Rane Full Line Catalog PDF

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2012
HAL System 2-6 Graphic Equalizers 18-19
Automixers 6 Audio Delay 19
Mongoose Remote Audio 7 Crossovers 20
Drag Net RPM Processors 8-10 Headphone Amplifier 20
Paging Processors 11-12 Isolation Transformers 21-22
Distribution Amplifiers 12-13 Multichannel Amplifiers 22
Mic / Line Mixers 13-15 DJ Mixers 23-30
Mic Preamplifiers 16 Serato Scratch Live 28-35
Compressors & Gates 17 Model Index 36
HAL
Overview
Rane is pleased to introduce HAL, an expert in room combining, paging
and distributed audio systems. This groundbreaking architecture is
dimensions beyond any other solution.
HAL easily guides even novice users through what used to be complex
tasks in just minutes. No intricate matrix mixing or presets are required for
room combining and paging. No wiring required to distribute pages and
background music to multiple zones.
Seamlessly interface HAL to your application with a broad variety
of peripheral devices including smart Digital Remotes, Remote Audio
Devices (RADs), portable and in-rack auto mixers, bus Expansion devices,
and an advanced Paging Station.
In addition, the HAL1 and Halogen software check the status, location,
CAT 5 wiring integrity, and that audio is flowing in all peripheral devices,
so you know your system is properly connected and ready to go.
HAL with Halogen software is more than just another DSP drag-and-
drop system. It will revolutionize the way you design and install systems.
HAL is fully compatible and easily integrated with existing Rane products
like gain-sharing auto mixers and Rane's almost endless variety of RADs.
Rane's new Halogen 1.1 software adds Ethernet control support for
third-party control systems. Standard TCP/IP set and get ASCII text
messages control levels, selectors, presets and toggle actions within
Halogen. Since the same Halogen software code runs on both Windows™
and within HAL hardware, third-party control developers can test all their
code using only the Halogen Windows software. Use only software to
test your control systems software code and buy the hardware only when
the install date arrives. Well-documented example programs for AMX,
Crestron and Stardraw Control ease programming headaches.
HAL1 Multiprocessor
• 8 balanced mic / line inputs; Switchable +48 V phantom power; 8 balanced line outputs.
• Four RAD Ports, each Port 2 in x 2 out plus control channel; RJ-45 shielded CAT 5 connections up to 500 feet (152 meters)
• 8 Digital Remote Ports; RJ-45 shielded CAT 5 connections up to 1000 feet (304 meters)
• Two Relay Outputs on Mini-Euroblock connectors; Four Logic Inputs on Mini-Euroblock connectors
• Expansion Bus connects up to four optional EXP1 units via Firewire IEEE 1394a (up to 64 x 32 audio channels).
EXP1 Remote Audio Expansion

• Adds up to 8 more RADs or Digital Remotes in any combination to the HAL1. Each Port 2 in x 2 out plus control channel (RAD).
• Expansion Bus connects up to four EXP1 units per HAL1 via Firewire IEEE 1394a.
2
HAL
Connectivity
HAL1 Multiprocessor
DIGITAL REMOTES REMOTE AUDIO DEVICES RELAY OUT MIC / LINE INPUTS
2 1 8 7 6 5 4 3 2 1
HAL1 4 3 2 1 C NC NO C NC NO + – + – + – + – + – + – + – + –
AUDIO RX
FAULT
8 7 6 5 4 3 2 1 AUDIO TX
LOCATE LOGIC IN LINE OUTPUTS
COMM COMM 8 7 6 5 4 3 2 1
G 4 3 2 1 G + – + – + – + – + – + – + – + –
POWER
POWER POWER
LAN EXPANSION BUS DIGITAL REMOTES REMOTE AUDIO DEVICES & DRS
ACN 001 345 482 LINK
ETHERNET LINK 8 7 6 5 4 3 2 1 4 3 2 1
MADE IN U.S.A.
RANE CORP.
This device complies with Part 15 of the FCC Rules. Operation is
subject to the following two conditions: (1) this device may not cause
100-240 V harmful interference, and (2) this device must accept any interference
50/60 Hz 55 WATTS received, including interference that may cause undesired operation. 24 VDC @ 50 mA SHIELDED CAT5e OR BETTER 24 VDC @ 100 mA
CLASS 2 WIRING
SCROLL
MICROPHONE MICROPHONE LINE OUTPUT LINE OUTPUT
SIG / OL SIG / OL SIG / OL SIG / OL

PUSH • SELECT
DR3 POWER COMM AUDIO RX AUDIO TX
RAD12
MICROPHONE LINE INPUT
SIG / OL SIG / OL
POWER COMM AUDIO RX AUDIO TX
RAD2
OUTPUTS INPUT 2 INPUT 1
2 1 LINE MIC LINE MIC
RAD PORT + - + - + - + - + - + -
THIS DEVICE COMPLIES

COMMERCIAL AUDIO
EQUIPMENT 24TJ WITH PART 15 OF THE FCC CASCADE IN
MAIN OUTPUT RECORD AUX 1 4 3 MIC INPUTS 2 1
RULES FOR A CLASS 'B' INPUTS
COMPUTING DEVICE.
AM1
CLASS 2 WIRING
USB
R
FAULT AUDIO TX
MIC +48V
MIC +48V
MIC +48V
MIC +48V
2
MIC +0V
MIC +0V
MIC +0V
MIC +0V
MADE IN
U.S.A. LOCATE AUDIO AUDIO RX
LINE
CHARGE
LINE
LINE
LINE
LINE
MIC
RANE CORP. USB COMM

POWER POWER
100-240V
50/60 Hz 10 WATTS ACN 001 345 482 RAD PORT
COMMERCIAL AUDIO
EQUIPMENT 24TJ
WITH PART 15 OF THE FCC
CLASS 2 WIRING
CASCADE
OUTPUT 8 7 6 5 MIC INPUTS 4 3 2 1
RULES FOR A CLASS 'B'
COMPUTING DEVICE.
AM2
IN
USB
R
FAULT
MIC +48V
MIC +48V
MIC +48V
MIC +48V
MIC +0V
MIC +0V
MIC +0V
MIC +0V
MADE IN
U.S.A. LOCATE DATA
LINE
LINE
LINE
LINE
LINE
MIC
OUT
RANE CORP. USB

POWER
100-240V
50/60 Hz 20 WATTS ACN 001 345 482 RAD PORT
The Rane HAL1 has four RAD ports: from 2x2 I/O to 64 inputs Add up to four EXP1 Expansion Units with Firewire daisy-
each. Eight Digital Remote Ports allow simple user control chain connection, providing eight more RAD ports each.
wherever it is needed. Connect lots more RADs, DRs, PAGER1s and AMs wherever
they are needed.
EXP1 Expansion Unit

This device complies with
REMOTE AUDIO DEVICES EXPANSION BUS REMOTE AUDIO DEVICES & DRS
Part 15 of the FCC Rules. 8 7 6 5 4 3 2 1
LINK
EXP1 Operation is subject to the
following two conditions: AUDIO RX 8 7 6 5 4 3 2 1
ACN 001 345 482 (1) this device may not
cause harmful interference, AUDIO TX
LOCATE and (2) this device must
accept any interference
POWER received, including COMM
MADE IN U.S.A.
interference that may cause
100-240 V RANE CORP. undesired operation. POWER
50/60 Hz 30 WATTS SHIELDED CAT 5e OR BETTER 24 VDC @ 100 mA
CLASS 2 WIRING
Visit rane.com/hal for more applications and product details.

3
HAL Remotes
Digital Remotes PAGER1 Paging Station
Three Digital Remotes simplify end user control and eliminate
This RAD has a mic preamp, paging zone(s) [Scenario] selector
installer brain fatigue. Use Digital Remotes for volume control,
and an integrated push-to-talk switch. Busy, Caution and Ready
preset recall, source selection, or resetting / toggling system
indicators notify end users when priorities clash. It sits on or can
states. All offer customizable backlit LCD screens for intuitive
fasten to a tabletop, and accepts any gooseneck microphone
end user labeling. Home run shielded CAT 5e connections to
(not included).
HAL1 or EXP1 eliminate addressing, external power, and the
In Halogen, Paging Station and PAGER1 input DSP blocks
need to test the cables. All three models fit in standard electrical
automatically connect input page sources to zones requiring
boxes and are available in white, ivory or black (Decora® plate
paging. Thus, wiring from all page sources through the Paging
included).
Manager to all page zones – including rooms that combine
– is automatic. The Paging Manager easily maps all page
sources to any combination of zones when using the Paging
Zone, Emergency Page, Zone Processor and Room Combine
DR1 Processor blocks.
Supports remote Level control.
DR1
DR2
Behaviors include:
• Single Selector. SCROLL SCROLL
• List of Toggles or
Commands. PUSH TO SELECT
DR2
PUSH TO SELECT
DR2
SCROLL SCROLL SCROLL
PUSH TO SELECT PUSH TO SELECT PUSH TO SELECT

DR3 DR3 DR3
DR3
Behaviors include:
• Single Level plus Selector.
• Single Level & List of Toggles/Commands.
• List of Levels for either multizone volume control or input
source mixing.
RADs RAD NETWORK

Data communications (COMM)
2 digital audio channels (Rx)
A family of RAD models perform remote A/D and D/A on CAT 5 SHIELDED CAT 5e
cable for HAL and Mongoose systems. Each converts analog CABLE CONTENTS 2 digital audio channels (Tx)
audio to or from 24-bit, 48 kHz digital audio. Shielded CAT 5e Power: 24 VDC & ground
cable and termination transport four digital audio channels –
two channels each direction – as well as power, ground and
a communications channel, with status indicators at each
RAD, HAL or Mongoose, and in Halogen or Mongoose Tracker
software. Light sensors dim the RAD indicators in dark rooms.
MICROPHONE MICROPHONE MICROPHONE MICROPHONE MICROPHONE MICROPHONE
Except for the RAD16, AM1 and AM2, all RADs mount in POWER
SIG / OL
COMM
SIG / OL
AUDIO RX AUDIO TX POWER

SIG / OL
COMM
SIG / OL
AUDIO RX AUDIO TX POWER

SIG / OL
COMM
SIG / OL
AUDIO RX AUDIO TX
standard US electrical gang boxes. These RADs are available in

RAD1 RAD1 RAD1
white, ivory, or black, including a matching Decora® plate cover.
4
RADs
RAD1 Dual XLR Mic RADX RAD Port

Inputs Extension (CAT 5 jack)
MICROPHONE MICROPHONE RAD PORT
SIG / OL SIG / OL
RAD1 RADX
RAD11 XLR Mic Input

RAD2 XLR Mic Input /
/ Mini & RCA Mono'ed
Mini & RCA Mono'ed
Line Input / Mini & RCA
MICROPHONE LINE INPUT MICROPHONE LINE INPUT LINE OUTPUT
Line Input
SIG / OL SIG / OL SIG / OL SIG / OL SIG / OL
POWER COMM AUDIO RX AUDIO TX POWER COMM AUDIO RX AUDIO TX
Stereo Line Output

RAD2 RAD11
RAD12 Dual XLR Mic

RAD3 Dual XLR Line
Inputs / Dual XLR Line
Inputs
LINE INPUT LINE INPUT MICROPHONE MICROPHONE LINE OUTPUT LINE OUTPUT
Outputs
SIG / OL SIG / OL SIG / OL SIG / OL SIG / OL SIG / OL
RAD3 RAD12
RAD14 XLR Mic Input

RAD4 Dual XLR Line / Mini & RCA Mono'ed
Outputs Line Input / Dual XLR
LINE OUTPUT LINE OUTPUT MICROPHONE LINE INPUT LINE OUTPUT LINE OUTPUT
Line Outputs
RAD4 RAD14
RAD15 Dual XLR Line

RAD5 AES3 Input /
Inputs / Dual XLR Line
AES3 Output
AES3 INPUT AES3 OUTPUT LINE INPUT LINE INPUT LINE OUTPUT LINE OUTPUT
Outputs
LOCK SIG / OL SIG / OL SIG / OL SIG / OL
RAD5 RAD15
Suitable RAD16 Dual Mic‑Line

for use
RAD6 Mini & RCA in air- Input / Dual Line
LINE INPUT LINE OUTPUT
Stereo Line Input / handling Output Euroblocks in a
spaces.
Stereo Line Output surface-mount plenum-
SIG / OL SIG / OL
RAD6
OUTPUTS INPUT 2 INPUT 1
rated metal box.

