and talks to a range of his
fellow activists about what motivated them and what they remember most vividly.
t4")""VEJPWJTVBM"VEJU3FQPSU
TRY FREEDOM
:FBS-FOHUINJO
%JSFDUPS$MJGGPSE#FTUBMM
1SPEVDUJPO$PNQBOZ.BJM(VBSEJBO5FMFWJTJPOGPS4"#$57/FX;FBMBOE
4VNNBSZ8IFOUIF/FX;FBMBOE3VHCZ6OJPOJOWJUFEUIF4QSJOHCPLUFBNUPUPVSUIFDPVOUSZJO
JUDBVTFEBO
enormous conflict between rugby fans and those supporting the sports boycott. This programme re-examines the
tour and assesses its impact on both players and politicians.
TSIETSI, MY HERO
:FBS-FOHUINJO
%JSFDUPS1PSUJB3BOLPBOF
Production Company: Gatirisano Productions
4VNNBSZ5TJFUTJ.BTIJOJOJ
BZFBSPMETUVEFOUBUUIF.PSSJT*TBBDTPO)JHI4DIPPM
XBTBMFBEFSBOETQPLFTQFSTPO
PGUIF4PXFUPTUVEFOUVQSJTJOHPG5IJTEPDVNFOUBSZQSFTFOUTBOBDDPVOUPGIJTMJGFBOEUIFJNQBDUIFIBEPO
the politics of his generation.
TUTU
:FBS-FOHUINJO
Producer: Christine Morgan
Production Company: BBC Manchester
4VNNBSZ%VSJOHUIFIFBSJOHTPGUIF53$
BOVNCFSPGEPDVNFOUBSJFTXFSFNBEFBCPVUJUT$IBJSNBO
"SDICJTIPQ
%FTNPOE5VUV5IJTQBSUJDVMBSPOFXBTNBEFGPSUIF##$T&WFSZNBOTFSJFTBOEUPVDIFTVQPOBHSFBUNBOZJTTVFT
discussing the milestones of his career as well as aspects of his personality.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
TWO DECADES STILL
:FBS-FOHUINJO
%JSFDUPS,IBMP.BUBCBOF
Production Company: The Gatehouse for SABC3
4VNNBSZ0O+VOFth
UIFTDIPPMDIJMESFOPG4PXFUPUPPLUPUIFTUSFFUTUPQSPUFTUBHBJOTUUIFVTFPG"GSJLBBOTBT
a medium of instruction. In this programme, commissioned to commemorate the 20th anniversary, some of those
involved recall the events that played such an important part in the liberation struggle.
t4")""VEJPWJTVBM"VEJU3FQPSU
UNFINISHED BUSINESS
:FBS-FOHUINJO
%JSFDUPS,FWJO)BSSJT
1SPEVDUJPO$PNQBOZ+PVSOPDBN1SPEVDUJPOT
4VNNBSZ"NPOHTUUIPTFXIPMFGU4PVUI"GSJDBUPKPJO6NLPOUIPXF4J[XFJOFYJMFXBT5JNPUIZi$IJFGw4FSFNBOF
XIPXBTTVCTFRVFOUMZFYFDVUFEBUUIF"/$T2VBUSP%FUFOUJPO$BNQJO"OHPMB5IJTQSPHSBNNFEFBMTXJUIUIF
BUUFNQUPG$IJFGTPMEFSCSPUIFS
+PF4FSFNBOF
UPGJOEPVUUIFUSVUIBCPVUXIBUIBQQFOFE
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
VOICES FROM PURGATORY
:FBS-FOHUINJO
%JSFDUPS3PFMBOE,FSCPTDI
Production Company: Roeland Kerbosch Filmproduktie
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UIJTEPDVNFOUBSZDPOTJTUTPG
twelve short segments that deal, rather loosely, with various aspects of apartheid. It combines fairly innocuous foot-
age with more pointed material and interviews with individuals involved in the liberation struggle.
