Rockbox h100

The Rockbox Manual
for
Iriver iHP100, iHP115, iHP120, iHP140, H120
and H140
rockbox.org
August 20, 2009
2
Rockbox
http://www.rockbox.org/
Open Source Jukebox Firmware
Rockbox and this manual is the collaborative effort of the Rockbox team and
its contributors. See the appendix for a complete list of contributors.

c 2003-2009 The Rockbox Team and its contributors, c 2004 Christi Alice
Scarborough,
c 2003 José Maria Garcia-Valdecasas Bernal & Peter Schlenker.
Version r22435-090820. Built using pdfLATEX.
Permission is granted to copy, distribute and/or modify this document under

the terms of the GNU Free Documentation License, Version 1.2 or any later
version published by the Free Software Foundation; with no Invariant Sec-
tions, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license
is included in the section entitled “GNU Free Documentation License”.
The Rockbox manual Iriver H100

Contents 3
Contents
1 Introduction 10
1.1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
1.2 Getting more help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
1.3 Naming conventions and marks . . . . . . . . . . . . . . . . . . . . . . . . 11
2 Installation 12
2.1 Before Starting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
2.2 Installing Rockbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
2.2.1 Automated Installation . . . . . . . . . . . . . . . . . . . . . . . . 13
2.2.2 Manual Installation . . . . . . . . . . . . . . . . . . . . . . . . . . 14
2.2.3 Finishing the install . . . . . . . . . . . . . . . . . . . . . . . . . . 15
2.2.4 Enabling Speech Support (optional) . . . . . . . . . . . . . . . . . 16
2.3 Running Rockbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
2.4 Updating Rockbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
2.5 Uninstalling Rockbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
2.5.1 Automatic Uninstallation . . . . . . . . . . . . . . . . . . . . . . . 16
2.5.2 Manual Uninstallation . . . . . . . . . . . . . . . . . . . . . . . . . 17
2.6 Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
3 Quick Start 18
3.1 Basic Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
3.1.1 The player’s controls . . . . . . . . . . . . . . . . . . . . . . . . . . 18
3.1.2 Turning the player on and off . . . . . . . . . . . . . . . . . . . . . 19
3.1.3 Starting the original firmware . . . . . . . . . . . . . . . . . . . . . 19
3.1.4 Putting music on your player . . . . . . . . . . . . . . . . . . . . . 19
3.1.5 The first contact . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
3.1.6 Basic controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
3.1.7 Basic concepts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
3.2 Customising Rockbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
4 Browsing and playing 22

4.1 File Browser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
4.1.1 File Browser Controls . . . . . . . . . . . . . . . . . . . . . . . . . 23
4.1.2 Context Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
4.1.3 Virtual Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
4.2 Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
4.2.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Contents 4
4.2.2 Initializing the Database . . . . . . . . . . . . . . . . . . . . . . . . 26

4.2.3 The Database Menu . . . . . . . . . . . . . . . . . . . . . . . . . . 26
4.2.4 Using the Database . . . . . . . . . . . . . . . . . . . . . . . . . . 27
4.3 While Playing Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
4.3.1 WPS Key Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
4.3.2 Peak Meter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
4.3.3 The WPS Context Menu . . . . . . . . . . . . . . . . . . . . . . . 30
4.4 Working with Playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
4.4.1 Playlist terminology . . . . . . . . . . . . . . . . . . . . . . . . . . 33
4.4.2 Creating playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
4.4.3 Adding music to playlists . . . . . . . . . . . . . . . . . . . . . . . 35
4.4.4 Modifying playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
4.4.5 Saving playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
4.4.6 Loading saved playlists . . . . . . . . . . . . . . . . . . . . . . . . 36
4.4.7 Helpful Hints . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
5 The Main Menu 38

5.1 Introducing the Main Menu . . . . . . . . . . . . . . . . . . . . . . . . . . 38
5.2 Navigating the Main Menu . . . . . . . . . . . . . . . . . . . . . . . . . . 39
5.3 Recent Bookmarks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
5.4 Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
5.5 Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
5.6 Now Playing/Resume Playback . . . . . . . . . . . . . . . . . . . . . . . . 40
5.7 Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
5.7.1 Sound Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
5.7.2 Playback Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
5.7.3 General Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
5.7.4 Theme Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
5.7.5 Recording Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
5.7.6 Manage Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
5.8 Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
5.8.1 While Recording Screen . . . . . . . . . . . . . . . . . . . . . . . . 42
5.9 FM Radio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
5.10 Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
5.11 Plugins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
5.12 System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
5.13 Quick Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
6 Sound Settings 47
6.1 Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
6.2 Bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
6.3 Treble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
6.4 Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
6.5 Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Contents 5
6.6 Stereo Width . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

6.7 Crossfeed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
6.8 Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
6.9 Dithering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
6.10 Timestretch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
7 Playback Settings 53
7.1 Shuffle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
7.2 Repeat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
7.3 Play Selected First . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
7.4 Fast-Forward/Rewind . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
7.5 Anti-Skip Buffer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
7.6 Fade on Stop/Pause . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
7.7 Party Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
7.8 Crossfade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
7.9 Replaygain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
7.10 Track Skip Beep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
7.11 Optical Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
7.12 Auto-Change Directory . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
7.13 Last.fm Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
7.14 Cuesheet Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
7.15 Skip Length . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
7.16 Prevent Track Skipping . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
8 General Settings 58
8.1 Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
8.2 File View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
8.3 Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
8.4 Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
8.5 System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
8.5.1 Start Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
8.5.2 Battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
8.5.3 Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
8.5.4 Idle Poweroff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
8.5.5 Limits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
8.5.6 Car Adapter Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
8.6 Bookmarking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
8.7 Language . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
8.8 Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
9 Theme Settings 69
10 Recording Settings 71
10.1 Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Contents 6
10.2 Encoder Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

10.3 Frequency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
10.4 Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
10.5 Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
10.6 Mono Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
10.7 File Split Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
10.8 Prerecord Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
10.9 Clear Recording Directory . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
10.10Clipping Light . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
10.11Trigger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
10.12Automatic Gain Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
10.13AGC clip time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
11 Plugins 76
11.1 Games . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
11.1.1 Blackjack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
11.1.2 BrickMania . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
11.1.3 Bubbles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
11.1.4 Chessbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
11.1.5 Chopper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
11.1.6 Dice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
11.1.7 Doom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
11.1.8 Flipit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
11.1.9 Goban . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
11.1.10 Invadrox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
11.1.11 Jackpot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
11.1.12 Jewels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
11.1.13 MazezaM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
11.1.14 Minesweeper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
11.1.15 Pacbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
11.1.16 Pegbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
11.1.17 Pong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
11.1.18 Robotfindskitten . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
11.1.19 Rockblox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
11.1.20 Rockblox1d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
11.1.21 Rocklife . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
11.1.22 Sliding Puzzle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
11.1.23 Snake . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
11.1.24 Snake 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
11.1.25 Sokoban . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
11.1.26 Solitaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
11.1.27 Spacerocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
11.1.28 Star . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
11.1.29 Sudoku . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Contents 7
11.1.30 Wormlet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

11.1.31 Xobox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
11.2 Demos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
11.2.1 Bounce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
11.2.2 Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
11.2.3 Cube . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
11.2.4 Demystify . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
11.2.5 Fire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
11.2.6 Logo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
11.2.7 Mandelbrot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
11.2.8 Mosaique . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
11.2.9 Oscilloscope . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
11.2.10 PictureFlow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
11.2.11 Plasma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
11.2.12 Snow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
11.2.13 Starfield . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
11.2.14 VU meter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
11.3 Viewers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
11.3.1 Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
11.3.2 Chip-8 Emulator . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
11.3.3 JPEG viewer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
11.3.4 Lua scripting language . . . . . . . . . . . . . . . . . . . . . . . . . 117
11.3.5 Midiplay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
11.3.6 MPEG Player . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
11.3.7 Rockboy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
11.3.8 Search . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
11.3.9 Sort . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
11.3.10 Text Viewer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
11.3.11 VBRfix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
11.3.12 ZXBox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
11.4 Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
11.4.1 Battery Benchmark . . . . . . . . . . . . . . . . . . . . . . . . . . 124
11.4.2 Calculator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
11.4.3 Chess Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
11.4.4 Disk Tidy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
11.4.5 Keybox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
11.4.6 Lamp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
11.4.7 md5sum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
11.4.8 Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
11.4.9 Random Folder Advance Configuration . . . . . . . . . . . . . . . 130
11.4.10 Stats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
11.4.11 Stopwatch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
11.4.12 Text Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Contents 8
12 Advanced Topics 133

12.1 Customising the User Interface . . . . . . . . . . . . . . . . . . . . . . . . 133
12.1.1 Getting Extras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
12.1.2 Loading Fonts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
12.1.3 Loading Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
12.1.4 Loading Backdrops . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
12.2 Configuring the WPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
12.2.1 WPS – General Info . . . . . . . . . . . . . . . . . . . . . . . . . . 134
12.2.2 WPS – Build Your Own . . . . . . . . . . . . . . . . . . . . . . . . 134
12.3 Managing Rockbox Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 137
12.3.1 Introduction to .cfg Files. . . . . . . . . . . . . . . . . . . . . . . 137
12.3.2 Specifications for .cfg Files. . . . . . . . . . . . . . . . . . . . . . 137
12.3.3 The Manage Settings menu . . . . . . . . . . . . . . . . . . . . 138
12.4 Firmware Loading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
12.4.1 Using ROLO (Rockbox Loader) . . . . . . . . . . . . . . . . . . . . 139
A File formats 140

A.1 Supported file formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
A.2 Supported audio formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
B WPS Tags 143

B.1 Status Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
B.2 Information from the track tags . . . . . . . . . . . . . . . . . . . . . . . . 143
B.3 Power Related Information . . . . . . . . . . . . . . . . . . . . . . . . . . 144
B.4 Information about the file . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
B.5 Playlist/Song Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
B.6 Runtime Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
B.7 Sound (DSP) settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
B.8 Hold Switches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
B.9 Virtual LED . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
B.10 Repeat Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
B.11 Playback Mode Tags . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
B.12 Changing Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
B.13 Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
B.14 Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
B.15 Album Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
B.16 Alignment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
B.17 Conditional Tags . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
B.18 Subline Tags . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
B.19 Time and Date . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
B.20 Other Tags . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
C Album Art 152

C.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Contents 9
C.2 Limitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

C.3 Where to put album art . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
D Config file options 154
E Menu Overview 159
F User feedback 160

F.1 Bug reports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
F.1.1 Rules for submitting new bug reports . . . . . . . . . . . . . . . . 160
F.2 Feature ideas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
F.2.1 Rules for submitting a new feature idea . . . . . . . . . . . . . . . 160
F.2.2 Features we will not implement . . . . . . . . . . . . . . . . . . . . 161
G Changelog 162
G.1 What is new since v3.0? . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
G.1.1 New features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
G.1.2 Enhancements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
G.2 What is new since v2.5? . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
G.2.1 New features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
G.2.2 Enhancements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
G.2.3 Bug fixes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
H Credits 166
I Licenses 169
I.1 GNU Free Documentation License . . . . . . . . . . . . . . . . . . . . . . 169
I.2 The GNU General Public License . . . . . . . . . . . . . . . . . . . . . . . 177

Chapter 1. Introduction 10
1 Introduction
1.1 Welcome
This is the manual for Rockbox. Rockbox is an open source firmware replacement
for a growing number of digital audio players. Rockbox aims to be considerably more
functional and efficient than your device’s stock firmware while remaining easy to use
and customisable. Rockbox is written by users, for users. Not only is it free to use, it
is also released under the GNU General Public License (GPL), which means that it will
always remain free both to use and to change.
Rockbox has been in development since 2001, and receives new features, tweaks and
fixes each day to provide you with the best possible experience on your digital audio
player. A major goal of Rockbox is to be simple and easy to use, yet remain very
customisable and configurable. We believe that you should never need to go through a
series of menus for an action you perform frequently. We also believe that you should
be able to configure almost anything about Rockbox you could want, pertaining to
functionality. Another top priority of Rockbox is audio playback quality – Rockbox,
for most models, includes a wider range of sound settings than the device’s original
firmware. A lot of work has been put into making Rockbox sound the best it can, and
improvements are constantly being made. All models have access to a large number
of plugins, including many games, applications, and graphical “demos”. You can load
different configurations quickly for different purposes (e.g. a large font for in your car,
different sound settings for at home). Rockbox features a very wide range of languages,
and all supported models also have the ability to talk to you – menus can be voiced and
filenames spelled out or spoken.
1.2 Getting more help

This manual is intended to be a comprehensive introduction to the Rockbox firmware.
There is, however, more help available. The Rockbox website at http://www.rockbox.org/
contains very extensive documentation and guides written by members of the Rockbox
community and this should be your first port of call when looking for further help.
If you cannot find the information you are searching for on the Rockbox website there
are a number of support channels you should have a look at. You can try the Rockbox
forums located at http://forums.rockbox.org/. The mailing lists are another option, and
can be found at http://www.rockbox.org/mail/. From that page you can subscribe to
the lists and browse the archives. To search the list archives simply use the search field
that is located on the left side of the website. Furthermore, you can ask on IRC. The

Chapter 1. Introduction 11
main channel for Rockbox is #rockbox on irc://irc.freenode.net. Many helpful developers

and users are usually around. Just join and ask your question (don’t ask to ask!) – if
someone knows the answer you’ll usually get an answer pretty quickly. More information
including IRC logs can be found at http://www.rockbox.org/irc/. We also have a web
client so that you can join the Rockbox IRC channel without needing to install additional
software onto your computer.
If you think you have found a bug please make sure it actually is a bug and is still
present in the most recent version of Rockbox. You should try to confirm that by using
the above mentioned support channels first. After that you can submit that issue to our
tracker. Refer to section F (page 160) for details on how to use the tracker.
1.3 Naming conventions and marks

We have some conventions (especially for naming) that are intended to be consistent
throughout this manual.
Manufacturer and product names are formatted in accordance with the standard rules
of English grammar, e.g. “Iriver playback is currently unsupported”. Manufacturer and
model names are proper nouns, and thus are written beginning with a capital letter.
This manual has some parts that are marked with icons on the margin to help you
finding important parts or parts you could skip. The following icons are used:
Note: This indicates a note. A note starts always with the text “Note”. In order to
make finding notes easier each one is accompanied by an icon in the margin as here.
b
Notes are used to mark useful information that may help you to get the most out of
Rockbox.
Warning: This is a warning. In contrast to notes mentioned above, a warning should

be taken more seriously. Whereas ignoring notes will not cause any serious damage,
!
ignoring warnings could cause serious damage to your player. You really should read the
warnings, especially if you are new to Rockbox.
This icon marks a section that is intended especially for the blind and visually impaired.
As they cannot read the manual in the same way sighted people do we have added some
¸
additional descriptions. If you are not blind or visually impaired you can probably com-
pletely skip these blocks. To make this easier, there is an icon shown in the margin on
the right.
Links to the wiki are abbreviated by the name of the wiki page. Those names are still
linked so you can simply follow them like any other link in this manual. If you want to
access a wiki page manually go to Z http://www.rockbox.org/wiki/ and type the page
name in the “Go” box at the top of the page. Links to wiki pages are also indicated by
the symbol Z in front of the page name.

Chapter 2. Installation 12
2 Installation
Installing Rockbox is generally a quick and easy procedure. However before beginning
there are a few things it is important to know.
2.1 Before Starting

USB connection. To transfer Rockbox to your player you need to connect it to your
computer. For manual installation/uninstallation, or should autodetection fail
during automatic installation, you need to know where to access the player. On
Windows this means you need to know the drive letter associated with the player.
On Linux you need to know the mount point of your player. On Mac OS X you
need to know the volume name of your player.
2.2 Installing Rockbox

There are two ways to install Rockbox: automated and manual. The automated way is
the preferred method of installing Rockbox for the majority of people. Rockbox Utility
is a graphical application that does almost everything for you. However, should you
encounter a problem, then the manual way is still available to you.
There are two separate components which need to be installed in order to run Rockbox:
The Rockbox bootloader. The bootloader is the program that tells your player how
to load and start other components of Rockbox and for providing the dual boot
function. This is the component of Rockbox that is installed to the flash memory
of your Iriver.
The Rockbox firmware. Unlike the Iriver firmware, which runs entirely from flash mem-
ory, most of the Rockbox code is contained in a “build” that resides on your
player’s drive. This makes it easy to update Rockbox. The build consists of a
directory called .rockbox which contains all of the Rockbox files, and is located
in the root of your player’s drive.
Apart from the required parts there are some addons you might be interested in
installing.
Fonts. Rockbox can load custom fonts. The fonts are distributed as a separate package
and thus need to be installed separately. They are not required to run Rockbox
itself but a lot of themes require the fonts package to be installed.

Themes. The appearance of Rockbox can be customised by themes. Depending on your

taste you might want to install additional themes to change the look of Rockbox.
2.2.1 Automated Installation

To automatically install Rockbox, download the official installer and housekeeping tool
Rockbox Utility. It allows you to:
• Automatically install all needed components for using Rockbox (“Minimal Instal-
lation”).
• Automatically install all suggested components (“Complete Installation”).
• Selectively install optional components.
• Install additional fonts and themes.
• Install voice files and generate talk clips.
• Uninstall all components you installed using Rockbox Utility.
Prebuilt binaries for Windows, Linux and Mac OS X are available at the ZRockboxUtility
wiki page.
When first starting Rockbox Utility run “Autodetect”, found in the configuration
dialog (File → Configure). Autodetection can detect most player types. If autodetection
fails or is unable to detect the mountpoint, make sure to enter the correct values. The
mountpoint indicates the location of the player in your filesystem. On Windows, this is
the drive letter the player gets assigned, on other systems this is a path in the filesystem.
Rockbox Utility will ask you for a compatible copy of the original firmware. This is
because for legal reasons we cannot distribute the bootloader directly. Instead, we have
to patch the Iriver firmware with the Rockbox bootloader.
Download a supported version of the Iriver firmware for your Iriver iHP100, iHP115,
iHP120, iHP140, H120 and H140 from the Iriver website, links can be found on ZIriverBoot.
Supported Iriver firmware versions currently include 1.63US, 1.63EU, 1.63K, 1.65US,
1.65EU, 1.65K, 1.66US, 1.66EU and 1.66K. Note that the H140 uses the same firmware as
the H120; H120 and H140 owners should use the firmware called ihp 120.hex. Likewise,
the iHP110 and iHP115 use the same firmware, called ihp 100.hex. Be sure to use the
correct firmware file for your player.
If the file that you downloaded is a .zip file, use an unzip utility like mentioned in the
prerequisites section to extract the .hex from the .zip file to your desktop. Likewise, if
the file that you downloaded is an .exe file, double-click on the .exe file to extract the
.hex file to your desktop. When running Linux you should be able to extract .exe files
using unzip.

Choosing a Rockbox version

There are three different versions of Rockbox available from the Rockbox website: Re-
lease version, current build and archived daily build. You need to decide which one you
want to install and get the appropriate version for your player. If you select either “Min-
imal Installation” or “Complete Installation” from the “Quick Start” tab, then Rockbox
Utility will automatically install the release version of Rockbox. Using the “Installation”
tab will allow you to select which version you wish to install.
Release. The release version is the latest stable release, free of known critical bugs.
For a manual install, the current stable release of Rockbox is available at http:
//www.rockbox.org/download/.
Current Build. The current build is built at each source code change to the Rockbox
SVN repository and represents the current state of Rockbox development. This
means that the build could contain bugs but most of the time is safe to use. For a
manual install, you can download the current build from http://build.rockbox.org/.
Archived Build. In addition to the release version and the current build, there is also an
archive of daily builds available for download. These are built once a day from the
latest source code in the SVN repository. For a manual install, you can download
archived builds from http://www.rockbox.org/daily.shtml.
Note: Because current and archived builds are development versions that change fre-
quently, they may behave differently than described in this manual, or they may in-
b
troduce new (and potentially annoying) bugs. Unless you wish to try the latest and
greatest features at the price of possibly greater instability, or you wish to help with
development, you should stick with the release.
Please now go to section 2.2.3 (page 15) to complete the installation procedure.
2.2.2 Manual Installation

The manual installation method is still available to you, should you need or desire it by
following the instructions below. If you have used Rockbox Utility to install Rockbox,
then you do not need to follow the next section and can skip straight to section 2.2.3
(page 15)
Installing the firmware

1. Download your chosen version of Rockbox from the links in the previous section.
2. Connect your player to the computer via USB as described in the manual that
came with your player.
3. Take the .zip file that you downloaded and use the “Extract all” command of
your unzip program to extract the files onto your player.

Note: The entire contents of the .zip file should be extracted directly to the root of
your player’s drive. Do not try to create a separate directory on your player for the
b
Rockbox files! The .zip file already contains the internal structure that Rockbox needs.
If the contents of the .zip file are extracted correctly, you will have a directory called
.rockbox, which contains all the files needed by Rockbox, in the main directory of your
player’s drive.
Installing the bootloader

Installing the bootloader is the trickiest part of the installation. As explained above, we
cannot distribute the bootloader directly, and thus need to patch a compatible version
of the Iriver firmware, which can be downloaded as described above.
1. Download the firmware patcher fwpatcher.exe from http://download.rockbox.org/

bootloader/iriver/ and save it to your desktop.
Note: The firmware patcher contains Unicode support, which is not supported
by all versions of Windows. If you have difficulty with the firmware patcher,
b
try downloading the alternate firmware patcher fwpatchernu.exe, which is built
without Unicode support.
2. Go to your desktop and double-click on the firmware patcher.
3. In the firmware patcher dialog box, click on the Browse button and navigate to
the .hex file that you previously downloaded.
4. Click Patch. The firmware patcher will patch the original firmware to include the
Rockbox bootloader. The .hex file on your desktop is now a modified version of
the original .hex file.
5. Copy .hex to the root folder (the highest level) of your player
2.2.3 Finishing the install

• Safely eject / unmount your player.
• Warning: Before proceeding further, make sure that your player has a full charge
or that it is connected to the power adaptor. Interrupting the next step due to a
!
power failure most likely will brick your player.
Update your player’s firmware with the patched bootloader. To do this, turn the
jukebox on. Press and hold the Navi button to enter the main menu, and navigate
to General → Firmware Upgrade. Select Yes when asked to confirm if you
want to upgrade the firmware. The Iriver will display a message indicating that the
firmware update is in progress. Do not interrupt this process. When the firmware
update is complete the player will turn itself off. (The update firmware process
usually takes a minute or so.). You are now ready to go.

2.2.4 Enabling Speech Support (optional)

If you wish to use speech support you will also need a voice file. Voice files allow Rockbox
to speak the user interface to you. Rockbox Utility can install an English voice file, or
you can download it from http://www.rockbox.org/daily.shtml and unzip it to the root
of your player. Rockbox Utility can also aid you in the creation of voice files with
different voices or in other languages if you have a suitable speech engine installed on
your computer. Voice menus are enabled by default and will come into effect after a
reboot. See section 8.8 (page 67) for details on voice settings. Rockbox Utility can also
aid in the production of talk files, which allow Rockbox to speak file and folder names.
2.3 Running Rockbox

When you turn the unit on, Rockbox should load.
2.4 Updating Rockbox

Rockbox can be easily updated with Rockbox Utility. You can also update Rockbox
manually - download a Rockbox build as detailed above, and unzip the build to the root
directory of your player as in the manual installation stage. If your unzip program asks
you whether to overwrite files, choose the “Yes to all” option. The new build will be
installed over your current build.
The bootloader only changes rarely, and should not normally need to be updated.
Note: If you use Rockbox Utility be aware that it cannot detect manually installed
components.
b
2.5 Uninstalling Rockbox
Note: The Rockbox bootloader allows you to choose between Rockbox and the original
firmware. (See section 3.1.3 (page 19) for more information.)
b
2.5.1 Automatic Uninstallation
You can uninstall Rockbox automatically by using Rockbox Utility. If you installed
Rockbox manually you can still use Rockbox Utility for uninstallation but will not be
able to do this selectively.
Note: Rockbox Utility cannot uninstall the bootloader due to the fact that it requires a
flashing procedure. To uninstall the bootloader completely follow the manual uninstal-
b
lation instructions below.

2.5.2 Manual Uninstallation

If you want to remove the Rockbox bootloader, simply flash an unpatched Iriver firmware.
Be aware that doing so will also remove the bootloader USB mode. As that mode can
come in quite handy (especially if you experience disk errors) it is recommended to keep
the bootloader. It also gives you the possibility of trying Rockbox anytime later by sim-
ply installing the distribution files. The Rockbox bootloader will automatically start
the original firmware if the .rockbox directory has been deleted.
If you wish to clean up your disk, you may also wish to delete the .rockbox directory
and its contents. Turn the Iriver off. Turn the player back on and the original Iriver
software will load.
2.6 Troubleshooting
Immediately loading original firmware. If the original firmware is immediately loaded
without the Rockbox bootloader appearing first, then the Rockbox bootloader has
not been correctly installed. The original firmware update will only perform the
update if the filename is correct, including case. Make sure that the patched Iriver
firmware is called .hex.
“-1 error” If you receive a “-1 error” from the bootloader, then the bootloader cannot
find the Rockbox firmware. This is usually a result of not extracting the contents
of the .zip file to the proper location, and should not happen when Rockbox has
been installed with Rockbox Utility.
To fix this, either install Rockbox with the Rockbox Utility which will take care
of this for you, or recheck the Manual Install section to see where the files need to
be located.

Chapter 3. Quick Start 18
3 Quick Start
3.1 Basic Overview
3.1.1 The player’s controls
Throughout this manual, the buttons on the player are labelled according to the
picture above. Whenever a button name is prefixed by “Long”, a long press of approx-
imately one second should be performed on that button. The buttons are described in
detail in the following paragraph.
Additional information for blind users is available on the Rockbox website at ZBlindFAQ.
Hold or lay the player so that the side with the joystick and LCD is facing towards you,
¸
and the curved side is at the top. The joystick functions as the Up, Right, Left, and
Down buttons when pressed in the appropriate direction. Pressing the joystick down
functions as Navi. On the right side of the player are the Play, Stop, A-B buttons,
and the Hold switch. When this switch is switched towards the bottom of the player,
hold is on, and none of the other buttons have any effect.
On the left side is the Rec button. Above that is the internal microphone.
On the top panel of the player, from left to right, you can find the following: headphone
mini jack plug, remote port, Optical line-in, Optical Line-out.
On the bottom panel of the player, from left to right, you can find the following: power

jack, reset switch, and USB port. In the event that your player hard locks, you can reset
it by inserting a paper clip into the hole where the reset switch is.
3.1.2 Turning the player on and off

To turn on and off your Rockbox enabled player use the following keys:
Key Remote Key Action

Play Play Start Rockbox
Long Stop Long Stop Shutdown Rockbox
On shutdown, Rockbox automatically saves its settings.

If you have problems with your settings, such as accidentally having set the colours to
black on black, they can be reset at boot time. See the Reset Settings in section 12.3.3
(page 138) for details.
In the unlikely event of a software failure, a hardware reset can be performed by
inserting a paperclip gently into the Reset hole.
3.1.3 Starting the original firmware

Rockbox has a dual-boot feature. To boot into the original firmware, when the player
is turned off, press and hold the Rec button, and then press the Play button.
3.1.4 Putting music on your player

With the player connected to the computer as an MSC/UMS device (like a USB Drive),
music files can be put on the player via any standard file transfer method that you would
use to copy files between drives (e.g. Drag ’n’ Drop). The default directory structure
that is assumed by some parts of Rockbox (album art searching, and missing-tag fallback
in some WPSes) uses the parent directory of a song as the Album name, and the parent
directory of that folder as the Artist name. While files may be organized however you
like, see section C (page 152) for the requirements for Album Art to work properly, and
WPSes may display information incorrectly if your files are not properly tagged, and
you have your music organized in a way different than they assume when attempting to
guess the Artist and Album names from your filetree. See section A.2 (page 142) for
a list of supported audio formats.
3.1.5 The first contact

After you have first started the player, you’ll be presented by the Main Menu. From
this menu you can reach every function of Rockbox, for more information (see section 5.1
(page 38)). To browse the files on you player, select Files (see section 4.1 (page 22)), and

to browse in a view that is based on the meta-data1 of your audio files, select Database
(see section 4.2 (page 26)).
3.1.6 Basic controls

When browsing files and moving through menus you usually get a list view presented.
The navigation in these lists are usually the same and should be pretty intuitive. In
the tree view use Down and Up to move around the selection. Use Navi or Right to
select an item. When browsing the file system selecting an audio file plays it. The view
switches to the “While playing screen”, usually abbreviated as “WPS” (see section 4.3
(page 28). The dynamic playlist gets replaced with the contents of the current directory.
This way you can easily treat directories as playlists. The created dynamic playlist can
be extended or modified while playing. This is also known as “on-the-fly playlist”. To
go back to the File Browser stop the playback with the Stop button or return to the
file browser while keeping playback running using Navi. In list views you can go back
one step with Left.
3.1.7 Basic concepts

Playlists
Rockbox is playlist oriented. This means that every time you play an audio file, a so-
called “dynamic playlist” is generated, unless you play a saved playlist. You can modify
the dynamic playlist while playing and also save it to a file. If you do not want to use
playlists you can simply play your files directory based. Playlists are covered in detail
in section 4.4 (page 33).
Menu
From the menu you can customise Rockbox. Rockbox itself is very customisable. Also
there are some special menus for quick access to frequently used functions.
Context Menu
Some views, especially the file browser and the WPS have a context menu. From the file
browser this can be accessed with Long Navi. The contents of the context menu vary,
depending on the situation it gets called. The context menu itself presents you with
some operations you can perform with the currently highlighted file. In the file browser
this is the file (or directory) that is highlighted by the cursor. From the WPS this is
the currently playing file. Also there are some actions that do not apply to the current
file but refer to the screen from which the context menu gets called. One example is the
playback menu, which can be called using the context menu from within the WPS.
1
ID3 Tags, Vorbis comments, etc.

3.2 Customising Rockbox

Rockbox’ User Interface can be customised using “Themes”. Themes usually only affect
the visual appearance, but an advanced user can create a theme that also changes various
other settings like file view, LCD settings and all other settings that can be modified
using .cfg files. This topic is discussed in more detail in section 12.3 (page 137). The
Rockbox distribution comes with some themes that should look nice on your player.
Note: Some of the themes shipped with Rockbox need additional fonts from the fonts
package, so make sure you installed them. Also, if you downloaded additional themes
b
from the Internet make sure you have the needed fonts installed as otherwise the theme
may get displayed garbled.

