Aviacion Naval

Alto Saxophone
Himno de la Aviación Naval

Arreglo de Mario Astorquiza
    
Marcha q = 104
           
   
mf
  

 
5 A
                         

p
                         

11
     
                   

17
            

23
    
      
     
    
28
    
V.S.
Copyright © Sº2 IM(MS) A. Gómez S. MMVIII
2 Avinav
Alto Saxophone

          
34 B
           

mf
         
      
40
       
     
             
46
 C
  
 
p
               
 
52
         
 
                         

58
64
              
      
f
69
                    
    

        
    
74
   

1st Clarinet in Bb

       
Marcha q = 104
 A 
   

     
p
              
  
9
    
            

16
     
f
         
        
22
  
               
27    
     
V.S.
Avinav
2 1st Clarinet in Bb
  
  
33 B
                  
mf
         
      
39
   
         
     
44
 

49

C                
     
p
               

  
56
     
     
        
63
   
f
69      
       
   
  
      
74
    
    
1st Horn in F

Marcha q = 104
      

       

 
mf
                         
5 A
               
11
        
                         
17
  
             

23
   
29
              

V.S.
Avinav
2 1st Horn in F
                      
35 B
 
p
   
41
             
  
        
48 C
  
       

   

p
           
54
         

  
                         
60
  
               

66
   

72
               

1st Trombone
Marcha q = 104
      
 




  
 



mf
                             
5 A
                 
11
         
                     
17
 
f
     
   
23
     
 
       
29
           

V.S.
2
Avinav
1st Trombone
     
                
35 B
  

p
     
            
41
    
  
                  
47
 C
   
p
                  
53
       
                         
59
 
          
65
   

f
                      
72
 
1st Trumpet in Bb

    
Marcha q = 104
         
     

mf
 A
        
           
5
           
    
12
    

  
 
18
             
         
25

        

 
31

  
     
35
B 

2
Avinav
1st Trumpet in Bb
37
  
    
         
p 3 3
           
43
    
  
     
49 C
                
p
           
    
56
    

  
 
62
             
  
69

           
    

    
74
 
  
2nd Clarinet in Bb

        
Marcha q = 104

   
 A

    
p
                 
9
      
 
           
16
     
f
         
        
22
  
                
  
  
27

 
 
  
33 B
        
          
mf V.S.
2
Avinav
2nd Clarinet in Bb
         
      
39
   
     
   
44
     
  
C                   
49
     
p
 
56
                
     
     
         
63
   
f
     
       
69
   

  
 
     
74
    
 
2nd Horn in F

Marcha q = 104
 
 
              
mf
                           
  
5 A
                        
 
11
                           

17
23
                 


29
              
35 B
                        
p V.S.
2 Avinav
2nd Horn in F
           
41
       
                      
48 C
 
p
 
             

54

        

                  

60
         
66
                   
    

72
           
2nd Trombone
             
Marcha q = 104
 
    
mf
                   
5 A
     
p
                   
10
       

                      
16

            
22
 

      
28
          
 
      
 
           
34 B
    
p V.S.

Avinav
2 2nd Trombone
   
40
            

      

  
  
44
     
                  
49 C
     
p
                   
54
       

                     
60

f

           
66
  
 

72
          

      
75
    

2nd Trumpet in Bb

                
Marcha q = 104

 
 
mf
 
            
5 A
      
p
           

11
   
  
       

17
          

24
           
     

30
      
  

  
 
35

B  
      
3
 
p

Avinav
2 2nd Trumpet in Bb
      

41

3
         

           

47 C
    
    
p
           

53
 
       
           

59
      

66
    
  
      


72
           
  

76
     
   
3rd Horn in F
Marcha q = 104
           

  
 


mf
          
5 A
           
 
p
10
                        
16
 
                     
21
                 
26
                
30

 
         
V.S.

Avinav
2 3rd Horn in F
35 B
                         
p
41
                 
     
47 C
         
         
p
53
                         
59
  
                    
64
               
69
                   
74
    
    
  
3rd Trombone

                  
Marcha q = 104
 
mf
                      
5 A
   
p
                       
10
                      
16
  
f

           
22
  

      
28
         
  
V.S.

Avinav
3rd Trombone
2
34 B
                       
p
40
                
  
44
        
  
                    
49 C
   
p
                      
54
 

                     
60
  
f

           
66
  
 

72
          

    
75
     
 
Baritone
      
Marcha q = 104

      
   

mf
 A
                      
5
                  

10
   

15
                        

21

                      


27
        
  
  

                   
 
33 B
   
mf V.S.

