Documentos de Académico
Documentos de Profesional
Documentos de Cultura
ish ” Series
Edited by
A. J. J. RATCLIFF, M.A.
Epilogue
Later Life of the Author .... 232
Questions on “ Jason ” 236
Questions on " Cupid and Psyche ” . . 241
GENERAL INTRODUCTION
I. THE AUTHOR
“You know one has fits of not caring for fishing and
shooting a bit, and then I get tlirough an enormous lot
of reading ; and then anotlier day, when one has one’s
rod in one’s hand, one looks up and down the field, or
sees the road winding along, and I can’t help thinidng of
tales going on amongst it aJQ, and long so for more and
more books.’’ Morris.
K
love of lone
bciSe w
District.
thaf
tit-
f1ict°^
^ wonderful eve for detail and a
Tbe Forestv'r"r'^^‘
skies, so he cared not a
I^»d of sccncrj^ he liked
in his Lake
line, filled his
eve the
its cverj' shape and
about, fishine ^or In as he roamed freely
roasting them’ for rabbits and fieldfares and
ambi-
shoo^'tr'" =»PP<=i--his highest
tion raUiefto
on lus pony Kalloninir
1^°"’ ^’^'l arrow! or —
curly-haired vEion glades, a startling
lb
armour, cuirassedanrl^^'^'^^^ ^ loy
School —
^What an
. sword in hand.
noschooUngtillhewasiibiP^ hearty boy !—and
his pony to a
preoaratn^^^
' trotted daily then on
men " ;\ut in^[f " I?"
come, and he left had to
new and slack.
hoine f^r m II*® I'reak
College, then
But au..-* 1
school was on the ® favoured : tlie
sldrt^^^V^*,
nake Forest, and close \„.,^cer-haunted Saver-
to tn
and ancient burial
or-v .t better mounbe
thfn
mistakes
Sm
Druidic circles
f'^''X^^^^Sbhecon\dMi
end of Ws life he
quite simple
words—he was a
—;
GENERAL INTRODUCTION Lx
reader, and some say he had read Scott’s novels as a
child of four (more probably he had pored over tlie
engravings). However that may be, at Marlborough
College he made such good use of the school library
that he learnt aU there need be learnt at his age of
ancient liistory, and the architecture of old churches
and cathedrals, and such tilings. Nor was this simply
book-learning. He spent his whole holidays explonng
ancient remains, or visiting old churches ; and more,
he lived in the past. There was no effort in it ; he did
it by instinct. And, like young Walter Scott at the
Edinburgh High School, he was a popular tale-teller
despite a habit of keeping aloof from the otlier fellows,
and a fearful and celebrated temper. His passion was
rather for collecting birds’ eggs than for arithmetic or
Latin ; but he was never known to be idle, for when he
had no definite work to do his fingers would be actively
netting, netting, netting. He was a craftsman bom.
All Ills life, in one way or anotlier, he was to be actively
—
“ netting ” whether tapestry, or long narrative
poems, or what else.
A letter to his sister while he was at coDege is the
earliest specimen of his writing extant ; and in it he
sa3's, “ It is now only seven weeks to the hohdays
there I go again ! Just like me ! always harping on
the holidaj^s. I am sure jmu must think me a great
fool to be always thinking about home, but I reallj'
can’t help it. I don’t tliink it ismy fault, for there are
sucli a lot of tilings I want to do and say and see.”
The last sentence reveals how much the cliild was
father of the man.
What he once saw he never forgot ; and seeing
was one of his cliief sources of pleasure. " I re-
member as a boy,” he later said, " going into Canter-
bury Cathedral and thinking that the gates of heaven
had been opened to me ; also when I first saw an
illuminated manuscript. These first pleasures which
I discovered for myself were stronger than an^dhing
X GENER^VL INTRODUCTION
else I liavc had in life." One that he
notice's
to thinh a great deal ;
was, he was aJwa>^
active as he-
—
a dreamer but a dreamer of tilings to do or
saw or
make. He was a practical dreamer, hke tlic craft^^
calhe<iral=.
in the Nidcllc .*\gcs who built the great
he
iVnd tire more he saw of modern life the more
wished that he had lived in the Middle Ages too.
Oxford . —
His people decided that he should cntcr tlic
Church, his tastes all pointing in that direction ; and
so after three years at Marlborough he returned home
to read rvith a tutor, and m
the Lent term of iS53,he
entered Exeter College, Oxford. At the matriculation
examination the previous year he had met onc w’ho
was to be his lifelong friend and fellow-genius
Edward Burne-Jones, who was at that time also in-
tending to take holy orders. And so at Oxford Moms
was very happy, interminghng much reading witli
open-air excursions of everj' sort.
The set he was friendly with were Anglo-Catliolic
—
and Pre-Raphaelite in sj-mpathy tliat is, in Churdi
matters they liked tlie intri^uction of more outwurd
beauty tlian had been customary since Puritan daj'S,
more music, more colour, ornament, and ceremony. In
Art and Poetry, they wanted two tilings at once —
greater simplicity tlian, say, in complicated battle
pictures, and also more decoration, such as bright
flowers along the borders of the picture ; they wanted
to go back to the lidi-coloured and cliUdlilce pic-
tures painted in Italy before tlie days of Raphael
(1483-1520). Rossetti was the cliief figure in this
"Pre^-Raphaelite school,” as it came to be known; and
he wielded a great influence over Morris.
—
Sense of Beatdy . Such opinions appealed to William
Morris largely because he had an abnormal sense of
beauty, and perhaps a finer instinct for decoration
tlian any other man in Europe. Pic was naturally
—
at home in Orford in his time still a mediieval city
— and loved its college buUdmgs, its lawns, woods.
GENERAL INTRODUCTION xi
and waterways, alldecorative and peaceful. He won-
dered wh}^ other towns were not beautiful like it.
Then he read a famous chapter of Ruskin's, “ On the
Nature of Gothic,” in which he found the answer:
in the iliddle Ages every' man was a craftsman and
fashioned things completely' for himself, but in modern
times workmen were only' cogs in a huge machine and
took no interest in what they made. This truth stung
Morris to the quick, and henceforward directly and in-
directly' he was to preach the virtue of work suited to
each man’s natural gifts, and the production of beauti-
ful and individual, as against standardized and mass-
produced goods. No longer so keen on entering the
—
Church, he yet had a mission to preach Beauty, and
Joy in Congenial Work. He had become a sworn
enemy of the drab, smoky Victorian Age, in wliich he
could but be " the idle singer of an evipiy day,” But
he was no spineless dreamer ; and at Oxford he added
to his already large number of accomplishments (one
of which was cooking) those of boxing, fencing, and
singlestick play.
First Poetry.—His nickname was Topsy, on account
mop of dark brown hair. One day in
of his wild, curly
1854, at Oxford, he read aloud to Burne-Jones his first
poem. ” As soon as we entered the room,” vTote
Dixon, one of the set, “ Burne-Jones exclaimed \vildly,
’
'
He’s a big poet ‘
! Wlro is ? asked we.
’
Why',
'
Starts Life . — _ _
come to see that tlie cry'ing need of Ids time was for
beautiful houses and beautiful furniture and decorative
effects. Reform could come only from practical
example, wherefore he started Ids own business firm
(1S61) for supphdng evciything to furnish and equip
houses, churches, and pubhc bidldings.
—
Starts in Business . He learnt everj^ craft Idmself,
and enjoj-ed it, whether it wns tliat of dyeing, caning,
stained-glass making, metal-work, jewellen' cutting,
embroidering, tapestry wearing, or whatever else.
