2 EXPANDING RANGE TO E ascending from seventh position eee A Sg FZ ete oa SPREADING INTERVALS TO E Descending from first (open) position EXPANDING RANGE TOG ascending from seventh positionDevelop Resistance ETS compare the tmpst tude pretest way of thinking, and then turer Inte a cryin) tall to observe. te Change anfold in his. ulure. progress Orditally, he considers Iie hiagnel te foree thu draws iain toward the line 0 Teast rwaivdanee Howevers by graally Fuerging Irom Ute suloleseent sage, h hew-bort word of Inteigent “UHDtght serudually reveals dtseit Tn obsevsing an outstanding performen, ry" nol To become envious bil, rather be’ grat ital Lo discover souieorle whi nol uly lus become accomplished, bul vio This! perfected annvething. wee hate lan struggled for Disrexard gullible obecasiens scl as Should “contain;” certaifanghed bircrs: thinner tips. more welt ly Ting Lwosthirds on the foo Tip. visa’ versa cic. Give no thought that this elds Ui» key" to the areret of one's. sucess Don't ‘be obsessed wih the idr that flical change will bring about neue lace success und solve ul your truMbles Hers oes out attention 0 RESIST ANCE, saul discuss it Mhorosghly. sas any thought been given to why ruined singers in action Keep such tert ‘ity In is aeeeasury paris of thelr body, So trumpeter: blow out tele eheehee A fotld grip on the inatriauent? Rh Sui, shallow mouthpieces? Bip yres Ste! “Ditoeenea in bores ia, instr aients? Edging against the buck. of, rapping heir True -avound a chain? Tending the muscles sn ant around th Maphrian area? The se of bell fos support? Puckered lips? Or, the pro: ruding jaw? Bure system?” Nun-pres sure sysiem? Air pockets ia the ins? Wiiy eat nourlshing feo for health? hen, why be healthy? ‘This Dolls sown vw Ge fast that every sie consciously, or atherwiae, rites erating. natuce to. bald’ veaistance Sithin Iinwelt, or sonseiely. preva ing for It” Thecetove, with, natntral fe Cilies everyone develops iis own resist: ance, and. if applied intelligently alone correct channels, “this procedure. will have the ditereace between the areenge iid the great. Let us take the unineees faily pressive avay from the ps, and Tn ao doing simultancously, we cat down Gy the tren ‘at and tron aem that ha Ditnally grips the inetrament Place is nevessary resistance tn anit Around the entire andevelonen ase in he aiaplnrasin anes Me dicgshssen ‘Wiig Ta Hist Tayer OD Hatten Cowl brtgil of the Winns dist blow the SOF tlhe ciest, ebesnedins 1h Ont iie Daaly ested atupiivagis nsity pushin signal “the Tower” lungs ends yh the GGricet amount of wind pressure. ths ah he eunted” and contvelted ‘by the tse of the tongue. "The airatreain niu frst pass over tho entive tongue betore bassin throtigh the vibrating embow Eire” In" ever to create. such esa ‘ance in the alvateeain apply the mid lecenteret fatness of the Lone in Sunes form, similar to the gitten oe a ‘rerstappline lot prtal Of a Rover False this. position “af Ue Tonge high vad apron lic actuss the oot athe ‘Wout kgtinat bots walls of the hopes teeth ise the tip of the tongue. in Valvelike fashion. tn eleasing” tho wl Itveam, Ia getting ready fer tho atince tig thy of the toniate should be prosaed aucdinst tnd pointed iveetly behind. the {up teeth The attack ie demonsatel wlien tw tp. the. tongue’ lowered aud releases the alt presauve with “Bite height,” Belindthebotion feet anil keot’ Were stationary “antl eaidy Tor the est attacks THis proce (re. Will wegulate and coudense the ve Sy" of ‘the ainatroamm, fren the: ful 1468 of the lungn. Thus, the vunge de sited ‘will be easily attained due to all thw facilitien, working harmontousty to zener Another very importa ts the closed onibouchere without any on nvewssary ide spread th lina batore placing the mowtipiece, | Regaediess