Avinav
2 Baritone
             
    
39
 
        

44
    
 
                 
C
49
    
p
                  

54
   

59
                        

65
                       


71
        
    


 
75
       

Baritone Saxophone

     
Marcha q = 104
   
          
mf
                            
 
5 A
  
p
                      
  
11
   
  
                     
17
 
               
23
       

       
29
        

mf V.S.
Avinav
2 Baritone Saxophone
                       
35 B


41          

        
  
       
                  
48 C
  
p
                          
54
 
 
  
                    
60
 
 
                  
66
 
    
        
72

        
Bass Guitar
             
Marcha q = 104
    

                 
mf
     
5 A

                     
10
  
                        
15
  
                     
21
   
       
27

       
      
33 B
                 
39

                    
V.S.

Avinav
      
2 Bass Guitar

44
  
       
                 
49 C
    

                      
54
 
                         
59
 
                    
65
    

71
     
         
 
75
       
 
Bombo y Platillo

Marcha q = 104
        

                 A
         
    
p
mf
                             
9
   
                                
17
                             
25
                               
33 B
                          
41
 
  
                        
48 C

  

p
                                
55
                             
63
              
                            
71

Caja

Marcha q = 104
      

        
   A     
              

mf p
 
                          
9    
                              
16
 
                

23
    

                         
29
                           
35 B

                       
p
 
42
   
     
                    

   

49 C

p
                         
56
   

                               
63
 

      
70
             
  
75
                

Flauta
Marcha q = 104

   
A
        
  
   
p
      
  
9
       
    
16             
     
f
             
   
22
  
  
               
27
      
  
 
33 B
                  

mf V.S.

2
Avinav
Flauta
         
39

         
         
   
44

   

C
               
49
     
p
               
  
56

     
          

   
63
   
f
           

69
    
          

74
     
Flugelhorn

Marcha q = 104

       
A
       

p
     
    
8
           
           
    
14
 
    
20
            
       
27
 
        

V.S.

Avinav
2 Flugelhorn
 

   
33 B
           
p 3
             
41
     
3
    
   
47 C
           

p
     
    
53
          

        
   
59
     
 
66
               
  
72
   
        

 
76
       
Glockenspiel


   
A
           
Marcha q = 104
  
    
          
p
 
  
10
    
     
18     
                  

f
                              
25


    B
32
 


                  
mf
                 
39
          
        
C
           
46
   
     
          
p
 
  
54
    
     
62     
                  

f
    
69
                
   
     
74

    
      

Oboe

Marcha q = 104

               
A
  
 
p
              
9
 
  

  
16
               
f
22
                    
                    
27
  
 
   
33 B
     
                  
mf V.S.

2
Avinav
Oboe
         
39

         
        
44
    
   


              
49 C
    
  
p
    
56
  
             
  
62
                  

f

68

         
          
      
73
   
 
    
Sousaphone en Bb

Marcha q = 104
                 
 
mf
                             
5 A
  
                               
12
   
                            
19
     
26

                 
   
34 B
                         
mf
     

41
                  
  
                            
49 C
  
                               
56
   
                            
63
        
70

                 
Tenor Saxophone

   
Marcha q = 104
            
  
mf
       
                     
5 A

p
       
                
11
 
             
17
          
   

23

                     

     

29
          
mf V.S.
Avinav
2 Tenor Saxophone
            
35 B
  
        
           
41
      
    
                        
 
48 C

p
  
        
 
        
54
  
          
        
60
     
 

66

                      

      

72
    
  
  

Timbales

Marcha q = 104
        

       

  

5 A
     
        
   
17
                  
  
  
   

  
        

24
      

33 B  
           
   
 
  
43
           
 



49 C
           
 
   
 
61
                          
  
68 
          

 
  

74
     
   
Tuba

   
Marcha q = 104 A
          
                   
mf
9
    
           
            
16
         
            
       
23
             
            
  
31 B
           
              
mf
39
            

              

47 C
         
                   
  
54
        

                 
   
 
61
    

    
  





 

 

 
  
68

       
  

   
 
  
73
     
      
     