He originated new designs in all departments of deco-
ration. The firm developed, finallj» became a success.
GENERAL INTRODUCTION xiii
indeed flourishes ;
still and it is through
cliiefl}'
Morris’s efforts tliat the drab Victorian effects have
given place to the colour harmonies and bright tints of
the present day. He hterally changed tlie face of
modem life.
Still he had not enough to do “ for me to rest from
;
—
Writing his Hobby. In addition to his hundred
other activities he always read hard, and best of all he
loved Chaucer’s Canterbury Tales and Malory’s Morte
D’Arthur. Under their influence he frequently wrote.
A collection of dramatic ballads he published in 1859
as The Defence of Quenevere and Other Poems. A good
first volume, it yet did not bring him recognition.
Like tapestry, poetry for him was to become rather a
matter of great surfaces steadily woven ; and he next
began to write long narrative poems of a kind alto-
getiier new in English. Thus, in 1867, when he was
thirty-three, came The Life and Death of Jason, and
fame.
;
BOOK I
BOOK II
h^isWen the
;
brown
\^diirled in the bubbling eddies here and there ;
So swollen was the stream a maid might dare
To cross, in fair days, udth unwetted knee.
Then Jason vuth his spear-shaft carefully
Sounded tlie depth, nor any bottom found ;
And M’istfull}'- he cast his ei'es around
To see if help was nigh, and heard a voice
Behind him, calling out, “ Fair 5'outh, rejoice
That I am here to help, or certainty
Long time a dweller hereby shoiddst thou be.”
Comely Cherry.
Drate, archaic form of "drove.” Adoxn^ Archaic form of
An
“do^vn.” Collect as you go on further examples of the em-
ployment of these Anqio-Saxon and Middle English arcliaisms.
\Miat effect do they produce ?
28 STORY POEMS FROM MORRIS
Then Jason turned round quickly, and beheld
A woman bent w'ith burdens and with eld. ana
Grey and broad-shouldered ; so he laughed,
said
“ wilt thou help me ? by
O mother, head, my
Jlore help tlian thine I need upon this day.”
“ 0 son,” she said, “ needs must thou on thy way I
A
terror took the king, that ere that day
For many a peaceful year he had not felt,
And his hand fell upon hts swordless belt ;
“
e.x-queen Nephele at one time
iT i, •
•
to herTeStte^sS^^ “d foU
Helle's Sea); But ^luyxus at lengtli HeUespont (or
crossed tlie Eu-xine
Atid mm grm> glad. Note how Prominent ^
Ne bade. The king bade. feasUng is in Jason,
LIFE AND DEATH OF JASON 35
(or Black Sea) and reached the coast of Colchis (the Cir-
cassian coast), and thence passed up the nver Phasis
(modem Poti), to descend at the city of JEsl, and be wel-
comed by ^etes the king.
Next mom, when the ram had been sacrificed to Saving
Jove, its fleece was hung upon the wall of Phryxus’
house. And long did Phryxus dwell at Aia in wealth
and honour, till jEetes slew him in order to possess the
Golden Fleece. And to this day does iEetes keep it,
hanging somewhere within his golden palace )
“ And thus, 0 Minym, is the story told
Of things that happened forty years agone ;
SS^oUt
” occurs m Jason’s character, take
;
book III
How the next morn, when risen was the sim
Men ’gan to busk them for the quest begun
Who sMy years Remark the insistence on tiic’s snortness
stortness and
a
death’s finality, favourite ideas of
Morris
adverbial metaphor Ifyou find others, collect
the^°‘^
So i,mny years agoae. Note the tone of reirM J'the
sense again of the ineritable pa^i"^
other examples of this romantiESgg^tion?"-
Busk lhan, Busy themselves. ^
—
LIFE AND DEATH OF JASON 3<
Nor long delay made Pelias, being m fear
Lest aught should staj' them so his folk did bear
;
Aews of these things tliroughout the towns of
Greece,
i'lmnng great men to sc^k the Golden
Fleece.
well-skilled Argus the first man
ho tlirough the gates into lolchos passed,
W hose lot in fertile Egj'pt first was cast.
So he, being brought to Jason, said “ O king, :
BOOK IV
through the town few eyes were sealed by sleep
V\ hen the sun rose
yea, and the upland sheep
;
ftlust guard themselves,
for that one mom at least.
Against the wolf ; and warj'- doves may feast
Unscared that morning on the npening com.
A or did the whetstone touch the scythe that mom
And aU unheeded did the mackerel shoal
Make green the blue waves, or the porpoise roll
U^JOugh changing hills and valleys of tlie sea.
For 'twixt the thronging people solemnly
the heroes went afoot along tlie way
That led unto the haven of the ba}''.
And as they went tlie roses rained on them
hrom ivindows glorious with the weU-wrought hem
Uf many a purple clotli and all tlieir spears
;
Were twined vdth flowers that the fair earth bears ;
And round their ladies' tokens were there set
^VcU-vialUd. Note the frequent use of compound words in this
poem, and how they assist compression.
J tiyiiiy bent,
Grass with patches of flijune.
<jncep, doves, etc.
Notice this clever use of outside local circum-
stances to lend reality to the main incident. The pleasing
images, too, impart their own tapestry effects. Collect further
instances.
J-okens. An.anachromsm. They were favours i\om by
not Greek, knights as signs of devotion to a lady.
44 STORY POEMS FROM J.IORR1S
About their helmets, flower^' wreaths, still wet
With beaded dew of tlie scarce vanished night.
So as they passed, the young men at tlie sight _
Dotibiful^ Treacherous.
Hecatomb, Great public sac^fice of a hundred animnk
Spotless, —
Of one colour all over white
black for the infernal gods.
r\t •r.n
Olympian,
;
^orley-caKCf Meal oflenner, part sprinkled over the \actim, the rest
_
i/tc
over the fire.
God, Neptune in Greek, Poseidon. There were huge bronze
;
Statues to him in many Iiarbour-tou’ns. Tlie crystal rod is his
'Pj c
with whicli he lashes the sea into storms
sounds. Remarlv hoiv sensitive Morris is to sounds of all hinds,
3nd to silence.
POEI^IS FROM
MORRIS
story of the seas
, 1 Tio sound but washing
breeze,
They •.
following western
And pip»ig --- the oars
ucaciiifc, of
XVLIV.
®^.!Jsured beating
~ .r^pnsurcu ;
And hea^ y in
hea\ Thessalian shores.
‘
Bigh soundle^.
Nigh sound sn^,le^
Bdt
And Ins ^crSLd voice brake into such
a song
^ager ship along.
^ bitter sea,
tumultuo^ sea,
an iU is wrought
by thee !—
S^Nherefore, tiiou bitter sea, O
,..^.^^1011" words we pray to thee,
yvith no 1 o before
Bnl^^Jio^es’of the long ashen oar ?
Such sxiv-^-^--y^t
sri'j’
t seen such a prow
— :;idi
^hvSh O sea, shalt thou be cursed,
i vct.Osea.sha
dhyi‘ .,
UnlmTO°
S IdiUe-wallcd
"»
fair Laris<=a.
r
or the plain
thought it good
The others reached the ship, and shore,
the anchor, and anigh the
To weigh ready oar.
With loosened sail and run-out,
bay
To trim the ship for leaidug the
fair ;
that day,
And tlierefore. Juno, waiting for store of wind
And for that hour, had gaUicred mind,
all her
Up to the hills to work out now let slip.
