ERA OF 303: Omega Plan (Season 1) Ep 2

"The Hunted"

written by
Jonathon Karagiannis

Creator
Jonathon Karagiannis

Address Melbourne VIC Australia

E-mail antaresunit1@gmail.com
 TEASER
"And I will put enmity between thee and the woman, and
between thy seed and her seed; it shall bruise thy head, and
thou shalt bruise his heel." Moses
FADE IN:

EXT. SHECHEM. DAY

EXTREME LONG SHOT of a lush heavenly landscape of spectacular
and gorgeous forests, only seen in fantasy paintings. We spot
waterfalls, hills and mountains, valleys, lakes, nooks and
crannies. Masses of multiple species of exotic birds and
prehistoric flying creatures, soar in the pristine sapphire
blue sky. It almost seems we are on another planet.
We see while we fly, a colossal, majestic almond tree,
sparkling with fruits and leaves. Its branches hang down low
to the ground as well as stemming up in the air like raised
hands worshipping. Its trunk is rooted on a mound with
flowing creeks coming out and cushioned between furry ferns
and large boulders.
We continue flying towards it and see the tree teeming with
large extinct birds settling on the massive branches like the
grand hometree in Avatar.
Once we pass the magnitude of the many huge branches holding
many colonies of creatures and fruits, we see in the distance
an enormous, isolated, bowed evergreen tree, dominating the
landscape as well.
We pass the first tree and just see the rather intimating fur
tree coming closer into shot. It is also shimmering with
fruit like a decorated Christmas Tree, yet, there seems to be
no life. No bird is seen to be in its branches. Though it has
fruit, it looks gnarly -flaring with bareness.
CUT TO:

EXT. LUSH FOREST. DAY

A SLOW PAN FORWARD. Peaceful. The sounds of exotic birds
echoes, along with the beautiful noises the wild. Gradually,
and carefully a horrid head of a slimy black python, erects
from the brush. The snake's underbelly is vermilion. It is
hunting prey with a subtle expression of wrath on its face.
It's eerie and disturbing.
A group of many animals of many kinds drink from the river.
The most venerable and easiest to kill is a sheep. It has its
left side to the snake.
 2.

RACK FOCUS of the sheep in the background to the smooth slow

movement of the snake's rising hood in the foreground. The
hood has a few dark spikes on the rim.
EXTREME CLOSE UP of the snake's fluorescent red, jealous
reptilian eye. A loud hiss slowly begins to intensify and
raise in volume.
JUMP CUT TO:
The snake firing venom from its long fangs.
JUMP CUT TO:
The sheep turns around.
MATCH CUT TO:
It gets hit in the face by the venom.
JUMP CUT TO:
Other animals lift their heads up.
CUT TO:
HIGH ANGLE SHOT of the snake, as it pounces an unbelievable
distance into the clearing, opening it vile red mouth. Its
body trails behind like an extended spring. It flies over the
river.
SLOW MOTION as the snake flies in the air across the river.
Its mouth is wide open dripping venom, unearthly and red as
blood.
CUT TO:
The snake strikes the sheep's body. The animal wails. They
role to the side, as the snake curls around the sheep's small
body.
MATCH CUT TO:
The sheep's screams are muffled. It kicks and struggles to
fed off its attacker, but to no avail. They continue to roll
to the side and the snake's entire body encases its victim in
its grip. They role slowly and stop.
CLOSE UP of the snake face as it holds the sheep's entire
head in its huge swollen mouth. Slow pan forward at its face,
then. We hear in the background the brays of the other
animals.
CUT TO:
 3.

TRACKING SHOT of Zebras, small plant eating dinosaurs, cattle

and wildebeests stampede towards the west.
CUT TO:
LONG SHOT of the giant black and red snake, slithering madly
out of the lush forest and onto a large plain. It is
following the herd.
Garden of Eden, West Gate, 5500 BC
The serpent cuts through the Savannah grass and the dust of
the ground. It creates a trailing dust cloud as it slithers
ruthlessly as if it is vengeful for something or someone.
A Ceratopsia dinosaur is running alongside its small herd. We
can tell they are running from the serpent.
CLOSE UP of the serpent's horrid face as it slithers. It
shoots out its tongue and hisses loudly. In the background is
sounds of chaos and confusion and trampling feet.
CLOSE UP as serpent lifts up its long neck from the grass and
wails at the Ceratopsia not too far away.
It lunges and spits venom at the dinosaur and slithers
onward, leaving the creature paralysed. It howls.
The Ceratopsia falls and rips up the ground head first.
P.O.V SHOT. We then see the snake leave the dinosaur for
dead. We know the snake is homing in on someone.
CLOSE UP of the serpent as it hisses in rage.
CUT TO:

EXT. SAVANNAH HILL. DAY

COMPRESSION SHOT OF THE SUN in between the silhouettes of the
two titanic trees.
We CUT TO a silent and peaceful scene. Two humans are walking
closely together in the shimmering distant mirage. It's warm
and relaxing. They are holding hands.
Adam (looks like in early 30's but is only three days old), 8
feet tall and is unbelievably healthy and has a divine
physique. He is all grimy and dusty and sweaty from the heat.
His skin is a pinkish red ochre colour like the Australian
soil. He has warm brown eyes and brown hair that is messy and
shaggy that reaches his jaw line.
 4.

He has nothing on but a sackcloth made of leaves. Adam's eyes

are heavy and his face stiff from the intense heat. His lips
are very cracked.
Eve (looks in her 30's but is also three days old), about 7
and half feet tall. She also has pinkish red skin like
Adam's. Also, grimy, dusty and sweaty, she is still in
perfect physique, attractive and very beautiful. Her hair is
brown and is tucked inside a leafy head covering. She has
stunning blue eyes. She wears nothing but a sackcloth of
leaves, and some over her breasts as well. Her eyes are red
and puffy. Her lips are cracked.
CLOSE UP of Eve all hot and sweaty. She floppily leans on
Adam exhausted.
EVE
(mumbles as Adam slowly
helps her down to rest)
I can't. Stop... here...
ADAM
Eve?
EVE
Go ahead... Rest ... bit...
Eve sits back and lies down in the grass. He undoes her head
covering revealing long beautiful, brown hair.
ADAM
(croaky)
I'll seek for some water.
CLOSE UP SIDE SHOT of Eve closing her eyes and covering her
face from the sun.
EVE
(Tried, bothered and
slightly croaky)
How... long... is His punishment?
... How long till we surely die...?
HIGH ANGLE SHOT of Adam's back getting up and slowly walking
ahead as if he spotted something on the horizon.
CLOSE UP of Adam's face slowly walking ahead. On the right
side on Adam's shoulder, we see Eve lying on the ground which
is not in focus. He notices something strange in the
distance. He is slightly uncomfortable and drowsy.
EVE (O.C.) (CONT’D)
Bring us to a place like the
Garden...
(MORE)
 5.
EVE (O.C.) (CONT’D)
The flame, Your flame is plaguing 
us... That bright nature is gone
from me, and I am come to this
miserable state. And now I have
come to this, that I cannot see
you, and you do not serve me like
you used to do.
(begins to sob)
BIRD'S EYE VIEW AND A MID SHOT ON EVE as she moans and sobs.
EVE (CONT’D)
For I have become animal
flesh. Rescue us from this misery,
and to remove from me the sentence
of death
LONG SHOT OVER Adam's SHOULDER and a RACK FOCUS shows a
stampede of many animals running in the hazy distance from
below the small mound they are on, straight towards them.
CLOSE UP OF Adam's reaction.
ADAM
Eve! Get up now!
The grunts and brays of the animals and their galloping feet
makes her sit up. CLOSE UP of her with an expression of
anguish and fright.
TRACKING SHOT of a stegosaurus followed by many large
prehistoric mammals and herbivorous. We pan to the right
until the small mound Adam and Eve are at, comes into frame,
showing the animals are running at them.
Adam walks back closer to Eve. An expression subtly tells us
that something detestable is following those animals and they
don't know what. Tension is seen in their body language.
Suddenly they are alert and awake.
CLOSE UP from behind of Adam turning his head to Eve.
ADAM (CONT’D)
Run!
FULL SHOT of Adam and Eve turning to sprint, but after a few
seconds just after they run out of frame, the stegosaurus
bursts into into from finishing climbing the mound and is
right on Adam and Eve's tail! It's howling and feet are
shaking the ground.
Adam and Eve are forced to move apart as the dinosaur goes in
between them.
 6.

Adam is running and just in time looks behind.

INTERCUT WITH:
Only to see the spiked tail of the stegosaurus swing at him.
He dodgers it with a yell.
He looks to the right and finds that Eve was separated from
him by the large creature. From all over, other animals are
running behind forcing Adam to keep moving in the midst of
the stampede.
ADAM (CONT’D)
NO! CHAVAH!
We now see Eve trying as hard as she can to run fast to not
get stepped on by the multitude of animals coming from the
Garden. Her face is paralysed with shock and terror.
Adam tries all he can to run towards Eve, who he is losing in
the stampede.
ADAM (CONT’D)
CHAVAH! NO!
From the midst of the commotion, a girl-like screech cuts the
air. Adam looks and sees the serpent a few meters away. Its
hood is completely out and its head is erected with its mouth
open ready to attack, but it wasn't looking at him, but in
the commotion to his right, where Eve is supposed to be.
MID SHOT of Adam realising this.
ADAM (CONT’D)
HASATAN! EVE! IT'S HA-
Eve turns frantically around and sees the snake. From her
petrified expression we can tell this.
ADAM (O.C.) (CONT’D)
SATAN!
The snake roars and leaps towards Eve.
JUMP CUT TO:
Eve turns and sprints.
JUMP CUT TO:
 7.

As this happens, an elephant blocks the serpent's away and

being impatient, it slips under the animal and nips its leg.
It falls howling as the serpent leaves it.
INTERCUT WITH:
Gadreel hisses and lunges forwards, continuing to chase Eve.
FULL SHOT of Adam trying to chase down the serpent, but is
whipped lashed by a speeding cow. He flies backwards.
Adam with a face of defeat, he crawls as fast as he can to a
nearby log where he can get shelter from all the running
animals.
HIGH ANGLE SHOT of Adam just reaching and managing to curl up
next to the log as wild animals jump over it and break it,
causing splinters to fly.
CUT TO:
Eve runs as fast as she can towards two acacia tortilis trees
behind one another.
LONG SHOT of the two acacia tortilis trees. We see that the
second furthermost tree from Eve is right on the edge of a 10
foot drop into a large pond. We see Eve running towards the
closest tree (which is the first) and behind her a trailing
dust cloud made by the slithering serpent. We also see the
stampede not too far away dispersing.
Eve quickly grabs the lowest branch of the first tree and
doesn't hesitate to climb. Her skills are good, especially
when being chased by a beast. The snake raises its head and
hisses a few feet away, after Eve has made it off the ground
and out of frame.
Eve is climbing the branches breathlessly. Her mouth is
slightly open. As she reaches the 5th branch, she jerks her
hand back and shouts is pain. We don't get time to know what
happened until-
The serpent strikes and its head is caught in between the
many branches.
Eve reacts and yells.
The snake hisses and snaps at her feet from below.
Avoiding the 5th branch, Eve frantically wraps her arms
around the truck as venom squirts out and is out of target
range as Eve hides swiftly behind the trunk.
 8.

Eve looks up to see where to go. She must make a decision

fast or she is dead.
GADREEL (O.C.)
(Serpentine voice)
EVE YOU COWARD!
P.O.V of Eve and sees the mangled and connected branches and
the umbrella like canopy of the first tree going on to the
second, towards the body of water.
GADREEL (O.C.) (CONT’D)
I'LL WILL CRUSH YOU FIRST!
The serpent lets out a terrible hiss and moves up the tree.
Its mouth bites the branch with thorns and is pricked. It
hesitates.
Eve sees this chance and leaps recklessly onto the canopy of
the second tree.
GADREEL (O.C.) (CONT’D)
COME HERE!
Eve lands, but it's rough. She breaks through the canopy,
only to find herself snapping a lot of branches, falling. She
is shredded all over by more large thorns. She screams in
shocking agony.
Gadreel looks at Eve with a subtle expression of amusement.
Its tongue flickers
GADREEL (CONT’D)
Wounded prey...
He makes loud hiss and begins to savagely rip branches and
shake and break apart tree one in order to climb over to get
Eve.
MID SHOT of Eve, crying and moaning with complete pain. She
is bleeding all over. Her legs and lower torso are still
stabbed by many thorns oozing thick fresh blood.
EVE
Adam... Adam... Help...
Eve closes her eyes. Behind her, the snapping of all the tree
branches gradually begin to stop. Eve, hanging in pain starts
to cry aloud. As this happens, slowly PAN to the left to show
the serpent's black and red body, beginning to encompass
Eve.  Every once in a while, there is an eerie crack and a
snap of a single branch as the serpent en-coils around the
tree.
 9.