Chapter 4. Browsing and playing 22
4 Browsing and playing

4.1 File Browser
Figure 4.1: The file browser
Rockbox lets you browse your music in either of two ways. The File Browser lets
you navigate through the files and directories on your player, entering directories and
executing the default action on each file. To help differentiate files, each file format is
displayed with an icon.
The Database Browser, on the other hand, allows you to navigate through the
music on your player using categories like album, artist, genre, etc.
You can select whether to browse using the File Browser or the Database Browser
by selecting either Files or Database in the Main Menu. If you choose the File
Browser, the Show Files setting lets you select what types of files you wish to view.
See section 8.2 (page 59) for more information on the Show Files setting.
Note: The File Browser allows you to manipulate your files in ways that are not
available within the Database Browser. Read more about Database in section 4.2
b
(page 26). The remainder of this section deals with the File Browser.

4.1.1 File Browser Controls

Up/Down Rewind/Forward Go to previous/next item in list. If
you are on the first/last entry, the
cursor will wrap to the last/first en-
try.
Play+Up/ Source/ Move one page up/down in the list.
Down Bitrate
Left Stop Go to the parent directory.
Navi or Right Navi Executes the default action on the
selected file or enters a directory.
Play Play If there is an audio file playing,
returns to the While Playing
Screen (WPS) without stopping
playback.
Stop Stop Stops audio playback.
Long Navi Long Navi Enter the Context Menu
A-B A-B Enter the Main Menu
Long A-B Long A-B Switches to the Quick Screen (see
section 5.13 (page 46))
4.1.2 Context Menu
Figure 4.2: The Context Menu
The Context Menu allows you to perform certain operations on files or directories.
To access the Context Menu, position the selector over a file or directory and access
the context menu with Long Navi.
Note: The Context Menu is a context sensitive menu. If the Context Menu is
invoked on a file, it will display options available for files. If the Context Menu is
b
invoked on a directory, it will display options for directories.

The Context Menu contains the following options (unless otherwise noted, each
option pertains both to files and directories):
Playlist. Enters the Playlist Submenu (see section 4.4.3 (page 35)).
Playlist Catalog. Enters the Playlist Catalog Submenu (see section 4.4.2 (page 34)).
Rename. This function lets the user modify the name of a file or directory.
Cut. Copies the name of the currently selected file or directory to the clipboard and
marks it to be ‘cut’.
Copy. Copies the name of the currently selected file or directory to the clipboard and
marks it to be ‘copied’.
Paste. Only visible if a file or directory name is on the clipboard. When selected it will
move or copy the clipboard to the current directory.
Delete. Deletes the currently selected file. This option applies only to files, and not to
directories. Rockbox will ask for confirmation before deleting a file. Press Navi
to confirm deletion or any other key to cancel.
Delete Directory. Deletes the currently selected directory and all of the files and subdi-
rectories it may contain. Deleted directories cannot be recovered. Use this feature
with caution!
Set As Backdrop. Set the selected bmp file as background image. The bitmaps need to
meet the conditions explained in section 12.1.4 (page 133).
Open with. Runs a viewer plugin on the file. Normally, when a file is selected in Rock-
box, Rockbox automatically detects the file type and runs the appropriate plugin.
The Open With function can be used to override the default action and select a
viewer by hand. For example, this function can be used to view a text file even if
the file has a non-standard extension (i.e., the file has an extension of something
other than .txt). See section 11.3 (page 114) for more details on viewers.
Create Directory. Create a new directory in the current directory on the disk.
Properties. Shows properties such as size and the time and date of the last modification
for the selected file. If used on a directory, the number of files and subdirectories
will be shown, as well as the total size.
Set As Recording Directory. Save recordings in the selected directory.
Add to Shortcuts. Adds a link to the selected item in the shortcuts.link file. If the
file does not already exist it will be created in the root directory. Note that if you
create a shortcut to a file, Rockbox will not open it upon selecting, but simply
bring you to it’s location in the File Browser.

4.1.3 Virtual Keyboard
Figure 4.3: The virtual keyboard
This is the virtual keyboard that is used when entering text in Rockbox, for example
when renaming a file or creating a new directory. The virtual keyboard can be easily
changed by making a text file with the required layout. More information on how to
achieve this can be found on the Rockbox website at ZLoadableKeyboardLayouts.

Left / Right / Rewind / Move about the virtual keyboard
Up / Down Forward / (moves the solid cursor)
Source /
Bitrate
A-B A-B Flip to the next page of characters
(if there is more than one)
Play + Left / Play + Rewind Move the line cursor within the text
Play + Right or Volume line
Down / Play +
Forward or
Volume Up
Navi Navi Inserts the selected keyboard letter
at the current cursor position
Stop Stop Exits the virtual keyboard without
saving any changes
Play Play Exits the virtual keyboard and saves
any changes
Rec Rec Deletes the character before the line
cursor
Play + A-B Play + A-B Enters Morse input mode
Navi Navi Tap to select a character in Morse
input mode

4.2 Database
4.2.1 Introduction
This chapter describes the Rockbox music database system. Using the information
contained in the tags (ID3v1, ID3v2, Vorbis Comments, Apev2, etc.) in your audio
files, Rockbox builds and maintains a database of the music files on your player and
allows you to browse them by Artist, Album, Genre, Song Name, etc. The criteria the
database uses to sort the songs can be completely customised. More information on how
to achieve this can be found on the Rockbox website at ZDataBase.
4.2.2 Initializing the Database

The first time you use the database, Rockbox will scan your disk for audio files. This can
take quite a while depending on the number of files on your player. This scan happens
in the background, so you can choose to return to the Main Menu and continue to listen
to music. If you shut down your player, the scan will continue next time you turn it on.
After the scan is finished you may be prompted to restart your player before you can
use the database.
Ignoring Directories During Database Initialization

You may have directories on your player whose contents should not be added to the
database. Placing a file named database.ignore in a directory will exclude the files in
that directory and all its subdirectories from scanning their tags and adding them to the
database. This will speed up the database initialization.
If a subdirectory of an ’ignored’ directory should still be scanned, place a file named
database.unignore in it. The files in that directory and its subdirectories will be
scanned and added to the database.
4.2.3 The Database Menu

Load To RAM The database can either be kept on disk (to save memory), or loaded into
RAM (for fast browsing). Setting this to Yes loads the database to RAM, allowing
faster browsing and searching. Setting this option to No keeps the database on
the disk, meaning slower browsing but it does not use extra RAM and saves some
battery on boot up.
Note: If you browse your music frequently using the database, you should load
to RAM, as this will reduce the overall battery consumption because the disk will
b
not need to spin on each search.
Auto Update If Auto update is set to on, each time the player boots, the database
will automatically be updated.
Note: The Auto Update will only check for deleted files if the Directory
Cache (Settings → General Settings → System → Disk → Directory
b

Cache) is enabled. Update now includes that check whether dircache has been
enabled or not.
Initialize Now You can force Rockbox to rescan your disk for tagged files by using the
Initialize Now function in the Database Menu.
Warning: Initialize Now removes all database files (removing runtimedb data
also) and rebuilds the database from scratch.
!
Update Now Update now causes the database to detect new and deleted files
Note: Unlike the Auto Update function, Update Now will update the database
regardless of whether the Directory Cache is enabled. Thus, an update using
b
Update now may take a long time.
Unlike Initialize Now, the Update Now function does not remove runtime
database information.
Gather Runtime Data When enabled, rockbox will record how often and how long a
track is being played, when it was last played and its rating. This information can
be displayed in the WPS and is used in the database browser to, for example, show
the most played, unplayed and most recently played tracks.
Export Modifications This allows for the runtime data to be exported to the file
/.rockbox/database changelog.txt, which backs up the runtime data in ASCII
format. This is needed when database structures change, because new code cannot
read old database code. But, all modifications exported to ASCII format should
be readable by all database versions.
Import Modifications. Allows the /.rockbox/database changelog.txt backup to be

conveniently loaded into the database. If Auto Update is enabled this is per-
formed automatically when the database is initialized.
4.2.4 Using the Database

Once the database has been initialized, you can browse your music by Artist, Al-
bum, Genre, Song Name, etc. To use the database, go to the Main Menu and select
Database.
Note: You may need to increase the value of the Max files in dir browser setting
(Settings → General Settings → System → Limits) in order to view long lists
b
of tracks in the ID3 database browser.
There is no option to turn off database completely. If you do not want to use it just
do not do the initial build of the database and do not load it to RAM.

Tag Type Origin

filename string system
album string id tag
albumartist string id tag
artist string id tag
comment string id tag
composer string id tag
genre string id tag
grouping string id tag
title string id tag
bitrate numeric id tag
discnum numeric id tag
year numeric id tag
tracknum numeric id tag/filename
autoscore numeric runtime db
lastplayed numeric runtime db
playcount numeric runtime db
Pm (play time - numeric runtime db
min)
Ps (play time - sec) numeric runtime db
rating numeric runtime db
commitid numeric system
entryage numeric system
length numeric system
Lm (track len - numeric system
min)
Ls (track len - sec) numeric system
4.3 While Playing Screen

The While Playing Screen (WPS) displays various pieces of information about the cur-
rently playing audio file. The appearance of the WPS can be configured using WPS
configuration files. The items shown depend on your configuration – all item can be
turned on or off independently. Refer to section B (page 143) for details on how to
change the display of the WPS.
• Status bar: The Status bar shows Battery level, charger status, volume, play mode,
repeat mode, shuffle mode. In contrast to all other items, the status bar is always
at the top of the screen.
• (Scrolling) path and filename of the current song.
• The ID3 track name.

• The ID3 album name.

• The ID3 artist name.
• Bit rate. VBR files display average bitrate and “(avg)”
• Elapsed and total time.
• A slidebar progress meter representing where in the song you are.
• Peak meter.
See section 12.2 (page 134) for details of customising your WPS (While Playing
Screen).
4.3.1 WPS Key Controls

Up / Down Volume Up / Volume up/down.
Volume Down
Left Rewind Go to beginning of track, or if
pressed while in the first seconds of
a track, go to previous track.
Long Left Long Forward Rewind in track.
Right Forward Go to next track.
Long Right Long Rewind Fast forward in track.
Play Play Toggle play/pause.
Stop Stop Stop playback.
Navi Navi Return to the File Browser.
Long Navi Long Navi Enter WPS Context Menu.
A-B Enter Main
Menu.
Long A-B Long A-B Switches to the Quick Screen.
(see section 5.13 (page 46))
Play + Long Play Show Pitch Screen (see sec-
Up/Down tion 4.3.3 (page 32)).
Play + A-B Play + A-B Enter ID3 Viewer.
Play + Right Bitrate or Short Skip to the next directory.
or Short Right Forward +
+ Long Right Long Forward
Play + Left or Source or Short Skip to the previous directory.
Short Left + Forward +
Long Left Long Forward
Long Rec Switches to the Recording screen

4.3.2 Peak Meter

The peak meter can be displayed on the While Playing Screen and consists of several
indicators. For a picture of the peak meter, please see the While Recording Screen in
section 5.8.1 (page 42).
The bar: This is the wide horizontal bar. It represents the current volume value.
The peak indicator: This is a little vertical line at the right end of the bar. It indicates
the peak volume value that occurred recently.
The clip indicator: This is a little black block that is displayed at the very right of the
scale when an overflow occurs. It usually does not show up during normal playback
unless you play an audio file that is distorted heavily. If you encounter clipping
while recording, your recording will sound distorted. You should lower the gain.
Note: Note that the clip detection is not very precise. Clipping might occur
without being indicated.
b
The scale: Between the indicators of the right and left channel there are little dots.
These dots represent important volume values. In linear mode each dot is a 10%
mark. In dbfs mode the dots represent the following values (from right to left):
0db, -3db, -6db, -9db, -12db, -18db, -24db, -30db, -40db, -50db, -60db.
4.3.3 The WPS Context Menu

Like the context menu for the File Browser, the WPS Context Menu allows you
quick access to some often used functions:
Playlist
The Playlist submenu allows you to view, save, search and reshuffle the current playlist.
To change settings for the Playlist Viewer press A-B while viewing the playlist to
bring up the Playlist Viewer Menu.
Playlist Viewer Menu

Show Icons. This toggles display of the icon for the currently selected playlist entry and
the icon for moving a playlist entry
Show Indicies. This toggles display of the line numbering for the playlist
Track Display. This toggles between filename only and full path for playlist entries
Save Current Playlist. Allows the current playlist to be saved as a .m3u8 playlist file

Playlist catalog
View catalog. This lists all playlists that are part of the Playlist catalog. You can load
a new playlist directly from this list.
Add to playlist. Adds the currently playing file to a playlist. Select the playlist you
want the file to be added to and it will get appended to that playlist.
Add to new playlist. Similar to the previous entry this will add the currently playing
track to a playlist. You need to enter a name for the new playlist first.
Sound Settings
This is a shortcut to the Sound Settings Menu, where you can configure volume, bass,
treble, and other settings affecting the sound of your music. See section 6 (page 47) for
more information.
Playback Settings
This is a shortcut to the Playback Settings Menu, where you can configure shuffle,
repeat, party mode, study mode and other settings affecting the playback of your music.
Rating
The menu entry is only shown if Gather Runtime Information is enabled. It allows
the asignment of a personal rating value (0 – 10) to a track which can be displayed in
the WPS and used in the Database browser. Press Right to increment the value. The
value wraps at 10.
Bookmarks
This allows you to create a bookmark in the currently-playing track.
Show Track Info
Figure 4.4: The track info viewer

This screen is accessible from the WPS screen, and provides a detailed view of all the
identity information about the current track. This info is known as meta data and is
stored in audio file formats to keep information on artist, album etc. To access this
screen, press Play + A-B.
Open With...
This Open With function is the same as the Open With function in the file browser’s
Context Menu.
Delete
Delete the currently playing file.
Pitch
The Pitch Screen allows you to change the rate of playback (i.e. the playback speed
and at the same time the pitch) of your player. The rate value can be adjusted between
50% and 200%. 50% means half the normal playback speed and a pitch that is an octave
lower than the normal pitch. 200% means double playback speed and a pitch that is an
octave higher than the normal pitch.
The rate can be changed in two modes: procentual and semitone. Initially, procentual
mode is active.
If you’ve enabled the Timestretch option in Sound Settings and have since re-
booted, you can also use timestretch mode. This allows you to change the playback
speed without affecting the pitch, and vice versa.
In timestretch mode there are separate displays for pitch and speed, and each can be
altered independently. Due to the limitations of the algorithm, speed is limited to be
between 35% and 250% of the current pitch value. Pitch must maintain the same ratio
as well as remain between 50% and 200%.
The value of the rate, pitch and speed is not persisted, i.e. after the player is turned
on it will always be set to 100%.


A-B A-B Toggle pitch changing mode (cycles
through all available modes)
Up / Down Forward / Increase / Decrease pitch by 0.1% (in
Rewind procentual mode) or 0.1 semitone (in
semitone mode)
Long Up / Long Long Forward / Increase / Decrease pitch by 1% (in
Down Long Rewind procentual mode) or a semitone (in
semitone mode)
Left / Right Source / Right Temporarily change pitch by 2%
(beatmatch), or modify speed (in
timestretch mode)
Navi Navi Reset pitch and speed to 100%
Play or Stop Play or Stop Leave the Pitch Screen
4.4 Working with Playlists

4.4.1 Playlist terminology
Some common terms that are used in Rockbox when referring to playlists:
Directory. A playlist! One of the keys to getting the most out of Rockbox is under-
standing that Rockbox always considers the song that it is playing to be part of a
playlist, and in some situations, Rockbox will create a playlist automatically. For
example, if you are playing the contents of a directory, Rockbox will automatically
create a playlist containing all songs in it. This means that just about anything
that is described in this chapter with respect to playlists also applies to directories.
Dynamic playlist. A dynamic playlist is a playlist that is created “On the fly.” Any
time you insert or queue tracks using the Playlist submenu (see section 4.4.3
(page 35)), you are creating (or adding to) a dynamic playlist.
Insert. In Rockbox, to Insert an item into a playlist means putting an item into a
playlist and leaving it there, even after it is played. As you will see later in this
chapter, Rockbox can Insert into a playlist in several places.
Queue. In Rockbox, to Queue a song means to put the song into a playlist and then
to remove the song from the playlist once it has been played. The only difference
between Insert and Queue is that the Queue option removes the song from the
playlist once it has been played, and the Insert option does not.
4.4.2 Creating playlists

Rockbox can create playlists in four different ways.

By selecting (“playing”) a song from the File Browser

Whenever a song is selected from the File Browser with Navi or Right, Rockbox
will automatically create a playlist containing all of the songs in that directory and start
playback with the selected song.
Note: If you already have created a dynamic playlist, playing a new song will erase the
current dynamic playlist and create a new one. If you want to add a song to the current
b
playlist rather than erasing the current playlist, see the section below on how to add
music to a playlist.
By using Insert and Queue functions

If playback is stopped, the Insert and Queue functions can be used as described in
4.4.3 to create a new playlist instead of adding to an existing one. This will erase any
dynamic playlist.
By using the Playlist catalog

The Playlist catalog makes it possible to modify and create playlists that are not
currently playing. To do this select Playlist catalog in the Context Menu. There
you will have two choices, Add to playlist adds the selected track or directory to an
existing playlist and Add to a new playlist creates a new playlist containing the
selected track or directory.
Note: All playlists in the Playlist catalog are stored by default in the /Playlists
directory in the root of your player’s disk and playlists stored in other locations are
b
not included in the catalog. It is however possible to move existing playlists there (see
section 4.1.2 (page 23)).
By using the Main Menu

To create a playlist containing all music on your player, you can use the Create
Playlist command in the Playlists menu found in the Main Menu. The created
playlist will be named root.m3u8 and saved in the root of your player’s disk.

4.4.3 Adding music to playlists

Adding music to a dynamic playlist
Figure 4.5: The Playlist Submenu
The Playlist Submenu is a submenu in the Context Menu (see section 4.1.2 (page 23)),
it allows you to put tracks into a “dynamic playlist”. If there is no music currently play-
ing, Rockbox will create a new dynamic playlist and put the selected track(s) into it.
If there is music currently playing, Rockbox will put the selected track(s) into the cur-
rent playlist. The place in which the newly selected tracks are added to the playlist is
determined by the following options:
Insert. Add track(s) immediately after any tracks added via the most recent Insert
operation. If no tracks have yet been added via an Insert, new tracks will be
added immediately after the current playing track. If playback is stopped a new
dynamic playlist will get created with the selected tracks.
Insert Next. Add track(s) immediately after current playing track, no matter what else
has been inserted.
Insert Last. Add track(s) to end of playlist.
Insert Shuffled. Add track(s) to the playlist in a random order.
Queue. Queue is the same as Insert except queued tracks are deleted immediately from
the playlist after they have been played. Also, queued tracks are not saved to the
playlist file (see section 5.10 (page 44)).
Queue Next. Queue track(s) immediately after current playing track.
Queue Last. Queue track(s) at end of playlist.
Queue Shuffled. Queue track(s) in a random order.
Play Next. Replaces all but the current playing track with track(s). Current playing
track is queued.

The Playlist Submenu can be used to add either single tracks or entire directories
to a playlist. If the Playlist Submenu is invoked on a single track, it will put only
that track into the playlist. On the other hand, if the Playlist Submenu is invoked
on a directory, Rockbox adds all of the tracks in that directory to the playlist.
Note: You can control whether or not Rockbox includes the contents of subdirectories
when adding an entire directory to a playlists. Set the Settings → General Settings
b
→ Playlist → Recursively Insert Directories setting to Yes if you would like
Rockbox to include tracks in subdirectories as well as tracks in the currently-selected
directory.
Dynamic playlists are saved so resume will restore them exactly as they were before
shutdown.
Note: To view, save or reshuffle the current dynamic playlist use the Playlist sub
menu in the WPS context menu or in the Main Menu.
b
4.4.4 Modifying playlists
Reshuffling
Reshuffling the current playlist is easily done from the Playlist sub menu in the WPS,
just select Reshuffle.
Moving and removing tracks

To move or remove a track from the current playlist enter the Playlist Viewer by
selecting View Current Playlist in the Playlist submenu in the WPS context
menu or the Main Menu. Once in the Playlist Viewer open the context menu on
the track you want to move or remove. If you want to move the track, select Move in
the context menu and then move the blinking cursor to the place where you want the
track to be moved and confirm with Navi or Right. To remove a track, simply select
Remove in the context menu.
4.4.5 Saving playlists

To save the current playlist either enter the Playlist submenu in the WPS Context
Menu (see section 4.3.3 (page 30)) and select Save Current Playlist or enter the
Playlist Options menu in the Main Menu and select Save Current Playlist.
Either method will bring you to the Virtual Keyboard (see section 4.1.3 (page 25)),
enter a filename for your playlist and accept it and you are done.
4.4.6 Loading saved playlists

Through the File Browser
Playlist files, like regular music tracks, can be selected through the File Browser.
When loading a playlist from disk it will replace the current dynamic playlist.

Through the Playlist catalog

The Playlist catalog offers a shortcut to all playlists in your player’s specified playlist
directory. It can be used like the File Browser.
4.4.7 Helpful Hints

Including subdirectories in playlists
You can control whether or not Rockbox includes the contents of subdirectories when
adding an entire directory to a playlists. Set the Main Menu → Settings → General
Settings → Playlists → Recursively Insert Directories setting to On if you
would like to include tracks in subdirectories as well as tracks in the currently selected
directory.

Chapter 5. The Main Menu 38
5 The Main Menu

5.1 Introducing the Main Menu
Figure 5.1: The main menu
The Main Menu is the screen from which all of the Rockbox functions can be accessed.
This is the first screen you will see when starting Rockbox. To return to the Main
Menu, press the A-B button.
All settings are stored on the unit. However, Rockbox does not spin up the disk solely
for the purpose of saving settings. Instead, Rockbox will save settings when it spins up
the disk the next time, for example when refilling the MP3 buffer or navigating through
the File Browser. Changes to settings may therefore not be saved unless the player
is shut down safely (see section 3.1.2 (page 19)).

5.2 Navigating the Main Menu

Down Forward Selects the next option in the menu.
Inside a setting, increases the value
or chooses next option
Up Rewind Selects the previous option in the
menu.
Inside a setting, decreases the value
or chooses previous option
Navi or Right Navi Selects option
Left or Stop Stop Exits menu, setting or moves to par-
ent menu
5.3 Recent Bookmarks
Figure 5.2: The list bookmarks screen
If the Save a list of recently created bookmarks option is enabled then you
can view a list of several recent bookmarks here and select one to jump straight to that
track.


Down Forward Selects the next bookmark.
Up Rewind Selects the previous bookmark.
Navi or Right Navi Resumes from the selected book-
mark.
Left or Stop Stop Exits Recent Bookmark menu
Rec Rec Deletes the currently selected book-
mark
Long Navi Long Navi Enters the context menu for the se-
lected bookmark.
There are two options in the context menu:
Resume will commence playback of the currently selected bookmark entry.

Delete will remove the currently selected bookmark entry from the list.
This entry is not shown in the Main Menu when the option is off (the default setting).
See section 8.6 (page 65) for more details on configuring bookmarking in Rockbox.
5.4 Files
Browse the files on your player (see section 4.1 (page 22)).
5.5 Database
Browse by the meta-data in your audio files (see section 4.2 (page 26)).
5.6 Now Playing/Resume Playback

Go to the While Playing Screen and resume if music playback is stopped or paused
and there is something to resume (see section 4.3 (page 28)).
5.7 Settings
The Settings menu allows to set or adjust many parameters that affect the way your
player works. There are many submenus for different parameter areas. Every time
you are setting a value of a parameter, and that value is selected from a list of some
predefined available values, you can press Long Navi, and the selection cursor will jump
to the default value for the parameter. You can then confirm or cancel the value. This
is useful if you have changed the value of the parameter from the default to some other
value and would like to restore the default value.

5.7.1 Sound Settings

The Sound Settings menu offers a selection of sound properties you may change to
customise your listening experience. The details of this menu are covered in section 6
(page 47).
5.7.2 Playback Settings

The Playback Settings menu allows you to configure settings related to audio play-
back. The details of this menu are covered in section 7 (page 53).
5.7.3 General Settings

The General Settings menu allows you to customise the way Rockbox looks and the
way it plays music. The details of this menu are covered in section 8 (page 58).
5.7.4 Theme Settings

The Theme Settings menu contains options that control the visual apperance of Rock-
box. The details of this menu are covered in section 9 (page 69).
5.7.5 Recording Settings

The Recording Settings menu allows you to configure settings related to recording.
The details of this menu are covered in detail in section 10 (page 71).
5.7.6 Manage Settings

The Manage Settings option allows the saving and re-loading of user configuration
settings, browsing the hard drive for alternate firmwares, and finally resetting your
player back to initial configuration. The details of this menu are covered in section 12.3
(page 137).

5.8 Recording
5.8.1 While Recording Screen
Figure 5.3: The while recording screen
Selecting the Recording option in the Main Menu enters the Recording Screen,
whilst pressing Long Navi enters the Recording Settings (see section 10 (page 71)).
The Recording Screen shows the time elapsed and the size of the file being recorded.
A peak meter is present to allow you set gain correctly. There is also a volume setting,
this will only affect the output level of the player and does not affect the recorded sound.
If enabled in the peak meter settings, a counter in front of the peak meters shows the
number of times the clip indicator was activated during recording. The counter is reset
to zero when starting a new recording.
Note: When you start a recording, the hard disk will spin up. This will cause the peak
meters to freeze in the process. This is expected behaviour, and nothing to worry about.
b
The recording continues during the spin up.
The frequency and channels settings are shown in the status bar.
The controls for this screen are:


Up / Down Rewind / Select setting.
Forward
Left / Right Source / Right Adjust selected setting.
Play Play Start recording.
While recording: pause recording
(press again to continue).
Stop Stop Exit Recording Screen.
While recording: Stop recording.
Rec Rec While recording: close the current
file and open a new one.
A-B A-B Open Recording Settings (see
section 10 (page 71)).
5.9 FM Radio
Figure 5.4: The FM radio screen
This menu option switches to the radio screen. The FM radio has the ability to record
and to remember station frequency settings (presets).


Left, Right Rewind, Change frequency in SCAN mode
Forward or jump to next/previous station in
PRESET mode
Long Left, Long Rewind, Seek to next station or preset in
Right Long Forward SCAN mode.
Up, Down Volume Up, Change volume.
Volume Down
A-B A-B Leave the radio screen with the radio
playing.
Stop Stop Stops the radio and returns to Main
Menu.
Play Play Mutes radio playback.
Long Play Long Play Switches between SCAN and PRE-
SET mode.
Navi Navi Opens a list of radio presets. You
can view all the presets that you
have, and switch to the station.
Long Navi Long Navi Displays the FM radio settings
menu.
Saving a preset: Up to 64 of your favourite stations can be saved as presets. Long Navi
to go to the menu, then select Add preset. Enter the name (maximum number
of characters is 32). Press Play to save.
Note: See this page for pre-made FM radio presets from all around the world.
ZFmPresets
b
Selecting a preset: Navi to go to the presets list. Use Up and Down to move the
cursor and then press Navi or Right to select. Use Left to leave the preset
without selecting anything.
Removing a preset: Navi to go to the presets list. Use Up and Down to move the
cursor and then press Long Navi on the preset that you wish to remove, then
select Remove Preset.
Note: The radio will turn off when starting playback of an audio file.
b
5.10 Playlist
This menu allows you to work with playlists. Playlists can be created in three ways.
Playing a file in a directory causes all the files in it to be placed in a playlist. Playlists can
be created manually by either using the Context Menu (see section 4.1.2 (page 23))

or using the Playlist menu. Both automatically and manually created playlists can be
edited using this menu.
Create Playlist: Rockbox will create a playlist with all tracks in the current directory
and all sub-directories. The playlist will be created one directory level “up” from
where you currently are.
View Current Playlist: Displays the contents of the playlist currently stored in memory.
Save Current Playlist: Saves the current dynamic playlist, excluding queued tracks, to
the specified file. If no path is provided then playlist is saved to the current
directory.
Playlist Catalog: The Playlist Catalog provides a simple interface to maintain sev-
eral playlists (see section 4.4 (page 33)).
5.11 Plugins
With this option you can load and run various plugins that have been written for Rock-
box. There are a wide variety of these supplied with Rockbox, including several games,
some impressive demos and a number of utilities. A detailed description of the different
plugins is to be found in section 11 (page 76).
5.12 System
Rockbox Info: Displays some basic system information. This is, from top to bottom,
the amount of memory Rockbox has available for storing music (the buffer). The
battery status. Hard disk size and the amount of free space on the disk.
Credits: Display the list of contributors.
Sleep Timer: The Sleep Timer powers off your player after playing for a given time.
It can be set from Off to 5 hours in 5 minute steps. The Sleep Timer is reset
on boot.
Debug (Keep Out!): This sub menu is intended to be used only by Rockbox developers.
It shows hardware, disk, battery status and other technical information.
Warning: It is not recommended that users access this menu unless instructed
to do so in the course of fixing a problem with Rockbox. If you think you have
!
messed up your settings by use of this menu please try to reset all settings before
asking for help.

5.13 Quick Screen

Although the Quick Screen is accessible from nearly everywhere, not just the Main
Menu, it is worth mentioning here. It allows rapid access to your three favourite settings.
The default settings are Shuffle (section 7 (page 53)), Repeat (section 7 (page 53))
and the Show Files (section 8.2 (page 59)) options, but almost all configurable options
in Rockbox can be placed on this screen. To change the options, navigate through the
menus to the setting you want to add and press Long Navi. In the menu which appears
you will be given options to place the setting on the Quick Screen.
Press Long A-B to access it and A-B to exit. The direction buttons will modify the
individual setting values as indicated by the arrow icons.

Chapter 6. Sound Settings 47
6 Sound Settings
Figure 6.1: The sound settings screen
The sound settings menu offers a selection of sound settings you may change to customise
your listening experience.
6.1 Volume
This setting adjusts the volume of your music. Like most professional audio gear and
many consumer audio products, Rockbox uses a decibel scale where 0 dB is a refer-
ence that indicates the maximum volume that the player can produce without possible
distortion (clipping). All values lower than this reference will be negative and yield a
progressively softer volume. The volume can be adjusted from a minimum of -84 dB
to a maximum of 0 dB.
6.2 Bass
This setting emphasises the lower (bass) frequencies in the sound. A value of 0 dB
means that bass sounds are unaltered (flat response). The minimum setting is 0 dB and
the maximum is 24 dB.
6.3 Treble
This setting emphasises the higher (treble) frequencies in the sound. A value of 0 dB
means that treble sounds are unaltered (flat response). The minimum setting is 0 dB
and the maximum is 6 dB.