2 1 LINE MIC LINE MIC
RAD PORT + - + - + - + - + - + -
RAD18 XLR Mic Input

RAD7 XLR Mic Input /
/ 1/4" Balanced Line
XLR Line Input
MICROPHONE LINE INPUT MICROPHONE LINE INPUT
Input
RAD7 RAD18
RAD8 XLR Mic Input

RAD23 XLR Line Input
/ Mini & RCA Stereo
/ XLR Line Output
MICROPHONE LINE OUTPUT LINE INPUT LINE OUTPUT
Line Output
RAD8 RAD23
MIC INPUTS MIX PHONES

1 2 3 4 MIC MIX AUX 1 AUX 2 USB OUTPUT SOURCE
AUX 2
AUX 1 USB AM1
MICS OUTPUT AUTOMIXER
SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL LEVEL LOCATE POWER
RAD9 XLR Mic Input / 1 2 3 4

MIC INPUTS
5 6 7 8 OUTPUT
CASCADE
IN OUT
XLR Line Output

AUDIO TX
AUDIO RX
AM2
AUTOMIXER
MICROPHONE LINE OUTPUT
COMM
SIG / OL SIG / OL POWER
SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL SIG LEVEL OL RAD LOCATE POWER
RAD9
AM1 and AM2 Automixers include RAD ports.

Features are on the next page.
5
Automixers

WITH PART 15 OF THE FCC CASCADE IN
WIRELESS MIC
WIRELESS MIC
WIRELESS MIC
WIRELESS MIC
CHARGE
COMPUTING DEVICE.
AM1
24 VDC @ 100 mA
5 VDC @ 500 mA
ONLY
USB
FAULT USB AUDIO TX
MIC +48V
MIC +48V
MIC +48V
MIC +48V
MIC +0V
MIC +0V
MIC +0V
MIC +0V
MADE IN
U.S.A. LOCATE AUDIO AUDIO RX 2
LINE
MIC
RANE CORP. USB COMM
POWER POWER
100-240V ACN 001 345 482
50/60 Hz 13 WATTS RAD PORT CLASS 2 WIRING
AM1 Four-Channel Gain-Sharing Automixer

• Automixer with four gain-sharing XLR line/mic/phantom switchable Inputs, RCA and 3.5 mm Aux Line Inputs, USB audio Input.
• XLR mic/line switchable Mix Output, RCA Record Output, USB audio Output.
• Cue mics or any input with Headphones from 1/4" or 3.5 mm jacks.
• Add more gain-sharing mic/line inputs with up to seven Rane AM2 Automixers for a total of 60 gain-sharing mics.
• RAD Port connects to a Rane Mongoose or HAL system.

24 VDC @ 100 mA
CASCADE
WIRELESS MIC
WIRELESS MIC
WIRELESS MIC
WIRELESS MIC
COMPUTING DEVICE.
AM2
IN
FAULT USB
MIC +48V
MIC +48V
MIC +48V
MIC +48V
MIC +0V
MIC +0V
MIC +0V
MIC +0V
MADE IN
U.S.A. LOCATE DATA
LINE
MIC
OUT
RANE CORP. USB

POWER
100-240V ACN 001 345 482
AM2 Eight-Channel Gain-Sharing Cascadable Automixer

• Automixer with eight gain-sharing XLR line/mic/phantom switchable Inputs; XLR mic/line switchable Mix Output.
• Add more gain-sharing mic/line inputs with up to seven more AM2 Automixers for a total of 64 gain-sharing mics.
• RAD Port connects to a Rane Mongoose or HAL system (that's 64 gain-shared mics on one RAD port).
DVD Player
MP3
Player
MENU
Powered Wireless Receiver

Simultaneously record Speaker
to or playback from
your computer on USB.

WITH PART 15 OF THE FCC CASCADE IN
5 VDC @ 500 mA
CHARGE
COMPUTING DEVICE.
AM1
24 VDC @ 100 mA
ONLY
USB
FAULT USB AUDIO TX

MIC +48V
MIC +48V
MIC +48V
MIC +48V
2
MIC +0V
MIC +0V
MIC +0V
MIC +0V
MADE IN
U.S.A. LOCATE AUDIO AUDIO RX
LINE
LINE
LINE
LINE
LINE
MIC
RANE CORP. USB COMM

POWER POWER
100-240V ACN 001 345 482
AM1 Automixer
To (optional)
Rane Mongoose
or HAL System.

24 VDC @ 100 mA
CASCADE
COMPUTING DEVICE.
AM2
IN
FAULT USB
MIC +48V
MIC +48V
MIC +48V
MIC +48V
MIC +0V
MIC +0V
MIC +0V
MIC +0V
MADE IN
U.S.A. LOCATE DATA
LINE
LINE
LINE
LINE
LINE
MIC
OUT
RANE CORP. USB

POWER
100-240V ACN 001 345 482
AM2 Automixer
USB cable
Ethernet (shielded CAT 5)
Up to seven more AM2 Automixers All additional mics are gain-sharing Audio cable
6
Mongoose
REMOTE AUDIO DEVICES 1 2 3 4 5 6 7 8 CobraNet® ETHERNET
1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2
OVERLOAD MONGOOSE
Remote Audio
SIGNAL IN USE / CONDUCTOR COMM LOCATE CobraNet Interface
ENABLED LINK / ACTIVITY LINK POWER
IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT PRIMARY SECONDARY
MONGOOSE THIS DEVICE COMPLIES WITH ETHERNET REMOTE AUDIO DEVICES ETHERNET REMOTE AUDIO DEVICES
PART 15 OF THE FCC RULES FOR
MADE A CLASS 'B' COMPUTING DEVICE. 1 2 3 4 5 6 7 8 24 VDC @ 100 mA
IN
COMMERCIAL AUDIO
LOCATE LAN PRIMARY SECONDARY AUDIO RX PRIMARY SECONDARY 1 2 3 4 5 6 7 8
U.S.A. EQUIPMENT 24TJ IN USE /
CONDUCTOR AUDIO TX
RANE POWER LINK
CORP. R LINK / COMM
ACTIVITY
100-240 V POWER
50/60 Hz 40 WATTS ACN 001 345 482 CLASS 2 WIRING
Mongoose Remote Audio Interface
• 32 by 32 digital audio matrix router, supporting 32 digital audio channels from 8 RADs.
• Mongoose delivers digital audio between the equipment rack and remote spaces via shielded CAT 5 cable.
• A Remote Audio Device (RAD) provides analog to digital conversion at the wall (or floor box).
MICROPHONE LINE OUTPUT
SIG / OL SIG / OL
• Connect up to 8 RADs to a single Mongoose with shielded CAT 5 up to 150 meters (492 feet) away. POWER COMM AUDIO RX
RAD9
AUDIO TX
• Multiple Mongoose units can be networked to provide more channels.

• Use with, or without, CobraNet. Receive 2 and transmit 2 CobraNet Bundles.
• Supports DHCP, Zeroconf (Link-local & mDNS) & Auto MDI/MDIX.
See all the RAD
models on page 5.
The Mongoose’s 32-by-32 digital audio matrix router receives

its first 16 audio channels from up to eight RADs via the eight
rear panel 8P8C (RJ-45) Remote Audio Device ports. The
second 16 matrix input channels can come from two 8-channel
CobraNet receive (Rx) Bundles via standard CobraNet Primary
and Secondary/backup ports. The 32 matrix router outputs
transmit 16 channels to eight RADs and 16 more channels to
two CobraNet transmit (Tx) Bundles.
Mongoose Tracker setup software for PC is included. It allows
you to name each Mongoose, RAD and audio channel, then
print matching custom labels to insert above each jack. With
RADs connected, Zeroconf-based Discovery automatically finds
devices without IP setup or special IP knowledge.
One of the key configuration tasks is to set up the audio
routing for your Mongoose system. Simply click a crosspoint to
attach input to output, between RADs and CobraNet Channels.
You can send the signal to one or more of the following:
• Another RAD connected to the same Mongoose
• Another RAD connected to a different Mongoose
• Another CobraNet-enabled device (e.g., a DSP device).
In addition to configuring the Mongoose components and the
audio routing, the software is a valuable tool for troubleshooting
any issues that may arise. Although you can determine a lot
from the hardware status indicators, the software provides more
detail, allowing you to drill down and pinpoint the problem with
greater accuracy.
rane.com/mongoose
Mongoose Tracker requires a computer running Microsoft • Download Mongoose Tracker (free)
Windows® XP (Service Pack 2 or 3) or any version of Vista or 7 • Download Design and Installation Manuals
(including 64-bit) with an Ethernet port. • See System Examples
7
Drag Net Processors
INPUT 1 2 3 4 5 6 7 8 AES3 LOCK
A B
-4 -4
-12 -12 PRESET
-48 -48
OUTPUT
-4
1 2 3 4 5 6 7 8
A
AES3
B
-4
24 RPM 88
PROGRAMMABLE
MULTIPROCESSOR
-12 -12
-48 -48
Peak dBFS
VIP/VOP RW 485 ETHERNET STATUS POWER
OUTPUTS INPUTS
COMMERCIAL AUDIO
EQUIPMENT 24TJ RPM 88
MADE IN U.S.A.
RANE CORP. 8 7 6 5 4 3 2 1 8 7 6 5 4 3 2 1
R
+ – + – + – + – + – + – + – + – + – + – + – + – + – + – + – + –
ACN 001 345 482

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – + – + –
10Base-T AES3 OUT AES3 IN

REMOTE INTERFACE PORT VERSATILE OUTPUT PORT VERSATILE INPUT PORT This device complies with Part 15
FOR CONTINUED CLASS 2 WIRING of the FCC Rules. Operation is
GROUNDING (RW 485) OPEN COLLECTOR +12 VDC / 0-5V +5 VDC / subject to the following two
PROTECTION
+40 VDC / 100 mA MAX 100 mA MAX 100 mA
conditions: (1) this device may not
DO NOT REMOVE A B +V -V 1 2 3 4 5 6 7 8 +12 GND 1 2 3 4 5 6 7 8 REF GND cause harmful interference, and
SCREW DEFAULT LAN LINK (2) this device must accept any
interference received, including
100-240V interference that may cause
50/60 Hz 55 WATTS A B +V -V 1 2 3 4 5 6 7 8 +12 GND 1 2 3 4 5 6 7 8 REF GND undesired operation.
CLASS 2 WIRING
INPUT 1 2 3 4 AES3 LOCK

A B
-4 -4
-12 -12 PRESET
-48 -48
OUTPUT
-4
1 2 3 4
A
AES3
B
-4
24 RPM 44
PROGRAMMABLE
MULTIPROCESSOR
-12 -12
-48 -48
Peak dBFS
OUTPUTS INPUTS
COMMERCIAL AUDIO
MADE IN U.S.A.
RANE CORP. 4 3 2 1 4 3 2 1
R
ACN 001 345 482

+ – + – + – + – + – + – + – + –

PROTECTION conditions: (1) this device may not
CLASS 2 WIRING
INPUT 1 2 AES3 LOCK

A B
-4 -4
-12 -12 PRESET
-48 -48
OUTPUT
-4
1 2
A
AES3
B
-4
24 RPM 22
PROGRAMMABLE
MULTIPROCESSOR
-12 -12
-48 -48
Peak dBFS
OUTPUTS INPUTS
COMMERCIAL AUDIO
MADE IN U.S.A.
RANE CORP. 2 1 2 1
R
ACN 001 345 482

+ – + – + – + –

PROTECTION
conditions: (1) this device may not
CLASS 2 WIRING
RPM 88, RPM 44 & RPM 22 Drag Net Multiprocessors

• Studio-grade, -128 dBu EIN mic/line inputs. • Reconfigurable multi-zone Smart Remotes on RS-485 bus.
• 24 non-volatile user-configurable internal presets. • Logic I/O ports.; 10Base-T Ethernet control port.
• AES3 input/output includes sample rate conversion. • Add an ML 1 for an extra pair of mic / line inputs (see page 16).
8
Drag Net Processors
24
RPM 26z
PROGRAMMABLE
MULTIPROCESSOR
1 2 LOCK A B 1 2 3 4 5 6
INPUT AES3 OUTPUT PRESET VIP ETHERNET STATUS POWER
RPM 26z MADE IN U.S.A. COMMERCIAL AUDIO 10Base-T AES3 INPUT VERSATILE INPUT PORT OUTPUTS INPUTS
RANE CORP. EQUIPMENT 24TJ
0-5V +5V THIS DEVICE
R
100 mA 6 5 4 3 2 1 2 1 COMPLIES WITH PART
FOR CONTINUED 15 OF THE FCC RULES
GROUNDING FOR A CLASS 'B'
PROTECTION
1 2 3 4 5 6 7 8 REF GND + – + – + – + – + – + – + – + – COMPUTING DEVICE.
DO NOT
DEFAULT
LAN LINK
REMOVE
100-240V SCREW ACN 001 345 482
50/60 Hz 20 WATTS 1 2 3 4 5 6 7 8 REF GND + – + – + – + – + – + – + – + –
RPM 26z Drag Net Multiprocessor

