Piano Sonata in B flat major

This n-ork,giwn here In Its entir~t!-.has heen called hy Alfred Einstein a realization of the id&
of Jiozartb pinno sonatas.'
Remember that the opening i'our notea are performed as four sixteenth. notes, and that all the
small appoggiaturas are played on the beat. Their [en-gthdepends on their context. The one in bar 27,
for ~xauample,i s to have the length of nn eighth note; the ones in bar 7 of t h e second mm-ement are
thirtyseronds. Are all appoggiaturas mitten small? What is the advantage of so wifing them?'
The third movement has some of the atmosphere of a concerto: t h e statement of the opening
eight b a n pinna and their immediate repetitionforte suggests the way In which the finales of some of
Mozart's piano concertos hegin,and t h e cadenza near the end-rare in a solo sonata-confirms this
impression. What is the source af the materlal in bars 76-80?

Allepro

'hlRed Einstein. Sfmart. H i a Character, His Work (New York: Oxford University Press, 19-15),p. 240. C h ~ l e %
a
Rosen makes a brief analytic MrI'Iment on the h r i d g section afthe first movement in Sonata F m s (New Fork:
Morton. 19801, pp. 222-223. F
'An fnfnrmatiw article on this subject, with many examples, is Ernst Oster's "On the 3leaning ofthe tong Appog- 6
gtatura,"(trans. 'by R. KesovsQ), in Theory atEd: Practice (Itbaca, N.Y.: Music Theory Society of Yew York State,
August 1982). p. 2 0 . 6
.
t Is;: m
L
w
I
A
- ' a
L
'
-
I
1 1
I I
1 1
r
r
1
r
n r
I
-
r
'
!
I
[
1
1
I
1
1
I
4
I
1
I
+ ,
I
1
2 0 8 0 CLASSICAL COMPOSITIONS
m
 % ~

2 10 0 CLASSICAL CORIPOSITIONS
 .,! .( ,",:; . ..... . :-:
. . . . . . . . ..' .'."".""" . . . .
. . . . . ,.:>':;>;;:
. .. .. ..;:.:;,., .;;
. . . . . . . . . . . . . . .
. . . . ! : : ..::.., !. . : . . . . . .. . . . -. s:.. .." . . . . ...
:.
.:- > .. .;:;':;,,K:.!;,:,;,,::::y."
;.;. . . . . . ,. . .,: ., - < ;,\>,,.: ,.. ..,. .: :; : . . . . . . . . . . . . . ...,. . .
; .,; ,:.;,;,:.:, ;!?; ,j, :,::; T,?.;.,!:..! ....
......:.I...... . I
: : ::.. . .
. . -.... ..::.... .:. . ... .:... . .. ... . . . .
,'"::.,, :.,. .. .. ../._ . . .;......... .
.; . .,. . ..... .. ... ...... .. . . . .. :.. .. .. .. .. .. . . '..
. . . . .. . . .. .. ..
.. .-.. . .. . . . . . . . . ., .. . .. :. . . . .......... .
:
s?:
:.I
. .i,., ..........
-.:.g.; : :. .': . .. ...... .. ......
:,
..... . . . . . . . : . . . . . ...,
.;,,,: ... :> . . . .:,.
,..,.;
.. ... .. .. .
. .
. L. . .. .. . . ..
. ;; .. I .. . .. . ... ..; _--,:-._--,.-, .. "

.._;:I:. .._v.-....
"

. . . .. . . . . . . .;.,-:21.:-.-. ...... -::-;::: . - L : ::i.. - -~ . . . . . ^;..:

. . . A , ..

...
:...: g,..: ,;.;:. ...:!,,::.? J

" -~--
8 .:9 . ; . . . . . . .
. .

' ?f N:?. LUDWIG

.:-; ,cis,..... ,;:,.. .,: .
..,..
:1

:I
...:....
".,' ,

:,; .;,::
. 2. .
..... , .<,. :.. . .
,-.>.'
I .
,

,'
.
. .

- . -,
. VAN BEETHOVEN 3
... . .(?L,
,
...
.;tc.(,:; : . '
. :. (Alfredo Gasella)
. . . . . .

. .....
... I -
.-
. ..I.- -..
.::::.. L---1 -
RlCORDl AMERICANA S. A. E. C. - Buenos Aire:. Unicos iditores eulorizados para Amerjca latine.
......
. .
......
..., Todos los derechos de la prosenle edici6n estzn rrservedos. , ' , :Coptl.,~igJtt,YfCJfAIYIX,69 0.f:iic;'#iii 60.: .\-
-
..,.A

, . . . .
: :-
I , :
..
:-;.
....
.-'. . (jjl s:ewgii oj lwei,I ia Ii : ~ o ( ; ' ~ ~ G*.
i,v7+2 l.~~c 0'" ( ~
-!,!-
bcc - -;~ .
7 J Q.;? .,&,,L
p-;e ~
E.K 2-152
ZLL,?; LC: .I. 1;

::...
>
. , . .i-3 '>,..>!+i:,.r+; ~ ,-.
1 - ..>J,yi72
j>+,-?< )flZ+!)
E.R. 2/r5.? -