Mdiich from the Mysian mountains
Tearing along the low shore, smote
the ship
In blinding clouds of salt spray
mixed wath rain.
Then vainly they struck sail, and all in vain
The rowers strove to keep her head to wind. blind.
And still they drifted seaward, drenched andshone
But, 'mid their struggling, suddenly there
prow, and thereon
A light from Argo’s highfearful
Could their astonished eyes behold
A figure standing, with ivide wings of gold.
Upright, amid the iveltering of the sea.
Calm 'midst the noise and cries, and presently
To all their ears a voice pierced, saying “No more, :
BOOK V
Now, driven by the oar, and feeling well
ne Wind that made the fair wliite sail outswell,
-r,^® 3lian Argo flew on toward the place
iiere first the
mde folks saw dead Helle's face :
SSi^d haS4“
" ‘-"-e-point. because S tS^tnh
;
book VI
and goodly
And^ms wcU wrought,
wind-bom brothers strong
^nt cWcflV to tlic
nid past telling on that morn belong.
rifts
upon the windy quay,
Row as they stood upon the ropes to lay.
TJeadv tlteir liands
was there.
Wineus. who 'midst his mighty lords
Set high above them in a royal chair.
“ ^ SiR have of me to-day
Said ;
Witli'in your treasuries at home to lay,
If <50 it be that through hard things and pain
Yc come to the horse-nurturing land again ;
Ratheless, one more gift shall ye have of me,
For lacking tliat, beneath the greedy sea.
The mighty tomb of mariners and kings.
Doubt not to lay dou-n these desired things,
Ror think to come to Thessaly at aU.”
turning, he began to call
And tlierewith
Unto his f olk to bring what they had there.
Then one brought forward a cage great and fair.
Wherein they saw a grey pink-footed dove.
Then said tlie king “ The verj' Gods above
:
««"G"vS\?ra?d=^ Wood of
'l‘^a,nu„tinc. Steely-hard.
;
Three days with good hap and fair wind they went,
That ever at their backs Queen Juno sent.
But on the fourth da}', about noon, they drew
Unto a new-built city no man knew ;
“ Whoso
ye be, if that 5'e come in peace,
King Lycus bids you hail, but if from Greece
,Ye come, and are the folk of whom we hear
Y^o make for Colchis free from any fear.
Then doubly welcome are ye ; here take l^d.
For ever5'thing shall be at 3'om: command.”
So without fear they landed at that word,
^
told him who the}’ were, which when he heard,
Through the fair streets he brought tliem to the king,
uTio feasted them that night with ever}'tliing
That man could ivish ; but when on the next day
They gathered at the port to go away.
The Mind was foul and boisterous, so perforce
lest they should come to
There must they bide, ivorse.
hands
Nor doubt us friends, altliough indeed our
Lack not for weapons, for the unfenced head,
Wdiere we have been, soon lies among the dead.
So spake he witli a smiling face, nor lied ;
Two great images. One of Diana, goddess of the moon, the other
of
Apollo, the sun-god . „ , „
"pislcd round Notice the metaphor, and
rar Darter, Apollo. As the god who punishes, he is representea
"ith bow and arrows.
eleven, A mystic number.
72 STORY POEMS FROM MORRIS
been
In stich a hall as there has never
Before or af terv^-ards, since Ops was
queen.
The pillars, made the mighty roof to hold,
The one was silver and tlie ne.\t was gold
All down tlie hall the roof, of some strange wooa
;
Nor did they think that they might long draw breath
In such an earthl}' paradise as this.
But looked to find sharp ending to their bhss.
BOOK tTI
Hor heed what they may do, but take the plough
That in tlieir stall stands ever bright enow,
A Medea, niece of
lovely gtieen, Circe, and the greatest sorceress in
Greek story.
Fell, Fleece.
Ponttis, A country on the southH:ast coast of the Black Sea.
; —
LIFE AND DEATH OF JASON 75
And on their gleaming necks cast thou the yoke,
drive them as thou maj^st, wth cry and stroke.
Through the grey acre of the God of war.
" Then,
when turned up the long straight furrows
are.
Take thou the sack that holds the serpent’s teeth
Our fathers slew upon the sunless heatli
There sow those evil seeds, and bide thou there
Tih they send fortli a strange crop, nothing fair,
'
mich garner thou, if thou canst 'scape from death.
"
But if thereafter still thou drawest breath.
Then shaft thou have the seven keys of the shrine
Wierein the beast’s fair golden locks yet shine ;
But yet sing not the song of triumph then.
Or think thyself the luckiest of men ;
i^r just within the brazen temple-gates
the guardian of the Fleece for ever waits,
A fork-tongued dragon, charmed for evermore
lo \vrithe and wallow on tlie precious floor,
Sleepless, upon whose skin no steel will bite.
Ifthen with such an one thou needs must fight,
Or knowest arts to tame him, do thy worst,
:"Or, carrying off
the prize, shaft thou be curst
By us or any God. But yet, think weU
ri these three
things be not impossible
to any man
and make a bloodless end
;
yt this thy quest, and as my father’s friend
\v ell
gifted, in few days return in peace,
B^^ing for nought, forgetful of the Fleece.
Therewith she made an end but while she spoke
B^e Love unseen, and cast Iris golden yoke
;
Q,
Aut bringing
close to liim her visage fair,
Me whispered :
“ Smite not, for thou hast no sword,
peak not above thy breath, for one loud word
both thee and me. Day grows apace ;
BOOK VIII
—
“ New bom ye are new slain too shall ye be,
,Take this, and round about it read your doon^
And bid them make new dw'eUings in the tomb,
\Vherefrom ye came, nor ever should have passed.
Therewith the ball among the host he cast
Standing to watch what next that folk would do.
But he the ball had smitten turned unto
The one who stood by him and like a cup
Shattered Ms head then the next lifted up
;
Nor wait till they shall lav your bones with mine.
Since now 1 tlimk to go uiito tlic shrine,
The while ye wait, and take therefrom the Fleece,
Not all unliolpen, and depart in peace,
While yet the barbarous king beholds us dead
In dreams alone, or tliroiigh his waking head
The chase each other for our death.”
rule plots
These things he said, but scarce above his breath.
Unto wsc Nestor, wlio beside him went,
Who unto Bates straight the message sent.
And he to Plilias, so the words at last
Throughout the wondering seafarers had passed,
And so were all made ready for the night.
But on that eve, with manifold delight,
iEctes feasted them in his fair hall ;
BOOK IX
But when they reached the precinct of the God,
And on the hallowed turf tlieir feet now trod,
Medea turned to J.ason, and she said :
I'' '
LIFE AND DEATH OF JASON 99
On balanced oars but tlie ^vild Areas strung
;
BOOK X
Night came, but still on by the stars they sailed
Before the innd, till at the dawn it failed,
And faded soon the sunrise pure away,
Leardng the heavens colourless and grey.
And soon before their waj' it seemed as though
A curtain hung they needs must joumej' through,
A low black mist so brooded o’er the sea.
So with the rvindless swell did Argo fare
Two days with furled sails purposeless and blind,
And bearing heavy hearts the third, the wand
;
tiuuK xr
BOOK XII
^^dlich yet they saw not, till the cool fresh night
Had come upon them, with no lack of light.
For moon and stars shone brightly oveihead,
Nor through the night did Iris fail to lead
The wave-tossed Argo o’er the glittering sea.
So as the moon set, did there seem to be
Upon their larboard, banks of high-pded cloud.
Which from their sight tlie last dark hour did shroud.
