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Hello

Dolly J.Herman

                                      
Adap.P.Nebreda

      

   
Flutes


                                       
 
                        
Oboes

        

 
Clarinets in B♭

                                     
Trumpets in B♭
   
          
   
 
Trombón

    
    
Timpani
  
     
Voz   

     
Mujeres   

       

     
Hombres

                   
                   
 
   
Violins I


                   
                   
 
                           
Violins II

Violas                   

    
Violoncellos    
   
  

    
    
   
  
   
Contrabasses

               
               
  

                
                            
    
   
   
  
Piano
6           
Fl. 


Ob.                          

    
B♭ Cl.
             
  
 
 
          
     
     
B♭ Tpt.

            

 
Tbn.

         
Timp.
 
          
Vo. 

          
M. 

           

 
H.

Vln. I                          


              
               
Vln. II

Vla.                                     

 
                           
    
Vc.

                      
Cb.
           

        
  
    
 
   
   
    
 
 
    
  
     
 
        

       
Pno.

   

2
           

16

Fl.


Ob.                                    

                          
B♭ Cl.
         
    
             

B♭ Tpt.

    
          

 
Tbn.

         
Timp.
 
          
Vo. 

          
M. 

           

 
H.

                                   

Vln. I


    
   
 
    
         
          
                              
Vln. II

 
                    

Vla.

  
                   
   

Vc.

          
                 
 
Cb.


          
                               
         
    
                       
 
Pno.

  

3
              
 
       
 
26

Fl.

  
            
               

Ob.

           
               
         
B♭ Cl.

         
    
        
B♭ Tpt.

       

 
Tbn.

        
Timp.
 
         
Vo. 

         
M. 

          

 
H.

        
Vln. I               
 
   
  
  
          
               

   
Vln. II

                  


Vla.

                 
Vc.
            
                
Cb.
   
            
  
                               
         
    

   
                
 
          
Pno.

 

4

                       
      
35


  
Fl.

  
                       

                
Ob.

   
       
   
B♭ Cl.

              
   

      

                  
B♭ Tpt.

 
      
 
Tbn.

      
Timp.
    
   
Vo.       
     

  

     
  
He llo Do lly well He

 
M.

          
Dol ly


H.

   
       
                
 
Dol ly

  
Vln. I

       
                   
   
  
Vln. II

                      

Vla.

     
Vc.   
         

     
    
         
 
Cb.

  
                              
                  

     
   
        


      
Pno.

 

5
41       
Fl. 

Ob.        

         
         
 

B♭ Cl.

B♭ Tpt.                     

       


Tbn.

      
Timp.

              
Vo.
     

       
   
llo Do lly It´s so nice to have you back where you be long You're look ing swell

 
M.

         
Dol ly

H.

            
     
Dol ly

      
Vln. I

         


Vln. II

 
Vla.        



     
            
You're look ing swell

  
Vc.

  
             

   
You're look ing swell

  
Cb.

                 
   
      
  
      
      

   
Pno.

 

6
      

48

Fl.

Ob.       


              
  

B♭ Cl.

B♭ Tpt.                  

      


Tbn.

     
Timp.

          
Vo.          
   
          
Dol ly, we can tell Dol ly, you're still glow ing you're still crow ing you'are still go in'

   
M.

          
Dol ly Dol ly

H.

      

Dol ly Dol ly

Vln. I

     

     
           
Vln. II


 

  
Vla.

     
          

Dol ly, we can tell

Vc.

          
   
Dol ly, we can tell


Cb.

                
      
 
         
  
Pno.

7
      

54

Fl.

Ob.       


                 
      

B♭ Cl.

                        

B♭ Tpt.

      


Tbn.

     
Timp.

           
Vo.
      

       
      
strong. We feel the room sway In', for the band's play In' one of your old fa v'rite

   
M.

          
Dol ly Dol ly

H.

     
        

Dol ly Dol ly


Vln. I

            

    
Vln. II

          
  
   
Vla.

     
Vc.
        

      
Cb.
             

                   
    
    


       
           
 
Pno.