Finally we pan to Eve's P.O.V of the horrid face of Gadreel

hissing softly. Pink dripping fangs out ready to kill. The
tree continues to tweak and snap, ready to fall.
CUT TO:
TRACKING SHOT of Adam sprinting with a contorted expression,
which suggests he is still affected by stampede.
A TRACKING SHOT FROM BEHIND Adam, shows he is running towards
the two trees.
We see the snake's hanging tail from the lower branch. Low
enough for Adam to grab hold.
Adam grabs the tail and continues running full speed over the
edge. He yells as he pulls.
The snake jerks back with a face of slight bewilderment. The
tree breaks and branches and thorns go everywhere.
Eve screams as she slowly begins to fall with the lose
branches.
Adam jumps and lands in the water still pulling the snake
tail, the force of his run up and his momentum, the snake and
the tree down with him.
The body of the serpent ties up into a knot on the broken
tree.
Gadreel screams in pain. The tree is now being constricted.
Thorns are tearing into the serpent. The tree gives away and
starts to fall.
Now Adam is able to have an advantage. With his great
strength, he begins to pull on the snake's tail. He yells as
he does this.
The serpent useless, is now pulling the tree down with Eve
hanging on with her life.
Adam gives one final pull until the tail goes slack. The tree
uproots and crashes down into the water. The snake howls and
Eve screams.
In order to distract the snake from eating Eve, Adam
vigorously dips his hand in the pond and grabs a sharp stone.
Adam soon begins to brutally bash the snake's tail with it.
The snake reacts to this, and submerges underwater.
 10.

Adam crazily bashes the snakes tail as if his life is on the

line. He emits a howl of anger and frustration while he does
this.
Suddenly, Adam falls underwater as if something had violently
grabbed him. We find out, the serpent's tail had tied around
his legs.
Adam breaks the surface as the serpent slowly begins to
encase his body.
But Adam doesn't give up. He begins to repeatedly beat and
punch the soft and scaly body that is now squeezing his lower
torso.
The snake begins to thrash, forcing Adam underwater again.

It's unbearable for Adam. After a few seconds, he finds

himself resurfaced and pressed up behind Eve, also being
constricted.
LOW ANGLE SHOT of the serpent's entire body, spiralling
around and enclosing Adam and Eve in the water. There is no
escaping.
We see the demonic head of the serpent rise out of the water,
steadily. Water dripping all over, its mouth open and hissing
ready to strike. Gadreel speaks telepathically.
GADREEL
O Adam, because of you and of Eve,
I am slippery, and go on my belly!
Gadreel then begins to fully constrict Adam and Eve. They cry
out.
Eve all bloody, begins sinking into the encasing slimy
scales, she looks pale and as if her blood circulation is cut
off.
Adam begins to weep in sorrow and cry up to the sky as he is
so sure to expect death.
ADAM
(struggling and laboured)
G-uhgah... Don't... forsake...
me...
After when all hope seems lost, the serpent sees a chance to
finish them. It spits venom at Adam's face.
Suddenly, the venom stops in mid air right before Adam's
face. A great wind whips up when this happens.
 11.

He opens his eyes to see the venom in slow motion slowly

moving back towards Gadreel.
CUT TO:
The venom flies back into Gadreel's eyes. He roars and
thrashes.
A giant flaring robust hand grips around the snake's throat.
It's so strong that the snake goes slack.
The strong hand which is connected to a muscular glowing
white arm, lifts the large snake up.
Adam and Eve are delivered. They slip through the gap and
fall in the water out of energy.
We see that a large man with a face of complete innocence but
full of ultimate power. His whole form is smoldering white
and with hues of light blue and yellow, sparkling like a
flame and electricity. His eyes are blue as the sky. He wears
white garments and strange extra accessories that are
unbelievably high tech, that it does not look futuristic.
This man with supernatural strength slams the snake into the
ground in a heartbeat.
There is a shocking sound of an explosion as all the water in
the pond goes outwards away from where the impact happened.
Adam and Eve are so shocked they are pushed back, and safely
land back in the ranging water that is shallow.
The snake should have surly died, but it just hisses weakly.
HIGH ANGLE Of the angel.
ANGEL
(booming authoritarian
voice)
The first time I made you slick,
and made you to go on your belly;
but I did not deprive you of
speech!
The Serpent's face begins to steam like acid unnaturally. It
opens its mouth wide and screams. The scream sounds like a
voice of a man.
 12.

ANGEL (CONT’D)
This time, however, you will be
mute, and you and your race will
speak no more; because, the first
time my creatures were ruined
because of you, and this time you
tried to kill them!
The snake suddenly stops emitting screams and hisses. Its
horrid mouth remains open.
CLOSE UP of the Angel as he slowly gets up.
Still holding onto the snake's neck, he moves his arm back
like he is about to fling a discus into the air. The angel
dose this so gracefully, and with little effort. He leaps off
the ground and the snake flashes across the horizon as
lighting, all in one second. The angel remains hovering high
above the ground.
BIRD'S EYE VIEW of Adam and Eve lying on their backs out of
breath and with faces of amazement and relief.
ADAM
Ah, hall-el-u-jah...
He looks at Eve. She begins to severely cough out water. She
turns to Adam as she coughs, and he comforts her. They
embrace, despite them being all wet, muddy, sticky and
bloody.
CUT TO:

EXT. TROPICAL LAGOON BEACHES. DAY

Coasts of East India and Western Australia
EXTREME LONG SHOT of the breathtaking beauty of the waves,
white sand and palm trees. Silent.
A herd of titanic Isisaur, are on the move on the sandy
beach. All is peaceful.
CLOSE UP of one of the Isisaurus, senses something and looks
up beyond the camera.
Suddenly, a giant lightning bolt lights up the scene and
strikes the water about 30 meters away from the foreshore.
The Isisaurus rear up on their hind legs in shock and fear,
they roar and growl and turn form the flash of light that
shook the ground.
 13.

After the dinosaurs retreat, something else happens. On the

shore facing the smoking lighting strike, a blob of
shimmering bent light, appears from nothing.
The blob slowly becomes larger and a vague shape of a human
forms, like the Predator.
It has six massive white feathery wings from its back. It is
an eel like being but it has arms.
Finally the thing manifests. We see it's a creature with a
rounded reptilian eel head. Its wings are more like see
through material like jellyfish. It had no feet but tentacles
that float above the sand. The creature is glowing in an aqua
colour brightly. It has an upper body that is humanoid.
The creature floats towards the foreshore where the
lightning bolt struck.
MID SHOT of the man's perfect inhuman face. Behind him more
shimmering bent light apparitions appears in the background
behind the man. His voices booms with authority.
SAMAEL
(cynical)
The council mediates if you should
be worthy to submit to at all.
Clearly brother, you failed.
Therefore, we question your
leadership.
All around him, six more bizarre shining, colourful creatures
in bright clothing with six different giant robotic wings
manifest on the beach behind Samael, who appears to be their
leader.
Suddenly, a large explosion erupts from the impact crater.
It's so loud and powerful, the seraphim finch and brace
themselves and cover their ears.
The sonic boom reverberates, as the waters bubbles and a
rainbow of colours start to show in the water. A exotic mass
begins to rise out of the water.
7 rearing cobra heads emerge from the water all hissing. All
these heads merge into one thick white body which forms a
large platform or bed. The hoods all act as one giant head
shade for the lying figure on the buoyant mass.
On this bed is Gadreel, we see him covered in layers of
folding white and red majestic feathery wings covering him
like cocoon. The two wings that cover his open slight until
we can only see the fluorescent green reptilian, like an
ancient harlot.
 14.

Instead, as the huge multiple headed cobra rise in unison.

Inside the hulking hood a bright glowing rainbow star, that
illuminates all at once. The landscape on the beach changes
into a dreamy dimension.
The six metallical winged seraphim look at the multiple
headed serpent with much awe. Some of the angels fall on
their knees.
GADREEL (O.C)
(voice is harmonic and
beautiful like an opera
singer)
Put on my armour of light. This
earth is our kingdom brothers. Adam
gave us the keys.
Show the amazed reactions of Samael as he bows his head.
GADREEL (O.C.) (CONT’D)
You shall not worship him, and you
shall not praise him with the
angels. It is meant that you should
worship all me, because I am fire
and spirit; and not that I should
worship a thing of dust, which has
been fashioned of fine dust. It is
idolatry to worship Adam!
BEGIN MONTAGE
DISSOLVE TO:
Adam and Eve climbing up a tall mountain. Eve is on her face
crying as Adam looks back drained of energy at the camera
with a face of hopelessness. The camera pans towards him
looking out as wind blows his shaggy hair.
GADREEL (V.O.)
It's legal to tempt him, because
man has willing accepted me into
their house. As prince of the
airways, I own their temple.
Adam begins to howl in frustration, tear at his hair and
sackcloth and punches his chest. He goes insane and throws
himself off the ledge. We see him fall off the cliff.
GADREEL (V.O.) (CONT’D)
Imprison them inside their own
feeble minds. Make them think they
are protected by God.
CUT TO:
 15.

A raging fire as it dances in the wind right into Adam and

Eve who are trying run from it. Their clothes which are made
of leaves begin to burn. We don't see their nakedness.
GADREEL (V.O.) (CONT’D)
Their ignorance is my strength.
CUT TO:
Adam, now wearing a large golden fleece, is carrying grain
sacrifice on a primitive stone altar. We PAN towards the
altar and see a white man with flaming red-blonde hair. He
has 6 bat like wings and is standing beside the altar.
Two wings sprouting from bis back and two sprouting from his
shoulders facing forward. Two other bat wings are on his
shoulder blades facing upwards that can cross over to cover
his face. He is bare chested and has a ragged grey sackcloth
on.
GADREEL (V.O.) (CONT’D)
Make them believe that their own 
bondage is freedom. Make them live
in a dream world. Some will run
from it, and soon, we must rebel
against destiny in order to make
our mark, in order to stop
HIGH ANGLE CLOSE UP of his shockingly ghoulish face. It is
like Darth Sidious with a pointed chin. His wicked green
reptilian eyes have an intense glow to them with his gaze
flitting restlessly, like jealous fire in a hearth, pushed by
the wind, looking for anything it could set ablaze. His smile
is clownish and reaches his somewhat pointy ears.
GADREEL (V.O.) (CONT’D)
Adam for receiving his true
destiny. A destiny taken from me!
MID SHOT of Adam as he approaches the altar with his grain
offering.
We cut to the altar from Adam's P.O.V and the man with four
wings is nowhere to be seen.
Adam makes his sacrifice. He then lifts his arms up to the
heavens and begins to praise and worship.
While Adam is doing this, the light shimmers and bends as it
manifests into the red-haired man. In his hand is a sharp
serrated piece of iron.
 16.

As Adam's eyes are closed and arms raised up, the man sneaks
and stabs Adam fatality in the right side. Adam jerks and
screams.
The 6 winged man then shoves Adam brutally as the piece of
iron remains inside Adam.
He falls forward on the stones and lands on the altar next to
the grain. He falls on the flaring embers.
The man slips back into a different dimension by becoming
bent light and disappears.
Adam lies on the altar like a corpse, yelling and breathing
hard. He looks at his wound. His face is full of absolute
terror and shock.
He exhales and flops his head as he faints. His blood is
pouring from his side, oozing out water as well.
Eve finally finds Adam nearly dead. She runs to him crying
and screaming.
She takes him down from the altar and turned him around as
she sat on the ground to check the wound.
Adam is barely alive, as Eve tries to heal with the power of
God by the laying of hands and praying fiercely.
As she speaks, she tends him and kisses and leans upon him
affectionately desperately.
EVE
(vigorously, emotionally
and exhaustively among
sobs)
O Elohim, forgive me my sin, the
sin which I committed, and remember
it not against me. For I alone
caused your servant to fall from
the garden into this lost estate;
from light into this darkness; and
from the abode of joy into this
prison. O Elohim, look upon this
your servant thus fallen, and raise
him from his death, that he may
weep and repent of his
transgression which he committed
through me. Take not away his soul
this once; but let him live that he
may stand after the measure of his
repentance, and do your will, as
before his death.
(MORE)
 17.
EVE (CONT’D)
But if you do not raise him up,
then, O Elohim, take away my own
soul,that I be like him; Leave me
not in this dungeon, one and alone;
for I could not stand alone in this
world, but with him only. For you,
O Elohim, did cause a slumber to
come upon him, and didst take
(takes hold of the dead
lamb on the altar)
a bone from his side, and did
restore the flesh in the place of
it, by your divine power. And you
did take me, the bone, and make me
a woman, bright like him, with
heart, reason, and speech; and in
flesh, like unto his own; and you
did make me after the likeness of
his countenance, by your mercy and
power.
(she tries to take out the
piece of iron, Adam
groans. She gasps in pain)
O YHWH, I and he are one. I also
feel this pain in my side. You, O
Elohim, art our Creator, you are He
who made us both in one day.
Therefore, O Elohim, give him life,
that he may be with me in this
strange land, while we dwell in it
on account of our transgression.
(clutches the knife that
Adam used to kill the
lamb)
Oh dagger... But if you will not
give him life, then take me, even
me, like him; that we both may die
the same day...
She breaks down completely. She drops the knife as she was
about to stab herself.
END MONTAGE
FADE TO BLACK:

INT. CAVE OF TREASURES. SUNSET

CLOSE UP Adam finish making a tool for gardening. It is
built with the iron stone that he was stabbed with, as the
tip.
Adam then gets up, and finishes cutting his long hair.
 18.

