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BETTY BLUE EYES

a musical based on the screenplay


'A Private Function' by Alan Bennett

Book by Ron Cowen and Daniel Lipman


Music by George Stiles
Lyrics by Anthony Drewe

PIANO VOCAL SCORE


18.5.11
No.1 - Overture
Lyrics by Anthony Drewe Music by George Stiles


Far from Austere h = 110


 
Solo Drums

            
f
Piano
    


       
3
 
         
          
    
     
f
        
Pno.
                 


  
7

             
    

     
         
         
Pno.
       
     
    


11
   
   
                  
        
   

 
Pno. mf  
       
   
   



 
   
15

        


      
       
       
Pno.  
       
   
   




19
  
          

  
 
  
   
    
      
    
Pno.

           
   
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 5.5.11

No.1 - Overture 2

   
        
  
23

             
    
  
   
      
 
Pno.
 
    
       
      


  
               
27

    

Pno.
       
   
   



  
              
  
31

      
Pno.
       
   
   




35
  
          

  
 
  
       
f
       
    
Pno.

          
   



39

   
         
             
 
 
Pno.

  
 
     
  
 


  
legato

 

      

43
  
              
Pno. mp      
                 

5.5.11 Betty Blue Eyes



No.1 - Overture
   
3

  
   
47

        
     
          
   
Pno.   
 
      
  

  



  
 
 
      
51

     
    
         
   


Pno.      
         
       


  
 
   
    
55

 
        
   
   
   
Pno. f
    
      
   
     




        


   
59

        
       
      
Pno.
f  
       
   
   



  
         
 
63

    
    
     
Pno.

       
   
   




67
  
 
  
        

  
   
    
Pno.
      
          
     
   
   

Betty Blue Eyes 5.5.11



No.1 - Overture 4


      
  
       
71

          



 
mp
  
Pno.
        



75

   
 
  

 


 


   

    
 
Pno. f
        
       
     



         

      
79

     
  
Pno.
     
         

    
     

5.5.11 Betty Blue Eyes


No.2 - Fair Shares For All
Lyrics by Anthony Drewe Music by George Stiles

CUE - AS THE NEWSREEL FOOTAGE REACHES "It's Fair Shares for All"

 
Martial q = 150

 
40 ALL


Voice         
  


 
f Fair shares Fair shares for all That's what the P M

            


 
           

          
           
 
      
 
3

 
Piano f

             
            
3         


  
44

       
Voice  
     



said No cares let's have a ball Soon we'll have ho - ney on our

           


 
 
      
   
  
           
  

            
Pno.
 

   
 












     
       

      
48
   

Voice  
         


bread mp That Mist - er Att - lee He told us flat - ly We could look for- ward to a

    
                            
           
           
    mp
  
Pno.
          

           
       
   
This score is the property of and should be returned to: 5.5.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
No.2 - Fair Shares For All 2


52


Voice                       


spread Ev - er since Hit - ler Por - tions are litt - ler Now we don't ev - en have the

    
                     
                 
  
 
  
Pno.   
  
          
                
    



 
56 mf f


Voice  
        


    
blood - y bread Fair shares Fair shares for all Brit - ain is stand - ing

                       


                  
               
       

Pno.
mf f
        
            
               
  

 
60


Voice        


 

tall With fair shares Fair shares for
 
      
                    
 

       
      
 

Pno.
         
          
     
  


63 Scurrying JOYCE: Hurry up, Mother. MRS ALLARDYCE: 'Scuse me!

 
Voice    
all


                      
                         
      
Strings

ff mp

                        
    

                   
Pno.       mp 
   

ff

  

      

        
             
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All 3

JOYCE: Give it back. MOTHER DEAR: She had two!


JOYCE: Give it back! JOYCE: She's eighty-four.
66a 66b 66c 66d

    
                                                   
Strings

            
                  
 
 

                   
Pno.
       
   


      

  

     

  
     
       

 JOYCE

67


Voice  
   
     
f Fair shares Fair shares for all That's all we ev - er


            
                         
    
Strings

        
   
               
Pno.
        
      
mf

             
           

 

70


Voice        
 
seek If there's meat on the stall


                        

             
  
Strings

    
    
         
        
Pno.      
           