8
       

60

Fl.

       


Ob.


                       

 
B♭ Cl.

B♭ Tpt.                         

       


Tbn.

      


Timp.

             
Vo.        
      

song from way back when. So take her wrap fe las find her an emp ty lap, fe las

M.

       


H.

           


Vln. I

          

           
   
Vln. II

   
 
 
           
Vla.

        

 
Vc.

              
Cb.
          

                            
           
        
           




Pno.

9

         
         
 
67

 
Fl.

     
             

             
Ob.

   
      

               
B♭ Cl.

         
 

B♭ Tpt.

            

Tbn.

     
Timp.
  
             
Vo. 

    
   
Dol ly 'll nev ver go a way a gain!

M.

      
 
Hel


H.

    
                     
He




 
Vln. I

   
                 
       
             
Vln. II

      
   
                  
Vla.

        

  
Vc.

        
   
  
Cb.

    
               
         
  
  


 
         

      
           
  
Pno.

10
 
                           
72

Fl.

                          
 

          
Ob.

        
 
  
  
       
B♭ Cl.

             


B♭ Tpt.

              
           

 
Tbn.

                       
Timp.

       

    
      
Vo.

   
                  
M.
     

    
         
            
llo Do lly well He llo Do lly It´s so nice to have you back where you be long

      
H.
     

            
llo Do lly well He llo Do lly It´s so nice to have you back where you be long

             
 
 
Vln. I

      
              
   
            
Vln. II

         

     
Vla.

       


Vc.

                  
       
Cb.

   
                     
 
           
               
Pno.

11
     
                   
79

Fl.

  
                     


Ob.

               

     
B♭ Cl.

B♭ Tpt.             

       
               

 
Tbn.

       
Timp.

      

   
Vo.

               
     
M.
         

        
        
   
You're look ing swell Dol ly, we can tell Dol ly, you're still glow ing you're still

     
      
H.
 

        
            
You're look ing swell Dol ly, we can tell Dol ly, you're still glow ing you're still

  

Vln. I

  
                 

     
  
Vln. II

          

  
Vla.

     
Vc.    

       
          
    
Cb.


  
                


       
          
 
Pno.

12
    
                      
85

Fl.

                         


Ob.

                         

   
 

B♭ Cl.

                   

  
B♭ Tpt.

                   

 
Tbn.

      
Timp.

       
Vo. 
  
   
                    
M.
   

                    
crow ing you'are still go in' strong. We feel the room sway In', for the band's play In' one of

     
H.     

  
   
               
crow ing you'are still go in' strong. We feel the room sway In', for the band's play In' one of

Vln. I 
   
                  
     
Vln. II

               
             
Vla.

     


Vc.

                    
Cb.

   
                              
 

          
       
Pno.

13
 
                      
 
92

Fl.

                   
 
   
 
Ob.

                
   

B♭ Cl.

             
   
take her wrap fe las

B♭ Tpt.

              
   
 
Tbn.

     
Timp.

    
   
Vo.
   
    
   






    
   
take her wrap fe las

M.


           
your old fa v'rite song from way back when. So

           
H.  

                      
your old fa v'rite song from way back when. So

Vln. I  

       
  
    
3

Vln. II

  

Vla.
           

      
Vc.  

    

                   

Cb.

      
                   
    

     
                
Pno.

14
           
         
          
 
98

     
Fl.

                   
       
   
 
Ob.

                     
B♭ Cl.
         
                        
     
 
find her an emp ty lap, fe las

B♭ Tpt.

                         

Do lly 'll ne ver go a way a

 
 
Tbn.

    
Timp.

   
  
              
Vo.
  

   
             
find heran emp ty lap, fe las Do lly 'll ne ver go a way a gain!

M.
 
        
     
      

Do lly 'll ne ver go a way a gain

H.

                         
 
  
Do lly 'll ne ver go a way a gain

 
    
Vln. I

                        

a

 
                       
Vln. II

Vla.   
   

                         
Vc.  
  

                          
    
 

   
                   
Cb.


                                     
  
 
          
       
Pno.

