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Fujifilm S5 Pro Cheat-Sheet v1.

0 2009-06-15
© Morgennebel@flickr / PDF A4 version available at http://www.99-bottles-of-beer.net/FujiS5ProCheatsheet.pdf – Feedback, Comments and Proposals are welcome!

Bracket mode Metering Mode AE/AF-Lock Main Wheel Shutter speed Flash Mode Metering Mode: Focus Area Frame Settings
Playback AE-Button Camera Mode Aperture Matrix-Metering: uses internal database of Many users complain about pictures out of focus –
typical scenarios to select best metering based spend some time to understand how the Fuji
on colours. Good for all-day use. selects focus point and traces objects in 3D.
Center-Weighted: Center is weighted 75%,
but full frame is taken into account. The number and size of AF sensors can be adjusted
Bracket mode and status
Recommended for filters with one stop or in Setup, AF, Focus Area Frame between 11
more and for backlit or very bright scenes. sensors (NORMAL) and 7 sensors (WIDE). WIDE
Spot: Camera meters circle of 3mm, usefull can be useful to shoot large moving objects (birds),
for very bright or dark background. Depends while NORMAL can be better for smaller objects
on Focus Area selected. before a background (balls in game).

Focus Area: When using „Group Dynamic Auto-Focus“ menu


Single-Area AF: user selects focus area Setup, AF, GROUP DYNAMIC AF configures the
using button XYZ pattern of AF sensors:
Dynamic-Area AF: Preselected from
user, camera may use other AF sensors if P1 Center Area
Remaining object moves out of preselected area P1 Closest Subject
picture or buffer Group-Dynamic Area AF: Camera P2 Center Area
Quality
focuses on center of preselected area, if P2 Closest Subject
Whitebalance mode object moves switches to other sensors in
selected area only. P1 is based upon a diamond shape – with all
Face Finder Display / Back AutoFocus Picture size Auto Focus Battery level
Dynamic-Area AF with Closest Subject: corners (five sensors) on centered AF and a
Mode Mode and Area
Configure Shooting AutoFocus Area Camera selects Focus area containing object triangle shape (four sensors) for AF sensors in the
settings Select and Lock closest to camera. bottom, right, left or upper AF area.
Camera mode
P2 is based upon horizontal and vertical lines of
FUNC Button Remote control Flash Mode ON/OFF Switch three AF sensors (four sensor on the right- or left-
most AF area – becoming a triangle again and
DoF Preview Lens change Flash Compensation
Focus Mode: either horizontal or vertical lines of three AF
sensors in central area).
(S)ingle-Servo AF: Camera focuses once,
shutter will only be released in focus (Focus P1 can be helpful for close-up shoots (legs, balls
pri-ority) where parts of the object are cropped).
(C)ontinuous-Servo AF: Camera focuses and P2 in combination with one position left or right,
traces, e.g. Focus will be adjusted while object forcing the S5 Pro to look for vertical lines (people,
moves to predicted position. walls, ...) – helpful in indoor locations.
(M)anual: Manually adjust as requires
ISO/Quality/ The Setup, AF, AF Lock-ON setting determines how
Whitebalance quickly the S5 Pro switches between objects to
focus when the selected object is being hidden –
for example if a car passes in front of your subject.
Four values: LONG, NORMAL (standard), SHORT
Exposure Modes and OFF – OFF means immediate re-focus. Setting
depends on your scenario, usage of SHORT is
(P)rogram: Camera will adjust shutter and
recommended for Continuous Servo AF.
aperture as required. Avoid with flash usage.
(A)perture-preferred: user controls aperture,
Consider changing Setup, AF, AF Activation to
camera controls shutter speed. Best mode to
change at which time focus is triggered: R/
control/adjust Depth-of-Field.
A:RELEASE/AF-ON is default setting for focus being
Sub-control Focus Mode Shutter mode Internal Flash Compensation (S)hutter-preferred: user controls shutter controlled by shutter button. AF-ON ONLY can be
wheel (S, C, M) (Single, Continous,
Delayed, Mirror-Up) Accessoir shoe Top Display speed, camera controls aperture. Best mode used to force the S5 Pro to re-focus only on
for sports or fast-moving objects. demand which requires you to press AF-ON button
(M)anual – control everything yourself. to focus and the shutter button to shoot – very
handy for portraits and HDR bracket shots!
Fujifilm S5 Pro Cheat-Sheet v1.0 2009-06-15
© Morgennebel@flickr / PDF A4 version available at http://www.99-bottles-of-beer.net/FujiS5ProCheatsheet.pdf – Feedback, Comments and Proposals are welcome!