VUKANI – AWAKE!
:FBS-FOHUINJO
%JSFDUPS-JPOFM/HBLBOF
1SPEVDUJPO$PNQBOZ/PUDSFEJUFE
4VNNBSZ3FMFBTFEJO
UIJTJTUIFGJSTUEPDVNFOUBSZBCPVUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBNBEFFYDMVTJWFMZ
from a black filmmaker’s point of view. It explains how various discriminatory laws keep the African population in
poverty and servitude.
t4")""VEJPWJTVBM"VEJU3FQPSU
WE ARE THE ELEPHANT
:FBS-FOHUINJO
%JSFDUPS(MFOO6KFCF.BTPLPBOF
Production Company: Ceddo Film & Video Workshop
4VNNBSZ"HFOFSBMPWFSWJFXPGCMBDLQPMJUJDBMBDUJWJUZJO4PVUI"GSJDBJOUIFT
DPWFSJOHTUVEFOUJO-
volvement, union meetings, alternative newspapers, cultural groups, etc. It includes an extract from
#FOKZ'SBODJTTi#VSOJOHFNCFSTwCZUIF/BUJPOBM5IFBUSFPG"[BOJB
WE NEVER GIVE UP
:FBS-FOHUINJO
%JSFDUPS$BIBM.D-BVHIMJO
Production Company: Human Rights Media Centre
Summary: This documentary is a tapestry of stories told by eleven survivors of apartheid violence, represent-
ing the harsh experiences of thousands of ordinary South Africans who participated in the TRC hearings
or who, for various reasons, were excluded from it and never received any form of compensation for their
sacrifices.
WE TELL OUR STORIES THE WAY WE LIKE: THE WIVES OF THE CRADOCK FOUR
:FBS-FOHUINJO
Filmmakers: Taryn da Canha, Gaironisa Parker & Lauren van Vuuren
1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSZ
6OJWFSTJUZPG$BQF5PXO
4VNNBSZ*O+VOF
GPVSPSHBOJTFSTPGUIF6OJUFE%FNPDSBUJD'SPOUJOUIF&BTUFSO$BQFXFSFNVSEFSFE
by the security police. This video visits the Karoo town of Cradock and seeks out the widows of the four
men in order to ask them about their own experiences, both before and after their husbands were killed.
WEBSTER SPIRIT
:FBS-FOHUINJO
%JSFDUPS.JLF"MESJEHF
Production Company: Black Flag Productions
4VNNBSZ0O.BZst
BOUJBQBSUIFJEBDUJWJTU%BWJE8FCTUFSXBTBTTBTTJOBUFEPVUTJEFIJT+PIBOOFT-
burg home. This video presents a composite portrait of Webster, from his academic career as a social
BOUISPQPMPHJTUUPIJTJOWPMWFNFOUXJUIPSHBOJTBUJPOTTVDIBTUIF%14$BOE/64"4
WEDNESDAY
:FBS-FOHUINJO
%JSFDUPS%BWJE.D,FO[JF
1SPEVDUJPO$PNQBOZ5IF#PNCGPS4"#$
4VNNBSZ0O+VOFth
DIJMESFOGSPNTFDPOEBSZBOEIJHITDIPPMTJO4PXFUPFNCBSLFEVQPOBQSPUFTU
march against the compulsory use of Afrikaans as a medium of instruction. Combining the recollections
of a few participants with selected archival footage, this programme recalls the events of that day.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
WHAT HAPPENED TO MBUYISA?
:FBS-FOHUINJO
%JSFDUPS'FJ[FM.BNEPP
Production Company: Endemol Productions
Summary: Though the name of Mbuyisa Makhubu may not be immediately familiar, the photograph of him carrying
UIFCPEZPG)FDUPS1FUFSTPOFQJUPNJ[FTUIF4PXFUPVQSJTJOHPG5IJTGJMNUSBDFTUIFCBDLHSPVOEUPUIFQIPUP-
graph and then tries to find out what happened to Mbuyisa.
