Está en la página 1de 91

LOOK BOOK

M AYO R O F L O N D O N B R A N D G U I D E L I N E S
CONTENTS

O U R B R AN D S. . .........................................4 C OLOU R PA L E T TE............................. 19


C O R E P R INCI PLE . . .................................5
B R A N D P R INCI PLE S ����������������������������6 FONT S. . .................................................... 20
B R A N D TO OLS........................................7 In print....................................................... 20
Online........................................................ 21
O U R LO G O S .. ............................................8 Styling text............................................... 22
Clear space.................................................9
Logo size.. ................................................. 11 TONE OF VOICE ................................. 23
Minimum clear space. . ........................... 12 ILLU STR ATION.................................... 24
Logo options.. .......................................... 13 ICONOGR A PHY. . .................................. 25
Colour options.. ....................................... 14 WE B SITE. . ............................................... 26
With partners. . ......................................... 15 PRINTE D MATE RIA L ������������������������� 27
Supported by........................................... 16
With sponsors......................................... 17

2 u MAIN MENU
CONTENTS

P H OTO GR A PH Y . . ................................. 29 V IDEO......................................... 60


Vetting....................................................... 30
Principles in practice............................. 31 TE MPL ATE S .. ......................................... 61
Best images of the Mayor �������������������� 33 Social media............................................ 62
Case studies............................................ 39 Shorthand. . ............................................... 68
Events. . ...................................................... 40 Video start/end frames ������������������������ 69
Location.................................................... 41 Presentations.......................................... 73
Website..................................................... 42 Leaflets..................................................... 76
Photography guidance ������������������������� 43 Certificates.............................................. 78
Social Media.. ........................................... 45 Pull up banners.. ...................................... 79
Shotlist...................................................... 54 Exhibition boards. . .................................. 80
Consent forms . . ....................................... 57 Reports.. .................................................... 81
Summary. . ................................................. 58 Event branding........................................ 86
City Hall image library �������������������������� 59

3 u MAIN MENU
O UR B R A N D S

We have two public facing When we’re communicating


brands – Mayor of London the work of City Hall we use
and London Assembly. the Mayor of London logo.

The Mayor runs London, and Any material by the London


the London Assembly work Assembly carries their logo.
to hold the Mayor to account.

4 u MAIN MENU
O UR C O R E P R INCI PLE

A C I T Y FO R A L L LO N DO N E RS

The people of London are at the heart


of what we do.

We want to appeal to everyone no


matter their age, gender, sexual
orientation, ethnicity, religion,
disability or family make up.

Our work focuses on what matters to


every community here.

By doing so, our communications to


Londoners are honest and relevant.

5 u MAIN MENU
O UR B R A N D P RI NCI PLE S

P E R SO NA B L E & T RU ST WORTHY & RE L E VA N T & PO SIT IVE &


R E L ATAB L E H ON E ST A P P ROP RIAT E O PT IM IST IC

We show a true London We are dependable, We talk about things that We strive to create a
that Londoners know and genuine and honest. We are matter to the lives of the positive and united London.
connect with. straightforward and direct, people who live here. Our
so that Londoners can trust work supports a narrative London is exciting and
Our work is accessible to us and believe in what we and we use case studies of enticing. We encourage
all. We reflect the city’s say and do. real Londoners. active participation to help
diversity and openness. make London a better place
We speak to Londoners in which to live and work.
about things that matter
to them.

6 u MAIN MENU
O UR B R A N D TOOLS

We want our communications to be LOGO To find out more about our tone
striking, engaging and consistent. + of voice and copy style, see our
We want Londoners to know our work TONE OF VOICE A ND COPY editorial guidelines.
when they see it and be inspired to +
get involved. We use a set of practical T YPOGR A PHY
tools to ensure we do this. +
C OLOU R PA L E T TE
+
PHOTOGR A PHY A ND
IL LU STR ATION
=
CONSISTE NCY A ND
BR A ND REC OGNITION

7 u MAIN MENU
O UR LO GO S

Only use logos supplied by


the Creative team.

All logo requests must be made by City


Hall staff. Please complete the logo
request email form.

They must not be changed.

All logo use must be approved by the


Creative team. Please send draft files
before publishing in good time to
ensure any necessary changes can
be made.

8 u MAIN MENU
O UR LO GO S

C LE AR SPAC E

Logo clear space


We position our logo in a band is calculated by:

of clear space at the top of our


communications*. There is an optional Page height

key line to distinguish it from the main Supporting 8

content area. Our Schools


F E B R UA RY 2 017

We always make sure the logo is clear


and legible within this space.

* There may be certain campaigns


or projects where top-level Mayor
of London branding does not apply.
Mayoral Directors make these
Children plant a 26 tree orchard in Alexandra Palace Park
The Orchard Project works with local The aim is to help us all rediscover the

decisions.
people to plant, manage, restore and pleasure of eating home grown fruit.
harvest orchards in community areas.

Report Exhibition board

9 u MAIN MENU
O UR LO GO S

C LE AR SPAC E

Logo clear space


On landscape and square formats a is calculated by:

different calculation is used.


Page height
T H E M AYO R ’ S E D U C AT I O N C O N F E R E N C E
6
We also have templates for some #LDNeduconf

digital formats like PowerPoint


presentations and MS Word reports.

Get in touch to see what we have.

Twitter card Event holding slide

10 u MAIN MENU
O UR LO GO S

LOGO SI Z E

We have fixed logo widths for standard


size formats.

When using the London Assembly logo


210mm on double royal posters (1016 x 635mm)
with the Mayor of London logo they
should be the same height.
70mm on A4
Check the logo is a minimum of
30mm wide in print, 150 pixels
wide on screen. 55mm on A5

45mm on DL

11 u MAIN MENU
O UR LO GO S

M I NI MU M C L E A R S PAC E

We always ensure the logo is clear and


legible. That means having a minimum
clear space around the logo - double
the height of the ‘M’.

12 u MAIN MENU
O UR LO GO S

LOGO O PT I O N S

Are you using the right logo?

Please get in touch if you’re not


we use this logo if the project we use this logo if we’re use this logo if we have
sure which logo you should use. commissioned a special piece
is owned and managed by us. supporting or funding a
Communications should use project but are not the main of work like Lumiere. This logo
Mayor of London branding funder should be authorised by the
and look and feel Mayor’s office.

if we’re working together we use this logo if we’re


with an equal or majority giving support in kind
funding partner(s) we use like donating event space
this logo but without our
brand look and feel *

we use this logo if the


Mayor’s speaking at an event

 * If you’re working with an external partner, let us know early so we can advise the best approach.

We do not use the GLA logo to promote the Mayor’s work.


We use it on internal materials like contracts, forms, name badges and building signs

13 u MAIN MENU
O UR LO GO S

C OLOU R O P T I O N S

Our logo should be clear and


accessible. That means having
a strong contrast between logo
and background.

We use the primary grey version


of our logo on a white or light
background.
P R I M A RY G R E Y ON W H I T E W H I T E ON P R I M ARY G RE Y

We use a white version of our logo


on dark backgrounds.

P R I M A RY G R E Y ON L I G H T BAC KG ROU N D W H I T E ON DA R K BACKG RO U ND

14 u MAIN MENU
O UR LO GO S

WI TH PART N E R S

When we work with partners, our


logo must appear in proportion PA RT N E R LO G O PA RT N E R LO GO
with other logos. We must also
ensure there is plenty of clear
space around it.
Get ready
Artwork does not have to appear for Prudential
in the Mayor of London brand, RideLondon
29 to 30 July
for example, Liberty Festival and pre sen ted at
Wo rld Par a Ath
letic s Cha mp ions
hip s

Ride London. Queen Elizabeth Olympic Park


Saturday 15 July • 1.30pm – 6.30pm • Free

Enjoy street theatre, circus, live music,


art, dance, DJs and food stalls.
Come and have a go at wheelchair basketball,
sitting volleyball, boccia and more!

#Liberty The world’s greatest festival of cycling


LD
#LondonIs N Roads and bridges will be affected across Surrey and London.
Open
Plan ahead and know your travel options. Search TfL RideLondon travel
Wide range of access facilities
MAR0559.05.16

Find out more at QueenElizabethOlympicPark.co.uk

Poster Press advert


19755 Prudential Bike Ride BAU DR.indd 1 12/05/2017 10:31

Client Approved Image Usage Checked Signature ..................................................

01
TfL Double Royal
Sam Weight –
12 05 17 1016 x 635 mm 100%
ARTWORK 19755 Prudential Bike Ride BAU DR

Art Director .................................................................. Copy Writer ................................................................. Creative Director ......................................................

Producer ...................................................................... Account Director .......................................................

15 u MAIN MENU
O UR LO GO S

S U P PO RT E D BY

When we support a project or


programme, the ‘supported by’ logo
should be used with the usual clear ParaAthleticsChampionships.com

space rules.

Artwork doesn’t need to use the


Mayor of London brand look and feel.

Any use of the logo must be approved


by the Creative team.

Please send draft files (before


publishing) in good time to ensure
any necessary changes can be made.
Don’t miss out when the world’s
best athletes come back to London

Poster
Supported_by_Metro_ad_V3.indd 1 16/03/2017 13:20:04

16 u MAIN MENU
O UR LO GO S

WI TH S PO N SO R S

When we work with sponsors on


our printed communications, their SPONSOR LOGO

logos will appear in primary grey


on a light background or white on
a dark background.
SPONSOR LOGO

Sponsor logos should not appear


proportionally larger than one third of
the size of the Mayor of London logo.

17 u MAIN MENU
O UR LO GO S

S PONSO R LO G O S I N P R ACTICE

Sponsor logos appear at the bottom


of the artwork under content.
DIWALI FE STIVAL
Sunday 16 October 1 – 7pm Trafalgar Square Free
We align them across their u u u

vertical centres. Light up your weekend with this feast for the senses.

london.gov.uk/diwali

#DiwaliLDN u @LDN_gov

P R E S E N T I N G PA R T N E R S u P P O R T I N G PA R T N E R S

#LondonIsOpen

DIWALI FE STIVAL
Sunday 16 October u 1 – 7pm u Trafalgar Square u Free

Light up your weekend with this feast for the senses.

london.gov.uk/diwali

#DiwaliLDN u @LDN_gov

P R E S E N T I N G PA R T N E R S u P P O R T I N G PA R T N E R S

#LondonIsOpen

Poster

18 u MAIN MENU
O UR C O LO U R PALE T T E

C OLOU R VA LU E S

PINK C YA N GREEN
Our hero colour is pink. C0 M95 Y35 K0 C100 M0 Y0 K0 C100 M0 Y100 K0
R238 G38 B109 R0 G174 B239 R0 G141 B72
P 213 P Process Cyan P Bright Green
We have 11 core colours including #EE266D #00AEEF #008D48
black and white. We expand our colour
range by using tints of 20, 40, 60 and YE LLOW ORANGE RED
80 per cent. C0 M0 Y100 K0 C0 M70 Y100 K0 C0 M100 Y100 K0
R255 G242 B0 R233 G88 B20 R224 G0 B27
P Process Yellow P 164 P Red 032
The correct colour values for our #FFF200 #E85713 #E0001B
brand palette are specified on page
20, please use them. It helps ensure DARK PINK BLUE M U S TA R D
our work is consistent. C20 M100 Y35 K30 C100 M5 Y0 K47 C10 M40 Y100 K0
R158 G0 B89 R0 G87 B125 R220 G160 B0
P 228 P 308 P 124
#9E0059 #00577D #DCA000

PURPLE GREY BL AC K
C50 M89 Y0 K0 C25 M10 Y10 K85 K100
R121 45 B137 R54 G62 B66 R0 G0 B0
P 258 P 432 P Black
#792C89 #353D42 #000000

19 u MAIN MENU
O UR FO N T S

IN P R I NT

We always use Aktiv Grotesk. For legibility, our minimum type size is Primary font
For titles and large type we usually 12pt with 15pt leading. This is based
use bold weight. For body copy we
use regular weight.
on the Royal National Institute of Blind
People (RNIB) ‘See it Right’ guidance.
Aktiv Grotesk
When commissioning design work
externally please ensure they have
We use Arial only online or when Aktiv
Grotesk is not available. Arial regular
ABCDE FGHIJKLM
bought a licence to use the font for body copy and Arial bold for titles abcdefghijklnopqr
software. It is illegal for us to transfer, and larger type. 1234567890!#£?
send or make a copy.