Then came the t^vi]lght, and those watchers fain
Against the eastern light beheld again
The clouds unchanged, and as the daylight grew,
Lynceus cried out “ Some land we draw unto
:
.
BOOK XIII
BOOK XIV
Now o’er the open sea they took their way,
Lor three days, and at dawning of the day.
Upon the fourth, saw tlie Trinacrian shore,
And there-along they coasted two days more.
Then first Medea warned them to take heed.
Lest they should end all memory of their deed
Where dwell the Sirens on the yellow sand.
And folk should think some tangled poisonous lana
Had buried them, or some tumultuous sea
O’er their white bones was tossing angrily ;
Or that some muddy river, far from Greece,
Drove seaward o’er the ringlets of tlie fleece.
But now, nigh even on the second daJ^
As o’er the gentle waves they took their way.
The orange-scented land-breeze seemed to bear
Some otlier sounds unto the listening ear_
Than all day long they had been hearkening.
The land-bom signs of many a well-known thing.
Thereat Medea trembled, for she knew
That nigh the dreadful sands at last they drew.
For certamly the Sirens’ song she heard.
Though yet her ear could shape it to no word.
And by their faces could the queen behold
How sweet it was, although no tale it told.
To those worn toilers o’er the bitter sea.
I2S STORY POETilS FRO:.I MORRIS
Now, as they spod along, they presently,
Roundinc; a headland, reached a little ba\’
M’alled from the ~,"a by splintered cliffs and gre}*.
Capped by the tiiyniy ht!k' green wind-beat head
M^hcrc 'mid the whtn the burrowing rabbits fed.
And ’ncath the chit they saw a waste of sand,
’Twixt Xereuh’ pasture and the hich scarped hand,
Mliereon, yet far oil, could their eyes; behold
M’hile bodie-. moving, crowned atid girt with gold
AVherefrom it seemed that lovely music v.'cllcd.
So n'hcn :>J] tin-, the groy-e}’ed queen beheld.
She said :
“ U J.^-on, 1 have made thee wise ’
The Sirens
O happy seafarers are ye.
And surely all your uls are past.
And toil upon tlic land and sea.
Since ye are brought to us at last.
The Sirens
All, uiU ye go, and whither then
Will ye go from us, soon to die,
"R) fill your threescore years and ten.
With many an unnamed misery ?
Orpheus
Ah, once again, ah, once again,
The black prow plunges through the sea,
Nor yet shall all your toil be vain.
Nor 3'e forgot, O Minj^ai.
In such wise sang the Tliracian. in such wise
Out gushed tlie Sirens' dcadl}' mdodies
But long before the mingled song was done.
Back to tlie oars the Mmj're, one by one.
132 STORY POEMS FROM I^IORRIS
though man}' an one sighed sore,
Slunk silcntlj’ ;
”«, Mortal. . . „ , i
Xhf yelloip efpir . * . Note the ix*nrTn pamtea efieet ; anti
thisei<:tmcUcin of the avtrsj items ciiiefl}' by thdr colour, or
their shspe.
Comes, Rabbits.
134 STORY POEMS FROM MORRIS
With bUnIdng eyes, tliat meant no treachery.
Cirelcss the partridge passed the red fox by
Untouched the serpent left the thrushes brown,
And as a picture was the lion’s frowTi.
But in the midst there w-as a grassj' space,
Raised somewhat over all the flowerx' place,
On marble terrace-walls wrought like a dream
And round about it ran a clear blue stream.
Bridged o’er witli marble steps, and midmost there
Grew a green tree, whose smooth grey boughs did
bear
Such fruit as never man elsewhere has seen.
For 'tAvixt tlie sunlight and the shadow green
Shone out fair apples of red gleaming gold.
Moreover, round the tree, in many a fold,
coiled a d.ragon, glittering httle less
I..ay
Than that Avhich his eternal watchfulness
Was set to guard : nor yet Avas he alone.
For from the daisied grass about him shone
Gold raiment Avrapping round, tAvo damsels fair,
And one upon tlie steps combed out her hair.
And Awth shut eyes sung low as in a dream ;
And one stood near her in the cold blue stream.
Not long she stood, but looking seaward yet,
From out tlie Avatcr made good haste to get.
And catching up her r;^ent hastily.
Ran up the marble stair, and ’gan to cry
" Wake, O my sisters, Avake, for noAV are come
The thieves of /Ea to our peaceful home.”
Meamvhile, from Argo many a sea-beat face
Gazed longingly upon that lovely place,
And some their eager hands already laid
Upon the gangAvay. Then Medea said
" Get back unto the oars, O Minyae,
Nor loiter here, for Avhat have such as Ave
To do herein, Avhere, ’mid undying trees.
Undying Avatch the ivise Hespendes,
LIFE AND DEATH OF JASON 135
And where the while they watch, scarce can a God
Set foot upon the fruit-besprinkled sod
That no snow ever covers ? therefore haste.
Nor yet in wondering your fair lives waste.’’
She ceased, and little soothly did they gneve,
For all its loveliness, that land to leave.
For now some God had chilled their hardihead.
And in their hearts had set a sacred dread.
They knew not why ; but on their oars they
hung,
A little longer as the sisters sung.
" 0 ye, who to tliis place have strayed.
That never for man’s eyes was made.
Depart in haste, as ye have come.
And bear back to your sea-beat home
Thismemory of the age of gold,
. And for your eyes, growm over-bold.
Your hearts shall pay in sorrowing.
For want of many a half-seen thing.
" Lo, such as is this garden green.
In days past, all tlie world has been.
And what we know all people knew.
But this, that unto worse all grew.
“ But since the golden age is gone.
This little place is left alone.
Unchanged, unchanging, \vatched of us.
The daughters of uase Hesperus._
" Let earth and heaven go their way,
YTiile still we watch from daj’’ to da}',
In this green place left all alone,
A remnant of the days long gone.’’
There in the wind tliey hung, as word by word
The clear-voiced singers sUenUy they heard ;
BOOK XV
But on tlie morrow did the Minym
Turn Argo’s head once more to Thessaly.
And surely now the steersman knew his way.
As island after island everj' day
They coasted, with a soft land-uind abeam ;
she becaro
‘
lolchos, a fearful change came over her :
(As she led Medea to the palace, the crone told her hon’
Pciias, believing tlic Argonauts perished, had slain old
.ffison, " with all liis house who at lolchos were.”)
Weft, Web.
144 STORY POEMS FROM MORRIS
And here should all folk live without alarm.
For to no man would 1 do any harni,
TOiatso might hap, but I would bring ngmn^
Tile golden age, free from all fear and pain.”
But througli his heart there shot a pang of fear.
As to the queen he said : “ Wliv art thou here,
Since thou hast mastered this afl-saving art.
Keeping but TOgrant life for tliine own part
Of what thou boastest with tlie Gods to share ?
Thou, but a drang woman, nowise fair."
“ PeUas," she said, “ far from tlie north I come.
But in Erectlieus’ city was my home.
Where being alone, upon a lucldess day.
By the sea-rovers was I snatched away.
Then had I savage masters, and must learn
With aching bade to bend above the queni
And tlierewithal must I dread manj^ a liand.
And
"
^\'ritho beneath tlie whistle of the whip.
'Mid toils like these my youth from me did slip,
Uncomforted, through lapse of wretdicd years.
Till I forgot tlie use of sobs and tears.
And like a corpse about my labour went.
Grown old before my time, and worn and bent
And then at last this good to me betid.
That m5 ''
know things hid
tvise mistress strove to
From mortal men,' and doubted all tlie rest.