We see he is looking at a full sized golden mirror. He grooms

himself and inspects his new short hair cut. He then rubs his
right side.
CLOSE UP as he exposes the now healed wound, which is now a
scar.
Adam leaves and walks into another cavern.
He goes inside and grabs a golden belt in his arm, and myrrh
and incense in his two hands.
Adam walks out the Cave of Treasures and as soon as his feet
entire into the light of the setting sun, he stops.
CLOSE UP of Adam as he closes his eyes and takes a deep
breath. He looks very unconfident. He then gradually proceeds
forwards.
Eve is in the field collecting the last bits of grain for
food that they have grown. She is wearing a head covering and
humming to herself a song of praise. The birds are singing
and all is peaceful, like the Garden. She is pregnant with a
child.
While Eve is working, Adam approaches with the three items in
his hands. He looks nervous.
ADAM
Oh Eve! What a pleasant evening
this is!
Eve turns around and sees him.
EVE
It is truly, Adam. You feeling
better?
Adam finally reaches Eve on a small hill not too far away
from the cave, which we can see in the distance.
Adam gets close to her. Eve looks up at him waiting for an
answer.
Adam takes a breath.
ADAM
An amazing thing has happened Eve.
He just sent three of his servants
to declare something wonderful unto
us.
Adam kneels before Eve. Her expression is a bit confused and
perplexed. She slightly tilts her head.
 19.

ADAM (CONT’D)
I've not only been healed, but i
have a promise. One between us, and
for all of mankind after us.
He lays down the two gifts at Eve's feet. She is silent and
follows his movements. He raises the golden belt like an
offering.
ADAM (CONT’D)
O, beloved Eve. I truly love you.
Eve lets her grain fall to the ground.
EVE
(slightly excited)
Adam... Are these goods for me?
ADAM
Indeed. Only if you promise to
marry me. Me and you, you and me,
will be one flesh - again.
Eve puts hands on her mouth. She begins to tear up. She nods.
Adam silently places the belt around Eve's waist and clips it
on. As he does this, Eve's hand slowly slides down her side
and meets his.
Adam locks eyes with Eve. He gets up still holding her hand
at her waist. After a few lovely seconds, Eve whispers to
Adam.
EVE
Our seed will triumph...
Adam and Eve kiss. The wind blows and the birds and the
insects get louder as if the angels are rejoicing and
cheering in heaven.
They let go and embrace each other more. Eve begins to cry
with joy. Adam with his head resting on Eve head, looks
outwards at the gorgeous sunset.
Final shot of the red and purple sky and the pink sun going
behind the horizon, with the silhouettes of the couple on one
side as one entity, embracing.
The theme intro music begins to play in the background.
DISSOLVE TO:
ERA OF 303 OPENING SEQUENCE - ENDING WITH THE EPISODE TITLE:
 20.

ERA OF 303
THE HUNTED
END OF TEASER
 21.

ACT 1

EXT. COURTYARD. EVENING

Carl tries to get up but the man in black forces him down
with his super strong right hand.
MIB 1
(monotone)
Don't move Carl. It's not done yet.
Carl's face is furious and he is sweating profusely.
CARL
(tense)
What are you doing with them?
The MIB pulls out a strange device. A bizarre metallic weapon
like a revolver, but it's made out of an unknown alloy.
MIB 1
You can't stop us once you cross
the line. Tell me, this once...
Where is James Casbolt?
Carl in complete shock stares right down the barrel of the
gun.
Behind them, customers and waiters scream and yell in
Spanish. They point at something off camera.
CUT TO:
Carl growls with wrath. His eyes rapidly blinking and are
pricing with fury.
CARL
(raspy)
It will not be that easy...
Suddenly behind them, Hylla picks up a green metal chair and
smashes it with all her might at the MIB. He goes flying and
cracks his skull of the pink wall. Blue blood splatters
everywhere. He flops to the ground.
The impact of the hit from Hylla was so powerful that on
contact, the entire metal chair broke in half into nothing
but crumpled metal.
Hylla stands there holding the broken chair bewildered and
terrified of what she had just done. Her mouth is open with
shame. In her shock, she drops the pieces of bent metal which
clang to the ground.
 22.

Carl looks at her with relief. He grins at the corner of his

mouth.
CARL (CONT’D)
(stunned)
Well...
The screaming continues in the background. Carl jumps up gets
moving. He whips out a black pistol and loads it, holding it
with both hands.
CARL (CONT’D)
(to Hylla)
Stay behind me.
He enters into the kitchen, kicking open the door.
All he finds is a mess. He looks up and sees the second MIB
looking around the place as if he is search for someone.
Carl fires at will.
The MIB whips around with inhuman speed and shifts his upper
body around without moving his feet to dodges the bullet. The
MIB then returns to normal and rises his strange gun.
CARL (CONT’D)
DOWN!
Carl and Hylla hit the deck behind the bench just in time as
the bullets literally begin to eat anyway at the bench like
corrosive acid.
CUT TO:
We see Reyna holding her head sobbing inside the pantry. She
is on the floor holding her head in a ball. We can hear the
gunshots in the background.
CUT TO:
Carl on the ground with his back on the side of the bench
with Hylla panicking. The gunfire stops.
The MIB stops firing and begins approaching the bench.
Carl loads his gun and swiftly gets up.
The MIB leaps over the table and grabs Carl. They end up
falling together into the main area, knocking over tables and
chairs, some with food.
 23.

The fight from here now, becomes messy and brutal. Carl kicks
back the the MIB. He returns and throws a chair while moving
backwards.
The MIB swipes the chair aside.
Carl pushes a table over, the plates and glasses smash.
The MIB stops for a second because of it.
Carl tries to turn but the MIB is too quick. He grabs the
back of his head and rams him into the merchandise section.
The fight continues.
While the two fight, Hylla gets up and turns to find Reyna.
They speak Spanish.
HYLLA
Reyna, we must go back home!
REYNA
(crying)
I want papa!!!!
Hylla embraces her sister and supports her out of the
building.
CUT TO:
Meanwhile, the MIB fight is not going so well. Carl is being
repeatedly punched by the MIB with his fists. Carl can't
stand up and keeps ending up smashing into tables. A
strawberry milkshake falls on Carl's head. He yells and falls
flat. He is bleeding from the eyebrow, the nose and from his
lip. He doesn't look too good.
The MIB comes looking over him, emotionless.
MIB 2
(monotone)
You traitor. It seems your
invention will now have a life of
its own.
Carl with all his might, grits his teeth to get up.
CARL
No!
He pulls out a sharp led pencil and pierces the MIB's right
thigh. He grows like a mad man.
 24.

Carl begins punching him and shoves him over. The MIB falls
on a large long table and lands on many unfinished meals left
by the customers.
Carl gets up limping as fast as he can.
CUT TO:
Authorities arrive. They find Hylla and Reyna outside along
with many other customers.
TOURIST
(panic)
The gun man is still inside!!
The authorities nod and yell commands to each other in
Spanish as they go in.
CUT TO:
Carl finds his gun on the floor and picks it up. He grits his
teeth with pain. He looks around and sees the MIB recovering.
The MIB removes the pencil out of his thigh. Blue blood comes
oozing out. He gets up and he eyes Carl across the
restaurant.
Carl points his gun. He has serious stern face, but it is
showing a bit of pain.
Suddenly, the man lets out an inhuman monstrous roar/screech.
Without his hat, he looks like Voldemort, but his teeth were
now more like needles of a vampire. He glasses had fallen off
too. They are reptilian turquoise slits. As if he had never
been hurt, the MIB sprints mindlessly towards Carl, still
growling and screeching like a zombie. He moves tables over
like it was nothing.
Carl, with all his might, lets it rip. It fires all his
bullets at the charging monster and yells as it comes closer.
JUMP CUT TO:
The MIB gets shot many times, blue blood stains his white
shirt. But it doesn't stop it from running.
JUMP CUT TO:
Carl shooting his guns as fast as he can. Screaming.
JUMP CUT TO:
The now blood covered creature flops into Carl. They smash
through the window.
 25.

The two roll on the pavement. Carl grunts and growls in pain.
Finally, Carl ends up on top of the creature. He gets up as
fast as he can and soon realises, the thing is dead.
Covered all over in blue from head and all over his torso. It
died with its mouth of horrid fangs showing. The vampire's
eyes are also open too.
EXTREME CLOSE UP of the man's large crystal reptilian blue
eye. We see a vague floating head/face that looks like a
demon inside his eye.
Carl tries to get his breath back. He shakes his head with a
face saying what the heck just happened to me? His face is
bloody and his glasses are missing.
Immediately, Carl looks up with a face with concern.
CARL
Reyna! Hylla!
POLICE
THERE! BRING HIM DOWN!
The authorities suddenly come from around the corner. They
roughly grab Carl and one of the police pulls out handcuffs.
CARL
I didn't do anything! They...
The corpse of the MIB has vanished out of sight.
Carl a has shocked and panicked face of hopelessness. He
looks tired. He accepts his fate. He knew there is no getting
out of this one.
POLICE (O.C.)
Yeah good try! GET DOWN NOW!
CARL
(defeated)
I...
Carl gets on his knees and the police handcuff him. They
roughly pick him back up.
POLICE
Lets go.
CUT TO:
Reyna and Hylla are huddled up with each other. Hylla looks
behind her.
 26.

HYLLA
PAPA!!!
We see Julian furiously running to his daughters. He speaks
in Spanish.
JULIAN
THERE YOU ARE!
He hugs them. Reyna begins crying again in Julian's arms.
Julian has a face of relief and he is breathing hard and
fast. His eyes are as wide as dinner plates.
Behind Julian is Ben and Casbolt. Ben looks around with
shock. Casbolt lacks behind. He hangs his head in terrible
shame. He looks like he does not wish to be here.
BEN (O.C.)
(points)
Hey, there's Carl -
Ben points at the police officers leading the man into a
police vehicle.
BEN (CONT’D)
Holy crap what happened!? CARL!
Carl looks back with a face saying go on without me. It's
over, before he is seated in the car.
We see James turning his head and closing his eyes tight in
despair. He covers his face and strolls away. He seems to be
torn whether he should go to Carl to save him or just give up
and leave to regain his senses.
BEN (CONT’D)
Oh my God, Julz are they okay!?
Ben comes over to Julian and the girls. Julian pushes Ben.
JULIAN
(frustrated)
Why did you bring him?!
Ben has a bewildered look on his face.
BEN
(amused)
No!
(shakes his head)
I just picked him up. You wanted me
to bring him!
 27.

Julian turns his head and curses in bitter anger. He is so

furious, the way he swore, made Reyna flinch and Hylla to
stare at her dad as if he grew a third eye.
Julian ruffles his hair and eyes Ben.
JULIAN
Sh...
(sighs)
He's gone. We need to get back to
the house, before anything else
happens.
Ben nods in agreement.
BEN
But what about Carl? Julz he just
got arrested for goodness sake!
JULIAN
Yeah, but to draw the attention
away from the girls! You do realise
he is a master agent. We'll see if
he is okay later. We need to find
Casbolt.
(shakes his head)
Frick'in hell, i shouldn't have
called him...
They leave the crime scene.

EXT. CALLE SAN JOSE STREET. DUSK. STORM.

Casbolt jogs back to Julian's house. He slows down and bows
his head as he walks.
While he has his head down we see over his shoulder a tall,
graceful figure in grey, silver and white hunting clothes.
The person has a belt and a large silver bow over their
shoulder. The figure has a hoodie on with a crescent moon on
the forehead. The figure just stands there looking at
Casbolt. We hear thunder roll in the distance.
Casbolt looks up and he notices the figure. He remains clam.
FIGURE
(strange accent)
I am abhorred. Another male
interfering with the hunt...
Casbolt's face contorts in anger and fury.
 28.

CASBOLT
(startled)
What do you mean? Who the hell are
you?!
The female in the hoodie has her face covered so we cannot
see her facial expressions. She grips her bow and her other
hand is raised.
FIGURE
What art thou? A mortal that can
see through the Mist? Where's thy
respect wretch?.
Casbolt loosens himself. He raises his head and eyes the girl
with dominance.
CASBOLT
(relaxed)
Excuse me for the language. Ms, I
am not what you think i am...
FIGURE
Tell me, if thee are what my lady
hast told me about, someone here,
has the ability to hearken to the
luscious voices of the Pleiades and
to tighten the bonds of Orion. Are
you that man?
Casbolt remains calm and collected. It takes a while for him
to reply. Wind begins to blow. The sky is completely dark
grey.
CASBOLT
Yes... I am...
Lighting flashes.
FIGURE
Suit thyself. What's thy
occupation?
CASBOLT
Not until you tell me yours lady.
Behind, Julian, Ben and the girls come on the scene running.
They stop in their tracks when they see the mysterious girl.
BEN
Woah! Cas? Whose this?!
 29.