• 2 balanced line-level analog Inputs, 6 balanced analog Outputs, AES3 stereo digital Input (total of 4 in x 6 out).
24
RPM 2m
PROGRAMMABLE
MULTIPROCESSOR
1 2 1 2 A B
INPUT OUTPUT AES3 PRESET VIP ETHERNET STATUS POWER
RPM 2m MADE IN U.S.A. COMMERCIAL AUDIO 10Base-T AES3 OUTPUT VERSATILE INPUT PORT OUTPUTS INPUTS
0-5V +5V
R
100 mA 2 1 2 1
FOR CONTINUED
GROUNDING
PROTECTION
1 2 3 4 5 6 7 8 REF GND + – + – + – + –
DO NOT
DEFAULT
LAN LINK
REMOVE
100-240V SCREW ACN 001 345 482
50/60 Hz 20 WATTS THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR A CLASS 'B' COMPUTING DEVICE. 1 2 3 4 5 6 7 8 REF GND + – + – + – + –
RPM 2m Drag Net Multiprocessor

• 2 balanced analog mic/line Inputs and line Outputs with AES3 digital Output (total of 2 in x 4 out).
24
RPM 2
PROGRAMMABLE
MULTIPROCESSOR
1 2 1 2
INPUT OUTPUT PRESET VIP ETHERNET STATUS POWER
RPM 2 MADE IN U.S.A. COMMERCIAL AUDIO 10Base-T VERSATILE INPUT PORT OUTPUTS INPUTS
0-5V +5V THIS DEVICE
R
100 mA 2 1 2 1 COMPLIES WITH PART
FOR CONTINUED 15 OF THE FCC RULES
GROUNDING FOR A CLASS 'B'
PROTECTION
1 2 3 4 5 6 7 8 REF GND + – + – + – + – COMPUTING DEVICE.
DO NOT
DEFAULT
LAN LINK
REMOVE
100-240V SCREW ACN 001 345 482
50/60 Hz 20 WATTS 1 2 3 4 5 6 7 8 REF GND + – + – + – + –
RPM 2 Drag Net Multiprocessor

• 2 balanced analog line-level Inputs and Outputs (no AES3 digital).
Remote Controls
Smart Remotes connect to RPM 88 / 44 / 22 (RS-485), install in standard U.S. electrical boxes behind Decora™ plates (not included).
SR 2 Smart SR 3 Smart SR 4 Smart
Remote Remote Remote
• Data encoder with • Data encoder with • Data encoder with
integrated push integrated push integrated push
switch. switch. switch.
• Two parameters: Level • Customizable backlit • Eight LED source
and 2nd-Level. liquid crystal display. selections.
MRS 4 Memory VR 2 Volume LRS 4 Level

Recall Remote Level Remote Recall Remote
• Radio-button 4-way • Remote pot-on-a-wall • Switches 4 preset
remote switch. level control. trimmed levels.
• Connects to any RPM • For CP series, MA 4 • For CP series, MA 4,
unit. or any RPM unit. DA 26S, any RPM unit.
(Use model VR 1 for
DA 26S.)
9
Drag Net
Fast Drag Net™ incorporates familiar Windows® file management tools and
shortcuts. Easily self-taught or factory trained over the internet in an hour.
Easy Drag Net offers the ultimate in signal processing flexibility, allowing you to
draw any system without signal flow restrictions.
Awesome Rane’s DSP algorithms are the best in the business, combining with RPM
hardware for the perfect system. Got one in mind? Drag it together yourself.
Download and test-drive Drag Net software free at rane.com/dragnet.
Inputs: Up to 8 mic/line plus Remotes: End-user Levels Outputs: Up to 8 balanced

AES3 digital (depending on and Presets can be assigned line outputs plus an AES3
the RPM model). Daisy-chain to Remotes, installed near digital output (depending
Delay with Temperature more with AES3 I/O. the source or inside the zone. on the RPM model).
Mic / Line Inputs

Rane RPM 88 Rane MA 4 multichannel amplifiers
10Base-T Ethernet
Limiter
Crossover: 2-Way or 3-Way
Stereo Side-Chain Compressor
Parametric Equalizer
Everything is visible on one screen • On-the-fly DSP resource meter • Instant Auto-Compile.
Clicking on any block brings up any of 18 dedicated detail blocks, some shown left and below.
Ambient Noise Compensator
Automatic Gain Control with Auto Mixer / Ducker with Feedback Suppression with Auto- Graphic Equalization at
presets for speech and 8 levels of priority and 4 setup. Accurately rejects feedback its finest, with Perfect-Q
music, or tweak your own. types of input thresholds. and not music. or Proportional-Q.
10
Paging Processors
CP66 MUSIC ON HOLD ZONE OUTPUTS 6 5 PROGRAM 4 3 2 1

RANE CORP. PRIORITY INPUT INPUTS
MADE IN U.S.A. OUTPUT LEVEL SOURCE ZONE 6 ZONE 5 ZONE 4 ZONE 3 ZONE 2 ZONE 1 RIGHT LEFT RIGHT LEFT L
This device complies + − 1 2 + − + − + − + − + − + − + − + − + − + −

with Part 15 of the FCC 3
Rules. Operation is 4 R
ACN 001 345 482 subject to the following 5
two conditions: (1) this 6
device may not cause Transformer
harmful interference, Isolated
and (2) this device LINK LINK LINK LINK LINK
must accept any
interference received,
including interference Front Panel Lock DIGITAL REMOTES PAGE 2 PAGE 1
that may cause FP Zone Control Only MASTER REMOTE REMOTE REMOTE REMOTE REMOTE REMOTE PAGER
undesired operation. AUDIO RX
Mute All Outputs REMOTE ZONE 6 ZONE 5 ZONE 4 ZONE 3 ZONE 2 ZONE 1 2 ZONE ENABLE INPUT LEVEL
USB AUDIO TX ASSIGN P1 + −
L1 L2 M1 M Z6 Z5 Z4 Z3 Z2 Z1
COMM COMM
POWER POWER
100-240 V 1 2 3 4 5 6
LINE MIC+24V
50/60 Hz 20 WATTS
Ground To Enable CLASS 2 WIRING SHIELDED CAT5e 24 VDC @ 50 mA 100 mA 123456 Ground To Enable MIC
CP66 Commercial Processor

• Six Program Inputs assignable to Six independent and linkable Zones; One gated Priority Input.
• Paging Inputs with Priority assign; Recommend the optional PAGER2 Smart Paging Station with Mic input.
• Independent 3-Band EQ, Limiter, Ducker depth, Filter Cutoff, Priority Enable and Page Level per Zone.
• Music-on-Hold Output (Transformer isolated); Front Panel lockout switch; Includes PC software for easy naming and setup.
• Optional Remote Controls connect via shielded CAT 5 cable (see below).
PAGER2 Paging Station DR1 Remote Level Control DR3 Selection & Level Control
Specific to the CP66, this The LCD display shows the name of the Zone The DR3 provides Level control with added
unit lets you decide which or Group that it is connected to, customizable Input Source selection. This lets you select
combination of the six Zones to in the CP66 Software to anything you like. the audio source for a room from within
Page into. The unit accepts any The Level value is also shown, and updated the room itself, or anywhere else you need
gooseneck mic (not included) dynamically when it is changed elsewhere, remote control. The DR3 can also be used as
and has selectable 24 V Phantom such as in a linked group with multiple the Master Remote for the CP66, displaying
Power. It normally sits on a desk Remotes connected. The display has a the Volume Level for all Zones and Groups
or table with lockdown capability. backlight for readability that turns on when and allowing you to change each of them
It connects to and is powered used, then dims after a short time period. dynamically from a single location. The
by the CP66 via shielded CAT 5 The DR1 may be installed in a standard DR3 may be installed in a standard 2-gang
cable up to 500 feet / 150 meters electrical box with a minimum depth of 2.25" electrical box with a minimum depth of 2.25"
in length. Labels for custom (5.7 cm). Connection to the CP66 is via (5.7 cm). Connection to the CP66 is via
Zone and Group names may shielded CAT 5 cable up to 1,000 ft / 300 m in shielded CAT 5 cable up to 1,000 ft / 300 m in
be inserted into the protective length. Available in white, ivory and black, the length. Available in white, ivory and black, the
faceplate. DR1 includes a matching Decora® plate cover. DR3 includes a matching Decora® plate cover.
SCROLL
PUSH TO SELECT
DR3
SCROLL
DR1
DR1
PUSH TO SELECT
DR1 DR3
SCROLL
PUSH TO SELECT
DR3
11
Paging Processors
CP 64S Z2 PGM Z2 LEVEL REMOTES OUTPUTS Z2 EXPAND Z2 MONO PROGRAM INPUTS REMOTE PAGE REMOTE 1 INPUT 1 PAGING INPUTS
PRIORITY ZONE ASSIGN WIRING
COMMERCIAL AUDIO WIRING LIMITER
100-240 V EQUIPMENT 24TJ ASSIGN
50/60 Hz 12 WATTS ZONE 1 ZONE 2 PAGE 2 PAGE 1
MIN MAX ZONE L L Z1 Z2 TRIM TRIM
Vr Vc +8 +8
off 1
R
ZONE 2 ZONE 1 2
EXPAND OUT EXPAND OUT +30 +60
–20 +20 –20 +20 R R OL +30 +60
1&2 PAGE 2 PAGE 1
THIS DEVICE COMPLIES WITH
ZONE PAGE ZONE PAGE DETECT THRESHOLD MIC LINE MIC LINE
Z1 PGM Z1 LEVEL 2 1 PGM Z1 EXPAND Z1 RIGHT Z1 LEFT PART 15 OF THE FCC RULES FOR PRIORITY 3 2 1 REMOTE 2 INPUT 2
RANE CORP. MADE IN U.S.A. ACN 001 345 482 D1 D0 Vr Vc PGM + – + – + – A CLASS 'B' COMPUTING DEVICE. Z2 Z1 + –
CP 64S Commercial Processor

• 4 Stereo line inputs with priority and adjustable page ducking depth. SCP2S EQ
• 4-level priority; 2 expand outputs can select page-only, program-only or zone. Security Cover
• 2 Mic/line page inputs independently assignable to 1 mono & 1 mono/stereo zone.
• Each Zone has independent 7-band EQ; Optional EQ-only security cover (SCP2S).
• Optional Remotes: for page assign (PR 2); for source selection & volume (ZR 1)
PR 2 ZR 1
Paging Zone
Remote Remote
CP 52S ZONE REMOTE ZONE OUTPUT EXPAND OUTPUT THIS DEVICE COMPLIES WITH
PROGRAM INPUTS PAGING INPUT
COMMERCIAL AUDIO
EQUIPMENT 24TJ PART 15 OF THE FCC RULES FOR
100-240 V A CLASS 'B' COMPUTING DEVICE.
50/60 Hz 12 WATTS L L
PROGRAM LEVEL RIGHT LEFT EXPAND LEVEL RELEASE DETECT PAGE LEVEL LOW / HIGH MIC INPUT
R
MIN MAX THRESHOLD TRACKS CUT PHANTOM
D1 D0 Vr Vc + – + – MONO + – SOURCE ZONE LEVEL FILTER POWER + –
5 20 R R
SEC OFF ON OUT IN OFF ON
ZONE PAGE OFF ON 100 Hz / 7 kHz +15V
ACN 001 PRIORITY 3 2 1
RANE CORP. MADE IN U.S.A. 345 482 D1 D0 Vr Vc + – + – + – PROGRAM + –
CP 52S Commercial Processor

• Mic/line page input assignable to 1 stereo (with mono switch) zone with 7-band EQ. SCP1S EQ
• 4 Stereo line inputs with priority and adjustable page ducking depth. Security Cover
• 3-level priority; Expand output selectable as page-only, program-only or zone.
• Optional Remote: for source selection & volume (ZR 1); Optional EQ-only security cover (SCP1S). ZR 1 Zone
Remote
All Remotes fit in standard US electrical boxes, and may be finished with a Decora™ plate cover (not included).
PRIORITY AGC CROSSOVER OUTPUTS

TARGET
GAIN DETECT DUCKER LEVEL RATIO FREQUENCY 1 2 3 4 5 6
DA 26S
DISTRIBUTION
PROCESSOR
GAIN -12 +12 -12 +12 -12 +12 -12 +12 -12 +12 -12 +12
MIN MAX ON +4 -80 0 -12 +12 1:1 :1
dBu dB dBu
OL ACTIVE SLOW FAST -12 -6 -3 0 3 6 12 80 110 150 200 FULL HIGH LOW FULL HIGH LOW FULL HIGH LOW FULL HIGH LOW FULL HIGH LOW FULL HIGH LOW POWER
DA 26S THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR A CLASS 'B' COMPUTING DEVICE.
COMMERCIAL AUDIO
100-240 V
50/60 Hz 7 WATTS
EQUIPMENT 24TJ 6 5 4 3 2 1 LINE PRIORITY PRIORITY
RMT OUT RMT OUT RMT OUT RMT OUT RMT OUT RMT OUT INPUT ASSIGN INPUT
R
Vr Vc + − Vr Vc + − Vr Vc + − Vr Vc + − Vr Vc + − Vr Vc + − + − Z1 Z2 Z3 Z4 Z5 Z6 ALL + −
LINE
MIC
MADE IN U.S.A. RANE CORP. ACN 001 345 482 Vr Vc + − Vr Vc + − Vr Vc + − Vr Vc + − Vr Vc + − Vr Vc + − + − Z1 Z2 Z3 Z4 Z5 Z6 ALL + −
DA 26S Distribution Processor with Paging

