VoIek, (anTHE ARIA MAY BE SUNG IN WHOLE OR IN PART To PROVIDE A PROGRAM OF A DETERMINED TIME-LENGTH ALONE OR WITH THE FONTANA MIX OR WITH AY PARTS OF TAE GOCERT. TINE NOTATION REPRESENTS TIME HORIZONTALLY, PITCH VERTICALLY , RovORLy S066ESTED RATHER THAN ACCURATELY DESCRIBED, THE MATERIAL, WHEN COMPOSED, WAS ConSiD- ERED SUFFICIENT FOR A TEN MINUTE PERFORMANCE (PAGE = 30 SECONDS); HowEVeR,A PAGE MAY BK PERFORMED IN A LOTIGER OR SHORTER “TME-PERIOD. TRE VOCAL LINES ARE DRAWN IN BLACK, WITH OR WITHOVT PARALLEL poTTED LINES, OR IM ONE OR MORE OF G COLORS. THESE DIFFERENCES REPRESENT 4o StyLES OF SINGING. ANY LO STYLES MAY BE USED AND ANY CORRESPONDANCE BETWEEN CoMOR AND STYLE MAY BE ESTABLISHED, THE ONE USED By MISS BERBERIAN (S: DARK BLUE = JAZZ, RED = CONTRALTO (AND CONTRALTO LYRIC); BLACK WITH PARALLEL POTTED LINE © SPRECHSTIMME ; BLACK = DRAMATIC ; PURPLE = MARLENE DIETRICH ; YELLOW = COLORATURA (AND GLORATURA LYRIC); GREEN 2 FOLK , ORANGE = ORIENTAL; LIGHT BLE = BABY, BROWN © NASAL THE BLACK SQUARES ARE ANY NOISES (UN MUSICAL VSE OF THE VICE, AUXILIARY PERCISSON, MECHANICAL OR ELECTRON IC DEVICES). THE ONES CHOSEN BY MIXS BERBERIAN IN THE ORDER THEY APPEAR ARE: TSI, 75K, FOOTSTOMP, BIRD ROLL, SNAP, SNAP(FINGERS).CLAP; BARK| PAINED INMALATION ; PEACEFUL EXHALATION ; HOOT OF DISDAIN; “TONGUE CLICK: EXCLAMATION OF DISGUST, OF ANGER; SCREAM (HAVING SEEN A MOUSE), UGK (AS SUGGESTING AN A- MERICAN inptari); HAHA (LAUGHTER); EXPRESS On OF SEXUAL PLEASURE. THE TEXT EMPLOYS YOWELS AND CONSONANTS AND WORDS FROM 5 LANGUAGES = ARMENIAN, RUSSIAN ITALIAN, FRENCH, AND ENGLISH ALL ASPECTS OF A PERFORMANCE (DYNAMICS, ETC.) WAICH ARE NOT NOTATED May DE FREELY DETERMINED By THE SINGER. FOR, CATAY BERBER TAN. MILAYO 1958A pige! NAPRASNO HAMPART- ZOOM i “OPYRIGAT © I4bo BY KENMAR PRESS INC.,373 PARK AVE. So..NY 16.N.Y