WHITE GIRL IN SEARCH OF THE PARTY: THE STORY OF PAULINE PODBREY AND H.A. NAIDOO (SERIES: LOVE
STORIES)
:FBS-FOHUINJO
%JSFDUPS1BUSJDJBWBO)FFSEFO
Production Company: Curious Pictures for SABC3
4VNNBSZ1BVMJOF1PECSFZXBTKVTUZFBSTPMEBOETUJMMBUTDIPPMXIFOTIFBUUFOEFEBNFFUJOHPGUIF$PNNVOJTU
1BSUZJO%VSCBOBOENFU)"/BJEPP
UIFNBOXIPNTIFXBTUPNBSSZ5IJTJTUIFTUPSZPGUIFJSMJGFUPHFUIFS
GJSTU
in South Africa and later in exile in Hungary and Great Britain.
t4")""VEJPWJTVBM"VEJU3FQPSU
WHITES AGAINST APARTHEID (SERIES: SOUTH AFRICA NOW)
:FBS-FOHUINJO
%JSFDUPS/PUDSFEJUFE
Production Company: 5th Encounter Motion Picture Company
4VNNBSZ/PUBMMXIJUF4PVUI"GSJDBOTTVQQPSUUIFHPWFSONFOUTQPMJDJFTBOEUIJTQSPHSBNNFGPDVTFTPOTPNFPGUIF
organisations and individuals that are actively engaged in the anti-apartheid struggle, namely the End Conscription
$BNQBJHO
UIF#MBDL4BTIBOEUIF+PIBOOFTCVSH%FNPDSBUJD"DUJPO$PNNJUUFF
WHITE LIES
:FBS-FOHUINJO
%JSFDUPS1BVM:VMF
1SPEVDUJPO$PNQBOZ#FSXJDL6OJWFSTBM1JDUVSFT$BTF5FMFWJTJPOGPS$IBOOFM
4VNNBSZ"IJTUPSZPGUIF*OUFSOBUJPOBM%FGFODFBOE"JE'VOEGPS4PVUIFSO"GSJDB
GPVOEFEJOUIFFBSMZTCZ
$BOPO+PIO$PMMJOTPG4U1BVMT$BUIFESBM
XIJDITFDSFUMZVOEFSQJOOFEUIFBOUJBQBSUIFJETUSVHHMFPWFSBQFSJPEPG
forty years.
WHITER THAN WHITE
:FBS-FOHUINJO
%JSFDUPS(VZ4QJMMFS
Production Company: Lizardfilm
4VNNBSZ*OUIJTGJMNBXIJUFXPSLJOHDMBTTGBNJMZXBUDIFTUIFSFMFBTFPG/FMTPO.BOEFMBPOUFMFWJTJPOBOEDPNNFOUT
EJTQBSBHJOHMZPOUIFFGGFDUUIJTXJMMIBWFPOUIFiXIJUFOFTTwPGCMBDLT
XIJMFSFHSFUUJOHUIFGBDUUIBU8JU8PMG#BSFOE
Strydom remains in jail.
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
WORKING FOR BRITAIN
:FBS-FOHUINJO
%JSFDUPS"OUPOZ5IPNBT
1SPEVDUJPO$PNQBOZ"57/FUXPSL
4VNNBSZ*O
XIFOUIJTEPDVNFOUBSZXBTNBEF
(SFBU#SJUBJOXBT4PVUI"GSJDBTMBSHFTUUSBEJOHQBSUOFSBOE
British-owned or controlled firms were estimated to employ some 250,000 black workers. The film sets out to show
that, on the whole, these workers had not benefited from this relationship.