• Balanced line input, Priority mic/line paging input with adjustable Gating and Ducking.
• 6 outputs with automatic gain control; 24 dB Crossover assignable to any output. LRS 4
• Balanced Euroblock connectors for audio and remote connections. Level VR 1
• Optional Remotes: for volume presets (LRS 4) or volume control (VR 1). Recall Volume
Switch Remote
12
Distribution Amplifier
DA216S 16 + - + - 15 12 + - + - 11 8 + - + - 7 4 + - + - 3 INPUT INPUT INPUT INPUT

COMMERCIAL AUDIO RANE CORP. MADE IN U.S.A. B A PAD
B GAIN PAD
A GAIN
100-240 V EQUIPMENT 24TJ
60 60
50/60 Hz 7 WATTS This device complies with Part 15 of MIC 40 MIC 40 MIC
the FCC Rules. Operation is subject
R LINE 20 LINE 20 PHANTOM
to the following two conditions: + - + - 0 0 POWER
(1) this device may not cause
harmful interference, and (2) this dB dB 15V
device must accept any interference
received, including interference that
may cause undesired operation.
ACN 001 345 482 14 + - + - 13 10 + - + - 9 6 + - + - 5 2 + - + - 1 + - + - ALL AUDIO JACKS ARE CLASS 2 WIRING
DA216S Distribution Amplifier

• 2 balanced mic/line inputs, 16 balanced outputs individually assignable to A, B, or both.
• Broad gain range with mic or line inputs.
• Switchable 15V phantom power works with most common condenser mics.
• Balanced Euroblock connectors; Internal universal power supply (100-240 VAC).
Stereo Line Mixers
SM26S COMMERCIAL AUDIO

EQUIPMENT 24TJ
LEFT THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR A CLASS 'B' COMPUTING DEVICE. LEFT ALL INPUTS AND OUTPUTS ARE BALANCED: TIP = POS(+), RING = NEG(–), SLEEVE = CHASSIS GROUND
100-240 V
50/60 Hz 7 WATTS R
6 5 4 3 2 1 6 5 4 3 2 1
RIGHT RIGHT
ACN 001 345 482

RANE CORP. MADE IN U.S.A. MIX OUTPUT MONO OUTPUTS EXPAND OUT MASTER IN MONO INPUTS
SM26S Line Splitter / Mixer

• Combination 6 x 2 line mixer, 2 x 6 line splitter, or 6 x 6 line driver.
• Capable of 4-pair stereo line splitting or mixing.
• Mix, pan and level controls with 12 dB gain for level matching.
• Balanced 1/4" TRS connectors; Internal universal power supply (100-240 VAC).
SM 82S COMMERCIAL AUDIO

EQUIPMENT 24TJ
LEFT RANE CORP. MADE IN U.S.A. LEFT LEFT LEFT LEFT LEFT LEFT LEFT LEFT ALL INPUTS ARE UNBALANCED
MAIN (MONO) (MONO) (MONO) (MONO) (MONO) (MONO) (MONO) (MONO)
100-240 V EXPAND MAIN LOOP
50/60 Hz 7 WATTS R
OUTPUT OUTPUT LOOP RETURN LOOP SEND EXPAND EXPAND
BALANCED UNBALANCED UNBALANCED UNBALANCED 8 7 6 5 4 3 2 1 INPUT INPUT
RIGHT RIGHT RIGHT RIGHT RIGHT RIGHT RIGHT RIGHT RIGHT

ACN 001 345 482 TIP=L, RING=R LEFT (MONO) RIGHT LEFT (MONO) RIGHT TIP=L, RING=R
SM 82S Stereo Line Mixer

• 8 stereo (16 mono) line inputs in a single rack space. Can accept up to 10 stereo inputs using Expand In and Effects Return.
• Level, stereo balance (mono pan) and stereo send controls for each input.
• Stereo expand in and out to additional mixers, stereo effects loop with return level and balance controls.
• Unbalanced 1/4" TS inputs, balanced 1/4" TRS outputs. Internal universal power supply (100-240 VAC).
13
Mic / Line Mixers
MLM 42S COMMERCIAL OUTPUT EFFECTS INPUTS

MADE IN U.S.A. RANE CORP. AUDIO
100-240 V
EQUIPMENT THIS DEVICE
COMPLIES WITH
4 3 2 1
24TJ A
50/60 Hz 7 WATTS PART 15 OF THE
FCC RULES FOR RETURN SEND GAIN GAIN GAIN GAIN
R A CLASS 'B'
COMPUTING
DEVICE.
B ON ON ON ON
BALANCED PHANTOM BALANCED PHANTOM BALANCED PHANTOM BALANCED PHANTOM
BALANCED LINE MIC UNBALANCED UNBALANCED LINE OR MIC POWER LINE OR MIC POWER LINE OR MIC POWER LINE OR MIC POWER
ACN 001 345 482
MLM 42S Mic / Line Mixer

• 4 inputs with automatic recognition of mic or line level signals
• 3-band Accelerated Slope™ (off to +6 dB) tone controls, gain trims and selectable phantom power on each input.
• Post-mix 1/4" Effects loop with Wet/Dry pan control.
• RCA unbalanced outputs; XLR and TRS balanced outputs are mic or line level selectable; Internal universal power supply.
MLM 65
MADE IN U.S.A.
RANE CORP.
MIC 6 MIC 5 MIC 4 MIC 3 MIC 2 MIC 1
GAIN GAIN GAIN GAIN GAIN GAIN

PHANTOM MIC PHANTOM MIC PHANTOM MIC PHANTOM MIC PHANTOM MIC PHANTOM MIC
POWER POWER POWER POWER POWER POWER
OL 12V LINE OL 12V LINE OL 12V LINE OL 12V LINE OL 12V LINE OL 12V LINE
This device complies with Part 15 of the FCC Rules. Operation is WARNING AVIS PIN 2: POSITIVE
subject to the following two conditions: (1) this device may not cause To reduce the risk of fire or electrical shock do not expose this Risque de choc electique — Ne pas ouvrir PIN 3: NEGATIVE
ACN 001 345 482 harmful interference, and (2) this device must accept any interference equipment to rain or moisture. Do not remove cover. No user PIN 1: CHASSIS GND
received, including interference that may cause undesired operation. serviceable parts inside. Refer servicing to qualified personnel.
DIGITAL OUTPUTS MAIN OUTPUT RECORD OUT AUX 5 IN AUX 4 IN AUX 3 IN AUX 2 IN AUX 1 IN
5 VDC
RIGHT LEFT @500 mA
USB
USB AUDIO S/PDIF TOSLINK LINE CHARGE
IN / OUT 0 0 0 0 0 ONLY
PHONO
MONO
–12 0 –12 +12 –12 +12 –12 +12 –12 +12 –12 +12
100-240 V
50/60 Hz 15 WATTS CLASS 2 WIRING
MLM 65 Mic / Line Mixer

• 6 studio-grade mic or line-level preamplifiers with phantom power and gain trim in an easy-to-operate design.
• 5 switchable stereo line-level inputs, one with a switchable phono preamp, one with a 3.5 mm jack and USB power for portables.
• USB stereo audio input for computer playback, with simultaneous USB stereo audio output for recording to a computer.
• Cue any Input or the Main output to Headphones with either a 1/4" or 3.5 mm headphone jack.
• Outputs include balanced XLR with a mono switch, unbalanced RCA, USB audio, S/PDIF and TOSLINK.
The AM1 and AM2 Automixers also mix mic and line inputs in expandable configurations. See them on page 6.
14
Mic / Line Mixers
MLM 82S COMMERCIAL BALANCED: PIN 3 = (–), PIN 2 = (+), PIN 1 = (G) A A A A
AUDIO
MADE IN U.S.A. RANE CORP.
100-240 V
EQUIPMENT B A
24TJ
50/60 Hz 7 WATTS THIS DEVICE 8 7 6 5 4 3 2 1 15V
COMPLIES WITH PHANTOM
R
PART 15 OF THE LINE LINE LINE LINE POWER
FCC RULES FOR B B B B
A CLASS 'B'
COMPUTING
DEVICE.
ACN 001 345 482

OUTPUTS LINE INPUTS MIC / LINE INPUTS
MLM 82S Mic / Line Mixer

• 8 inputs, 2 outputs – 4 balanced mic/line inputs, 4 balanced/unbalanced stereo or mono line inputs.
• Mic inputs have switchable phantom power, mic/line level, and output assignable.
• Outputs individually switchable to mic-level, line-level, stereo or mono.
• Balanced XLR mic/line inputs, 1/4" TRS line stereo/mono inputs, XLR outputs. Internal universal power supply (100-240 VAC).
MLM 103 WARNING AVIS

TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK DO RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MADE IN U.S.A.
RANE CORP. ACN 001 345 482 NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO
NOT REMOVE COVER. NO USER SERVICEABLE PARTS
INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
STEREO LINE INPUTS MIC/LINE INPUTS
10 9 8 7 6 5 4 3 2 1
PHANTOM PHANTOM PHANTOM
+ – + – + – + – POWER + – + – POWER + – + – POWER + – + –
TRIM TRIM TRIM TRIM TRIM TRIM

LINE 0-12 dB LINE 0-12 dB LINE 0-12 dB LINE 0-12 dB LINE 0-12 dB LINE 0-12 dB
+ – + – + – + – MIC 15-60 dB + – + – MIC 15-60 dB MIC 15-60 dB + – + – MIC 15-60 dB MIC 15-60 dB + – + – MIC 15-60 dB
ALL AUDIO IS CLASS 2 WIRING

OUTPUTS DIRECT OUTPUTS
100-240 V
50/60 Hz 20 WATTS
AUX B A 6 5 4 3 2 1
PRE MIX PRE MIX PRE MIX PRE MIX PRE MIX PRE MIX
+ – + – + – LEVEL + – + – LEVEL LEVEL + – + – LEVEL LEVEL + – + – LEVEL
+ – + – + – + – + – + – + – + – + –
MLM 103 Mic / Line Mixer

• 6 studio-grade mic or line-level preamplifiers with phantom power.
• 2 additional stereo line-level inputs with mono switches.
• All inputs have 3 assignable outs; Mic inputs have direct outs with pre/post switches.
• Euroblock inputs and outputs; Internal universal power supply (100-240 VAC); Includes security cover (below).
Includes security cover for Input EQ and Assign switches
15
Mic Preamplifiers
ML 1
MIC / LINE
1 2 1 2
PREAMP
SIGNAL OVERLOAD POWER
ML 1 COMMERCIAL AUDIO
EQUIPMENT 24TJ DIGITAL OUTPUTS 2 OUTPUTS 1 2 INPUTS 1
100-240 V AES3 S/PDIF WITH PART 15 OF THE
50/60 Hz 7 WATTS R
2 1 2 GAIN 1 2 1 FCC RULES FOR A CLASS
'B' COMPUTING DEVICE.
+ - + - + - + -
2 1
48V
MIC LINE MIC LINE
PHANTOM
RANE CORP. MADE IN U.S.A. ACN 001 345 482 COAXIAL OPTICAL OVERLOAD + - + - SIGNAL + - + - SIGNAL POWER
ML 1 Mic / Line Preamp

• Two separate mic / line inputs; Balanced analog outputs on XLR and Euroblocks; AES3, S/PDIF coaxial and optical digital outputs.
• Rear panel gain trims with included security cover; Extremely low noise; Internal universal power supply (100-240 VAC).
NM 1 Network Mic Preamp

• Microphone Preamp with 48V phantom power puts audio over CobraNet.
• Power Over Ethernet (PoE); 1.7"H x 7.2"W x 4.9"D box.
• SNMP software-controlled preamp gain. Audio power amplifier for loudspeaker.
• Switch / LED interface. Selectable address.
• Connectors L to R: CobraNet Primary; Activity/Conductor LEDs; CobraNet Secondary; Switches/Lights; Speaker Output; Mic Input.
MS 1S Microphone Preamp
• Ultra low-noise, low distortion preamp with a variable Gain control.
• 48 volt Phantom Power switch; Phase Polarity switch.
• Balanced XLR input and output; Internal universal power supply (100-240 VAC)..
16
Dynamic Control
C4 Quad Compressor / Limiter / Dynamic EQ