6.4 Balance
This setting controls the balance between the left and right channels. The default, 0,
means that the left and right outputs are equal in volume. Negative numbers increase
the volume of the left channel relative to the right, positive numbers increase the volume
of the right channel relative to the left.
6.5 Channels
A stereo audio signal consists of two channels, left and right. The Channels setting
determines if these channels are to be combined in any way, and if so, in what manner
they will be combined. Available options are:
Setting Description
Stereo Leave the audio signal unmodified.
Mono Combine both channels and send the resulting signal to both stereo
channels, resulting in a monophonic output.
Custom Allows you to manually specify a stereo width with the Stereo Width
setting described later in this chapter.
Mono Left Plays the left channel in both stereo channels.
Mono Right Plays the right channel in both stereo channels.
Karaoke Removes all sound that is common to both channels. Since most music
is recorded with vocals being equally present in both channels to make
the singer sound centrally placed, this often (but not always) has the
effect of removing the voice track from a song. This setting also very
often has other undesirable effects on the sound.
6.6 Stereo Width

Stereo width allows you to manually specify the effect that is applied when the Chan-
nels setting is set to “custom”. All values below 100% will progressively mix the con-
tents of one channel into the other. This has the effect of gradually centering the stereo
image, until you have monophonic sound at 0%. Values above 100% will progressively
remove components in one channel that is also present in the other. This has the effect
of widening the stereo field. A value of 100% will leave the stereo field unaltered.
6.7 Crossfeed
Crossfeed attempts to make the experience of listening to music on headphones more
similar to listening to music with stereo speakers. When you listen to music through
speakers, each ear will hear sound originating from both speakers. However, the sound

from the left speaker reaches your right ear slightly later than it does your left ear, and
vice versa.
The human ear and brain together are very good at interpreting the time differences
between direct sounds and reflected sounds and using that information to identify the
direction that the sound is coming from. On the other hand, when listening to head-
phones, each ear hears only the stereo channel corresponding to it. The left ear hears
only the left channel and the right ear hears only the right channel. The result is that
sound from headphones does not provide the same spatial cues to your ear and brain as
speakers, and might for that reason sound unnatural to some listeners.
The crossfeed function uses an algorithm to feed a delayed and filtered portion of the
signal from the right channel into the left channel and vice versa in order to simulate the
spatial cues that the ear and brain receive when listening to a set of loudspeakers placed
in front of the listener. The result is a more natural stereo image that can be especially
appreciated in older rock and jazz records, where one instrument is often hard-panned
to just one of the speakers. Many people will find such records tiring to listen to using
earphones and no crossfeed effect.
Crossfeed has the following settings:
Crossfeed: Selects whether the crossfeed effect is to be enabled or not.
Direct Gain: How much the level of the audio that travels the direct path from a speaker
to the corresponding ear is supposed to be decreased.
Cross Gain: How much the level of the audio that travels the cross path from a speaker
to the opposite ear is to be decreased.
High-Frequency Attenuation: How much the upper frequencies of the cross path audio
will be dampened. Note that the total level of the higher frequencies will be a
combination of both this setting and the Cross Gain setting.
High-Frequency Cutoff Decides at which frequency the cross path audio will start to
be cut by the amount described by the High-Frequency Attenuation setting.
Most users will find the default settings to yield satisfactory results, but for the more
adventurous user the settings can be fine-tuned to provide a virtual speaker placement
suited to ones preference.
Beware that the crossfeed function is capable of making the audio distort if you choose
settings which result in a too high output level.

6.8 Equalizer
Figure 6.2: The graphical equalizer
Rockbox features a parametric equalizer (EQ). As the name suggests, a parametric EQ

lets you control several different parameters for each band of the EQ. In some ways the
EQ is similar to the Bass and Treble settings described earlier, but the EQ allows you
to control the sound much more carefully.
Rockbox’s parametric EQ is composed of five different bands:
Band 0: Low shelf filter The low shelf filter boosts or lowers all frequencies below a
certain frequency limit, much like what a “bass” control found on ordinary stereo
systems does. Adjust the “cutoff” frequency parameter to decide where the shelv-
ing starts to take effect. For example, a cutoff frequency of 50 Hz will adjust only
very low frequencies. A cutoff frequency of 200 Hz, on the other hand, will adjust
a much wider range of bass frequencies. The “gain” parameter controls how much
the loudness of the band is adjusted. Positive numbers make the EQ band louder,
while negative numbers make that EQ band quieter. The “Q” parameter should
always be set to 0.7 for the shelving filters. Higher values will add a small boost
around the cutoff frequency that is almost always undesirable.
Bands 1-3: Peaking filters Peaking EQ filters boost or lower a frequency range centered
at the center frequency chosen. Graphic equalizers in home stereos are usually
peaking filters. The peaking filters in Rockbox’s EQ lets you adjust three different
parameters for EQ bands 1 through 3. The “center” parameter controls the center
frequency of the frequency range that is affected as described above. The “gain”
parameter controls how much each band is adjusted, and works as for the low
shelf filter. Finally, the “Q” parameter controls how wide or narrow the affected
frequency range is. Higher Q values will affect a narrower band of frequencies,
while lower Q values will affect a wider band of frequencies.
Band 4: High shelf filter A high shelf filter boosts or lowers all frequencies above a
certain frequency limit, much like what a “treble” control found on ordinary stereo
systems does. The high shelf filter is adjusted the same way as the low shelf filter,
except that it works on the high end of the frequency spectrum rather than the
low end.

As a general guide, EQ band 0 should be used for low frequencies, EQ bands 1 through
3 should be used for mids, and EQ band 4 should be used for highs.
Enable EQ: This option controls whether the EQ is on or off.
Graphical EQ: This option brings up a graphic EQ screen, which allows adjustment of
each of the three parameters described above (gain, center frequency, and Q) for
each of the five EQ bands.

Up Forward Raises the highlighted parameter.
Down Rewind Lowers the highlighted parameter.
Left Moves to the previous EQ band.
Right Moves to the next EQ band.
Navi Navi Toggles the cursor among the three
parameters (gain, center frequency,
Q) for the selected EQ band.
A-B Stop Exits the graphic EQ screen.
Pre-cut: If too much gain is added through the graphical EQ, your music may distort.
The Precut setting allows you to adjust the overall gain of the EQ.
If your music distorts when using the EQ, trying changing this setting to a negative
value.
Simple EQ: This option provides an easier alternative for those who are daunted by all
of the parameters that can be adjusted using the graphical EQ. With the Simple
EQ, the only parameter that can be adjusted is the gain.
Advanced EQ: This sub menu provides options for adjusting the same parameters as the
Graphical EQ. The only difference is that the parameters are adjusted through
textual menus rather than through a graphic interface.
Save EQ Preset: This option saves the current EQ configuration in a .cfg file.
Browse EQ Presets: This menu displays a list of EQ presets, as well as any EQ con-
figurations saved using the Save EQ Preset option. Users unfamiliar with the
operation of a parametric EQ may wish to use the presets instead of trying to
configure the EQ, or use the presets for designing their own custom EQ settings.
6.9 Dithering
This setting controls the dithering and noise shaping functionality of Rockbox.

Most of Rockbox’ audio file decoders work at a higher bit depth than the 16 bits used
for output on the player’s audio connectors. The simplest way to convert from one bit
depth to another is simply discarding all the surplus bits. This is the default behaviour,
and adds distortion to the signal that will vary in character along with the desired sound.
Dithering adds low-level noise to the signal prior to throwing away the surplus bits,
which gives the resulting signal a uniform noise floor which is independent of the sig-
nal. Most people find this noise preferable to the time-varying noise heard when not
performing dithering.
After dithering, noise shaping is performed. This basically just pushes the dithering
noise to the parts of the frequency spectrum humans cannot hear so easily. In Rockbox’
case, some of the noise is pushed up to above 10 kHz.
This setting will be put to its best use when listening to dynamic music with frequently
occuring quiet parts, classical music being a typical example. It is worth noting that the
effects of dithering and noise shaping are very subtle, and not easily noticable.
Rockbox uses highpass triangular distribution noise as the dithering noise source, and
a third order noise shaper.
6.10 Timestretch
Enabling Timestretch allows you to change the playback speed without it affecting
the pitch of the recording.
After enabling this feature and rebooting, you can access this via the Pitch Screen.
This function is intended for speech playback and may significantly dilute your listening
experience with more complex audio.

Chapter 7. Playback Settings 53
7 Playback Settings
The Playback Settings menu allows you to configure settings related to audio play-
back.
7.1 Shuffle
Turning shuffle on will cause Rockbox to randomly re-order the playlist. Thus, to shuffle
all of the audio files on the player, you first need to create a playlist containing all of
them. For more information on creating playlists refer to section 4.4 (page 33).
Options: Yes/No.
7.2 Repeat
Configures settings related to repeating of directories or playlists.
Options: Off / All / One / Shuffle / A-B:
Off The current playlist will not repeat when it is finished.

Note: If you have the Auto-Change Directory option set to Yes, Rockbox
will move on to the next directory on your hard drive. If the Auto-Change
b
Directory option is set to No, playback will stop when the current directory or
playlist is finished.
All The current playlist will repeat when it is finished.
One Repeat one track over and over.
Shuffle When the current playlist has finished playing, it will be shuffled and then
repeated.
A-B Repeats between two user defined points within a track, typically used by musi-
cians when attempting to learn a piece of music. This option is more complicated
to use than the others as the player must first be placed into A-B repeat mode and
then the start and end points defined.
To set the Start Point (A) press Play + Left. Setting the End Point (B) is done
accordingly using Play + Right. To reset the markers press Play + Navi.

7.3 Play Selected First

This setting controls what happens when you select a file for playback while shuffle mode
is on. If the Play Selected First setting is Yes, the file you selected will be played
first. If this setting is No, a random file in the directory will be played first.
7.4 Fast-Forward/Rewind
These settings control the speed and acceleration during fast forward and rewind. The
setting FF/RW Min Step controls the initial speed and FF/RW Accel controls the
acceleration.
7.5 Anti-Skip Buffer

This setting controls how early Rockbox starts refilling the music buffer from the hard
drive when playing. A longer Anti-Skip Buffer helps prevent skips in music playback if
Rockbox has trouble reading from the disk. This can happen if the player is knocked,
shaken or jogged heavily while Rockbox is trying to read the hard drive.
The anti-skip buffer can be set to various values between 5 seconds and 10 minutes.
Note: Having a large anti-skip buffer tends to use more power, and may reduce your
battery life. It is recommended to always use the lowest possible setting that allows
b
correct and continuous playback.
7.6 Fade on Stop/Pause

Enables and disables a fade effect when you pause or stop playing a song. If the Fade
on Stop/Pause option is set to Yes, your music will fade out when you stop or pause
playback, and fade in when you resume playback.
7.7 Party Mode

Enables unstoppable music playback. When new songs are selected, they are queued at
the end of the current dynamic playlist instead of being played immediately. Pausing
and stopping playback is disabled as well as skipping songs and launching plugins.
7.8 Crossfade
This setting enables a cross-fader. At the end of a song, the song will fade out as the
next song fades in, creating a smooth transition between songs. The crossfade setting is
particularly effective when the player is set on shuffle.
Options for crossfade settings are:

Enable Crossfade If set to Off, crossfade is disabled. If set to Shuffle, crossfade is

enabled when the shuffle feature is set to Yes, but disabled otherwise. If set to
Track Skip Only, tracks will only crossfade when manually skipped. If set to
Shuffle and Track Skip then crossfade will only be active when shuffle is set
to Yes and the track is manually skipped. If set to Always, tracks will always
crossfade into one another.
Fade In Delay The “fade in delay” is the length of time between when the crossfade
process begins and when the new track begins to fade in.
Fade In Duration The length of time, in seconds, that it takes your music to fade in
once the Fade In Delay has ended.
Fade Out Delay The “fade out delay” is the length of time between when the crossfade
process begins and when the old track begins to fade out.
Fade Out Duration The length of time, in seconds, that it takes your music to fade out
once the Fade Out Delay has ended.
Fade Out Mode If set to Crossfade, one song will fade out and the next song will
simultaneously fade in. If set to Mix, the ending song will continue to play as
normal until its end, while the starting song will fade in from under it. Mix mode
is not used for manual track skips, even if it is selected here.
Note: The rules above apply except in the instance where Fade Out Delay plus Fade
Out Duration is less then Fade In Delay (which would create a gap in the audio).
b
In this case, the Fade In Delay is reduced to eliminate the gap.
The graphic below illustrates how the different settings work in practice.

7.9 Replaygain
This allows you to control the replaygain function. The purpose of replaygain is to
adjust the volume of the music played so that all songs (or albums, depending on your
settings) have the same apparent volume. This prevents sudden changes in volume when
changing between songs recorded at different volume levels. For replaygain to work, the
songs must have been processed by a program that adds replaygain information to the
ID3 tags (or Vorbis tags).
Note: APEv2 tags are not currently supported.
Options for replaygain are:
b
Replaygain Type Choose the type of replaygain to apply:
Album Gain Maintain a constant volume level between albums, but keep any in-
tentional volume variations between songs in an album. (If album gain value
is not available, uses track gain information).
Track Gain Maintain a constant volume level between tracks. If track gain value
is not available, no replaygain is applied.
Track Gain If Shuffling Maintains a constant volume between tracks if Shuffle
is set to Yes. Reverts to album mode if Shuffle is set to No.
Off Do not process replaygain information, i.e. turn off the replaygain function.
Prevent Clipping Avoid clipping of a song’s waveform. If a song would clip during
playback, the volume is lowered for that song. Replaygain information is needed
for this to work.
Pre-amp This allows you to adjust the volume when replaygain is applied. Replaygain
often lowers the volume, sometimes quite much, so here you can compensate for
that. Please note that a (large) positive pre-amp setting can cause clipping, unless
prevent clipping is enabled. The pre-amp can be set to any decibel (dB) value
between -12dB and +12dB, in increments of 0.1dB.
7.10 Track Skip Beep

Controls the volume of the beep that is heard when skipping forward or backward be-
tween tracks. The beep is disabled when set to Off.
7.11 Optical Output

Enables or disables the optical S/PDIF output to allow a digital connection to a suitable
external decoder. To enable optical output, set to Yes

7.12 Auto-Change Directory

Control what Rockbox does when it reaches the end of a directory. If Auto-Change
Directory is set to Yes, Rockbox will continue to the next directory. If Auto-Change
Directory is set to No, playback will stop at the end of the current playlist. Using
the Random feature requires you to first generate a folder list via the Random Folder
Advance Configuration plugin (see section 11.4.9 (page 130)).
Note: You must have the Repeat option set to No for Auto-Change Directory to
function properly.
b
Note: This feature only works when songs have been played from the file browser. Using
it with the database may cause unexpected behavior.
b
7.13 Last.fm Log
Enables logging of your played tracks for submittal to http://www.last.fm. This service
was formely known as Audioscrobbler. When you enable this option, you’ll have to
reboot to start the logging. The log-file is called .scrobbler-timeless.log,and is to
be found in the root directory of your player.
Note: See ZLastFMLog for a further description, and for tools you can use to submit
your Last.fm log.
b
7.14 Cuesheet Support
Enables reading of cuesheet files for played tracks. If a cuesheet is found for a track,
track markers are displayed on the progressbar and it is possible to skip between the
tracks within the cuesheet. Also the information found in the cuesheet file will replace
the information from the ID3 tags. When you enable this option, you’ll have to reboot
for it to come into effect.
7.15 Skip Length

Designed to speed up navigation when listening to long audio tracks, Skip Length
changes the behavior of the Left and Right buttons so that they skip by a given time
instead of skipping to a new track.
7.16 Prevent Track Skipping

If this option is enabled, the ability to manually skip tracks is disabled in order to avoid
accidental track skips. It does not prevent changing tracks if a track ends, which can be
achieved by combining this option with Repeat set to One

Chapter 8. General Settings 58
8 General Settings
Figure 8.1: The general settings screen
8.1 Playlist
The Playlist sub menu allows you to configure settings related to playlists.
Recursively Insert Directories. If set to On, then when a directory is inserted or
queued into a dynamic playlist, all subdirectories will also be inserted. If set
to Ask, Rockbox will prompt the user about whether to include sub-directories.
Warn When Erasing Dynamic Playlist. If set to Yes, Rockbox will provide a warning
if the user attempts to take an action that will cause Rockbox to erase the current
dynamic playlist.
8.2 File View

The File View menu deals with options relating to how the File Browser displays files.
Sort Case Sensitive: If this option is set to Yes, all files that start with upper case
letters will be listed first, followed by all files that begin with lower case letters. If
this option is set to NO, then case will be ignored when sorting files.
Sort Directories: This option controls how Rockbox sorts directories. The default is to
sort them alphabetically. By date sorts them with the oldest directory first. By
newest date sorts them with the newest directory first.
Sort Files: This option controls how Rockbox sorts files. All of the options for Sort
Directories are available in this option. In addition, there is a By type option
which sorts files alphabetically by their type (such as .mp3) then alphabetically
within each type.

Interpret numbers when sorting: As whole numbers enables a sorting algorithm which
is similar to the default sorting of, for example, Windows Explorer, Mac OS X’s
Finder or Nautilus, with regards to numbers at the beginning or within filenames.
It combines consecutive digits to a number used for sorting, taking leading zeros
into account.
As digits disables this algorithm, and causes every digit to be compared sepa-
rately. The following table demonstrates the two sortings.
As whole numbers As digits

03 Jackson.mp3 03 Jackson.mp3
1 Ring Of Fire.mp3 1 Ring Of Fire.mp3
2 I Walk The Line.mp3 10 A Thing Called Love.mp3
10 A Thing Called Love.mp3 2 I Walk The Line.mp3
Episode 1.ogg Episode 1.ogg
Show Files: This option controls which files are displayed in the File Browser.
All: The File Browser displays all files and directories. Extensions are shown.
No files or directories are hidden.
Supported: The File Browser displays all directories and files supported by
Rockbox (see section A.1 (page 141)). Files and directories starting with .
(dot) or with the hidden flag set are hidden.
Music: The File Browser displays only directories, playlists and the supported
audio file formats. Extensions are stripped. Files and directories starting
with . or with the “hidden” flag set are hidden.
Playlists: The File Browser displays only directories and playlists, for simplified
navigation.
Show Filename Extensions: This option controls how file extensions are shown in the
File Browser.
Off: The file extensions are never shown.
On: The file extensions are always shown.
Only unknown types: Only the extensions of unknown filetypes are shown.
Only when viewing all types: Only show file extensions when Show Files is set
to All.
Follow Playlist: This option determines what directory the File Browser displays
first. If Follow Playlist is set to Yes, when you enter the File Browser from
the WPS, you will find yourself in the same directory as the currently playing file.
If Follow Playlist is set to No, when you enter the File Browser from the

WPS, you will find yourself in the directory you were in when you last left the
File Browser.
Show Path: If this setting is set to Full Path the full path to the current directory
will be displayed on the first line in the File Browser. If set to Current
Directory Only only the name of the current directory will be displayed.
This has a similar effect on the Database browser. If set to Current Directory
Only or Full Path, then the title of each menu will be displayed on the first line
in the Database Browser.
8.3 Database
This sub menu allows you to configure the database. See section 4.2 (page 26) for more
information about using the database.
8.4 Display
LCD Settings: This sub menu contains settings that relate to the display of the player.
Backlight: The amount of time the backlight shines after a key press. If set to
Off, the backlight will not light when a button is pressed. If set to On, the
backlight will never shut off. If set to a time (1 to 90 seconds), the backlight
will stay lit for that amount of time after a button press.
Backlight (While Plugged In): This setting is equivalent to the Backlight set-
ting except it applies when the player is plugged into the charger.
Backlight on Hold: This setting controls the behavior of the backlight when the
Hold switch is toggled. If set to Normal the backlight will behave as usual.
If set to Off the backlight will be turned off immediately when the Hold
switch is engaged and if set to On the backlight will be turned on and stay
on while the Hold switch is engaged.
Caption Backlight: This option turns on the backlight a number of seconds before
the start of a new track, and keeps it on for the same number of seconds after
the beginning so that the display can be read to see song information. The
amount of time is determined by the value of the backlight timeout setting,
but is no less than 5 seconds.
Backlight Fade In: The amount of time that the backlight will take to fade from
off to on after a button is pressed. If set to Off the backlight will turn on
immediately, with no fade in. Can also be set to 500ms, 1s or 2s.
Backlight Fade Out: Like Backlight fade in, this controls the amount of time that
the backlight will take to fade from on to off after a button is pressed. If set
to Off the backlight will turn off immediately, with no fade out. Other valid
values: 500ms, 1s, 2s, 3s, 4s, 5s or 10s.

First Keypress Enables Backlight Only: With this option enabled the first key-
press while the backlight is turned off will only turn the backlight on without
having any other effect. When disabled the first keypress will also perform
its appropriate action.
Contrast: Changes the contrast of your LCD display.
Warning: Setting the contrast too dark or too light can make it hard to find
this menu option again!
!
LCD Mode: This setting lets you invert the colours of the display.
Upside Down: Displays the screen so that the top of the display is nearest the
buttons. This is sometimes useful when carrying the player in a pocket for
easy access to the headphone socket.
Remote-LCD Settings: This sub menu contains settings that relate to the display of
the remote.
Backlight: Similar to the main unit backlight this option controls the backlight
timeout for the remote control. The remote backlight is independent from
the main unit backlight.
Backlight on When Plugged: This controls the backlight when the player is plugged
into the charger.
Caption Backlight: This option turns on the backlight a number of seconds before
the start of a new track, and keeps it on for the same number of seconds after
the beginning so that the display can be read to see song information. The
amount of time is determined by the value of the backlight timeout setting,
but is no less than 5 seconds.
First Keypress Enables Backlight Only: This controls what happens when you
press a button on your remote while the backlight is turned off. Like for the
main unit, if this setting is set to Yes, the first keypress will light up the
remote backlight, but have no other effect. If set to No, the first keypress
will light up the remote backlight and engage the function of the key that is
pressed.
Contrast: Changes the contrast of your remote’s LCD display.
Warning: Setting the contrast too dark or too light can make it hard to find
this menu option again!
!
LCD Mode: This setting lets you invert the whole screen, so now you get a black
background and light text and graphics.
Upside Down: Displays the screen so that the top of the display is nearest the
buttons. This is sometimes useful when carrying the player in a pocket for
easy access to the headphone socket.
Reduce Ticking: Enable this option if you can hear a ticking sound in your head-
phones when using your remote.
Scrolling This feature controls how text will scroll in Rockbox. You can configure the
following parameters:

Scroll Speed: Sets how many times per second the automatic horizontal scrolling
text will move a step.
Scroll Start Delay: Controls how many milliseconds Rockbox should wait before
a new text begins automatically scrolling.
Scroll Step Size: Defines the number of pixels the text should move for each step,
as used by the Scroll Speed setting.
Remote Scrolling Options: The options here have the same effect on the remote
LCD as the options mentioned above have on the main LCD.
Bidirectional Scroll Limit: Rockbox has two different automatic horizontal scrolling
methods: 1) always scrolling the text to the left until the line has ended and
then beginning again at the start, and 2) moving to the left until you can
read the end of the line and then scrolling right until you see the beginning
again. Rockbox chooses which method it should use depending of how much
it has to scroll to the left. This setting lets you tell Rockbox where that limit
is, expressed in percentage of the line length.
Screen Scrolls Out of View: Screens can be manually scrolled horizontally by
pressing Long Right/Left. Setting this option to Yes will keep the list
entries at their fixed positions and allow them to be scrolled out of view,
whereas No will only scroll those entries which surpass the right margin.
Screen Scroll Step Size: Defines the number of pixels the horizontal manual screen
scroll should move for each step.
Paged Scrolling: When set to Yes scrolling vertically on pages that surpass the
screen size will page up/down instead of simply changing lines. This can be
useful on slow displays.
Status/Scrollbar: Settings related to on screen status display and the scrollbar.

Scroll Bar: Allows you to choose where the vertical scroll bar should appear.
Scroll Bar Width: Allows you to choose the width of the scroll bar (in pixels).
Default value is 6.
Status Bar: Allows you to choose where to display the statusbar on the main
display.
Remote Status Bar: Allows you to choose where to display the statusbar on the
remote display.
Volume Display: Controls whether the volume is displayed as a graphic or a nu-
meric value on the Status Bar. If you select a numeric display, volume is
displayed in decibels. See section 6.1 (page 47) for more on the volume set-
ting.
Battery Display: Controls whether the battery charge status is displayed as a
graphic or numerical percentage value on the Status Bar.
Peak Meter: The peak meter can be configured with a number of parameters.

Peak Release: This determines how fast the bar shrinks when the music becomes
softer. Lower values make the peak meter look smoother. Expressed in scale
units per 10ms.
Peak Hold Time: Specifies the time after which the peak indicator will reset. For
example, if you set this value to 5s, the peak indicator displays the loudest
volume value that occurred within the last 5 seconds. Larger values are useful
if you want to find the peak level of a song, which might be of interest when
copying music from the player via the analogue output to some other recording
device.
Clip Hold Time: The number of seconds that the clipping indicator will be visible
after clipping is detected.
Clip Counter: Show the number of times the clip indicator went active during
recording in front of the peak meters.
Scale: Select whether the peak meter displays linear or logarithmic values. The
human ear perceives loudness on a logarithmic scale. If the Scale setting is
set to Logarithmic (dB) scale, the volume values are scaled logarithmically.
The volume meters of digital audio devices usually are scaled this way. On
the other hand, if you are interested in the power level that is applied to
your headphones you should choose Linear display. This setting cannot
be displayed in units like volts or watts because such units depend on your
headphones.
Minimum and maximum range: These two options define the full value range
that the peak meter displays. Recommended values for the Logarithmic
(dB) setting are -40 dB for minimum and 0 dB for maximum. Recommended
values for Linear display are 0 and 100%. Note that -40 dB is approxi-
mately 1% in linear value, but if you change the minimum setting in linear
mode slightly and then change to the dB scale, there will be a large change.
You can use these values for ‘zooming’ into the peak meter.
Default Codepage: A codepage describes the way extended characters that are not
available within the ASCII character set are encoded. ID3v1 tags do not have a
codepage encoding contained so Rockbox needs to know what encoding has been
used when generating these tags. This should be “ISO-8859-1” but to support lan-
guages outside Western Europe most applications use the setting of your operating
system instead. If your operating system uses a different codepage and you are
getting garbled extended characters you should adjust this settings. In most cases
sticking to “ISO-8859-1” would be sufficient.
8.5 System
8.5.1 Start Screen
Set the screen that Rockbox will start in. Selecting Resume Playback will resume
playback where it was when the player was shut off if there is a playlist to resume and

will then end up in the WPS. Selecting Previous Screen will make Rockbox start in
the screen it was when the player was shut off.
8.5.2 Battery
Options relating to the battery in the player.
Battery Capacity: This setting can be used to tell Rockbox what capacity (in mAh)
the battery being used has. The default is 1300mAh, which is the capacity value
for the standard battery shipped with the player. Rockbox uses this value for
runtime estimation, not battery percentage calculation. Changing this setting has
no effect whatsoever on actual battery life. This setting only affects the accuracy
of the runtime estimation as shown on screen.
8.5.3 Disk
Options relating to the hard disk.
Disk Spindown: Rockbox has a timer that makes it spin down the hard disk after it is
idle for a certain amount of time. This setting controls the amount of time between
the last user activity and the time that the disk spins down. This idle time is only
affected by user activity, like navigating through the File Browser. When the
hard disk spins up to fill the audio buffer, it automatically spins down afterwards.
Directory Cache: Rockbox has the ability to cache the contents of your drive in RAM.
The Directory Cache takes a small amount of memory away from Rockbox
that would otherwise be used to buffer music, but it speeds up navigation in the
file browser by eliminating the slight pause between the time a navigation button
is pressed and the time Rockbox responds. Turning this setting on activates the
directory cache, and turning it off deactivates the directory cache.
Note: The first time you enable the directory cache, Rockbox will request a reboot
of the player and upon restarting take a few minutes to scan the drive. After this,
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the directory cache will work in the background.
8.5.4 Idle Poweroff

Rockbox can be configured to turn off power after the unit has been idle for a defined
number of minutes. The player is idle when playback is stopped or paused. It is not idle
while the USB or charger is connected , or while recording. Settings are either Off or
1 to 10 minutes in 1 minute steps. Then 15,30,45 and 60 minutes are available.
8.5.5 Limits
This sub menu relates to limits in the Rockbox operating system.

Max Entries in File Browser: This setting controls the limit on the number of files
that you can put in any particular directory in the file browser. You can configure
the size to be between 50 and 10,000 files in steps of 50. The default is 400. Higher
values will shorten the music buffer, so you should increase this setting only if you
have directories with a large number of files.
Max Playlist Size: This setting controls the maximum size of a playlist. The playlist
size can be between 1,000 and 32,000 files, in steps of 1,000 (default is 10,000).
Higher values will shorten the music buffer, so you should increase this setting only
if you have very large playlists.
8.5.6 Car Adapter Mode

This option turns On and Off the car ignition auto stop function.
Car Adapter Mode: When using the player in a car, Car Adapter Mode automat-
ically stops playback on the player when power (i.e. from cigarette lighter power
adapter) to the external DC in jack is turned off. If the Car Adapter Mode
is set to On, Rockbox will pause playback when the external power off condition
is detected. Rockbox will then shutdown the player after the length of time set
in the Idle Poweroff setting (see above). If power to the DC in jack is turned
back on before the Idle Poweroff function has shut the player off, playback will be
resumed 5 seconds after the power is applied. This delay is to allow for the time
while the car engine is being started.
Once the player is shut off either manually, or automatically with the Idle Poweroff
function, it must be powered up manually to resume playback.
8.6 Bookmarking
Bookmarks allow you to save your current position within a track so that you can return
to it at a later time. Bookmarks are saved on a per directory basis (for dynamic playlists)
or for individual (saved) playlists. They are stored next to the directory/playlist they
reference. You can store multiple bookmarks for the same track.
Bookmark on Stop. This option controls whether Rockbox writes a bookmark to the
disk when playback is stopped. Setting this to No turns automatic bookmarking
completely off. In contrast Yes turns automatic bookmarking on while Ask asks
on stopping the track if a bookmark should be created. With the above options
Yes and Ask if there is an existing .bmark file the current position information
will be added to the front of the existing list, up to the maximum number of allowed
bookmarks per file (currently 10). If no .bmark file exists, one will be created with
the new bookmark information. Finally, if the Maintain a list of Recently
Used Bookmarks option is enabled, the bookmarking information will be added
to recent bookmarks list.

