Está en la página 1de 8

Login

My Favorites
Contact

Classical Guitar Shed - Play Beautifully

Start Here
Membership
Courses
Site Index

segovia scales
Add to favorites
Should You Learn the Segovia Scales?

Eventually, most serious students of the classical guitar are exposed to the
Segovia Scales, or at least hear of them (perhaps in low murmurs from dark corners
of the internet).

And so arises the question, “Should I be learning these scales?” and “Are the
Segovia Scales what I’ve been searching for all my life?”

Maybe, or maybe not. Only you can decide to set out on that quest.

Below you’ll find some considerations to help inform your decision.


What are the Segovia Scales?

The so-called “Segovia Scales” are a specific fingering of all the major and minor
scales. They use the entire fretboard of the guitar, and demanding frequent
shifting of position.

As with all scales, they are a practice tool with which to focus on improving
classical guitar technique. They provide a container in which to focus on specific
right-hand and left-hand challenges. There are, of course, other reasons to
practice scales as well.

These scales got their name (so the story goes), when the great guitarist Andrés
Segovia recommended them to students in a masterclass. Though this fingering of
scales had been used previous to this by numerous players worldwide, clever
publishers immediately released new editions under the famous guitarist’s name.

Students of guitar ever since have flocked to this collection as a time-tested


addition to their classical guitar technique practice.

FULL DISCLOSURE: I offer a course on these scales. You can learn more about the
scale course here if you like. That said, I try to remain objective.
The Benefits of Practicing the Segovia Scales

There are numerous benefits to be gained by working to master any scale patterns,
and these are certainly included.
They’re a robust technique practice tool

As with the 5 basic scale shapes, the Segovia Scales, once learned and memorized,
give you a tool to work on specific technical challenges.

The form a template from which you can refine elements of playing that will then
transfer to the actual music you play.
They use the entire guitar neck

From the lowest E to the highest B, these scales put you in virtually every
position on the guitar.

Few exercises make such use of the entirety of the instrument.

But moving constantly up and down the neck has its challenges. Which leads us to….
They’re wonderful for practicing shifting positions

They demand clean shifting from one position to the next, which is an art unto
itself.

As we progress to more challenging music, we’re required to move around the


fretboard more.

The Segovia Scales give a direct way to master this skill.


They move through all keys, major and minor

Most guitar music is written in one of a few “guitar-friendly” keys (mainly sharps,
not so many flats, open strings whenever possible).

However, the Segovia Scale fingerings go methodically (using a logical pattern)


through all 12 keys.

They present first a major scale, then it’s relative minor (ignore this if you
don’t recognize the terms. If you like, it’s all explained in the course).

In this way, you move through every major and minor scale.
They’re a way to focus on many musical skills at once

The Upanishads say that, “A wise sage enjoys many pleasures at once.” (How’s that
for self-serving selective memory and disregard of context!)

“A wise sage enjoys many pleasures at once.” The Upanishads

The Segovia Scales allow you to meet several challenges (or pleasures) at one time.

While some of these repeat afore-mentioned aspects, when practicing these scales,
you work on:
1. Connecting notes (legato)
2. Right-hand scale technique
3. Consistent tone while shifting
4. Playing in all positions on neck
5. Pattern recognition
6. Habit formation
Connection to a lasting musical heritage

In addition to being a technical tool that can help you progress towards your
musical goals and aspirations, the Segovia Scales also allow you to connect to a
guitar tradition.

For decades, players have sharpened their axes on the stone of these patterns. They
are used and taught by the top players and teachers in the world.

Chances are, these will still be popular 100 years from now (or so says the Lindy
Effect), and people just like you will be considering whether or not to take up the
gauntlet.
Just as piano has it’s “Hanons”, and trumpet has it’s “Arban’s”, so we, too have
our go-to single-line scale practice.
Personal satisfaction

In addition to the technical benefits, there is something gratifying about having


made the journey and survived the tribulations of learning and memorizing all these
scales.

It can be rewarding to have a tried-and-true method to work on your skills.