• Independent Compressor, Dynamic EQ and Limiter per channel; Auto mode for fast setup of Attack and Release.
• External side-chain includes a parametric EQ with Compress, Dynamic EQ and Listen modes.
• Independent Metering: Side-chain level, Threshold indicator, Gain reduction & Limiter headroom.
The G4 has the same rear panel connections and appearance as the C4.
G4 Quad Gate / Ducker / Expander

• Independent Quad Gate / Expander / Ducker with look-ahead peak detector; Expand mode uses rms detection.
• Side chain switch selects external input or internal High & Low Cut Filters; Side-chain metering.
• DSP with familiar analog controls; Balanced 1/4” TRS & XLR connectors.
DC 22S WIRING OUTPUT INPUT OUTPUT INPUT

MADE IN U.S.A. 3-PIN XLR:
COMMERCIAL AUDIO
EQUIPMENT 24TJ RANE CORP.
• PIN 2 = (+), • PIN 3 = (–), 2 2 This device complies with Part
15 of the FCC Rules. Operation
1 1
• PIN 1 = CHASSIS (SHIELD)
is subject to the following two
1/4" PHONE, BALANCED: -10 dBV conditions: (1) this device may -10 dBV
R
• TIP = (+), • RING = (–), not cause harmful interference,
+4 dBu +4 dBu
• SLEEVE = CHASSIS (SHIELD) and (2) this device must accept
ACN 001 345 482 any interference received,
including interference that may
1/4" PHONE, UNBALANCED:
100-240 V cause undesired operation.
• SEE THE RANENOTE: SOUND
50/60 Hz 7 WATTS SYSTEM INTERCONNECTION BALANCED BAL/UNBAL BALANCED BAL/UNBAL BALANCED BAL/UNBAL BALANCED BAL/UNBAL
DC 22S Stereo Gate / Compressor

• Two independent gates and compressors with output level controls; Gate acts as a downward expander, so quiet parts get quieter.
• True master/slave operation in Link mode for stereo program compression without image shifts.
• Balanced 1/4” TRS & XLR connectors; Internal universal power supply (100-240 VAC).
17
Graphic Equalizers
100-240 V
50/60 Hz 7 WATTS
ME 15S CHANNEL 2 WIRING This device complies with Part 15 of CHANNEL 1
MADE IN U.S.A. the FCC Rules. Operation is subject
COMMERCIAL AUDIO
RANE CORP. OUTPUT INPUT TIP / PIN 2 = POSITIVE to the following two conditions: OUTPUT INPUT
EQUIPMENT 24TJ RING / PIN 3 = NEGATIVE (1) this device may not cause
SLEEVE = SIGNAL GROUND harmful interference, and (2) this
R
PIN 1 = CHASSIS GROUND device must accept any interference
ACN 001 345 482 ALL AUDIO IS CLASS 2 WIRING may cause undesired operation.
ME15S Stereo 2/3-Octave microGraphic Equalizer

• Proven constant-Q filters for precise feedback control and reduced interaction.
• ±6 or ±12 dB boost/cut range switchable; 20 mm sliders with grounded center detents and dust dams.
• Input level controls; Overload indicators; Bypass switches.
• Balanced XLR and 1/4" TRS connectors; Internal universal power supply (100-240 VAC).
100-240 V
50/60 Hz 7 WATTS This device complies with Part 15 of ME 30S WIRING OUTPUT INPUT
the FCC Rules. Operation is subject MADE IN U.S.A.
COMMERCIAL AUDIO TIP / PIN 2 = POSITIVE CLASS 2 WIRING
to the following two conditions: RANE CORP.
EQUIPMENT 24TJ RING / PIN 3 = NEGATIVE
(1) this device may not cause
harmful interference, and (2) this SLEEVE = SIGNAL GROUND
R device must accept any interference PIN 1 = CHASSIS GROUND
may cause undesired operation. ACN 001 345 482
ME30S Mono 1/3-Octave microGraphic Equalizer

• Proven constant-Q filters for precise feedback control and reduced interaction.
• Input level control; Overload indicator; Bypass switch.
ME60S CHANNEL 1
MADE IN U.S.A.
RANE CORP. COMMERCIAL AUDIO OUTPUT INPUT
EQUIPMENT 24TJ
R
This device complies with Part 15 of WIRING
the FCC Rules. Operation is subject TIP / PIN 2 = POSITIVE
to the following two conditions: RING / PIN 3 = NEGATIVE
(1) this device may not cause SLEEVE = SIGNAL GROUND
harmful interference, and (2) this PIN 1 = CHASSIS GROUND
device must accept any interference
100-240 V
may cause undesired operation.
ALL AUDIO IS CHANNEL 2
50/60 Hz 12 WATTS ACN 001 345 482 CLASS 2 WIRING
OUTPUT INPUT
ME60S Stereo 1/3-Octave microGraphic Equalizer

• 2 channels x 30 bands of constant-Q filters; Sweepable high-cut and low-cut filters.
• Input level controls; Overload indicators; Bypass switches.
18
Graphic Equalizers
OUTPUT B OUTPUT A INPUT B INPUT A WIRING

TIP / PIN 2 = POSITIVE
RING / PIN 3 = NEGATIVE
DEQ 60L SLEEVE = SIGNAL GROUND
MADE IN U.S.A. PIN 1 = CHASSIS GROUND
RANE CORP.
+ - + - + - + -
ACN 001 345 482

+ - + - + - + -
U.S. PATENT 7,266,205
FOR CONTINUED COMMERCIAL AUDIO

GROUNDING EQUIPMENT 24TJ
PROTECTION
DO NOT REMOVE
SCREW BYPASS R
This device complies with Part 15 of the FCC Rules. Operation is
ALL FILTERS
harmful interference, and (2) this device must accept any interference
100-240V
received, including interference that may cause undesired operation.
50/60 Hz 20 WATTS
DEQ 60L Stereo 1/3-Octave Graphic Equalizer

• 2 x 30 bands of switchable Perfect-Q (no filter interaction, true WYSIWYG) or Proportional-Q (broad adjustment) digital filters.
• 45 mm sliders with switchable ±6 or ±12 dB boost/cut range each channel; Switchable high-resolution -12 dB Cut-Only mode.
• Input and Output Level controls; Input and Output meters; Channel Bypass switches.
• Sweepable high-cut and low-cut filters; Separate Accelerated-Slope™ Low / Mid / High full-cut Tone controls.
• A/B curve comparison switches provide stereo linking with two memories; Balanced XLR, TRS and Euroblock connectors.
• Read the RaneNote “Perfect-Q™, the Next Step in Graphic EQ Design” at rane.com.
Delay
AD 22S FRONT PANEL CH 2 REMOTE CH 1 REMOTE CH 2 OUTPUT CH 2 INPUT CH 1 OUTPUT CH 1 INPUT

COMMERCIAL AUDIO This device complies with
EQUIPMENT 24TJ MADE IN U.S.A. Part 15 of the FCC Rules. CONTROL LOCKS
RANE CORP. Operation is subject to the B B R B R CH REMOTE WIRING
D Y Y E Y E
following two conditions: E P P C P C
R (1) this device may not L A A A A A
cause harmful interference, USB A S S L S L
and (2) this device must Y S S L S L
accept any interference
ACN 001 345 482 received, including OPEN RECALLS “A”
interference that may CLOSED RECALLS “B” PIN 2: POSITIVE
100-240 V cause undesired operation. PIN 3: NEGATIVE
50/60 Hz 7 WATTS CLOSED = BYPASS CH PIN 1: CHASSIS GND
AD 22S Dual Channel Audio Delay for Distance or Video

• Distance Mode: 2 to 999.99 ms delay range, converts between milliseconds / feet / meters with temperature compensation.
• Video Mode: up to 1 second delay in .5 frame increments in frames or milliseconds in all NTSC and PAL / SECAM frame rates.
• 2 memories; Remote contact closure memory recall with switchable front panel lockout; Fail-safe bypass for each channel.
19
Crossovers
HIGH OUT LOW OUT CH 2 IN STEREO 2-WAY HIGH OUT LOW OUT CH 1 IN
AC 22S
100-240 V COMMERCIAL AUDIO MADE IN U.S.A. This device complies with Part
50/60 Hz 7 WATTS EQUIPMENT 24TJ
RANE CORP. SUBWOOFER SWITCH MUST PIN 2: POSITIVE
15 of the FCC Rules. Operation
is subject to the following two
BE SET TO 2- CHANNEL PIN 3: NEGATIVE
FOR MONO 3-WAY PIN 1: CHASSIS GND conditions: (1) this device may
R
not cause harmful interference,
and (2) this device must accept
MODE SUBWOOFER any interference received,
ACN 001 345 482 2-CHANNEL MONO SUB including interference that may
MONO SUB: OMIT MONO SUB OUT MONO cause undesired operation.
HIGH OUT MID OUT OMIT MONO MONO 3-WAY OMIT MONO LOW OUT 3-WAY IN
AC 22S Active Crossover

• Stereo 2-way or Mono 3-way configurable; Master input level and individual driver output level controls with mute switches.
• 24 dB per octave Linkwitz-Riley filters with adjustable driver alignment delays guarantee in-phase outputs.
• Balanced XLR connectors; Internal universal power supply (100-240 VAC).
AC 23S PIN 2: POSITIVE HIGH OUT 3W: MID OUT 3W: LOW OUT CHANNEL 2 IN STEREO 3W / 2W HIGH OUT 3W: MID OUT 3W: LOW OUT CHANNEL 1 IN
COMMERCIAL AUDIO MADE IN U.S.A. PIN 3: NEGATIVE 2W: LOW 2W: OMIT 2W: LOW 2W: OMIT
100-240 V
50/60 Hz 7 WATTS EQUIPMENT 24TJ RANE CORP. PIN 1: CHASSIS GND SET TO
5W
R
ACN 001 345 482 CHANNEL 2 STEREO CHANNEL 1

STEREO MONO STEREO
This device complies with Part 15 of the FCC Rules. Operation is 3W 2W 4W 5W 3W 2W
harmful interference, and (2) this device must accept any interference 4W: OMIT
received, including interference that may cause undesired operation. HIGH OUT 5W: HIGH MID OUT LOW OUT MONO: OMIT MONO: SET SWITCHES AS SHOWN MONO: OMIT MID OUT SUB OUT MONO 4W / 5W IN
AC 23S Active Crossover

• Stereo 2-way or 3-way or mono 4-way or 5-way configurable; Master input level; Driver output level controls with mute switches.
• 24 dB per octave Linkwitz-Riley filters with adjustable driver alignment delays guarantee in-phase outputs.
• Balanced XLR connectors; Internal universal power supply (100-240 VAC).
Headphone Amplifier
100-240 V COMMERCIAL AUDIO MASTER 6 5 4 3 2 1 HC6S

50/60 Hz 12 WATTS EQUIPMENT 24TJ INPUTS MADE IN U.S.A.
RIGHT LEFT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT RANE CORP.
R
BALANCED
TIP = POSITIVE (+), RING = NEGATIVE (–), UNBALANCED LINE INPUTS: TIP = LEFT, RING = RIGHT, SLEEVE = GROUND This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause
SLEEVE = SHIELD ALL AUDIO JACKS ARE CLASS 2 WIRING harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. ACN 001 345 482
HC6S Six Channel Headphone Console

• Six stereo amplifiers with both master and individual level controls.
• Each stage can be driven from the master stereo input or individual channel inputs.
• Drives stereo 1/4" headphone outputs on both front and rear panels.
• Balanced 1/4" TRS inputs; Internal universal power supply (100-240 VAC)
20
Isolation & Balancing Transformers
1 3 5 7
1 2
+4 dBu -10 dBV -10 dBV
3 4
+4 dBu
BB 44X
MADE IN U.S.A.
RANE CORP.
5 6
+4 dBu -10 dBV -10 dBV
7 8
+4 dBu
INPUTS OUT IN OUTPUTS INPUTS OUT IN OUTPUTS
BALANCED WIRING:
PIN 2 = POSITIVE
PIN 3 = NEGATIVE
2 4 ACN 001 345 482
6 8
PIN 1 = CHASSIS GROUND BALANCED UNBALANCED BALANCED BALANCED UNBALANCED BALANCED
BB 44X Balance Buddy

• 2 channels: +4 dBu balanced to -10 dBV unbalanced (XLR to RCA).
• 2 channels: -10 dBV unbalanced to +4 dBu balanced (RCA to XLR).
• No front panel controls; Nickel-core transformers; Expandable to 8 channels with Option 88 Accessory (above).
BB 22 Balance Buddy
• 2 channels: -10 dBV (RCA) to +4 dBu (XLR) conversion.
• Nickel core transformers; No power supply required.
• Wide bandwidth; Low distortion.
LT 22 Line Transformers
• 2 channels 1:1; Balanced Euroblock connectors.
• Nickel core transformers; No power supply required.
• Wide bandwidth; Low distortion.
21
Multichannel Amplifiers
MA 3 WARNING OUTPUT POWER

