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CO-186A TWELVE ETUDES-Volume One (I-V) in Two Volumes y OLVME Mignone 4.00 in Two Volumes TWELVE ETUDES FRANCISCO MIGNONE for Guitar COLUMBIA MUSIC CO. Washington D.C. 20036 FRANCISCO MIGNONE Francisco Mignone was born in Sao Paulo on September 3, 1897. Like many Latin-American musicians, Mignone went to Europe at a very early age for his musical training. He completed his formal education at the Conservatory in Milan. On returning to his nattve Brazil in 1929, Mignone became Professor of Piano and Harmony at the Conservatory in Sao Paulo. Later, he served in this capacity at the National Schoo! of Music in the Federal University of Rio de Janeiro. Mignone has been a leader in developing acontemporary school of music that reflects the richness of Brazilian folklore and rhythm. They are the result of a blending of Portuguese, African and Indian elements-the three civilizations that have contributed most to the culture of the Brazilian people. His efforts are an important development in the continuing tradition of nationalistic music. He has led an unusually active and productive life as teacher and composer. Besides two operas, he has written many orchestra and chamber music works and has added much to the piano and vocal literature of Brazil Ao grande violonisea Barbosa-Lima I° ESTUDO Fingered by Carlos BarbosacLima FRANCISCO MIGNONE, Vivo (4 =84) 71 a tempo 2 ta Steer ee tip te ag tie oot = 3 : amy ee mimi pmipmi tay tay Ff erese orsah © 179 COLUMBIA MUSIC COMPANY. Nasri... 2036 Invern! Capt Sau BUSA Al Ri Reseed o ® @O a temo cs: es ® i aimamiaimaim @9OO® — 2 m % oe comegar devagar e apressando e crescendo aos poucos {mpam impampimpim a F pimemiem; = eo imiamingy ; ep imiamings ip —— =——"n a amy crese.e antmando ea Poco vit. vitardando = — diminuendo Meno mosso. a mee aes Po ricara. affretiando 10 « BarbosacLima ' Il’ ESTUDO (0 Fingered by FRANCISCO MIGNONE Carlos Brose Lima (1970) Seresteiro (4=69) ® @ oo Ss se + bem leve vit. eyes q] — ctempo eo ELSE ePETs aetten — ° ‘animando poco a poco catmaniosi §— ———— = > —2— “molto ritardando. ® . u nS" 2e ie, | ] a 2 Sa po if . . a a ee: animando ale > P Pr f subito agitado pp P = Ph t Calmo (J=92) i poco rit.—= Pa tempo apoiar 0 canto 10 cx ——____, | ¢8—es © . —=/-» g J + aa ie 1 = =* ea SSS ae ste (=p pe /E en, e/tene == apoiar sempre o canto etn $e—¢s__ ® 1 ale ides Jory nt ON Cen 7 3 catmandosi poco rit — eos eo, i o 9 SS PES SS ee Cie eS ae ® sumindo oS So Thos = ® = = = @ oe delicado Meno mosso. : 7 #1 a aff a Te ge ia P Shean bon sera RE at | a : . a =— ae © = boeo vit. 4 Barbosa-Lime Ill? ESTUDO Fingered by Carlos BarboswLima FRANCISCO MIGNONE ‘Tempo de chorinho (J=72) (1970) a tempo Sita wee xt. a tempo Pouco mais devagar a a tempo OT Oe stante ase a tempo = - oft > atempo fpitit vf molto vit a tempo ae tab Data? de) : PS oo ee f P poco vitard. us com 0 40 dedo OP 18 iW Meno BELL soem [FF TP sate natural ee oe ge ‘F — (esado) f ud 4 BarbosmLima IV° ESTUDO Fingered by Carlos Barbosa Lima Allegro scherzoso (J=120) FRANCISCO MIGNONE (1970) jv nev rerorr ss pt gt 4g tee ~— - = T 1 T ® oeBAa ao KS ato le es ie € wie —=— eS “Eee e Andantino espressivo (J=92) re pi aed atod tad 4 opto a a ae 7” T T T T v I PP cantando helt hhh fied arr o—_o— o_ tun pouco animanio §— —= = a tempo of cnands a= SSS a avin ATH ANON AEN eur 1 "Sse Trt wot Oostertretrs Tartar TIPE