of how tightened the lips art, as soon us the mouthpiece is set, there ‘becomes a alural spread aumeieht enough forthe aly to make tie lips vibrate tretly.. The fongue passing between the Ipa Abw ays uses a Uange‘ous wide spreatl; rave: ally” in “attempting the “upper vane Wil Cit pmition of fly: lips eet ealy tor thie nuititie vuxitor, hie mceuattons os eave nse even Thanjeh heating nd tonieue posiiiun ave carrey bara inated, Reducing Preseure ‘The fallacy in tip stretching for ranze weakens and pulls the muscles away 10 all foreign directions. The great teva H's payed auneaty egetis Shure ini lenge: puckered. mantel, 30 tu form a tieltened embauckuie Siubirauentty, thio proaatne of th nest ieee on ihe liye will hw eat down to 4 Tietonm, Doubtless, the. ie awit more closely togeiher will not. disturh the dreseal” einbovehure, but. will pre: duce. more. tlesibh vibrations,” tiereby Fortitying with mors security by dan In more Lp to. work with, aul ne tn" ah “enlarged and earthed tonal quality. “This os He one sehoat of {howl Mt dias een vie hel tse effet ely bythe Letive aitiets wy cannon amon th Huugte Themselves iby unsuthontate Uivoties. Eheeetone, baum alee the Commect lately, Melt walk Mutat fipted year alter year with xreter se 19 —_——————————_——_—__—_—_—_—_—_—_—_—_—_—_———Descending from first (open) position t bees-y be | LIP TRILLING TO E Copyright © 1972 by CHARLES COLIN — 315 West 53rd St. New York, N, ¥. 19019 All Rights Reserved International Copyright Secured Made in U.S.A. EEA AAA A AAAKGaA a A A AA i a b. ——————— M2 ISD AAAS ae vgs oat Se cept oeestnnel G22 Sie ee Ea Ee x Fagan AAA aN r \ ii A A REEREASEEP TRIEEING (UY UY Descending from first (open) position For uninterrupted prosres: for tangible development before attempting any of the more difficult exercises, pleate refer to text in both LIP FLEXIBILITIES VOL.1 and VITAL BRASS NOTES. Se rere: SPREADING INTERVALS 10 G Descending from first (open) position i ees = aa Se He = = — EXPANDING RANGE TO Bb ascending from seventh position upted proares: for tangible development before attempting any of the more difficult exerci to text in both LIP FLEXIBILITIES VOL.1 and VITAL BRASS NOTES.TO LIP TRILLING TO Bb Descending from first (open) position6 EXPANDING RANGE TO Bb ascending from seventh position SPREADING INTERVALS TO Bb Descending from first (open) position8 LIP TRILLING TO HIGH C Descending from first (open] positionEXPANDING RANGE TO HIGHC ’ ascending from seventh position EXPANDING INTERVALS TO HIGH C Descending from first (open) positionie D ABOVE HIGH C EXPANDING RANGE TO D ABOVE HIGH ¢ ascending from seventh position_ LIP TRILLING TO D ABOVE HIGH C " Descending from first (open) position“EXPANDING RANGE TO D ABOVE HIGH C ascending from seventh positionE ABOVE HIGH C EXPANDING RANGE TO E ABOVE HIGH C ascending from seventh position For uninterrupted progress for tangible development bolore attempting any of the more difficult exercises, Please refer to text in both LIP FLEXIBILITIES VOL. 1 and VITAL BRASS NOTES.LIP TRILLING TO E ABOVE HIGH C Descending from first (open) Position fet. ftetetes , a - eee Pebeier, 1 eee tester, ap fe : _ontetater rteteee >“UP TRILLING TO E ABOVE HIGH C Descending from first (open) position patatarat 4 er = ——————— = = — F Se === eee ee SEs == Spe eee: For uninterrupted progress for tangible development bofore attempting any of the more difficult oxorcite please refer to foxt in both LIP FLEXIBILITIES VOL. 1 and VITAL BRASS NOTESEXPANDING RANGE TO E HIGH C ascending from seventh position For uninterrupted proaress for tangible development before attempting any of the more difficult xercises, please refer to text in both LIP FLEXIBILITIES VOL.1 and VITAL BRASS NOTES, ———_—EXPANDING INTERVALS TO E Descending from first (open) position For uninterrupted progress for tangible development before attempting any of the more difficult exercises, please refer to text in both LIP FLEXIBILITIES VOL. 1 and VITAL BRASS NOTES.