Dynamic Range Setting Recommended settings Lens recommendations Tips and Tricks
Setup Menu 1, D-RANGE allows to configure DR Setting recommendations depend on personal style Lens recommendations depend on preferred object Memory Cards up to 16 Gbyte (SanDisk III)
Range between 100% - 400%. Greater DR values and object of shooting. Some general advice: of shooting. Some general advice: have been reported to work in flickr forums.
enhance the colour distribution in pictures. 16 Gbyte translate to ~ 3,000 JPEG-FINE or ~
Shoot RAW to be able to switch between film Have one fast lens – e.g. f/1.8, f/1.4 or better, 680 RAW with DR400% or 1,300 RAW with
At DR100% the camera only uses S-pixels and simulation modes with the Fuji Tools and to consider fixed lens (no zooms) for portraits DR100% pictures.
interpolates to LARGE resolution if required – no experience the great dynamic range of your and low light scenarios. Used with open Firmware Update procedure: download new
additional dynamic information from R-pixels are Fuji aperture the lens will create great Bokeh. Con- firmware file (.BIN) and store it in root
used. sider the Nikkor 35mm f/1.8 (which results in directory of formatted CF disk. Press „DISP/
MENU, 1, FilmSimulation: STD – you can try ~ 50mm), Nikkor 50mm f/1.4 or Nikkor 85mm BACK“ button while turning on the camera
Bigger DR values may change the picture to be- other Film simulation modes in the Fuji tools f/1.4 lens. with fully charged battery.
come „flatten“ or darker than expected. later when shooting raw Have one ultra-wide angel – e.g. something Change settings in Setup, AF, AF LOCK-ON to
Lower ISO values allow bigger DR ranges, re- MENU, 1, D-RANGE: 400% (tied to ISO sensi- between 10-24mm to make interior pictures or adjust camera focus behaviour when objects
commended settings are: tivity, see column „Dynamic Range Setting“) great panorama views with just one single moves
MENU, 1, Color Space: Adobe – requires you shot without messing around with additional Tom Hogan has published an eBook about the
Below ISO 200: DR max. 400% to render your pictures to sRGB when sending software. Consider Nikkor 10-24mm f/3.5-4.5 Fuji S5 Pro, available at http://
Below ISO 400: DR max. 230% to flickr etc. but provides more colours. A or Tokina 11-16mm f/2.8. www.bythom.com/s5guide.htm
Below ISO 800: DR max. 170% calibrated display is highly recommended. Have one or two standard zooms for portraits
Above ISO 800: DR max. 130% SETUP, 1, DISPLAY, Illumination: OFF – save from far off (at a stage) or to get details from Hacking
Above ISO 1250: No DR battery power the distance. Consider Nikkor 17-55mm, There are a few Do-It-Yourself hacks documented
SETUP, 1, AF, LOCK-ON: SHORT – controls Nikkor 18-55mm or Nikkor 55-200mm lenses. at the Internet. Be aware that you may loose
Higher DR values will reduce camera buffer, re- how quick/slow the 3D autofocus engine will For light travel consider a ultra-zoom (but be warranty and may serious break your camera!
quiring the camera to pause for writing to stor-age. switch to other objects. aware of tradeoffs and required software co-
At DR400% only 6-7 JPEG-FINE can be cached in SETUP, 1, EXPOSURE, ISO AUTO CONTROL: rrections) like Nikkor 18-200mm VR. Remote shutter control cable
internal memory, interrupting 7- or 9-bracket shots. OFF – useful only for P-Exposure Mode (see For special shoots (Makro/Animals/...) look for http://www.schneordesign.com/Avi/F100/