Yes – Recent Only. Turns on automatic bookmarking – One bookmark only

Ask – Recent Only. Asks if a bookmark should be created when stopping track –
One bookmark only
With the two Recent Only options, nothing is written to the .bmark file. If
the Maintain a list of Recently Used Bookmarks option is enabled, the
bookmarking information will however be added to recent bookmarks list.
Note: The Resume function remembers your position in the most recently ac-
cessed track regardless of how the Bookmark on Stop option is set.
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Load Last Bookmark. When the Load Last Bookmark option is set to Yes, Rock-
box automatically returns to the position of the last bookmark within a file when
that file is played.
When the Load Last Bookmark option is set to Ask, Rockbox will give the user
the option of starting from the beginning of the track of or from the bookmark.
When the Load Last Bookmark option is set to No, playback always starts
from the beginning of the track, and the user must play the bookmark or use the
Load Bookmark function in the Main Menu, while the file is playing, to resume
at the bookmarked location.
Maintain a list of Recently Used Bookmarks. This list of Most Recent Bookmarks
(MRB’s) may be accessed through the Recent Bookmarks option of the Book-
marks sub menu of the Main Menu. When set to Yes each new bookmark will be
added to the MRB list. Setting this to No disables the addition of bookmarks to
the MRB list. Unique Only behaves like the Yes setting but in addition all older
entries for the current (dynamic) playlist will be removed from the MRB whenever
a new entry is added.
Bookmark list keys. The following keys can be used to navigate in any bookmark list.

Down Forward Selects the next bookmark.
Up Rewind Selects the previous bookmark.
Navi or Right Navi Resumes from the selected book-
mark.
Left or Stop Stop Exits Recent Bookmark menu
Rec Rec Deletes the currently selected book-
mark
Long Navi Long Navi Enters the context menu for the se-
lected bookmark.

There are two options in the context menu:
Resume will commence playback of the currently selected bookmark entry.

Delete will remove the currently selected bookmark entry from the list.
8.7 Language
This setting controls the language of the Rockbox user interface. Selecting a language
will activate it. The language files must be in the /.rockbox/langs/ directory. See
section 12.1.3 (page 133) for further details about languages.
8.8 Voice
Voice Menus. This option controls the voicing of menus/settings as they are selected
by the cursor. In order for this to work, a voice file must be present in the
/.rockbox/langs/ directory on the player. Voice files are large and are not
shipped with Rockbox by default. The voice file is the name of the language
for which it is made, followed by the extension .voice. So for English, the file
name would be english.voice. This option is on by default, but will do nothing
unless the appropriate voice file is installed in the correct place on the player. The
Voice Menus have several limitations:
• Setting the Sound Option Channels to Karaoke may disable voice menus.
• Plugins do not support voice features.
Voice Directories. This option controls voicing of directory names. A voice file must be
present for this to work. Several options are available.
Spell. Speak the directory name by spelling it out letter by letter. Support is
provided only for the most common letters, numbers and punctuation.
Numbers. Each directory is assigned a number based upon its position in the file
list. They are then announced as “Directory 1”, “Directory 2” etc.
Off. No attempt will be made to speak directory names.
You can use pre-generated .talk clips to have directory names spoken properly, but
you must enable this explicitly (see below).
Use Directory .talk Clips. This option turns on the use of .talk clips for directories.
On. Use special pre-recorded MP3 files ( dirname.talk) in each directory. These
must be generated in advance, and are typically produced synthetically using
a text-to-speech engine on a PC.
Off. No checking is made for directory .talk clips; they are not used even if present.
This can reduce disk activity.

Use of a .talk clip takes precedence over other directory name voicing. Otherwise
(e.g. if a .talk clip is not available), voicing uses the method set under Voice
Directories above.
Voice Filenames. This option controls voicing of filenames. Again, a voice file must be
present for this to work. The options provided are Spell, Numbers, and Off
which function the same as for Voice Directories. You can use pre-generated
.talk clips to have filenames spoken properly, but you must enable this explicitly
(see below).
Use File .talk Clips. This option turns on the use of .talk clips for files.
On. Use special pre-recorded MP3 files for each file. This functions the same as
for directories except that the .talk clip file must have the same name as the
described file with an extra .talk extension (e.g. Punkadiddle.mp3 would
require a file called Punkadiddle.mp3.talk).
Off. No checking is made for file .talk clips; they are not used even if present. This
can reduce disk activity.
Use of a .talk clip takes precedence over other filename voicing. Otherwise (e.g. if
a .talk clip is not available), voicing uses the method set under Voice Filenames
above.
Say File Type. This option turns on voicing of file types when Voice Filenames is set
to Spell or Numbers. When Voice Directories is set to Spell, “Directory”
will be voiced after each spelled out directory.
Announce Battery Level. When this option is enabled the battery level is announced
when it falls under 50%, 30% and 15%.
See ZVoiceHowto for more details on configuring speech support in Rockbox.

Chapter 9. Theme Settings 69
9 Theme Settings
The Theme Settings menu offers options that you can change to customize the visual
apperance of Rockbox.
Browse Theme Files. This option will display all the currently installed themes on the
player, press Navi or Right to load the chosen theme and apply it.
A theme is a configuration file, stored in a specific directory, that typically changes
the WPS and remote WPS, font used and on some platforms additional information
such as background image and text colours.
There are a number of themes that ship with Rockbox. If none of these suit your
needs, many more can be downloaded from http://themes.rockbox.org/index.php?
target=h100.
Note: Themes do not have to be purely visual. It is quite possible to create a theme
that switches between audio configurations for use in the car, with headphones and
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when connected to an external amplifier. See section 12.2.2 (page 134) for more
details.
Font. Browse the installed fonts on your player. Selecting one will activate it. See
section 12.1.2 (page 133) for further details about fonts.
While Playing Screen. Opens the File Browser in the /.rockbox/wps directory and
displays all .wps files. Selecting one will activate it, stop will exit back to the menu.
For further information about the WPS see section 4.3 (page 28). For information
about editing a .wps file see section 12.2 (page 134).
Remote While Playing Screen. Opens the File Browser in the /.rockbox/wps di-
rectory and displays all .rwps files. Selecting one will activate it, stop will exit
back to the menu.
Note: A .rwps file is a special .wps file for the remote display.
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Show Icons. Rockbox has the ability to display an icon to the left of the file in the File
Browser. For details of these icons, see section A.1 (page 141). These icons can
also be customised. See the ZIconSets and ZCustomIcons Wiki pages for details.
Clear Backdrop: Rockbox allows you to select bitmap pictures to use as backdrops, see
section 12.1.4 (page 133) for further information. This option allows you to clear
the backdrops that you set.
Line Selector Type. This option allows you to select which type of line selector to use.

Chapter 9. Theme Settings 70
Pointer: A small arrow to the left of the menu text.

Bar (inverse): A bar with inverted foreground and background colour.

Chapter 10. Recording Settings 71
10 Recording Settings
Figure 10.1: The recording settings screen
Note: To change the location where recordings are stored open the Context Menu
(see section 4.1.2 (page 23)) on the directory where you want to store them in the File
b
Browser and select Set As Recording Directory.
10.1 Format
Choose which format to save your recording in. The available choices are the two un-
compressed formats PCM Wave and AIFF, the losslessly compressed WavPack and
the lossy MPEG Layer 3.
10.2 Encoder Settings

This sets the bitrate when using the MPEG Layer 3 format. And has no settings for
the other formats.
10.3 Frequency
Choose the recording frequency (sample rate). 44.1kHz, 22.05kHz and 11.025kHz are
available. Higher sample rates use up more disk space, but give better sound quality.
Note: The 11.025kHz setting is not available when usingMPEG Layer 3 format.
Note: You cannot change the sample rate for digital recordings.
b
b

10.4 Source
Choose the source of the recording. The options are: SPDIF (digital), Mic, and Line
In. For recording from the radio see section 5.9 (page 43).
10.5 Channels
This allows you to select mono or stereo recording. Please note that for mono recording,
only the left channel is recorded. Mono recordings are usually somewhat smaller than
stereo.
10.6 Mono Mode

When configured to record to mono and the source is a stereo signal, use this setting to
configure how the mono signal is created. Options are L, R and L+R.
10.7 File Split Options

This sub menu contains options for file splitting, which can be used to split up long
recordings into manageable pieces. The splits are seamless (frame accurate), no audio is
lost at the split point. The break between recordings is only the time required to stop
and restart the recording, on the order of 2 – 4 seconds.
Split Measure: This option controls wether to split the recording when the Split File-
size is reached or when the Split Time has elapsed.
What to do when Splitting: This controls what will happend when the splitting con-
dition is fullfilled the two available options here are Start a new file or Stop
recording.
Split Time: Set the time to record between each split, if time is used as Split Measure.
Options (hours:minutes between splits): Off, 00:05, 00:10, 00:15, 00:30, 1:00, 1:14
(74 minute CD), 1:20 (80 minute CD), 2:00, 4:00, 8:00, 10:00, 12:00, 18:00, 24:00.
Split Filesize: Set the filesize to record between each split, if filesize is used as Split
Measure.
10.8 Prerecord Time

This setting buffers a small amount of audio so that when the record button is pressed,
the recording will begin from that number of seconds earlier. This is useful for ensuring
that a recording begins before a cue that is being waited for.

10.9 Clear Recording Directory

Resets the location where the recorded files are saved to the root of your player’s drive.
10.10 Clipping Light

Causes the backlight to flash on when clipping has been detected.
Options: Off, Main unit only, Main and remote unit, Remote unit only.
10.11 Trigger
When you record a source you often are only interested in the sound and not the silence
in between. The recording trigger provides you with a tool to automatically distinguish
between sound and silence and record the sound only. Unfortunately it is not very easy to
make this distinction between silence and sound because you hardly ever encounter real
silence. There always are background noises. What is considered as background noise
depends on the situation. For example during a lecture the very low noise of rustling
paper might be considered as background noise. During a rock concert the murmur of
the audience might be concidered background noise which is much louder compared to
rustling paper. Also the duration of the signal matters. When you record speech you
want to record every syllable. When you record live music you may not be interested
in that chord the guitarist strokes for two minutes before the show to verify his amp
is turned on. The trigger features numerous parameters to adapt its behaviour to the
desired situation.
Trigger This parameter specifies the trigger mode. When set to Off the recording must
be started manually and apart from the Prerecord time no other parameter has
any effect. Once will have the trigger start one recording only; after the recording
has finished the input signal will not start another recording. Repeat will have
the trigger start multiple recordings.
Trigtype Add description of Trigtype Options: Stop, Pause, New File.
Prerecord Time This specifies the time that is included into the recording before the
trigger event occurs. This is very useful if you record a signal that fades in. Usually
you want to set the prerecord time ¿= start duration. That ensures that you record
the entire sound. Strictly speaking the prerecord time is not a special parameter
of the trigger. It is available during normal recordings too.
Start Above The start threshold defines the minimal volume a sound must have to start
the recording. It is displayed numerically in the line ”Start Above”. Note that the
unit of the threshold depends on the settings of the peak meter. (i.e. When the
peak meter displays db you can adjust the level in db and when the peak meter
is set to linear the threshold is displayed as percentage.) In the peak meter at the
bottom of the screen the start threshold is displayed graphically by a little triangle

pointing to the right. There are two special values. The value Off turns the start
condition off. With this setting you have to start the recording manually and the
trigger only stops the recording according to the stop condition. The setting -inf
sets the trigger to the absolute minimum. This setting only makes sense when you
record via a digital input as even the noise of the device itself would exceed this
threshold immediately.
for at least The start duration defines the minimal duration that a signal must exceed
the start threshold to start the recording. Depending on your situation you may
want to set this setting to 0 (e.g. when copying a song from a commercial medium)
or to quite big values. Because sound is not continuous by nature (think of per-
cussion) neglectable dropouts are tolerated during this start duration.
Stop Below When the sound level drops below the stop threshold the recording is
stopped. It is displayed numerically in the line ”Stop Below”. Just like the start
threshold the unit of the stop threshold depends on the settings of the peak meter.
There’s also a small triangular marker in the peak meter at the bottom of the
screen. In contrast to the start threshold marker it points to the left. The value
Off turns the stop condition off. With this setting you have to stop the recording
manually.
for at least This time specifies the duration the signal must drop below the stop thresh-
old to stop the recording. By selecting high values you can ensure that, for example,
trailing fade-outs are recorded entirely.
Presplit Gap When the signal drops below the stop threshold for the time specified by
the presplit gap a new recording may be started when the signal raises above the
start threshold. Thus the value of the presplit gap should be smaller than the stop
hold time. Otherwise the recording would stop anyway and the presplit gap has
no effect. For most uses I recommend to set this parameter equal to the stop hold
time. Sometimes you may encounter a sound source (e.g. a CD) where the songs
have fade outs and hardly any gaps between the tracks. Here you can set the stop
hold time to long values to ensure that all fade outs are recorded completely. By
specifying a short presplit gap you still can split the recording into seperate tracks
whenever the trigger start condition is met.
More information can be found at ZVolumeTriggeredRecording.
10.12 Automatic Gain Control

The Automatic Gain Control has five different presets for automatically controlling
the gain while recording.
Safety (clip): This preset will lower the gain when the levels get too high (-1dB) and
will never increase gain.

Live (slow): This preset is designed to be used for recording of live shows and has quite
large headroom for loud parts. It heads for a nominal target peak level of -9dB
and will slowly increase or decrease gain to reach it.
DJ-Set (slow): This preset heads for a nominal target peak level of -5dB and will slowly
increase or decrease gain to reach it.
Medium: This preset heads for a nominal target peak level of -6dB and will increase or
decrease gain to reach it.
Voice (fast): This preset is designed to be used for voice recording and heads for a
nominal target peak level of -7dB and will quickly increase or decrease gain to
reach it.
10.13 AGC clip time

This setting controls how long the level is too loud or soft before the Automatic Gain
Control kicks in.

Chapter 11. Plugins 76
11 Plugins
Plugins are programs that Rockbox can load and run. Only one plugin can be loaded at
a time. Plugins have exclusive control over the user interface. This means you cannot
switch back and forth between a plugin and Rockbox. When a plugin is loaded, you
need to exit it to return to the Rockbox interface. Most plugins will not interfere with
music playback but some of them will stop playback while running. Plugins have the
file extension .rock. Most of them can be started from Browse Plugins in the Main
Menu.
Viewer plugins get started automatically by opening an associated file (i.e. text files,
chip8 games), or from the Open with option on the Context Menu.
11.1 Games
See also the Chip-8 emulator in section 11.3.2 (page 115) and Rockboy in section 11.3.7
(page 119).
11.1.1 Blackjack
Figure 11.1: Blackjack
Blackjack, a game played in casinos around the world, is now available in the palm of
your hand! The rules are simple: try to get as close to 21 without going over or simply
beat out the dealer for the best hand. Although this may not seem difficult, blackjack
is a game renowned for the strategy involved. This version includes the ability to split,
buy insurance, and double down.
For the full set of rules to the game, and other facinating information visit
http://www.blackjackinfo.com/blackjack-rules.php


In menu
Play Start new game
A-B Resume saved game
Navi Show high scores
Stop Quit
In game
Left / Right /
Up / Down Enter betting amount
Play Hit (Draw new card)
Rec Stay (End hand)
Navi Double down
A-B Save game
Stop Return to menu or cancel
11.1.2 BrickMania
Figure 11.2: BrickMania
BrickMania is a clone of the classic game Breakout. The aim of the game is to destroy
all the bricks by hitting them with the ball once or more. Sometimes a special item falls
down when you destroy a brick. For a special item to take effect, you must catch it with
the paddle. Look out for the bad ones.

Special items
Displayed Name Description

N Normal Returns paddle to normal.
D Die Ball dies; lose a life.
L Life Gain a life.
F Fire Allows you to shoot bricks with paddle.
G Glue Ball sticks to paddle each time it hits.
B Ball Immediately fires another ball.
FL Flip Flip left / right movement.

Left / Right Moves the paddle
Navi / Up Release the ball / Fire
Stop Stop Open menu / Quit
11.1.3 Bubbles
Figure 11.3: Bubbles
The goal of the game is to beat each level as quickly as possible by clearing the board of
all bubbles. Bubbles are removed from the board when a cluster of three of more of the
same type is formed. The game is over when any bubbles on the board extend below
the bottom line. To make things more difficult, the entire board is shifted down every
time a certain number of shots have been fired. Points are awarded depending on how
quickly the level was completed.


Play Play Pause game
Left / Right Aim the bubble
Navi Fire bubble
A-B Save game
Stop Stop Exit to menu
11.1.4 Chessbox
Figure 11.4: Chessbox
Chessbox is a one-person chess game with computer artificial intelligence. The chess
engine is a port of GNU Chess 2 by John Stanback.
It also works as a PGN file viewer. Instead of executing the game from the plugin
menu, look for any file with .pgn extension in the file browser and execute it. Chessbox
will show the list of matches included in the file and allow you to select the one you want
to watch. After that, you can scroll back and forth through the moves of the game. If
the menu is invoked while in the viewer, the user is allowed to select a new match from
the same file or quit the game.
“Force play” while the computer is thinking will cause it to make its move immediately.
If done while it’s your turn, the computer will move for you and flip the board so that
you are playing from the other side. If you want, you can force play an entire game and
watch the artificial intelligence fight against itself.
When you quit the game the current state will be saved and restored when you resume
the game. The menu also allows the user to reload the last game saved, save the current
position and start a new game without having to quit the game.

Keys

Direction keys Move the cursor
Navi Pick up / Drop piece
A-B Change level
Play Force play
Stop Show the menu
11.1.5 Chopper
Figure 11.5: Chopper
Navigate a cavernous maze without banging into walls, the ceiling, or the floor. How
long can you fly your chopper?

Navi / Up Make chopper fly
Stop Enter menu
11.1.6 Dice
Dice is a simple dice rolling simulator. Select number and type of dice to roll in a menu
and start by choosing “Roll Dice”. The result is shown as individual numbers as well as
the total of the rolled dice.

Play Play Roll dice again
Stop Stop Quit

11.1.7 Doom
Figure 11.6: Doom
This is the famous Doom game.
Getting started
For the game to run you need .wad game files located in /.rockbox/doom/ on your
player. Create the directory and save the following files there:
rockdoom.wad. The Rockbox .wad, based on prboom.wad from prboom-2.2.6
Your wad files. Copy all Doom wads you wish to play into that directory.
The needed files can be found at ZPluginDoom

To play addon wads create the addons directory within the doom directory. Place wad
files in this directory. Currently doom only supports a maximum number of 10 addons.
A free alternative for Doom 2 is FreeDoom (http://freedoom.sourceforge.net). This
can be used in place of doom2.wad, or it may be used as an addon in Doom, by placing
it in the addons directory.
Menus
Rockdoom Menu. The Rockdoom menu is shown when Doom is first launched. This is
the only time it can be accessed (before starting the game). To re-adjust Rockdoom
options, you will need to quit your current game and restart the plugin.
Main Menu. The Doom plugin has a main menu, which is brought up before a game
is started. It has the following entries:
Game. Select which (official) wad to launch
Addon. Select which unofficial addon wad to launch (From /.rockbox/doom/addons
directory)
Demos. Select which demo file to play on game start
Options. Configure low-level Doom options
Play Game. Launch the wad/addon/Demo chosen

Options Menu. This menu has the following options:

Sound. Enable or Disable sound in Doom
Set Keys. Change the game key configuration
Time Demo. Run a timed demo, to test game speed on a player (Only runs on
Doom Shareware)
Player Bobbing. Enable or Disable player up/Down movement
Translucency. Enable or Disable sprite translucency (Fireballs, Plasma...)
Fake Contrast. Enable or Disable modified game lighting
Always Run. Make the player always run
Headsup Display. Show the player status when in fullscreen
Statusbar Always Red. Disable color response statusbar
InGame Main Menu. This menu can only be accessed from within a running game,
and is displayed by pressing Stop
New Game. Start a new game
Options. In game options
Load Game. Load a saved game
Save Game. Save the current game
Quit. Quit the game
InGame Options Menu. This menu has the folloing options:

End Game. Ends the current game
Messages. Enable or Disable in game messages
Screen Size. Shrink or Enlarge the displayed portion of the game
Gamma. Change the brightness (Gamma) of the game
Sound Volume. Change the sound, music and system volume
Note: In game music is not currently supported
b
Keys

Up Move Forward
Down Down
Left Turn Left
Right Turn Right
Rec Shoot
A-B Open
Stop InGame Menu
Navi Enter
Play Change Weapon

Playing the game

After installation of the wad files is complete you can start the game. more description
is needed
11.1.8 Flipit
Figure 11.7: Flipit
Flipping the colour of the token under the cursor also flips the tokens above, below, left
and right of the cursor. The aim is to end up with a screen containing tokens of only
one colour.

Up / Down / Move the cursor
Left / Right
Navi Flip
A-B Shuffle
Play Solve
Rec Solve step by step
Stop Stop Quit the game

11.1.9 Goban
Figure 11.8: Goban
Goban is a a plugin for playing, viewing and recording games of Go (also known as Weiqi,
Baduk, Igo and Goe). It uses standard Smart Game Format (SGF) files for saving and
loading games.
You can find a short introduction to Go at http://senseis.xmp.net/?WhatIsGo and more
information about SGF files can be read at http://senseis.xmp.net/?SmartGameFormat
or the SGF specification at http://www.red-bean.com/sgf/.
This plugin can load all modern SGF files (file format 3 or 4) with few problems. It
attempts to preserve SGF properties which it doesn’t understand, and most common
SGF properties are handled fully. It is possible to view (and edit if you like) Kogo’s Joseki
Dictionary (http://waterfire.us/joseki.htm) with this plugin, although the load and save
times can be on the order of a minute or two on particularly slow devices. Large SGF
files may stop audio playback for the duration of the plugin’s run in order to free up
more memory and some very large SGF files will not even load on devices with little
available memory.
Note: The plugin does NOT support SGF files with multiple games in one file. These
are rare, but if you have one don’t even try it (the file will most likely be corrupted if
you save over it). You have been warned.
The file "/sgf/gbn def.sgf" is used by the plugin to store any unsaved changes in
the most recently loaded game. This means that if you forget to save your changes,
you should load "/sgf/gbn def.sgf" immediately to offload the changes to another
file. If you load another file first then your changes will be lost permanently. The
"/sgf/gbn def.sgf" file is also the file loaded if another is not selected.
The information panel which displays the current move number may also contain these
markers:
Mark Meaning
+ There are nodes after the current node in the SGF tree.
* There are sibling variations which can be navigated to using the Next Vari-
ation menu option of the Context Menu or the Rec button.
C There is a comment at the current node. It can be viewed/edited using the
Add/Edit Comment menu option of the Context Menu.

Controls

Up Move cursor up
Down Move cursor down
Left Move cursor left
Right Move cursor right
Navi Play a move (or use a tool if play-
mode has been changed).
Stop Retreat one node in the game tree
Play Advance one node in the game tree
A-B Main Menu
Long Navi Context Menu
Rec Go to the next variation when at the
first node in a branch
Menus
Main Menu. The main menu for game setup and access to other menus.
New. Create a new game with your choice of board size and handicaps.
Save. Save the current state of the game. It will be saved to "/sgf/gbn def.sgf"
unless otherwise set.
Save As. Save to a specified file.
Game Info. View and modify the metadata of the current game.
Playback Control. Control the playback of the current playlist and modify the
volume of your player.
Zoom Level. Zoom in or out on the board. If you set the zoom level, it will be
saved and used again the next time you open this plugin.
Options. Open the Options Menu.
Context Menu. Open the Context Menu which allows you to set play modes and
other tools.
Quit. Leave the plugin. Any unsaved changes are saved to "/sgf/gbn def.sgf".
Game Info. The menu for modifying game info (metadata) of the current game. This
information will be saved to the SGF file and can be viewed in almost all SGF
readers.
Basic Info. Shows a quick view of the basic game metadata, if any has been set
(otherwise does nothing). This option does not allow editing.
Time Limit. The time limit of the current game.
Overtime. The overtime settings of the current game.

Result. The result of the current game. This text must follow the format speci-
fied at http://www.red-bean.com/sgf/properties.html#RE to be read by other SGF
readers. Some examples are B+R (Black wins by resignation), B+5.5 (Black wins
by 5.5 points), W+T (White wins on Time).
Handicap. The handicap of the current game.
Komi. The komi of the current game (compensation to the white player for black
having the first move).
Ruleset. The name of the ruleset in use for this game. The NZ and GOE rulesets
include suicide as a legal move (for multi-stone suicide only); the rest do not.
Black Player. The name of the black player.
Black Rank. Black’s rank, in dan or kyu.
Black Team. The name of black’s team, if any.
White Player. The name of the white player.
White Rank. White’s rank, in dan or kyu.
White Team. The name of white’s team, if any.
Date. The date that this game took place. This text must follow the format
specified at http://www.red-bean.com/sgf/properties.html#DT to be read by other
SGF readers.
Event. The name of the event which this game was a part of, if any.
Place. The place that this game took place.
Round. If part of a tournament, the round number for this game.
Done. Return to the previous menu.
Options. Customize the behavior of the plugin in certain ways.

Show Child Variations? Enable this to mark child variations on the board if
there are more than one. Note: variations which don’t start with a move are not
visible in this way.
Disable Idle Poweroff ? Enable this if you do not want the player to turn off after
a certain period of inactivity (depends on your global Rockbox settings).
Idle Autosave Time. Set the amount of idle time to wait before automatically
saving any unsaved changes. These autosaves go to the file "/sgf/gbn def.sgf"
regardless of if you have loaded a game or used Save As to save the game before
or not. Set to Off to disable this functionality completely.
Automatically Show Comments? If this is enabled and you navigate to a node
containing game comments, they will automatically be displayed.
Context Menu. The menu for choosing different play modes and tools, adding or edit-
ing comments, adding pass moves, or switching between sibling variations.
Play Mode. Play moves normally on the board. If there are child moves from
the current node, this mode will let you follow variations by simply playing the
first move in the sequence. Unless it is following a variation, this mode will not
allow you to play illegal moves. This is the default mode before another is set after

loading a game or creating a new one.

Add Black Mode. Add black stones to the board as desired. These stones are not
moves and do not perform captures or count as ko threats.
Add White Mode. Add white stones to the board as desired. These stones are
not moves and do not perform captures or count as ko threats.
Erase Stone Mode. Remove stones from the board as desired. These removed
stones are not counted as captured, they are simply removed.
Pass. Play a single pass move. This does not change the mode of play.
Next Variation. If the game is at the first move in a variation, this will navigate
to the next variation after the current one. This is the only way to reach varia-
tions which start with adding or removing stones, as you cannot follow them by
”playing” the same move.
Force Play Mode. The same as Play Mode except that this mode will allow you to
play illegal moves such as retaking a ko immediately without a ko threat, suicide
on rulesets which don’t allow it (including single stone suicide), and playing a move
where there is already a stone.
Mark Mode. Add generic marks to the board, or remove them.
Circle Mode. Add circle marks to the board, or remove them.
Square Mode. Add square marks to the board, or remove them.
Triangle Mode. Add triangle marks to the board, or remove them.
Label Mode. Add one character labels to the board. Each label starts at the letter
’a’ and each subsequent application of a label will increment the letter. To remove
a label, click on it until it cycles through the allowed letters and disappears.
Add/Edit Comment. Add or edit a comment at the current node.
Done. Go back to the previous screen.
11.1.10 Invadrox
Figure 11.9: Invadrox
Invadrox is a clone of the classic arcade game Space Invaders. Kill those pesky aliens
before they get to you. Remember, they increase speed, drop down and reverse direction
after every pass!


Left and Right Move left and right
Play Fire
Stop Quit
11.1.11 Jackpot
WARNING! Image not found
Figure 11.10: Jackpot
This is a jackpot slot machine game. At the beginning of the game you have 20$. Payouts
are given when three matching symbols come up.

Navi Play
Stop Exit the game
11.1.12 Jewels
Figure 11.11: Jewels
Jewels is a simple yet addicting game which involves swapping pairs of jewels in order
to form connected segments of three or more of the same type.
The goal of the game is to score as many points as possible before running out of
available moves. Higher points are awarded to larger combos. The game advances to
the next level after every one hundred points and randomly clears several jewels.
In the mode puzzle the aim of the game is to connect the puzzles, by skilful swapping
pairs of jewels.


Left/Right/
Up/Down Move the cursor around the jewels
Navi Select a jewel
Stop Menu
11.1.13 MazezaM
Figure 11.12: MazezaM
The goal of this puzzle game is to escape a dungeon consisting of ten “mazezams”. These
are rooms containing rows of blocks which can be shifted left or right. You can move
the rows only by pushing them and if you move the rows carelessly, you will get stuck.
You can have another go by selecting “retry level” from the menu, but this will cost you
a life. You start the game with three lives. Luckily, there are checkpoints at levels four
and eight.

Up, Down, Move Character
Left, Right
Stop Stop Menu

11.1.14 Minesweeper
Figure 11.13: Minesweeper plugin
The classic game of minesweeper. Use the Up and Down keys to select the required
percentage of mines to set the difficulty then press the Navi key to begin.
The aim of the game is to uncover all of the squares on the board. If a mine is
uncovered then the game is over. If a mine is not uncovered, then the number of mines
adjacent to the current square is revealed. The aim is to use the information you are
given to work out where the mines are and avoid them. When the player is certain that
they know the location of a mine, it can be tagged to avoid accidentally “stepping” on
it.

Up / Down / Move the cursor across the minefield
Left / Right
Play / Rec Toggle flag on / off
Navi Reveal the contents of the current
square
A-B Display the current game status
Stop Stop Exit the game

11.1.15 Pacbox
Figure 11.14: Pacbox
Pacbox is an emulator of the Pacman arcade machine hardware. It is a port of PIE –

Pacman Instructional Emulator (http://www.ascotti.org/programming/pie/pie.htm).
ROMs
To use the emulator to play Pacman, you need a copy of ROMs for “Midway Pacman”.
Filename MD5 checksum
pacman.5e 2791455babaf26e0b396c78d2b45f8f6
pacman.5f 9240f35d1d2beee0ff17195653b5e405
pacman.6e 290aa5eae9e2f63587b5dd5a7da932da
pacman.6f 19a886fcd8b5e88b0ed1b97f9d8659c0
pacman.6h d7cce8bffd9563b133ec17ebbb6373d4
pacman.6j 33c0e197be4c787142af6c3be0d8f6b0
These need to be stored in the /.rockbox/pacman/ directory on your player. In the
MAME ROMs collection the necessary files can be found in pacman.zip and puckman.zip.
The MAME project itself can be found at http://www.mame.net.
Keys

Right Move Up
Left Move Down
Up Move Left
Down Move Right
Rec Insert Coin
Navi 1-Player Start
Play 2-Player Start
A-B Menu

11.1.16 Pegbox
Figure 11.15: pegbox
To beat each level, you must destroy all of the pegs. If two like pegs are pushed into
each other they disappear except for triangles which form a solid block and crosses which
allow you to choose a replacement block.

In game
Up, Down, to move around
Left, Right
Navi to choose peg

Play to restart level
A-B to go up a level
Rec to go down a level
Stop to quit
11.1.17 Pong
Figure 11.16: Pong

Pong is a simple two player “tennis game”. Whenever a player misses the ball the other
scores.