MADE IN U.S.A. TO REDUCE THE RISK OF FIRE OR ELECTRICAL PER CHANNEL
RANE CORP. SHOCK DO NOT EXPOSE THIS EQUIPMENT TO 40 WATTS / 8Ω
RAIN OR MOISTURE. DO NOT REMOVE COVER. NO 60 WATTS / 4Ω
USER SERVICEABLE PARTS INSIDE. REFER
ACN 001 345 482
SERVICING TO QUALIFIED PERSONNEL. OUTPUTS INPUTS
AVIS
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
CH 3 CH 2 CH 1 CHANNEL 3 CHANNEL 2 CHANNEL 1
12-18 AWG — USE CLASS 2 WIRING
COMMERCIAL AUDIO
EQUIPMENT 24TJ + - + - + - + - + - + -
R 0 10 0 10 0 10
120 V
50/60 Hz 360 WATTS + - + - + - + - LEVEL + - LEVEL + - LEVEL
MA 3 Multichannel Amplifier
• 3 independent channels @ 40 W rms into 8Ω; 60 W rms into 4Ω, 20 Hz-20 kHz all channels, all day.
• Dynamic limiters handle 20 dB of overdrive; 80 Hz high-pass filter selection; Sealed heat tunnel forced-air cooling.
• Balanced Euroblock inputs; Euroblock speaker connectors handle up to 12 gauge wire.
• Optional distribution transformers: 40 W 70.7 V (model TF 407) or 40 W 100 V (model TF 410) mount on MT 6 rack panel (2U).
MADE IN U.S.A. MA 4 COMMERCIAL AUDIO OUTPUTS MODE INPUTS

RANE CORP. EQUIPMENT 24TJ Class 2 Wiring HIGH-PASS
INT EXT INT EXT INT EXT INT EXT FAULT 20Hz REMOTE LEVEL 4 3 2 1
4 3 2 1 40Hz
FLAG 60Hz 4 3 2 1 SENSITIVITY SENSITIVITY SENSITIVITY SENSITIVITY
R
LOAD LOAD LOAD LOAD 80Hz
ACN 001
Active Low MASTER COMP Use Rane VR 2 or 20 kΩ pot 13 13 13 13
345 482 + – + – + – + – + – + – + – + – 4 3 2 1 SLAVE ON Vr Vc Vr Vc Vr Vc Vr Vc + – + – + – + –
ON ON
22 4 22 4 22 4 22 4
FOR CONTINUED GROUNDING 1 2 3 4 1 2 3 4
dBu dBu dBu dBu
100-240V PROTECTION DO NOT REMOVE
50/60 Hz 500 WATTS THIS SCREW. + – + – + – + – + – + – + – + – 4 3 2 1 1 2 3 4 EXP ON Vr Vc Vr Vc Vr Vc Vr Vc + – + – + – + –
MA 4 Multichannel Amplifier
• 4 independent channels @ 100 W rms into 8 or 4 Ω, with built-in load monitoring, in just one rack space.
• Universal voltage, power-factor-corrected power supply with low inrush current.
VR 2
• Advanced dynamics control adjusts for sensitivity setting, temperature & load Z.
• Remote fault reporting & redundancy switching; Adjustable high-pass filters; Optional remote level controls. →
Volume
Remote
MT 4
MULTICHANNEL
TRANSFORMER
MT 4 4 3 2 1
MADE IN U.S.A.
RANE CORP. IN OUT IN OUT IN OUT IN OUT
+ – 100V 70V COM + – 100V 70V COM + – 100V 70V COM + – 100V 70V COM
+ – 100V 70V COM + – 100V 70V COM + – 100V 70V COM + – 100V 70V COM
IN OUT IN OUT IN OUT IN OUT
MT 4 Multichannel Transformer
• 4-channel 70.7/100 volt transformers for the MA 4 in a 1U rack chassis.
• Input 8Ω, 100 watts; Euroblock strain-relief connectors; Frequency response 40 Hz to 20 kHz +0, -1 dB
• Separate mounting tray and individual transformers available: KT 4 rackmount tray only; TF 4 individual transformers
22
Club DJ Mixers
MP 2016S Rotary Mixer

• 6 stereo input buses with 4 phono preamps, 2 mic/line preamps and 5 aux line inputs.
• Each bus includes initial input gain controls and individual cue switches. The headphone amplifier features split master/cueing.
• The Booth output is switchable master or cue. The Mic Engage switches can duck the Booth outputs 12 dB (internally defeatable).
• The Master (House) output features Accelerated Slope™ 3-band full-cut tone controls with a range of +6 dB to off.
• Switchable stereo effects loop; Pre- & post-effects tape outs; RCA ins, XLR mic/line ins, 1/4" effects loop, XLR and RCA outs.
optional XP 2016S Processor

• Adds Active Crossfader™ with full-range Contour control; Individual Crossfader assign switches.
• Adds Accelerated Slope™ 3-band tone controls to each input bus.
• Master/cue meters follow the headphone split cue selection.
• Single ribbon cable connects XP 2016S to MP 2016S (included).
• Internal universal power supplies work anywhere in the world (100-240 VAC).
• Size (each unit): 5.25" [3U] H x 19"W x 5.3"D (13.3 cm x 48.3 cm x 13.5 cm).
23
Club DJ Mixers
MP25 Club Mixer

INPUTS USB
• Four individually switchable stereo Phono/Line inputs. • Low-latency ASIO / Core Audio drivers eliminate delay between
• Four stereo Auxiliary inputs. the control input to audio software and the audible result.
• Four stereo USB playback inputs. • Multiclient ASIO / Core Audio drivers allow multiple software
• Two microphone inputs with optional Talkover ducking: applications to simultaneously stream audio to & from the mixer.
• One with front and rear panel connectors. • Four stereo playback channels stream audio directly from
• One with a line-level input option. your favorite playback, mixing, beat-making, and looping
OUTPUTS applications to the MP25’s digital mixer engine.
• Stereo Main Outputs on balanced XLR and unbalanced • Four stereo record channels stream the four post-fader program
RCA: channels to your application for multitrack recording. A fifth
• Rear panel Mono/Stereo switch. stereo record channel streams Mic 1, Mic 2, or the Main Mix.
• Rear panel Max Out level attenuator. • The USB Effects Loop enables insertion of computer-based
• Stereo balanced ¼” TRS Zone and Booth outputs: effects processors into the MP25’s powerful FlexFX bus.
• Auto-mono output on both Left and Right jacks. • The MP25 front panel is MIDI-mappable, allowing control of
• Stereo Record outputs on RCA, S/PDIF and USB. audio application parameters using the mixer’s control surface.
Plays well with others — such as Ableton, GarageBand, PCDJ, Traktor, Virtual DJ, etc.
The MP25 fits in a 4U rack or coffin, able to replace a classic Rane MM 8z , MP 22, or MP 24 series Mixer. [7˝ H x 19˝ W x 4.6˝ D] (17.8 cm x 48.3 cm x 11.7 cm)
24
Club DJ Mixers
MP26 Club Mixer

• Same inputs, outputs and routing as the MP25, with the addition of six internal digital effects synced to MIDI Beat Clock.
• The MP26 fits in a 5U rack or coffin, can replace a Rane MP 44. The size is 8.75˝ H x 19˝ W x 4.6˝ D] (22 cm x 48.3 cm x 11.7 cm).
• The MP26 has the same rear panel connectors as the MP25 Mixer.
MP25 and MP26 SYSTEM REQUIREMENTS

ASIO and Core Audio software applications are compatible because these mixers act as a low-latency, USB 2.0, 10-input, 12-output
sound card. The MP26 ASIO and Core Audio drivers require the following minimum system:
• PC: XP, Vista, Windows 7.
• Mac: OSX 10.5 or higher.
• System Memory: 2 GB or more.
• Processor: 2 GHz single core or better.
Visit the MP25 and MP26 pages at rane.com for the most recent drivers and links to third-party software.
MP 2S Compact DJ Mixer
• 2 Phono/Line and 2 Line (total of 4) inputs to 2 crossfader buses, each with its own ±12 dB Low and High tone controls.
• Each Program bus selects any of the four stereo Inputs, so any Input can appear on either side of the Crossfader.
• Internal 100-240 VAC power supply works anywhere in the world. Unit size: 1.75"H x 19"W x 5.3"D (4.4 cm x 48.3 cm x 13.5 cm)
25
Performance DJ Mixers
TTM 56S Performance Mixer

Rane takes performance mixer design as seriously as
performing DJs take their art form. The TTM 56S is
flexible, durable, and feature packed. The audio quality
qualifies it for use in the most demanding live venue, Four CD Players, Four Turntables Any Stereo Stereo Amplifier or
recording studio or live broadcast applications. or Two of Each. Effects Device Powered Speakers
• Mic input with EQ and mic effects loop.

• Faders and Crossfader have Contour and Reverse
controls.
PGM 1 PGM 2
4 6 4 6
OUTPUT
LEVELS
4 6 1 2 2 8 2 8 3 4 4 6
2 8 SOURCE 0 10 0 10 SOURCE 2 8
GAIN GAIN
0 10 0 10
MIC LEVEL OL MAIN
4 6
• Stereo Aux Input for session mix, iPod® or keyboard.

OFF +6 L R L R OFF +6 2 8
HIGH PAN PAN HIGH
-12 +12 0 10
IN IN
MIC HIGH AUX OUT
EQ EQ 4 6
OFF +6 OUT OUT OFF +6 2 8

MID MID
-12 +12 0 10
MIC LOW PHONES
4 6 PGM 1 PGM 2
MASTER
2 8 OFF +6 FlexFX OFF +6
CUE
LOW LOW
• Stereo Aux Output for session mix, booth or recording.

0 10 OUT OUT
AUX IN
DRY WET PGM 1 PGM 2
ON ON
CUE
KILL KILL
SLOW FAST SLOW FAST SLOW FAST

CHANNEL
• Post-fader FlexFX™ allows external reverb and echo

SWAP
FADER 1 CONTOUR REVERSE CROSSFADE CONTOUR REVERSE FADER 2 CONTOUR REVERSE
MONO PGM1 / PGM2

STEREO HOUSE
OL
+8
+4
decay effects to respond to fader action without

+2
0
–2
–4
–8
–16
–24
cutting off reverb tails.

A B
TTM 56S
PERFORMANCE MIXER
• High, Mid & Low Accelerated Slope™ tone controls

react from +6 dB to off — full bass and treble cut.
TTM 56 To TTM 56S Improvements

The world's most popular battle mixer is even better:
• Internal universal power supply works anywhere (100-
240 VAC).
• All four inputs are now Phono/Line switchable, letting
you connect 4 turntables or 4 CD players in any
combination.
• Both 1/4" and 3.5 mm headphone jacks are on the
front.
• Transform switches are now Kill switches.
• Operation is simplified by putting all the controls on
top.
• Unit size: 13.3"H x 10"W x 3"D (33.8 cm x 25.4 cm
x 7.7 cm)
Non-Contact Crossfader and

Channel Faders
Rane’s patented magnetic fader is the fastest,
most accurate, and longest lasting on the
planet. The design uses non-contact magnetic
position sensor technology previously reserved for
aerospace and industrial applications. Unlike optical
non-contact faders, the magnetic fader is impervious to
smoke, moisture, temperature and age. The electrical
performance is unaffected by use. No noise, no
bleed — ever!
3-Band Accelerated-Slope™ Full-

Cut TONE CONTROLS
High, Mid & Low tone controls react from +6 dB
to off: full bass and treble cut on each channel.
Engage switches allow A/B comparison and the
ability to quickly cut or add tone effects.
26
Empath Blue
• Original blue and silver Lexan finish.
Empath mixers combine the vision of Grandmaster Flash and Rane technology. The
name implies understanding, awareness and sensitivity to the needs of DJs. The top Empath Rotary
plate is durable Lexan™ available in four different colors, and all have these features: • Black Lexan finish.
• 3 phono/line switchable inputs plus a mic input and a stereo Aux input. • Rotary channel faders.
• 3 mixing buses, each with 3-band Accelerated Slope™ full-cut EQ (+6 dB to off).
• Switchable Auto-Gain prevents program level jumps when changing sources.
• Post-fader FlexFX™ lets external reverb and echo decay tails respond to fader action.
• Contour controls for Fader 1, Fader 3 and the Crossfader.
• Headphone outputs include tone controls with both 1/4" & 3.5 mm jacks.
• Universal internal power supply works anywhere in the world (100-240 VAC).
• Unit size: 13.3"H x 10"W x 3"D (33.8 cm x 25.4 cm x 7.7 cm)
Empath Signature
• Black and gold Lexan finish.
• Signature by Grandmaster Flash.
• Includes deluxe road case.
27
NEW FOR 2012
Rane Sixty-One Performance Mixer for Serato Scratch Live