Babblers and young, who in our fox’s nest
Dwdt through the hideous changes of the j’^ear
Then me she used to hdp her, and so dear
I grew, tliat when upon her tasks she went,
Into all dangerous service was I sent.
“ Moreover, whether that, being dead to fear,
All tilings I noted, or that somewhat dear
I now was grown to those dread Goddesses,
I know not ; yet amidst the haunted trees
Erectheus’ city, Athens. Ewtheus was the sixth Idng, and died
1347 ,
Qumt, Hand-mill to grmd corn.
! :;
''
Yea,” said tlie king, '' j'ea, w'hosoe’er tliou art.
Needs must I trust tlicc, in iviscsudi
3 heart
' m
Desires again when this is done.
life
Give me the image, O tliou fearful one.
Who know'cst aU my life, who in the brcatli
Wlierein tliou prayest lielp stiU tlircatenest death.”
Then on the image did she sw'ear the king.
But while he spoke was she still muttering,
Witli glittering eyes fixed on him ; but at last,
MTien from Ids lips tlie dreadful w’ord had passed.
She said “ O Kang, pray tliat thou mayst not die
:
A Cl
^ ^ well-hung chamber did they set,
filled with clear cold water, adding yet
cw raiment ivrought about wdth ruddy gold,
bd snowy linen wrapped in many a fold,
then did Hedea turn unto the three,
^bd said ‘‘ Farewell, for no more shall ye see
;
r nese
limbs alive, or hear this feeble voice,
cor either shall my
changM lips rejoice
niy bew beauty, or else stark and cold
ihis Wretched body shall your eyes behold.
^jt.bow until six hours are over-passed.
A
And if ye still shall find the door shut fast,
then let the men bring hammers, neither doubt
t hat tlience
my corpse alone shaU they bear out.
:“ut if the door is open or ajar.
Draw nigh and see how great my helpers are.
And greet what tlierc ye see 'witli little fear,
For whatsoever may have touched me here,
tiy then, at least, shall no one be wdtli me.
And nought but this old sorceress shall 5'e sce_
Grown young again ; alas grown young again ”
!
n ould God tiiat I were past the fear and pain !
home,
meadows come ”
_
i53
life and death of JASON
And gazed at him with \\dde eyes wondering.
Thereat Medea raised tlie new-changed thing
In her white arms, and smiled triumphantly,
And said " What things the Gods will do for me
:
i55
LIFE AND DEATH OF JASON
Behvixt the narrow limits of the place ;
BOOK XVI
But other watchers were tliere on that night,
Mflio saw birth of that desired light
tlie
From nigh green Cicynethus’ woody shore.
For in mid-channel tliere, with evcr3^ oar
Run out, and cable ready for tlie slip.
Did Ji^on hold his glorious storm-tossed ship,
Mfliile in the top did keen-eyed Ljmeeus stand.
And every man had ready to his hand
Sharp spear, and painted sliield, and grinded sword.
Thus as they waited, suddenly tlie word
Rang out from Jason’s mouth, and in the sea
The cable splashed, and straight the i\Iin5'£e
Unto their breasts the shaven ash-trees brought.
And, as the quivering blades the water caught,
Shouted for joy, and quickly passed the edge
Of Cic3methus, green ivith reed and sedge.
And whitening the dark ivaters of the bay.
Unto lolchos did they take their way.
Meanwhile the Colchian queen triumphantly
Watched the grey daivn steal forth above the sea.
Still murmuring softly in the Colchian tongue.
:
(In few w’ords did fie retail tlic story of tficir adventures,
and expose tfie evil deeds of King Pelias. Then fie con-
cluded :)
—
:
”
Jason for king the Conqueror for king
!
!
BOOK XVII
So ends the winning of the Golden Fleece
So ends tlie tale of that sweet rest and peace
That unto Jason and his love befell
Another story now my tongue must tell.
—
i6i
LIFE AND DEATH OF JASON
And tremble in the telling. Would that I
Had but some portion of that mastery
That from the rose-hung lanes of woody Kent
Through these five hundred years such songs have sent
To us, who, meshed within tliis smoky net
Of Unrejoicing laboiu:, love them yet.
And thou, O Master ! —
Yea, my Master stfil,
Whatever feet have scaled Parnassus’ hUl
Since, like thy measures, clear and sweet and strong,
Thames’ stream scarce fettered bore tlie bream along
Unto the bastioned bridge, his only chain.
0 Master, pardon me, if yet in vain
Thou art my Master, and I fail to bring
Uefore men’s eyes the image of the thing
My heart is filled wth thou whose dreamy eyes
;
Masifry, Art,
Stick
skill. .
smgs. Those of Chaucer, who for some tune lived m
j •„ T.'nnt
iveni.
^his stjtoky net, London. Note Morris on his hobby-horse,
^ the Jhddle Ages, hatred of industrialism. ,
par
Yea, my Master . . . only chain. This must be trea^d as a
enthesis. omitting it, to discover the sequence of S
in the context.
, . ,
Whatever feet .. . /;iK, matever poets there have beem l
am^n -
in another chamier. _
Note Jloms’s restraint. He gives n
King of Athens, and latei
l“^son Theseus, she wen
out for atteinptmg
home t
LIFE AND DEATH OF JASON 165
But as for Jason ; —Creon now
And Corinth Idngless, every man was fain.
being slain,
For ncKo ilw loorld . . . dcUglit. Morris is here hitting at his cmi
day —of indastrial agliaess.
—
life and death of JASON 167
^ere a great lion cleaves the sevenfold sliields ;
nere dwells some
giant robber of the land ;
i tee whirls
some woman-slayer’s red right hand.
0 be it, surely shall I snatch fair peace
"rom out the hand of
war, and calm delight
rom the tumultuous horror of the fight.”
iso saymg,
gazing still across the sea
neavy with days and nights of misery,
nis eyes waxed
dim, and calmer still he grew,
pondering over times and things he knew,
u ime now the sun had
sunk behind the hill,
from a. lyhite-thom nigh a thrush did fill
he balmy air -with echoing minstrelsj',
•^d cool the night-wind blew across the sea,
c
about the soft-uunged bats did sweep.
So midst all this at last he fell asleep,
pOr did his eyes behold anotlier day,
tor Argo, slowly rotting all away,
Had dropped a timber here, and there an oar,
^
Set
tlirough that year, but people of the shore
all again in order as it fell,
But now the stem-post, that had carried well.
The second rafter in King Pelias’ hall.
Began at last to quiver towards its fall,
frud whether loosed by some divinity.
Or that the rising wind from off the sea
Blew full upon it, surely I know not
But, when the day da\vned, still on the same spot
Beneatli the ruined stem did Jason lie
Crushed, and all dead of liim tliat here can die.
And there, where he had hoped that hope in vain.
They laid him in a marble tomb carved fair
With histories of his mighty deeds and there ;
Sn oi/olrf, Hide-thicKncsscs.
That hope. Of malung another voyage of adventure.
i6S STORY POEMS FROM MORRIS
Gifts to the Gods with man3 a sacrifice,
'
INTRODUCTION 171
How we have dealt vath stones of the land
MTierein. the tombs of our forefathers stand :
and stands in
But the beautiful story speaks for itself,
no need of further comment.