15
      
     
          

    
rit -accelerando
104

       
Fl.

     
rit -accelerando

   rit -accelerando
Ob.

           

   rit -accelerando
B♭ Cl.

       

    
B♭ Tpt.

       
              

  
    
Tbn.

     
           
         
Timp.

      
         
  
rit -accelerando

Vo.

   rit -accelerando    
          
Well well, Hel llo Do lly well He llo Do lly It´s so nice to have you back where you be

           
           
   
M.

    
            
                   
Well,well, Hel llo Do lly well He llo Do lly It´s so nice to have you back where you be

     
H.        

 
                
Well,well, Hel llo Do lly well He llo Do lly It´s so nice to have you back where you be

  

      
rit -accelerando

        
      
Vln. I

             
rit -accelerando

 
              
Vln. II

  
       
rit -accelerando

                  
Vla.

        
  
rit -accelerando

 
Vc.

           
            
  
rit -accelerando

            


   
Cb.

     
                         

    
                 
            

Pno. rit -accelerando

   

16
                
         
  
        
111

      
Fl.


                       

 
         
Ob.

             

   
B♭ Cl.

                    

B♭ Tpt.

                          
      
 
Tbn.

      
 
   
    
Timp.

     
    
Vo.

   
               
long You're look ing swell Dol ly, we can tell Dol ly, you're still

M.            

   
  
   
         
long You're look ing swell Dol ly, we can tell Dol ly, you're still

 
       
H.

   
  
             
long You're look ing swell Dol ly, we can tell Dol ly, you're still


   
    
Vln. I

      
    
   
Vln. II

                
   
Vla.

Vc.
   
              

    
                 


  
  
   
Cb.

          
      

                  
 
       
         
                    
Pno.

 

17
                   
       
117

Fl.

                       
Ob.    

                           

              
B♭ Cl.

   
B♭ Tpt.        

        
             

 
Tbn.

       

 
 
Timp.

         
Vo.            

  
   
                   
glow ing you're still crow ing you'are still go in' strong. We feel the room sway In', for the

 
M.
  

         
           
glow ing you're still crow ing you'are still go in' strong. We feel the room sway In', for the

   
H.    

              
 
   
glow ing you're still crow ing you'are still go in' strong. We feel the room sway In', for the

 
 
  
Vln. I

           
          

       
Vln. II

             
 
 
         
Vla.

      
Vc.       

      
           
   
      
      
Cb.

  
           
             

       
    



         
Pno.

      

18
         
                  
123

Fl.

            
Ob.                

      
                 
 
 
        
B♭ Cl.

    
          

B♭ Tpt.

                      
      
 
Tbn.

        
Timp.
 
 
                 
  
 
Vo.

 
           
                      
band's play In' one of your old fa v'rite song from way back when. So gol ly gee, fe las

 

M.


                  
band's play In' one of your old fa v'rite song from way back when. So gol ly gee, fe las

   
      

      

H.

               
       
band's play In' one of your old fa v'rite song from way back when. So gol ly gee, fe las


 
Vln. I

                      

   
Vln. II

                     

        
Vla.

Vc.
   
            

                 
         
       
                     
Cb.


                  



                 
         
       
Pno.

   
 

19
        
  
131

Fl.

       
Ob.   

         
B♭ Cl.
 
       
 

B♭ Tpt.

                          

 
Tbn.

      
Timp.
   

                          
  
Vo.

                                    

find her an va cant knee, fe las, Do lly 'll ne ver go a way Do lly 'll ne ver go a way

  
M.

                
                    
find her an va cant knee, fe las Do lly 'll ne ver go a way Do lly 'll ne ver go a way

          
  
H.

                      
  
find her an va cant knee, fe las Do lly 'll ne ver go a way Do lly 'll ne ver go a way

  



                
Vln. I


            
                    
Vln. II

      




Vla.

      
                     
 
Vc.

      
                     
             
Cb.

  
                        

            
          
Pno.

       

20
                       
     
137

         
Fl.

     
            

         
Ob.

               
B♭ Cl.

                       
 

B♭ Tpt.