Up Left player up
Down Left player down
Play Right player up
A-B Right player down
Stop Quit
11.1.18 Robotfindskitten
Figure 11.17: Robotfindskitten
In this game, you are robot (#). Your job is to find kitten. This task is complicated
by the existence of various things which are not kitten. Robot must touch items to
determine if they are kitten or not. The game ends when robotfindskitten.

Up, Down, Move robot
Left, Right
Stop Stop Quit

11.1.19 Rockblox
Figure 11.18: Rockblox
Rockblox is a Rockbox version of the classic falling blocks game from Russia. The aim
of the game is to make the falling blocks of different shapes form full rows. Whenever
a row is completed, it will be cleared away, and you gain points. For every ten lines
completed, the game level increases, making the blocks fall faster. If the pile of blocks
reaches the ceiling, the game is over.

Play Restart game
Left Move left
Right Move right
Down Move down
Navi Rotate left
Up Rotate right
A-B Drop
Hold switch Pause
Stop Stop Quit
11.1.20 Rockblox1d
Rockblox1d is a game for people who find rockblox too hard. In this version the second
dimension is missing so the user only has to move the bricks down. No horizontal moving
anymore and no need to rotate the brick!

Navi Move down faster
Stop Quit

11.1.21 Rocklife
This an implementation of J. H. Conway’s Game of Life (see http://en.wikipedia.org/
wiki/Conway%27s Game of Life for a detailed description).
Rockbox can open files with a configuration description (.cells files). Just “play”
such file and the game configuration stored in it will be loaded into this plugin.
A .cells file is a text file. A capital ‘O’ marks a live cell, a dot marks a dead cell,
all other characters are ignored. Everything on a line starting with an exclamation sign
(and including it) is a comment and is ignored.
11.1.22 Sliding Puzzle
Figure 11.19: Sliding puzzle
The classic sliding puzzle game. Rearrange the pieces so that you can see the whole
picture, or switch to number tiles if you like it a little easier
Key controls:

Left, Right, Up Move Tile
and Down
Navi Shuffle
Play Change between picture and num-
bered tiles
Stop Stop Stop the game

11.1.23 Snake
Figure 11.20: Snake
This is the popular snake game. The aim is to grow your snake as large as possible by
eating the dots that appear on the screen. The game will end when the snake touches
either the borders of the screen or itself.

Up/Down Change levels (1 is slowest, 9 is
fastest)
Play Toggle Play/Pause
11.1.24 Snake 2
Figure 11.21: Snake 2 – The Snake Strikes Back
Another version of the Snake game. Move the snake around, and eat the apples that
pop up on the screen. Each time an apple is eaten, the snake gets longer. The game
ends when the snake hits a wall, or runs into itself.


In menu
Up / Down Set game speed
Right / Left Select starting maze
A-B Select game type (A or B)
Play Start the game
In game
Up / Down / Steer the snake
Left / Right
Play Pause and resume the game
Stop Quit
In game A, the maze stays the same, in game B after an increasing number of apples
eaten the maze is replaced by a new one.
11.1.25 Sokoban
Figure 11.22: Sokoban
The object of the game is to push boxes into their correct position in a crowded warehouse
with a minimal number of pushes and moves. The boxes can only be pushed, never
pulled, and only one can be pushed at a time.
Sokoban may be used as a viewer for viewing saved solutions and playing external
level sets with the .sok extension. Level sets should be in the standard Sokoban text
format or RLE (Run Length Encoded). For more information about the level format,
see http://sokobano.de/wiki/index.php?title=Level format


In game
Up, Down, Move the “sokoban” up, down, left,
Left, Right or right
Stop Stop Menu
Play+Down Back to previous level
Play Restart level
Play+Up Go to next level
Rec Undo last movement
A-B Redo previously undone move
Solution playback
Play Pause/resume
Up/Down Increase/decrease playback speed
Left/Right Go backward/forward (while
paused)
Stop Quit
Some places where can you can find level sets:
• http://www.sourcecode.se/sokoban/levels.php
• http://sokobano.de/en/levels.php
Note that some level sets may contain levels that are too large for this version of Sokoban
and are unplayable as a result.
11.1.26 Solitaire
Figure 11.23: Klondike solitaire
This is the classic Klondike solitaire game for Rockbox. This is probably the best-known
solitaire in the world. Many people do not even realize that other games exist. Though
the name may not be familiar, the game itself certainly is. This is due in no small part

to Microsoft’s inclusion of the the game in every version of Windows. Though popular,
the odds of winning are rather low, perhaps one in thirty hands.
For the full set of rules to the game, and other interesting information visit http:
//www.solitairecentral.com/rules/klondike.html

Up / Down / Move Cursor around.
Left / Right
Navi Select cards, move cards, reveal hid-
den cards...
A-B If a card was selected – unselect it,
else
Draw 3 new cards from the remains
stack
Play + Left Put the card from the top of the re-
mains stack on top of the cursor
Long Navi Put the card under the cursor on one
of the 4 final colour stacks.
Play + Right Put the card on top of the remains
stack on one of the final colour
stacks.
Stop Stop Show menu
11.1.27 Spacerocks
Figure 11.24: Spacerocks
Spacerocks is a clone of the old arcade game Asteroids. The goal of the game is to blow
up the asteroids and avoid being hit by them. Once in a while, a UFO will appear –
shoot this for extra points.


Navi Shoot
Up Thrust
Left/ Right Turn left/right
Down Teleport
Rec Pause game
Stop Stop Quit
11.1.28 Star
Figure 11.25: Star game
This is a puzzle game. It is actually a rewrite of Star, a game written by CDK designed
for the hp48 calculator.
Rules: Take all of the “o”s to go to the next level. You can switch control between
the filled circle, which can take “o”s, and the filled square, which is used as a mobile
wall to allow your filled circle to get to places on the screen it could not otherwise reach.
The block cannot take “o”s.

Left Move Left
Right Move Right
Up Move Up
Down Move Down
A-B Switch between circle and square
A-B+Left Previous level
A-B+Up Reset level
A-B+Right Next level
Stop Stop Exit the game

11.1.29 Sudoku
Figure 11.26: Sudoku
Sudoku in Rockbox can act as both a plugin and a viewer. When starting Sudoku from
the Browse Plugins menu, a random game will be generated automatically, and an
estimate of its difficulty (very easy, easy, medium, hard or fiendish) will be displayed
on the screen. New games can be generated from the Generate menu option. When
“playing” an existing Sudoku game file from Rockbox’ file browser the plugin is invoked
as viewer. The selected Sudoku will get loaded and you can start solving it. The sudoku
games need to be stored as text files with the extension .ss as single file per game.
You can create and save your own grids under the New menu option. Enter the menu
(as described in the key table below) when you have finished and enter the full path to
save to including the .ss extension (e.g. /sudoku/new.ss).
The scratchpad
When you play Sudoku on paper most people like to mark numbers in cells that are
possible candidates for the cells. This can be done with the scratchpad, shown as separate
column. Change the number under the cursor to the number you want to put on the
scratchpad and press the scratchpad button, the number will then be added. If the
number was already on the scratchpad it will get removed again. The column is stored
seperatly for every cell on the board. The stored values can be displayed inline as small
dots by enabling the Show Markings settings.
Note: The scratchpad is not saved when saving the game.
b


Up / Down / Move the cursor
Left / Right
Navi / Play Change number under the cursor
Long Play Constantly changing the number un-
der the cursor
A-B Open Menu
Rec Add/Remove number to scratchpad
Stop Quit
Some places where can you can find .ss files:
• Simple Sudoku (Advanced Puzzle Packs 1 and 2 located near the bottom of that
page): http://www.angusj.com/sudoku/
• Kjell’s Sudoku generator/solver: http://kjell.haxx.se/sudoku/
11.1.30 Wormlet
Figure 11.27: Wormlet game
Wormlet is a multi-worm game on a multi-threaded multi-functional Rockbox console.

You navigate a hungry little worm. Help your worm to find food and to avoid poisoned
argh-tiles. The goal is to turn your tiny worm into a big worm for as long as possible.
Menu controls:

Left / Right Controls number of worms in the
game
Game controls:


Left Turn left
Right Turn right
Up Turn Up
Down Turn Down
The game
Use the control keys of your worm to navigate around obstacles and find food. Worms
do not stop moving except when dead. Dead worms are no fun. Be careful as your worm
will try to eat anything that you steer it across. It won’t distinguish whether it is edible
or not.
Food. The small square hollow pieces are food. Move the worm over a food tile to eat
it. After eating the worm grows. Each time a piece of food has been eaten a new
piece of food will pop up somewhere. Unfortunately for each new piece of food
that appears two new “argh” pieces will appear, too.
Argh. An “argh” is a black square poisoned piece - slightly bigger than food - that
makes a worm say “Argh!” when run into. A worm that eats an “argh” is dead.
Thus eating an “argh” must be avoided under any circumstances. “Arghs” have
the annoying tendency to accumulate.
Worms. Thou shall not eat worms. Neither other worms nor thyself. Eating worms is
blasphemous cannibalism, not healthy and causes instant death. And it doesn’t
help anyway: the other worm isn’t hurt by the bite. It will go on creeping happily
and eat all the food you left on the table.
Walls. Don’t crash into the walls. Walls are not edible. Crashing a worm against a wall
causes it a headache it doesn’t survive.
Game over. The game is over when all worms are dead. The longest worm wins the
game.
Pause the game. Press Navi to pause the game. Press Navi again to resume the game.
Stop the game. There are two ways to stop a running game.
• If you want to quit Wormlet entirely simply hit Stop. The game will stop
immediately and you will return to the game menu.
• If you want to stop the game and still see the screen hit Play. This freezes
the game. If you hit Play button again a new game starts with the same
configuration. To return to the games menu you can hit Stop. A stopped
game can not be resumed.

The scoreboard
On the right side of the game field is the score board. For each worm it displays its
status and its length. The top most entry displays the state of worm 1, the second worm
2 and the third worm 3. When a worm dies its entry on the score board turns black.
Len: Here the current length of the worm is displayed. When a worm is eating food it
grows by one pixel for each step it moves.
Hungry: That’s the normal state of a worm. Worms are always hungry and want to eat.
It is good to have a hungry worm since it means that your worm is alive. But it is
better to get your worm growing.
Growing: When a worm has eaten a piece of food it starts growing. For each step it
moves over food it can grow by one pixel. One piece of food lasts for 7 steps. After
your worm has moved 7 steps the food is used up. If another piece of food is eaten
while growing it will increase the size of the worm for another 7 steps.
Crashed: This indicates that a worm has crashed against a wall.
Argh: If the score board entry displays “Argh!” it means the worm is dead because it
tried to eat an “argh”. Until we can make the worm say “Argh!” it is your job to
say “Argh!” aloud.
Wormed: The worm tried to eat another worm or even itself. That’s why it is dead
now. Making traps for other players with a worm is a good way to get them out
of the game.
Hints
• Initially you will be busy with controlling your worm. Try to avoid other worms
and crawl far away from them. Wait until they curl up themselves and collect the
food afterwards. Don’t worry if the other worms grow longer than yours - you can
catch up after they’ve died.
• When you are more experienced watch the tactics of other worms. Those worms
controlled by artificial stupidity head straight for the nearest piece of food. Let
the other worm have its next piece of food and head for the food it would probably
want next. Try to put yourself between the opponent and that food. From now
on you can ’control’ the other worm by blocking it. You could trap it by making
a 1 pixel wide U-turn. You also could move from food to food and make sure you
keep between your opponent and the food. So you can always reach it before your
opponent.

11.1.31 Xobox
Figure 11.28: Xobox
Xobox is a simple clone of the well known arcade game Qix. The aim of the game is to
section off parts of the arena with your trail in order to remove that section from the
game. Be careful not to get in the way of enemy balls because, if they hit you or your
trail, you lose a life. To finish a level you have to section off more than 75%.

Up, Down, Move around the arena
Left, Right
A-B Pause
Stop Open menu
11.2 Demos
11.2.1 Bounce
Figure 11.29: Bounce
This demo is of the word “Rockbox” bouncing across the screen. In Scroll mode the
bouncing text is replaced by a different one scrolling from right to left.


Up / Down Moves to next/previous option
Left / Right Increases/decreases option value
Navi Toggles Scroll mode
Stop Exits bounce demo
Available options are:
Xdist/Ydist. The distance to X axis and Y axis respectively
Xadd/Yadd. How fast the code moves on the sine curve on each axis
Xsane/Ysane. Changes the appearance of the bouncing.
11.2.2 Credits
The credits plugin scrolls the entire list of the names of all the Rockbox contributors after
displaying the Rockbox logo and version. This plugin is called when selecting Version
from the System section of the Rockbox main menu. Exit at any time by pressing Left
or Stop.
11.2.3 Cube
Figure 11.30: Cube
This is a rotating cube screen saver in 3D.


Navi Display at maximum frame rate
Play Pause
A-B Cycle draw mode
Right / Left Select axis to adjust
Up / Down Change speed/angle (speed can not
be changed while paused)
Stop Stop Quit
11.2.4 Demystify
Figure 11.31: Demystify
Demystify is a screen saver like demo.

Up / Down Increase / decrease speed
Right / Left Add / remove polygon
Stop Stop Quit

11.2.5 Fire
Figure 11.32: Fire
Fire is a demo displaying a fire effect.

Up / Down Increase / decrease number of flames
A-B Toggle flame type
Rec Toggle moving flames
Stop Stop Quit
11.2.6 Logo
Demo showing the Rockbox logo bouncing around the screen.

Right / Left Increase / decrease speed on the x-
axis
Up / Down Increase / decrease speed on the y-
axis
Stop Stop Quit

11.2.7 Mandelbrot
Figure 11.33: Mandelbrot
This demonstration draws fractal images from the Mandelbrot set using the greyscale
engine.

Direction keys Move about the image
Navi Zoom in
A-B Zoom out
Play+Left Decrease iteration depth (less detail)
Play+Right Increase iteration depth (more de-
tail)
Rec Reset and return to the default im-
age
Stop Stop Quit
11.2.8 Mosaique
Figure 11.34: Mosaique
This simple graphics demo draws a mosaic picture on the screen of the player. Press
Stop to quit.

11.2.9 Oscilloscope
Figure 11.35: Oscilloscope
This demo shows the shape of the sound samples that make up the music being played.
At faster speed rates, the player is less responsive to user input and music may start to
skip.
Keys

Navi Toggle filled / curve / plot
A-B Toggle whether to scroll or not
Rec Toggle drawing orientation
Play Pause the demo
Up / Down Increase / decrease volume
Right / Left Increase / decrease speed
Stop Stop Exit demo
11.2.10 PictureFlow
Figure 11.36: PictureFlow

PictureFlow provides a visualisation of your albums with their associated cover art. It is
possible to start playback of the selected album from PictureFlow. Playback will start
from the selected track.
Requirements
PictureFlow uses both the album art (see section C (page 152)) and database (see
section 4.2 (page 26)) features of Rockbox. It is therefore important that these are
working correctly before attempting to use PictureFlow. In addition, there are some
other points of which to be aware:
• PictureFlow will accept album art larger than the dimensions of the screen, but
the larger the dimensions, the longer they will take to scale.
Keys

Left / Right Scroll through albums
Up / Down Scroll through track list

Navi Enter track list / Play album from
selected track
Left Exit track list
A-B Enter menu
Stop Exit PictureFlow
Main Menu
Settings. Enter the settings menu.
Return. Exit menu.
Quit. Exit PictureFlow plugin.
Settings Menu
Show FPS. Displays frames per second on screen.
Spacing. The distance between the front edges of the side slides, i.e. changes the degree
of overlap of the side slides. A larger number means less overlap. Scales with
zoom.
Centre margin. The distance, in screen pixels, with zoom at 100, between the centre
and side slides. Scales with zoom.

Number of slides. Sets the number of slides at each side, including the centre slide.
Therefore if set to 4, there will be 3 slides on the left, the centre slide, and then 3
slides on the right.
Zoom. Changes the distance at which slides are rendered from the ”camera”.
Show album title. Allows setting the album title to be shown above or below the cover
art, or not at all.
Resize Covers. Set whether to automatically resize the covers or to leave them at their
original size.
Rebuild cache. Rebuild the PictureFlow cache. This is needed in order for PictureFlow
to pick up new albums, and may occasionally be needed if albums are removed.
11.2.11 Plasma
Figure 11.37: Plasma
Plasma is a demo displaying a 80’s style retro plasma effect.

Up / Down Adjust frequency
Stop Stop Quit

11.2.12 Snow
Figure 11.38: Have you ever seen snow falling?
This demo replicates snow falling on your screen. If you love winter, you will love this
demo. Or maybe not. Press Stop to quit.
11.2.13 Starfield
Figure 11.39: Starfield
Starfield simulation (like the classic screensaver).

Right / Left Increase / decrease number of stars
Up / Down Increase / decrease speed
Stop Stop Quit

11.2.14 VU meter
Figure 11.40: VU-Meter
This is a VU meter, which displays the volume of the left and right audio channels.
There are 3 types of meter selectable. The analogue meter is a classic needle style. The
digital meter is modelled after LED volume displays, and the mini-meter option allows
for the display of small meters in addition to the main display (as above). From the
settings menu the decay time for the meter (its memory), the meter type and the meter
scale can be changed.

Stop Stop Save settings and quit
Play Help
Navi Settings
Up Raise Volume
Down Lower Volume
11.3 Viewers
Viewers are plugins which are associated with specific file extensions. They cannot be
run directly but are started by “playing” the associated file. Viewers are stored in the
/.rockbox/rocks/viewers/ directory.
11.3.1 Shortcuts
The Shortcuts Plugin allows you to jump to places within the file browser without having
to navigate there manually. The plugin works with .link files. A .link file is just a
text file with every line containing the name of the file or the directory you want to
quickly jump to. All names should be full absolute names, i.e. they should start with a
/. Directory names should also end with a /.

How to create .link files

You can use your favourite text editor to create a .link file on the PC an then copy
the file to the player. Or you can use the context menu on either a file or a directory in
the file browser tree, and use the “Add to shortcuts” menu option. This will append a
line with the full name of the file or the directory to the shortcuts.link file in the root
directory of the player. (The file will be created if it does not exist yet.) You can later
rename the automatically created shortcuts.link file or move it to another directory
if you wish. Subsequent calls of the context menu will create it again.
How to use .link files, i.e. jump to desired places

To use a .link file just “play” it from the file browser. This will show you a list with the
entries in the file. Selecting one of them will then exit the plugin and leave you within
the directory selected, or with the file selected in the file browser. You can then play
the file or do with it whatever you want. The file will not be “played” automatically.
If the .link file contains only one entry no list will be shown, you will directly jump
to that location. The file shortcuts.link in the root directory is an exception. After
“playing” it, the list will be shown even if the file contains just one entry.
If the list you are seeing is from shortcuts.link in the root directory, you can delete
the selected entry by pressing A-B. Deleting entries from other .link files is not possible.
Advanced Usage
Placing the line “#Display last path segments=n” (where n is a number) in the beginning
of a .link file will leave just the last n segments of the entries when they are shown. For
example, if n is chosen to be 1, then the entry /MyMusic/collection/song.mp3 will be
shown as song.mp3. This allows you to hide common path prefixes.
You can also provide a custom display name for each entry individually. To do so,
append a tabulator character after the entry’s path followed by your custom name. That
name will then be used for showing the entry. For example:
Example
/MyMusic/collection/song.mp3<TAB>My favourite song!
11.3.2 Chip-8 Emulator

Chip8 is a kind of assembly language for a long-gone architecture. This plugin runs
games written using the chip8 instructions. To start a game open a .ch8 file in the File
Browser
There are lots of tiny Chip8 games (usually only about 256 bytes to a couple of
KB) which were made popular by the HP48 calculator’s emulator for them. The orig-
inal Chip8 had 64x32 pixel graphics, and the new superchip emulator supports 128x64
graphics.
The only problem is that they are based on a 4x4 keyboard, but since most games do
not use all of the buttons, this can easily be worked around.

To do this, one may put a .c8k file with the same name as the original program
which contains new key mappings (for BLINKY.ch8, one writes a BLINKY.c8k file). That
.c8k file contains 16 characters describing the mapping from the Chip8 keyboard to
the default key mapping (that way, several Chip8 keys can be pressed using only one
Rockbox key). For example, a file containing the single line:
Code
0122458469ABCDEF
would correspond to the following non-default mappings:

3 → 2, 6 → 8, 7 →4, 8 → 6.
The default keymappings are:
Chip8 Off 0 1 2 3 4 5 6 7 8 9 A B C D E F
Down
Right
Navi
Stop
Left
Key
Up
Some places where can you can find .ch8 files:

• The PluginChip8 page on www.rockbox.org has several attached: ZPluginChip8
• Check out the HP48 chip games section: http://www.hpcalc.org/hp48/games/chip/
• PC emulator by the guy who wrote the HP48 emulator: http://www.pdc.kth.se/
∼lfo/chip8/CHIP8.htm
• Links to other chip8 emulators: http://www.zophar.net/chip8.html
11.3.3 JPEG viewer

Open a JPEG file in the File Browser to view it using Rockbox’s greyscale library.
Note: When an audio file is playing the size of the image is limited as the decoding
process needs to share memory with audio tracks. To be able to view a bigger file you
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may need to stop playback.

Up / Down / Move around in zoomed in image
Left / Right
Navi Zoom in
A-B Zoom out
Play Next jpeg in directory
Rec Previous jpeg in directory
Stop Stop Show menu

The menu has the following entries.
Quit. Quits the viewer and returns to the File Browser.
Toggle Slideshow Mode. Enables or disables the slideshow mode.
Change Slideshow Timeout. You can set the timeout for the slideshow between 1 sec-
ond and 20 seconds.
Show Playback Menu. From the playback menu you can control the playback of the
currently loaded playlist and change the volume of your player.
Return. Returns you to the image
Note: Progressive scan and other unusual JPEG files are not supported, and will result
in various “unsupported xx” messages. Processing could also fail if the image is too big
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to decode which will be explained by a respective message.
11.3.4 Lua scripting language

To quote from the Lua website (http://www.lua.org), Lua is a “powerful, fast, lightweight,
embeddable scripting language”. Select a .lua file in the File Browser to run it. For
more information on programming in Lua, please see http://www.lua.org/manual/5.1/
and http://www.lua.org/pil/.
There are a few exceptions/additions to the Lua support in Rockbox:
No floating point support. The number type in Lua is usually float, however in the
Rockbox implementation it is integer.
Non-supported libraries. The coroutine, debug and math libraries are not supported.
Partially-supported libraries. The os and package libraries are only partially supported.
Additional libraries. The bitlib library is integrated to support bitwise operators. See
http://luaforge.net/projects/bitlib and http://lua-users.org/wiki/BitwiseOperators.
Documentation of the API is still a work in progress, and the API itself is not finalised.
For the latest information, see ZPluginLua.
Note: Please note that if a script does not provide a way to exit, then the only way to
exit will be to reset the player.
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11.3.5 Midiplay
To get MIDI file playback, a patchset is required. This file contains the instruments
required to synthesize the music. A sample patchset is available through the wiki at
ZPluginMidiPlay, and needs to be extracted to the .rockbox directory in the root of
your player. There should now be a /.rockbox/patchset/ directory, with the patchset

directory containing several .pat files and two .cfg files. Just select a MIDI file with
either the .mid or .midi extension in the file browser to start playback.

Up/ Down Volume up/ Volume down
Right/ Left Skip 3 seconds forward/ backward
Play Pause/Resume playback
Stop Stop playback and quit
11.3.6 MPEG Player

The Mpeg Player is a video player plugin capable of playing back MPEG-1 and MPEG-2
video streams with MPEG audio multiplexed into .mpg files.
To play a video file, you just select it in the Rockbox File Browser. If your file
does not have the .mpg extension but is encoded in the supported format, you will need
to use the Open With... context menu option and choose mpegplayer.

Play Pause / Resume
Stop Stop
Up / Down Adjust volume up / down
Left / Right Rewind / Fast Forward
A-B Open the MPEG Player menu
When a video file is selected, the start Menu will be displayed, unless it is disabled
via the option ”start menu” (see below). In the latter case the video will start playing
immediately - unless a resume point is found, in which case the resume menu is presented.
Start Menu
Play from beginning Resume information is discarded and the video plays from the
start.
Resume time (min): x.x Resume video playback at stored resume time x.x (start of the
video if no resume time is found).
Set start time (min) A preview screen is presented consisting of a thumbnail preview
and a progress bar where the user can select a start time by ’seeking’ through the
video. The video playback is started by pressing the select button.
Quit mpegplayer Exit the plugin.
Resume Menu

Yes (min): x.x Resume video playback at stored resume time x.x.
No Play video from the beginning.
Main Menu
Display Options Opens ”Display Options” submenu - see below.
Start Menu (default: on) Enable/disable the start menu.
Clear all resumes: x Discard all x resume points.
Quit mpegplayer Exit the plugin.
Display Options Menu
Dithering (default: off) Prevent banding effects in gradients by blending of colours.

(only available on Sansa e200, Sansa c200 and Gigabeat F/X)
Show FPS (default: off) This option displays (once a second - if your video is full-
screen this means it will get overwritten by the video and appear to flash once
per second) the average number of frames decoded per second, the total number
of frames skipped (see the Skip Frames option), the current time (in 100Hz ticks)
and the time the current frame is due to be displayed.
Limit FPS (default: on) With this option disabled, mpegplayer will display the video
as fast as it can. Useful for benchmarking.
Skip frames (default: on) This option causes mpegplayer to attempt to maintain real-
time playback by skipping the display of frames - but these frames are still decoded.
Disabling this option can cause loss of A/V sync.
See this page in the Rockbox wiki for information on how to encode your videos to
the supported format. ZPluginMpegplayer
11.3.7 Rockboy
Figure 11.41: Rockboy

Rockboy is a Nintendo Game Boy and Game Boy Color emulator for Rockbox based on
the gnuboy emulator. To start a game, open a ROM file saved as .gb or .gbc in the file
browser.
Default keys

Up / Down / Direction keys
Left / Right
Play A button
Stop B button
Rec Start
Navi Select
Hold switch Cycle display scaling modes
A-B Open Rockboy menu
Rockboy menu
Load Game. . . Loads a previously saved game.
Save Game. . . Saves your current state.
Options. . . Max Frameskip. Change frameskip setting to improve speed.

Sound. Toggle sound on or off.
Stats. Toggle showing fps and current frameskip.
Set Keys (BUGGY) Select this option to set a new keymapping.
Quit RockBoy. Quits the Rockboy plugin.
11.3.8 Search
This plugin can be used on playlists. It searches through the playlist that it opened
on looking for any occurrences of the string entered by the user. The results of this
search are saved to a new playlist, search results.m3u, within the same directory as
the original playlist.
11.3.9 Sort
This plugin takes a file and sorts it in ascending alphabetical order. Case is ignored.
This is useful for ordering playlists generated by the Create Playlist menu option
(see section 5.10 (page 44)).

11.3.10 Text Viewer

This is a Viewer for text files with word wrap. Just open a .txt file to display it. The
text viewer features controls to handle various styles of text formatting, has top-of-file
and bottom-of-file buttons. You can view files without a .txt extension by using Open
with from the Context Menu (see section 4.1.2 (page 23)).

Up Scroll-up
Down Scroll-down
Left Top of file (Narrow mode) / One
screen left (Wide mode)
Right Bottom of file (Narrow mode) / One
screen right (Wide mode)
Play+Up One line up
Play+Down One line down
Play+Left One column left
Play+Right One column right
Navi Toggle autoscroll
A-B Enter menu
Stop Stop Exit text viewer
The Viewer’s Menu

Quit Exits the plugin.
Viewer Options Encoding sets the codepage in the text viewer. Available settings:
UTF-8 (Unicode), BIG5 (Traditional Chinese), KSX-1001 (Korean), GB-
2312 (Simple Chinese), SJIS (Japanese), CP1250 (Central European), ISO-
8859-2 (Latin Extended), ISO-8859-9 (Turkish), ISO-8859-6 (Arabic), ISO-
8859-11 (Thai), CP1251 (Cyrillic), ISO-8859-8 (Hebrew), ISO-8859-7 (Greek),
ISO-8859-1 (Latin 1). This setting only applies to the plugin and is inde-
pendent from the Default Codepage setting (see section 8.4 (page 63)).
Word Wrap toggles between Wrap and Chop.
Off (Chop Words) breaks lines at white space or hyphen.
On breaks lines at the maximum column limit.
Line Mode cycles through Normal, Join and Expand and Reflow Lines.
Reflow Lines justifies the text fully.
Expand adds a blank line. Useful for making the paragraphs clearer in some
book style text files.
Join joins lines. Useful for adopting the orphans that occur with e-mail style
(i.e. pre-wrapped) text files.

Normal breaks lines at newline characters.

Wide View toggles between Narrow and Wide.
Yes sets maximum column to 114. Useful for navigating large files. (Cur-
rently, Wide and Join cannot be selected together.)
No (Narrow) sets maximum column to the screen width.
Show Scrollbar toggles scrollbar for the current View mode. If the file fits on one
screen, there is no scrollbar and toggling this setting has no effect.
On has a scrollbar by default, until toggled.
Off has no scrollbar by default, until toggled.
Overlap Pages toggles between Normal and Overlap.
Yes tells page-down/page-up to retain one line from previous screen.
No sets page-down/page-up to one full screen.
Scroll Mode controls the function of the “Scroll-up” and “Scroll-down” buttons.
Scroll by Line
Scroll by Page
Auto-scroll Speed controls the speed of auto-scrolling in number of lines per scroll
step, available options are 1 to 10 lines. As an example, a setting of 4 will
scroll up the text four lines per second.
Show Playback Menu controls the playback of the currently loaded playlist and change
the volume of your playerwithout leaving the plugin.
Return to the text view.
Note: The text viewer automatically saves its settings and also stores the current posi-
tion in the viewed text files (up to the last 46 files).
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Compatibility
• Currently messages are in English
• Does not currently support right-to-left languages.
11.3.11 VBRfix
This function scans a VBR (Variable Bitrate) MP3 file and updates/creates the Xing
VBR header. The Xing header contains information about the VBR stream used to
calculate average bit rate, time information and to more accurately fwd/rew in the
stream. This function is especially useful when the playback of a file skips, fwd/rew
does not work correctly or the time display is incorrect. To use this plugin, open the
Context Menu (see section 4.1.2 (page 23)) upon a .mp3 file and select Open With...
→ vbrfix.
Note: VBRfix can only run when music is turned off (since it uses the same memory as
the player) and can take a while to complete if run on big files.
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11.3.12 ZXBox
Figure 11.42: ZXBox
ZXBox is a port of the “Spectemu” ZX Spectrum 48k emulator for Rockbox (Zproject’s
homepage). To start a game open a tape file or snapshot saved as .tap, .tzx, .z80 or
.sna in the file browser.
Note: As ZXBox is a 48k emulator only loading of 48k z80 snapshots is possible.
b
Default keys
The emulator is set up for 5 different buttons: Up, Down, Left, Right and Jump/Fire.
Each one of these can be mapped to one key of the Spectrum Keyboard or they can be
used like a “Kempston” joystick. Per default the buttons, including an additional but
fixed menu button, are assigned as follows:

Up/Down/ Directional movement
Left/Right
Play Jump/Fire
A-B Open ZXBox menu
ZXBox menu
Vkeyboard. This is a virtual keyboard representing the Spectrum keyboard. Controls
are the same as in standard Rockbox, but you just press one key instead of entering
a phrase.
Play/Pause Tape. Toggles playing of the tape (if it is loaded).
Save Quick Snapshot. Saves snapshot into /.rockbox/zxboxq.z80.
Load Quick Snapshot. Loads snapshot from /.rockbox/zxboxq.z80.

