Documentos de Académico
Documentos de Profesional
Documentos de Cultura
Theories of
Place
Kansas State University
Department of Architecture
Ref. Nos. 17448 (Arch 750-I) & 13689 (Arch 803-A)
Fall 2018, Mondays, 7 pm
Dr. David Seamon
532-1121; 785-317-2124 (cell)
triad@ksu.edu
https://ksu.academia.edu/DavidSeamon
Overview
This course introduces students to qualitative, descriptive approaches to research in environmental
behavior. The first part of the course explores methods for studying the built environment intuitively,
particularly the approach of phenomenology. Next, the course examines such themes as
space-as-experienced, sense of place, environmental encounter, built form as experiential symbol, and
architecture and landscape architecture as community making. A major focus is architecture and
environmental design as place making.
Seminar objectives
▪ To consider the experience of place and to recognize its multi-dimensional nature that includes
experiential, social, cultural, aesthetic, and political dimensions.
▪ To introduce students to various conceptual approaches to place, including analytic, ethnographic, and
phenomenological perspectives.
▪ To review various theoretical and practical approaches to place making, including space syntax,
pattern language, responsive environments, and design for social and cultural diversity.
▪ To demonstrate the value of understanding human behavior and experience in relation to
environmental and architectural concerns.
▪ To recognize the architect’s responsibility to work in the public interest and to improve the quality of
life.
▪ To strengthen students’ abilities to read, interpret, and write effectively.
▪ To illustrate the value of applied research for architecture and environmental design.
Applicable student performance criteria
In relation to national architectural accreditation (NCARB) standards, the seminar involves the following
objectives and performance criteria:
A.1. Professional communication skills (“Ability to write and speak effectively and use appropriate
representational media both with peers and with the general public”).
A.2. Design thinking skills (“Ability to raise clear and precise questions, use abstract ideas to interpret
information, consider diverse points of view, reach well-reasoned conclusions, and test alternative
outcomes against relevant criteria and standards”).
A.7. History and global culture (“Understanding of the parallel and divergent histories of architecture and
the cultural norms of a variety of indigenous, vernacular, local, and regional settings in terms of
their political, economic, social, ecological, and technological factors”).
A.8. Cultural diversity and social equity (“Understanding of the diverse needs, values, behavioral norms,
physical abilities, and social and spatial patterns that characterize different cultures and individuals
and the responsibility of the architect to ensure equity of access to sites, buildings, and structures”).
C.1. Research (“Understanding of the theoretical and applied research methodologies and practices used
during the design process”).
Class Format and Readings
The class is run as a seminar and the main focus is readings. Weekly two-page essays will be requested to
help students keep abreast. Also required is a research or library project relating to class themes. Readings
for the class include:
▪ Christopher Alexander. Production of Houses (NY: Oxford University Press, 1985).
▪ Howard Davis. Living over the Store (NY: Routledge, 2012).
▪ Charles Montgomery. Happy City: Transforming our Lives through Urban Design (NY:
Doubleday, 2013).
▪ Edward Relph. Place and Placelessness (London: Pion, l976/2008).
▪ Additional readings available as PDFs at K-State On-Line (KSOL Canvas).
Optional texts we’ll be reading chapters from and students might like to purchase:
▪ David Seamon, editor. Dwelling, Seeing, and Designing: Toward a Phenomenological Ecology
(Albany, NY: State University of New York Press, 1993).
▪ Jane Jacobs, The Death and Life of Great American Cities (NY: Vintage, 1961/1993).
▪ Eric Klinenberg. Heat Wave: A Social Autopsy of Disaster in Chicago (Chicago: University of
Chicago Press, 2002).
Grading
Grades will be based on the following criteria:
1. Attendance (twenty per cent of grade). I expect students to attend all classes, since we meet only
once a week. One absence is acceptable, but any beyond that will affect your grade. Please let me
know beforehand if you will not be attending class.
2. Reading reports. I require a weekly 1-2 pp. report on readings. This essay should express your
reactions to the readings—e.g., what you liked, disliked, found useful, found questionable,
etc. (thirty percent).
3. Class project (see below) (thirty percent).
4. A Take-home problem at the end of the semester. This exercise will work as a final exam. I will
prepare several essay questions, and you will answer two. These essays will be broad in focus and
will be due the week of exams (twenty percent).
Class Project
Since this class is an upper-level course, I feel that students should have the freedom to pursue a research
or field project in which they have a personal interest. Please keep your thoughts open to a possible topic
in the first few weeks of class; I will ask for a specific focus about the fifth week.
