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El Dia de los Muertos is a positive, upbeat occasion. Homes are decorated with
beautiful altars known as ofrendas, laden with offerings of food and gifts for the
weary spirit travellers.
The Day of the Dead is truly a celebration of those who have passed. It is not a sad
or morbid gathering – more a festive, family-centred celebration of friends and
relatives.
In Oaxaca, south of Mexico City, villagers celebrate with parades and processions.
Families will make an ofrenda or offering on the home altar and on graves.
Markets are filled with mountains of food, flowers, egg bread (Pan de Muerto) in
various shapes, sugar and sesame candy skulls, heaps of cinnamon sticks, and the
fabled Oaxaca chocolate.
When visiting a Oaxaca home during Day of the Dead you should not go empty
handed. It is a common courtesy to bring some chocolate, a loaf of Pan de Muerto
or refreshments.
The skull, or calavera is a very important symbols on Day of the Dead. Besides
representing death, skulls are also shown smiling or doing day-to-day activities such
as riding a bike or playing a guitar, showing that death is not something to be feared
but is simply part of life.
Alfenique - A sugar paste used to make skulls, fruits and other figures.
Careta - Masks worn by dancers to scare the dead away at the end of the Day
of the Dead celebrations.
Ofrenda - "The offering", a table or altar decorated to hold gifts of food and
drink for the weary spirit guests.
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infoinfo
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happythought.co.uk
happythought.co.uk
Crossword puzzle
1
papel picado
catrina
3
Day of the Dead
marigold
4 6 calavera
altar
Clues
1. A bright orange or yellow flower of the dead.
2. A festival held between October 31st and November 2nd.
3. A decorated skull often seen at Day of the Dead festivities.
4. Colorful decorative paper garlands used on Day of the Dead celebrations.
5. A female skeleton, created by Jose Guadalupe Posada.
6. Where gifts or offerings to the dead are left.
more info at happythought.co.uk
Word search
R D E K E B V J Z V B C E G Q
C I P P E R Z G T B A A T L D
E AM A Y O T C A N D L E C A
L D A P S K E L E T O NM A Y
E E R E E G K V R Y E X T L O
G L I L U R F U S O R M R A F
R OG P E X I C O P A E N V T
A S O I R D E Y B A E X S E H
T M L C VW S T D P D I P R E
E UD A C A L A V E I C A A D
J E S D Z F E S T I V A L C E
D R I O SW H X E N X N I X A
A T R A H U P Z C V P G S H D
F O Z V I C T O R A L T A R C
E S E R P Y S I N C E N S E I
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La Calavera Catrina
by José Guadalupe Posada 1910
Posada played a pivotal role in the development of Diego Rivera's work. Rivera would often
stop by to visit Posada and watch him work at his studio. Rivera credited Posada as having a
great influence on his own artwork and direction.
Largely forgotten by the end of his life, Posada's engravings were brought to a wider audience
in the 1920s by the French artist Jean Charlot, who first saw them while visiting Diego Rivera.
While Posada died in poverty, his images are well known today.
Sueño de una Tarde Dominical en la Alameda Central (detail). Mural by Diego Rivera.
“I tease and laugh at death,” Kahlo liked to say, “so that it won’t get the better of me.”
In the spring of 1953 she staged a triumphant one-woman exhibition of her paintings,
curated with her imminent death in mind. She was carried into the gallery by ambulance
on a hospital stretcher and dressed in native costume and jewelry, and held court from her
own four-poster bed installed in the gallery for the show, surrounded by young fans and
crippled old friends. A grinning skeleton fixed to the underside of her bed’s mirror-lined
canopy lay face down as if watching her.
Since her death in 1954, Kahlo’s fame as an artist has only grown. Her beloved Blue House
was opened as a museum in 1958 and Kahlo is now recognised as one of the great 21st
century atists and icons of female creativity.