Save Snapshot. Saves a snapshot of the current state. You would enter the full path and
desired name - for example /games/zx/snapshots/chuckie.sna. The snapshot
format will be chosen after the extension you specified, per default .z80 will be
taken in case you leave it open.
Toggle Fast Mode. Toggles fastest possible emulation speed (no sound, maximum frameskip
etc.). This is Useful when loading tapes with some specific loaders.
Options. Map Keys To Kempston. Controls whether the player’s buttons should sim-
ulate a “Kempston” joystick or some assigned keys of the Spectrum keyboard.
Display Speed. Toggle displaying the emulation speed (in percent).
Invert Colors. Inverts the Spectum colour palette, sometimes helps visibility.
Frameskip Sets the number of frames to skip before displaying one. With zero
frameskip ZXBox tries to display 50 frames per second.
Sound. Turns sound on or off.
Volume. Controls volume of sound output.
Predefined Keymap Select one of the predefined keymaps. For example 2w90z
means: map ZXBox’s Up to 2, Down to w, Left to 9, Right to 0 and
Jump/Fire to z. This example keymap is used in the “Chuckie Egg” game.
Custom Keymap This menu allows you to map one of the Spectrum keys acces-
sible through the plugin’s virtual keyboard to each one of the buttons.
Quit. Quits the emulator..
Hacking graphics
Due to ZXBox’s simple (but fast) scaling to the screen by dropping lines and columns
some games can become unplayable. It is possible to hack graphics to make them better
visible with the help of an utility such as the “Spectrum Graphics Editor”. Useful tools
can be found at the “World of Spectrum” site (http://www.worldofspectrum.org/utilities.
html).
11.4 Applications
11.4.1 Battery Benchmark
The Battery Benchmark plugin enables you to test your battery’s performance whilst
using your player normally. Results can be submitted to the ZBatteryRuntime wiki
page.
How it works
Once loaded, Battery Benchmark runs in the background recording various informa-
tion about your battery to memory. A new point is written to memory every minute.

Every time the disk is accessed for any reason (such as refilling the audio buffer, open-
ing a directory or entering USB mode etc.) then the information in memory is written
to disk. Once the memory becomes full (after many hours), then the data are written
to disk anyway. This is done so that the data are not biased by excessive additional
disk accesses. The file is written to the root directory of your player and is called
battery bench.txt. The plugin will continue to log info until:
• Another plugin is loaded.
• The player is shut down.
• The battery is empty.
Benchmarks can be resumed if you accidentally load a plugin, or turn off your player,
so long as the log file battery bench.txt is not deleted.
Information explained
At the top of the battery bench.txt file is various information on how to use the plugin,
followed by the data themselves.
Time This column reports the total time of operation of the player. It is not the time
that you started the plug-in. If you have your player on for 5 minutes and then
start the plugin, it will start measuring from 5 minutes.
Seconds The same as Time, except measured in seconds.
Level The percent level of the battery estimated by Rockbox, and not the actual battery
level. The actual battery level can be seen from the Voltage column
Time Left This shows the time remaining until the battery is empty, again as estimated
by Rockbox.
Voltage The battery voltage in mV at the moment the measurement was taken.
C This stands for Charger. An ”A” in that column shows if the power adapter was
attached to the unit at the time of the measurement.
U USB powered. Only for targets that support this. A ”U” will indicate if the unit was
using the USB port for power at the time of the measurement.
Usage
The log file can be used to tell you how long the battery lasted (with some limitations, see
below), but it is most useful for graphing discharge curves in order to improve Rockbox’s
estimation of battery level and time remaining. The battery log (battery bench.txt)
is in CSV format (comma separated variables) and thus can be easily imported into a
spreadsheet or similar program.

Limitations
As Battery Benchmark needs to write the data held in memory to disk in order to
save them, it is possible that should Rockbox shut down due to low battery then there
will not be enough power remaining to write the data to disk. Therefore all measurements
since the previous save will be lost.
11.4.2 Calculator
Figure 11.43: Calculator
This is a simple scientific calculator for use on the player. It works like a standard
calculator. Pressing the “1st” and “2nd” buttons will toggle between other available
math functions.

Left / Right / Move around the keypad
Up / Down
Navi Select a button
Rec Delete last entered digit or clear af-
ter calculation
A-B Cycle through the 4 basic operators
Play Calculate
Stop Stop Quit

11.4.3 Chess Clock
Figure 11.44: Chess Clock
The chess clock plugin is designed to simulate a chess clock, but it can be used in any
kind of game with up to ten players.
Setup

Right / Left Increase / decrease displayed Value
Play Move to next screen
Stop Move to previous screen
• First enter the number of players (1–10)
• Then set the total game time in mm:ss
• Then the maximum round time is entered. For example, this could be used to play
Scrabble for a maximum of 15 minutes each, with each round taking no longer
than one minute.
• Done. Player 1 starts in paused mode.
While playing
The number of the current player is displayed on the top line. The time below is the
time remaining for that round (and possibly also the total time left if different).
Keys are as follows:


Navi Exit plugin
Stop Restart round for the current player
Play Pause the time (press again to con-
tinue)
Right Switch to next player
Left Switch to previous player
Rec Open menu (Play to select.)
From the menu it is possible to delete a player, modify the round time for the current
player or set the total time for the game. When the round time is up for a player the
message “ROUND UP!” is shown (press NEXT to continue). When the total time is up
for a player the message “TIME UP!”is shown. The player will then be removed from
the timer.
11.4.4 Disk Tidy

Disk Tidy deletes junk files left behind by Windows, Linux or OS X after a USB connec-
tion. Select the OS’s files you want to delete in the ’Files to Clean’ menu and select ’Start
Cleaning’ to begin to process. The settings are stored in .rockbox/rocks/apps/disktidy.config,
in a plain text file that is user-modifiable to allow more entries to be added.
Available Options
All selects all Linux, OS X, and Windows files.
None deselects all file options.
Linux selects Linux files. Default files are .dolphinview, .d3lphinview, and .Trash-*/.
Windows selects Windows files. Default files are Thumbs.db, RECYCLE.BIN, Desktop.ini,
/Recycled and /System Volume Information.
Mac selects OS X files. Default files are . *, .DS Store and /.Trashes.
Other selects additional files added in by the user.

Left or Stop Stop Exit / Abort

11.4.5 Keybox
Keybox is an encrypted password storage using the “Tiny Encryption Algorithm” with
a key derived using md5.
Using Keybox
To get started, start up the plugin and select Enter Keybox. The first time you enter
Keybox you will be prompted for a master password and for confirmation of the master
password. The master password is the password that you must use to access your stored
passwords.
Once inside, enter the context menu by pressing Long Navi. From the context menu
you can create new entries, delete entries and edit entries. Each entry has a “title”, a
“user name” and a “password”.
Selecting Reset Keybox from the main menu will delete the current list of passwords
and a new, empty list will be created the next time you select Enter Keybox after
prompting for a new master password. Entries are automatically saved when the plugin
is exited.
11.4.6 Lamp
Lamp is a simple plugin to use your player as a lamp (flashlight, torch). You get an
empty screen with maximum brightness.

Stop Stop Quit
11.4.7 md5sum
Open a file, a directory or just launch it from the plugin menu to create an md5sum of
the file, the directory’s contents or the whole filesystem. If the file’s extension is .md5 or
.md5sum, it will check the md5 sums in the file instead. If the file’s extension is .md5list
it will compute md5 sums for all the files listed.
11.4.8 Metronome
This plugin can be used as a metronome to keep time during music practice. Adjust the
tempo through the interface or by tapping it out on the appropriate button.


Stop Exit plugin
Play Start / Stop
Navi Tap tempo
Left / Right Adjust tempo
Up / Down Adjust volume
11.4.9 Random Folder Advance Configuration

This plugin is used to configure the folders which will be considered when the Auto-
Change Directory feature is set to Random.
Menu
Generate Folder List Generates a list of all folders found on the player. You can filter
the directories which are scanned by creating a file called
/.rockbox/folder advance dir.txt. Only the directories in this file and any
contained directories will be scanned. You can have up to 10 directories ignored
by the scan by placing a minus sign before them in the list (i.e. -/CDs will cause
everything in the /CDs directory to be ignored.). If you just want /CDs to be
ignored but want to include the folders within it you need to have both -/CDs and
CDs as entries.
Edit Folder List Enter the folder list editor
Export List To Textfile Exports the list to /.rockbox/folder advance list.txt
Import List From Textfile Imports the list from /.rockbox/folder advance list.txt
Play Shuffled Starts playback with the selected directories in random order. Tracks
within a directory will be played in normal order. The plugin will exit after starting
playback.
Quit

Folder List Editor Keys

Navi or Right Navi Delete selected folder
Long Navi Long Navi Bring up the context menu which
allows you to remove the selected
folder or it’s entire folder tree
Left or Stop Stop Exit
11.4.10 Stats
Figure 11.45: The stats-plugin
The stats-plugin simply counts the number of files, music files and directories on your
player. Press Stop to abort counting and exit the plugin. Press it again to quit after
counting has finished.
11.4.11 Stopwatch
Figure 11.46: Stopwatch
A simple stopwatch program with support for saving times.


Stop Stop Quit Plugin
Navi Start / stop
Down Reset timer (only when timer is
stopped)
Play Take lap time
Left / Right Scroll through lap times
11.4.12 Text Editor

This plugin allows you to view and edit simple text documents on your DAP. You can
view files by using Open with from the Context Menu (see section 4.1.2 (page 23)).
Usage
If you start the Text Editor from the plugin browser you will be greeted with a blank
screen. When started from the Open with menu item your file should be shown on the
screen. You can now edit the file. The Text Editor is line based. This means you can
edit one line at a time using the Virtual Keyboard (see section 4.1.3 (page 25)).
• Move the selection bar to the line you want to edit.
• Edit the highlighted text line or insert a new one using the Item Menu.
• When finished editing exit the Text Editor. You’ll be shown a list of save options.
Note: When you have not changed the file the Text Editor will quit immediately.
b
Navi or Right Navi Edit Line / Select Character
Left or Stop Stop Exit / Abort Editing
A-B A-B Show Item Menu
Long Navi Long Navi Delete Line

Chapter 12. Advanced Topics 133
12 Advanced Topics
12.1 Customising the User Interface
12.1.1 Getting Extras
Rockbox supports custom fonts. A collection of fonts is available for download in the
font package at http://www.rockbox.org/daily.shtml.
12.1.2 Loading Fonts

Rockbox can load fonts dynamically. Simply copy the .fnt file to the player and “play”
it in the File Browser. If you want a font to be loaded automatically every time you
start up, it must be located in the /.rockbox/fonts directory and the filename must
be at most 24 characters long. You can browse the fonts in /.rockbox/fonts under
Settings → Theme Settings → Font in the Main Menu.
Note: Advanced Users Only: Any BDF font file up to 16 pixels high should be usable
with Rockbox. To convert from .bdf to .fnt, use the convbdf tool. This tool can be
b
found in the tools directory of the Rockbox source code.
12.1.3 Loading Languages

Rockbox can load language files at runtime. Simply copy the .lng file (do not use
the .lang file) to the player and “play” it in the Rockbox directory browser or select
Settings → General Settings → Language from the Main Menu.
Note: If you want a language to be loaded automatically every time you start up, it
must be located in the /.rockbox/langs directory and the filename must be a maximum
b
of 24 characters long.
If your language is not yet supported and you want to write your own language file
find the instructions on the Rockbox website: ZLangFiles
12.1.4 Loading Backdrops

Rockbox supports showing an image as a backdrop in the File Browser and the menus.
The backdrop image must be a .bmp file of the exact same dimensions as the display in
your player (160x128x2 with the last number giving the colour depth in bits). To use an
image as a backdrop browse to it in the File Browser and open the Context Menu
(see section 4.1.2 (page 23)) on it and select the option Set As Backdrop. If you want
rockbox to remember your backdrop the next time you start your player the backdrop
must be placed in the /.rockbox/backdrops directory.

12.2 Configuring the WPS

12.2.1 WPS – General Info
Description: The WPS or While Playing Screen is the name used to describe
the information displayed on the player’s screen whilst an audio track is being
played. The default WPS is a relatively simple screen displaying Track name,
Artist, Album etc. in the default font as a purely text based layout. There are
a number of WPS files included in Rockbox, and you can load one of these at
any time by selecting it in Settings → Theme Settings → While Playing
Screen. There is a related option to browse .rwps files for player’s with LCD
remote controls installed. This will load a similar WPS screen for the remote.
Note: “Playing” a .wps from the File Browser has the same effect.
b
File Location: Custom WPS files may be located anywhere on the drive. The only
restriction is that they must end in .wps. When you “play” a .wps file, it will
be used for future WPS screens, and if the “played” .wps file is located in the
/.rockbox/wps directory, it will be remembered and used after reboot. The name
of the .wps file must be no more than 24 characters long for it to be remembered.
12.2.2 WPS – Build Your Own

Quite simply, enter the WPS code in your favourite text editor, Notepad on Windows
works fine. When you save it, instead of saving it as a .txt file, save it as a .wps
file. Example: Instead of Rockbox.txt, save the file as Rockbox.wps. To make sure non
english characters display correctly in your WPS you must save the .wps file with UTF-8
character encoding. This can be done in most editors, for example Notepad in Windows
2000 or XP (but not in 9x/ME) can do this. See appendix section B (page 143) for all
the tags that are available.
• All characters not preceded by % are displayed as typed.
• Lines beginning with # are comments and will be ignored.
• Maximum file size used is 1600 bytes. If you have a bigger WPS file, only the first
part of it will be loaded and used.
Note: Keep in mind that your player resolution is 160x128x2 (with the last number
giving the colour depth in bits) when designing your own WPS, or if you use a WPS
b
designed for another target. The resolution of the remote is 128x64x1 pixels.
Conditional Tags
If/else: Syntax: %?xx<true|false>
If the tag specified by “xx” has a value, the text between the “<” and the “|” is
displayed (the true part), else the text between the “|” and the “>” is displayed

(the false part). The else part is optional, so the “|” does not have to be specified
if no else part is desired. The conditionals nest, so the text in the if and else part
can contain all % commands, including conditionals.
Enumerations: Syntax: %?xx<alt1|alt2|alt3|...|else>

For tags with multiple values, like Play status, the conditional can hold a list of
alternatives, one for each value the tag can have. Example enumeration:
Example
%?mp<Stop|%Play|Pause|Ffwd|Rew>
The last else part is optional, and will be displayed if the tag has no value. The
WPS parser will always display the last part if the tag has no value, or if the list
of alternatives is too short.
Next Song Info

You can display information about the next song – the song that is about to play after
the one currently playing (unless you change the plan).
If you use the upper-case versions of the three tags: F, I and D, they will instead refer
to the next song instead of the current one. Example: %Ig is the genre name used in
the next song and %Ff is the mp3 frequency.
Note: The next song information will not be available at all times, but will most likely
be available at the end of a song. We suggest you use the conditional display tag a lot
b
when displaying information about the next song!
Alternating Sublines
It is possible to group items on each line into 2 or more groups or “sublines”. Each subline
will be displayed in succession on the line for a specified time, alternating continuously
through each defined subline.
Items on a line are broken into sublines with the semicolon ’;’ character. The display
time for each subline defaults to 2 seconds unless modified by using the ’%t’ tag to
specify an alternate time (in seconds and optional tenths of a second) for the subline to
be displayed.
Subline related special characters and tags:
; Split items on a line into separate sublines
%t Set the subline display time. The ’%t’ is followed by either integer seconds (%t5),
or seconds and tenths of a second (%t3.5).
Each alternating subline can still be optionally scrolled while it is being displayed, and
scrollable formats can be displayed on the same line with non-scrollable formats (such
as track elapsed time) as long as they are separated into different sublines. Example
subline definition:

Example
%s%t4%ia;%s%it;%t3%pc %pr : Display id3 artist for 4 seconds,
Display id3 title for 2 seconds,
Display current and remaining track time
for 3 seconds,
repeat...
Conditionals can be used with sublines to display a different set and/or number of
sublines on the line depending on the evaluation of the conditional. Example subline
with conditionals:
Example
%?it<%t8%s%it|%s%fn>;%?ia<%t3%s%ia|%t0>
The format above will do two different things depending if ID3 tags are present. If
the ID3 artist and title are present:
• Display id3 title for 8 seconds,
• Display id3 artist for 3 seconds,
• repeat. . .
If the ID3 artist and title are not present:
• Display the filename continuously.
Note that by using a subline display time of 0 in one branch of a conditional, a subline
can be skipped (not displayed) when that condition is met.
Using Images
You can have as many as 52 images in your WPS. There are various ways of displaying
images:
1. Load and always show the image, using the %x tag
2. Preload the image with %xl and show it with %xd. This way you can have your
images displayed conditionally.
3. Load an image and show as backdrop using the %X tag. The image must be of the
same exact dimensions as your display.
Example on background image use:

Example
%X|background.bmp|
The image with filename background.bmp is loaded and used in the WPS.
Example on bitmap preloading and use:

Example
%x|a|static_icon.bmp|50|50|
%xl|b|rep off.bmp|16|64|
%xl|c|rep all.bmp|16|64|
%xl|d|rep one.bmp|16|64|
%xl|e|rep shuffle.bmp|16|64|
%?mm<%xdb|%xdc|%xdd|%xde>
Four images at the same x and y position are preloaded in the example. Which image
to display is determined by the %mm tag (the repeat mode).
Example File
Example
%s%?in<%in - >%?it<%it|%fn> %?ia<[%ia%?id<, %id>]>
%pb%pc/%pt
That is, “tracknum – title [artist, album]”, where most fields are only displayed if avail-
able. Could also be rendered as “filename” or “tracknum – title [artist]”.
12.3 Managing Rockbox Settings

12.3.1 Introduction to .cfg Files.
Rockbox allows users to store and load multiple settings through the use of configuration
files. A configuration file is simply a text file with the extension .cfg.
A configuration file may reside anywhere on the disk. Multiple configuration files are
permitted. So, for example, you could have a car.cfg file for the settings that you use
while playing your jukebox in your car, and a headphones.cfg file to store the settings
that you use while listening to your player through headphones.
See section 12.3.2 (page 137) below for an explanation of the format for configuration
files. See section 12.3.3 (page 138) for an explanation of how to create, edit and load
configuration files.
12.3.2 Specifications for .cfg Files.

The Rockbox configuration file is a plain text file, so once you use the Save .cfg file
option to create the file, you can edit the file on your computer using any text editor
program. See Appendix section D (page 154) for available settings. Configuration files
use the following formatting rules:
1. Each setting must be on a separate line.
2. Each line has the format “setting: value”.
3. Values must be within the ranges specified in this manual for each setting.

4. Lines starting with # are ignored. This lets you write comments into your config-
uration files.
Example of a configuration file:

Example
volume: 70
bass: 11
treble: 12
balance: 0
time format: 12hour
volume display: numeric
show files: supported
wps: /.rockbox/car.wps
lang: /.rockbox/afrikaans.lng
Note: As you can see from the example, configuration files do not need to contain all of
the Rockbox options. You can create configuration files that change only certain settings.
b
So, for example, supppose you typically use the player at one volume in the car, and
another when using headphones. Further, suppose you like to use an inverse LCD when
you are in the car, and a regular LCD setting when you are using headphones. You could
create configuration files that control only the volume and LCD settings. Create a few
different files with different settings, give each file a different name (such as car.cfg,
headphones.cfg, etc.), and you can then use the Browse .cfg files option to quickly
change settings.
A special case configuration file can be used to force a particular setting or settings
every time Rockbox starts up (e.g. to set the volume to a safe level). Format a new
configuration file as above with the required setting(s) and save it into the /.rockbox
directory with the filename fixed.cfg.
12.3.3 The Manage Settings menu

The Manage Settings menu can be found in the Main Menu. The Manage Set-
tings menu allows you to save and load .cfg files.
Browse .cfg Files Opens the File Browser in the /.rockbox directory and displays
all .cfg (configuration) files. Selecting a .cfg file will cause Rockbox to load
the settings contained in that file. Pressing Left will exit back to the Manage
Settings menu. See the Write .cfg files option on the Manage Settings
menu for details of how to save and edit a configuration file.
Reset Settings This wipes the saved settings in the player and resets all settings to
their default values.
Note: You can also reset all settings to their default values by turning off the
player, turning it back on, and holding the Rec button immediately after the
b
player turns on.

Save .cfg File This option writes a .cfg file to your player’s disk. The configuration
file has the .cfg extension and is used to store all of the user settings that are
described throughout this manual.
Hint: Use the Save .cfg File feature (Main Menu → Manage Settings) to
save the current settings, then use a text editor to customize the settings file. See
Appendix section D (page 154) for the full reference of available options.
Save Sound Settings This option writes a .cfg file to your player’s disk. The config-
uration file has the .cfg extension and is used to store all of the sound related
settings.
Save Theme Settings This option writes a .cfg file to your player’s disk. The config-
uration file has the .cfg extension and is used to store all of the theme related
settings.
12.4 Firmware Loading

12.4.1 Using ROLO (Rockbox Loader)
Rockbox is able to load and start another firmware file without rebooting. You just
“play” a file with the extension .iriver. This can be used to test new firmware
versions without deleting your current version.

Appendix A. File formats 140

A File formats
A.1 Supported file formats
Icon File Type Extension Action when selected

Directory none Enter the directory
Audio file various Start playing the file and show the
(see A.2) WPS
Cuesheet .cue View the cuesheet file
Playlist .m3u, .m3u8 Load the playlist and start playing
the first file
Rockbox firmware .iriver Load the new firmware with ROLO
While Playing Screen .wps Load the new WPS display config-
uration
Language File .lng Load the language file
Text File .txt Display the text file using the text
viewer plugin
Configuration File .cfg Load the settings file
Font .fnt Change the user interface font to
this one
Plugin .rock Start the plugin
Chip8 game .ch8 Play the Chip8 game
Image .jpg View the JPEG image
Video .mpg, .mpeg, Play the MPEG1/2 video
.mpv, .m2v
FM Presets .fmr Load the FM Presets (previous are
discarded)
Voice file .voice Allow Rockbox to speak menus
Bookmark .bmark Display all bookmarks for an audio
file
Link .link Display list of target files and di-
rectories; selecting one jumps to
the target. See section 11.3.1
(page 114).
Game of Life .cells Show the configuration with the
“Rocklife” plugin

A.2 Supported audio formats
Format Extension Notes

Lossy codecs
MPEG audio .mp1, .mpa,
.mp2, .mp3
OGG/Vorbis .ogg, .oga Some old “floor 0” files may crash
Rockbox.
Musepack .mpc
Advanced Audio Coding .m4a, .m4b,
.mp4
Windows Media Audio .wma, .wmv,
.asf
ATSC A/52 .a52, .ac3 Supports downmixing for playback
of 5.1 streams in stereo.
ADX .adx
Speex .spx
Lossless codecs
Waveform audio format .wav
Audio Interchange File Format .aif, .aiff
Free Lossless Audio .flac
Apple Lossless .m4a, .mp4
Wavpack .wv
Shorten .shn Seeking not supported.
Monkey’s Audio .ape, .mac -c1000 and -c2000 files decode fast
enough to be useful.
Other codecs
Sound Interface Device .sid
MOD .mod
NES Sound Format .nsf, .nsfe
SPC700 .spc
Atari SAP .sap

Appendix B. WPS Tags 143
B WPS Tags
B.1 Status Bar
Tag Description
%we Display Status Bar
%wd Hide Status Bar
These tags override the player setting for the display of the status bar. They must be
noted on their own line (which will not be shown in the WPS).
B.2 Information from the track tags
Tag Description
%ia Artist
%ic Composer
%id Album Name
%ig Genre Name
%in Track Number
%it Track Title
%iv ID3 version (1.0, 1.1, 2.2, 2.3, 2.4, or empty if not an ID3 tag)
%iy Year
Remember that this information is not always available, so use the conditionals to show
alternate information in preference to assuming.
These tags, when written with a capital “I” (e.g. %Ia or %Ic), produce the information
for the next song to be played.

B.3 Power Related Information
Tag Description
%bl Numeric battery level in percents
Can also be used in a conditional: %?bl<-1|0|1|2|...|N>, where the value −1
is used when the battery level isn’t known (it usually is)
%bv The battery level in volts
%bt Estimated battery time left
%bp “p” if the charger is connected (only on targets that can charge batteries)
%bc “c” if the unit is currently charging the battery (only on targets that have
software charge control or monitoring)
%bs Remaining time of the sleep timer (if it is set)
B.4 Information about the file
Tag Description
%fb File Bitrate (in kbps)
%fc File Codec (e.g. “MP3” or “FLAC”). This tag can also be used in a condi-
tional tag, %?fc<mp1|mp2|mp3|aiff|wav|ogg|flac|mpc|a52|wavpack|alac|aac-
|shn|sid|adx|nsf|speex|spc|ape|wma|mod|sap|unknown>.
The codec order is as follows: MP1, MP2, MP3, AIFF, WAV, Ogg Vorbis
(OGG), FLAC, MPC, AC3, WavPack (WV), ALAC, AAC, Shorten (SHN),
SID, ADX, NSF, Speex, SPC, APE, WMA, MOD, SAP.
%ff File Frequency (in Hz)
%fm File Name
%fn File Name (without extension)
%fp File Path
%fs File Size (in Kilobytes)
%fv “(avg)” if variable bit rate or empty string if constant bit rate
%d1 First directory from the end of the file path
%d2 Second directory from the end of the file path
%d3 Third directory from the end of the file path
Example for the %dN commands: If the path is “/Rock/Kent/Isola/11 - 747.mp3”, %d1
is “Isola”, %d2 is “Kent” and %d3 is “Rock”.
These tags, when written with the first letter capitalized (e.g. %Fn or %D2), produce
the information for the next file to be played.

B.5 Playlist/Song Info
Tag Description
%pb Progress Bar
This will replace the entire line with a progress bar.
You can set the height, position and width of the progressbar (in pixels):
%pb|height|leftpos|rightpos|toppos|
%px Percentage Played In Song
%pc Current Time In Song
%pe Total Number of Playlist Entries
%pm Peak Meter. The entire line is used as volume peak meter.
%pn Playlist Name (without path or extension)
%pp Playlist Position
%pr Remaining Time In Song
%ps “s” if shuffle mode is enabled
%pt Total Track Time
%pv Current volume (in dB). Can also be used in a conditional:
%?pv<0|1|2|...|N>
0 is used for mute, the last option is used for values greater than zero.
B.6 Runtime Database
Tag Description
%rp Song playcount
%rr Song rating (0-10). This tag can also be used in a conditional tag:
%?rr<0|1|2|3|4|5|6|7|8|9|10>
B.7 Sound (DSP) settings
Tag Description
%Sp Current playback pitch
%xf Crossfade setting, in the order: Off, Shuffle, Skip, Always
%rg ReplayGain value in use (x.y dB). If used as a conditional, Replaygain type in
use: %?rg<Off|Track|Album|TrackShuffle|AlbumShuffle|No tag>

B.8 Hold Switches
Tag Description
%mh “h” if the main unit hold switch is on
%mr “r” if the remote hold switch is on
B.9 Virtual LED
Tag Description
%lh “h” if the hard disk is accessed
B.10 Repeat Mode
Tag Description
%mm Repeat mode, 0-4, in the order: Off, All, One, Shuffle
Example: %?mm<Off|All|One|Shuffle|A-B>
B.11 Playback Mode Tags
Tag Description
%mp Play status, 0-4, in the order: Stop, Play, Pause, Fast Forward, Rewind
Example: %?mp<Stop|Play|Pause|Ffwd|Rew>
B.12 Changing Volume
Tag Description
%mv[t] “v” if the volume is being changed

The tag produces the letter “v” while the volume is being changed and some amount of
time after that, i.e. after the volume button has been released. The optional parameter
t specifies that amount of time, in seconds. If it is not specified, 1 second is assumed.
The tag can be used as the switch in a conditional tag to display different things
depending on whether the volume is being changed. It can produce neat effects when
used with conditional viewports.
Example: %?mv2.5<Volume changing|%pv>
The example above will display the text “Volume changing” if the volume is being
changed and 2.5 secs after the volume button has been released. After that, it will
display the volume value.
B.13 Settings
Tag Description
%St|<setting name>| The value of the Rockbox setting with the specified name.
See section D (page 154) for the list of the available settings.
Examples:
1. As a simple tag: %St|skip length|
2. As a conditional: %?St|eq enabled|<Eq is enabled|Eq is disabled>

B.14 Images
Tag Description
%X|filename.bmp| Load and set a backdrop image for the WPS. This
image must be exactly the same size as your LCD.
%P|filename.bmp| Load a Progress Bar image for the WPS. Use %pb
tag to show the progress bar
%x|n|filename|x|y| Load and display an image
n: image ID (a-z and A-Z) for later referencing in
%xd
filename: file name relative to /.rockbox/ and
including “.bmp”
x: x coordinate
y: y coordinate.
%xl|n|filename|x|y|[nimages|] Preload an image for later display (useful for when
your images are displayed conditionally)
n: image ID (a-z and A-Z) for later referencing in
%xd
filename: file name relative to /.rockbox/ and
including “.bmp”
x: x coordinate
y: y coordinate
nimages: (optional) number of sub-images (tiled
vertically, of the same height) contained in the
bitmap. Default is 1.
%xdn[i] Display a preloaded image
n: image ID (a-z and A-Z) as it was specified in %x
or %xl
i: (optional) number of the sub-image to display
(a-z for 1-26 and A-Z for 27-52). By default the
first (i.e. top most) sub-image will be used.
Examples:
1. Load and display the image /.rockbox/bg.bmp with ID “a” at 37, 109:
%x|a|bg.bmp|37|109|
2. Load a bitmap strip containing 5 volume icon images (all the same size) with image
ID “M”, and then reference the individual sub-images in a conditional:
%xl|M|volume.bmp|134|153|5|
%?pv<%xdMa|%xdMb|%xdMc|%xdMd|%xdMe>
Note:
b
• The images must be in BMP format

• The image tag must be on its own line
• The ID is case sensitive, giving 52 different ID’s
• The size of the LCD screen for each player varies. See table below for appropriate
sizes of each device. The x and y coordinates must repect each of the players’
limits.
B.15 Album Art
Tag Description
%Cl|x|y|[[l|c|r]maxwidth]|[[t|c|b]maxheight]| Define the settings for albumart
x: x coordinate
y: y coordinate
maxwidth: Maximum height
maxheight: Maximum width
%C Display the album art as config-
ured. This tag can also be used
as a conditional.
The picture will be rescaled, preserving aspect ratio to fit the given maxwidth and
maxheight. If the aspect ratio doesn’t match the configured values, the picture will be
placed according to the flags to the maxwidth and maxheight parameters:
• maxwidth:
l. Align left
c. Align center (default)
r. Align right
• maxheight:
t. Align left
c. Align center (default)
b. Align right
Examples:
1. Load albumart at position 20,40 and display it without resizing:
%Cl|20|40|||
2. Load albumart at position 0,20 and resize it to be at most 100x100 pixels. If the
image isn’t square, align it to the bottom-right corner:
%CL|0|20|r100|b100|

B.16 Alignment
Tag Description
%al Align the text left
%ac Center the text
%ar Align the text right
All alignment tags may be present in one line, but they need to be in the order left –
center – right. If the aligned texts overlap, they are merged.
B.17 Conditional Tags
Tag Description
%?xx<true|false> If / Else: Evaluate for true or false case
%?xx<alt1|alt2|alt3|...|else> Enumerations: Evaluate for first / second / third
/ . . . / last condition
B.18 Subline Tags
Tag Description
%t<time> Set the subline display cycle time (%t5 or %t3.4 formats)
; Split items on a line into separate sublines
Allows grouping of several items (sublines) onto one line, with the display cycling round
the defined sublines. See section 12.2.2 (page 135) for details.
B.19 Time and Date
Tag Description
%cc Check for presence of the clock hardware
The %cc tag returns “c” if the necessary hardware is present and can also be used as
a conditional. This can be very useful for designing a WPS that works on multiple

targets, some with and some without a clock. By using this tag as a conditional it is
possible to display current date and time on those targets that support this , or alternate
information on those that do not (like the H100).
Example: %?cc<%cH:%cM|No clock detected>
B.20 Other Tags
Tag Description
%% The character ‘%’
%< The character ‘<’
%| The character ‘|’
%> The character ‘>’
%; The character ‘;’
%s Indicate that the line should scroll. Can occur anywhere in a line (given that the
text is displayed; see conditionals above). You can specify up to ten scrolling
lines. Scrolling lines can not contain dynamic content such as timers, peak
meters or progress bars.