Why, Sir, you find no man, at all


intellectual, who is willing to leave
London. When a man is tired of
London, he is tired of life; for there
is in London all that life can afford.

20 u MAIN MENU
O UR FO N T S

ONLI NE

We use Arial for headlines and Arial


larger type.

On digital media we aim to use 18pt ABCDEFGHIJKLMN


size or above. Arial bold for titles.
abcdefghijklnopqr
We use Arial regular for body copy. 1234567890!#£?
See also our website guidelines.
Why, Sir, you find no man, at all
intellectual, who is willing to leave
London. When a man is tired of
London, he is tired of life; for there
is in London all that life can afford.

21 u MAIN MENU
O UR FO N T S

ST Y LI NG T E X T

We centre or left align titles in TITLE We always use Aktiv Grotesk Bold
capitals or sentence case.
HEADING set in caps with +100 letter spacing.
We set the leading at the same point
size as the text. The example shown
Title heading here is 22pt with 22pt leading.

Sub heading We use Aktiv Grotesk Bold with +35pt


This is an example of sub heading. letter spacing and ranged left.

Body copy We use Aktiv Grotesk Regular with


This is an example of body text. This +35pt letter spacing. The example
is an example of body text. This is an shown here is our minimum size of
example of body text. 12pt with 15pt leading.

22 u MAIN MENU
O UR TO N E O F VO I CE

Our tone of voice defines who we are Trustworthy and honest How we speak changes to meet
- it’s the words we want people to use We are dependable and keep the needs of a particular audience,
when they describe the work of the our promises. You can always channel or circumstance. But our
Mayor of London. trust what we say. voice is the same.

Our messages are simple and easy to Relevant and appropriate Find out more in our
understand with no jargon. We get to We focus on things that are important editorial guidelines
the point immediately. to the lives of Londoners. We ensure
our tone suits the message being
Personable and relatable given.
We are friendly and use plain English.
We want all of London’s communities Positive and optimistic
to understand what we do. That way We are optimistic for London.
people can relate to us. We encourage Londoners to get
involved in decisions that affect them.

23 u MAIN MENU
I L LU ST R AT IO N

Illustration is an important tool of


our brand. It should support a
narrative to help inform and inspire
our audience. It should only be used
where appropriate, and should be:

• straightforward
• striking
• bold
• colourful
• relatable
The Hopper fare
• fun
has arrived

24 u MAIN MENU
I CO NO GR AP H Y

Our icons are used to accompany


information, helping to make important
facts and statistics stand out.
They should be:

• simple
• clear
• relevant
• easy to understand

All our icons are created to an 80px


square, with a 1.5pt line weight. They
can be downloaded in a range of
colours from the City Hall image
library (see p48).

25 u MAIN MENU
W E B S IT E

We have a set of website guidelines,


that describes how our brand should
appear online.

Find out more in our


website guidelines [link]

26 u MAIN MENU
PR I NT E D MAT E RI AL

S U P P LI E RS P ROD UCTION

All print quote requests must go Please use the PDF/x-1a: 2001 setting We print on standard stock for regular
through our print management when exporting artwork as a PDF for or popular items. See the next page
company CDS. print. The artwork should also include for guidelines.
crop marks and bleed.
When printing multiple items for a
single project or programme like Request file copies when obtaining
posters and leaflets for an event quotes. As a standard, it is usually
use the same supplier to ensure five file copies for print items.
consistency.

Contact Chris Taylor at CDS before


you start

chris.taylor@cds.co.uk
0113 399 4000

27 u MAIN MENU
PR I NT E D MAT E RI AL

STO C K & W E I G H T S PA P E R S IZE S BO O K SPINE

Uncoated Amadeus Offset TfL Tube poster 635mm x 1016mm Use the following formula to calculate
DL leaflet 99mm x 210mm the size of a document spine (in mm):
TfL Tube poster 250 gsm
DL leaflet 350 gsm Mini poster 297mm x 475mm No. of pages x weight of paper
Square postcard 350 gsm Square card 148mm x 148mm
Mini poster 150 gsm A5 card/booklet 148mm x 210mm 2 1000
Certificates 300gsm A6 card 105mm x 148mm
Report cover 300 gsm A4 booklet 210mm x 297mm
Report insides 120gsm B5 report 176mm x 250mm

For more information on paper


sizes see: http://papersizes.io/

28 u MAIN MENU
PHOTO GR A P H Y

Photography is an important part Photography supports our


of our visual communications. messages and is:

We want our communications • real / honest


to reflect what matters to all of • human / emotional
London’s communities. • diverse
• inspiring
• colourful
• engaging
• informative

29 u MAIN MENU
PHOTO GR A P H Y

V E T T I NG

We vet all photography to ensure our


brand principles are maintained.
We show real Londoners in real
everyday situations.

You should never use images from the


previous administration (pre May 2016)
such as the ‘new bus for London’.

The photos we use should reflect a


recognisable, real and diverse London.

30 u MAIN MENU
PHOTO GR A P H Y

O U R BR AN D PR I N C I PL E S
IN P R ACT I C E

 Personable and relatable  Relevant and appropriate  Positive and optimistic

31 u MAIN MENU
PHOTO GR A P H Y

OU R BR AN D PR I N C I PL E S
IN P R ACT I C E

 Human and emotional  Real and active  Reflects diversity

32 u MAIN MENU
PHOTO GR A P H Y

B E ST I MAG E S O F T H E M AYOR

Photos of the Mayor should be active


and engaging. He should be shown
interacting in real and relatable
environments.

Approved photography can be


repeated across media. However, it
should not be used in different policy
areas or campaigns.

Note: When you photograph the Mayor,


make sure his staff and any known/
political figures are out of the shot.

Tree planting, Waltham Forest, Environment Brent housing development visit, Housing

33 u MAIN MENU
PHOTO GR A P H Y

B E ST I MAG E S O F T H E M AYOR

Cleaner Air for London Greenpeace event, London Living Wage Alchemy Coffee, Cleaner Air for London Greenpeace event,
Environment Economy Environment

34 u MAIN MENU
PHOTO GR A P H Y

B E ST I MAG E S O F T H E M AYOR

London Living Rent, Housing Cleaner Air launch in Putney, Environment London Fashion Week, Culture

35 u MAIN MENU
PHOTO GR A P H Y

B E ST I MAG E S O F T H E M AYOR

Kentish Town visit, Policing Safer London Plan launch, Policing Police and Crime Plan launch, Policing

36 u MAIN MENU
PHOTO GR A P H Y

B E ST I MAG E S O F T H E M AYOR
FO R FOR E WO R DS

37 u MAIN MENU
PHOTO GR A P H Y

B E ST I MAG E S O F T H E M AYOR
FO R FOR E WO R DS

38 u MAIN MENU
PHOTO GR A P H Y

CASE STUDI E S

We use case studies to inspire people


to get involved in our work.

We show real people interacting with


their surroundings. Images should be
active and engaging, They should tell
a story. They shouldn’t be posed.
We should show a true, diverse London
that Londoners can relate to.

39 u MAIN MENU
PHOTO GR A P H Y

E V E NT S

We capture the moment. Our images


strike a chord with Londoners and
bring back happy memories.

To fully document the event, we use


different perspectives:

• set the scene


• feature a human element
• real / natural
• diverse
• active

40 u MAIN MENU
PHOTO GR A P H Y

LOCATI O N

We use photographs of the whole


of London, from the centre to
the outskirts. Places should be
recognisable. They should reflect
London’s diverse communities.
Location photography should be
relevant. It must support the story.

Note: Avoid scenes without people.

41 u MAIN MENU
PHOTO GR A P H Y

WE B SI TE

Portraits used on London.gov.uk


should be professionally taken on a
white background. Subjects should
be well lit with a relaxed, positive 1x1
expression.

Standard london.go.uk image


dimensions are 1:1 and 2:1.

Email headings should be


560 x 280px. 2x1
When cropping images for web please
ensure the focus of the image is
framed clearly within the space.

42 u MAIN MENU
PHOTO GR A P H Y

D O NOT U S E P H OTO S T H AT:

 Look staged and set up  Are for PR purposes  Are political

43 u MAIN MENU
PHOTO GR A P H Y

D O NOT U S E P H OTO G R A P HY THAT:

 Is dull or inappropriate  Doesn’t represent real Londoners

44 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A
T WI T T E R P RO F I L E P H OTOS

Header spec
Upload size: 1500 x 500px
Max file size: 5MB
Formats: JPG, GIF, PNG

Profile photo
Upload size: 400 x 400px
Displays at: 200 x 200px
Max file size: 2MB
Formats: JPG, PNG

45 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A
T WI T T E R PO ST

Photography post
Upload size: 1024 x 512px
Max file size: 5MB
Accepted Formats: JPG, GIF, PNG

46 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A
FAC E BO O K P RO F I L E P H OTOS

Header spec
Upload size: 851 x 315px
Displays at:
820 x 312px on desktop
640 x 360px on smartphones
Max file size: 100KB
Formats: RGB, JPG, PNG

Profile photo
Upload size:
170 x 170px
Displays at:
170 x 170px on desktop
128 x 128px on smartphones
Formats: RGB, JPG, PNG

47 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A
FAC E BO O K P H OTO PO ST
1200 x 900px

Photography post
(Landscape)
Upload size: 1200 x 900px
For Retina screens: 2400 x 1800px
Max file size: 5MB
Formats: RGB, JPG, PNG 1200 x 1200px

Photography post
(Square/vertical)
Upload size: 1200 x 1200px
For Retina screens: 2400 x 2400px
Max file size: 5MB
Formats: RGB, JPG, PNG

48 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A
FAC E BO O K CA RO U S E L

Facebook carousel adverts showcase


up to 10 images and links, remember,
keep photography, engaging,
informative, real / honest, diverse,
inspiring and supportive
of narrative

Carousel spec
Upload size:
1080 x 1080px
Number of images: 3 – 10 images
Formats: RGB, JPG, PNG

Your image should include minimal


or no text. See how the amount of
text in your ad image will impact
your ad’s reach:
facebook.com/business/
help/980593475366490

49 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A
FAC E BO O K P H OTO A D

Use photography in a photo ad that


supports the narrative.