YOUNG LIONS
:FBS-FOHUINJO
%JSFDUPS,IBMP.BUBCBOF
Production Company: M&G TV for SABC3
4VNNBSZ%VSJOHUIFT
NBOZZPVOHQFPQMFCFDBNFJOWPMWFEJOUIFBOUJBQBSUIFJETUSVHHMFBOE
BTTUVEFOUBDUJW-
ists, were part of the ‘young lions’ who fought to bring down the regime. This documentary examines what hap-
pened to the youth of the time and assesses the price they paid for their involvement.
t4")""VEJPWJTVBM"VEJU3FQPSU
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
SUBJECT INDEX - LIBERATION STRUGGLE DOCUMENTARIES
Anti-Apartheid Movement
Before dawn: culture in another South Africa 28
5IFCMPPEZNPOFZTNVHHMJOH/PSXBZTDPWFSUBJEGPSUIFMJCFSBUJPOPG4PVUI"GSJDB
)BWFZPVIFBSEGSPN+PIBOOFTCVSH "QBSUIFJEBOEUIFDMVCPGUIF8FTU
1MBZJOHIJTUPSZ
5IFTFDSFUTBGBSJ
8IJUFMJFT
Armed Struggle
The battle for South Africa 28
%FBGFOJOHFDIPFT
'MPXFSTPGUIFOBUJPO
'PSHPUUFO
The knitting needles guerrillas: fatigues on fire 52
.,UIFQFPQMFTBSNZHSBEVBUJPOUPUIFGVUVSF
5IFTFDSFUTBGBSJ
5IFTVOXJMMSJTF
Toothless tigers? The demobilisation of South African freedom fighters 80
8IFOUIFXBSJTPWFS
t4")""VEJPWJTVBM"VEJU3FQPSU
Biko, Steve
Bantu Steve Biko: beacon of hope28
Biko: the spirit lives 30
The life and death of Steve Biko 55
4UFWF#JLPKPVSOFZPGUIFTQJSJU
Black Sash
5IF#MBDL4BTIUIFFBSMZZFBST
5IFSJCCPO
4IFFOB%VODBOUIFCVSEFOPGQSJWJMFHF
Culture
Before dawn: culture in another South Africa 28
Breyten Breytenbach: the artist 32
$PNQFMMJOHGSFFEPN;JMJNB[JZBFUTIFOJ
%PHNBBOEESFBNT
(FPSHF1FNCBQBJOUFSPGUIFQFPQMF
*OEBSLFTU)PMMZXPPEDJOFNBBOEBQBSUIFJE
.[XBLIF.CVMJUIFQFPQMFTQPFU
4"#$oZFBSTUIFVOUPMETUPSZ
4POHPGUIFTQFBS
4POHPMPMPWPJDFTPGDIBOHF
"TUSBOHFSJOBTUSBOHFMBOE1BVM4JNPOJO4PVUI"GSJDB
The two rivers 82
7PJDFTGPS/BNJCJB
8IFO*FBUDIPDPMBUF*SFNFNCFSZPV
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
Destabilisation of Frontline States
Killing a dream 52
The last domino 52
.P[BNCJRVFBQBSUIFJETTFDPOEGSPOU
6OEFSUIFWPMDBOP
t4")""VEJPWJTVBM"VEJU3FQPSU
Domestic Workers
.BJETBOENBEBNT
.Z"GSJDBONPUIFS
Education
$PMPVSJOHJOPVSDMBTTSPPNT
&EVDBUJPOBCBTJDIVNBOSJHIU
The island & the apple box 50
1FPQMFTFEVDBUJPOGPSQFPQMFTQPXFS
4DIPPMDSJTJTJO4PXFUP
5IFTQJSJUPGOPTVSSFOEFS
Forced Removals
Abaphuciwe: the dispossessed 23
The broken string 33
$BUP.BOPSQFPQMFXFSFMJWJOHUIFSF
Crossroads 38
Crossroads / South Africa: the struggle continues 38
%JTDBSEFEQFPQMF
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%VSCBOBDJUZQMBOOFECZBQBSUIFJE
&OUIPNCF
Kliptown 52
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Land affairs2, 52
Last supper in Hortsley Street 53
/EBCFOJUIFGJSTUGPSDFESFNPWBM
/PUJDFUPRVJU
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5IFTUPSZPG6NLIVNCBOF$BUP.BOPS8IPTFMBOE 8IPTFNFNPSZ
4USFFUTPOGJSF
5BLFBQMBDFMJLF$BOBBO
Freedom Charter
Isitwalandwe: the story of the South African ‘Freedom Charter’ told by those who struggle for it 50
Kliptown 52
Hani, Chris
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.BSUJO5IFNCJTJMF)BOJ
Homeland Policy