;
Argument
Psyche, a Mng’s daughter, by her exceeding
caused the people to forget Venus ; therefore the g
^
would fain have destroyed her . nevertheless she e
bim
ttie bnde an unhappy moment lost
of Love, yet in
ty her own and wandering through
fault,
'"'orl
whoin she
fcred many at the hands of Venus, for
evils
must accomplish fearful tasks. But the gods and an
nature helped her, and in process of time she w^ re
to Love, forgiven by Venus, and made immortal by
Father of gods and men.
S *Sfltf-cS«,,
sha and
ivcl. lone i" lo”'"”®;
was tlic K g
Tjl -Dictured book
,
Joy in ^‘^/'Snian
A^em^ limnS had just uTOUght,
The stalled brought,
Soiden o
l^or in return,
At last fear the King did
bum,
.^S^ho^and
i^ronc^vitli great pomp
he ^^;as set.
177
CUPID AKD PSYCHE
The Oracle
4P of a most unhappy
0 King, whom all the world hencefor* shall vnow
A „ii
kn ,
Wards, Delences.
CUPID AND PSYCHE 179
Nor cared they for the maid and her distress,
But clashed their spears together and ’gan •
Noisome, Horrible.
iSo STORY POEMS PROM MORRIS
To waken Psvdie to her bitter woe.
Tlicn sticldenfy remembering her distress.
wall,
She bowed her head and 'gan to weep and
But let them \\Tap her in the bridal veil,
And through the town the streets were void and still
For in their houses all tlie people sta^’cd,
Of that most mournful music sore afraid.
But on the way a mar\'el did thej' sec,
For, passing by, where UTOught of ivory,
There stood the Goddess of the fiowert' isle,
All folk could see tlie carven image sniilc.
But when anigh tlie hill’s bare top thej' came,
Wliere Psyche must be left to meet her shame,
They set tiie litter down, and drew aside
The golden curtains from the wretched bride,
Wlio at their bidding rose and with tliem went
Afoot amidst her maids writh head down-bent.
Until they came imto the drear rock’s brow' ;
And tliere as she stood apart, not weeping now.
But pale as privet blossom is in June,
'Tliere as the quivering flutes left off iheir tune,
weeping, haggpd King
In trembling arms the
Caught Psyche, w'ho, like some half-lifeless thing.
Took all his kisses, and no word could say.
Tht Goddess of the flowery isle, Venus.
,
which waiteth me ? ^
Ilow V?n
can I > P „the iU
‘^cape
herewith, trcmbhngl.V
S 'raised tlie
Intel',
n"
J,>''e “”'e®
seem.
Londy. but not deserted did
it
to do,
Lone time she stood debating whatthrough,
the last she passed the wncket
But at her, sent
Wiich, shutting clamorously behind went
her as she
A nane of fear throughout green place she
hac
But when through all that
passed, , ^ i
at last.
And by the palace porch she stood wTOUght,
And saw how wonderfully the w'all was brought.
With curious stones from far-off countnes
And many an image and fair history yet shall be.
Of what the world has been, and craftsmanship.
round w'ith golden
And aU set royal hp,
Well-wrought as some renowned cup’s
again to turn aside
She had a thought
:
bide,
A A ipain, not knowing where to
softly, and ivith trembling hands
^'^Ziter(fd
all lands
her gown the wonder of
;
i85
CUPID AND PSYCHE
And gaze vipon. the wonders of the place,
^d in the silver mirrors saw her face
Crown strange to her amidst that loneliness,
And stooped to feel the web her feet did press.
Wrought by the brown slim-fingered Indian s ton
Amidst the years of war and vain turmoil
Or she the figures of the hangings felt.
Or daintily unknown blossoms smelt,
Or stood and pondered what new thing mig
_pan
The images of knight and king and queen
Wherewith the walls were pictured here and
>
» I j
And at the first she thought it so mdeea.
And took the sandals quickly from her leer,
Eut when the glassy floor these did but mee
The shadow of a long-forgotten smile
Her anxious face a moment did beguue ,
Thai <'<>"
all Itos^tel-
tllo. . ivil. ivith
"X
il Si' toe'llSlc topa -aia
|r,ot?a ;?an a, U.™. one
s%%eet tl
Remenibcr. Psyche, trembling sore,
heretofore
And
^ yet'SuigWeV
" s _
,
grew scarce afeard ,
Tlusbrongh^h^c I hear
t
She said, jjtgjjjoon, _
uaat
Soft music
^e > murmunng tune
Aud dro;.;m mvhde
u°''
she spoke,
yVithin these 'j" unknoivn unseen folk
s^veet-voKed these
A
Iree.,
S?d“.a Sa maalc of .ho linden
her
Psyche fell happily asleep,
. later
^SeSd'&eS,.,
i87
CUPID AND PSYCHE
The sun was high when Paj’^che woke again,
turning to the place where he had lain
And seeing no one, doubted of the tiling
Diat she had dreamed it, tUl a fair gold ring.
Unseen before, upon her hand she found,
:^d touching her bright head she felt it croiwied
With a bright circlet ;
then withal she sighed.
And wondered how the had lied,
oracle
Andrvished her father knewand straightway
it,
^se up and clad herself. So passed away
The days and nights, until upon a day
As in the shade, at noon she lay asleep.
She dreamed that she beheld her sisters weep.
And her old father clad in sorrj' giiise,
_
enst
tlmt j e
And, smiling through her tears, said, Ah,
Should have to weep such useless tears lor
me .
ways
Do the brown Indians glitter down tlieroad
Witli rubies as of old ? But by what
0/ • • • heads. Notice
liable l.atin m
wrd tlic second line of .n couplet to
particularb
i
sake
Come little gifts for your lost sister s ;
,
^nd he, dear love, the man that thou hast wed,
Tk wish to-daj’’ thy kin to see ?
oould rve tell of thy felicity
Tk ^
the better, to our folk and father dear. ,,
;
and .eU onr fate dear
honour that I live in here.
Of aU the
greater happiness shall come
aSiow thatreach a long-endunng home. . ,
T stiall
though burning through the mgW to
^'
SJthie
o fnvme words, and went upon their way, wept
Smg she had kissed them
tLrs^as traitors do, for as they
but they
stepped
;
e'^^ai
other’s eyes
the threshold, in each
, inoked,
for each was eager to surpnse
17V that their hearts were filled wthal,
to^toir lips came welling
up like gall.
Tl'at
iU.*'
v,ppn
lost had been.
all folk deemed that she quite
Por naught they said of all that they had
Till she that threw the golden apple
Upon the board, and lighted up Troy tow ,
Moe.
Slew
(2.S<S>)
«o tko o£ Tioy. and infm.lc
MORRIS
19-1
STORY POEMS FROM
the hollo^^•s of her
rosy eat?
Fillintr
And wetting half the say.
:^OLo!"ytVtlShaw good
MHio for content shouldst said,
This cold hour ere the
datwmg ?
j
cried he.
_ ^
By my head
i
sisters to my nonic.
So would I send my never told
Because I doubt indeed they
my honour in this house of gold ,
Of all
oath would I take.
So now of them a great
said, " Alas and hast thou been atvake
He !
^
CUPID AND PSYCHE
VJ JL
4. 195 4-
drew anear,
Nor 1,^’ 1
,..
'’ in theE hands they hid,
asked them why this thing they did
WrviiL
" Vni
^^^^rer aught, till trembling Psyche said,
go
QfT, and teu mm an ye know
“‘ui gins,
nis my
unexpected happy lot.”
n one said “We told him not
fresh sobs ;
‘ oy
good counsel did we hide the thing,
^
jjjeeming it well that he should feel the sting
j°^oe, tlian for awhile be glad again,
A°
”?ffrer come to suffer double pain.” .
or not ?