Appendix C. Album Art 152
C Album Art
C.1 Introduction
Rockbox allows you to put the album art, or another image related to the music on your
playerto display it in the PictureFlow plugin or in the WPS. For this feature to work,
you must observe a few rules.
C.2 Limitations
Rockbox does not support album art embedded in your files’ tags, and will instead look
for a picture located in the filesystem. In addition to this, the pictures must be in the
BMP or JPEG formats. Rockbox does not support RLE-compressed BMP files, nor
does it support progressive and multi-scan JPEG files. JPEG files must consist of a
single scan with interleaved components, as progessive and multi-scan images require
much more memory to decode.
C.3 Where to put album art

The pictures can be named a number of different ways, and placed to a number of
different locations. You can have pictures specific to the file or the album or use a
generic picture. You can place the picture in the same directory as the file, in the parent
directory or in a fixed directory named /.rockbox/albumart/. The order Rockbox uses
when looking for a picture is as follows (a list in braces means that those file extensions
are tried in that order):
1. ./filename.{jpeg,jpg,bmp}
2. ./albumtitle.{jpeg,jpg,bmp}
3. ./cover.{jpeg,jpg,bmp}
4. ./folder.jpg
5. /.rockbox/albumart/artist-albumtitle.{jpeg,jpg,bmp}
6. ../albumtitle.{jpeg,jpg,bmp}
7. ../cover.{jpeg,jpg,bmp}

Appendix C. Album Art 153
The following characters will be replaced with an underscore ( ) when looking for
albumtitle.bmp or artist-albumtitle.bmp: \ / : < > ? * |. Doublequotes will be replaced
by single qutoes. See ZAlbumArt in the wiki for more details and programs that will
help you automate the process of putting album art on your player.

Appendix D. Config file options 154
D Config file options
Setting Allowed Values Unit

volume -84 to 0 dB
bass 0 to +24 dB
treble 0 to +6 dB
balance -100 to +100 %
channels stereo, mono, custom, mono left, N/A
mono right, karaoke
stereo width 0 to 250 %
shuffle on, off N/A
repeat off, all, one, shuffle, ab N/A
play selected on, off N/A
party mode on, off N/A
scan min step 1, 2, 3, 4, 5, 6, 8, 10, 15, 20, 25, seconds
30, 45, 60
seek acceleration very fast, fast, normal, slow, very N/A
slow
antiskip 5s, 15s, 30s, 1min, 2min, 3min, N/A
5min, 10min
volume fade on, off N/A
sort case on, off N/A
show files all, supported, music, playlists N/A
show filename exts off, on, unknown, view all N/A
follow playlist on, off N/A
playlist viewer icons on, off N/A
playlist viewer indices on, off N/A
playlist viewer track display track name,full path N/A
recursive directory insert on, off, ask N/A
scroll speed 1 to 25 Hz
scroll delay 0 to 2500 ms
scroll step devise a way to get ranges pixels
from config-*.h
screen scroll step devise a way to get ranges pixels
from config-*.h
Screen Scrolls Out Of View on, off N/A
bidir limit 0 to 200 % screen
scroll paginated on, off N/A


hold lr for scroll in list on, off N/A
show path in browser off, current directory, full path N/A
contrast 0 to 63 N/A
backlight timeout off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, seconds
15, 20, 25, 30, 45, 60, 90, 120
backlight timeout plugged off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, seconds
15, 20, 25, 30, 45, 60, 90, 120
backlight filters first keypress on, off N/A
backlight on button hold normal, off, on N/A
caption backlight on, off N/A
brightness devise a way to get ranges N/A
from config-*.h
disk spindown 3 to 254 seconds
battery capacity devise a way to get ranges mAh
from config-*.h
car adapter mode on, off N/A
idle poweroff off, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, minutes
30, 45, 60
max files in playlist 1000 - 32000 N/A
max files in dir 50 - 10000 N/A
lang /path/filename.lng N/A
wps /path/filename.wps N/A
autocreate bookmarks off, on N/A
autoload bookmarks off, on N/A
use most-recent-bookmarks off, on N/A
pause on headphone unplug off, pause, pause and resume N/A
rewind duration on pause 0 to 15 seconds
disable autoresume if phones off, on N/A
not present
Last.fm Logging off, on N/A
talk dir off, number, spell N/A
talk dir clip off, on N/A
talk file off, number, spell N/A
talk file clip off, on N/A
talk filetype off, on N/A
talk menu off, on N/A
Announce Battery Level off, on N/A
sort files alpha, oldest, newest, type N/A
sort dirs alpha, oldest, newest N/A
sort interpret number digits, numbers N/A
tagcache autoupdate on, off N/A


warn when erasing dynamic on, off N/A
playlist
cuesheet support on, off N/A
folder navigation off, on, random N/A
gather runtime data off, on N/A
skip length track, 1s, 2s, 3s, 5s, 7s, 10s, 15s, N/A
20s, 1min, 90s, 2min, 3min, 5min,
10min, 15min
prevent track skip on, off N/A
start in screen previous, root, files, db, wps, N/A
menu, recording, radio,
bookmarks
playlist catalog directory /path/to/dir N/A
replaygain type track, album, track shuffle, off N/A
replaygain noclip on, off N/A
replaygain preamp -120 to 120 0.1dB
crossfade off, shuffle, track skip, always N/A
crossfade fade in delay 0 to 7 seconds
crossfade fade out delay 0 to 7 seconds
crossfade fade in duration 0 to 15 seconds
crossfade fade out duration 0 to 15 seconds
crossfade fade out mode crossfade, mix N/A
crossfeed on, off N/A
crossfeed direct gain 0 to 60 0.1dB
crossfeed cross gain 30 to 120 0.1dB
crossfeed hf attenuation 60 to 240 0.1dB
crossfeed hf cutoff 500 to 2000 Hz
eq enabled on, off N/A
eq precut 0 to 240 0.1dB
eq band 0 cutoff 0 to 32768 Hz
eq band 0 q 0 to 64 N/A
eq band 0 gain -240 to 240 0.1dB


dithering enabled on, off N/A
beep off, weak, moderate, strong N/A
keyclick off, weak, moderate, strong N/A
keyclick repeats on, off N/A
dircache on, off N/A
tagcache ram on, off N/A
peak meter release 1 to 126 ?
peak meter hold off, 200ms, 300ms, 500ms, 1, 2, 3, N/A
4, 5, 6, 7, 8, 9, 10, 15, 20, 30, 1min
peak meter clip hold on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, N/A
20, 25, 30, 45, 60, 90, 2min, 3min,
5min, 10min, 20min, 45min, 90min
peak meter busy on, off N/A
peak meter dbfs on, off on: dbfs, off: linear
peak meter min 0 to 89 (dB) or 0 to 100 (%) dB or %
peak meter max 0 to 89 /(dB) or 0 to 100 (%) dB or %
statusbar off, top, bottom N/A
remote statusbar off, top, bottom N/A
scrollbar off, left, right N/A
scrollbar width 3 to LCD width / 10 (devise a pixels
way to get ranges from
config-*.h)
volume display graphic, numeric N/A
battery display graphic, numeric N/A
font /path/filename.fnt N/A
kbd /path/filename.kbd N/A
invert on, off N/A
flip display on, off N/A
selector type pointer, bar (inverse) N/A
show icons on, off N/A
iconset /path/filename.bmp N/A
viewers iconset /path/filename.bmp N/A
backdrop /path/filename.bmp N/A
rwps /path/filename.rwps N/A
remote contrast 5 to 63 N/A
remote invert on, off N/A
remote flip display on, off N/A
remote backlight timeout off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, seconds
15, 20, 25, 30, 45, 60, 90


remote backlight timeout off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, seconds
plugged 15, 20, 25, 30, 45, 60, 90
remote caption backlight on, off N/A
remote scroll speed 0 to 15 N/A
remote scroll step 1 to 160 N/A
remote scroll delay 0 to 2500 ms
remote bidir limit 0 to 200 N/A
backlight filters first remote on, off N/A
keypress
remote iconset /path/filename.bmp N/A
remote viewers iconset /path/filename.bmp N/A
remote reduce ticking on, off N/A
rec quality 0 to 7 0: small size, 7: high
quality
rec frequency 48, 44, 32, 24, 22, 16 kHz
rec source mic, line, spdif N/A
rec channels mono, stereo N/A
rec mic gain 0 to 15 N/A
rec left gain 0 to 15 N/A
rec right gain 0 to 15 N/A
editable recordings off,on N/A
rec timesplit off, 0:05, 0:10, 0:15, 0:30, 1:00, h:mm
2:00, 4:00, 6:00, 8:00, 16:00, 24:00
pre-recording time off, 1 to 30 seconds
rec directory /path/to/dir N/A
spdif enable off, on N/A
force fm mono off, on N/A

Appendix E. Menu Overview 159
E Menu Overview
include an overview of the menu structure here

Appendix F. User feedback 160
F User feedback
F.1 Bug reports
If you experience inappropriate performance from any supported feature, please file a
bug report on our web page. Do not report missing features as bugs, instead file them
as feature ideas (see below).
For open bug reports refer to http://www.rockbox.org/tracker/index.php?type=2
F.1.1 Rules for submitting new bug reports

1. Check that the bug has not already been reported
2. Always include the following information in your bug report:
• Which exact player you have.
• Which exact Rockbox version you are using (Menu->Info -> Version)
• A step-by-step description of what you did and what happened
• Whether the problem is repeatable or a one-time occurrence
• All relevant data regarding the problem, such as playlists, MP3 files etc. (IMPOR-
TANT!)
F.2 Feature ideas

To suggest an idea for a feature or to read those made by others, see http://forums.
rockbox.org/index.php?board=49.0. Please keep in mind that this forum is for the dis-
cussion of feature ideas - they are not requests and there is no guarantee they will be
acted upon.
F.2.1 Rules for submitting a new feature idea

1. Check that the feature has not already been suggested. Duplicates are really
boring!
2. Check that the feature has not already been implemented. Download the latest
current/daily build and/or search the mail list archive.
3. Check that the feature is possible to implement (see section F.2.2 (page 161)).

Appendix F. User feedback 161
F.2.2 Features we will not implement

This is a list of Feature Requests we get repeatedly that we simply cannot do. View it
as the opposite of a TODO!
• Interfacing with other USB devices (like cameras) or 2 player games over USB
The USB system demands that there is a master that talks to a slave. The player
can only serve as a slave, as most other USB devices such as cameras can. Thus,
without a master no communication between the slaves can take place. If that is
not enough, we have no way of actually controlling the communication performed
over USB since the USB circuit in the player is strictly made for disk-access and
does not allow us to play with it the way we’d need for any good communication
to work.
• Support other file systems than FAT32 (like NTFS or ext2 or whatever)!
No. support for more file systems will just take away valuable ram for unnecessary
features. You can partition your player fine, just make sure the first one is FAT32
and then make the other ones whatever file system you want. Just do not expect
Rockbox to understand them.
• Add scandisk-like features!

It would be a very slow operation that would drain the batteries and take a lot of
useful ram for something that is much better and faster done when connected to
a host computer.

Appendix G. Changelog 162
G Changelog
G.1 What is new since v3.0?
G.1.1 New features
? 2008-12-09: Album Art resizing.
? 2008-12-09: FM radio support on Gigabeat S.
? 2008-11-26: Software controlled backlight fading for targets without hardware fad-
ing (e200v1, c200v1, X5, Cowon D2 and H300)
G.1.2 Enhancements
? 2008-12-01: Several new tags were added to the WPS syntax
? 2008-11-20: The build system received a major overhaul
? 2008-11-03: Customisable options in the QuickScreen
? 2008-10-25: Calendar plugin on all RTC equipped targets
? 2008-10-08: Configurable mono recording mode
? 2008-10-07: Support for version 1.1 scrobbler log files
? 2008-10-03: APE playback optimized
? 2008-09-21: MP3 playback optimized for dual-core targets
G.2 What is new since v2.5?

G.2.1 New features
? 2008-07-27: SAP codec
? 2008-07-14: Initial support for the Onda VX747
? 2008-07-07: Added keybox plugin
? 2008-06-10: md5sum plugin added
? 2008-05-21: MOD codec support added
? 2008-05-21: Initial support for the Philips GoGear SA9200.
? 2008-05-04: Added study mode
? 2008-05-03: Sound on the Gigabeat S.
? 2008-04-24: Initial support for the Creative Zen Vision:M
? 2008-04-23: Lamp (originally ”flashlight”) plugin
? 2008-03-23: New bitmap strips feature in the WPS
? 2008-03-23: The iAudio M3 is now a supported target
? 2008-03-21: Viewport tag added for WPS
? 2008-03-18: The Olympus m:robe 100 is now a supported target

? 2007-12-09: PictureFlow: A nice animated visualization for album art

? 2007-11-26: Matrix Demo
? 2007-11-11: Rockbox can now display album art
? 2007-09-06: Sound on Sansa c200
? 2007-09-04: The SanDisk Sansa e200R models are now Rockboxed!
? 2007-08-06: Make several splashes and confirmation screens speak
? 2007-08-03: iPod 3rd gen is now officially a supported target
? 2007-08-02: Superdom game
? 2007-07-27: Sound on iPod 2nd Gen
? 2007-07-25: Jackpot support for bitmap targets
? 2007-07-03: WMA codec initial support
? 2007-06-30: Reversi game
? 2007-06-29: Rocklife plugin
? 2007-06-28: Maze game
? 2007-06-17: Custom filetype colour feature introduced
? 2007-06-05: Monkey’s Audio support
? 2007-05-23: The 80GB Ipod Video is now supported by Rockbox
? 2007-04-09: WAV file viewer
? 2007-03-11: Sound on the Sansa e200
? 2007-03-04: Rockbox runs and plays music on the iAudio M5
? 2007-03-01: Add the Rockbox Menu
? 2007-02-16: Chopper game
? 2007-02-14: Cuesheet support
? 2007-02-14: Icons in the menus
? 2007-02-14: SPC codec
? 2007-02-10: Album Artist and Comment Tag Support
? 2007-02-09: Speex Codec Support
? 2007-01-31: Invadrox, a Space Invaders clone
? 2007-01-25: NSF codec
? 2007-01-16: BlackJack plugin
? 2007-01-02: Mazezam, a puzzle game for all bitmap lcd targets
? 2006-12-29: Toshiba Gigabeat X and F series support
? 2006-11-30: File properties in context menu
? 2006-11-06: Samplerate and format selection added to recording settings. Encoders
can be configured individually on a menu specific to the encoder in the recording
menu
? 2006-11-06: Pitch adjustment in semitone steps
? 2006-10-27: Audio dithering option
? 2006-10-19: last.fm (audioscrobbler) logging support
? 2006-10-05: FM radio region setting
? 2006-09-25: ADX codec
? 2006-09-15: ZX spectrum emulator plugin - zxbox
? 2006-08-28: Encoder Codec Interface for recording with additional FM recording
support

? 2006-08-07: Initial version of mpegplayer plugin

? 2006-07-19: Rockpaint plugin
? 2006-07-18: SID codec
? 2006-07-18: Playlist catalog
? 2006-04-19: Rockbox is functional and plays audio on the iPod Mini 1G
? 2006-03-30: Rockbox is functional and plays audio on the iPod Mini 2G
? 2006-03-28: DOOM
? 2006-03-28: Sound on the iAudio X5 , X5L and X5V
? 2006-03-26: Experimental WAV playback plugin for Archos Recorder/Ondio
? 2006-03-26: Initial version of Tag Cache
? 2006-03-20: Bubbles, a bubble game
? 2006-03-19: Tetrox, a Tetris clone
? 2006-03-12: Xobox, a Xonix/Qix clone
? 2006-03-11: Pacbox, a pacman arcade machine emulator
? 2006-02-22: ”Chessbox” chess game plugin
? 2006-02-13: iPod 5G audio playback
? 2006-02-01: AIFF codec support added
? 2006-01-28: Color bitmap support in the WPS (for color models)
? 2006-01-23: Brickmania game plugin
? 2005-12-06: Unicode support
? 2005-11-05: Jewels game plugin - a Bejeweled clone.
G.2.2 Enhancements
? 2008-08-06: Redesigned recording screen
? 2008-02-23: New default theme: cabbie 2.0
? 2008-01-04: All new greyscale library with improved performance
? 2007-08-08: Added support for grouping tags
? 2007-08-06: Organise the plugins into categories
? 2007-08-05: Voice file changes. Older voices no longer work, now all voice files are
target-specific.
? 2007-08-03: Added support for the disc number tag
? 2007-04-04: WPS tokenizer: Rewritten WPS code
? 2007-03-20: rockbox.* file moved inside /.rockbox directory
? 2007-01-23: Settings are now saved to /.rockbox/config.cfg and the hidden config
sector is not used anymore
? 2006-11-29: Playlists are saved with the extension .m3u8, extension .m3u is now
read using the chosen codepage
? 2006-09-16: New scheduler. Audio playback is now prioritised over other tasks
? 2006-09-02: Enhanced statusbar in recording screen
? 2006-08-15: Support for displaying the path in the file browser
? 2006-02-07: Equalizer configuration for software codec platforms
? 2006-02-06: The Rockbox manual is available in LATEXformat
? 2005-12-05: New wps’ added. Engineeer2, marquee, and DancePuffDuo

G.2.3 Bug fixes

Appendix H. Credits 166
H Credits
People that have contributed to the project, one way or another. Friends!
· Björn Stenberg · Linus Nielsen Feltz- · Francois Boucher · Matthias Wien-

ing · Andy Choi · Andrew Jamieson tapper · Brent Coutts · Jens Arnold
· Paul Suade · Joachim Schiffer · Gerald Vanbaren · Christi Scarbor-
· Daniel Stenberg · Alan Korr · Gary ough · Steve Cundari · Mat Holton
Czvitkovicz · Stuart Martin · Fe- · Jan Gajdos · Antoine Cellerier
lix Arends · Ulf Ralberg · David · Brian King · Jiri Jurecek · Jacob Erl-
Härdeman · Thomas Saeys · Grant beck · Jean-Philippe Bernardy · Dave
Wier · Julien Labruyére · Nicolas Hooper · Jonas Häggqvist · Thom
Sauzede · Robert Hak · Dave Chap- Johansen · Rinat Zakirov · Manuel
man · Stefan Meyer · Eric Linenberg Dejonghe · Marcoen Hirschberg
· Tom Cvitan · Magnus Öman · Jerome · Michiel van der Kolk · Tony Motakis
Kuptz · Julien Boissinot · Nuutti Ko- · Andy Young · Alexandre Bourget
tivuori · Heikki Hannikainen · Hard- · Richard S. La Charité III · Chris-
eep Sidhu · Markus Braun · Justin tian Gmeiner · Tomas Salfischberger
Heiner · Magnus Holmgren · Bill · Miika Pekkarinen · Tapio Karppinen
Napier · George Styles · Mats Lidell · Richard Ottó O’Brien · Luca Bu-
· Lee Marlow · Nate Nystrom · Nick relli · Alessio Lenzi · David Bryant
Robinson · Chad Lockwood · John · Martin Arver · Alexander Spyridakis
Pybus · Uwe Freese · Randy Wood · Pedro Baltazar Vasconcelos · Ray
· Gregory Haerr · Philipp Perter- Lambert · Dave Wiard · Pieter Bos
mann · Gilles Roux · Mark Hillebrand · Konstantin Isakov · Bryan Vandyke
· Damien Teney · Andreas Zwirtes · Hristo Kovachev · Sander Sweers
· Kjell Ericson · Jim Hagani · Lu- · Antonius Hellman · Ryan Jackson
dovic Lange · Mike Holden · Simon · Per Holmäng · Frederic Devernay
Elén · Matthew P. OReilly · Christian · José M. Fandiño · Gadi Cohen · Naf-
Schönberger · Henrik Backe · Craig tali Goldstein · David Dent · Frank
Sather · José Maria Garcia-Valdecasas Dischner · Liberman Shachar · Stephan
Bernal · Stevie Oh · Jörg Hohensohn Wezel · Alyssa Milburn · Kevin Fer-
· Dave Jones · Thomas Paul Diffen- rare · Anton Oleynikov · Mark Arigo
bach · Roland Kletzing · Itai Shaked · Magnus Westerlund · Jake Owen
· Keith Hubbard · Benjamin Metzler · Mustapha Senhaji · Adam Boot
· Frederic Dang Ngoc · Pierre De- · Jonathan Gordon · Tat Tang · Toshi-
lore · Huw Smith · Garrett Derner hiko Itoh · David J. Song · Jeong Taek
· Barry McIntosh · Leslie Donald- In · Anders Kagerin · Peter D’Hoye
son · Lee Pilgrim · Zakk Roberts · Ben Basha · Brandon Low · Nathan

Hand · Nick Lanham · Sebastian Hen- · Austin Appel · Andre Smith · Travis
riksen · Martin Scarratt · Karl Hyyppa · Ian Webber · Pavel Gnelitsa
Kurbjun · Tomasz Malesinski · An- · Lutz Böhne · Will Robertson
drew Pilley · Matt v.d. Westhuizen · Robert Carboneau · Ye Wei · Bryan
· Tim Crist · Jvo Studer · Dan Ever- Childs · Mike Schmitt · Chris Taylor
ton · Imre Herceg · Seven Le Mesle · Tobias Langhoff · Steve Gotthardt
· Craig Bachelor · Nikolaj Chris- · Greg White · Mattieu Favréaux
tensen · Mikael Magnusson · Dominik · Malcolm Tyrrell · Piotr Jafis-
Wenger · Henrico Witvliet · Andrew zow · Gary Allen · John BouAntoun
Scott · Miguel A. Arévalo · Aaron · Tomasz Mon · Jakub Matoušek · Al-
F. Gonzalez · Aleksey Kozyulin · Jani bert Veli · Chris Dohan · Takashi
Kinnunen · Rui Marinho · Alun Thomas Obara · Rene Peinthor · Roan Horning
· Nils Wallménius · Naoaki Okazaki · Ben Keroack · Sean Morrisey · Shay
· Will Dyson · Matthias Mohr · Chris- Green · Nick Vanderweit · Simon Men-
tian Marg · Eli Sherer · Fredrik zel · Timo Horstschäfer · Jacco Kon-
Öhrn · Nicolas Pennequin · Ralf Herz ing · Chris Ham · Jose Ramon Gar-
· Michael DiFebbo · David Rothen- cia · Simon Descarpentries · Douglas
berger · Robert Keevil · Mark Bright Valentine · Jacob Gardner · Pascal
· Dominik Riebeling · Alexander Bon- Briehl · Denis Stanishevskiy · Eddy
dar · Peter Cawley · Rani Hod · Tom Coman · Luke Blaney · Mark Reiche
Ross · Anton Romanov · Jean-Luc · Michal Jevjak · Philippe Latulippe
Ohl · Steve Bavin · Marianne Arnold · Mauricio Peccorini · Nathan Hep-
· Gaetano Vocca · Frederik Vestre ting · Akio Idehara · Dagni McPhee
· Wenbin Leo · Tom Evans · Ewan · Alex Gerchanovsky · Gerhard
Davies · Frédéric François · Marc- Dirschl · Ivan Zupan · Alexander Papst
André Moreau · Ioannis Koutoulakis · Christoph Reiter · Rhino Banga
· Alistair Marshall · Karl Ove · Paul Jones · Michael Giacomelli
Hufthammer · Vı́ctor Zabalza · Ulrich · Alex Wenger · Andree Buschmann
Pegelow · Andreas Mattsson · Daniel · Johnathon Mihalop · Rene Allkivi
Ankers · Paul Louden · Rainer Sin- · Tobias Schladt · John Zhou · Charles
sch · Plácido Revilla · Michael Se- Voelger · Gerritt Gonzales · Dieter
vakis · Lukas Sabota · Emanuel Zephir Pellkofer · Evgeniy Kachalin · Lenny
· Alexander Levin · Barry Wardell Koepsell · Harry Tu · Pawel Wysocki
· Lars van de Klomp · Philippe Miossec · Xinlu Huang · Daniel Dalton · Boris
· Jochen Kemnade · Corry Lazarowitz Gjenero · Sylvain Fourmanoit · Alex
· Tom Meyer · Laurent Baum · James Parker · Mario Lang · Justin Foell
Teh · Liam Nattrass · Christian · Igor Kuzmin · Adilson Vicente Xavier
Hack · Wade Brown · Vadim Chekan · Jesse Lockwood · Jonathan Backer
· Christopher Borcsok · Victor Carde- · Sofian Babai · Costas Calamvokis
nas · Andrew Melville · Pengxuan Liu · Catalin Patulea · Peter Harley
· Andrew Cupper · Thilo-Alexander · Max Kelley · Alexander Eickhoff
Ginkel · Adam Gashlin · Robert Kukla · Pinitnun Shanasabang · Ken Faz-
· David Quesada · Jared Stafford zone · David Bishop · Hein-Pieter
· Martin Hensel · Stéphane Doyon van Braam · Przemyslaw Holubowski

· Stepan Moskovchenko · John S. · Teruaki Kawashima · Marcin Lukasik

Gwynne · Brian J. Morey · Stijn Hisken · Le Jin · Alex Bennee · Stéphane
· Bertrik Sikken · Karim Boucher Quertinmont · Bartosz Fabianowski
· James Espinoza · Franz Rühmland · Adam Hogan · Andrew Mahone · An-
· Jordan Anderson · Maurus Cue- ton Veretenenko · Vicente Ibarra
lenaere · Chris Allegretta · Alas- · Rui Araújo · Brian Cloutier · Olivier
tair S · Martin Crkovský · Ariya Hi- Barbut · Yoshihisa Uchida · Sanggon
dayat · Jonas Hurrelmann · Lee Kang Lee · Anton Veretenenko · Kaspar
Hyuk · Clemens Werther · Robert Rothenfußer · Ryan Press · Craig El-
Menes · Henri Valta · Melba Sitjar liott · Kenderes Tamas · Eric Shat-
· Mehmet Ş. Çatalbaş · Scott Tin- tow · Joshua Simmons · Sei Aoyumi
man · Alexander Kuzmenkov · Thomas · Martin Pool · Gareth Schakel
Martitz · Prakarn Sahasoontornvute · Brian Sutherland · Sam Bouwer · Jo-
· George Tamplaru · Apoorva Ma- hannes Linke · Michaël Burtin · Sasha
hajan · Vuong Minh Hiep · Mateusz Khamkov · Kai Posadowsky · Jack
Kubica · Frank Gevaerts · Chelo Halpin · Johannes Schwarz · Dustin
Sacristán · Sascha Wolf · Nickolay Skoracki · Torne Wuff · Wookey
Jordanov · Johannes Voggenthaler · Nick Sant · Michael Carr · Eric
· Marc Guay · Alex Vanderpol · Jerry Clayton · Marko Pahlke · Vytenis
Lange · Yohann Misquitta · Keith Sabelka · Nicolas Pitre · Benedikt
Perri · Mark Fawcus · Ivan Pesic Goos · Frederick Full · Jeffrey Goode
· Marcel Barbulescu · Phil Light · Raafat Akkad · Michaël Burtin · Da-
· Rob Purchase · Andreas Müller vide Quarta · Andre Lupa · Hilton
· Christopher Williams · Martin Rit- Shumway · Matthew Bonnett · Nick
ter · Justin Hannigan · Tomasz Wasil- Tryon · David Johnston · Ralph Soto
czyk · Kenjiro Arai · John Kaminar · Mykhailo Radzievskyi · Christophe
· Joris Goosen · Mark Ganson · Da- Gouiran · Asael Reiter · Jens Erd-
vide Gentile · James Vasile · Mohamed mann · Rosso Maltese · Amaury Pouly
Tarek · Mike Burke · Michael Chicoine · Laurent Papier · The libmad team
· Maciej Adamczak · Tomer Shalev · The wavpack team · The ffmpeg team
· Thibaut Girka · Rasmus Ry · William · The Ogg Vorbis team · The liba52
Poetra Yoga Hadisoeseno · Adrian team · The Speex team · The libfaad
Osoianu · Martin Pahl · Ori Avtal- team · The Doom team · The gnuchess
ion · Thomas Schott · Dennis Ivanov team · The gnuboy team · The Pacman
· Takumi Suzuki · Shunsuke Shimizu Instructional Emulator team · The
· Tadayuki Nishizono · Jun Gu · Daniel Spectemu team · The libmpeg2 team
Weck · Clément Pit-Claudel · Jelle · The Game Music Emu team · The
Geerts · Tadeusz Pyś · Rostislav OpenSPC DSP emulator team · The
Chekan · Florin Popescu · Volker ALAC decoder team · The UCL team
Mische · Vitja Makarov · Francisco · The iPod Linux team · The Vision-8
Vila · Christian Lees · Rafaël Carré Emulator team · The robotfindskitten
· Denes Balatoni · Roy Wallace · Eric team · The libmtp team · The asap team
Lassauge · François Dinel · Francesco · The libpng team
Rigoni · Joël Puik · Klaas Bosteels

Appendix I. Licenses 169
I Licenses
I.1 GNU Free Documentation License
Version 1.2, November 2002
Copyright 2000,2001,2002
c Free Software Foundation, Inc.
51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA
Everyone is permitted to copy and distribute verbatim copies of this license document,
but changing it is not allowed.
Preamble
The purpose of this License is to make a manual, textbook, or other functional and
useful document ”free” in the sense of freedom: to assure everyone the effective freedom
to copy and redistribute it, with or without modifying it, either commercially or non-
commercially. Secondarily, this License preserves for the author and publisher a way to
get credit for their work, while not being considered responsible for modifications made
by others.
This License is a kind of ”copyleft”, which means that derivative works of the document
must themselves be free in the same sense. It complements the GNU General Public
License, which is a copyleft license designed for free software.
We have designed this License in order to use it for manuals for free software, be-
cause free software needs free documentation: a free program should come with manuals
providing the same freedoms that the software does. But this License is not limited to
software manuals; it can be used for any textual work, regardless of subject matter or
whether it is published as a printed book. We recommend this License principally for
works whose purpose is instruction or reference.
1. APPLICABILITY AND DEFINITIONS

This License applies to any manual or other work, in any medium, that contains a notice
placed by the copyright holder saying it can be distributed under the terms of this
License. Such a notice grants a world-wide, royalty-free license, unlimited in duration,
to use that work under the conditions stated herein. The ”Document”, below, refers
to any such manual or work. Any member of the public is a licensee, and is addressed
as ”you”. You accept the license if you copy, modify or distribute the work in a way
requiring permission under copyright law.