Abaphuciwe: the dispossessed 23
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Inkatha
*NCBCB[BOFUIFMJGFBOEUJNFTPG.BOHPTVUIV#VUIFMF[J
,JMMFSPSIFBMFS
Internecine Violence
Behind black on black 28
Bisho: the story behind the massacre 30
5IF$PNSBEFT
%SPXOJOHJOCMPPE
,JMMFSPSIFBMFS
t4")""VEJPWJTVBM"VEJU3FQPSU
5IFPUIFSTJEF
5IFQFBDFNBLFST
"TBWBHFXBSPGQFBDF
4PVUI"GSJDBTLJMMJOHHSPVOE
Land Reform
The broken string 33
$MBJNJOHUIFQBTUUIF3JDIUFSTWFMETUPSZ
Love and the bulldozers 55
Those glowing eyes: letter from Southern Africa 80
Luthuli. Albert
"MCFSU-VUIVMJUIFMFHBDZ5IFMFHFOE
.BZJCVZF"GSJDB$IJFG"MCFSU-VUVMJoIJTTUPSZ
Mandela, Nelson
#JSUIEBZUSJCVUFUP/FMTPO.BOEFMB
5IFGJSTUBDDVTFEBOJOUJNBUFQPSUSBJUPG/FMTPO.BOEFMB
'SFF.BOEFMB
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.BOEFMB
Mandela: father of a nation 58
Mandela: the living legend 58
Mandela: the man and his country 58
/FMTPO.BOEFMBJOIJTPXOXPSET
/FMTPO.BOEFMBKPVSOFZUPGSFFEPN
/FMTPO.BOEFMBUIFTUSVHHMFJTNZMJGF
5IFQSFTJEFOUUIFQSPTFDVUPS
"SJHIUFPVTNBO/FMTPO.BOEFMBBOEUIF+FXTPG4PVUI"GSJDB
7JWB.BOEFMB
Mandela, Winnie
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8JOOJFUIFQPMJUJDTPGWJPMFODF
Migrant Labour
(PMEXJEPXT
Music
"NBOEMB"SFWPMVUJPOJOGPVSQBSUIBSNPOZ
#MPXJOHIPNF
'SFFEPNCFBU
5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt
+BNFT.BOHFUIFNBOXIPTIPPL1SFUPSJB
+BNFT1IJMMJQTGBNPVTGPSOPUCFJOHGBNPVT
Mandela tribute, Wembley 58
.JSJBN.BLFCB.BNB"GSJDB
3IZUINPGSFTJTUBODFUIFCMBDLNVTJDPG4PVUI"GSJDB
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"TUSBOHFSJOBTUSBOHFMBOE1BVM4JNPOJO4PVUI"GSJDB
7JWB.BOEFMB
Namibia
$MJFOUOVNCFSUXP
A cry for freedom 38
/BNJCJBOVDMFBSSFBDUJPOT
/BNJCJBoUFMMUIFXPSME
3FNFNCFS,BTTJOHB
7PJDFTGPS/BNJCJB
Naude, Beyers
#FZFSTBOE*MTF/BVEFBKPVSOFZ
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Negotiations
"QBSUIFJEUIF%BLBSDPOGFSFODF
"QBSUIFJETMBTUTUBOE
Breaking the fetters 32
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.BOEFMBGSFFEBOEPSHBOJTBUJPOTVOCBOOFE
The lawyer, the farmer & the clerk 2, 53
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3BMMZGPSQFBDF
4PVUI"GSJDBUPEBZBRVFTUJPOPGQPXFS
5PCFBHBJOTUBQBSUIFJEJTOPSNBM"GSJLBBOTXSJUFSTNFFUUIF"/$
The unbannings and Mandela freed 83
t4")""VEJPWJTVBM"VEJU3FQPSU
Pass Law System
-BXBOEGSFFEPN1BSU
8IPXBT.ST
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:PVIBWFTUSVDLBSPDL
Photographers
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&MJ8FJOCFSH
QIPUPHSBQIFS%FEPOLFSFLBNFSWBO&MJ8FJOCFSH
&SOFTU$PMFQIPUPKPVSOBMJTU
*NBHFTJOTUSVHHMF4PVUI"GSJDBOQIPUPHSBQIFSTTQFBL
Political Trials
"DDVTFE/FMTPO.BOEFMBUIFUSJBMPGUIF3JWPOJB
%FMNBTUIFQBTTJPOyUIFQBJO
*OUIFEPDL
5IFQSFTJEFOUUIFQSPTFDVUPS
Popular Resistance
The anvil & the hammer 25
#FMFBHVFSFEMBTUIPQF
Bound to strike back32
'PSXBSEUPBQFPQMFTSFQVCMJD
'SFFEPNXBTOPUGSFF
'SVJUTPGEFGJBODF
(FOFSBUJPOTPGSFTJTUBODF
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1FPQMFVOEFSGJSFBTIPPUJOHJO4PXFUP