What I do ask is that your topic arise in some way from the readings that we do in class. Let’s say, for
example, that you find a particular essay interesting. You might want to take the argument of that essay
and apply it to a particular building or place. Or you find the work of one particular author interesting, and
decide that you would like to look at his or her work in greater detail. Or you might want to select a
particular architect or designer and use some of the themes we discuss to explore that person’s work.
In short, I am leaving the focus of your class project open. I will expect you to speak to me sometime
fairly early in the semester about what particular topics you are considering.
Contacting Instructor
My office is Seaton, Rm. 2008, and the phone there is 532-1121. My office hours are 11 am—noon,
M-W-F, though I am in the office most weekday afternoons. Please stop by if you have any questions or
problems. Email: triad@ksu.edu.
Please note that any student with a disability who needs an accommodation or other assistance in this
course should contact the instructor in the first two weeks of the course.
Academic Conduct
As students know, the academic honor code is an integral part of the Kansas State University grading
system. All students in this seminar agree to the KSU honor code, which states that: “On my honor, as a
student, I have neither given nor received unauthorized aid on the academic work I have done for this
seminar.”
In addition, students are reminded that all student activities in the University, including this seminar, are
governed by the Student Judicial Conduct Code as outlined in the “Student Governing Association By
Laws, Article VI, Section 3, number 2”: “Students who engage in behavior that disrupts the learning
environment may be asked to leave the class.”
Tentative Outline (readings listed are to be read for that evening’s class; all seminar readings are
available as PDFs at KSOL; see numbers at end of each reading)
Aug 20: Ways of Seeing and Understanding: Phenomenology and the Nature of Place
Readings to be discussed: class syllabus
American independent filmmaker John Sayles” Sunshine State (2002)
Aug 27: World Views and Environment
Readings to be discussed:
1. E. Relph, Place and Placelessness, chap. 1 (PDF; book on reserve in Weigel) (1-1).
2. E. A. Gutkind, “Our View from the Air: Conflict and Adaptation,” in Man’s Role in Changing
the Face of the Earth, 1956, pp. l-27 (PDF; book on reserve) (1-2).
3. E. Voght & J. Roberts, “A Study of Values,” Scientific American, 1956 (PDF) (1-3).
4. J. Jacobs, The Death and Life of Great American Cities, chap. 2, “The Uses of Sidewalks:
Safety” (PDF; book on reserve) (1-4).
Class exercise: Role-playing Navaho, Zuni, Mexican-Americans, Mormons, and “Texans.”
S—That is, Survey the whole chapter or article fairly rapidly, skimming through to get a rough sense of
the scope and nature of the argument. Remember that information is not evenly spread throughout the text
but tends to be concentrated in the opening and closing paragraphs (where you often get useful summaries
of the whole). The “hinge points” of the article are often indicated in the opening and closing sentences of
the paragraphs.
Q—Having skimmed the whole, set yourself some Questions to which you hope to find answers in the
reading. This effort makes you an “active” rather than a passive reader, and gives purpose to your reading.
R1—Now, Read the whole piece. Use a pencil if the copy is your own to underline key points, query
difficulties, circle phrases worth remembering, and so forth. Don’t just sit in front of the pages. If the
book is not your own, jot down something on paper as your read, however minimal.
R2—Now, close the book and Recall what you have read. Jot down some summary points. Ask
whether your starting questions have been answered, or at least clarified. Spell out some of the difficulties
that remain. In this way, you record some concrete outcomes to your reading, so that your time doesn’t
simply evaporate uselessly once the book is closed.
R3—This final stage is the Review. It happens after an interval has elapsed after the reading. You can
experiment, but initially try doing it the following day. Without opening the book again, or referring back
to your notes, review what you have gained from the reading; remind yourself of the questions you set
yourself, the points you jotted down at the Recall stage, and any important phrases from the essay. If this
effort produces very little, then refer back to your notes. If they makes little sense, then repeat the Survey
stage and do an accelerated Read, by reading the first and last paragraphs of the essay, and skim-reading
the main body assisted by your penciled markings.
You may have evolved a study technique something like this already. It is really just common sense. But
it will help to ensure that you gain something from a text, no matter how initially forbidding it might be.
_________________________
1. Peter Barry, Beginning Theory: An Introduction to Literary and Cultural Theory (New York: Palgrave
Macmillan, 2009). Barry’s discussion of intensive reading appears on pp. 4-5.