And if you’re ever in a group of fellow classical guitarists, you can share in the
knowledge that you each have shared a common endeavor (in a good way!).
Reasons to Avoid the Segovia Scales

All that said, these scale patterns are not a good fit for everyone.

There are two sides to every coin, and these are no different.

Here are a few considerations that must be mentioned:


They are not music.

No one (unless they’re just being nice) wants to hear you play your scales.

You put in hours of work to initially learn them, then practice them on and off for
the rest of your musical life, and at no time will they be entertaining for anyone
but you.

Scales are a solitary pleasure.

The benefits gained from working on them will permeate everything you play, but the
scales themselves are not really suitable for sharing.
Reading music in high positions

If you don’t read well in the upper positions, and you only have musical notation
to work from, learning these can be a challenge.

Note: the CGS course on these scales also includes TAB and grids, so it’s not such
an issue there, but it’s worth mentioning.
They use the entire guitar neck

If you get cold sweats and night terrors every time you think of crossing into the
land above the fifth fret, the Segovia Scales could potentially increase your
general stress levels.

A majority of the the notes fall above the fifth fret, and require near constant
changing of position.

This quality is listed in both the pros and the cons, and you can judge for
yourself where on that spectrum it falls.
Lots of work

Scales are, on classical guitar at least, a tool for work. The prime purpose of
practicing them is to hone physical and mental abilities.

If you have an aversion to the demanding mental work required to memorize these
shapes, or the daily practice to smooth “the rough stone”, save yourself the
anguish and just decide not to bother. There is no shame in choosing your battles
wisely.
You Definitely SHOULD Learn and Practice Segovia Scales IF:
You want to

If you’re drawn to them, and the thought of practicing them brings you joy and
motivation, then definitely jump right in.
You’re curious

Following your interests is a great way to progress. Motivation is a non-factor


for things we’re curious about.

Sure, you may get in over your head at times, but it’s better than being safe and
bored.
You’re seeking a challenge

If you crave a good challenge, and something you can “chip away at”, these scales
are a wonderful way to get comfortable on the full instrument, and work on new
skills.
You’re willing to invest time in your long-term guitar skills

As said above, the Segovia Scales are a tool you can use for life to perpetually
master your musical craft.

If you can take a long view of the path to mastery (consistent small improvements),
these a powerful tool in the adventure.
You enjoy working on technique

If you find rewarding the focusing on details of movement, listening intently for
ways to subtly improve, and gently stretching your comfort zone, scale practice
offers much satisfaction and joy.

Technique practice can be meditative, calming, and stress-relieving if you bring


your full attention and remain in the moment.

If this is your cup of tea, dive right in.

OR….
Viable Alternatives to Learning the Segovia Scales Now

Of course, like most decisions, there is more on the table than a simple yes or no.

In addition to diving into the Segovia Scales (or not), you also have other
options. Here are a few:
Don’t do anything.

Simply because they exist does not require that you react. You could stop here, and
change absolutely nothing about your guitar practice.

I can virtually guarantee you that the Scale Police will not bust in your front
door or shine flashlights through your window.

Staying your current path could be the best option for you, if you’re on a specific
trajectory, and have specific goals and challenges you’re working towards.
Learn just the first Segovia Scale shape

You could just learn the first shape. C major.

This will be something concrete that you can memorize, and work into your practice
that will be useful.

You’ll get the shifting practice, and be able to work on scale technique and all
that’s included in that.

Consider this “just dipping a toe”.


Learn the 5 basic scale shapes

The 5 basic single(ish)-position scale shapes are extremely useful to know, provide
many of the main benefits of general scale practice.

Also, the Segovia Scales are comprised largely of portions these five scale shapes,
“chained” together.

If you are new to scales, I suggest waiting on the Segovia Scales, and learning
these first.
Learn an etude or piece with scale passages

Some people (and you know who you are!) simply refuse to touch anything that is not
a “real” piece of music, and don’t even feign interest in technique work of any
kind.

If you’re going to be this way, at least find some etudes or pieces that have a
variety of scale passages within them, and work on those passages in isolation (I
like to call this “taking them over to the workbench”.)

