GUÍA DE ECUALIZACIÓN PARA BAJO

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Sub Graves (Sub Bass)
31 Hz Mayor vibración (rumble) Minimizar vibración (rumble)
50 Hz Mayor redondez (fullness) Sonido rockero (rock sound)
63 Hz Mayor profundidad (bottom) Minimizar profundidad (bottom)

Graves (Bass)
100 Hz Mejor pulgar (thumb), mayor calidez (warmth) Mayor claridad (clarity), minimizar retumbo (boom)
125 Hz Mejor pulgar (thumb), mayor calidez (warmth) Mayor claridad (clarity), minimizar retumbo (boom)
200 Hz Mayor redondez (fullness), sonido difuso (muddy) Minimizar sonido difuso (muddy), minimizar redondez (fullness)
250 Hz Mayor redondez (fullness), sonido difuso (muddy) Minimizar sonido difuso (muddy), minimizar redondez (fullness)

Medios-Graves (Low-Mid)
400 Hz Mayor claridad (clarity), mayor volumen de graves (low volume) Minimizar sonido acartonado (cardboard sound)
500 Hz Sonido nasal (honk) Minimizar sonido nasal (honk)
800 Hz Mayor claridad (clarity), mayor pegada (punch) Minimizar sonido de instrumento barato (cheap instrument sound)
1 KHz Sonido percusivo (whack sound) Minimizar sonido percusivo (whack sound)
1,5 KHz Mayor claridad (clarity), mejor pop (pluck) Minimizar sonido sordo (dull sound)

Medios-Agudos (High-Mid)
2 KHz Mayor crujido (crunch), mejor pop (pluck), sonido de trastes (fret attack)
3 KHz Mayor crujido (crunch), mejor pop (pluck), sonido de trastes (fret attack)

Presencia (Presence)
4 KHz Sonido afilado (edge)
5 KHz Sonido de dedos (finger sound)
7 KHz Sonido de dedos (finger sound)

Brillo (Brilliance)
8 KHz Mayor definición (definition)
10 KHz Mayor definición (definition), mayor brillo (brightness)
18 KHz Mayor brillo (brightness), mayor aire (air)