Turntablism is alive and more creative • The USB 2.0 port supports six stereo record and four stereo playback channels.
than ever. Rane and Serato are proud to • Great-sounding 32-bit floating point audio processing sampled at 48 kHz.
be supporting partners in that creativity • PGM controls include:
with the introduction of the Rane Sixty-  Gain trim, 3-band full-cut EQ, Left/Right Pan, High/Low-pass sweep Filter.
One and Sixty-Two Mixers for Serato  FlexFx assign, Headphone Cue assign, Q-peak meter.
Scratch Live. For more than a decade,  Magnetic fader with contour and reverse controls.
artists have chosen innovative Rane • Mic/line input on XLR/TRS jack with gain trim, two-band EQ, and FlexFx assign.
instruments to advance their art and • External analog insert for analog effects processor.
three generations of TTM series mixers • USB Insert for software effects such as DJ-FX in Serato Scratch Live.
have been the top pick for many of the • USB Aux Input for SP-6 sample playback with Headphone Cue and FlexFx assign.
world’s best performers. These mixers • Magnetic crossfader and channel faders with reverse and contour controls.
more tightly integrate performers, music, • All controls are MIDI-mappable.
software, and hardware. The artist adds • Unit Size: 13.3˝ x 10˝ x 4˝ (33.8 cm x 25.4 cm x 10.2 cm).
the passion, imagination and skills.
Both mixers are bundled with Serato

Scratch Live. ASIO and Core Audio
drivers are included for compatibility
with other audio programs. Both mixers
include two Serato Control Vinyl Records
and two Serato Control CDs.
28
NEW FOR 2012
Rane Sixty-Two Performance Mixer for Serato Scratch Live

The Sixty-Two Mixer is Rane's very best performance mixer, including all the great
features of the Sixty-One plus these additional features:
• Control Library, Cues, Loops and Samples on two computers
 Direct control of more than 40 software parameters.
• Each of the 2 USB ports supports 6 stereo record and 4 stereo playback channels.
• Internal Effects Engine with Filter, Flanger, Phaser, Echo, Robot and Reverb effects:
 MIDI beat clock send and receive allows effects to sync.
 BPM sync effects with Serato Scratch Live.
Z-Trip’s Limited
 TAP engine with time encoder and beat multiplier control. Edition Sixty-Two Z
• USB Aux Input for SP-6 sample playback includes a dedicated High/Low-pass Filter. Mixer
• Unit Size: 14.25˝ x 10.5˝ x 4˝ (36.2 cm x 26.7 cm x 10.2 cm) Functionally identical to Rane’s Sixty-Two
with added bonuses:
• Face plate design by Shepard Fairey.
• Purple and yellow accents.
• Includes high-end purple cables.
29
Rane Sixty-Eight Club Mixer for Serato Scratch Live
Using two USB ports, the Sixty-Eight mixer lets two DJs use • Includes Serato Scratch Live and 4 Control Records and CDs.
their laptops at the same time, allowing seamless handover from • ASIO & Core Audio drivers included for other audio programs.
one DJ to another. You can also control up to four decks with a • Two independent USB 2.0 high speed ports:
single laptop.  Each supports 22 32-bit audio channels at 48 kHz.
Armed with studio-grade phono preamps, USB and S/PDIF • Direct control of over 30 Library, Cue and Loop functions.
inputs, the Sixty-Eight allows a blend of analog and digital • Support for two, three or four Virtual Decks in Scratch Live.
audio sources like never before. It features easy internal digital • Flexible USB recording from any input or output.
effects with on-beat effect switching, external analog inserts for • 3-band, full-cut EQ with sweepable High / Low pass Filter.
hardware effects, and USB insert support for software effects. • Unique FlexFX bus with six internal effects, plus analog effects
• Input Channels: insert and USB support for software-based effects.
 Four stereo inputs, each switch to Phono, Line or S/PDIF. • Two independent mic inputs: one with phantom power and one
 Four stereo Auxiliary Line inputs. with a line-level input switch.
 Four stereo USB playback options. • Unit size: 14.3˝H x 12˝W x 4˝D (36.4 x 30.5 x 10.2 cm)
30
The Rane SL series of interfaces with
Serato Scratch Live set the standard for
vinyl emulation. The SL 2 advances the
technology found in the original SL 1 with
these improvements:
• CD / Phono input switch on the box.
• Superior sounding 24-bit converters.
• Hotter 3 Vrms input and output.
• 44.1 or 48 kHz selectable sample rate.
SL 2 FeatureS and CAPABILITIES • Smaller and more compact cast design.
• DJ with music files on your computer using Control Vinyl, Control CD or MIDI. • ASIO / Core Audio drivers for 3rd-party
• Connect two turntables or two CD decks selected via the rear panel switch. software support.
• High-quality 24-bit audio with software-selectable 44.1 or 48 kHz sample rate.
• Galvanic isolation guarantees audio is actively isolated from USB and power. The Rane SL 2 gives you the freedom to
• Creative DJing features: cueing, looping, keylock, sample player and DJ-FX. take your entire digital music collection
• Built-in recording interface for archiving vinyl. on the road with advanced features that
• Multiple audio file type support: WAV, AIFF, ALAC*, AAC*, Ogg Vorbis and MP3. add extra creativity to your DJing. This
* Requires Apple Quicktime (not included). intuitive system replicates the traditional
USB
DJing experience for “real feel” usability.

Low latency means the response time
from touching the decks to hearing an
G
audio signal is extremely fast. Serato
engineers developed system level audio
drivers that allow accurate and reliable
operation at faster speeds than any other
similar package.
The Rane SL 2 interface connects one

LN LN or two standard vinyl or CD turntables to
1 2 your computer using a single USB cable
and audio connections to line inputs on
your DJ mixer. This system includes two
12˝ Serato Control Vinyl records and two
Control CDs, USB cable, and RCA audio
cables to your mixer.
The SL 2 interface box is 5.5˝ x 5˝ x

1.3˝ (14.1 x 12.5 x 3.3 cm). See the
"Serato Scratch Live Minimum System
Requirements" on page 31.
31
The SL 3 connects one, two or three
standard vinyl or CD turntables to your
computer and the mixer of your choice.
Using regular vinyl turntables, CD players
or MIDI controllers, you can scratch and
mix files from your Mac or Windows
computer’s CD or hard drive. This intuitive
system replicates the traditional DJing
experience for “real feel” usability. With
SL 3 Feature and Performance Enhancements unparalleled performance and stability,
• Supports up to three turntables or CD decks switchable in any combination. you'll soon see why thousands of DJs
• Aux Input for Live Mix Recording, LiveFeed or a third deck. worldwide choose Rane with Serato
• Aux Output can be assigned to the SP-6 Sample Player or a third deck. Scratch Live.
• 6-in 6-out sound card with any software supporting ASIO or Core Audio.
• Software and driver-switchable Direct Thru connections for regular vinyl or CD. The auxiliary input provides a live input
• External power supply included to provide Direct Thrus without a computer. feed for creative sampling, recording your
set or using a third vinyl turntable or CD

deck. The auxiliary output delivers a third
deck or the SP-6 sample player output
right to your mixer. Studio grade phono
USB
preamps and 24-bit audio processing
deliver exceptional sound.
The SL 3 includes two 12˝ Control Vinyl

records and two Control CDs, USB cable,
OPE
N
PU
SH
LOCK
POWER and RCA audio cables to your mixer. An

SUPPLY
international power supply with country
adaptors is included to insure optimum
performance and easy transfer when
AUX AUX IN IN unplugging USB between DJs. A soft
OUT IN 1 2
zippered carrying case for the SL 3 is
also included.
The SL 3 interface box is 6.8˝ x 5˝ x

1.3˝ (17.3 x 12.6 x 3.3 cm). See the
32
The SL 4 connects four vinyl turntables
or CD players to your computer and
the mixer of your choice. Using special
control vinyl, CDs or MIDI controllers,
you can scratch and mix files from your
Mac or Windows computer’s CD or hard
2 COMPUTERS AND 4 DECKS USING YOUR FAVORITE MIXER drive. With unparalleled performance,
stability and audio quality, you’ll know
why thousands of DJs worldwide choose
SL 4 Feature and Performance Enhancements Rane with Serato Scratch Live.
• Supports up to four turntables or CD decks switchable in any combination.
• Two high-speed USB ports for two DJs for uninterrupted performances. The SL 4 is the first standalone DJ
• Fifth Aux Input for session recording or LiveFeed. interface with two USB ports for
• Fifth Aux Output assignable to the SP-6 Sample Player. seamless DJ changeover and back-to-
• 48 kHz and 96 kHz sample rate switch on the SL 4 rear. back performances.
• 10-in 10-out USB sound card with any software supporting ASIO or Core Audio.
• Bus power from either USB port or the included external power supply.
1 2 3 4 5 6 MASTER 0 TREBLE
AUX 1 PHONO / AUX 1 PHONO / AUX 1 PHONO / AUX 1 PHONO / AUX 1 MIC 1 AUX 1 MIC 2 5 6 5 6
LINE LINE LINE LINE 4 7 4 7
AUX 2 AUX 2 AUX 2 AUX 2 AUX 2 AUX 2
AUX 3 AUX 3 AUX 3 AUX 3 AUX 3 ENGAGE AUX 3 ENGAGE
3 8 3 8 OFF +6
AUX 4 AUX 4 AUX 4 AUX 4 AUX 4 AUX 4 2 9 2 9 SIG / OL

0 MID
AUX 5 AUX 5 AUX 5 AUX 5 AUX 5 AUX 5 1 10 1 10
5 6 5 6 5 6 5 6 5 6 5 6 BOOTH HOUSE
4 7 4 7 4 7 4 7 4 7 4 7
EFFECTS
3 8 3 8 3 8 3 8 3 8 3 8 CUE XP 2016S LOOP MONO OFF +6
2 9 SIG / OL 2 9 SIG / OL 2 9 SIG / OL 2 9 SIG / OL 2 9 SIG / OL 2 9 SIG / OL 0 BASS

1 10 1 10 1 10 1 10 1 10 1 10
MASTER STEREO
INPUT GAIN INPUT GAIN INPUT GAIN INPUT GAIN INPUT GAIN INPUT GAIN MP 2016S
ROTARY
MIXER
OFF +6
5 6 5 6 5 6 5 6 5 6 5 6
2 2 5 6
4 7 4 7 4 7 4 7 4 7 4 7 4 4 4 7
3 8 3 8 3 8 3 8 3 8 3 8 6 6 3 8
MONO
8 8 2 9
2 9 2 9 2 9 2 9 2 9 2 9
CUE PGM 1 10
1 10 1 10 1 10 1 10 1 10 1 10
CUE CUE CUE CUE CUE CUE STEREO POWER
MIX LEVEL 1 MIX LEVEL 2 MIX LEVEL 3 MIX LEVEL 4 MIX LEVEL 5 MIX LEVEL 6 MONITOR LEVEL PHONES
TO MIXER LINE INPUTS FROM

MIXER
RECORD
OUTPUT
Get superior sound with high quality

96 kHz, 24-bit audio. Built-in galvanic
isolation between USB and audio, with
turn on/off muting, ensures that only the
purest interference-free audio signal
is heard. Low-latency ASIO and Core
Audio drivers allow using the SL 4 as
a studio production tool with multiple
FOUR TURNTABLES third-party software applications. The SL
OR
FOUR CD DECKS 4 is masterfully crafted by Rane for the
INDIVIDUALLY discerning DJ.
SWITCHABLE.
The SL 4 includes four 12˝ Control Vinyl

records and four Control CDs, two USB
cables, and RCA audio cables to your
mixer. An international power supply
with country adaptors is included to
insure continuous performance. A soft
zippered carrying case for the SL 4 is
also included.
The SL 4 interface box is 7.25˝ x 5˝