      
             
 
Tbn.

     
 
Timp.
    
  
Vo.            

  
                
Do lly 'll ne ver go a way a way .

M.

   
    
Do lly 'll ne ver go a way a way .

     
         
H.  

  
         
Do lly 'll ne ver go a way a

Vln. I 

          


.

        
Vln. II

 
 
.

Vla.

     
       
.

Vc.

        
      
     
Cb.

 
 
          
         
       
       
  
Pno.

  

21

   

141



Fl.


 


Ob.

  



B♭ Cl.

 


B♭ Tpt.

    
 
  
Tbn.

   


Timp.

  


   
Vo.

M.  



.

  
 


H.

 



Vln. I

  



Vln. II

 

Vla.

  


Vc.

    
  


Cb.

 
    


    
   
Pno.

22
Violin II Hello Dolly J.Herman

   
Adap.P.Nebreda

                           
           


               
                  
6


                                  
     
18

         
                                    
28

            


                  
37

  
       
     
                   
57

  
                                
    
72

                                 
       

83

 rit -accelera
                                       
   
 
94

         
                      

106

   
                             

116
                   
               
126


                    
  
135

2
Viola Hello Dolly J.Herman

                         
Adap.P.Nebreda

      
               

 
                                    
7

       
                                        
18

        
   
                          

27

  
                         
  
46

             
         
You're look ing swell Dol ly, we can tell


55

          
                    
          

66

 
   
  

                 
           
74

  
         

   
           
85

 
                       
    
       
96 rit -acceleran


              
 
  
 

            
106
     
                              
117

            
 
                
 
128

            
  
   
136

2
Violoncello Hello Dolly J.Herman
Adap.P.Nebreda

     
                           
   

                        
     
  
  
11

 
                   
     
22


 
                             
    
32

                           
    
42

 
                          
You're look ing swell Dol ly, we can tell
51

                     
     
 
61


                                  
 
69

         
             
 
      
80

                          
   
   
93

 rit -accelerando
                   
              

104
 
      
                              

114

                  
                  

124


 
                            
134

2
Contrabasses Hello Dolly J.Herman
Adap.P.Nebreda

     
                           
   

                            
  
    
11

 
                   
     
22

 
                                 
     
32

                           
       
43

          
                  
54

 
 
                        
65

                                   
    
76

                                   
   
86

                                    
      
96

 rit -accelerando
                                    
    
104
                                   
    
114

                     
     
124


    
                      
134

2
Piano Hello Dolly J.Herman

 
Adap.P.Nebreda

                                    


                           
         

 
                        
              
4

                  
           

                              
       
12


                  
   
    


                                     
     
     
21

                  
               

  
                                         

                     
30

            
    
      

 
                 
  
          
  
37

                 
            
            
 
                 
        
46

                
    
    

                                    


   
55

                 
             

 
                               
         
                      
64

              
        

 
                           

71


                                 
     

                      


    
    
80

 
 
                   
  

                               
                
 
88


                              

2
           
 
                            
  
    
   
 
    
 

97

 
 
                
    
              
               
   
               
104

    
           
              
        
rit -accelerando

    
  
                         
     
                   

112

        
     
                           
    
                   
                            
      
120

                  
       
        
  
                
     
                                     
128



                     
       
         

          
           



          
137

    
          
        
   
3
Flutes Hello Dolly J.Herman

                                          
Adap.P.Nebreda

    

                             
   
 
29


                     
           
        
36

                                      

72

                                       

82

                     
       
     
92

                 
      

     


rit -accelerando
101

                  
          
        
        
108

                                  

116

  
                                 

125



     
       
         
139
Oboes Hello Dolly J.Herman

   
Adap.P.Nebreda


     
                                   
      


                     
  
        
  
8

 
                                 
        
21

   
     
                            
32

    
                                          
 
69


                                          
79

                               
      
       
90


                                    
  
       
rit -accelerando

     

 
101

    
                              
        
114


          
                        
125



        
            
139
Clarinets in B♭ Hello Dolly J.Herman

                      


