María Santísima del Amparo José Antonio Molero (1999)


        
Flauta
          
   
1
             
 
    f   3    3      
3 3
           
3
          
      
f
14
      
 
3 3 3 3 3 3 3

                  2                         

27

                 
3 3 3

                                   
p
              3            
41

    
mf
              4                          
49

        
3 3 3 3

                                         
61 3

            
             3         
75
 
            
           
 
5

        3               
3 3
        
                    
88 6

          7                    
p 3    3
  
3 3 3 3 3

         

 
100


                   
3 3 3 3
             
f f
113
   

 
3 3 3 3 3
                    
        8
122

 
3 3 3 3 3 3
p pcresc. ff