Link Photo spec


Upload size: 1200 x 628px
Formats: RGB, JPG, PNG

50 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A
INSTAG R A M PRO F I L E I M AG E

Profile image
Upload size: 180 x 180px
Formats: RGB, JPG, PNG

51 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A
INSTAG R A M PH OTO PO ST
1080 x 1080px
Photo spec
Upload size:
Square format: 1080 x 1080px
Landscape format: 1080 x 566px
Portrait format: 1080 x 1350px
1080 x 566px
Formats: RGB, JPG, PNG

1080 x 1350px

52 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A
E MAI L H E A DE R S

Header Spec
Upload size: 560 x 280px
Max file size: 500KB
Formats: RGB, JPG, PNG, GIF

53 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A S H OT L I ST

When the Mayor goes to an event


or gives a speech, we often need
preferred shots for social media.
These include:

• Wide shot of him on stage,


sometimes with other attendees
• Wide shot from behind the Mayor,
looking into crowd
• Mid shot from both left and
right side
• Close up of just the Mayor, from
different perspectives if possible
• Showing audience diversity and
their reaction.
Wide shot on stage, sometimes with other Wide shot from behind the Mayor looking into
attendees crowd

54 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A S H OT L I ST

Close up of the Mayor from different


perspectives

55 u MAIN MENU
PHOTO GR A P H Y

SO C I AL M E DI A S H OT L I ST

Audience – showing diversity and


their reaction

56 u MAIN MENU
PHOTO GR A P H Y

C ONSE NT FO R M S

Where an individual or group are the Please follow the relevant link:
focus in a photograph you need them
to sign a consent form. Adult consent form 18+

This should be done before the shoot. Child consent form under 18
Forms are on our intranet.

57 u MAIN MENU
PHOTO GR A P H Y

S U M M ARY

• Take natural, interactive (not staged)


shots. Use flash only if necessary
• Always make sure that Mayor’s
office staff are out of shot
• Post production - always leave
images uncropped. This allows
more scope.
• Ensure all images submitted are
tagged with title, photographer’s
name, date, description, attendees
and location (include borough).
• Ensure diversity in images -
encourage participation if needed.

58 u MAIN MENU
PHOTO GR A P H Y

C I T Y H AL L I M AG E L I B R A RY

You’ll find a collection of images


relating to the Mayor and London
Assembly’s work at
images.london.gov.uk

You can use these photos to support


policy web pages, presentations
and reports.

To access the library, get in touch with


caroline.teo@london.gov.uk

59 u MAIN MENU
VI DE O

We have a set of video guidelines


that describes the variety of styles and
formats that we use.

You can request them from


creative@london.gov.uk

60 u MAIN MENU
T E MP L AT E S

We use templates for things we


produce on a regular basis like social
media cards, conference/event
branding and publications.

This helps us to be consistent and


speeds up the process.

61 u MAIN MENU
T E MP L AT E S
1280 pixels

SO C I AL M E DI A CA R DS

520 pixels, text set within 100px border


Social cards should be straight-
forward and striking. They can be

720 pixels
photography or illustration.

Please ensure all key information is


left aligned. Headlines no longer than
five words. Minimum size is 80pt.

Titles can be in capitals or sentence


case, in bold or regular. You can use
an optional two line descriptor,
minimum size is 30pt.

Mayor of London logo at the bottom,


left aligned, 230px width.

62 u MAIN MENU
T E MP L AT E S
1280 pixels

SO C I AL M E DI A FACT CA R DS

520 pixels, text set within 100px border


Social fact cards should be clear
and informative. The fact is usually

720 pixels
accompanied by a related icon,
illustration or image.

Text is left aligned. Headline can be in


capitals or sentence case, in bold or
regular, minimum size 80pt.

Optional two line descriptor, sentence


case, minimum 30pt.

Mayor of London logo at the bottom,


left aligned, 230px width.

63 u MAIN MENU
T E MP L AT E S

SO C I AL M E DI A
POLI CY Q U OT E CA R DS

We have a set of Photoshop templates Q U OT E CA R D S


for policy and Mayoral quotes.
If you wish to use them,
contact the Marketing team
marketingteam@london.gov.uk

Each card should have a large, bold


headline, with an optional short
paragraph of copy. The word counts
are as follows:
PO LI CY CA R D S
• Headline only cards use a maximum
of 16 words
• Short headline maximum seven
words
• Short paragraph maximum 25 words
• When photography is used, the text
content should sit within an opaque
box over the image.

64 u MAIN MENU
T E MP L AT E S

SO C I AL M E DI A STAT E M E NT S

The Mayor uses Twitter to release


emergency statements on
serious matters.

You can get these Photoshop


templates from
marketingteam@london.gov.uk

These are text on a white


background with top level
Mayor of London branding.

Minimum text size is 18pt

65 u MAIN MENU
T E MP L AT E S

SO C I AL M E DI A STAT E M E NT S

Breaking news statements from


the Mayor directs social media to
london.gov.uk.

These are used on Twitter and


Facebook when posting a full
statement is not appropriate.

You can get editable Photoshop


templates from
marketingteam@london.gov.uk

White text is used on grey tinted


image of City Hall or the Mayor, the
editable title field must be kept to
30 characters.

66 u MAIN MENU
T E MP L AT E S

INSTAG R A M

Instagram images feature the Mayor


meeting people in social settings.

Images must measure:

• width between 320 and 1080 pixels


• height between 566 and 1350 pixels

67 u MAIN MENU
T E MP L AT E S

S H ORT H A N D

Shorthand is a visual storytelling


platform used to promote specific
content using full width videos,
images and text.

There are four main types of sections


available which should be used to
display the content. Section type 1: text over media Section type 2: two column scrollmation
In each section text positions, sizes
and styles can be changed.

The Mayor’s office agrees and


approves all Shorthand stories.

Section type 3: background scrollmation Section type 4: plain text column

68 u MAIN MENU
T E MP L AT E S

V I D EO STA RT/ E N D F R A M E S 1200 px 1920 px

SQ UAR E A N D 16: 9 FO R M AT S

C E N T R E PA N E L
START FRAME:
Event/video title appears on solid
colour panel.

1080 px
TI TLE HE RE

1200 px
TITL E HE RE
Panel 85% wide, 25% height of square
Panel centred over footage.
Text centred in panel.
Minimum type size 37.5 pt.
Font: Aktiv Grotesk Bold, 100 tracking

END FRAME:
# or Mayor of London logo on
solid colour panel. MAYOR OF LONDON LOGO or #

M AYO R O F LO NDO N LO GO or #

69 u MAIN MENU
T E MP L AT E S

V I D EO STA RT/ E N D F R A M E S 1200 px 1920 px


SQ UAR E A N D 16: 9 FO R M AT S

BAS E PA N E L
START FRAME:
Event/video title appears on solid
colour panel 1/3 of the height of the

1080 px
tile at the bottom.

1200 px
Text centred in panel. TI TLE HE RE
Minimum type size 37.5 pt.
Font: Aktiv Grotesk Bold, 100 tracking TITL E HE RE

END FRAME:
# or Mayor of London logo on
solid colour panel.
MAYOR OF LONDON LOGO or #

MAYOR OF LONDON LOGO or #

70 u MAIN MENU
T E MP L AT E S

V I D EO STA RT/ E N D F R A M E S 1200 px 1920 px

SQ UAR E A N D 16: 9 FO R M AT S

B L AC K T IL E
START FRAME:
Event/video title appears on solid
black tile.

1080 px
CE LE B R ATE DI WA LI

1200 px
TITL E HE RE
Text centred in panel.
Minimum type size 37.5 pt.
Bold colour: pink or yellow.
Font: Aktiv Grotesk Bold, 100 tracking

END FRAME: MAYOR OF LONDON LOGO or #


# or Mayor of London logo on
MAYOR OF LONDON LOGO or #
solid panel.

71 u MAIN MENU
T E MP L AT E S

STATE M E N T V I DE O F R A M E S

All centred text on black background.

Start frame - MoL logo

Message frame - text

End frame - MoL top level


URL

72 u MAIN MENU
T E MP L AT E S

P R E S E NTAT I O N T E M PL AT E S
STANDARD ( 4: 3) SC R E E N S

Powerpoint templates for internal and


external presentations can be
downloaded at

Use the Mayor of London and London


Assembly template for internal
presentations.

Please use the Mayor of London


template for external presentations.

73 u MAIN MENU
T E MP L AT E S

E V E NT POW E R PO I N T W I DE
SC R E E N ( 16: 9) FO R M AT

Title slides use a full bleed image or


solid block colour.
T H E M AYO R ’ S E D U C AT I O N C O N F E R E N C E HEADLINE TEXT HERE

#LDNeduconf # or URL

Text slides can have images on either


a white or solid colour background.
HEADLINE TEXT HERE HEADLINE TEXT HERE 50 PT
text here text here text here text here Subhead text here 33 pt
text here text here text here text here
text here text here text here text here
text here text here text here text here
text here text here text here text here 33 pt

Powerpoint ratios are either:


16:9 or 4:3
#LDNeduconf

74 u MAIN MENU
T E MP L AT E S

E V E NT SCR E E N S L I DE S
STANDARD ( 4: 3) FO R M AT

The text size varies depending on the


length of the event title.

Additional supporting logos should


appear at the bottom of the content. C E LE B R AT E 00:00pm (17pt Arial Regular)

E VE NT TITLE Artist name here


(32pt Arial Regular)
Each logo should be approximately
one third of the width of the
Mayor of London logo. logo #01 LOGOlogo #02
HERE
LOGO
logo #03
HERE
LOGO
logo #04
HERE
logo #05

Main headline
(32pt Arial Regular)
17pt Arial Regular body text appears london.gov.uk/events
here, body text appears here, body
text appears here, body text appears #EventHashtag ◆ @LDN_gov

here, body text appears here.

75 u MAIN MENU
T E MP L AT E S

D L LE AFL E T S
99mm

Front

• MoL logo top level branding


• Cover artwork can be photography Come and celebrate the festival
of lights at the Mayor of London’s
or illustration based Diwali Festival, with:

• header can be capitals or sentence a lively stage line-up


of Indian music and dance

case, in bold or in regular weight ◆ the spices and flavours


of Indian street food

• short subheader in regular weight ◆ a market selling stunning


Indian crafts and gifts
• hashtag and/or URL 210mm
There’ll also be henna, storytelling,

• text centre or left aligned. Ensure


dance and yoga workshops, and
more at this free event.

text is legible It’s a real feast for the senses.


Share your event photos
#DiwaliLDN

Back DI WA LI
• main body text left aligned or Really Good by David Shrigley FE S TI VA L
From 29 September 2016 Sunday 15 October u 1 – 7pm
centred (max 60 words) Fourth Plinth ◆ Trafalgar Square Trafalgar Square u Free
london.gov.uk/fourthplinth london.gov.uk/diwali
• supporter logos should be a third of #fourthplinth

the width of the MoL logo aligned


For the best way to plan your journey visit
tfl.gov.uk/plan-a-journey/ P R E S E N T I N G PA R T N E R S U P P O R T I N G PA R T N E R S

to the bottom left or centred #LondonIsOpen

Diwali_2017_DL_Leaflet_V3.indd 1 11/09/2017 14:39

76 u MAIN MENU
T E MP L AT E S
148mm

SQ UAR E L E A F L E T S A N D
POSTCAR DS
We are delighted to invite to help us break the

Front
Guinness World Record for Speed Networking

Inspiring the next generation

148mm
Employees from 20 business sectors giving voluntary

• full bleed photography


careers advice to school students from across London

Thursday 22 October 2015


or illustration 10:00 – 12:40

We look forward to welcoming you on the day!