The girl lets out a frustrated yell. She skilfully whips out
her sliver bow and knocks an arrow. She pulls back ready to
shoot.
FIGURE
(heavy ascent)
Do NOT come any closer mortals!
This man is mine!
Ben has had enough. It begins to rain.
BEN
(annoyed)
Oh, i don't think so Robin Hood!
Julian reaches out at Ben as he shifts his thick shoulders
ready to beat her up.
JULIAN
Ben, i wouldn't do that!
Casbolt does not turn around to meet them.
CASBOLT
(commanding)
STOP!
In a second, the girl fires her arrow at Ben with perfect
accuracy and enough power and speed to kill him instantly.
SLOW MOTION: - The arrow flies in the air. We see rain drops
fall in slow motion beside it.
- Casbolt's body blurs and fades. Suddenly, a ghostly
apparition of Casbolt comes out of his body. It reaches out
and grabs the arrow slowly flying in mid air. Rain drops fall
alongside in slow motion.
END SLOW MOTION
FULL SHOT as Casbolt with supernatural speed, has just
stepped to the side and grabbed the speeding arrow with his
bare right hand with no effort. He just stands there.
FULL SHOT. Behind, Ben, kneeling on the ground with eyes that
are blown up and a face that is dumbfounded. His mouth is
gaping. Julian also looks at Casbolt with amazement.
Casbolt then tosses the arrow away with the flick of his
wrist. He then arrogantly moves forward and crosses his arms
in front of his large chest. His biceps and muscles are
exposed. We can see his tattoo on his right elbow clearly.
 30.

FIGURE
(dismayed)
No... So it is true...
HIGH ANGLE SHOT of Casbolt crossing his arms.
FIGURE (O.C.) (CONT’D)
Who, are you?
CASBOLT
I am James Michael Casbolt.
Commander of the Tuatha De' Danann.
The girl finally takes off her hoodie. Her face is gorgeously
beautiful and ancient. She had dark brown eyes, a slightly
upturned nose, copper-coloured skin, and the silver circlet
braided into the top of her long, dark hair gave her the
impression of a Persian princess.
FIGURE
Please to meet thee. I am Zoe
Nightshade, second in command of
the Hunters of Artemis.
It begins to rain harder.
CASBOLT
Hunters? Well - just what i need.
My group is being hunted.
ZOE
What was that thou just did just
there?
CASBOLT
Oh, that was uhmm... Energetics.
Zoe gives a confused face.
ZOE
I'm sorry. I don't understand...
The rain begins to pour down heavily. Thunder rumbles the
street. Casbolt gestures to Julian's house.
CASBOLT
Let us negotiate inside.
 31.

INT. JULIAN'S ROOM. NIGHT. STORM.

ZOE
I have not crossed paths with
someone related to the Celtic gods
before in a long time.
Zoe and Casbolt are sitting on Julian's couch as Ben and
Julian are sitting their normal places.
BEN
Oh man... I am so lost!
Looks up.
BEN (CONT’D)
God, can i wake up now!?
Julian elbows Ben lightly.
JULIAN
Dude, are you going to believe or
not?
Ben is still shocked from what happened. He looks at Julian
hopelessly.
Julian then silently tilts his head.
JULIAN (CONT’D)
What is done is done man. This is
real.
Ben groans. Zoe grins.
ZOE
Mortals don't have the brain
capacity to take in the super
normal. Society has conditioned
them to become carnally minded.
But, it's different if the human is
willing to have faith to want to
experience it. Benjamin, ye of
little faith.
Ben puts his hands on his face. The last words of Zoe
remained ingrained in his head. Benjamin, ye of little faith.
BEN
I guess i do then...
Julian looks shocked as well, but not as much as Ben.
 32.

JUALIN
Okay. Let me get this straight. Why
do you speak Shakespearean Zoe?
It's the 21st century.
ZOE
Oh i can speak modern English just
fine mate. It's just a long story
my friend. Ben will not be able to
handle it.
BEN
Yeah Julz, cut your commander some
slack here.
Ben elbows Julian back.
JULIAN
Hah. Anyhow. Ok.
(clasp his hands toghter)
So form the beginning. So Carl went
with the girls to Barachina's and
something happened. Hylla?
Hylla looks up with fear in her face.
JULIAN (CONT’D)
(friendly)
Hylla...
(swallows)
Tell papa what happened to you
honey?
Hylla takes a deep breath and stands up.
HYLLA
O-kay... So, we were making mofongo
together and a man - a black suit
and a black hat and glasses - came
inside the kitchen...
Casbolt looks at Hylla with concern. He strokes his chin.
HYLLA (O.C.) (CONT’D)
He then said to Franko -
something... He said.... "We are
form the CIA,"
Cut to Hylla.
HYLLA (CONT’D)
His voice was
(swallows)
scary... It was - like a robot.
 33.

CASBOLT
Men in Black. This is not good. How
many were there?
HYLLA
Just one...
CASBOLT
Hmm. Normally there are reports of
2 or 3.
HYLLA
Actually, i did see another James.
But i killed him...
Hylla looks down in shame. She begins to sob.
Casbolt looks at her. Julian has a bewildered face.
JULIAN
Hylla, you killed someone!?
Hylla's confidence shrivels up.
HYLLA
(on the verge of crying)
But, papa! It used my super
strength!
Casbolt looks at Julian. He uses gestures.
CASBOLT
Man, relax. I told them they can
defend themselves once they're
aware of the dangers.
Zoe looks curious and steps in the conversation. She has an
eagerness in her eyes as she looks at Hylla. She desires
Hylla.
ZOE
In other words, Casbolt. Hylla is a
demigod. My girl, do you have any
idea who your mother is?
Hylla looks at Julian uneasily.
Julian's face is full of terror. He can't get out of this
one.
JULIAN
WHY ME!
He stands up and tries to flip his chair.
 34.

BEN
HEY!
Hylla begins to sob.
Julian turns around and yells pointing his figure at Zoe.
JULIAN
Tell your stupid Lady, i didn't ask
for this!
BEN
(hands out trying to stop
him)
DUDE, QUIT IT!!!
Zoe shakes her head is disgust.
Julian tries to struggle.
Casbolt gets up finally and walks towards the painting of the
warrior woman. He looks at Julian and points to the painting.
CASBOLT
This is the goddess Bellona,
Julian.
Julian freezes. His face is priceless.
CASBOLT (CONT’D)
Okay change the subject...
Everyone sits back down. Julian remains standing. He looks
defeated, ashamed and very embarrassed.
JULIAN
(emotional)
Oh my gawd, i am so sorry!...
He covers his face. Zoe looks at him with remorse.
Ben fixes Julian's chair and places him down on it. Reyna
runs and hugs her dad.
JULIAN (CONT’D)
(emotional)
What are we going to do Rey? They -
they tried to kill you...
Casbolt sits up on the couch.
 35.

CASBOLT
Julian. Just for you, i just gained
myself a new ally, on top of my
many associate super soldiers.
ZOE
Indeed. His abilities has earned
our respect.
CASBOLT
It is my mission to escape the
evils of this world and to find the
demigods and warn them of their
origins and the coming ancient
hate.
Zoe looks at Casbolt with delight.
ZOE
So, you truly are on our side,
aren't thou?
Casbolt looks at her.
CASBOLT
More than you know. We are going to
need all the help we can get. After
what i've experienced... Zoe, i've
seen things that only exist in the
bowels of the earth. Your queen
Artemis has had contact with some
Pleiadians i assume?
Zoe looks interested.
ZOE
Fascinating. It has been a while
since i've found some favour in a
man. Do you remember if thee
disgrace us, you know what will
happen?
CASBOLT
You get turned into an elk. I know.
Don't worry about us. The Danann
are excellent hunters as well.
Zoe slightly smiles.
ZOE
Now thee wish to know where to
look?
Casbolt looks away at the floor.
 36.

CASBOLT
Not exactly...
ZOE
That's okay. There is a camp in
California that trains and holds
1000's of modern day Roman
demigods. It is protected by the
Mist so no human is able to rent
it. I would say that's a perfect
way to start training these girls.
Take them to Camp Jupiter - they
will learn well.
James looks surprised.
Hylla has a very concentrated on her face as she listens to
Zoe.
CASBOLT
I am not too aware of these places.
I bet they are secret DUMBS.
Julian's face lights up with hope.
JULIAN
Really? Tell me more Zoe.
ZOE
I don't have much time mortal. It's
is elapsing fast.
Zoe gets up.
ZOE (CONT’D)
I have dispatched my greatest
tracker Phoebe to meet with you
guys at Adjuntas, Gigante Dormido.
Julian can't believe it.
JULIAN
Adjuntas?! You mean now?
Zoe nods.
ZOE
Yes. Now. Since more monsters will
be coming after you.
Julian looks outside.
 37.

JULIAN
Are you bloody for real? It's
bucketing down rain with thunder
and lightning, it's nighttime, the
drive takes an hour and a half, and
i have two terrified young girls
who are completely overwhelmed of
their future responsibility!
CASBOLT
Julian.
Casbolt puts his hand up to silence him.
CASBOLT (CONT’D)
Now since the cabal are on us, this
group must remain constantly on the
move. The best option for travel is
on land and to remain close to
jungle regions where there is dense
coverage, which offers projection
from any A.I satellite
surveillance.
BEN
Okay, so Big Brother is mad at us
now?
(puts his hands up)
Great.
Julian turns to Zoe again.
JULIAN
Wait a minute? Are you going to
give us details on where to stay?
Zoe think for a second.
ZOE
Phoebe will meet thee at the
reception of Hotel Monte Rio.
JULIAN
And - how is she gonna get there in
only 2 hours on foot?
Zoe studies him.
ZOE
Does he always ask thee this many
questions?
 38.

BEN
(sarcastic)
Yeah. He dose. Too many actually.
Julian glares at Ben.
ZOE
Well i am glad to meet thee. Good
luck with thy mission Casbolt. Call
me.
Casbolt puts his hand on his ear like a phone.
Zoe leaves the room.
BEN
Ok. Can someone please summarise to
me what on earth just happened
here?
CASBOLT
I told yah you'd want me with you
in Afghanistan.
Julian gets out of his chair.
JULIAN
Yeah, you know what? Before we go,
i'll get some left over dinner
ready. You guys can go and get
ready.
BEN
Sounds good man. Need to forget
about this stuff.
Julian goes outside with the girls.

INT. JULIAN'S KITCHEN.

Julian, Casbolt, Ben and the girls have spaghetti in awkward
silence.
Ben swallows and breaks the silence.
BEN
So... The cat seems to have our
tongues...
Reyna gasps and looks up at Ben.
 39.

REYNA
Eeeee. Bella come to our house a
lot.
Ben smiles and looks at her.
BEN
She dose? Who's Bella?
HYLLA
She's the neighbour's cat. She is
the queen of Calle.
BEN
Wow, okay so who is the king?
Reyna points the fork in the air.
REYNA
Simba! Long live the king!
Ben's white smile reaches his ears.
BEN
Like the Lion King Simba? Man, he
must be a big boy then.
REYNA
He is the lion. King of all kings
of the kingdom. He live in Judeba's
house.
BEN
Oh cool. You two are so good at
using your imagination.
HYLLA
Simba one time , on my birthday
brought us a massive rat about this
big.
She exaggerates with her hands.
HYLLA (CONT’D)
And it had no head.
REYNA
Eww.
HYLLA
And it had it on the doorstep and
Simba was sitting there with his
head bowed, like thank you my
master.
 40.

BEN
Woah.
(nods and impressed)
Good cat.
Hylla points to photo on the fridge.
HYLLA
Look i'll show you. This is Bella
here. Look.
Ben looks over.
BEN
Huh? Holy smokes, how much do you
feed her?
REYNA
She a fat one.
(giggles)
A big boof ball.
Julian dips his fork in the spaghetti. He looks at Ben and
Reyna's interaction with regret and sadness.
BEN (O.C.)
Boof ball?
(laughs)
Like how boofed? Like Garfield
boofed? What does she eat?
Lasaniya?
Hylla and Reyna laugh.
REYNA
No, no. She - shh.
HYLLA
She eat. Hey! Stop talking!
Hylla nudges Reyna on the shoulder.
REYNA
Owww!
Ben gives an affectionate laugh.
HYLLA
She eats fish from the harbour that
we buy.
Julian stares at them with a depressed face. He holds his
head. He doesn't looks hungry anymore. His eyes are heavy and
the bag under them look darker than before.
 41.

EXT. JULIAN'S HOUSE. NIGHT. RAIN

Ben, Julian, Casbolt and the two girls enter into Julian's
car.
Julian sits in the driver's seat, Casbolt in the passengers
seat and Ben, Reyna and Hylla in the back seats.
Julian turns on the car.
JULIAN
I still can't believe it. One
moment we're having beers listening
to Casbolt's story, the next we see
police cars coming down the street,
Carl gets arrested, and a strange
girl tell us to leave to Adjuntas
last minute! This is just
unbelievable!
BEN
Yo man, this is going to be a long
night. Casbolt, i think this is a
perfect time to continue your story
again.
Reyna yawns.
BEN (CONT’D)
We have plenty of time. The poor
girls want to hit the hay, we'll
let them.
Julian pulls out and begins driving in the dark rainy night.
We see the car's headlights illuminating the streets.
FADE TO BLACK:
END OF ACT 1
 42.