USB USB x 1.7˝ (18.4 x 12.6 x 4.3 cm). See the
33
Serato Scratch Live
2.4
Serato Scratch Live combined with
Rane hardware is the ultimate solution
for professional DJs, giving you the
freedom to take your entire digital music
collection on the road and equipping you
with advanced features that add extra
creativity to your DJing.
This intuitive system replicates the
traditional DJing experience for “real feel”
usability. With unparalleled performance,
sound quality and stability, you’ll soon
see why thousands of DJs worldwide
choose Serato Scratch Live.
• Load music files onto Virtual Decks for

playback.
• Browse your music collection by
custom categories and album art.
• Prepare audio files for playback with
auto-gain and BPM calculation. Classic Vertical Mode
• Organise music with crates, subcrates
Supported File Formats
and smart crates.
Scratch Live supports multiple file
• Choose from multiple play and display
formats: fixed and variable bit-rate MP3,
modes to suit your performance style. Stack Mode with the SL 4 and Sixty-Eight
MP4, Ogg Vorbis, AAC, ALAC, AIFF, WAV
• Use visual aids, cues and loops to
and Whitelabel (wl.mp3) file types*. M3U Library
perfect your mixing.
playlists are also supported. *For more on Browse your music collection by album,
• Add extra creativity to your sets with
DJ-FX, the SP-6 Sample Player and wl.mp3 files visit whitelabel.net. artist, BPM and genre. Additional column
other Scratch Live plug-ins. NOTE: Older iTunes Music Store DRM sort options can be selected for custom
files cannot be played back by Scratch needs. Tracks in your library can also be
Live. iTunes Plus files are DRM-free. browsed using three different album art
Virtual Decks
Music files are loaded onto the Virtual modes.
Decks, which rotate as the music plays, Importing Music Scratch Live includes an intuitive
much like regular turntables or CDJ Importing music is done simply by Search function to help you find tracks
decks. navigating to your hard drive(s) via quickly.
The Virtual Deck Scratch Live’s File pane. You can also
shows everything drag and drop files directly from Explorer Keylock
about the speed (Windows) or Finder (Mac). iTunes users When Key Lock is on, the key or pitch of
and position of a have the option to integrate existing the song stays locked at what it would be
track. As the vinyl iTunes libraries and playlists into their if the track was playing at normal speed,
rotates, so does the Scratch live library. regardless of the platter speed of the
line on the label. The Importing audio files to your computer turntable or CD player.
circular progress is highly recommend, however you can
bar around the edge play files directly from CD and CD-ROM. Crates and Smart Crates
is a visual representation of the position Create Crates and Subcrates to group
within the song. The Virtual Decks display File Preparation tracks within for quick recall and simple
pitched BPM information, with current Build waveform overviews, check for organisation. You can also merge these
time and remaining time displayed in file corruption and use Scratch Live’s crates onto an external drive for simple
minutes and seconds. optional auto-gain and BPM calculation migration to another laptop.
with the Analyze Files button. Smart Crates allow you to set
Use the Offline Player to prepare rules and keywords for crates, which
crates, audition tracks, and set cue and automatically update when relevant
loop points, without needing to have the tracks are added or removed from your
Rane hardware connected. library.
34
History Beat Matching Display emphasizes the
The history button opens a complete position of beats within a track alongside
log of all the tracks you have played and the waveform display, for quick beat The Bridge allows you to combine
allows you to export Scratch Live session matching. elements of Ableton Live with
information as a data file for future Track Overview Display shows an Serato Scratch Live to create unique
reference. overview of the track waveform, which performances. The Bridge is free-of-
Serato Playlists export track play is useful for finding transitions in a track charge for users of Ableton Live/Suite 8.2
information to your user profile on serato. and for jumping quickly to any part of the or above. Visit serato.com/thebridge.
com. This can be done using the History song.
export function post-set, or you can Colored Waveforms are by frequency
choose to live update during your set. for visual identification of instruments and Scratch Live users get free access to
vocals. the Serato Whitelabel Delivery Network,
Play Modes allowing you to receive fresh releases at
Scratch Live has three Scratch Live Plug-Ins no charge and play them to crowds within
different play modes Optional plug-ins can be switched on moments of downloading, bringing back
which you assign to each Virtual Deck. and off, allowing you to choose which the meaning "for promotional use only".
Absolute Mode most closely resembles extra features you would like to use when Visit serato.com/whitelabel.
the properties of regular vinyl; needle DJing.
dropping, scratching, rubbing and other Serato Scratch Live Minimum
turntablist techniques are most faithfully SP-6 Sample Player allows triggering up to System Requirements
reproduced in this mode. Absolute Mode six additional audio sources (e.g. sound • Available 2.0 USB port.
is the recommended mode to use when effects, drops). Store samples in multiple • 1024 x 768 screen resolution.
using the standard hardware functions on sample bank slots, and choose output • 5400 RPM hard drive. 7200 RPM for
CDJs. options for each slot. high-resolution audio playback.
Relative Mode allows for skip free • 2 GB RAM (a large library will like more
scratching and the use of Scratch Live’s RAM).
cueing, looping and censor controls.
Internal Mode lets you play and mix MAC
files without external vinyl or CD control. • Intel 1.83 GHz Core Duo or better.
Internal mode contains a start/stop • OSX 10.5.8 or higher.
function, a pitch slider and pitch nudge
controls. It is also the emergency mode WINDOWS
Scratch Live defaults to when the end of • Intel processor, 2.2 GHz Core Duo or
a control record or CD is reached. better.
• Windows XP with Service Pack 3 or
Cues and Loops higher.
DJ-FX give you control of two FX units, • Windows Vista with Service Pack 2 or
Create up to five Cue
each with three chained effects slots per higher.
Points with labels for
unit. Customize and save preferred effect • Windows 7, recommended over Vista.
each track to mark and
parameter settings for quick recall.
trigger key parts of
your songs. NOTE: These are the minimum
Create and save requirements to run Scratch Live.
up to nine Loops per For best performance and for use in
track, either manually Serato Video is an optional software professional situations we recommend
or using the Auto-Loop plug-in for Scratch Live which adds you buy a higher spec computer. We also
function. the ability to play and mix video files. recommend Intel processors.
Manage a variety of video clips from
within the Scratch Live library and load NOTE: Before buying a new computer,
Visual Aids
them onto a virtual deck for control with read the FAQs at serato.com.
When a track is playing several
either vinyl or CD. Mix clips with a variety
waveforms and visual aids are displayed.
of transitions, as well as apply exciting NOTE: If you are using Scratch Live's
Tempo Display provides a helpful tool
effects to each clip. The mixed output more system-intensive features like the
for beat matching - each peak represents
is sent to your laptop's second display DJ-FX plug-in, you may need a higher
the beats within a track. As you change
output, connecting to external monitors spec computer or an optimized system.
the pitch of a song, these peaks shift
or projectors. Serato Video is supported Read the Computer Optimization Guide
position. When track tempos are in-time,
and available only from serato.com. at serato.com.
these peaks will be aligned.
35
AC 22S & AC 23S Active Crossovers 20 Rane Corporation
AD 22S Dual Channel Audio Delay 19
AM1 Four-Channel Gain-Sharing Automixer 6
10802 47th Avenue West
AM2 Eight-Channel Gain-Sharing Cascadable Automixer 6 Mukilteo WA 98275-5000 USA
BB 22 Balance Buddy 21
BB 44X Balance Buddy 21 Phone: 425-355-6000
C4 Quad Compressor / Limiter / Dynamic EQ 17 Fax: 425-347-7757
CP 52S Commercial Processor 12
Email: info@rane.com
CP 64S Commercial Processor 12
Web: rane.com
CP66 Commercial Processor 11
DA 26S Distribution Processor with Paging 12
DA 216S Distribution Amplifier 13
DC 22S Stereo Gate / Compressor 17
DEQ 60L Stereo 1/3-Octave Graphic Equalizer 19
DR1, DR2 & DR3 Digital Remotes 4
Drag Net Software for RPM models 10
Empath DJ Mixers 27
EXP1 Remote Audio Expansion 2
G4 Quad Gate / Ducker / Expander 17
HAL1 Central Multiprocessor for Halogen Software 2
HC6S Six Channel Headphone Console 20
LT 22 Line Transformers 21
MA 3 Multichannel Amplifier 22
MA 4 Multichannel Amplifier 22
ME 15S, ME 30S & ME 60S microGraphic Equalizers 18
ML 1 Mic / Line Preamp 16
MLM 42S Mic / Line Mixer 14
MLM 65 Mic / Line Mixer 14
MLM 82S Mic / Line Mixer 15
MLM 103 Mic / Line Mixer 15
Mongoose Remote Audio Interface 7
MP 2S Compact DJ Mixer 25
MP25 Club Mixer 24
MP26 Club Mixer 25
MP 2016S Rotary Mixer 23
MS 1S Microphone Preamp 16
MT 4 Multichannel Transformer 22
Rane 2+ Year Limited Warranty
NM 1 Network Mic Preamp 16 Rane’s standard warranty covers parts and labor for 2 years
PAGER1 Paging RAD 4 from the date of purchase. Completion of the Rane Warranty
PAGER2 Paging Remote for CP66 11 Form (mail or online) entitles the owner to a 1 year extended
RAD Remote Audio Devices 4 warranty (for a total of 3 years [valid in U.S.A. only]).
RPM 2, RPM 2m & RPM 26z Drag Net Multiprocessors 9
RPM 88, RPM 44 & RPM 22 Drag Net Multiprocessors 8
Serato Scratch Live 34 © 2012 Rane Corporation
SL 2 for Serato Scratch Live 31 AMX® and the AMX logo are registered trademarks of AMX.
SL 3 for Serato Scratch Live 32 Stardraw Control is a trademark of Stardraw.com Ltd.
SL 4 for Serato Scratch Live 33 Crestron® is a registered trademark of Crestron Electronics, Inc.
Sixty-One Performance Mixer for Serato Scratch Live 28 CobraNet is a trademark of Cirrus Logic, Inc.
Sixty-Two Performance Mixer for Serato Scratch Live 29 Lexan® is a registered trademark of General Electric.
Decora® is a registered trademark of Leviton.
Sixty-Eight Club Mixer for Serato Scratch Live 30
Penny+Giles is a trademark of Curtiss-Wright Corp.
SM 26S Line Splitter / Mixer 13
Windows® is a registered trademark of Microsoft Corporation.
SM 82S Stereo Line Mixer 13
Mac, Apple and iTunes are trademarks of Apple Computer, Inc.
SR 2, SR 3 & SR 4 Smart Remotes for RPM models 9 Scratch Live and the Scratch Live logo are trademarks of Serato.
TTM 56S Performance Mixer 26 Halogen, Drag Net, Accelerated-Slope, Perfect-Q, FlexFX, and
XP 2016S Processor for MP 2016S 23 Active Crossfader are trademarks of Rane Corporation.
Printed April 2012.

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NE MIXERS • DJ MIXERS •

EXP1 Remote Audio Expansion

MICROPHONE MICROPHONE LINE OUTPUT LINE OUTPUT

SIG / OL SIG / OL SIG / OL SIG / OL

DR3 POWER COMM AUDIO RX AUDIO TX

MICROPHONE LINE INPUT

POWER COMM AUDIO RX AUDIO TX

THIS DEVICE COMPLIES

RANE CORP. USB COMM

RANE CORP. USB

EXP1 Expansion Unit

Visit rane.com/hal for more applications and product details.

SCROLL SCROLL SCROLL

PUSH TO SELECT PUSH TO SELECT PUSH TO SELECT

RADs RAD NETWORK

AUDIO RX AUDIO TX POWER

AUDIO RX AUDIO TX POWER

standard US electrical gang boxes. These RADs are available in

white, ivory, or black, including a matching Decora­® plate cover.

RAD1 Dual XLR Mic RADX RAD Port

POWER COMM AUDIO RX AUDIO TX

RAD11 XLR Mic Input

POWER COMM AUDIO RX AUDIO TX POWER COMM AUDIO RX AUDIO TX

Stereo Line Output

RAD12 Dual XLR Mic

POWER COMM AUDIO RX AUDIO TX POWER COMM AUDIO RX AUDIO TX

RAD14 XLR Mic Input

SIG / OL SIG / OL SIG / OL SIG / OL

POWER COMM AUDIO RX AUDIO TX POWER COMM AUDIO RX AUDIO TX

RAD15 Dual XLR Line

POWER COMM AUDIO RX AUDIO TX POWER COMM AUDIO RX AUDIO TX

Suitable RAD16 Dual Mic‑Line

POWER COMM AUDIO RX AUDIO TX

OUTPUTS INPUT 2 INPUT 1

rated metal box.

RAD18 XLR Mic Input

POWER COMM AUDIO RX AUDIO TX POWER COMM AUDIO RX AUDIO TX

RAD8 XLR Mic Input

POWER COMM AUDIO RX AUDIO TX POWER COMM AUDIO RX AUDIO TX

MIC INPUTS MIX PHONES

RAD9 XLR Mic Input / 1 2 3 4

XLR Line Output

AM1 and AM2 Automixers include RAD ports.

THIS DEVICE COMPLIES

AM1 Four-Channel Gain-Sharing Automixer

THIS DEVICE COMPLIES

RANE CORP. USB

AM2 Eight-Channel Gain-Sharing Cascadable Automixer

Powered Wireless Receiver

THIS DEVICE COMPLIES

FAULT USB AUDIO TX

RANE CORP. USB COMM

THIS DEVICE COMPLIES

RANE CORP. USB

ENABLED LINK / ACTIVITY LINK POWER

Mongoose Remote Audio Interface

• Multiple Mongoose units can be networked to provide more channels.

The Mongoose’s 32-by-32 digital audio matrix router receives

VIP/VOP RW 485 ETHERNET STATUS POWER

ACN 001 345 482

10Base-T AES3 OUT AES3 IN

INPUT 1 2 3 4 AES3 LOCK

VIP/VOP RW 485 ETHERNET STATUS POWER

white, ivory, or black, including a matching Decora® plate cover.