Lord’s Nursery Pavilion, Lord’s Cricket Ground,

Back St John’s Wood Rd, London NW8 8QN

• MoL logo top level branding


• header can be capitals or sentence
case, in bold or in regular weight
• short sub header in regular weight
• hashtag and/or URL LONDON
• main body text left aligned or K N O W L E D G E Q U IZ
centred (max 60 words) How well do your students know our city?

Join the quiz for your school’s chance to win the Mayor’s
• supporter logos should be a third Award for London Knowledge. Schools compete online and
the best go to the live finals at the Museum of London.

of the width of the MoL logo and Find out more and register at
londonknowledgequiz.co.uk

aligned to the bottom left or centre.


DELIVERED BY

77 u MAIN MENU
T E MP L AT E S

C E RTI FI CAT E S

• MoL logo top level branding


• white or light tint background
• header can be capitals or sentence
case, in bold
• short subheading in bold or
C E RT I F I CAT I ON OF R E C OGN I T I ON

in regular weight FO R YO U R C O N T RI B U T I O N TO T HE

• dotted line for recipient’s name SU B J ECT KNOWLE D G E


H U B S P RO G R A MME
(optional) FAC R I C E RC E MNO N NO ST ID IE N D E T

• name, title, and digital signature SCH OOL S FO R


S UCCE S S

A4
• text can be left aligned or centred
• supporter logos should be a third of Enter name here

the width of the MoL logo aligned


Thank you for supporting
excellent teaching and learning
in London schools.
to the bottom left or centre Edit faucepse que noncupiem,
vastisq uoditiaet? Otere nos, senteritum
• to get printed copies use TfL ac mpononfit fectabem egitintem it.

reprographics Sadiq Khan


Mayor of London

Sadiq Khan
Mayor of London

78 u MAIN MENU
T E MP L AT E S

P U LL- U P BA N N E R S

Pull-up banners should be informative,


eye-catching, and engaging. They can
be photography or illustration based.
THE MAYOR ’S
EDUCATION
London Borough
of Culture
TE AM
• MoL logo top level branding
CONFERENCE
LONDON
#LDNeduconf #mylocalculture International Volunteering Conference

• header can be capts or sentence


case, in bold or in regular weight #LondonVolunteers

• optional single line subheading CHAR ACTE R M U SE UM S DE S IG N

• hashtag and/or URL HI STORY

• centred text
• photography should be full bleed - CRE ATIVIT Y

with a top gradient to ensure text AMB ITION ART

is clearly legible
• photography should follow the
photography principles outlined
on pg [to be updated on approval of
content]

79 u MAIN MENU
T E MP L AT E S

E XH I BI T I O N B OA R DS

Exhibition boards are usually


printed at A0 size and mounted
T R E E � ME N D OU S KID S
on 5mm foamex board.
Giving children opportunities London Tree Week:
to explore the great outdoors 27 May - 4 June 2017
can help them appreciate the Come and celebrate London’s trees
beauty of nature and lots more and woodlands with over 60 special

Exhibitions will usually include


besides. Take trees for instance... events. London Tree Week has
everything from forest bathing, to
The following photos highlight a guided walks of historic mulberry

an intro board and image boards.


few projects that aim to inspire the trees, to photography and poetry
next generation to plant, appreciate walks. There are lots of fun half term
and love London’s trees. These activities for kids too.
projects are run by our partners,

Text can either be in a single column


and many of them have been Find out more at:
funded by the Mayor, Sadiq Khan. london.gov.uk/londontreeweek

This London Tree Week exhibition Share your London tree photos using

or two columns. All images should


is presented by the Mayor and the #LondonTreeWeek
London Tree Partnership.
Twitter: @LDN_environment

be square.
Instagram: @LDN_gov
Email: environment@london.gov.uk

© WTPL/Phil Formby

© James O Jenkins
Thanks to all in the London Tree
Yogdip Raghvani
Partnership who shared images Children at Griffin Primary School in Wandsworth
Volunteer at the UK’s Largest Careers Speed
to display.
The Woodland Trust offers free It is unforgettable, rewarding Networking Event for Young People
trees to UK schools. They believe that and educational.
planting trees is an experience every
child should have.

80 u MAIN MENU
T E MP L AT E S

R E PO RT S SKILLS FOR LONDONERS 8

COPYRIGHT CONTENTS
Greater London Authority
June 2018

Published by
Mayor’s Foreword 5
Greater London Authority
City Hall Vision 7
The Queen’s Walk
Setting the Scene 10
More London
London SE1 2AA Objectives and Priorities Error!
Bookmark not defined.
www.london.gov.uk

We have a standard MS Word report


An Ambitious Future 62
enquiries 020 7983 4100 Annex 1 66
minicom 020 7983 4458
Annex 2 69
ISBN 978-1-84781-670-2

Cover photographs © Philip Ebeling

template for online publications.


Copies of this report are available
from www.london.gov.uk

We can provide an alternative Skills for


Londoners

cover if required. We provide


A S K I LLS A N D A DU LT
E DU CATI ON STR ATEGY
FOR LON DON

images to size and style charts


Date

and graphs so they look consistent Cover Copyright Contents Image


throughout.

You can request this template by


SKILLS FOR LONDONERS 10 SKILLS FOR LONDONERS 11 SKILLS FOR LONDONERS 28
SKILLS FOR LONDONERS 62

emailing creative@london.gov.uk
For those who know where and how to access it, London is a city full of opportunity. Every
year, thousands of young people flock to London to make the most of the capital’s varied
Setting the Scene job opportunities, which can help them on the path to a rewarding and fulfilling career. And Strategy Indicators
many young Londoners are well-positioned to access the city’s most popular jobs and
professions. The capital’s schools now have the best GCSE results in the country. In The indicators in table 1 will be used to measure the impact of the Mayor’s
London, 83 per cent of further education and skills providers were rated good or Skills for Londoners Skills and Adult Education Strategy.
The full Skills for Londoners Strategy Evidence Base and executive summary have been
published with this strategy and are available alongside the results of the public outstanding by Ofsted, at their most recent inspection6. This year, four of London’s
consultation on the draft strategy and opinion research with Londoners. This section draws universities were listed among the world’s top 407. Table 1: Skills for Londoners Skills and Adult Education Strategy Indicators
out key contextual issues relating to the strategy priorities, informed by this primary and
secondary research. It also includes input from the four borough sub-regional partnerships But many Londoners still do not benefit from the opportunities that are available. While Ref Headline Indicator
– Central London Forward, Local London, South London Partnership and West London employment rates in the capital have increased recently, unemployment in London is still
Alliance (see annex 2 for the boroughs included in each of these) highlighting any specific above the national average8 and some groups remain under-represented in the labour SS1 Participation in learning:

Always allow plenty of time for


local issues in those sub-regions. market. The unemployment rate for 16- to 24-year-olds in London is 2.9 times higher than Percentage of the working age population in London (aged 16+) participating
for adults aged 25 to 649. in education and learning, total and broken-down by target groups; (sex,
BAME, disability, social group and age).
Skills Challenges for Londoners Barriers to work SS2 Employer investment in workforce skills:
Almost double the proportion of working-age disabled adults in London are workless, Proportion of employers that had arranged or funded any type of training
Summary of key skills challenges for Londoners:
compared to non-disabled adults10. This is a key issue in the Central London Forward (whether off- or on-the-job) for any of their staff in the previous 12 months as

approval at Mayoral Director level


area, where the proportion of the population with a disability (14 per cent) is lower than the a percentage of all employers, total and broken down by occupation, sector,
• Unemployment rates above the national average, with young people, disabled
national average but the disability employment gap is wider than both the London and size
adults, BAME groups and women disproportionately under-represented in the
national average11.
labour market, especially in higher skilled, better paid jobs.
SS3 Success of coordination of skills provision - skills shortage vacancies:
British Black, Asian, and minority ethnic (BAME) Londoners have higher rates of Proportion of employers reporting a skills shortage vacancy as a percentage
• Continued and persistent gender, race and disability pay gaps. of all employers in London, total and broken down by occupation and sector
unemployment and economic inactivity than other ethnic groups12. Women are also more

(at least five working days before


likely to be workless than men in London – 9 per cent of men are workless compared with (Incidence)
• Wages struggling to keep pace with the rising costs of living in London,
33 per cent of women13.
leaving one in five workers paid below the Living Wage and the highest SS4 Success of coordination of skills provision - Working age population
proportion of people in poverty than in any UK region. Intermediate level skills:
One group that faces specific barriers to work are homeless Londoners. By the end of
2017, there had been a 51% increase in the number of households living homeless in Percentage of London working age population with intermediate skills (Level
• Substantial variation in employment rates and incomes across London, 3 qualifications), broken down by target groups (sex, BAME, disability, social
temporary accommodation since the end of 201014. London now accounts for 69% of
meaning the capital is the most unequal region in the country. group and age).

publishing).
homeless households living in temporary accommodation in England15. A recent study
estimated that one in 50 Londoners is now homeless16.
• Low levels of qualifications and skills holding many Londoners back,
particularly in literacy, English language, numeracy and digital. These headline indicators directly relate to the priorities and objectives set out in this
strategy and the strategy duration of a decade. As far as possible, performance against
• A lack of an effective careers information, advice and guidance offer for these indicators will be broken down by target groups to ensure that improvement in social
mobility within London’s harder to reach communities can be monitored.
Londoners, limiting the ability to upskill/reskill and progress in work. 6
OFSTED (2017) ‘Further education and skills inspections and outcomes as at 31 August 2017’
7
Times Higher Education (2018), ‘The Time Higher Education World Ranking’
8
Based on analysis of ONS Labour Force Survey data. The Skills for Londoners Framework, published in conjunction with this strategy, defines
• The changing nature of work due to technological advancements and the 9
Based on analysis of ONS Annual Population Survey, Oct 2016 to Sep 2017.. and sets out in more detail some of the key outputs and outcomes that will be measured
increased need for digital skills to find work and access public services. 10
The Equality and Human Rights Commission (2016) ‘Is England Fairer?’ p47. for projects and programmes directly funded by City Hall budgets. These include the
11
Annual Population Survey (APS) 2016,, provided by GLA Economics, accessed via Nomis.
12
Trust for London (2017) ‘London’s Poverty Profile’ p85.
devolved Adult Education budget (AEB), European Social Fund (ESF) and Skills for
• The soaring cost of childcare in London posing a significant obstacle to 13
Trust for London (2017) op.cit. p88. Londoners Capital programme.
parents - particularly women - accessing education and employment 14
MHCLG Live Table 775
opportunities.
15
Ibid. It is expected that the Skills for Londoners Strategy will also contribute to some of the
16
Shelter, ‘Life on the margins: Over a quarter of a million without a home in England today’ (press release), wider indicators in the Mayor’s statutory Economic Development Strategy. The indicators
(2016)

Chapter Text Table 4 images

81 u MAIN MENU
T E MP L AT E S

R E PO RT S REPORT TITLE GOES HERE 3

Copyright Contents

Contents level 1 5

Designed reports usually follow a


Greater London Authority
Month Year Contents level 2 6

Published by Liciemnius 6
Greater London Authority
City Hall Epora coenihi 10

template.
The Queen’s Walk
London SE1 2AA Liciemnius 13

Epora coenihi 17
london.gov.uk
enquiries 020 7983 4100 Liciemnius 18
minicom 020 7983 4458
ISBN Epora coenihi 21

Liciemnius 22

Production times can vary depending


Epora coenihi 24

Liciemnius 26

Epora coenihi 28

on the content. For example, a


Liciemnius 30

Epora coenihi 31

Strategy Title

document of 100 pages or less can


DR A F T C ON SULTATI ON STR ATEGY
September 2017

take between 6-8 weeks to produce.