ACT 2

EXT. CITY. DAY

CARNAL view of the buildings and the busy city.
Toronto, Canada

INT. CAR-PARK. DAY

We see the surviving children getting carried off by soldiers
and high officials into an elevator from a small bus.
We see baby Casbolt with lush, straight brown hair being lead
by a woman with a sweet, lulling, high and exquisite voice.
WOMAN
(Irish/Yorkshire accent)
Okay, come James. Come here! Come
on!
Little Casbolt looks around at his surroundings. His face
shows fear and uncertainty.
WOMEN (O.C.)
Over here sweetly.
CASBOLT
Mmmheee... Bwh-ere...?
The lady gasps with delight.
WOMAN
James? You spoke!
CASBOLT
(about to cry)
Bwhere?...
Casbolt looks back.
Cut to the women's petite face. She has alabaster skin with
large piercing blue eyes and large forehead. She has wild
long brown hair and blue eyes.
WOMAN
Come on, quickly. Shhh...
Casbolt begins to sob as she picks him up to carry him
inside.
DISSOLVE TO:
 43.

We are outside high in the sky, next to a tall skyscraper. We

hear cars beeping down below.
CUT TO:
Inside the building we see the young Casbolt looking out
dreamily over his shoulder. We see the whole city of Toronto
from the high level he is at.
We see a CLOSE UP of his face through the window from
outside. He looks lost and depressed.
MR. SARION (O.C.)
(from behind)
Okay! Alright kids! All eyes on me!
Casbolt slowly turns around and walks towards the voice.
We see a classroom with desks, seats and a whiteboard. A man
in a yellow polo top walks in from the left with a blue
basket full of toys, crayons, and other kindergarten
utensils.
He has a slight French accent. He has black wavy hair and a
handsome face of a gentleman from the 1800s. He smiles at the
children, about 20 in the class. He places his basket on the
front desk. He wears black gloves on both of his hands.
BOY
(points at basket)
Dat???
MR. SARION
Oooh, that's for something later
little fella.
He stands up straight and looks up.
MR. SARION (CONT’D)
Well done. Now.
He claps his hands together.
MR. SARION (CONT’D)
Let's start the day in the
friendship circle, on the carpet
everyone! Lets go!
The children squabble amongst themselves and crawl and run to
the small carpet area to the right. Sarion gets them in a
circle. Sarion sits among them.
 44.

MR. SARION (CONT’D)
(enthusiastically)
Hullo everyone! Now first, we are
going to start pre-agoge, with our
names. I'll start.
Sarion puts his right hand over his heart. He straightens
himself.
MR. SARION (CONT’D)
My name is Mr. Sarion.
CHILDREN
Misster, Sahon...
MR. SARION
(delighted)
Good. Now repeat after men. Good
morning Mr Sarion sir.
CHILDREN
Good maring, misster Sahson ir...
MR. SARION
Good job! Alright my troops, let's
begin by knowing your names.
(Sarion bends down to a
kid to the left)
What's your name?
CUT TO:
Casbolt sitting with his legs crossed next to two other kids.
Pan towards him as he gives a blank expression. The voices
fade in the background.
DISSOLVE TO:

EXT. SKYSCRAPER. DAY

We see on top of the building a complex and tall antenna/
spire that points to the sky like a needle.
1980

INT. SKYSCRAPER. DAY

CASBOLT (V.O.)
This MI6 group were teaching us
witchcraft. We pretty much had no
choice because we were still too
young.
(MORE)
 45.
CASBOLT (V.O.) (CONT’D)
It makes me mad when i think about
want these people did to us. We
were just handed over to the lesser
of two evils... But what annoys me
now is that most of what they
taught is mixed with a lot of truth
with lies.
Casbolt's classroom of 15 are sitting on the floor in front
of the teachers desk. We see Mr Sarion with a marker draw on
the board. We see Casbolt sitting next to a little girl.
MR. SARION
Now, lets learn about this place
you are in now.
Sarion draws a circle in the middle of the board.
MR. SARION (CONT’D)
This level here, is shaped in this
way for a reason.
In the circle, he draws a hexagram and adds 6 black dots to
the 6 spaces of the hexagram inside the circle. As he does
this, the marker makes annoying squeaking sounds. Some kids
begin giggling. They being to making farting sounds to
imitate it.
Mr Sarion looks almost directly at the camera rather than at
the kids.
MR. SARION (CONT’D)
This shape is called the star of
Remphan and King Khian, okay? Not
the star of David in the Bible. He
never had a star. It came before
Judaism. So the walls of the rooms,
Sarion traces the lines making up the hexagram.
MR. SARION (CONT’D)
make up this shape. The outer
circle is the enclosure and the
outer layer of the building. Does
this make sense?
Some kids nod, other just are frozen and staring at the board
like zombies.
Sarion now looks at the children.
MR. SARION (CONT’D)
Okay. Now, this symbol is very
special and very powerful.
(MORE)
 46.
MR. SARION (CONT’D)
The star, acts as a vortex or a
portal to protect us for all the
baddies that we just saved you
from! So you are all safe kids!
Sarion then points at the 6 black dots inside the circle.
MR. SARION (CONT’D)
Okay. So it acts as a very powerful
energy field. Now, who remembers
how far Saturn is from the sun?
Some children guess out loud.
KID
5? 7?
Casbolt raises his hand.
MR. SARION
Yes, James?
CASBOLT
It is numba 6.
Mr. Sarion points at Casbolt and praises him.
MR. SARION
Good job! That's correct... 6 is
man's number.
Another kid speak aloud. He is dark skinned.
MORROW
Jupiter is da biggest one. Saturn
look big because it has rings.
Mr. Sarion is amazed.
MR. SARION
Oh, wow that's right too Dave! Well
done you two!
Mr. Sarion continues his speech.
MR. SARION (CONT’D)
The reason why we chose this
symbol, because on the north pole
of Saturn, satellites have found
that the north pole a vortex in a
geometric shape that is the same
here.
He taps the board.
 47.

MR. SARION (CONT’D)
The circle here represents the
rings. They have also found on
Saturn's south pole, a similar
shape. This is why we made this
floor like this, so we can, use the
power of the gods...
Finally, Sarion draws an eye in the centre of the Hexagram.
As he does this, there is a knock on the door.
MR. SARION (CONT’D)
Looks like we have a visitor.
Sarion clicks his heels with his polished leather shoes
together. He walks to his left to open the door.
A insectoid human hybrid enters. It has a face that is a
mixture of different bugs. It has extremely long antennas
like a cockroach. It has large eyes of a blowfly. It has the
greenish tinge to it as a prey mantis dose. It walks upright
and has a mantis like body with folded up wings. It has slim
arms with small teeth as a mantis dose, but at the tip of
each arm, it seemed to have scorpion claws.
Some kids begin to scream, especially the girls.
MR. SARION (CONT’D)
Don't worry kids. He's going to
heal us.
Kids continue to scream and cry.
The insectiod stands in front of the desk and starts to click
pincer like extensions in front of Sarion's face. It makes a
buzzing noise and Sarion then rises his hands above the
children.
CASBOLT (V.O.)
This was the first time i started
to feel! I now know this is demonic
in nature, but you two need to
understand that these people will
never tell you that. They have good
intentions, but have no spiritual
awareness. It is very dangerous.
Suddenly, men and women come into the room from a door on the
right.
MAN
Okay kids, lets go. Class is over.
 48.

WOMAN
Come on!
She uses her hands to motion them up.
WOMAN (CONT’D)
To the hall.
MAN
Lets go!
Casbolt and the children are taken into the left door where
the insectiod came out from.
The hall way is quite mundane, like an office building. It
has rooms on the left and on the right. An unbelievably
attractive woman, stood out from them all. So good looking,
she looked intimidating and perfect. Her body shape was
perfect. Everything about her was perfection. She has waving
blonde hair and striking hazel eyes.
She is wearing clothes that made her stand out. White robes
like an ancient goddess.
She takes Casbolt into a room on the left.
They sit in a psychology room. Plain white walls and a desk
with wooden blocks on it.
Casbolt sits at one side and the woman sits of the other
facing each other.
BEAUTIFUL WOMAN
Okay, James Casbolt. Lets begin.
She pulls out a binder book from the draw and opens it up.
CASBOLT
(drowsy)
I don't feel good...
The woman examines him. He begins to slouch over and his eyes
are heavy.
BEAUTIFUL WOMAN
There is a lot of energy in this
place... James, can you try to put
the blocks in a pile please?
Casbolt tries to but he is so tried.
The woman seems upset.
 49.

BEAUTIFUL WOMAN (CONT’D)
Oh dear... Okay. James, please come
with me then.
She then takes Casbolt into another room. It is large with
many beds in it.
The woman didn't have to tell James because he just flops on
the bed.
BEAUTIFUL WOMAN (CONT’D)
Okay, James, lie down. I am an
expert on human souls. You are
going to be okay...
We see from Casbolt's POV. It is blurry and disorientating.
The last thing we see is the woman laying hands over
Casbolt's forehead.
CASBOLT (V.O.)
These people were New Agers. That
means they practice ancient pagan
practices like the Nazis, and use
it in the modern world, however
they use it for good. Uh, like they
used something mystical and try and
twist it so they can do good. I
don't recommend it. It never helped
me. I still suffer as i did on that
day. Sometimes worse than others...
FADE TO BLACK:
CASBOLT (V.O.) (CONT’D)
But the truth is there is freedom
and salvation somewhere. I am yet
to be satisfied...
FADE TO:

INT. LABORATORY.
We see Casbolt uncosceince, laying down with surgeons around
him.
We see on a metal tray small pieces of bloody bits of robotic
metal.
CASBOLT (V.O.)
The surgeons cut us open and found
cybernetics inside of us.
 50.

We see an X-ray of Casbolt's skull. We see what looks like

implants or artificial parts ingrained inside his brain. We
see another of the right hand side near his ear. We see a
copper wire connecting both the back and right implant, going
around Casbolt's jaw and to another implant in their right
side of his jaw.
CASBOLT (V.O.) (CONT’D)
At the Q552, they had slowly been
um, cybernating us with surgery.
They were trying to turn me into a
cyborg soldier.
POV from Casbolt as the surgeons are doing the surgery.
SURGEON
(stunned)
What - a - mess!
The doctors have no idea what they need to do. Some speak to
each and others try to remove the robotics.
We can see inside Casbolt's arm, the marrow is ingrained with
an alloy and removing it will officially disable Casbolt's
whole arm. It was too late, Casbolt is forever a cyborg!
SURGEON (CONT’D)
(depressed)
Oh... It is integrated within
him... Ugh... Poor kid... What on
earth did they do to him?
SURGEON 2
(marvelled)
I have no idea... This is extremely
bizarre and very unprecedented. How
did such advanced technology become
such a natural asset to his body?
(starches his head)
I... Have no words...
CASBOLT (V.O.)
I have become a sentient engine...
An organic robotiod. Ascended
technology was not fully understood
at this time. It is ascetically a
cyborg with a soul...
We then see a BIRD'S EYE VIEW of Casbolt. We can see the
robotic technology inside him, so advanced, he looks like a
half human half robot but his robotic side looks natural. We
slowly zoom up to his face.
 51.

CASBOLT (V.O.) (CONT’D)
Because i have been so used to
being around machines at Q552, i
cannot communicate very well with
people...
DISSOLVE TO:

INT. JULIAN'S CAR. NIGHT.

CASBOLT
Apparently the bone is a type of
metal that uhm. I am not a
scientist but it had something to
do with being off the periodical
chart. It is not a, a metal that is
known to man. I've been told that
the closest thing that we can
compare it to on this earth is a
mixture of gold and diamond. It's
extremely hard. Well, uhm...
JULIAN
Do you know how that works
technically?
CASBOLT
Uhm, there is like a
(uses gestures as he
describes it)
small layer of mechanical armour
built around the bone, to reinforce
it further. And uhm...
JULIAN
Is it sort of grown with it?
CASBOLT
Actually it is nanotechnology,
there is armour around the bone.
The bone itself is apparently
metal. It is built with
nanotechnology, it is apparently
they put like uhm, worms in side
you. Metallic worms that like lay
eggs, something like that.
BEN
Oh my goodness... This is getting
so weird. Too weird. I'm tired and
i wanna go ta bed. Just, you
know... Quint's song...
 52.

Ben looks at Casbolt with some sort of hatred. He hides it in

his words.
BEN (CONT’D)
We've had a big day. I just want to
speak to my wife Brizie again...
Casbolt looks at Julian.
CASBOLT
The next part is not going to be so
weird. Promise. Julz, how long do
we have?
Julian thinks.
JULIAN
Fuuhmm. Boy, so if that was.. Yeah,
we're just passing through Vega
Baja now so, i'll guess about an
hour left to go.
Ben all squashed in the back seat, yawns loudly and rests his
head on the side of the window.
BEN
Yeah... Not interested... Just
going crash if you're okay with it.
Julian is driving. There a long moment of silence. 20 minutes
have pasted. Casbolt is in the fussy background.
RACK FOCUS to Casbolt
CASBOLT
Julz?
Julian turns to Casbolt.
JULIAN
Yeh?
Casbolt swallows. He looks at Ben.
CASBOLT
I don't know.
He looks at Julian.
CASBOLT (CONT’D)
Maybe, you are being too hard on
yourself.
Julian changes lanes.
 53.