GinPIiD AND PSYCHE 199
m>
Wert fliou not kind ? -I should hni^e w
^ust n
Within a little—Yea. and c cn
With angry godlicad on ^hy Jo' V cone’ away
SUU thoS wert kind-And
For ever ? I know not. but
« W" «=^y
till I
Still will I seek thee
And nurse rcinembmncc of ,T^e
"
sore :
Witliin my heart,
for c^cru
1
II
n^eher lover and her lord,
a
®idst rising tears at last she prayed
^U rand one, it while ;
it
my own love and lord,
Would not cost thee, lady, many a word.”
„ from out the shrine a sweet voice came,
jont straight
0 Psyche, though of me thou hast no blame,
And though indeed thou sparedst not to give
”'nat my soul loved, while happy thou didst live,
^6t little can I give now unto thee,
«nce thou art rebel, slave, and enemy
Unto the love-inspiring Queen ; this grace
Uiou hast alone of me, to leave this place
Free as thou earnest, though the lovely one
Socks for the sorceress who entrapped her son
In every land, and has small ioy in augM,
Until before her presence thou art brought. ,
Woraiv
gold and
And in the midst of
An image of
Q“‘-'‘-'^,i*'JP°^thin her and she thought,
=be,
;'Sfie“SeS.l!SSe'Sfg"SS>“
tlune arms i •—
) Love, «dnce in
T
thv breast.
upon thy
iinon
o V n^m^veary head
v,pnrl
Or lay .jj^y jove forlorn,
bom
,
summer s green ry
That 1 sho^d hear the
Yea, and is death now still.”
Mhen lonely through the world th°5e an^^
groves.
es
But when she Nvas amidst moaning do\
Mhosc close green leaves aud seemed.
Shut out the world, then so . dreamed.
life
So strange, her former -
drew her on ;
she had won.
fears
Beside the hopes and
graen pl^
Till so far tlirough that cou
garden
Tliat she a rosc-hedged
chase. Park.
; ;
Shefi ,
AND PSYCHE 209
And about her body thrown,
Saw flnoj- haled along till she
riiat vi
faint eyes dizzily
fbe Pni
pearls and roses fresh,
1
carpet and the ros5' flesh.
Th^
V swpil’
strove to make some sound,
Vith 1
r seemed to pierce the air aroimd
iKp
her doom rang in her ears,
;
Cn -u P •
that lacketh tears.
damsels, and the pearl behold
Tln/v,^
That 11
^ price ? See now the thrice tried gold,
Tn K worshipped, that a god would have
ue his bride
how like a wretched slave
!
'at now
once more the waiting world will move,
ace she is found, the well-loved soul of love !
w.
For since the winds wen- plc.ased this
Viitn mv door, a fool 1 were tndtrd, ^
itJ™,
heap;
no. cease .0
219
CUPID AKD PSYCHE
Farewell, 0 Love, for thee and life I weep.
Alas, my foolish heart alas, iny sin ”
!
1
laid
But ’neath her doubtful steps the dust long
In utter rest, rose up into the air, .
‘
0 beautiful, svhen safe thou com’st again,
Remember me, who he here in sucli pain
Unburied set mo in some tomb of stone,
;
there
Or if her own face, troubled yet so fair.
The still pools by the roadside could liave shown
The dimness of tiiat place she might have known ;
But their duU surface cast no image back.
For .all but dreams of light that land did lack.
So on she p.asscd. still noting everything.
Nor yet had she forgotten tlierc to bring
The honey-cakes and money : in a while
She saw those shadows striving hard to pile
Tlie b.alcs upon the ass. and heard tlicm call,
" O woman, help us for our skill is sm.all
1
dicl,tl.cy ll>»‘
S“ S'SSl.tSd tny lhcr
leaden water back
Over Sc tbuse women ben ^
pain
1
Vnr <;aw ilic more fallen a^S
n JStl efr woavine or the
she p^s
.
Ji^g
Tlmrewith down by the ^ystde it
And turned the box hanp, undid
trembling
But at the last, witli _
*'
{],y
fimplcness have no more shame ;
11 'll lia-st
heen tried, and cast away all blame
sea of wih*s that thou didst bear,
1 to Ihe
pain, the h<)pele<bncss. the fear
llic biricr
jj^jpen a little, loved with boundless love
_j\tnidst them ;ill —
but now the shadows move
I^ast toward the west, earth's day is well-nigh done.
One toil thou hast yet ; by to-morrow’s sun
Knee] the last time before my mother’s feet,
llty task accomplished ; and my heart, O sweet,
Shall go with tlicc to case tltj- toilsome way :
Farewell awhile but that so glorious day
!
Ui VO V <tiU. '“y ;
Mti<t fall a-''‘
{^,)d hor woe and misep'.
WTio late \ \ iov unspeakable
Must l(Kivc wounded spirit fell 1
think of it in vain
I in- to
. .
novcr-cmling <lny !
hS,S.S i ri»S the
hand of I-ovo she took her way
1 ed bv tlie
heavenly trees,
T- o vale beset with
al\ tlvc gatlicrcd
gods and goddesses
'Sc Sr coming : but when Ps>-die saw
awe
S
^'^athcr’s face, she fainting uath her up.
^ fSSn
ThS
St
Ulat Love's arm held her
broiVt tlm cup-betmer a golden
hand,
cup.
A J «;et it in her slender
dread and wonder she did stand,
Md while in awfid voice smote on her ear,
Father's
and have no fear
^rink now, O beautiful,
Shalt Uiou be born again.
1
h.i tlierlw-hhal
rot?*SS?«»todspintM.
CUPID AND PSYCHE 231
Then in that concourse did she lift her head,
And stood at last a very goddess there,
And all cried out at seeing her grown so fair.
the author
later life of
an.Udng so sfro^nj as
God for nrafdng
.les.
. I
an onion.’ , _Thougli now thirty-six,
bodily
Ilis Slrc>igl>> of his cxul^emnce
Morris had describing passenger
fun. when
or mental. J“®Vc-cumbcred the gangtvay of a
off
staggertfS characteristic of him to
was
Channel stcame ,
. a chair under each arm
action to
and
words
picldng up
a
1
^ ^oal with liis teetli. Indwd,
^Lat he could bite almost
ti
nglit
^ve^e so strong
S^th ^ ^
m
trough ';?°^rhardness to that of the Miller s
_ y-^r-nnd. only 1 un-
iMirct fTiroiipli tin*
^rsecond if tlm
__
hole ^
^ an outlet, which his vanous
crafts
SstrengtL^f J^^^ystronk. was a most tender
^,mrtdcd-
provi .. Next Way when I turned up,” wote a
of Psyche. l
Id?”', " he read us a work
his
thing
he was speaking
I took it
that sort of hands of Venus.