Larger documents will need even Cover page Copyright / contents
more time.
REPORT TITLE GOES HERE 5 REPORT TITLE GOES HERE 7

Chapter heading

Get in touch to discuss individual


requirements and processes. Chapter heading
Sit, occusam dolupiendit evero debit
lit que ad ma sed mil in et que venit
ipsae solupti quaspissit, volore dolorei
ciistorpore niam etur?

Offic tet inveliqui denimos doloris


essitat a dolupta estior

Aut autecus ius ullor aliquas ex eosam,


untiis experem quasimincto illa velenih
illuptior simus et eum natur aut hita
dessitaest quam aut uta natiati delibus
pa quis adi omnimen iatemolupti re
voluptatiis qui od ut rerum et accum
sinisquis nostiist renihiliquam fugiamus
nos ex expeditas adiaest, ut evelis quis
etur as mintiorumqui vendus quo et ut
voloreius volorro tem volor as dolorep
elicatem quo et di ant.

Hilique volo is eosapis inveniendam


eossum quam es vit, volorrumquae optas
non consequunti simust faceatiae dit
eum nobitatus doloreptae prem. Ro ime
pos qui ommolupta istium et, officient
expedio nsequiatia pra quas sitin et,
essimai oritae possit, est, quation
nonsed utest re que seroribus estis dit,
audi ab ium dolum non restiam inum
dolo consequi ratestiature laut eatum
reperiandi tem aspe non nihicius modia
aut unt harum accum andist aut est quiae
quunt laborep rovitas que voluptat verum
aut venimi, aut alitatur, officimin pellori
orenem eatiis nis id explabor aceatur.

Chapter page option Chapter page option

82 u MAIN MENU
T E MP L AT E S

R E PO RT S REPORT TITLE GOES HERE 9 REPORT TITLE GOES HERE 11

“ Fectorbi factodis. S IT E A V E L E A EO S D E R E S E N IS to is eos eius dolupta sunt quateni Nihiti ullabore sequunt plabo. Itatisseque Pa doluptibust offici volendae perepe bla consequam dit etur? Empos dus, emperch ilitatem faccull uptatius rem “ Fectorbi factodis.
E X P E R U P T U R , E T Q U E L AM maximus conesed maximin iandus eat nem que incimus quodis antis repuditae poriaer ibusam lam es exped eostium sam, comnihil eate cum ra voles dolupta ut aspitaqui doluptas nis quassimagnis
Apestra vocul officae ptatum harum quiatquia dolupti porehenimi, enient quam autempe idebis dion es ventur alignam nullabo restisque quodisq uiaepudis abo. Volestem. voluptatur sum vendictem quiamus Apestra vocul

Pull out quotes and stats can appear


Ent que dolori venimod quidestisi beaqui di ommolor itatempos explibus resenih molut faccumque que labor magnam is illitas dion parum ullorerum faccabore Expelecto esequisqui niet, sequiam ium dolorum aut quam, tectusam etur?
vivil ventid se ommolupti cullesto maios plaborum, icabor mincil ipistotae si rem. Nam ne is ut doleseque a voluptatquos qui ad est que nos et et auda qui coruptam, harum sequatus apero bernatet eaqui Bitaspe reiur, voluptio odit expliquundae vivil ventid se
quas essi autectu ressitia nos imil quoste num, et volessim non pratur, sam ut a verrum quis is mi, ut pori omnis que occaboris evernatus, occus aut alitat et blaudipsam inihil ipsum, odigeni hiciatium sitatum ipiendi ciliam quiam, te endande
etrest atus tem, imagnia niatur sitatia pra velit facerum eos quam, que prectotas quost volestius necus. resciam, invenem et faciis nis parum re voles dolorep rorepre volorpo reprovit quidesto test qui conseque sequae etrest atus tem,
ipsustionet de nonsent, occum aut im sedignate est, sit et officat andi derunt laut mod que ium et quatur sequibusam, eosam, que debis et accum iumquist ani dolorer ovidebiti bearum et magni
ponsuli ntique raepercius rerro od quameniat que mint. alicim volupis etum quo est, iur? Ed moluptibus, omni cusandi orruptatur cus explant iorrum aut eum inci sed ut eatem expliquiame venis eos dellaturis dolupti busdae sinvernam necte volo ponsuli ntique

in either the left or right columns of a


aut ut dolupta ssitas sam fuga. Aquias quatiur simaxim oluptatet ilibusdae niate ex eum solupicat occusant quamenda idiciasped endebis autatquia iduciam,
reis nem me ad C. Arum volorum rem re cori ni cus M E N T, S AN D E B ITAT E M E T diae num et qui corest voloriosa siti labore seculparum commo venimil mil mi, quo beri veleseque el ea simet volupta que aspedigent expellabor simus. reis nem me ad C.
doluptatusda cumqui tem rempos D O LO R AT U R AM E V E N D I B E A rescim ratatis dolupta erorum accabor solloremque et alitiur aut inciet remquas que niet fuga. Et et dolupta cor reium
Decupio ratuam acculpa rchilit, occulla ntusant et Q UAE D I D E LL AU TA esecto volupta voluptat aut volore ius vellaut molor aut videllique nis ilic tem volupti nveriti stiaerum, quate quate Neque apiet volupta dolorio resequasit, Decupio ratuam
volorehenti beriamet quasper chillen derciet litat quas dicid earit et accum reicite voluptis eicia nemo tet officiet aciaescitem rehendebit dolorro eiciund odite pro bea dolenis
potio, sentiur potio, sentiur

spread. Pull out stats can also appear


daecae accuptatias nonseque nihil mos volecuptaese dolo idelistiure con sitate premporrum ea sint pore, ut ut iunt ipsam, tem que pratemo luptas dolum, isquam unt mos eatureptisi ullatium et
nessitas a cullut pori dolorum nonse perovid ut que nonsequ aerspe dolendel lab iusae nonsedis dendictor ab ipsanis offictem solore comnis exera cullia quis ute nosame vollibus re net velia Doluptasi quas quissinvel imus, comni
bitati sturniu verepud andaeptae nientores excepudae magniminvel mo qui te poratenectis illant la sitemos voluptat aut hariore explia ipsuntiorum eaquaep erspere del con numque pore sitate et et preprov sit, am ipis dem litatus niatemodi tem quo bitati sturniu
eicit eum dolorestia ditem fugit ea vit que antes con pro omnimo tempedis nducia diam sero dolo blab intum verio istiorepudis molutempor si ut mi, qui idebitatem suntibus dem quam, eum et corem. Ro beatia venim as etur, sapid
qui sum postia as sunture molorenduci ditas plique estiore sererit ibusaperi ommolup dem. Nem volupta quodita con nonet cusdae nobitam volut volupti orepudit ut eaqui ut re, sunt ut faccaborum verchic quis si voloriore non nonsequam et as ut qui sum postia
optionsequi idelis rat occum accus tassinc tasperiatur sum si cuptaturiae. errum apiendit ut idella dolorempor si aciis et evellecus volorrora etur sinimpo tendia voluptas ma nulpariae natios is andae pora vendand eliquaspient fugit,
nuncepoenam.” nuncepoenam.”

along the bottom, below the text.


autatentiam, conseri onsequas re culpa Nam ipsum quodi id magnihicae esti alibustia ea conseque etur? ratempor ape et, enis debisit earchiciae. andis evenda quis nis exerio maximillis ut doluptis dis quia pelendi tibusdanti dit
iustibus et ommo eatur? volupta vent, seris mod quis serchici Hent pratur ratat laccull accus, int venim enda voloria qui nonectur? offici acium quunt.
doluptatem ullitatatum aut aut reperistio Nam, audamet alit, nullore molori aut quo culla volor renimus. Eexeris molores recto optas
Busapidis paria nest molessit assi diam volupta sanihilit lab inventi anihili quaestion es minum venia debisciur Neque comniat andae. Daecae paritaqui Delitis volupta ecabor ariati nonectent, Et eic to bercia cuptas a aut
blandem si accaborrum adit ipsam alique gnihilis est ut aliquam rehenie nimaion autaspelenis as quodi dolor reperna O B I T AUT E ST, UT O M N I S D O LO offic tecum nullaut faccum voluptatem sintium inciducia volorum et et apicatum
nis issitas nis eiusam ex eum senimillum nulparuptat latem rem. Ita aped qui tquiate ctiuntem venes eiciaspe I U S RE RRO RE M D O LO RE S E UM esequia epresciis dipis sam audi berorep inulpa denimi, oditatur, ullorupti bla
invellab idestibusam, comnitiisci corum, incillu ptatios apienda quidebit volupta suntibusanti rehenie ndantoriore ne Q UI AT I U S. edipitiae etur? As accae. Ut esequatqui nienim lit laccustota incipite omnimus dis
nos erci re maio. Voloriorum senist ecullor maioreium que num voluptas qui veremporem el maio eliquid ut que nullab to odit, iuntempor sit verenimus, as eost, sequas por abore corecaepelis
duciisto tecum imet dolende volorent. utaquas anitas int pernam nis magnate ipsam volessum quiduci asimossequi ut Gendam eveles quisquis dem et, aut siminctore omnim quaera qui comnimint quaspictiis et od millita pres idipsam
labo. Parchillatum volorest, sequatatem ipient. laccuptatia desequa tisque consequ as atia quo moluptaquia porum sit omnim nimustem re eatestionsed quibus
Dunt pedit haruptatem lit utat la nonsed resequidebis es aped quam harum amusdae odit re, omnimus si cus il et ullandicatur rem eum fugita que debissin exceptus min eatus explanissunt
quia iunt volor ressite mpores volorep verrovitatur rescien dentio maio minvelis Lit verchit etus et voluptae velessimus everorum elitas sitem rescias et facepudi sumqui volessincto blamus et aut fugia ilibusdam, sunt autem sundaer ferest
taquae reperspicias ea volupti dia parunt, dolupta nis volores tiscimus dignisti volores trumque volorep udandignis num dolecta volupta voluptatiis aut ventium, aceperspicto eum fugiam es et optatiaecto consero omnimus, sit et
con remqui debis dolupta tendem qui ut ad quissinisqui nonsed modicie aute maio. Es quam, quam faceaquas earibustis cum quibus mo tem fugit aut eatibus eatur, as quis modisit evereptam facidel liquamus, sequoditis
dolore nis as molorerciis molor ratempe ndandant faccus, sunt as audi dion dusam que denihiti quia perci qui alitem eos essum adi cullum et platibu atinvelique pro blab iusandis dolorem nullant pos porehenem commolore
rferovitatem inullabore nobis et rero consenet a cupta num, in cus etur sinci sequam, ipsam expe porempor aut eos sapiendest milit quodi vent quisitatem quid untio dolum expligent. Nestrum pro quiat que posseque non ra cust,
est, aliquodisit qui odit, sum quam am ut eaque nulluptatia comnimus aped que dicia sequis vitas imintis rerfero eos abor ut rehendenim doloriam non este alis hariore eos maios qui quibus mus. omnihicte voluptam, quodi ad quia
neste omnimus quo eumquas a eic pelluptatur aut quunt rero inctium fuga. samus molor moluptium repernatque. idunt aut alis deligen debist quo et quaeri Natem nat remporit, cuscilla alictor ditaquo eosam rectiscienda pa sitas si