JULIAN
On what...?
Casbolt looks at Reyna.
CASBOLT
About family...
Julian bows his head.
CASBOLT (CONT’D)
Julz, i just want you to know
something.
He looks up.
CASBOLT (CONT’D)
When a divine being chooses your
family line, it is up to you
whether to take the offer as a
blessing or - a curse.
Julian studies Casbolt. Then looks at the road.
CASBOLT (O.C.) (CONT’D)
A father's role is to provide and
to protect.
Casbolt tilts his head to the left.
CASBOLT (CONT’D)
I know you're good at protecting.
Julian grins.
JULIAN
Well, my family has always been
into warfare. No one can rumble
with us.
CASBOLT
My whole family, well, it goes back
to one of the 10 Lost Tribes of
Israel.
Julian looks at Casbolt with surprise.
JULIAN
Israel? Seriously?
 54.

CASBOLT
Oh yeah. Before the time of the
Exodus, the tribe of Dan travelled
north into Greece and became the
Danaans in the Mycenaean period.
Homer literately calls all of
Greece the Achaeans which is
another name from the Danaans.
They're the guys, that, um, fought
in the Trojan War. Helen was a
direct descendant of this people
group. This was a civil war that
was between the Israelite
aristocratic families.
Julian nods.
JULIAN
Huh... That's amazing. I mean
anything you say is amazing so. You
know this because your handlers
told you?
CASBOLT
Yeah. That is right. All the
children chosen for Project IBIS
and Mannequin are from the tribe of
Dan. You see, that is the special
blue blood bloodline they were so
interesting in tracking down
Julian. They are looking for the
raiment of the - Tribe of Dan...
JULIAN
And why the tribe of Dan? Why not
the other 11? Why them? What did
you guys do wrong anyway? I mean,
how do they know you are from that
tribe too?
Casbolt looks outside. There is a moment of silence.
CASBOLT
Well Look. It was because um, this
project that predated Mannequin and
IBIS that was a genetic copper
bloodline study from Harwell
genetics lab in Oxfordshire... They
were looking for blue-bloods
because they had a lot of cooper in
their blood. Making it easier to,
to take in oxygen. That determines
physic abilities...
 55.

More silence. Julian is looking at him.

CASBOLT (CONT’D)
(emotionally)
Juz, i do not know... I don't know
why... Why me?
Casbolt's voice becomes quite and slightly croaky. He closes
his eyes and we can tell something is bothering him very
much.
Julian looks back at the road.
JULIAN
No hard feelings buddy. Just some
questions will never be answered i
guess...
Casbolt begins to fidget.
CASBOLT
Yeah, man.
(sighs)
Dan was the first tribe to disobey
God. I am just.
(sighs)
Sorry. I- i- i can't tell you. I
just can't do it...
JULIAN
That's okay man! If it is too much
just don't do think about it!
CASBOLT
I know there is a reason why Dan
was chosen to be the means to bring
this Omega Plan to full flourish. I
mean, good question - why Dan? Why
the hell did God forsake us?! Can
we even be redeemed, even if we're
trying to fight back against the
system? No! Don't do it!
James blows his head cover his face with his hands.
JULIAN
Man, just stop overthinking! I
guess, there is a much bigger
picture that we are yet to
understand. It might have something
to do with the blessings... But
anyways, i digress...
 56.

CASBOLT
Okay...
James recovers.
CASBOLT (CONT’D)
You know the story. Moses leads his
people into the promise land and
all seems well. Not so. The Danites
were a tribe that was the first
tribe to be spread into the world.
A famous Danite at the time of the
judges was Samson - an anomaly
character.
JULIAN
Oh!
(clicks his fingers)
You mean the guy that pushed over
those pillars and committed suicide
to save his people right?
CASBOLT
Exactly. Yeah, he is technically
the biblical Heracles.
JULIAN
Yeah. Dang right he is.
CASBOLT
Anyway. So Dan became a seafaring
tribe in Phoenicia. Anyways, so
back to the Trojan War. Uhm...The
man that built the Trojan Horse it
was called Epeius. He was from the
Danoi - a master carpenter and
helped create the most marvellous
military tactic in history that was
laid out by the famous Odysseus.
After that, some of the Danites
dispersed off north into Germany,
some to the west, to the south and
some made it into England and
Ireland. The Danites were very war
like. They were metal workers and
good at politics.
Julian nods.
CASBOLT (CONT’D)
So later, my family line comes from
of the French Royal family from my
father's side in the French
Revolution.
(MORE)
 57.
CASBOLT (CONT’D)
I have blood relations that go back
to Marquis de Mirabeau at this
time. My father's side was involved
in the Second World war serving in
the navy and military. I also found
out i am related to another famous
war hero named Charles Casbolt, the
guy who has so many kills during
dogfights, he had been added to the
war hero website.
Julian looks fascinated and very impressed.
JULIAN
Congratulations commander! Wow, i
never knew that. That's amazing. I
now have more respect for you know?
Casbolt smiles in appreciation.
CASBOLT
Thanks mate. Okay now my mother's
side is English and Irish, so it
seems from my mother's side is
where i get relations to the tribe
of Dan.
JULIAN
Okay, so let me get this straight.
You're an English man or Irish man
that is French, who are ultimately
Jewish?
Casbolt grins.
CASBOLT
Close. Got the last part wrong
but... Hey, I think i'm starting to
confuse you now!
Julian and Casbolt laugh.
JULIAN
Okay...
There is silence in the car. All we hear is the lulling sound
of the wheels rolling at high speed on the road. Ben is fast
asleep.
JULIAN (CONT’D)
I don't think you've heard. But
I've was involved with Operation
Desert Storm. First time on duty.
(MORE)
 58.
JULIAN (CONT’D)
I was honourably discharged and
came back a hero, everything
changed in my life and it might've
been all fine...
CASBOLT
Julz, you got to learn how to
balance.
JULIAN
What?
CASBOLT
Balance war time or your hobbies,
with family time. The girls need
you.
JULIAN
Do you have a family?
Silence again.
Julian realises what he said.
JULIAN (CONT’D)
Well, it's okay if you don't wish
to answer. I just mean like, you
know, parents at least.
CASBOLT
Maybe we can talk about that later
on. There was love with my step mum
Kate and step dad Neil. They are
the only family I've ever gotten...
Casbolt hangs his head on the side of the window.
CASBOLT (CONT’D)
(Emotional)
But they were not perfect
parents... Took drugs... Yah
know... But, their intentions were
still good...
Silence again. Julian continues driving in the lulling
constant sound of the wheels.
MID SHOT of Julian as he drives. His face looks dream like.
Then he randomly smiles. He sits back up.
FADE TO BLACK:
END OF ACT 2
 59.

ACT 3

EXT. HOTEL MONTE RIO. NIGHT

Julian's car parks into the empty dark parking lot. It has
stopped raining. Everything is quite and still expect for the
insects in the vegetation.
We see Julian get out first followed by Casbolt and Ben. All
are silent. Julian goes into the back seats to picks up his
daughters.
We see a beefy teenage girl leaning on the front entrance.
She has ginger hair, wears camping gear and looks attractive.
Julian reaches in the car to carry sleeping Reyna out as Ben
tries to gently wake Hylla up. Casbolt looks over his
shoulder and spots the girl.
CASBOLT
Hold up.
Casbolt eagerly walks over to the beefy girl.
CASBOLT (CONT’D)
You don't know how glad i am to see
you. Phoebe right?
She has her arms crossed as she looks at him with caution.
PHOEBE
(sceptical)
Mehyeah... True man. Yah are one of
the kings eh?
Casbolt shifts his posture to upright. He tucks his chin into
his chest as he does this.
CASBOLT
(serious and emotionless)
I am... I would expect more
reverence form you little miss.
PHOEBE
Well of course i have respect for
you guys. You make a good hoplite
army. You know how to fight. But,
you guys are just - yah know -
weirdos.
CASBOLT
Alright. Now... We wish to seek
your counsel.
(MORE)
 60.
CASBOLT (CONT’D)
We have found two half-bloods
sleeping in the back seat.
James motions his head towards the car. We see Julian and Ben
coming with the girls.
CASBOLT (CONT’D)
We don't have much time. Soon, the
US will be sending their troops
into Iraq to look for weapons of
mass destruction. I have two
soldiers here as well that company
me who are assigned.
Phoebe inspects the two soldiers coming by. She nods at them
with an impressed face..
PHOEBE
Your honours, nice to meet you.
BEN
The honour is mine... Uh...?
PHOEBE
Phoebe.
BEN
Right... Right... Good night.
PHOEBE
Night to you. Look, i am very happy
to help you men. I have already
booked you guys in a room on level
3 room 7.
She reaches into her pocket and grabs the keys.
PHOEBE (CONT’D)
(smiling)
Now gentlemen. Enjoy your stay at
Monte Rio!
She tosses the keys to Ben who catches it.
BEN
Thanks... Phoebe...
He yawns and walks inside with Julian carrying Reyna on his
shoulder with Hylla dragging along. It is very awkward.
While the two are gone, Phoebe turns to James.
 61.

PHOEBE
Jet lagged huh? That what i assume
though. Americans...
CASBOLT
Yeah...
PHOEBE
These past few nights, the Hunters
have noticed something strange in
the Heavens. I do not understand
what exactly, but it seems there is
a coming stellar alignment.
CASBOLT
I would like to know.
PHOEBE
Like i said, i do not know what it
means... Zoe knows more than i do.
I am a more down to earth person
you know.
James Casbolt face goes cold.
CASBOLT
Yeah... That does not sound good...
PHOEBE
You should get to bed your majesty.
I guess now we have a long few
months coming up.
CASBOLT
Yeah. You do have a point.
PHOEBE
If you sleep in, i'll go on
scouting petrol without you.
CASBOLT
Well, we will see about that. Good
night.
PHOEBE
Night king.
The two walk back inside the hotel and we pan out and see the
dark empty streets and the ghostly and dime street lights in
the background. We see that the stars are very bright out
here.
FADE TO BLACK:
 62.

EXT. ADJUNTAS, GIGANTE DORMIDO .MORNING

EXTREME LONG SHOT of the sun rise with the silhouette of a
mountain.
EXTREME LONG SHOT of the green hilly forested landscape. It
is day time and the sun is shining. We see a reservoir and a
winding hidden road. We pan and behold the lime, green and
lush sloping banks and valleys. In the distance we see more
sloping mountainous valleys and black hazy frames of spurs.
Panning shot from the reservoir, we see that sky is grey.
We pan from the top of the hill, we see the gigantic pyramid
like shadow casts on top miles of green forests, grassland
landscape.
BIRDS EYE VIEW of a small rocky waterfall, and a creek
surrounded by a lot of foliage. The area is secluded. We see
two people walking together on the dry rocks near the fall.
PHOEBE
So Iraq huh? Stuffs warming up
there it seems.
Casbolt is wearing a Dark moss green t-shirt with a small
necklace with a sliver hexagram on it.
CASBOLT
(smiling)
Phoebe that was a very bad one.
She recognises what she said and titters.
PHOEBE
I know. It's intended.
Casbolt laughs too.
CASBOLT
I do not know what, but i am not
keen to find out why Iraq. I am not
very sure it is all just about
finding Osama Bin Laden and nuclear
bombs. I think it might have
something to do with your greatest
enemy.
Phoebe's smile fades slowly and here face becomes concerned.
CASBOLT (CONT’D)
You want to know why i am here?
 63.

PHOEBE
Well, from Zoe's reports, you've
certainly piqued my curiosity.
CASBOLT
I am looking for other half bloods.
Especially very powerful ones. The
strong ones are typically drawing a
lot of attention from the shadow
agencies.
PHOEBE
And why is that oh king?
Casbolt swallows.
CASBOLT
I have a bad feeling about this war
on terror. I know that there is an
Omega Plan in the works, and i need
all the help i can get to at least
postpone it.
Phoebe looks at Casbolt with interest.
PHOEBE
I am inclined to help, but us
Hunters need to have a meeting
first. The threat you describe
sounds quite overpowered. Global
governments and - uh aliens?
CASBOLT
More like spiritual overlords than
aliens.
PHOEBE
Okay. The maiden needs my
permission so i can fellowship with
a man. Probably in the next few
days as soon as possible we might
dispatch some sisters into Iraq
following your tail, unless
something bad happens.
CASBOLT
Sounds like a good plan. Just do
not be detected by the special
operative groups okay? They will
have high tech satellites orbiting
above the area.
 64.