- Fe ABOVE HIGH C a EXPANDING RANGE TO F+ ABOVE HIGH C ascending from seventh position 1 a ogress for tangible development belore attempting any of the more difficult 1 in both LIP FLEXIBILITIES VOL. 1 and VITAL BRASS NOTES20 LIP TRILLING TO F+ ABOVE HIGH C Descending from first (open) position Pome ie rae =e aoteopotibeterste rs perpsteseeetceceetes)? ne PetiPleeeeete ys bea the eee See cEcrete} ee For uninterrupted progress for tangible development before attempting any of the more difficull exercises, please refer to fext in both LIP FLEXIBILITIES VOL. 1 and VITAL BRASS NOTES.2 a aoncitetetee? epererse? gesteter? erereeen oie EXPANDING RANGE TO HIGH Fr ascending from seventh position for tangible development before attompting any of the more difficult exercise For uninterrupted progress f please tefer to text in both LIP FLEXIBILITIES VOL.1 end VITAL BRASS NOTES.EXPANDING RANGE TO G: 23 ABOVE HIGH C ascending from seventh position opt be: —-— epi hen = —=EXPANDING RANGE TOA ABOVE HIGH C ascending from seventh position18 Importance of the Tongue RUMPETERS have more varied “thonrles" about the werking 6 douchure tnd lip placement than about any other single phare of their playiDE, Among. the many formulas used to get more ‘or less lip into. the mouthpiece Vaguely are: (1) Red part of to) Hp oa Fim, not in mouthpiece, (2), Twothirds of mouthpiece on top lip: () Half top, Tip,'halt bottem tip; (4) Rod of both Ips rounding around mouthpiece: (5) Top And Dotion ipa eufied tn outhnieee. The most vensible group, However, ad vorates that wherever the mouthpiece feels most confortable and te Tips vi Drate Mont Ireely. that is the ener Dlaceniont. Cin formations. of avery Dlayer ie ax different ns the indlviual te Self. Thetefore it is ebsious!y foolish to Say nat the best placement is "ball ane hat” Embouchure Security A command often beard by. bern iy “amie slightly.” "This etn be. nM hiaei too iivaily. Insiead of unnecer sary Hip stretching, st te tye are puke feat ltd peseeil owe Arily together Imove-of Ite menty substance of the ge absorbed Susie. she ch tore. oe ihe vibrating for the pit pow of vibrating; not for vibrato or for pressure, oF for ailing registers lace. roalting In {athe smibouchure wekered link have a sirengthening ef foci, bit lip sivetching: epreace the. mee cles’ in otnosite directions and. In ae do: Ing tends to weaken the ling. To insure strength in the lip they should at all tintes’be closed and puckered. By keep ng the chin Armiy set the needed vitality for a neaithy enbouchure can te drawn from all_the facial muscles. These are the eze, chia, upper lip, ant muscles in the corhers of the mouth. In wacending from the low to the Bagh register, the lips should be drawn togetien hie te done by raising the bottem lip sligh thie dgntening the muscles in the cor: ners of the mouth. It theo has a direct ing In controlling the air stream, ‘The process tein ralsing and. lowering the alr uiream, ana thus controlled resist fnce reverts bach ta the tighness of the Chibouchute. ‘The technique Is 1o Lower the bottom lip for a slight opening, which ives boih wider vibrations ad a reson ‘unt bottom register. ‘The voninretaion of the lips results In a smaller opening nd ‘hus higher range. Vital Body Resistance The tixhiness of compressed lips con: twols body resistance. Such resistances in vital in playing i cup mouthplees Let's discuss ways and nieans of odtaite ng I Here are out 4 fev aettods: by ereailng a sensation tor the presnure Against the back of the halt, when the minsclon in the back of tho diaphrases Are