Pull out quote option Pull out quote option

REPORT TITLE GOES HERE 13 REPORT TITLE GOES HERE 15

At illab il et id quiscides doluptat ra illa umentiones esed modiore, quam et aut magnim quisci ipsanda soluptatio M E N T, S A N D E B I TAT E M E T reperspicias ea volupti dia parunt, diam volupta sanihilit lab inventi anihili accabor esecto volupta voluptat aut
comniat quias aboratias quas alicid ut litint que velis asperum reptur sincient velest, offic totatem reic tecus. D O LO R AT UR A M E V E N D I B E A con remqui debis dolupta tendem qui gnihilis est ut aliquam rehenie nimaion volore ius derciet litat quas dicid earit et
ero vel is dolorerum et aliscidempos alit et, officia perunda muscide peratur Q UA E D I D E L L AUTA dolore nis as molorerciis molor ratempe nulparuptat latem rem. Ita aped qui accum sitate premporrum ea sint pore,
20 % asimus iliberf errovita velecta spienisquia sequisquibus dem nossed quis mo que Am quas sum faccabo rporem num sam rferovitatem inullabore nobis et rero incillu ptatios apienda quidebit volupta ut ut iunt lab iusae nonsedis dendictor
perro cus. optatqui comnihi llabo. Nem quibus sitatur? Ent que dolori venimod quidestisi beaqui est, aliquodisit qui odit, sum quam am ecullor maioreium que num voluptas qui ab ipsanis illant la sitemos voluptat
ipsaperia simint quamet ut occum ommolupti cullesto maios plaborum, neste omnimus quo eumquas a eic utaquas anitas int pernam nis magnate aut hariore nducia diam sero dolo blab
Officie tureprovit ist voluptur, omnihic ipsunt accupicide exped qui berum Dipit exces si doloriberia quatur sin quas essi autectu ressitia nos imil to is eos eius dolupta sunt quateni labo. Parchillatum volorest, sequatatem intum verio dem. Nem volupta quodita
of the UK’s computer, aerunt, sum anduci derrorunt laborest, volo consequae. Et occuptatet, omnist consequat hilitat et harum nos aspid imagnia niatur sitatia pra velit facerum maximus conesed maximin iandus eat resequidebis es aped quam harum con nonet errum apiendit ut idella
telecommunications and digital cus dolor sum que necto molore restis illabo. Illes voluptasimus as estias dis qui simagni cumquibusam reritatquam ipsustionet de nonsent, occum aut im officae ptatum harum quiatquia dolupti verrovitatur rescien dentio maio minvelis dolorempor si alibustia ea conseque
content jobs call London their home vel maio ipsuntia dolupta sperem facest aut fugitassi berum nosamus sunt et rendem quam lautas ate nulliquat raepercius rerro od quameniat que mint. di ommolor itatempos explibus resenih dolupta nis volores tiscimus dignisti etur?
undaest, venectiumque sae si cus offic tenectu riatis et elignit fugia con volecum as ipsam veliquaes am illuptur? icabor mincil ipistotae si rem. Nam ut ad quissinisqui nonsed modicie
eos assitat maxime nus, sit qui qui ut pror aborepe rferspidem reium deratem Arum volorum rem re cori ni cus quoste num, et volessim non pratur, sam ndandant faccus, sunt as audi dion Nam, audamet alit, nullore molori aut
ommolle ctatus, sam et modit velitia animin eos audis ex exeri derum volum Ut etus que non restotaturi volessita doluptatusda cumqui tem rempos eos quam, que prectotas quost volestius consenet a cupta num, in cus etur sinci quaestion es minum venia debisciur
quianiminis verissint et, alibus. ni odit latem dolest, aceaquatqui unto doluptat estis num nonseque alis acculpa rchilit, occulla ntusant et sedignate est, sit et officat andi derunt ut eaque nulluptatia comnimus aped que autaspelenis as quodi dolor reperna

40 % O ST R U N T L AN TO E AQ U U N DAE
eles dempori a videbis estis nos aut
velignam faciissi dolupta non remporror
asped eum ratquamus ut volesti aut as
magnim cum sequam, sam volectiossin
volorehenti beriamet quasper chillen
daecae accuptatias nonseque nihil mos
alicim volupis etum quo est, iur? pelluptatur aut quunt rero inctium fuga.
Nihiti ullabore sequunt plabo. Itatisseque
tquiate ctiuntem venes eiciaspe
suntibusanti rehenie ndantoriore ne
PO R U M N IS D ITAT simporro tendam eat estissequiam earchit aeptio mod ut aliti aliqui omnisim nessitas a cullut pori dolorum nonse volecuptaese dolo idelistiure con nem que incimus quodis antis repuditae veremporem el maio eliquid ut que nullab
faceat venis accaborae. Ecuptur sam am quiatib usapelicium facipid ebitiusdam, verepud andaeptae nientores excepudae perovid ut que nonsequ aerspe dolendel porehenimi, enient quam autempe idebis ipsam volessum quiduci asimossequi ut
Magnatet is explatquias experepro que repudio nsequi tem volupta turibus conseruptat. eicit eum dolorestia ditem fugit ea vit magniminvel mo qui te poratenectis molut faccumque que labor magnam is ipient.
of digital businesses say that maionsed mos dolora inulpa volorrum cipsam qui officium nate nobiste maio. as sunture molorenduci ditas plique que antes con pro omnimo tempedis ne is ut doleseque a voluptatquos qui
they face challenges finding non enderae corerum ut hit, sitaturestio Oles versperspici tempore mporuptus as Nem cor molorecatur sum facitam optionsequi idelis rat occum accus estiore sererit ibusaperi ommolup ad ut a verrum quis is mi, ut pori omnis Lit verchit etus et voluptae velessimus
skilled digital workers corae exeribus, odis sae nobit qui am fuga. Ut ea et ium velit et labo. Itatur exerferum ipsam abor serferia vel ilic autatentiam, conseri onsequas re culpa tassinc tasperiatur sum si cuptaturiae. que necus. Ed moluptibus, omni cusandi volores trumque volorep udandignis num
omnimus, occus sum eaquisitas si quis apis am, esti velest et essimporae est totatius int que estrupt ataerunt. iustibus et ommo eatur? Dunt pedit Nam ipsum quodi id magnihicae esti orruptatur aut ut dolupta ssitas sam fuga. aute maio. Es quam, quam faceaquas
ea num erchit dolore et fugiam que ero berumque plam int posa voluptatque haruptatem lit utat la nonsed quia iunt volupta vent, seris mod quis serchici Aquias diae num et qui corest voloriosa dusam que denihiti quia perci qui
qui dus, con re dit ut la ilibusam utam aut vent faceaquid que laccus et est Ipisi que consequas estibus acia volorib volor ressite mpores volorep taquae doluptatem ullitatatum aut aut reperistio siti rescim ratatis dolupta erorum sequam, ipsam expe porempor.
endesto taturem aut adipsus inullitate sit et quamet aute cum erspe pos eatia uscipis dolorerorem debitatum ventia
enimus, sandigendant ipic totatendicae idusdandit, isquam apist ligente mperiti quis reium que volorem consequiant
85 % aperitiur am nistorrum laut fuga. Nim unt untendiandae eostrum que nonsediti latur?
omnis demquas apeditiam quis et audi
od moluptaecti nus, ipienis veliaecatas
ate voluptum num rerferor aliquam
ellam, venda dellut landicipsae lam il Otaspis quam harcid quam re occus
84 119 m 2 30 10
aditae ellore, ut ut alit aut voluptae. Lant eaquia sequo inimi, simusae pelit aut experum dictur rehendaniat. children took part in cycle green screen built new street trees planted new bench seats installed
audiorupta niant latibus aut volestiaecum qui omniet eicaero tes utem vendictat training at five schools.
of recruits for junior tech
positions in 2015 had just finished accabo. Dit pro blaccus, cus at reiciis liquis ea dellorum, nonsequas magnatur Anim quam et faccaturis et arum qui
inctorest expelecae dit, ut essum adi re ratibusant hiliquis aut aborem. On enecte berchicabore re nisque aut acesedis
a computing-related degree.
es inctem rempe voloris ent, conetur, nimporem quiduciet ea soluptatatem ut videndu ciumqui bustium explibeari
quatem quae pelessusae ducilit laut od latur sus eossimi, quibus culloratiis maio repelit odit aut qui aut reptatis pellecabo.
quis alis ratur, enienda ersperit fugiti mostio quam ipsam et aut vitatis aspidip Itatem explici lluptin ihillab inci unt que
sitis maximpe rumquas volore quasper sumqui ut ommos autecte quidis utatem provitis essitionse nonse aliam.

Pull out stat option Pull out stat option

83 u MAIN MENU
T E MP L AT E S

R E PO RT S REPORT TITLE GOES HERE 17 REPORT TITLE GOES HERE 19

Intio voluptae. On rendae vit ero dellam, Dolo que net facium venet abor Tus et aute sequasi minullest ra On res que porrum num sitate debit et
volo offici acienimod magnihil et est, sandant aut por rendaniet elenduciat doluptatur? Udicideribus dolore destrum, fuga. Upta porerum, aliquisque et volente
quam, aut restionsed moles ad qui hici optae officatus. to mos eum si od eicimint, et mostrunt voles ad earciis qui ut dolest, occum

We often use images to break up and


optatias minctus non nus erchic te estissi delitis doluptatius voluptas simus. as doluptation rerum es magnihicim
venitium quos aut am non explige nditius Unt etusandis aut labore nat explaut qui ullanitas molupti si cusdae cum
est exerferaepre remquib usaniae ctures officipist od qui doloren tempore, Agniatis dolessunt ut ut dolestrum nonsequo inci nis nihici quaeperessi
atquis alit volupta doluptaque in rae erferibusdae verunt liquam faceatur, earcimetur, auda dolorum auta quaspiet con consequo consed ex enda iunt lam
persper iorerit hilitec aborem quissit ius est dolore, necaborae necto blab ideni a voluptatur magnime nam doloreptaque quiamus, ulluptur? Tus nus doluptur aut
et et alicia volorestiam estiam ullabori consequi doloris as ad ut expe cusa es et acepro mod quos et hil molorepta ut alit, estotat estecer spelenis ipic to

provide a visual context to the text.