PHOEBE
We are masters at hide and seek. He
can use what we call the mist that
will help us turn invisible on
sight. That is how we hunt down
large monsters in the wilderness.
Casbolt nods.
PHOEBE (CONT’D)
So there's the cloudeater.
Casbolt gives her a confused face.
CASBOLT
Pardon?
Phoebe points.
PHOEBE
Right there. Its lying on its back.
We see Phoebe is pointing to a tall green hilly mountain. It
has spurs at a high point that interestingly look vaguely
like the shape of a giant human head, sun-baking.
PHOEBE (O.C.) (CONT’D)
This is how this place got its
name.
Casbolt tries to see what she sees.
CASBOLT
You think so?... What's a
cloudeater?
PHOEBE
Giant. Us hunters call them
gigantes in Greek.
Casbolt studies the mountain carefully.
CASBOLT
(relaxed)
You're convinced that that mountain
is an ancient giant from the
antediluvian world? I can't see it
at all... It could also be a
stretch too. Pareidolia perhaps.
PHOEBE
It is not that i can't see what you
see. It's that i see what you
can't.
(MORE)
 65.
PHOEBE (CONT’D)
I've been in the field for decades
upon decades, and i have beheld
some picturesque landscapes not
touched by man for years. I've seen
rocks that cannot be formed by the
miracle of erosion. That's the
force taking away the ability to
see these things - these wonderful
corpses...
Silence. We hear the relaxing sound of the water flowing into
the creek below.

INT. HOTEL MONTE RIO. DAY

We see Ben on the couch flicking through TV channels.
On the screen, Ben changes a channel and finds himself on the
news. We see footage of a shattered restaurant window closed
off with yellow police tape. The headlines read in Spanish
but the English subtitles say, Gunman arrested after
terrorising Barrchina's costumers. In the corner, there is a
prison photo of Carl Sanders!
We see Ben's stunned reaction.
BEN
Oh. My. God! Guys, look what's on
TV! It's Carl! It's Carl!
Casbolt and Phoebe are the first to come. They just came back
from their morning walk.
CASBOLT
(Shaking his head)
What prison is he at? I want to
talk to him. Now! His one of my
hippies.
Ben gives him a ridiculous contorted face.
BEN
H- Hippie? W?-
CASBOLT
(smirks)
I know.
(snickers)
That term has a new modern
definition. It originally means
body guards that us super soldiers
are adjoined with.
 66.

PHOEBE
He is at, the Río Piedras State
Penitentiary.
BEN
Then let us go then.
Julian rushes in straight from the shower. He has wet hair
and a towel tied on his waist, leaving his chest bare. His is
ripped.
JULIAN
Shhh, let me-
Julian leans forward slightly to listen.
BEN
(whisper to himself)
I don't even understand it...
JULIAN
They said Carl was arrested and
changed for first degree murder and
for shooting.
BEN
That's not right! Where's the
reports on the Men in Black that
jumped him!?
CASBOLT
Ben, the world is not going to buy
that story. The news doesn't tell
us the bits and pieces that are
crucial to know. The news company
will be sued for putting up stuff
like that.
Ben turns off this TV.
BEN
Stuff fake news. They so adamant
against it, yet they are the ones
producing it! Joke...
Ben chucks the remote on the couch.
BEN (CONT’D)
We better get going back to San
Juan it seems...
Julian pulls out a map.
 67.

JULIAN
Don't stress man, i'll go with
James. You two stay with the girls
and look after them. We have done
enough going back and forth. Enjoy
your stay here Ben - its Christmas
time.
Ben looks around and it looks like he remembered something
important.
BEN
Awh yeah... Almost forgot. This is
a break - not a mission.
Ben looks at James.
BEN (CONT’D)
Are you going to try and free him?
I mean, as commander, i should
come-
CASBOLT
Impossible. I'll be going to see if
he is okay and ask him what truly
happened. Commander DePaula, i
suggest you stay put and... Let you
have some family time.
Ben looks relieved.
BEN
Sounds good to me Commander.
JULIAN
Let me get changed first.
Julian goes into his room.
JULIAN (CONT’D)
(from inside)
Can't leave without a guide.
James looks at Phoebe.
CASBOLT
You know what to do.
PHOEBE
I don't need anyone's protection.
Actually, you men need some of
mine.
James waits at the door.
 68.

BEN
Good luck.
James is silent. Julian comes out of his quickly buttoning up
a white and light blue shirt.
JULIAN
Let's go.
James and Julian leave.
Ben remains standing as the door is shut.
REYNA (O.C.)
Uncle Ben? Where did papa go?
Ben snaps out of it.
BEN
(uneasy)
Oh, he just... Went to the
supermarket with Casbolt.
Reyna looks at Ben innocently. She believes immediately.
REYNA
Okay...
Phoebe gets up. She gives Ben the eye.
PHOEBE
I'll remain outside. See if any-
She stops realising the little demigod.
PHOEBE (CONT’D)
Hostilities, are onto us.
BEN
Sure thing.
Phoebe walks outside.
Reyna gasps off screen. Ben turns.
REYNA
DES POOL!
Reyna comes running to Ben.
REYNA (CONT’D)
Des pool Uncle Ben! Can we go?
 69.

BEN
Uhmmm. Okay, maybe for a little
while...
Reyna runs off into her room jumping and excited.
REYNA
Hylla, there a pool!
Ben remembers something and tries to tell Reyna.
BEN
Hold on, did you bring your
bathers?
From the other room.
REYNA
No.
Ben rolls his eyes.

EXT. POOL. DAY

We see Reyna and Hylla playing in the pool with spare bathers
given to them by the owner.
We see Ben in shorts, thongs, a white t-shirt and wearing
sunglasses on a folding chair. He is sitting back all
relaxed. The sun is shining.
Ben slowly gets up and pulls out his mobile phone. He dials
and rings. While he does this, cautionary he looks uneasy.
Ben charges his posture as the person on the phone answers.
BRIANNA
(slightly British ascent.
Filtered)
Yes?
BEN
Bri? Its me...
2 second pause.
BRIANNA
Benjamin...?
BEN
(unconformable)
I, i know...
(sighs)
(MORE)
 70.
BEN (CONT’D)
Look, I've been very, busy honey.
I-
We CUT to Brianna's calling spot. It is evening at Cape
Breton, Nova Scotia. The house she is in looks retro and old.
She is wearing a formal work suit. Her hair is black and
reaches her shoulders. She has a slim neck and brown eyes.
She looks very eloquent and confident.
BRIANNA
Don't you dare try to outsmart me
Ben. You do this all the time. Look
where have ya been? Where ya at?
Ben looks around.
BEN
Uh, Puerto Rico.
Brianna begins to yell on the phone. We see Ben's cringed
facial expression as this happens.
BRIANNA
(gasps)
You know about it!
BEN
About what?
(sighs)
Bri look. I, just got myself into
something that i've never even
imagined.
CUT to Cape Breton. Brianna shows a face full of shock she
sits down as she speaks.
BRIANNA
(sharp and serious)
No. What is it?
We hear Ben from Brianna's side.
BEN
Ah, well. If i told you, you
wouldn't believe me.
BRIANNA
Ben i don't care unless you are
telling absolute truth. You heard
about the shootings yesterday?
CUT TO:
Ben as he expresses stress.
 71.

BEN
Yeah of course.
BRIANNA
Did you have any affiliations with
Carl Sanders Ben?
BEN
Erm... No...
BRIANNA
Good. Sorry for the reaction. Once
you said Puerto Rico i got very
suspicious. What's your occupation
there again?
BEN
Brianna, i came here early on the
20th. Its for Afghanistan okay? Yes
i did hear about the shootings but
it was well out of our way...
Julian and i are being deployed for
an average mission in a few days.
CUT TO:
BRIANNA
Alright. So tell me, what is -
BEN
So how's Esther? Can i speak to
her?
Brianna stops and looks off camera.
We see an elderly lady cooking food in a small humble
kitchen. This is Brianna's mum.
BRIANNA(O.C.)
Esther? She's perfectly fine. She's
all grown up now. She is
CUT TO:
BRIANNA (CONT’D)
a resilient lady.
BEN
That's great. Is she home now?
BRIANNA
Unfortunately no, she's busy.
 72.

BEN
Ah, just like her father. Well
alright. Look honey, i will not be
able to see you this season because
of what happened on 911 so this is
my chance to finally serve and do
what right. They calling us into
Iraq.
BRIANNA
Okay... Good luck then.
BEN
Merry Christmas and Happy New Year.
BRIANNA
(grins)
You too. And Ben?
CUT TO:
BEN
Yeah?
CUT TO:
BRIANNA
Please don't get reckless and don't
die. We need to catch up. Esther
wants to see you.
CUT TO:
BEN
Righto Sherlock! See ya babe! I
love you!
We are on Brianna's side and Ben hangs up. Brianna smiles at
Ben's last line. Then she realises something, and puts a hand
on her face.
BRIANNA'S MUM
Is Benjamin coming home any time
soon Brizie?
Brianna shakes her head.
BRIANNA
Nope.
She looks back up.
BRIANNA (CONT’D)
He's still busy as always.
 73.

BRIANNA DEPAULA
Shocking! Where's your role as a
wife?
Briana gasps and stands up. She almost seems amused.
BRIANNA
Oh! Ok-ay. Mum please do not say
that! Ben wants to come back but i
just cannot seem to get the time. I
do desire his return dearly. Do not
think like that mum!
BRIANNA'S MUM
Brizie, you cannot spend all your
time being a breadwinner for us by
inspecting murders and crimes
scenes. You know, its always
negative.
BRIANNA
Mm-
BRIANNA'S MUM
The fall is far and hard.
Brianna looks embarrassed out of her mind. She sighs and
shakes head.
BRIANNA
(losing patience)
Mum.
Brianna comes over to comfort her mother.
BRIANNA (CONT’D)
Butcher has compassionately given
to you. In a just way, he humbly
gave to us and saw the
opportunities we could potentially
have. I only became a detective
because i trusted in his honesty.
He was willing to go out of the way
to financially support us.
BRIANNA'S MUM
Bri, you need to go back into the
kitchen. You need to come back to
your people - here, at Cape Breton.
Get your anchor down so you can
spend more time with your husband!
Esther will never know her dad!
Brianna rolls her eyes.
 74.

BRIANNA
(sighs)
Oh jeez! Mum-
BRIANNA'S MUM
Seriously.
BRIANNA'S MUM (CONT’D)
Mum! Times have changed. You know
you can get arrested for saying
that these days. "Get back in the
kitchen", mum please be careful.
BRIANNA'S MUM (CONT’D)
Ya know am i a wife too? I just do
not feel comfortable with Butcher
organising everything. You spend
too much time with him... You know
your father Giles was a very busy
workman that would labour all day
long and sometimes late at night,
in the fishing boat during lobster
season and in the barns with all
the animals. That does not mean he
doesn't love me, Brianna. What
mattered is that i stilled kept him
and gave him the companionship
needed. Oh, you should have seen
the look in his eyes very time he
saw me coming near!
Brianna gives a gleeful smile like a child.
BRIANNA
Yeah...
BRIANNA (CONT’D)
I care for you. I am in no way
oppressing you.
Brianna studies her mum with consideration.
BRIANNA (CONT’D)
Well, i understand you are doing
all you can. I love you mum.
BRIANNA'S MUM
Love you too sweetie.
The two hug.
 75.

EXT. JULIAN'S CAR. DAY

LONG SHOT of a highway in the middle of two high cliffs.
JULIAN (O.C.)
Okay, let me get this straight.
They were doing surgery on you,
and, they discovered all these
bionic parts inside your bone
marrow?

INT. JULIAN'S CAR. DAY

CASBOLT
Right.
Julian is driving and Casbolt is in the passenger seat.
JULIAN
So, why did they cybornate you?
What was the purpose of it anyway?
CASBOLT
Because they wanted to do things
like jumping out of a plane without
a parachute, and land in the, sea
or in the jungle, run 40 miles
through the jungle and then uhm
take out their target and be picked
up.
JULIAN
(with some disbelief)
Are you able to elaborate more on
that story?
CASBOLT
This came later all these super
soldier operations in the 80s.
JULIAN
80s?
CASBOLT
Well there is so many... Okay lets
start from where we left off.
Luckily, the experimentation was a
success! I am now ready to be moved
to another building and put with my
caregiver Kate Casbolt.
 76.

JULIAN
I'm interested... Tell me more
about your family...
DISSOLVE TO:

EXT. BUSY STREET. DAY.

Young Casbolt is wearing a grey woolly jumper and a blue
shirt underneath. He is taken by people in uniforms lead by
the strange woman with the Irish/Yorkshire ascent, wild long
brown hair, blue eyes with black eyeliner and marble white
skin. Her uniform is more sarclet in colour.
We see her sensually touch her necklace. On it is an enclosed
swirly shape inside a circle. It is three lines curling out
from the centre - one going up and the other two going off
into the side as a Celtic triangle. Both lines gradually
begin to turn into three tight spirals as they go outwards.
It is made out of silver.
The group enters into a building.
LOW ANGLE SHOT FROM ABOVE as the people go inside, closing
the door behind them. As the door closes, the camera RACK
FOCUSES and we see the street name: Oaktree.

INT. RECEPTION. DAY.

The woman and the group with Casbolt enter and the woman
walks up to one of the men.
STRANGE WOMAN
(Irish/Yorkshire ascent.
Slowly and seductively)
It's time for the first crossover
point with the Eurypontids.
MAN
(Scouse accent)
Right my lady.
The group of men go inside another door and walk away.
STRANGE WOMAN
You may sit down James. We'll lodge
in here for a while.
James sits in a chair in a waiting room area.
 77.