funetioning norinally: end by placing f thick belt around the dlapbragm area In order to sense the correct pressite while performing, “Still another is ripping te lor foreeruny erougn ‘0 ftimuiete enough tension through one's entire boas. Some keep the body terse, farely relaxed, They keep trom cr = ing thelr iexs, or sitting fe 4 slouened position; bat slwaya alitlag up strait fo that the tungs will have uangle Foon to function froely ‘The tongue placement plays a vitally Important part in the building of a strong embouchure. The accepted’ conception Of the tongue placement has a direct re Tation tothe opening of the vibratlng Hips Avlarge opening ‘between the lips Jeopardizon soearity in the upper range ‘Those having this AiMieuliy. shoate ton fue behind the top teeth staring. their Attack close. to the Tool of the. mouth, This slight change ‘has the effect. cf Rradually feeding. the mouthpiece with Mere top ane bottom lip whieh definite y remedies this fault, ‘Those using Iitle top lip ané tonguing between ihe. tis tle fip_ tasty Inthe. mouth tach ao that literally apesiing they are *nlayinge on thelr teeth” Th iseomfort “calls for a. mare protective grin the mouthpiece. keventually it leads to oxcessive lip presstire aed store age of the blood eireutation. Te instre etast any Auch qhessie We SERS! fOngine benind dnd again the ep teeth If possible Iiher up tow att the oot of the iavth, "This. RutonnalTcally uehow the jaunt anil fips cloner Lometines This in ilsell auatersets any. excessive pressure, Controlling Air Strean: he aie stieant" pAating over Une ton ur ts controled and regulated. by ie dese or biek of ihe tongue, Sinutaie shusly the sides of the rear o¢ (he toucie fre ftationel agtiaat the miles of (it teeth, ‘This contact eventos perfection ontrolling the air ttveamn. Chie, par Tiel postion of the tonmie plays an in portant part in determining the ye. 01 fone and resonance tesited. It also has a ditect bearing on the freeaess of tie fin column. Ali this ig done with the ely of the bottom tip whieh works to ether wiih a tie moving jay, tMi8 Ken: ‘ratlug the correct amouat of Fesistanse We definitely advoeate more tip in hiouthpiece for freer lip vibration. Te interesting {0 observe some at tho great colored irumpeters who natures are ens dowed with thtek tips. Without doust they have mastored the art of endurance, samina, and range, It was Aways. a uree of consolation {0 jiaten 10 Lanis Kleopfel (ihe late great trumpet teaches ft the Now England Conservatory) ae te took much plesaure In relating. to. atu denta his experiences. teaching the big oped celored trumpeter and special ly ‘how he rejoiced” In ahatvering the stupid theovies ‘of Kinde af lip. textures Dest for vibrations. He provet that the Uhlcker the lip substance the mote. one thas to wore with,Ap MMMNG Gnd oteiching SLIP, fuilling® has Yoon the most mio Lip stretching is the backward method famed setion in the trumpet veeab aatded down trom the eld sehool, Such ulary. Thin adopted. title carries the leaching requires trom alx months to a eneral consensus of opinion that ip year betore & student {8 able te: show Siretehige ta the mediem to obtain the Any sigue of tip illing. "slurring by ill. “Stretching the lips snd. wiggling Way of sivetculng (he My, ssuen aero the corners of the mouth i not a pro: fhe teoth weakenm the Tip and th Sreasive method. tt has never’ reached the tona. “Theressed iy developan Dermanent perfection Deemuse It min be he’ obtained by the arching tongue. exercised painstakingiy. Whatever Ne\- Hbility ts alteined by thie method will be Tost: on beomen & slave to a lip tell, Hange can be developed by alr cone wot “The tonguecontrolted alr" steam, will increase range In every form of Correctly applled, giissandas Controfling