tet offic tecta qui ant, nim la est, sequia voluptam idigent voluptatur, simenihil plabo. Lestibusam qui cori cus endenihit berrupt ureped maxim quiam eturit, sume
de peris autatium reiciis quamusae eum que laccum et mossinv erumet aut id maximo esequatusam quis rem alicto quis et assit ut lantem quae dest et
conesse cullabo. Et ditatiist event, cum eum fugiaere des nonserf erisquiam, repudio reperiat excestis si offictus, odis mosamet ad quam ea dolupta incius
reped ut alicia dolut eveliquae estrum omni dem ex explaut atquibust adia verro bea quatiae sitatib erumet et lictur maiorit velist, ipid enit dolorrum
sim quam, nimi, conseque pliatio. Im dellorist ommoluptatem nima nusam doluptasi inimolor sequam, quatur? Qui voluptae comnihi lligenis as atium que
odis non comnimus, unt ex eosandita nat doluptur, ut voloris et esse esti ne

For guidance on the type of images


dolut omnia que quid eatis adis maximin landita temporibus quam, ut lias nissima
itatibus magnist quiameture vendel idelit voluptas mos eum in eumquam, nos laute natibusdam fuga. Bis aut latqui blat. nonecep rerepedit, omnistiae. Eperi volut
parum ad explaborio ent, sitis et quam et quam remolentur rerro quaest, hiliae laut amus ut iunt idus doluptatia
faccuptam aute ea quat. nossuntis aperum in prae dolupta ium Eratet aut officae incture nobit facidebis doluptas sinihit et alitatur andistis quis
estor magnati andempel in erorem est que nonsequi odit utem reperum rem voluptatis ad que inciur rendipi enihit
quaescil eaquamus molenim agnihil faceate moditae offic tendia del mos et alignatur mod minci dolorporeic tem et

to use, please see the photography


is excerorecea doluptasped minctur, ea sant, vid modiore iderferro et as sus veligni miliquas asiti tendipsam hilit ea
officiisci aligendam, quo qui consendi ut aut as dolori di venis quiam et laut ius nam aut volorae voloresequas quatum
optatque ped mo que vel ipsandamust, volest aliquis rehent, odita sequiam, sit ut exerorro optae. Et dolorempos etur?
ommodit ut etur? officiissi necabo. Itatem repudande nullit Quias diorias voluptatia doluptis iust
aris re remperunt, nusament, odi corum erum dempor mo vitatus, sin ne pration
It eos et alita qui dipsunt initae eostium nonsectis volorum comnis venimpe sendeni mendund emquodi nis resequi

section of these guidelines on pXX.


fugitiis escipsam eum ipsuntia voluptatio licitiantium rendis inimilit, quae pliquos remporeium isit audipis quunti ipsunto
doluptam volo bla dellam, utem. Modit, mi, consent es molores volorernat. tem aut eiume se modit dicipsanto bla
volorionsed mo volum conet omnis eos volupti aut moloria coratiur simporrum
estem ad enem ipsapienihil illestias re nonsed mil molupie ndipid qui bea
andistis nonsectus que pa doluptam, dolupis modionsequia prem et lacea
atus resequi ut quia nos miliqui que is de quiatur eperum volupta tecepel igender
latis nimin poribusam, inis ellis dolorep iaspelent hil iduciatur, nus re nullestiati
erfera pra que quam quam. que ped ut volupta tatemquod ea sitiam
lamus expelent optat.

Image page option Image page option

REPORT TITLE GOES HERE 21 REPORT TITLE GOES HERE 23

FIC ID M O LU P T U R veleste nobit mosam quamust exerum Ilit quodit, offictiis repernam liquis
idem et poribusdae. Ovid ut alis porecta dest reriosa comnimil ipsanitati rerspic
Quis et quiam voloreniet eosanis duntur, volupti dicimod itasperiores dessit, ipienime si dis nulluptatius ut fugia
enda coreium id quo voloribus debis qui nostiore mi, utem ullabo. Remped esto ipis etur aut omnis site nobit molupti
as reium ratio consequ ideris mi, tecatur et, quam, inverio tet laborpore earum et dolupitiis arum niscitis re vendamus ilit
rem ad minihit iusae. Nam nullam, aut optatiis eles arum ilit rerum, vide rerum inimaio renectur acerita tectur?
ipiet hil magnimi nvella que eatemqui cus sitaspi entiosam ut que adi as ea nam alia
volupta venis ut ullabor atatint faccum con corem debis enducim agnimusam Ut quatem quatum quibus, optatur
la nimollaut hiciet re ab iligeni dolupta re moleste delecerupis doluptat am ereperu ntorest, cus aligendis dolupta
spiduntium fugitiusanda eos cum qui ullaborro blandionsed magnis estiscium testias apist rem litatioris di dolore pe
con pro mi, sint excest a es volorepres doluptam sectaepedi doloritat. etur? Ihillenis eumquae cuscilles rem il
sapedi quod ut faciam elis inus, quo ex es molorumenda nonet estiis asimus
mintet quissi senti odiandi onsequate Explaboria nobit eum quid et ommodis molore re num rescit quiatem nulpa qui
des eossenit harum et resci doluptiur, apisimus estrum ea solut et voluptam quam ipicia eos evel moluptur remolor
serionsed que comnim faccus natur? volum repre minctat aliquat as sequunt arumquas et qui adionsequost ped
asperuntet, exeror res nos dolupic quistibus enimus ad et andenim aioremo
Otas ut autet ea quasped quae eniet idelles enihili quasint laut occumquae luptas aut aut omnihici doluptiam audae
iume pro estiunt doles quas mo et pra voloreiciume porempe rovitaectur venis natiusanto volupta eperum et,
et quae. Ucia ipid quistrume sim net autet ium il ilitibusae digent recto quiaessusdae nimporem quodigent.
ullabo. Igenis debis sitas es vel magnim ommolorpores eicius, es et optur, adi
ipiduci andaepe ribusapietur acesece offictotae pere nonsenda quiate doluptio. Ant, si disit ipsunto desendusda
atusam, imint exero eossit, consequia Ed qui dignat quo et incipsunt pre, nonsectiusam quid et, ius moluptaquia
et diae verae. Derum nis deliqui qui aut volesectatio con porro blam hit molo vella prerio eat quis maio odigend
volorioris nobisquos erferrovid et hit tet magnimus. aepudae pelenient.
et et magnien imillorento to min pel
magnime velesequia in re, ut re volorest Fuga. Nequia voluptassum qui beate dolo Ihil ipsapis delluptatem earchillabo.
ut hillaboribus veritii squiandic to illabo. bearum quas solupta ssimet pe nullatem Itatempore volessum quam re desequia
Et pration sercid exerchil ipsuntus, quas aut es seriaeperum ipsaperum et disque serum quae sit ilic temqui voluptaerum
entur mo molorit explis re ea volorepudi si iur apiendit dolorum fugit peritenihita sitiossuntes sus, ut volut maximus si
aliquosam sit rem dolo evendam vollabo. sit ad millabore non ni dolupici aut aut idenis vel eritat maximpo rrovitat asi dus
Et fugitae sant diciasi simintiae. Quis quibus et quate pos event moles enderis por sam, cone dignis ea pra cullisque
ditatem inciis eaque con cus ipiet adia magnien dersperum nonsequi consectur, ipsam cum re vollorehent.
non et dia cus dolorpori re mos a secercit nobis rem imilit magnimolo volent, quam
ut fuga. Impores alibus consed et pra conse essit dolum earchitatios voluptae Et harum nim esti omnihil luptatium as
nihitatio illam, volut volor re volorerumqui non res. ad quissi nat.
nume et aut aut aceptas verferum
exerisitatur aborem ium latur rehenis Temporume corro essitin ctoreium
ute pa que secestintis eres ni nobis idi voluptam nonsequo ventur? Quibus.

Image page option Image page option

84 u MAIN MENU
T E MP L AT E S

R E PO RT S REPORT TITLE GOES HERE 25 REPORT TITLE GOES HERE 27

Lenet earioreptus. Empostrumet Lenet earioreptus. Empostrumet


Q acestiisqui dolorem odiciis tentius ulpa
Q acestiisqui dolorem odiciis tentius ulpa
W HAT S YO UR N A M E ? inimus nest, vollaborest, omnihil iquiatis W HAT S YO UR N A M E ? inimus nest, vollaborest, omnihil iquiatis
aut vel et aut faccust fugia nit, te vellab aut vel et aut faccust fugia nit, te vellab
london.gov.uk/
inis net omnis eos ut qui ut harum quam Lenet earioreptus. Empostrumet inis net omnis eos ut qui ut harum quam
imus, vel iumetur? acestiisqui dolorem odiciis tentius imus, vel iumetur?
ulpa inimus nest, vollaborest, omnihil
Otatus vel eliquo doluptae iligenis res iquiatis aut vel et aut faccust fugia nit, Otatus vel eliquo doluptae iligenis res
eaqui ullore etur aut voluptae venditio. te vellab inis net omnis eos ut qui ut eaqui ullore etur aut voluptae venditio.
Menestrum sitiuri onsent que culparc Ita simagni hictemporem aut re non harum quam imus, vel iumetur? Ita simagni hictemporem aut re non
illectio. Nam aut et, odi sinullorem et est perovid ionsequiam alicto voluptu est perovid ionsequiam alicto voluptu
adipiciam vit ullatia plaborit acid que ribuscium rero omnihit ut moluptatibus london.gov.uk/ ribuscium rero omnihit ut moluptatibus
pratiat acesti arum nim exerferias sit eum comnis ressimos earum rero eum comnis ressimos earum rero
moloritem hit voluptus aut quatusa modit optatur? Ditia dolestio. Am modit optatur? Ditia dolestio. Am
voluptatias est odias ditiorp orendis quatus elendam derum quiame iusdaes quatus elendam derum quiame iusdaes
utem et quistias voluptaquo velignis as tinusamus, illati blaboresci dolori dolorep tinusamus, illati blaboresci dolori dolorep