1IBOUTJNFMMPXZFMMPX
3FWPMVUJPOBSJFTMPWFMJGF
4USFOHUIJOVOJUZUIF$BQF5PXOVQSJTJOH
"USVMZXPOEFSGVMBEWFOUVSF
We are the elephant 85
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:PVOHMJPOT
Post-Apartheid
The bureaucrats 33
Children of God 35
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WFSZEFBE
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Pre-Apartheid
The African from Aberystwyth 23
#IBNCBUIBXBSPGUIFIFBET
/EBCFOJUIFGJSTUGPSDFESFNPWBM
4PMPNPO1MBBUKFBNBOGPSPVSUJNF
Press
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)BWFZPVTFFO%SVNSFDFOUMZ
Protest Theatre
"TJOBNBMJ/PUIJOHUPMPTF
#PQIB"SSFTU
Lakutshon ‘ilanga 52
/BHHJOHEPVCU
4FHPQPUTP
7PJDFTGPS/BNJCJB
8IFO*FBUDIPDPMBUF*SFNFNCFSZPV
Returning Exiles
#FMPOHJOH
#PSOJOUPTUSVHHMF
Children of the revolution 35
t4")""VEJPWJTVBM"VEJU3FQPSU
%PXO4FDPOE"WFOVFUIFMJGFBOEUJNFTPG&TLJB.QIBIMFMF
'PSHPUUFO
5IFSFUVSO
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Toothless tigers? The return of South African freedom fighters 80
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Robben Island
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The island & the apple box 50
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Security Police
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The British desk: South Africa’s intelligence operations in Britain 32
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Sharpeville Massacre
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Sisulu, Walter
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Soweto Uprising
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Tsietsi, my hero 82
Two decades still 82
The untold truth 83
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Sport
Breaking the line 32
Burning down the house 33
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Trade Unions
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Working for Britain 88
Working for the workers 88
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Tide marks: legacies of apartheid 80
Tutu 82
The unfolding of sky 83
We never give up 85
Tutu, Desmond
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Tutu 82
White Right-Wing
The boxer 32
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The lawyer, the farmer & the clerk 2, 53
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Women
(see also Black Sash)
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Cissie Gool 35
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The knitting needles guerrillas: fatigues on fire 52
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Through my eyes: Blanche La Guma8 0
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We tell our stories the way we like: the wives of the Cradock four 85
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Youth
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Any child is my child 25
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