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Score

A una mujer
(vals) Horacio Salgán- Carmelo Volpe

      
Arreglo: Nicolás Muller

  
   
   2       
        


 
4


        
    

 
  
      
           
         
7

     
      
 
   
   
rit.


8

        
a tempo

      
   
13
                 

          
      
   
          
         
     

 
        

    
             
19

  

 
                     
    

                
                
25 4


3 3

          
  
  

      
          
  

©
2 A una mujer

     
   
          
    
31

  
  cresc.
        
  
    
      
   

        
             
 
 
37

 

          
      
       
  

  
        
      
   
              

43

   


          
subito 3

     
     
        

     

   
50

              
7

 
3

     

   
cresc.

                   
  

          
      3        
                    
57

   
 
    
            
   
       

    
64
         
       
7

        cresc. 


  
          
   
 
       

A una mujer 3

 
        
71

           
3

    
  

    

        

            

 


        
    
                
77


 

             
   
  
      


                         
       
84

      
   
cresc.

            
      
     
             
                        
 
90

     

 
4 3 3

         
   
      
 

96
                 

          
   


            
       

    3
          
102

      
           
 cresc.  
        
     
 

       
  
  
4 A una mujer

          

108

  
         
       

           
    
    


             
3 3

    
      
115

    
      
cresc.

           
     
 
       
             
7

  
                  


122

 
3


 
 
   
      
            
  
       
129
  
              
   
   

          
          
  
   
    
  
136

                 
7

 
3

  cresc.     
    

       
 



  
        

   
          
   

        
          
  
      
3

     
143

    
     
     
 
           
     
    
      