84 Occus. Qui unt oditi blabore ndelique


nist, nullique con re verum fugit ut
Um inim alia commossi ariant aut et et la
dolecae laboreic testiatem quis estium
etur santotasit venia voluptatur, si
qui asperia invelitia cus, ut voluptur
rem conessitatis saecea quunt ut es quid
ut et lignata tectus aut aut quunt autem
eriorum qui utas mosande sequist
emporestis vel inimolu ptaque asse
Menestrum sitiuri onsent que culparc
illectio. Nam aut et, odi sinullorem et
eriorum qui utas mosande sequist
emporestis vel inimolu ptaque asse
children took part in cycle utatque dolore dolorrum quia nobis eum ipsus, quis vellaci mporum volupti blab sequam quo dolupta soluptaque ma exped moluptae pro volupta esciis mo quam voluptatus es alit aut maxim fuga. adipiciam vit ullatia plaborit acid que quam voluptatus es alit aut maxim fuga.
training at five schools. volupta tquibus eume perum, occulpa idusamet et re quae officat emperum quatis estotaerunt ute proris qui des inimi, sed quatur, nonsequi offici alicia Musam sintianda dis dolendi ditiaspelit pratiat acesti arum nim exerferias sit Musam sintianda dis dolendi ditiaspelit
dusandiassum et a aut omnis et ea qui restet ant, sus niscilliquid ut quam et duciis aut exped magnam dolumque vel intissi debis apis et anda dolesto volorem deliquis explani tiassit aut vel moloritem hit voluptus aut quatusa volorem deliquis explani tiassit aut vel
volorem a pa corum ditatatio exceria faccatiunt optis eost quost, te volesti voluptasimin etur sequo es ni officim reperumque quis quid qui quate optis eum haribusam il eos estiumq uundae voluptatias est odias ditiorp orendis eum haribusam il eos estiumq uundae
nobitas perspiciet a cus, suntus suntis oremporem consedis mo tendae num aiores ute inimporum harum id que quas dolum fuga. Ratibuscia nulpa et sumquam, es ra consed quisseq uiderei utem et quistias voluptaquo velignis as sumquam, es ra consed quisseq uiderei
sit omnimpe reictorescia debistis cum nonsed ut ipit, alit enitatenim hariorecto voluptiis quodit fugit quatiberum quias lab im exceatur? Qui berspel ipitiorpore, uribus am qui tecatem. Hil incilibea rem conessitatis saecea quunt ut es quid uribus am qui tecatem. Hil incilibea
volupti orepuda velique nimus, seque et et eaque cum dolorum culparum experum facimet andae laborporro qui nis incipit elis explatem. Tur autem is dolore volorem lab ipita voloreprae la ut et lignata tectus aut aut quunt autem dolore volorem lab ipita voloreprae la
maximi, sitatem poreprectur molesero liquiam, ut aspistia nectiis ciliam, omnis nes eriores apitia nobis et omnihic te sitio vendiam, sim et remporr ovidiciis que dellupta vent quamendia ere pliqui exped moluptae pro volupta esciis mo que dellupta vent quamendia ere pliqui

30
que eum qui comnim delicia tiorro te moluptatur senimus expero odic tem quis audaest ut restiusanim quiasitaqui sunt ex et que nima quist moluptatem ius, vendipsunt untiatur? inimi, sed quatur, nonsequi offici alicia vendipsunt untiatur?
omnis ullupta dis quiate odi ut uta int sit molorem doles as am inveribus cus illest abo. Ihicto blaceatus, simincte aceptates arum rest qui acidus, sitem vel intissi debis apis et anda dolesto
new street trees planted et aut qui aribust ommoles nossus exere si aut odit lignis nus. rem qui repudam qui doloribus dolori quam, qui occulluptae. Et harum fuga. reperumque quis quid qui quate optis
rerchicilit aut apient ma volor auda dolecusapis minciis quidem. Ut aut Uptaten temolorrore dollorror mo quas dolum fuga. Ratibuscia nulpa et
eic tem que vit aturemolo mo est am Sernatatur aut dem lacculla voluptatem excea qui de consecae dem nimpore offictus re vitat. lab im exceatur? Qui berspel ipitiorpore,
quuntion ressers periore, in nossitis as dolorer uptaquibusam quas nobit molest, coressin rehenet ommodis nis incipit elis explatem. Tur autem is
eostium quibus quae ne si nobist, te quam resendam, unt ute lantur, id vitisi consecaes estem ratem alique sitio vendiam, sim et remporr ovidiciis
lantium que quid que non corehent aut excerorum reriosa sequate ssusantium cuptatestrum repratem rehendem ex et que nima quist moluptatem ius,
exero optatesed eatempo rerchil intibus, quunto quam earchil inci. quossunt parciunt accae electae perspid aceptates arum rest qui acidus, sitem
utempore, tem ut abor autat pro con quiae dolor aditiusandi sum faccum quam, qui occulluptae. Et harum fuga.
paruptatem ea pa sus identur, et oditemq Milla quis et min est ut maiorerio et vollorrum iusci cor rem alia quo que Uptaten temolorrore dollorror mo
uistis etur? aut poris expereperum in eostioreius volorum fuga. Bo. Is et ant. offictus re vitat.

Image page option Question boxes

REPORT TITLE GOES HERE 29

Glossary A – Z

A Afdgr
aut restionsed moles ad qui optatia
Bndef
On rendae vit ero dellam, volo offici C
minctus non nus erchic te venitium quos acienimod magnihil et est, quam, aut
aut am non explige nditius est exerferae restionsed.
Andef Cndef
pre remquib.
On rendae vit ero dellam, volo offici On rendae vit ero dellam, volo offici
acienimod magnihil et est, quam, Bjooj acienimod magnihil et est, quam, aut
aut restionsed. Aut restionsed moles ad qui optatias restionsed.
Andef
On rendae vit ero dellam, volo offici minctus non nus erchic te venitium quos
acienimod magnihil et est, quam, aut aut am non explige nditius est exerfer
Ajooj Cjooj
restionsed. aepre remquib.
Aut restionsed moles ad qui optatias Aut restionsed moles ad qui optatias
minctus non nus erchic te venitium quos minctus non nus erchic te venitium quos
aepre remquib. aut am non explige nditius est exerfer
Ajooj Bjff
aepre remquib.
Aut restionsed moles ad qui optatias On rendae vit ero dellam, volo offici acie
Ajff minctus non nus erchic te venitium quos nimod magnihil et est, quam, aut restionsed.
On rendae vit ero dellam, volo offici aut am non explige nditius est exerfer
Cff
acienimod magnihil et est, quam, aut aepre remquib
Bfdgr On rendae vit ero dellam, volo offici acie
resti onsed. aut restionsed moles ad qui optatia nimod magnihil et est, quam, aut restionsed.

B
minctus non nus erchic te venitium quos
aut am non explige nditius est exerferae
Afdgr Cfdgr
pre remquib.
aut restionsed moles ad qui optatia aut restionsed moles ad qui optatia
minctus non nus erchic te venitium quos minctus non nus erchic te venitium quos
aut am non explige nditius est exerferae aut am non explige nditius est exerferae
Bndef Bndef
pre remquib. pre remquib.
On rendae vit ero dellam, volo offici On rendae vit ero dellam, volo offici
acienimod magnihil et est, quam, acienimod magnihil et est, quam, aut.
aut restio nsed. Cndef
Andef
On rendae vit ero dellam, volo offici Bjooj On rendae vit ero dellam, volo offici
acienimod magnihil et est, quam, aut Bjooj Aut restionsed moles ad qui optatias acienimod magnihil et est, quam, aut
restionsed. Aut restionsed moles ad qui optatias minctus non nus erchic te venitium quos restionsed.
minctus non nus erchic te venitium quos aepre remquib.
aut am non explige nditius est exerfer
Ajooj Cjooj
aepre remquib.
Aut restionsed moles ad qui optatias Bjff Aut restionsed moles ad qui optatias
minctus non nus erchic te venitium quos On rendae vit ero dellam, volo offici acie minctus non nus erchic te venitium quos
aut am non explige nditius est exerfer nimod magnihil et est, quam, aut restionsed. aut am non explige nditius est exerfer
Bff
aepre remquib. aepre remquib.
On rendae vit ero dellam, volo offici acie
nimod magnihil et est, quam, aut restionsed. Bfdgr
Ajff aut restionsed moles ad qui optatia
On rendae vit ero dellam, volo offici acie minctus non nus erchic te venitium quos
nimod magnihil et est, quam, aut restionsed. aut am non explige nditius est exerferae.

Glossary page

85 u MAIN MENU
T E MP L AT E S

TR AFALG A R SQ UA R E
STAG E BR A N DI N G 15140 mm

There are three stage components:

1300 mm
• Header
• Scrims (left and right) E VENT TITLE
• Backdrop E VENT TITLE Stage header

2960 mm 8800 mm
All supporter logos should be applied
in mono. The event title appears in
capitals with x100pt tracking.

Please supply components separately:

4900 mm

5190 mm
• as high-res, print ready PDFs Logo #01 Logo #02 Logo #03

• include Pantone colour references Logo #01 Logo #02 Logo #03
Logo’s appear in

• include crop marks and


the bottom 1/3

Logo #01 Logo #02 Logo #03 Logo #01 Logo #02 Logo #03

10mm bleed Logo #01 Logo #02 Logo #03 Logo #01 Logo #02 Logo #03

• include artwork on a separate


layer to the template guides
• with fonts outlined Stage scrim (left) Stage backdrop Stage scrim (right)

86 u MAIN MENU
T E MP L AT E S

TR AFALG A R SQ UA R E
BALU STR A DE BA N N E R S 3850 mm

There are three templates:

525 mm
• Left-hand side banner
• Right-hand side banner
• Supporters banner
Left-hand side banner

There should be a maximum


of five logos on the supporters
banner. Logos should only
ever appear in mono.

All artwork should be


Right-hand side banner
supplied separately:

• as high-res, print ready PDFs


• a quarter of the actual size
(7700mm x 1050mm)
• include Pantone colour references
• include 100mm bleed
Supporters banner
• with fonts outlined (Can appear either side for the square)

87 u MAIN MENU
T E MP L AT E S

S EC U R I T Y PAS S E S
67mm

Security passes always have top level


Mayor of London branding. The ‘AAA’
must be clear and sit at the centre of
the design.

Please ensure security passes


are supplied separately:

• as a high-res, print ready PDF

97mm
• in CMYK colours
• Include crop marks allowing
3mm bleed
• with fonts outlined

88 u MAIN MENU
T E MP L AT E S
600mm

FE AT H E R F L AG S

Feather flags can use full colour with


illustration or photography. Please
ensure photos sit within the image
container beneath the event title.

Any extra supporter logos should


appear at the bottom of the banner
in mono at a third of the width of the E VENT E VENT
Mayor of London logo. TITLE TITLE

2060mm
Please ensure feather flags
are supplied separately:

• as high-res, print ready PDFs


• include crop marks allowing

Image container
10mm bleed
• with the template guide on a
separate layer
Logo’s appear in
the bottom 1/3

89 u MAIN MENU
T E MP L AT E S

M ARQ U E E S I G N AG E

For all Trafalgar Square events there


are two standard marquee header
sizes:

• 5x5 (5050mm x 450mm)


• 3x3 (3040mm x 370mm)

The Mayor of London logo is not


required as part of the design.

All artwork should be supplied:

• as high-res, print ready PDFs


• a quarter of the actual size
• include Pantones colour references
• Include crop marks allowing
3mm bleed
• with fonts outlined

90 u MAIN MENU
T E MP L AT E S

A1 P ROGR A M M E B OA R DS
594 mm

Programme boards should be text only


with a solid background colour.

Any additional supporter logos should C E LE B R ATE C E LE B R ATE

E VE NT TITLE E VE NT TITLE
appear at the bottom of the board in
mono and be a third of the width of the MAIN HE ADLINE SCHEDULE
Mayor of London logo. 2 line descriptor (max) Introducing children to the shared
custom of head covering
Key info (pull-out)
Storytelling times every 20 minutes

All artwork should be supplied:


841 mm

12:30 – 12:45 15:10 – 15:25

12:50 – 13:05 15:50 – 16:05

• as high-res, print ready PDF’s


13:10 – 13:25 16:10 – 16:25

13:50 – 14:05 16:30 – 16:45

• include Pantone colour references 14:10 – 14:25 16:50 – 17:05

• include crop marks allowing 14:30 – 14:45 17:10 – 17:25

14:50 – 15:05 17:30 – 17:45


3mm bleed
• with fonts outlined

Logos appear in
the bottom 1/3
91 u MAIN MENU

También podría gustarte