A ”Modified Version” of the Document means any work containing the Document
or a portion of it, either copied verbatim, or with modifications and/or translated into
another language.
A ”Secondary Section” is a named appendix or a front-matter section of the Doc-
ument that deals exclusively with the relationship of the publishers or authors of the
Document to the Document’s overall subject (or to related matters) and contains noth-
ing that could fall directly within that overall subject. (Thus, if the Document is in
part a textbook of mathematics, a Secondary Section may not explain any mathemat-
ics.) The relationship could be a matter of historical connection with the subject or
with related matters, or of legal, commercial, philosophical, ethical or political position
regarding them.
The ”Invariant Sections” are certain Secondary Sections whose titles are desig-
nated, as being those of Invariant Sections, in the notice that says that the Document
is released under this License. If a section does not fit the above definition of Secondary
then it is not allowed to be designated as Invariant. The Document may contain zero
Invariant Sections. If the Document does not identify any Invariant Sections then there
are none.
The ”Cover Texts” are certain short passages of text that are listed, as Front-Cover
Texts or Back-Cover Texts, in the notice that says that the Document is released under
this License. A Front-Cover Text may be at most 5 words, and a Back-Cover Text may
be at most 25 words.
A ”Transparent” copy of the Document means a machine-readable copy, represented
in a format whose specification is available to the general public, that is suitable for re-
vising the document straightforwardly with generic text editors or (for images composed
of pixels) generic paint programs or (for drawings) some widely available drawing edi-
tor, and that is suitable for input to text formatters or for automatic translation to a
variety of formats suitable for input to text formatters. A copy made in an otherwise
Transparent file format whose markup, or absence of markup, has been arranged to
thwart or discourage subsequent modification by readers is not Transparent. An image
format is not Transparent if used for any substantial amount of text. A copy that is not
”Transparent” is called ”Opaque”.
Examples of suitable formats for Transparent copies include plain ASCII without
markup, Texinfo input format, LaTeX input format, SGML or XML using a publicly
available DTD, and standard-conforming simple HTML, PostScript or PDF designed
for human modification. Examples of transparent image formats include PNG, XCF
and JPG. Opaque formats include proprietary formats that can be read and edited only
by proprietary word processors, SGML or XML for which the DTD and/or processing
tools are not generally available, and the machine-generated HTML, PostScript or PDF
produced by some word processors for output purposes only.
The ”Title Page” means, for a printed book, the title page itself, plus such following
pages as are needed to hold, legibly, the material this License requires to appear in the
title page. For works in formats which do not have any title page as such, ”Title Page”
means the text near the most prominent appearance of the work’s title, preceding the
beginning of the body of the text.

A section ”Entitled XYZ” means a named subunit of the Document whose title ei-
ther is precisely XYZ or contains XYZ in parentheses following text that translates XYZ
in another language. (Here XYZ stands for a specific section name mentioned below,
such as ”Acknowledgements”, ”Dedications”, ”Endorsements”, or ”History”.)
To ”Preserve the Title” of such a section when you modify the Document means that
it remains a section ”Entitled XYZ” according to this definition.
The Document may include Warranty Disclaimers next to the notice which states that
this License applies to the Document. These Warranty Disclaimers are considered to be
included by reference in this License, but only as regards disclaiming warranties: any
other implication that these Warranty Disclaimers may have is void and has no effect
on the meaning of this License.
2. VERBATIM COPYING
You may copy and distribute the Document in any medium, either commercially or
noncommercially, provided that this License, the copyright notices, and the license notice
saying this License applies to the Document are reproduced in all copies, and that you
add no other conditions whatsoever to those of this License. You may not use technical
measures to obstruct or control the reading or further copying of the copies you make
or distribute. However, you may accept compensation in exchange for copies. If you
distribute a large enough number of copies you must also follow the conditions in section
3.
You may also lend copies, under the same conditions stated above, and you may
publicly display copies.
3. COPYING IN QUANTITY
If you publish printed copies (or copies in media that commonly have printed covers) of
the Document, numbering more than 100, and the Document’s license notice requires
Cover Texts, you must enclose the copies in covers that carry, clearly and legibly, all
these Cover Texts: Front-Cover Texts on the front cover, and Back-Cover Texts on the
back cover. Both covers must also clearly and legibly identify you as the publisher of
these copies. The front cover must present the full title with all words of the title equally
prominent and visible. You may add other material on the covers in addition. Copying
with changes limited to the covers, as long as they preserve the title of the Document
and satisfy these conditions, can be treated as verbatim copying in other respects.
If the required texts for either cover are too voluminous to fit legibly, you should put
the first ones listed (as many as fit reasonably) on the actual cover, and continue the
rest onto adjacent pages.
If you publish or distribute Opaque copies of the Document numbering more than 100,
you must either include a machine-readable Transparent copy along with each Opaque
copy, or state in or with each Opaque copy a computer-network location from which
the general network-using public has access to download using public-standard network
protocols a complete Transparent copy of the Document, free of added material. If

you use the latter option, you must take reasonably prudent steps, when you begin
distribution of Opaque copies in quantity, to ensure that this Transparent copy will
remain thus accessible at the stated location until at least one year after the last time
you distribute an Opaque copy (directly or through your agents or retailers) of that
edition to the public.
It is requested, but not required, that you contact the authors of the Document well
before redistributing any large number of copies, to give them a chance to provide you
with an updated version of the Document.
4. MODIFICATIONS
You may copy and distribute a Modified Version of the Document under the conditions
of sections 2 and 3 above, provided that you release the Modified Version under precisely
this License, with the Modified Version filling the role of the Document, thus licensing
distribution and modification of the Modified Version to whoever possesses a copy of it.
In addition, you must do these things in the Modified Version:
A. Use in the Title Page (and on the covers, if any) a title distinct from that of the
Document, and from those of previous versions (which should, if there were any,
be listed in the History section of the Document). You may use the same title as
a previous version if the original publisher of that version gives permission.
B. List on the Title Page, as authors, one or more persons or entities responsible for
authorship of the modifications in the Modified Version, together with at least five
of the principal authors of the Document (all of its principal authors, if it has fewer
than five), unless they release you from this requirement.
C. State on the Title page the name of the publisher of the Modified Version, as the
publisher.
D. Preserve all the copyright notices of the Document.
E. Add an appropriate copyright notice for your modifications adjacent to the other
copyright notices.
F. Include, immediately after the copyright notices, a license notice giving the public
permission to use the Modified Version under the terms of this License, in the form
shown in the Addendum below.
G. Preserve in that license notice the full lists of Invariant Sections and required Cover
Texts given in the Document’s license notice.
H. Include an unaltered copy of this License.
I. Preserve the section Entitled ”History”, Preserve its Title, and add to it an item
stating at least the title, year, new authors, and publisher of the Modified Version as
given on the Title Page. If there is no section Entitled ”History” in the Document,

create one stating the title, year, authors, and publisher of the Document as given
on its Title Page, then add an item describing the Modified Version as stated in
the previous sentence.
J. Preserve the network location, if any, given in the Document for public access to
a Transparent copy of the Document, and likewise the network locations given in
the Document for previous versions it was based on. These may be placed in the
”History” section. You may omit a network location for a work that was published
at least four years before the Document itself, or if the original publisher of the
version it refers to gives permission.
K. For any section Entitled ”Acknowledgements” or ”Dedications”, Preserve the Title
of the section, and preserve in the section all the substance and tone of each of the
contributor acknowledgements and/or dedications given therein.
L. Preserve all the Invariant Sections of the Document, unaltered in their text and
in their titles. Section numbers or the equivalent are not considered part of the
section titles.
M. Delete any section Entitled ”Endorsements”. Such a section may not be included
in the Modified Version.
N. Do not retitle any existing section to be Entitled ”Endorsements” or to conflict in
title with any Invariant Section.
O. Preserve any Warranty Disclaimers.
If the Modified Version includes new front-matter sections or appendices that qualify
as Secondary Sections and contain no material copied from the Document, you may at
your option designate some or all of these sections as invariant. To do this, add their
titles to the list of Invariant Sections in the Modified Version’s license notice. These
titles must be distinct from any other section titles.
You may add a section Entitled ”Endorsements”, provided it contains nothing but
endorsements of your Modified Version by various parties–for example, statements of
peer review or that the text has been approved by an organization as the authoritative
definition of a standard.
You may add a passage of up to five words as a Front-Cover Text, and a passage of up
to 25 words as a Back-Cover Text, to the end of the list of Cover Texts in the Modified
Version. Only one passage of Front-Cover Text and one of Back-Cover Text may be
added by (or through arrangements made by) any one entity. If the Document already
includes a cover text for the same cover, previously added by you or by arrangement
made by the same entity you are acting on behalf of, you may not add another; but you
may replace the old one, on explicit permission from the previous publisher that added
the old one.
The author(s) and publisher(s) of the Document do not by this License give permission
to use their names for publicity for or to assert or imply endorsement of any Modified
Version.

5. COMBINING DOCUMENTS
You may combine the Document with other documents released under this License,
under the terms defined in section 4 above for modified versions, provided that you
include in the combination all of the Invariant Sections of all of the original documents,
unmodified, and list them all as Invariant Sections of your combined work in its license
notice, and that you preserve all their Warranty Disclaimers.
The combined work need only contain one copy of this License, and multiple identical
Invariant Sections may be replaced with a single copy. If there are multiple Invariant
Sections with the same name but different contents, make the title of each such section
unique by adding at the end of it, in parentheses, the name of the original author or
publisher of that section if known, or else a unique number. Make the same adjustment
to the section titles in the list of Invariant Sections in the license notice of the combined
work.
In the combination, you must combine any sections Entitled ”History” in the various
original documents, forming one section Entitled ”History”; likewise combine any sec-
tions Entitled ”Acknowledgements”, and any sections Entitled ”Dedications”. You must
delete all sections Entitled ”Endorsements”.
6. COLLECTIONS OF DOCUMENTS
You may make a collection consisting of the Document and other documents released
under this License, and replace the individual copies of this License in the various docu-
ments with a single copy that is included in the collection, provided that you follow the
rules of this License for verbatim copying of each of the documents in all other respects.
You may extract a single document from such a collection, and distribute it individ-
ually under this License, provided you insert a copy of this License into the extracted
document, and follow this License in all other respects regarding verbatim copying of
that document.
7. AGGREGATION WITH INDEPENDENT WORKS

A compilation of the Document or its derivatives with other separate and independent
documents or works, in or on a volume of a storage or distribution medium, is called an
”aggregate” if the copyright resulting from the compilation is not used to limit the legal
rights of the compilation’s users beyond what the individual works permit. When the
Document is included in an aggregate, this License does not apply to the other works in
the aggregate which are not themselves derivative works of the Document.
If the Cover Text requirement of section 3 is applicable to these copies of the Docu-
ment, then if the Document is less than one half of the entire aggregate, the Document’s
Cover Texts may be placed on covers that bracket the Document within the aggregate,
or the electronic equivalent of covers if the Document is in electronic form. Otherwise
they must appear on printed covers that bracket the whole aggregate.

8. TRANSLATION
Translation is considered a kind of modification, so you may distribute translations of the
Document under the terms of section 4. Replacing Invariant Sections with translations
requires special permission from their copyright holders, but you may include translations
of some or all Invariant Sections in addition to the original versions of these Invariant
Sections. You may include a translation of this License, and all the license notices in the
Document, and any Warranty Disclaimers, provided that you also include the original
English version of this License and the original versions of those notices and disclaimers.
In case of a disagreement between the translation and the original version of this License
or a notice or disclaimer, the original version will prevail.
If a section in the Document is Entitled ”Acknowledgements”, ”Dedications”, or ”His-
tory”, the requirement (section 4) to Preserve its Title (section 1) will typically require
changing the actual title.
9. TERMINATION
You may not copy, modify, sublicense, or distribute the Document except as expressly
provided for under this License. Any other attempt to copy, modify, sublicense or
distribute the Document is void, and will automatically terminate your rights under
this License. However, parties who have received copies, or rights, from you under this
License will not have their licenses terminated so long as such parties remain in full
compliance.
10. FUTURE REVISIONS OF THIS LICENSE

The Free Software Foundation may publish new, revised versions of the GNU Free Doc-
umentation License from time to time. Such new versions will be similar in spirit to
the present version, but may differ in detail to address new problems or concerns. See
http://www.gnu.org/copyleft/.
Each version of the License is given a distinguishing version number. If the Docu-
ment specifies that a particular numbered version of this License ”or any later version”
applies to it, you have the option of following the terms and conditions either of that
specified version or of any later version that has been published (not as a draft) by the
Free Software Foundation. If the Document does not specify a version number of this
License, you may choose any version ever published (not as a draft) by the Free Software
Foundation.
ADDENDUM: How to use this License for your documents

To use this License in a document you have written, include a copy of the License in the
document and put the following copyright and license notices just after the title page:

Copyright YEAR
c YOUR NAME. Permission is granted to copy, distribute
and/or modify this document under the terms of the GNU Free Documenta-
tion License, Version 1.2 or any later version published by the Free Software
Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-
Cover Texts. A copy of the license is included in the section entitled ”GNU
Free Documentation License”.
If you have Invariant Sections, Front-Cover Texts and Back-Cover Texts, replace the
”with...Texts.” line with this:
with the Invariant Sections being LIST THEIR TITLES, with the Front-
Cover Texts being LIST, and with the Back-Cover Texts being LIST.
If you have Invariant Sections without Cover Texts, or some other combination of the
three, merge those two alternatives to suit the situation.
If your document contains nontrivial examples of program code, we recommend re-
leasing these examples in parallel under your choice of free software license, such as the
GNU General Public License, to permit their use in free software.

I.2 The GNU General Public License

Version 2, June 1991
Copyright
c 1989, 1991 Free Software Foundation, Inc.
51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA
Everyone is permitted to copy and distribute verbatim copies of this license document,
but changing it is not allowed.
Preamble
The licenses for most software are designed to take away your freedom to share and
change it. By contrast, the GNU General Public License is intended to guarantee your
freedom to share and change free software—to make sure the software is free for all its
users. This General Public License applies to most of the Free Software Foundation’s
software and to any other program whose authors commit to using it. (Some other Free
Software Foundation software is covered by the GNU Library General Public License
instead.) You can apply it to your programs, too.
When we speak of free software, we are referring to freedom, not price. Our General
Public Licenses are designed to make sure that you have the freedom to distribute copies
of free software (and charge for this service if you wish), that you receive source code or
can get it if you want it, that you can change the software or use pieces of it in new free
programs; and that you know you can do these things.
To protect your rights, we need to make restrictions that forbid anyone to deny you
these rights or to ask you to surrender the rights. These restrictions translate to certain
responsibilities for you if you distribute copies of the software, or if you modify it.
For example, if you distribute copies of such a program, whether gratis or for a fee,
you must give the recipients all the rights that you have. You must make sure that they,
too, receive or can get the source code. And you must show them these terms so they
know their rights.
We protect your rights with two steps: (1) copyright the software, and (2) offer you this
license which gives you legal permission to copy, distribute and/or modify the software.
Also, for each author’s protection and ours, we want to make certain that everyone
understands that there is no warranty for this free software. If the software is modified
by someone else and passed on, we want its recipients to know that what they have is not
the original, so that any problems introduced by others will not reflect on the original
authors’ reputations.
Finally, any free program is threatened constantly by software patents. We wish to
avoid the danger that redistributors of a free program will individually obtain patent
licenses, in effect making the program proprietary. To prevent this, we have made it
clear that any patent must be licensed for everyone’s free use or not licensed at all.
The precise terms and conditions for copying, distribution and modification follow.
GNU General Public License

Terms and Conditions For Copying, Distribution and

Modification
0. This License applies to any program or other work which contains a notice placed
by the copyright holder saying it may be distributed under the terms of this General
Public License. The “Program”, below, refers to any such program or work, and
a “work based on the Program” means either the Program or any derivative work
under copyright law: that is to say, a work containing the Program or a portion of
it, either verbatim or with modifications and/or translated into another language.
(Hereinafter, translation is included without limitation in the term “modification”.)
Each licensee is addressed as “you”.
Activities other than copying, distribution and modification are not covered by
this License; they are outside its scope. The act of running the Program is not
restricted, and the output from the Program is covered only if its contents consti-
tute a work based on the Program (independent of having been made by running
the Program). Whether that is true depends on what the Program does.
1. You may copy and distribute verbatim copies of the Program’s source code as
you receive it, in any medium, provided that you conspicuously and appropriately
publish on each copy an appropriate copyright notice and disclaimer of warranty;
keep intact all the notices that refer to this License and to the absence of any
warranty; and give any other recipients of the Program a copy of this License
along with the Program.
You may charge a fee for the physical act of transferring a copy, and you may at
your option offer warranty protection in exchange for a fee.
2. You may modify your copy or copies of the Program or any portion of it, thus
forming a work based on the Program, and copy and distribute such modifications
or work under the terms of Section 1 above, provided that you also meet all of
these conditions:
a) You must cause the modified files to carry prominent notices stating that you
changed the files and the date of any change.
b) You must cause any work that you distribute or publish, that in whole or
in part contains or is derived from the Program or any part thereof, to be
licensed as a whole at no charge to all third parties under the terms of this
License.
c) If the modified program normally reads commands interactively when run,
you must cause it, when started running for such interactive use in the most
ordinary way, to print or display an announcement including an appropriate
copyright notice and a notice that there is no warranty (or else, saying that
you provide a warranty) and that users may redistribute the program under
these conditions, and telling the user how to view a copy of this License.
(Exception: if the Program itself is interactive but does not normally print

such an announcement, your work based on the Program is not required to

print an announcement.)
These requirements apply to the modified work as a whole. If identifiable sections
of that work are not derived from the Program, and can be reasonably considered
independent and separate works in themselves, then this License, and its terms,
do not apply to those sections when you distribute them as separate works. But
when you distribute the same sections as part of a whole which is a work based on
the Program, the distribution of the whole must be on the terms of this License,
whose permissions for other licensees extend to the entire whole, and thus to each
and every part regardless of who wrote it.
Thus, it is not the intent of this section to claim rights or contest your rights to
work written entirely by you; rather, the intent is to exercise the right to control
the distribution of derivative or collective works based on the Program.
In addition, mere aggregation of another work not based on the Program with
the Program (or with a work based on the Program) on a volume of a storage or
distribution medium does not bring the other work under the scope of this License.
3. You may copy and distribute the Program (or a work based on it, under Section
2) in object code or executable form under the terms of Sections 1 and 2 above
provided that you also do one of the following:
a) Accompany it with the complete corresponding machine-readable source code,
which must be distributed under the terms of Sections 1 and 2 above on a
medium customarily used for software interchange; or,
b) Accompany it with a written offer, valid for at least three years, to give any
third party, for a charge no more than your cost of physically performing
source distribution, a complete machine-readable copy of the corresponding
source code, to be distributed under the terms of Sections 1 and 2 above on
a medium customarily used for software interchange; or,
c) Accompany it with the information you received as to the offer to distribute
corresponding source code. (This alternative is allowed only for noncom-
mercial distribution and only if you received the program in object code or
executable form with such an offer, in accord with Subsection b above.)
The source code for a work means the preferred form of the work for making
modifications to it. For an executable work, complete source code means all the
source code for all modules it contains, plus any associated interface definition files,
plus the scripts used to control compilation and installation of the executable.
However, as a special exception, the source code distributed need not include
anything that is normally distributed (in either source or binary form) with the
major components (compiler, kernel, and so on) of the operating system on which
the executable runs, unless that component itself accompanies the executable.
If distribution of executable or object code is made by offering access to copy from
a designated place, then offering equivalent access to copy the source code from

the same place counts as distribution of the source code, even though third parties
are not compelled to copy the source along with the object code.
4. You may not copy, modify, sublicense, or distribute the Program except as ex-
pressly provided under this License. Any attempt otherwise to copy, modify, sub-
license or distribute the Program is void, and will automatically terminate your
rights under this License. However, parties who have received copies, or rights,
from you under this License will not have their licenses terminated so long as such
parties remain in full compliance.
5. You are not required to accept this License, since you have not signed it. However,
nothing else grants you permission to modify or distribute the Program or its
derivative works. These actions are prohibited by law if you do not accept this
License. Therefore, by modifying or distributing the Program (or any work based
on the Program), you indicate your acceptance of this License to do so, and all its
terms and conditions for copying, distributing or modifying the Program or works
based on it.
6. Each time you redistribute the Program (or any work based on the Program),
the recipient automatically receives a license from the original licensor to copy,
distribute or modify the Program subject to these terms and conditions. You may
not impose any further restrictions on the recipients’ exercise of the rights granted
herein. You are not responsible for enforcing compliance by third parties to this
License.
7. If, as a consequence of a court judgment or allegation of patent infringement or

for any other reason (not limited to patent issues), conditions are imposed on you
(whether by court order, agreement or otherwise) that contradict the conditions
of this License, they do not excuse you from the conditions of this License. If
you cannot distribute so as to satisfy simultaneously your obligations under this
License and any other pertinent obligations, then as a consequence you may not
distribute the Program at all. For example, if a patent license would not permit
royalty-free redistribution of the Program by all those who receive copies directly
or indirectly through you, then the only way you could satisfy both it and this
License would be to refrain entirely from distribution of the Program.
If any portion of this section is held invalid or unenforceable under any particular
circumstance, the balance of the section is intended to apply and the section as a
whole is intended to apply in other circumstances.
It is not the purpose of this section to induce you to infringe any patents or other
property right claims or to contest validity of any such claims; this section has the
sole purpose of protecting the integrity of the free software distribution system,
which is implemented by public license practices. Many people have made generous
contributions to the wide range of software distributed through that system in
reliance on consistent application of that system; it is up to the author/donor to

decide if he or she is willing to distribute software through any other system and
a licensee cannot impose that choice.
This section is intended to make thoroughly clear what is believed to be a conse-
quence of the rest of this License.
8. If the distribution and/or use of the Program is restricted in certain countries either
by patents or by copyrighted interfaces, the original copyright holder who places
the Program under this License may add an explicit geographical distribution
limitation excluding those countries, so that distribution is permitted only in or
among countries not thus excluded. In such case, this License incorporates the
limitation as if written in the body of this License.
9. The Free Software Foundation may publish revised and/or new versions of the
General Public License from time to time. Such new versions will be similar in
spirit to the present version, but may differ in detail to address new problems or
concerns.
Each version is given a distinguishing version number. If the Program specifies
a version number of this License which applies to it and “any later version”, you
have the option of following the terms and conditions either of that version or of
any later version published by the Free Software Foundation. If the Program does
not specify a version number of this License, you may choose any version ever
published by the Free Software Foundation.
10. If you wish to incorporate parts of the Program into other free programs whose
distribution conditions are different, write to the author to ask for permission. For
software which is copyrighted by the Free Software Foundation, write to the Free
Software Foundation; we sometimes make exceptions for this. Our decision will be
guided by the two goals of preserving the free status of all derivatives of our free
software and of promoting the sharing and reuse of software generally.
No Warranty
11. Because the program is licensed free of charge, there is no warranty
for the program, to the extent permitted by applicable law. Except
when otherwise stated in writing the copyright holders and/or other
parties provide the program “as is” without warranty of any kind,
either expressed or implied, including, but not limited to, the implied
warranties of merchantability and fitness for a particular purpose.
The entire risk as to the quality and performance of the program is
with you. Should the program prove defective, you assume the cost
of all necessary servicing, repair or correction.
12. In no event unless required by applicable law or agreed to in writ-

ing will any copyright holder, or any other party who may modify
and/or redistribute the program as permitted above, be liable to

you for damages, including any general, special, incidental or con-

sequential damages arising out of the use or inability to use the
program (including but not limited to loss of data or data being
rendered inaccurate or losses sustained by you or third parties or a
failure of the program to operate with any other programs), even
if such holder or other party has been advised of the possibility of
such damages.
End of Terms and Conditions
Appendix: How to Apply These Terms to Your New Programs

If you develop a new program, and you want it to be of the greatest possible use to
the public, the best way to achieve this is to make it free software which everyone can
redistribute and change under these terms.
To do so, attach the following notices to the program. It is safest to attach them to
the start of each source file to most effectively convey the exclusion of warranty; and
each file should have at least the “copyright” line and a pointer to where the full notice
is found.
<one line to give the program’s name and a brief idea of what it does.>
Copyright (C) <year> <name of author>
This program is free software; you can redistribute it and/or modify it un-
der the terms of the GNU General Public License as published by the Free
Software Foundation; either version 2 of the License, or (at your option) any
later version.
This program is distributed in the hope that it will be useful, but WITHOUT
ANY WARRANTY; without even the implied warranty of MERCHANTABIL-
ITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General
Public License for more details.
You should have received a copy of the GNU General Public License along
with this program; if not, write to the Free Software Foundation, Inc., 51
Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA
Also add information on how to contact you by electronic and paper mail.
If the program is interactive, make it output a short notice like this when it starts in
an interactive mode:
Gnomovision version 69, Copyright (C) <year> <name of author>
Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type
‘show w’.
This is free software, and you are welcome to redistribute it under certain
conditions; type ‘show c’ for details.

The hypothetical commands show w and show c should show the appropriate parts
of the General Public License. Of course, the commands you use may be called some-
thing other than show w and show c; they could even be mouse-clicks or menu items—
whatever suits your program.
You should also get your employer (if you work as a programmer) or your school, if
any, to sign a “copyright disclaimer” for the program, if necessary. Here is a sample;
alter the names:
Yoyodyne, Inc., hereby disclaims all copyright interest in the program

‘Gnomovision’ (which makes passes at compilers) written by James Hacker.
<signature of Ty Coon>, 1 April 1989

Ty Coon, President of Vice
This General Public License does not permit incorporating your program into propri-
etary programs. If your program is a subroutine library, you may consider it more useful
to permit linking proprietary applications with the library. If this is what you want to
do, use the GNU Library General Public License instead of this License.

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The Rockbox Manual

Version r22435-090820. Built using pdfLATEX.

Permission is granted to copy, distribute and/or modify this document under

The Rockbox manual Iriver H100

4 Browsing and playing 22

The Rockbox manual Iriver H100

4.2.2 Initializing the Database . . . . . . . . . . . . . . . . . . . . . . . . 26

5 The Main Menu 38

The Rockbox manual Iriver H100

6.6 Stereo Width . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

The Rockbox manual Iriver H100

10.2 Encoder Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

The Rockbox manual Iriver H100

11.1.30 Wormlet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

The Rockbox manual Iriver H100

12 Advanced Topics 133

A File formats 140

B WPS Tags 143

C Album Art 152

The Rockbox manual Iriver H100

C.2 Limitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

D Config file options 154

E Menu Overview 159

F User feedback 160

The Rockbox manual Iriver H100

1.2 Getting more help

The Rockbox manual Iriver H100

main channel for Rockbox is #rockbox on irc://irc.freenode.net. Many helpful developers

1.3 Naming conventions and marks

Warning: This is a warning. In contrast to notes mentioned above, a warning should

The Rockbox manual Iriver H100

2.1 Before Starting

2.2 Installing Rockbox

The Rockbox manual Iriver H100

Themes. The appearance of Rockbox can be customised by themes. Depending on your

2.2.1 Automated Installation

• Automatically install all suggested components (“Complete Installation”).

• Selectively install optional components.

• Install additional fonts and themes.

• Install voice files and generate talk clips.

• Uninstall all components you installed using Rockbox Utility.

The Rockbox manual Iriver H100

Choosing a Rockbox version

2.2.2 Manual Installation

Installing the firmware

The Rockbox manual Iriver H100

Installing the bootloader

1. Download the firmware patcher fwpatcher.exe from http://download.rockbox.org/

2. Go to your desktop and double-click on the firmware patcher.

2.2.3 Finishing the install

The Rockbox manual Iriver H100

2.2.4 Enabling Speech Support (optional)

2.3 Running Rockbox

2.4 Updating Rockbox

The Rockbox manual Iriver H100

2.5.2 Manual Uninstallation

The Rockbox manual Iriver H100

The Rockbox manual Iriver H100

3.1.2 Turning the player on and off

Key Remote Key Action

On shutdown, Rockbox automatically saves its settings.

3.1.3 Starting the original firmware