At least this way you are spending some time focusing on the fine details of
connecting notes, I and M alternation, string-crossings, etc.
Focus on some other aspect of technique

You could also decide to postpone your foray into scales, and instead focus on some
other aspect of classical guitar technique.

Arpeggio technique is the foundation of the lion’s share of what we do on classical


guitar.

Mastering basic chords and being able to switch quickly between theme is absolutely
invaluable.

Improving your ability to read music is also important.

Anything that requires focused awareness, attention to detail and challenge, and
offers immediate feedback (through sound or feeling) is ultimately beneficial for
your skill development.

But eventually, if you want to be “good”, you’ll likely gravitate to some scale
work of some kind.
Decisions, Decisions….

You’ll have to choose for yourself whether or not the Segovia Scales are a good
move for you at this point in time.

You would probably not regret working on them, and would certainly gain from the
experience. But they need to fit into your personal practice plan, and add to the
enjoyment, challenge and motivation you experience in your daily practice.

Either way, best of luck!

allen mathews classical guitar

About Allen Mathews


Allen Mathews learned guitar as an adult, and has been a full-time guitar teacher
for almost two decades to students age 4 to 96. He has taught classical guitar at
Reed College and Lewis and Clark College in Portland, Oregon, and has been a guest
lecturer and clinician at schools and universities throughout the U.S. Allen is
often praised for his creative teaching abilities, and his dedication to helping
adults learn classical guitar. He has a popular Youtube Channel offering regular
classical guitar tutorials, and has gained fans worldwide for his weekly emails and
articles at ClassicalGuitarShed.com.

Become a Member and Play More, Beautifully!

“The basics are the basics, and you can’t beat the basics.”
Charles Poliquin
Join the program that takes you from the beginning fundamentals to advanced
mastery, so you…

Move your hands safely and fluidly


Enjoy fulfilling practices and meaningful work
Play beautifully with expression and flow

Click the button to take a step towards an organized, effective guitar practice.
>>>

Click Here to Learn More

Featured Courses
$39

jesu bach classical guitar


Jesu, Joy of Man’s Desiring – Bach

One of the best loved of all classical guitar arrangements.

$39

read music guitar high positions notes


Play and Read Music in the Higher Positions

Learn to read music and identify notes on the entire neck.

$39

how to play segovia scales


Better Technique, with “Segovia’s Favorite Scales”

Detailed explorations of this popular technical tool.

$39

pachelbel's canon guitar


Pachelbel’s Canon in D

Great for beginners to intermediate players.

$47

how to read music for guitar


How to Read Music for Guitar

A full course to get you started reading music

$39

malaguena guitar
Malagueña, by Ernesto Lecuona

One of the most fun and recognizable guitar songs in the world!

See more…

You may also like…


fingerstyle fingerpicking classical guitar
Fingerstyle Guitar vs. Classical Guitar
technique vs repertoire practice for guitar
Technique vs. Repertoire Pieces in Classical Guitar Practice
See More…
Free Sheet Music
Carcassi free guitar pdf
Carcassi, Matteo – Petite Piece Op.11 No.3
Sor free guitar music
Sor, Fernando – Etude Op. 60 No.10
See More…
Add to favorites

JOIN THE EMAIL LIST & over 15,000 others playing more beautifully each week.
Top Destinations

Login/Create an account
Start Here
Site Index
Free Sheet Music
Become a member
Access your account
FAQ
Contact

Welcome to Classical Guitar Shed! Please take your time to browse and study. You'll
find loads of tutorials and resources. If you like, you can Start Here, or dive
into these popular articles:
Popular Articles

Free Sheet Music & TABs


Learn Guitar Chords
Scale Shapes Explained
How to Learn Pieces
8 Common Rhythms
How to Play Triplets
Slash Chords on Guitar

New Tutorials

Fingerstyle Guitar vs. Classical Guitar


Technique vs. Repertoire Pieces in Classical Guitar Practice
How to Re-Start Your Guitar Practice After a Break
Curiosity: The Single Most Important Practice Skill
Review the Last Year: How to Assess Your Guitar Practice
42 Questions to Blow (open) Your Musical Mind
More Flow in Your Pieces, Using the Concept of Unity

Site by Four Eyes