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  • The Fives Copyright Deposition

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    Boogie Woogie Sheet Music
    110 vistas3 páginas
    Typeset to match the sheet music in the public domain Based on the handwritten sheets of the copyright submission made by George W Thomas See the images uploaded by Robert I. Pinsker on this webpage http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/GWTessay.html The images of the three pages are: http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/The_Fives_page_1_of_3a.jpg http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/The_Fives_page_2_of_3a.jpg http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/The_Fives_page_3_of_3a.jpg As a PDF https://www.dropbox.com/s/s2s3lyx6io0gg6j/The_Fives_copyright_deposition2.pdf?dl=0 To see my engraving of the published song see here: https://musescore.com/score/5173852 Notes on the engraving This is an engraving of the handwritten submission for copyright from 9th December 1921. This copy differs from the published version - http://digital.library.ucla.edu/apam/librarian?ITEMID=NSO004022 See this essay about George W Thomas at http://pianobluesreview.com/george-w-thomas/ What is the mod/Io mark under the Lyricist? I assume it might stand as a tempo Moderato. Bar 1 RH natural needed on E in beginning of second beam group - this was overlooked in the printed version as well http://pianobluesreview.com/wp-content/uploads/2016/05/george-w-thomas-the-fives-2.jpg Bars 2 & 4 and 36 & 38 and 44 & 46 rhythm is written like the handwritten deposition piece but should rhythm be like that found on http://pianobluesreview.com/george-w-thomas/ ? See image here http://pianobluesreview.com/wp-content/uploads/2016/05/george-w-thomas-the-fives-2.jpg and this image http://pianobluesreview.com/wp-content/uploads/2016/10/george-w-thomas-the-fives-5.jpg These images are from the released sheet music which I have not got access to but which are in the public domain Bar 29 added omitted lyrics "thru" and "way" Spelling of engineer has been corrected 2018-02-19 - added curly apostrophes to the lyrics 2018-04-01 - updated to MuseScore 2.2 2018-07-11 - added lower Ds to octaves in bars 19 and 20 2018-07-12 - RH E corrected to a G

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    Typeset to match the sheet music in the public domain Based on the handwritten sheets of the copyright submission made by George W Thomas See the images uploaded by Robert I. Pinsker on this webpage http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/GWTessay.html The images of the three pages are: http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/The_Fives_page_1_of_3a.jpg http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/The_Fives_page_2_of_3a.jpg http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/The_Fives_page_3_of_3a.jpg As a PDF https://www.dropbox.com/s/s2s3lyx6io0gg6j/The_Fives_copyright_deposition2.pdf?dl=0 To see my engraving of the published song see here: https://musescore.com/score/5173852 Notes on the engraving This is an engraving of the handwritten submission for copyright from 9th December 1921. This copy differs from the published version - http://digital.library.ucla.edu/apam/librarian?ITEMID=NSO004022 See this essay about George W Thomas at http://pianobluesreview.com/george-w-thomas/ What is the mod/Io mark under the Lyricist? I assume it might stand as a tempo Moderato. Bar 1 RH natural needed on E in beginning of second beam group - this was overlooked in the printed version as well http://pianobluesreview.com/wp-content/uploads/2016/05/george-w-thomas-the-fives-2.jpg Bars 2 & 4 and 36 & 38 and 44 & 46 rhythm is written like the handwritten deposition piece but should rhythm be like that found on http://pianobluesreview.com/george-w-thomas/ ? See image here http://pianobluesreview.com/wp-content/uploads/2016/05/george-w-thomas-the-fives-2.jpg and this image http://pianobluesreview.com/wp-content/uploads/2016/10/george-w-thomas-the-fives-5.jpg These images are from the released sheet music which I have not got access to but which are in the public domain Bar 29 added omitted lyrics "thru" and "way" Spelling of engineer has been corrected 2018-02-19 - added curly apostrophes to the lyrics 2018-04-01 - updated to MuseScore 2.2 2018-07-11 - added lower Ds to octaves in bars 19 and 20 2018-07-12 - RH E corrected to a G