OP oe ary = oR : s molto rit,—-~->---~ reo Assai Vivo (4=144) F deciso >) is i Tey a tempo a oO. @ 2 Barbosa-Lima & V° ESTUDO Bs Fingered by Carlos Barbosa-Lima FRANCISCO MIGNONE (1970) Vagaroso (}=88) —— NA y : BY aceelerando e animando 85 1 Sem violencia Se) q ‘quase dramatico : calmandosi e tornando ao tempo Calmo e sereno (3=100) = sg. = = > 3 quase rit. Pe cémodamente (os harpejos ber: eve) wv ‘molto cantaio = = serene a tempo 1 ‘molto cantata 2 ¢1 ——______, ad libitum @ | OSes ' 8 (a piacore) : Oo & © ge Osoeoe Oe we ° atlargando ep opt —S = r aed ee i ‘affrettando molto teda forga ope aft sfesfe 3 Ph gg poco rit. ¢15 Yoltando ao Tempo 19 , Ce tle “calmandosi ‘molto ritenio Ces e1 dim motto senza rall assat affrettando a tempo (sem arpejar) (sem arpejar) Seiolento eye secoo @ Borbosa_Lima i ViI° ESTUDO a Fingered by FRANCISCO MIGNONE Carlos Barbosa-Lima (1970) Assai vivo (J=92) ge? ee a £ ait apima apipmaiai a pipm Copyright © 1973 by COLUMBIA MUSIC COMPANY, Washieeton D.C. 20036 linermnional Copyright Seared. Panedin USA All Rigs Reserved poco rit F (1% vex) p (2 vex) hs = = - * boco ritenuto Mais Vivo (J=L00) a - © e = ge Fine 10 4 BarbosaeLima 1” VII° ESTUDO iV Fingered by FRANCISCO MIGNONE Carlos Barbosa-Lima (1970) Molto lento (J=58) * oz 4 ag~: Te ° | animando ¢ accel. crescendo dim, subito e decrescendo 2 “Se rite dim. — movimentando Gffreit.e cresc. bee: cedendo ‘4 prolongagio das harmonias nfo € instrumental. fot escrta désse jeito apenas pata que o executor faga vibrar os sons © mais que. fer possvel ra a tempo — | c1——> eo 5) . ¢1——_, molto rit. to be (arpejo lento) ™f . cs Ci -7 os a ae: pharm, 8498 0 canto : ® Ce 4 Barbosatima VIll° ESTUDO Fingered by FRANCISCO MIGNONE Carlos Barbosa-Lima 1970) (1970) Allegro (J=138) © a® 7 of ofS Ker 3 2. = | oe * ne > oe lew vi = es aa ae “ee @.® Tempo 1° ® = 15 oH oe is 58 af ® off orf le angi. wile - f. al & We i = cresc. $ @® nel ae a ra Sew oS 16 PP subito a safe afz of oa 18 2 Barbs 4% Ix° ESTUDO Fingered by FRANCISCO MIGNONE Carlos Barbosa-Lima (1970) Allegro moderato (J=88) O-=o © @: 7 & my Be [hee @ 4 me et E hegip — © poco rail. P ree @®@ subtto Pp temo ~h — stl psubito rit 20 © oy © 3 3 e $ Ith = 21 Gfx Tigorosamente em tempo oS a una wal ‘sl # vaullf ql ' Q 4 | WH ; wi ( + va vil val dim. Lento = 4 ats Ea ao bem forte 22 Lento = a tempo So RE = a tempo oe SFOs iw t Pp @ _ Bem mais devagar (1=96) S a oo = n ® declamado bem depressa detages ® Moderado @ — 840 ao 5 eas : devagar arrastando ase ot OT com vigor e raivoso gz tempo vivo ¢3—=— 3—a—> Vetsed 23 D.C.depois segue ¢3 ———__—__ — ea 3 Mais > devagar Ht g Presto (J=96) 3 @@ sa cresc.molto ¢ animando vitardando 4 BarbosaeLima ¥\\ Lt X° ESTUDO a Fingered by FRANCISCO MIGNONE, Carlos BarbosaLima a (1970) Lento e com muito sentimento (J=58) cis @ we no ae 5, @® 3 yee Poco pili moso (4=72) =a. s OH the soa 25 Tempo 10 (J=58) 7@) ____——__}_ ® a are Op tata + F REP FS i Se + + oe ie sempre pp e desaparecendo quase impercepttvel- ~~~ 26 2 Barbosa-Lima XI° ESTUDO Ee Fingered by Carlos Barbosa-Lima FRANCISCO MIGNONE ‘Andante (4=76) (1970) Oo 3 3 3 a _9 atempo — agar cedendo 27 Jo rubato senza rigore di a coal tempo a tempo —ae @ tempo aa 2 vias YB I ¢10 ——_ 5 a seus erg te 2% & teats ® 28 @ Barbosa-Lima co XII° ESTUDO Le Fingered by FRANCISCO MIGNONE Carlos Barbosa-Lima (1970) Com velocidade ( =

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