the alr stream resulte in a natural “and ‘permanent develonment tp To€ above high C are powible with ‘hereas the alr stream 18 governed by a ‘ont employing any treax methods, “Add exible arched. tongue. This knack of Duekered Tipe aad both vesietance and “up triliing” Is not foreed; therefore It power will be surprising. “Without. seal Is consistent, “Te ls necessary for vowel fink, added streneth witt bo ‘cathered syllables to be shared into unobstructed from the eye, cheek, and lp muscles, all alratroams penetrating trem. wellcon directed teward the’ emposehure. should trolled dlaphramatle breathing. jae De more conscious of thie fact, mus: clea ot yet developed will be put into. ttse for strengthening results, Tongue Position ‘The position of the tongue in wh Ing la "the ‘correct tongue formation, The muacery of tp trlling 1s the com: Visualize the rear of tae tongue belng plots "mental viouallzation "ot (ie. fon edged clase to the upper molars, ‘This tion ot the tongue, Refrain from! tip. ondenses tho alr coltmn an controle streiching and uno-4 clowed puckered t the velocity of air. Unpbatructien In ‘Tongue behind the teeth to. veleasa. ti the “airstream "is vitally important, air stream. Practice G slow middle © ‘Therefore the tip of the tongue must false Angering (lel & 3rd). Rains the descend benita ‘the bottom teeth. air stream to "BY (lat £ 36d) and lower {te ‘airstream eek to." by agit casing the tension of the tongie agalnnt ihe "top ‘molar, Note tne resume rented by. the puckered enboteaure it te always teat io start tlowly ant solly For correct liptriling development, Im an ensy rogister;gradany ancend. the ‘rst objective ls to. beconse, con tclous of the working mechanisms’ In Side the mouth: Sense the: ectirity of ie alr stream otmultaneously withthe Dacement of the Tear, eenter, aad for Ward sections of the tongue’ For. con trol, the tongue In sioided. Ia. arched. {orm ‘so thevalr‘colemn eat retce Lip tiling by exible arehed tongue Aeveloys and stabilizes the embouchtre, The bise of the tongue riveted te. the top molars raises Ch Jaw enough 20 makes natural contact in tho embouchy Syllables tn “the, form "of hl “foolng!” or “harrine™ Sie the ie, thereby forming the eorrect amount {ahve coined withthe. Souchure,”"An tas forcen Broun To soon as the rear tongue. is pressed ouehure, hess foreen bron to- rina the: top molars the Jew escent elle lnorate range, “An-extende ti with it: consequent this Grawing to- iaphtagm reales vacutm greaaie by Fetter or’ tne © entowette conaiusty Jocking the. air behind the tp of the the neceaealyrenistanens ho tenseneas tongue placed armly against” the top of the reat tongue againat the top m0" ferth This sniates an unlimited sir lave in in proportion with the viene Jam, renmure aa IC prepares Uo be released. thin “tie enibouckure ie eithon com breased or ‘relaxed aceonfing. te the in tended reristers Upon release a detnite contact of the oy inolns against the nat atrfaes af the rear tongue molds n ¢ubelike wand teh effect thru whieh the air. jaases, A simple test In sensing the correct ‘hn ovignates » Controlling device tongue postion is whistling thirds. re the aly “stream by” means) of either Deatedly"ac the same tne, feeling the Ushtening or lasing the tongue againat it rubs In an the upper molars, Simultaneously. the Desltion of the: tongue tongue in an up and down motion mekes up and cown motion, lars. Coordinaiely senso the condense ‘the resistance in tle embouehure extra fle ae it paanea over the toague, ‘itu Aesible. AS te. alt” paaves freely ever otha fast moring tongue ane. jaw supe the tongue, the speed in Which one Wags bly the ombeuehure with an open cov tho tongue or whistles determines “how. Fenlatanen fast and clean the tril” will moves —_—_—_————_—_—_—_——