first page) more special lenses. diy_01.htm
D-RANGE setting also determines if S and R pixels SETUP, 1, EXPOSURE, MAX SENSITITIY: 800 –
GPS receiver for Geo-Tagging
are being used. At D-RANGE 100% only S-pixels are above 800 noise will increase – if required Read carefully Ken Rockwells lens evaluations at http://www.rickwargo.com/2008/02/24/nikon-
being used (reducing filesize to 50% when shooting change manually to higher modes http://www.kenrockwell.com/. d200-gps-version-2/
RAW). Above D-RANGE 100% S and R pixels are SETUP, 2, SYSTEM, AUTO POWER SAVE: 15
GPS with MC35 combination
being used as long as ISO level is below 1250 – SEC – save battery power without turning the Nikkon lens codes http://www.stockholmviews.com/
avoid AutoISO! body off. Re-engage with with shutter button.
diyphotogear/nikon_mc-35.html
SETUP, 2, SYSTEM, BEEP: OFF - it’s only Nikkon uses the following codes on their lenses:
DIY Flash Diffuser
annoying D lens is able to communicat focus dis-
http://swannman.wordpress.com/2006/05/29/
tance to body which enhances 3D metering
howto-diy-flash-diffuser/
RAW Tools E cheaper standard lenses with more
Film Emulation Setting plastics instead of brass
Adobe Lightroom supports the Fuji S5Pro since G lenses without aperture ring. The
Accessoires
version 2. Adobe Camera Raw supports Fuji S5 Pro. Setup Menu 1, Film-Emulation:
camera body controls aperature using To extend the features of your camera:
However, so far no calibrated camera profiles have Standard: user controls values for Dynamic
command dial.
been published. Range, Color, Tone and Sharpness
AF Autofocus lens. -D: D-type lens, -I has Battery Grip: Nikon MB-D200
Exporting TIFF/JPEG with Lightroom will result in Mode F1 („Studio Portrait Standard“) – natural
internal motor, -S allows manuall focus even Remote Control: Nikon ML-3IR (IR)
10MP pictures size, e.g. it does re-scale like the coloration for skin.
with AF engaged
original Fuji Viewer. Mode F1a („Warm Portrait“) – higher colour Remote Control: Nikon MC35 (cable)
DX lens design for APS-C sized sensor
Best results may be archived using the Fuji Hyper saturation for skin tones and blue Flash: Nikon SB-900
VR Nikons vibration reduction technology,
Utility. Costs roughly 100USD and reported to be Mode F1b („Outdoor Portrait“) between F1
allows to shoot at slower shutter speeds
very slow. and F1a settings
ED Lens has extra-low dispersion glas
Alternatives are s7raw (freeware), silkypix, Capture Mode F1c („High Contrast Portrait“) – in- Nikon does not produce NP-150 batteries anymore
which reduced chromatic aberrations (as of 2009-06-01). Either buy some on stock or
One, DxO and Bibble. creased sharpness and contrast to F1, no
Micro Lens for Makro shooting use 3rd party ones – like at eBay Europe search for
colour changes
IF Lens has internal focussing – e.g. does seller „oezcang“: two NP-150 alike batteries for
Mode F2 („Slide Film“) – high DR-settings,
not change lenght when changing focus ~30€ incl. shipping OR use the MB-D200 battery
very high sharpness and colour-settings for
DC De-focus control to change the grip with either 6 AA batteries or two Nikon D200
vibrant pictures
appearance of out-of-focus portions of an batteries (have been reported to work even if they
image do not work directly in the body).

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