Adap.P.Nebreda


      

                  
        
6

                               
   
17


                            
26

               
        
    
35

                  
       
42

   
                          
 
52

 
                              
60

       
        
  
  

  
69
                      
      
76

        
                   
86

              
          
94

take her wrap fe las find her an emp ty lap, fe las

  rit -accelerando
                                 
 
  
101

       
                            

113

                                
 
121



 

   
                            

132

2
Trumpets in B♭ Hello Dolly J.Herman

  
Adap.P.Nebreda

   
                                      
 
  
                              
 
13

 
   
                           
25

   
   
                                  

35

  
                                  
45

                  
                     
56


                    
                
 
66

                                   

75

                                       
 
87

          

                  
  
  
100
rit -accelerando

                                       

Do lly 'll ne ver go a way a

  
111
                                    
    
120

 

                                  

  
130

2
Trombón Hello Dolly J.Herman

     
Adap.P.Nebreda

         
          

           
                   
12


                                  
  
35

                                 
     
72

                                   
   
82


        
                    
92

                                 
      
103

      
                                   
111

                   
     
120

                   
         
130


             
  
140
Timpani Hello Dolly J.Herman

   
Adap.P.Nebreda

      
          

  
                            


71

 

   
  
                      
      
104

      

  
      
136
Voz Hello Dolly J.Herman

 
Adap.P.Nebreda

        
             

                  
He llo Do lly well He llo Do lly It´s so

 

43

      
nice to have you back where you be long You're look ing swell Dol ly, we can tell

            
50

        
Dol ly, you're still glow ing you're still crow ing you'are still go in' strong. We feel the room

           
56

           
       
sway In', for the band's play In' one of your old fa v'rite song from way back when. So

     
63

 
  
take her wrap fe las find heran emp ty lap, fe las Dol ly 'll nev ver go a way a gain!

           
      
70

     rit -accelerando
 
          
take her wrap fe las find her an emp ty lap, fe las Do lly 'll ne ver

      
 
 
101

  

                
go a way a gain! Well well, Hel llo Do lly well He llo Do lly It´s so

     
109

  
                  
nice to have you back where you be long You're look ing swell Dol ly, we can tell

  
116

        
Dol ly, you're still glow ing you're still crow ing you'are still go in' strong. We feel the

         
 
121

room sway In', for the band's play In' one of your old fa v'rite song from way back

                   
   
127

when. So gol ly gee, fe las find her an va cant knee, fe las, Do lly 'll ne ver


                         

134

go a way Do lly 'll ne ver go a way Do lly 'll ne ver go a way a way .

2
Violin I Hello Dolly J.Herman

   
Adap.P.Nebreda

                           
           


                                   
6


                                        
18


                             
    
28

 
        
  
      
  
   
36

  
            
                
55

   
               
                  
  
70

       
  
           
          
 
79

                              
   
89

           

   
                            

3


rit -accelerando

 
101


               
                    
a


109
 
                                 

119

           
                 

 
130


           
 
137

2
Solista-Coro-piano Hello Dolly J.Herman
Adap.P.Nebreda

        
Voz   
        
Mujeres   

           

   
Hombres


                                                          
                         
               
           
Piano

              

9

Vo.

              
M. 

H.
               


   
     
       
 
  
          
      
   
         
     
                                     
  
    
Pno.

  

             

23

Vo.

             
M. 

H.
              

 
                                            
                              
       
     

                          
                  
Pno.

          
      
           
36

Vo.

   
        
      
He llo Do lly well He llo Do lly It´s so nice to have you back where you be

   
M.

               
Dol ly Dol ly


H.

  
                       
        
Dol ly Dol ly

     
     
                        
     
  
Pno.


          
               
45

Vo.

   
            
long You're look ing swell Dol ly, we can tell Dol ly, you're still glow ing you're still crow ing you'are still go in'

   
M.

             
Dol ly Dol ly

H.

           
  
   
  
           
Dol ly Dol ly

  
     
               
 
Pno.

        
        
       
54

Vo.