Jung PsgL^^I was evidently glad it was
would have
. r„„trarv to what one
^'^fisObscrvalion.-ConU^
EPILOGUE 233
expressionless, with Giat far-
• ); look one sees in those of a commander-
eagle. Burne-Jones was not deceived
“ ^yere the eyes of an observer of genius,
ey say nothing to you, nor
much look at you, but
be
If
I love ”
it !
he produc«l
Vipirdthc Romances, and conUnuin^_
^franslaUons, "
^ip activities were
this time,
his ‘
new interests arose.
tiat^ “!ftrSri.S''^rpros^e! S ^ as
in whidi
.Sal future no
money, fio^t n:^^ mor ,
time anti
uclv work,
mad -
again,
Chaucer should come must be
lone work last
but the
The
mentioned, and
^
that
^,
P
‘Igi
^ j^yg loved
jts
illummated
on-n : the I'^elm
been one of
Sol rt«s- and priS. aid it had
P
Manuscripts
ambitions to ^ ai beautifully
should prc^"f
pnntcd, iuu=
pnntca. lUus
-J"”’ tm^os b
liis
.and bound, as
in
in modem ^'"'‘^iUllhiminated,
jyjjj„inated, and
•
woodcuts^^U^^,^^
Sated with
.^gcs-
1
he finally started at
H^mer-
the Middle ,1
typo-t^^^ge^ (so caUed alter his pxford-
ine original
Snitli the t^‘^^^a'^°lcluccd books
unequalled in tlieir
shire home), and p reverence for his m:«ter, he
great edition of Chaucer,
time for ^’^^’'^rilpted
oomp t a
hSicd to see ^rne- Jones. But
after
by Sw
I&tcdhealth he feared his hop^
might
Nonvay,
trSi his
A] ^ev to North Cape,
realized. continued working as
not be bim.
_
w^
the Chaucer
restore
fSed to _ „ht. tn
laueu J
„vprv delav. People
ne have it aU reaay. i u
oVrinE an enci, wouM h e « every da;^
”^^d when he
to-momo ;
.
too many,
Si?(^Snished it n {^
hf^®
„j to-morrow that temper to tlie utmost.
to
Four inouiuy
EPILOGUE 235
at a standstill. ” But on the 8th of
':^liaucer
lay the printing
was completed, and Morris’s life’s
work was done.
painlessly, at Hammersmith, on the 3rd
Y- t°Der i8g6, and was buried three days later in
,
velmscott churchyard. No man had ever lived a
fuller life.
questions on “JASON”
Contexts: into the ordinary
I. J asm:
“’“S''
Hd^'S'l^hSSSne. »”A
for Jason
vhrow of
Argo out of the question
S'” “•
toreiS°w'S'?i“"'“‘£.”’“'
EPILOGUE 237
12. Describe the adventures of the Argonauts be-
ween fte Black Sea and the Baltic.
Outline the ioumev between the Baltic and
Circe’s isle.
Summarize Orpheus’s song, " O death, tliat
maketh life so sweet.’’
I5-. \%at
happened on Circe’s isle ?
Id. Contrast the songs of Orpheus and the Sirens.
17- Give an account of a Greek public offering of
^crifice^ to tlie gods. Contrast it with a Christian
thanksgi-\Tng service.
i_8. Write a
letter as from the Garden of the Hes-
^rides to relate how you came there, and what you saw.
Contrast as many of the things as you can witli what
one would probably find in a beautiful English garden.
.
IQ- Describe how Medea, appearing as an old crone,
justifies herself before Pelias. Do you find her story
convincing ?
20. Relate how Medea compassed the death of
Pelias while safeguarding her lover from blame.
21. In the Colchian wood, Artemis had threatened
Medea with retribution for her pride. Wiat shape
^d the punislrment take, and how did Medea a.venge
her Wongs ?
22. How far is Book XVII. an afterthought and a
weak point in the poetic construction ?
23- Draw up a scenario for tire story, and compose
captions as for a film.
24. Consider Jason as (a) a lover, (6) a hero.
25. Contrast tlie characters of Medea and Lady
Maebeth.
26. Render a brief account of the story as it might
have been told by Medea to tlie King of Athens.
27. Wliat do jmu learn of the Greeks, their cliaracter
and customs, from tliis story ? Give as many illus-
trations as you can of tlieir wilincss.
28. \Vhen, where, and how does Juno interv'cne in
the story ?
epilog^
Gi'-' *“ idCnd 'pi"®"
°'
W "“'"-sni"?!”"!® >° I'"
32. Take
a
P^Vctnnncd lb) run-on lines. Do
number of Psyche, and
a pas^
same witn t^olts.&
compare the „ ^Ucct five otlicr
33 of adiectiv^one
irony, illus-
betivccn sarcasm and
r'"f5ist?n'ni?ih
use
trating their ^
37- lenrth, 18 Hio grammatical structure
v}) , tn use.
inclm eacli work as
Iilorris IS jjj,,, passage from
38.
Quoting a ten^^ (E«o«c. and Macbeth
criterion,^sl^'^,^ style is as metaphoncal as Tenny-
ior
monosyllables. complete revitalization of a
40. “ m m EncUsh. PracticaUy all Greek
m^ioW'^J^^Se from tt.” Give examples of such
SSetSns.^ ^^j,ole
atmosphere being dreamlike, the
—
EPILOGUE 239
(iiwnities do not shock us as impossible.” Discuss,
TOtli examples.
42. Illustrate the use of personal detail to make us
person liimself as real e.g., of the njunphs,
And landing, felt the grass and flowers blue Against
tneir unused feet."
43- Which passages in the poem would you single
out as best for {a) reflection,
(6) description, (c) action ?
44. “Argo’s journey flashes sidelights on the journey
of hfe itself."
Explain how.
45' “The Golden Fleece is the thousand complex
uesnes and ambitions of life, and their inadequacy to
satisfy.” Would you challenge this view ?
46- According to one theory, Medea is the Dawn,
me Fleece the Rays of the Sun, the dragon is Drought,
^etes is Darkness, Glauce is the broad Daylight, the
poisoned robe is Twilight, and Jason is the Sun. How
fur does this agree with the story ?
47 - What epic qualities has Jason ?
48. Morris invented (a) the woodland life of young
Jason, (6) Juno’s speech at the crossing of the Anaurus,
w) Medea’s secret mission to slay Pelias, and her
change of form. Examine these parts and consider
their value.
49- Of his style it has been said, “ It is neither fast
uor slow ; it has no falls or foam ;
no sparkle or
fr^hets. It has soft colours ; in its bed the stones
glisten. Never loud, never mute. It never reaches
the sea : just flows into the ground. It leaves the
memory of a mood rather than any distinct words. It
is the least fatiguing medium for a long story.” Make
another metaphorical description of it for yourself.
“ It is the decoration that
50. holds us. There is
fighting, and killing, and blows, but one does not
mind much who does what.” Illustrate and discuss
this opinion.
51. Howfar is Morris Uke the aesthete figured in
Tennyson’s Palace of Art I
2-10 EPILOGUE rsenirf' ^
ro
xtjg
Give an account of the life of Moms up
.
ce.
the na
writing of Jason. How far aas tliis jxiem
poets
P^g^'Discuss Morris’s conception of narrative
58
^
How far is Jason conventional in details ?
QUESTIONS ON “CUPID AND
PSYCHE ”
I. Account for the
reply of the oracle of Apollo,
ai^ show how it was received by
the populace.
learn from the latter of (a) the Greek
temper, Greek rehgious belief ?
(b)
the passage, " Then, smiling, towards the
place the fair Wind went
edges of the sea,” and
. . .
of C»p?dS™S°0 PsyS?^*
Ml
' jg
to
of local detail
Show Mom'; ? examining the
l>y
12.
make the main kg»n.‘ t-J on the morning after
o.
picture he gives
write captions. . •
treated in this
poem.
IS
22.Consider how JusUcc s
th ‘
you rela
23. Morris disliked
•
y](j
Milton’s pc^ms the theme
Cathedral and of
•
andgeneral
this to his diction
sueer
in these two poems ? ,„rse “ dear and
«S“d«.TSs
,
-
. , i
"4ks.c 3
he p^l
absMct De'™** y'^Senta^y and ele-