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    110 vistas3 páginas

    The Fives Copyright Deposition

    Cargado por

    Boogie Woogie Sheet Music
    Typeset to match the sheet music in the public domain Based on the handwritten sheets of the copyright submission made by George W Thomas See the images uploaded by Robert I. Pinsker on this webpage http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/GWTessay.html The images of the three pages are: http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/The_Fives_page_1_of_3a.jpg http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/The_Fives_page_2_of_3a.jpg http://www.sandiegoragtime.com/ThomasBrothersEssayFiles/The_Fives_page_3_of_3a.jpg As a PDF https://www.dropbox.com/s/s2s3lyx6io0gg6j/The_Fives_copyright_deposition2.pdf?dl=0 To see my engraving of the published song see here: https://musescore.com/score/5173852 Notes on the engraving This is an engraving of the handwritten submission for copyright from 9th December 1921. This copy differs from the published version - http://digital.library.ucla.edu/apam/librarian?ITEMID=NSO004022 See this essay about George W Thomas at http://pianobluesreview.com/george-w-thomas/ What is the mod/Io mark under the Lyricist? I assume it might stand as a tempo Moderato. Bar 1 RH natural needed on E in beginning of second beam group - this was overlooked in the printed version as well http://pianobluesreview.com/wp-content/uploads/2016/05/george-w-thomas-the-fives-2.jpg Bars 2 & 4 and 36 & 38 and 44 & 46 rhythm is written like the handwritten deposition piece but should rhythm be like that found on http://pianobluesreview.com/george-w-thomas/ ? See image here http://pianobluesreview.com/wp-content/uploads/2016/05/george-w-thomas-the-fives-2.jpg and this image http://pianobluesreview.com/wp-content/uploads/2016/10/george-w-thomas-the-fives-5.jpg These images are from the released sheet music which I have not got access to but which are in the public domain Bar 29 added omitted lyrics "thru" and "way" Spelling of engineer has been corrected 2018-02-19 - added curly apostrophes to the lyrics 2018-04-01 - updated to MuseScore 2.2 2018-07-11 - added lower Ds to octaves in bars 19 and 20 2018-07-12 - RH E corrected to a G

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    de 3

    WORDS

    BY
    “The Five’s”
    From the handwritten copyright submission
    MUSIC BY
    Hersal Thomas

                     
    Geo. W. Thomas and

           
    dated December 9th 1921

                             
    Geo. W. Thomas

      
                      
                 
         
              
    Piano 

       
              
          
                             
              
      
    6

                   
                 
    Vamp

         
    Whistle 


                   
     
    11 Voice


                    
                                  
    Old Five read y to take me a way Old Five read y to take me a


    Here’s my tick et it’s long as my arms Here’s my tick et it’s long as my


          
            
                            
      


              
      
    17

                   
                        
                       
    way I’m leav ing town but not leav ing to stay.
    arms I’ll take a trip and see the folks at home

      
          
                             
       
              
    

    

              
           
    23

                    
                                  
    my trunk’spacked now I’m sure own my way my trunk’s packed now I’m sure on my


    I have trav el this world thru, and thru. I have trav el this world thru and


                  
                              
      

    The Five’s Public Domain 1/3

            
      
    29

                  
           
          
                   
    way These few words to you I’m goin’ to say

                 
    thru The few words a gain I’ll say to you

               
     
      
                  
        
           
    

    
                       
                  
           
    35 Chorus: Slower

     
                      
          
                  
    Here comes num ber 5 she makes a mile a min ute Gee, she run so fast this morn ing

                                
     - 

           

            
            
            
    38

     how that train does


                       
                                
    she broke the lim it oh Lord y run

                  
                                     

                       
              
               
    43

     
                     
                       
    Fire man said this morn ing to his en gi neer Five P M we due in Fris co

      
    En gi neer looked at his watch and said if I’m a live we’ll be in Fris co to mor row

                    
                              

    The Five’s Public Domain 2/3


            1.
                    
      
    46


                       
    let’s leave from here um Gee,I’ve got the even ing Fives

                
                    
    morn sure a five


                        
    
                    

        
              
    51
    2.

        
                
    Got the even ing sun day even ing Five

        
          
     
     Fine

    The Five’s Public Domain 3/3

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