   
      
      
strong. We feel the room sway In', for the band's play In' one of your old fa v'rite song from way back when. So

   
M.

             
Dol ly Dol ly

H.

                                 
            
Dol ly Dol ly

  
           
             
   
Pno.

            
     
      
63

Vo.

        

take her wrap fe las find her an emp ty lap, fe las Dol ly 'll nev ver go a way a gain!

M.

         

  
H.

 
        
         
                
         
  
  

          

 
  
  
        
 
    
    
Pno.

        
   
71

    
        
Vo.

      
                   
M.
          

    
        
                         
Hel llo Do lly well He llo Do lly It´s so nice to have you back where you be long You're look ing

   
H.
       

  
                           
He llo Do lly well He llo Do lly It´s so nice to have you back where you be long You're look ing

 
 
                

  

  

    
 
Pno.
         

80

   
Vo.

             
                    
    
M.

          
                        
swell Dol ly, we can tell Dol ly, you're still glow ing you're still crow ing you'are still go in' strong. We feel the room

     
H.      

                               


  
swell Dol ly, we can tell Dol ly, you're still glow ing you're still crow ing you'are still go in' strong. We feel the room

 
 
                     
 
Pno.

       
   
   
89

Vo.

           
                    
  
take her wrap fe las

M.


                  
    
sway In', for the band's play In' one of your old fa v'rite song from way back when. So

     
H.  

       
                               
    
sway In', for the band's play In' one of your old fa v'rite song from way back when. So

  
                       
Pno.

    rit -accelerando
              
      
  
98

Vo.

    rit -accelerando
              
find her an emp ty lap, fe las Do lly 'll ne ver go a way a gain! Well well, Hel llo

            
M.   

           
    
Do lly 'll ne ver go a way a gain Well,well, Hel llo

            
H.  

      


Do lly 'll ne ver go a way a gain Well,well, Hel llo

                          
                             
           
   
 
           
          
 

Pno. rit -accelerando

 
  
            
       
           
106

Vo.

     
                             
Do lly well He llo Do lly It´s so nice to have you back where you be long You're look ing swell Dol ly, we can

      
M.
          

 
                 
              
Do lly well He llo Do lly It´s so nice to have you back where you be long You're look ing swell Dol ly, we can

         
       
H.
 

        


          
Do lly well He llo Do lly It´s so nice to have you back where you be long You're look ing swell Dol ly, we can


 
                                   
 
            
       
    
              
           
Pno.

  

 
           
    
       
  
115

Vo.

   
           
   
              
tell Dol ly, you're still glow ing you're still crow ing you'are still go in' strong. We feel the room sway In', for the

     
    
M.

           
                 
tell Dol ly, you're still glow ing you're still crow ing you'are still go in' strong. We feel the room sway In', for the

           
H. 

           
                                 
tell Dol ly, you're still glow ing you're still crow ing you'are still go in' strong. We feel the room sway In', for the

 

                  
                 
 
Pno.

       

    
  
           
  
   
123

Vo.

     
               
              
band's play In' one of your old fa v'rite song from way back when. So gol ly gee, fe las find her an va cant

      

M.


                  
band's play In' one of your old fa v'rite song from way back when. So gol ly gee, fe las find her an va cant

   
      

      
    
 

H.

       
     



  
    
 
   
     

 
  
      

 


  
band's play In' one of your old fa v'rite song from way back when. So gol ly gee, fe las find her an va cant



                       
         
         
Pno.

   
 
                         
   
132

Vo.

   
                                         
knee, fe las, Do lly 'll ne ver go a way Do lly 'll ne ver go a way Do lly 'll ne ver go a way a way .

  
M.

 
knee, fe las Do lly 'll ne ver go a way Do lly 'll ne ver go a way Do lly 'll ne ver go a way a way .

                     
                                 
  

H.

            


knee, fe las Do lly 'll ne ver go a way Do lly 'll ne ver go a way Do lly 'll ne ver go a way a

                    


                       
     
             
   

  

  
      
Pno.

          


  
 
141


  
Vo.

M. 
 



.

   
 


H.

 
    

    
   
Pno.