Marcha q = 104
A
   
         
Flauta          

    
p
       
  
Oboe      
 
         

p
  
 
1st Clarinet in Bb         
        
   
p
  

2nd Clarinet in Bb        
                
p
  
1st Trumpet in Bb        
        
          
mf
      

p
2nd Trumpet in Bb          
      
    
mf

p
  

Flugelhorn               

                                
p
Alto Saxophone         
                        
p

mf
       
Tenor Saxophone       
                                
mf
   p
   
Baritone Saxophone 
         
mf p
1st Horn in F                          
   
                           
p

mf
         
2nd Horn in F

mf p
3rd Horn in F       
  

    
   
 
  
  

    
   
                   
p
     
mf
1st Trombone               
                            
p
 
mf
2nd Trombone         
                                   
mf p
3rd Trombone     
         
p
                      

mf
Baritone     
mf

p
  
Tuba     
 
   



   
 

 
   



 
        
mf
                         
Sousaphone en Bb
    
 
mf

        
    
Timbales
       
         

       

         

       

Caja 
mf p
                                
Marcha
 
q = 104
Bombo y Platillo
p
   
mf
A          

Glockenspiel        
p
2
             
  
9
       
Fl.        
    

  
     
  

    
    

Ob.

                     
Cl. 1          
      
  
               
Cl. 2
      
 
           
        
Tpt. 1         

               
      
Tpt. 2         
           
      

          
Flug.

 
                   
        
A. Sax. 1          

  
                              
T. Sax.             
                                   

 
B. Sax.
  
                                 
    
Hn. 1
 
                       
   
             
Hn. 2

      
         
Hn. 3                       
              


   
  


   
  


 

Tbn. 1   
                      
Tbn. 2                  
                                  
Tbn. 3      
                 

Bar.                     
         

Tba.      
  
    
  
    
  

  
                              
Sousa.
          
 
         
            
Timb.
   
 
                                  
    
Caja
Bmb.                                     
            
  
       
 
Glock.      
Himno Avinav
(conductor)
3

18           
             
Fl.       
f
                 
Ob.       

      

f     
    

                
Cl. 1     
f
                      
       

Cl. 2     
  
  
f
 
Tpt. 1                  
  
  
           
Tpt. 2      
  
   
     

Flug.           
           
     
             
A. Sax. 1        
      
f
   
                       
T. Sax.
   
  
                        
  
   
B. Sax.

              
Hn. 1 
 
                 
                                   
Hn. 2


Hn. 3                                    
            
     
Tbn. 1

         

           
f
                
Tbn. 2  
          
f
              
Tbn. 3   
f

                          
Bar.       
        
            
Tba.
   


        
 
             
           
Sousa.
            

  

              
Timb.
          
Caja
                
                   
Bmb.                                  
    
                 
         
Glock.
 
f
Himno Avinav
(conductor)
4
 

    B

          
      
27
Fl.         
  
mf
                      
  
Ob.  
       
            
       
    
mf
          
Cl. 1  

               
  mf
  
      
Cl. 2
         
 
mf

           
Tpt. 1 
     
      

                 
Tpt. 2
        


           

        
Flug.
  
               
 
A. Sax. 1          
       

mf

               
T. Sax.
          

mf
               
 
B. Sax.          

mf
                       
Hn. 1

p

              
Hn. 2         
p

                  
Hn. 3
    
    
p
        
Tbn. 1               

p
          
              
Tbn. 2  

p
     
                  
Tbn. 3   
p

 
                
Bar.
        
mf
            
      
   
Tba.
    
           

mf
Sousa.                
 
       
 
mf
         
Timb.
   

Caja
                              
p
Bmb.                                 
Bp
          

  
Glock. 
      
      
  
mf
Himno Avinav
(conductor)
5

 
                    
36

Fl.          
  
                    
             
 
 
Ob.
       
Cl. 1     
                 
   
       
Cl. 2
    
                 
    

    
Tpt. 1                    
  
p 3 3

     
3
            
3
Tpt. 2   
p
   
          

Flug.        
                     
p 3
  
3
 
A. Sax. 1           
       
T. Sax.     
                 
   
                       

B. Sax.           
                                
Hn. 1 
Hn. 2                                
Hn. 3                                 
                
Tbn. 1

                  
 
Tbn. 2

 
                              
        
Tbn. 3                         
       
Bar.     
                 
   
                  

 
Tba.
              

    
                    
Sousa.            


                
Timb.

Caja
                                  
Bmb.                                     
           
            

Glock.         


Himno Avinav
(conductor)
6


       C
   
45
            
Fl.       

    
p
          
           
  

Ob.
          