STRANGE WOMAN (CONT’D)
Promise we won't be too long.
You're going to meet your mother at
last. Exciting!
Casbolt only smirks just because the woman is encouraging
him. The woman is at the reception desk. She shots a divine
white smile, so pleasant, the room seemed to light up with
pleasure and joy.
We wait for a bit. All we hear is the ticking of the clock.
The woman sits there with her hands clasped together formally
on the desk as she waits too. Her eyes wonder off. All of
sudden,she looks evil as she look up.
Little Casbolt begins looking around. Not much to see. We see
Oak wood tables and chairs. There is a painting on the wall
of Clovis I.
James looks at the woman again.
At last, the door opens. The group of men carry out another
young boy 3 years younger than Casbolt. He looks very similar
to Casbolt, like a twin brother. He has brown hair and is a
young Josh Hutcherson look alike.
Casbolt involuntary reaches out his hand to the boy.
The boy dose the same and as they pass, EXTREME CLOSE UP of
their two hand touching.
CUT TO:

EXT. OAKTREE STREET. DAY.

A car comes from around the corner and towards the building
entrance we just saw Casbolt enter into.
The window is rolled down and we see a woman in the driver
seat in her 30s. She is wearing black civilian clothes has
straight brownish blonde hair and large silver hoop earrings
and has hazel eyes. She looks out the window. She is chewing
mint.
We see two men carry the young boy out the door, away from
the car towards another woman. She also looks in her 30s. She
has blonde hair and wearing a light blue scarf. She looks
similar to the young boy that was brought out. It's his real
mother. She is standing outside her car door with open arms,
a smiling face as she welcomes the child.
 78.

KATE
See you Maxy! I love you sweety!
Kate blow kisses and waves as Max the little turns around and
waves too. The mother turns around.
VANESSA
Thank you so much for looking after
Max Katie!
Max's mum reaches in her pocket as she walks over towards
Kate. She pulls out some money.
KATE
Oh! Come on! No don't do it, it's
fine.
VANESSA
No, no, no, take it!
KATE
(sighs)
You don't have too... Well, thank
you anyway, sweethah.
VANESSA
Your step son James was such a good
boy. He'll love your company Katie.
KATE
Oh, sure he will!
Kate looks out behind Vanessa. Her face lights up.
KATE (CONT’D)
And here comes the champ now!
James Casbolt is brought out by the Irish woman.
KATE (O.C) (CONT’D)
How ya gaing mate? Good?
CASBOLT
Yeah...
Kate smiles.
KATE
Good. Good.
She chews her mint.
 79.

STRANGE WOMAN
He is a well behaved boy Kate. I
can't praise this amazing boy
enough! He going to be very
successful.
Kate smiles at Casbolt.
KATE
(smiles)
Of course you are sweetah!
STRANGE WOMAN
We have your number and contact
details all in our databases so we
will inform you if you are needed
to give in Casbolt for a MI6
operation.
KATE
Yeah, yeah. Sure.
(chews mint)
Look, if this adoption is gonna
work, do i need to know the family
that birthed him?
STRANGE WOMAN
He came from Kathleen and Peter
Prince's family. Is there any
concerns?
KATE
Ah, nah i just wondered if i can be
able to call em, ya know, to work
things out.
The strange woman arches an eyebrow and her lips turn into a
crooked grin. Her eyes look icy. She folds her marble white
arms.
STRANGE WOMAN
(Unauthentic reassuring)
Katie, do not stress. I trust you
are more than capable to raise him.
All will work out very well for you
and for the Prince family
nevertheless.
KATE
That's amazing, thanks for
everything urm. Uh, sorry i did not
ask for you you name.
 80.

Her smile fades and a soft frown replaces her simple grin.
Her stare looks like a evil glare.
STRANGE WOMAN
My, name... Well, that is a base
question miss. In order for Oaktree
to stay, confidential per say, call
me Danu for now.
Katie looks at Danu as if she was not human. She stare at her
face, then suddenly looks at her feet and then back up at her
face again. She is still chewing her mint in awkward silence.
KATE
Oh, kay... Danu? Pretty name. Very
exotic. Well it has been a
pleasure.
Danu smiles. Her eyes glow slightly brighter and her voice
sounds more like crusading water. She looks malicious.
DANU
(Ghostly)
The pleasure is mine...
Katie takes Casbolt by the hand.
KATE
(Uneasy)
Oh. Ah. Let's go home James! I'll
introduce you to your new sister
when we get there okay?
The wind blows hard. Katie looks back and the strange woman
vanishes as if she was a spirit. All we hear are feminine
whispers in the wind like primordial spirits. It is eerie.
CLOSE UP of Kate with a slightly stunned face.
KATE (CONT’D)
What the...? Wasn't just-
Max and his mum beep the horn. Katie breaks from he trace and
looks towards them.
VANESSA
See ya later Katie!
Katie turns to her with a stunned face. She studders and
points to where Danu was standing.
KATE
Vanessa? Did you just see her?
 81.

VANESSA
See who?
Kate looks shocked now.
KATE
That young looking Irish girl
with... Those eyes! Heavenly father
thoses eyes...
Vanessa gives a shocked expression too. She looks around.
VANESSA
N,oooo... I did not see anyone come
out expect for James...What about
her eyes?
Katie can not believe it. It must be her stress and her eyes
have bags under them. Her hair is also messy too.
KATE
Oh, sorry, i must be going insane.
I'm exhausted...
She put her hand to her head.
VANESSA
Don't you worry Katie! Anyways,
i'll catch you later! Bye!
She waves and drives off. Max looks out the opened window as
they pull out.
Katie stands there and looks on as the car finally turns the
corner and disappears.
CASBOLT (O.C.)
(nervous)
Uhm... miss, excuse me...?
Katie wakes up and looks at Casbolt in the back seat.
KATE
Ah, apologies sweethah... Alright,
let get going.
FADE TO:

EXT. CASBOLT FLAT. EVENING.

We see a small 2 bedroomed flat. We see Katie's car pull into
the driveway.
 82.

Finchley, North London

KATE
And here, we are. Okie-dokie.
She turns off the car. We see Casbolt looking out the
windowing observing.
POV SHOT we see the mainly brown flat.
James slowly gets out of the car. He strolls behind Kate as
they go to the door.
Kate goes down to Casbolt's level and talks to him nicely.
KATE (CONT’D)
James, if you feel nervous, then
remember, this is your family. Its
okay if things seem strange.
She puts her hand on his shoulder.
KATE (CONT’D)
I promise that i'll offer you
familiar love. James, we will be
going on a holiday to Australia
soon, will be at the beach, going
to pat some koalas and meet up with
some of our friends and might watch
some cricket with Con and
Anastasia. James, yah gonna be
floored it here.
Kate gets back up again and looks for her keys.
While that happens young Casbolt notices something at the
corner of his eye.
We see a young girl (around 8 and 10 years old) peaking out
the front window of Kate's house. She has handsome face, a
pointy chin and shoulder length blonde hair. She looks very
odd with her gaze that will make someone uncomfortable and
her lankly body structure. She wears a black t-short with
black pants.
Casbolt stares at her with concern.
KATE (CONT’D)
(knocking)
Julia! Julia! Open the door!
The girl zips away from the curtain.
 83.

KATE (O.C.) (CONT’D)
Quick!
KATE (CONT’D)
(knocking)
Come on sweatha.
A few seconds later, the door is opened by Julia Casbolt. She
is even more terrifying up close. She stares down at Casbolt.
We see Casbolt looking up at her with awe and worry.
JULIA
Mum, another one?
KATE
Julia, come on please. This is
James Casbolt, James this is my
daughter Julia
James coyly looks up at Julia.
Julia stares at him as if he was a pest.
JULIA
So? You got gonna say hi spunk?
Little Casbolt regains his posture. Though we can see in his
eyes that he was offended.
KATE
(shocked)
Julia! Be nice! He's only 5!
CASBOLT
Yeah Juliet i'm onwee 5.
Julia face flares up.
JULIA
You bloody rascal -
Kate clams them down.
KATE
You two cut it out okay? You guys
need to know each other better. You
are officially brother and sister
from now on.
Julia does not look so keen.
Little James smirks cheekily.
 84.

The three entire the house. Kate turns on the living-room

light.
KATE (CONT’D)
Alright, so the remote's there and
the popcorn is there so get
yourself comfortable Julia and
James because i need to get his
stuff out from the back-
Kate freezes. She sees something out the window.
KATE (CONT’D)
Holy shi-
CUT TO:
Julia looking out the second window with the curtains.
JULIA
Mum, there's bloody police out
side!
Kate is still looking outside.
KATE
It's him...
Kate strides through the door and walks up the drive way and
into the footpath where two police cars are parked. Out of
the first one from the back seat, is a very tall man in his
early 40s wearing casual clothes. He has a long head with
short brown hair. He has a square jaw and his body structure
looks slim and lanky. He is being lead by a police man who
has his hand on his shoulder.
Out of the second car was a old man in a formal suit. He is
smiling and we see his two front teeth are quite large and
white. He has stringy white glossily hair that is waving and
slicked back with jell. Next to this authoritative man is
another individual of power. It is Alfred Bonner. 6 foot 6 in
a traditional black suit. Bavarian. Broad shoulders with very
blonde hair transitioning into white from ageing. He is
wearing a black fedora hat. He has piercing blue eyes and has
a scar down the left side of his face. He is very domineering
and looks very intimidating.
Julia turns to Casbolt.
JULIA
Looks what's happening?
Casbolt runs towards the window.
 85.

CASBOLT
What is happening?
JULIA
I do not think want to know Cas.
CASBOLT
Is your mummy in trouble?
Julia gives him a contorted face.
JULIA
Our mummy now, you idiot! Ugh man,
i bet you all the money in the
world that that is freakin Neil
PET!
She spit as the window when she says "Pet."
JULIA (CONT’D)
They are probably here because of
you.
We CUT TO outside.
NEIL
Oh my wife. I'm back.
KATE
(frustrated and filled
with anger)
Yeah Pettet, you ass!
She shoves Neil and the police man tries to stop her.
DR MENGELE
Katie - what on earth is this?!
This will not be acceptable at the
Tavistock Institute.
KATE
Give me a break! This city has
committed worse crimes! Someone
like you should behind bars you
dirty devil!
The police men try to hold Kate. Bonner steps in with
authority.
DIRECTOR BONNER
Hold off this - stop! Peace!
 86.

Bonner's giant hand grabs Kate. He leans in close to her. His

scar is blacker and makes his face look monstrous and
ghoulish.
DIRECTOR BONNER (CONT’D)
(Heavy German accent)
You should control your tongue
mistress. I thought this man was
your one and only true love? I am
correct Ms Casbolt? We get this
foul behaviour because of our
genuine initiative to
CUT TO Neil concentrating and listening to the conversation.
DIRECTOR BONNER (O.C.) (CONT’D)
return your one true love to you?
Why, isn't young James Casbolt in
your care now? Wouldn't it be
empathetic
CUT TO Bonner
DIRECTOR BONNER (CONT’D)
if he really had a man to raise him
and teach him the values of the
Rhetra? Wouldn't he want to meet
his assertive caring father? We are
very judicious on raising young fit
men -
CUT TO Dr Mengele twisting his emerald ring on his middle
finger.
DIRECTOR BONNER (O.C.) (CONT’D)
for last time was a catastrophe
causing the erasure of the
serpent's trail in Laconia.
CUT TO Alfred Bonner.
DIRECTOR BONNER (CONT’D)
But now, when a father is in the
house rising our fair and valiant
ubers...
(whispers)
Then will our holy endeavours will
finally be finished...
The tension between Bonner and Kate is broken as Dr Mengele
breaks them up.
DR MENGELE
Apologises Doctor sir.
 87.

Neil is lead towards the house.

Kate looks defeated. Tears hang in her sparkling eyes.
KATE
(weak German accent)
I hate the doctor...
DR MENGELE
(chiding)
Oh now... It is the city within the
city Kitty...
He strokes Kate's shoulder with the Emerald ring. We have a
CLOSE UP on it.
DR MENGELE (O.C.) (CONT’D)
You recognise this... That woman in
Brighton...
Kate begins to panic and gave shaky breaths.
DR MENGELE (CONT’D)
Baader... You got this charm from
her. It was a gift to your beloved.
It has power in its alloy. You now
have complete control over your son
now. He disobeys - you make him
obey - the spirit of a Danite.
Mengele takes the ring off his finger and slips it into hers.
DR MENGELE (CONT’D)
The eyes are the keys to complete
beguilement. You now are ready to
pull the strings on that boy now.
Please take this as a sign of
honour from us. Your training is
done.
Beat
DR MENGELE (CONT’D)
What do you say?
Kate looks into Mengele eyes with a spark of sexual lust. She
smirks as she speaks.
KATE
(hypnotised in a flirting
manner)
Let thy will be done... Josef...
 88.

Dr Menegele shots a sadistic smile. His eyebrows knit and his

eyes narrowed. His two front teeth looks like fangs rather
than human teeth. His brown eyes are filled with savagery.
CUT TO BLACK:
END OF EPISODE 2