         
   
p
 
Cl. 1      
           
     
   
p
    

Cl. 2     
   
    
p
                 
Tpt. 1 

    
p
       
    
            
Tpt. 2

    
p
       
    
            
Flug.

 
     
                 
  p

       
A. Sax. 1  
               
p
        
             
T. Sax.

     
                       
p

 
  
B. Sax.

              
p
              
Hn. 1     
              
p
   
  
Hn. 2            
      
p
          
           
Hn. 3    
  
               
    
p
   
Tbn. 1          
  
               
    
p
 
          
Tbn. 2 
                     
p
       
Tbn. 3       
            
p
                 

  
Bar.
 

p
              
              

Tba.
  
     
                       

  
Sousa.   
  
Timb.
  
           

                                    
  
Caja  
p
Bmb.                                      
Cp
   
            
        

Glock.     
p
Himno Avinav
(conductor)
7
                
  
54
    
Fl.       
    
     
  

    
  

    

Ob.

                     
Cl. 1          
   
  
                  
Cl. 2
      
 
              
    
Tpt. 1      

  
                  
      
Tpt. 2      
              
      

       
Flug.

 
                                      
A. Sax. 1
   
                              
T. Sax.           
                                  

   
B. Sax.
   
                                 
    
Hn. 1

              
  
Hn. 2              

       
  
       
Hn. 3                            
                     
Tbn. 1                  
                     
Tbn. 2                  
                                  
Tbn. 3     
                 

Bar.                     
            

Tba.          
  
    
  

  



                             

      
Sousa.
    
 
           
             
Timb.
    
 
                              
  
Caja      
Bmb.                                     
               
  
    
 
Glock.      
Himno Avinav
(conductor)
8
              
       
63
Fl.      
f
                           
Ob.
 
  f              
          
Cl. 1     
 
    f                      

Cl. 2    
  
f
Tpt. 1                  
 
           
Tpt. 2       
  
     

Flug.           
               
             
A. Sax. 1      
      
f
  
                     
T. Sax.
   
         
                

B. Sax.      
                 
Hn. 1               
                              
Hn. 2


Hn. 3                                 
          
     
Tbn. 1

       

         
f
              
Tbn. 2  
          
f
            
Tbn. 3   
f
 
                           
Bar.
   

     




 

 

 
    
   

Tba.
    
                  

Sousa.              


               
Timb.
       
              
                  
Caja 
                  
Bmb.              
 
                
         
Glock.
 
f
Himno Avinav
(conductor)
9
 
 
       
             
71
Fl.      
                    
   
Ob.   
  
            
     
  
  
Cl. 1       

                  
      

Cl. 2    
 
    
       
Tpt. 1      
     

                
Tpt. 2
        


           

       
Flug.
  
             
 
 
A. Sax. 1          
  


           
T. Sax.
         

 
         

B. Sax.          
          
         
Hn. 1


          
Hn. 2         

              
Hn. 3
    
          
Tbn. 1              
          
Tbn. 2              

     
              
Tbn. 3   

 
           
Bar.
        
 
      
   

 
 
 
Tba.
    
           

Sousa.            
  
       
 
        
Timb.
   

                          
Caja 
Bmb.                             
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  

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Alto Saxophone

Himno de la Aviación Naval

            

Himno de la Aviación Naval

Himno de la Aviación Naval

             

               

Himno de la Aviación Naval

Arreglo de Mario Astorquiza

Himno de la Aviación Naval

Himno de la Aviación Naval

Himno de la Aviación Naval

                 

                   

Himno de la Aviación Naval

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

Himno de la Aviación Naval

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

Himno de la Aviación Naval

Arreglo de Mario Astorquiza

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

               

Himno de la Aviación Naval

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

Himno de la Aviación Naval

Arreglo de Mario Astorquiza

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

Himno de la Aviación Naval

Himno de la Aviación Naval

Arreglo de Mario Astorquiza

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

Himno de la Aviación Naval

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

Himno de la Aviación Naval

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Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

Himno de la Aviación Naval

Arreglo de Mario Astorquiza

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

          

Himno de la Aviación Naval

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

Himno de la Aviación Naval

Himno de la Aviación Naval

                    

Copyright © Sº2 IM(MS) A. Gómez S. MMVIII

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Himno de la Aviación Naval

Himno de la Aviación Naval

Himno de la Aviación Naval

Himno de la Aviación Naval

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