  
            
         
Betty Blue Eyes 5.5.11
No.2 - Fair Shares For All 4


73
  
JOYCE


MOTHER DEAR

Voice  
    
      
She'll make it stretch in - to next week mp
It's all the fash - ion


                      
     
Strings

     
 
  
    
                
   
         mp

Pno.

                      
     


 


76 MOTHER DEAR

  

Voice             
Eke out your ra - tion Pop some - thing tast - y in the pot

    


      
 
Strings       

     


     
      
    
          
   
        
Pno.
   
                 
 
      


JOYCE


79 MOTHER DEAR


Voice                  
Cash in a coup - on I'll put the soup on Boiled bones and cab -bage is the


 
                    
Strings

        


 
            
  


              
      

 

Pno.
       
              

 
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All 5



82 ALL

         
best we've got f Fair shares Fair shares for all
Voice


ALL


      
 f
Fair shares Fair shares for all


  
          
                         
Strings

                  


                  
Pno.

f
    
                 
            

   
85

       

 

We're up a - gainst the wall With fair shares


Voice

    
 
  


  
 We're up a - gainst the wall With fair shares


        


            
            
Strings

    
                    
     
Pno.        
  
                
            
  
Betty Blue Eyes 5.5.11
No.2 - Fair Shares For All 6

  
88

  

  
 
Fair shares for all
Voice


MRS METCALF


mp

 
     
   


Fair shares for all Ev - en

      


     
                      
Strings


         
                
Pno.       
    
 
   

 

  
       
    
 

 
91

  

Voice               
    


though Ger - ry's bombs have stoppeddrop - ping We still have to bat - tle for our -


                           
             
mp sotto voce
       
Pno. sim.
                  
                  

 
94

   
MRS TURNBULL

               
Eve - ry time that we need to go shop - ping And
Voice

  
   
  


selves

                 
                
            
Pno.
                      
                       

5.5.11 Betty Blue Eyes


No.2 - Fair Shares For All 7

  
97 MRS ROACH


Voice           


     
     
find there is noth- ing on the shelves And of late we've suc - cumbed to this

  
                  
         
    
Pno.

                   
                    
   

 
100


MRS LESTER


    


Voice             
p
feel - ing We don't think the sys - tem real - ly works While be -


  
                       
Pno.

                           
                  

 
103


ALLARDYCE

Voice                     
  


  
pp
hind cert - ain doors dodg - y deal - ing Guar- an - tees cert - ain peo - ple cert - ain perks A lit-tle

     
  
                   
  
    
     
p

  
Pno.
                            
  
          
 

 
107 SWABY METCALF


LOCKWOOD

Voice               
             
give A lit - tle take A pound or two of stew - ing steak A lit - tle

   



Strings              
  
    
  
    
 
 
pp     

        
     
 

            
pp
  
    
    
    
 
     
           
 
Pno.
         
     


Betty Blue Eyes 5.5.11


No.2 - Fair Shares For All 8

 
poco rall.
111 ALLARDYCE METCALF ALLARDYCE ALL


Voice                
        
wink A lit - tle nudge A doz - en eggs A bag of fudge Fudge!

 
              


           
Strings
  

            
                          

      
Pno.
              
  

Pompous q = 130


115 SWABY:"Will you hurry along, Henry? If we don’t get these invitations out, there'll be no banquet!"




Voice      


  
    


   
    
 
      
Pno. mp

  
                       
p       
       

 
119

ALL
  
    
    
Voice f Fair shares Fair shares for all Now that the fu - ture's

    
     
     


Fair shares Fair shares for all Now that the fut - ure's

             
  
       
 
Pno. mf
  
     
   
 


  
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All

9

  
122 bright 
  
          

 
bright bright Who dares chall - enge White - hall?
Voice

   
    
     

 


bright Who dares chall - enge White - hall?

      
         
    
 
Pno.

     
  
   
    
  

 
125

         

 
Voice Our pol - i - tic - ians must be right

  
         

      


Our pol - i - tic - ians must be right

    
      
 
 
Pno.   
       
    


 
   
f

NOBLE: "I can assure you, Mr. Wormold, you’ll find no butchers on the fiddle here in Shepardsford."

 
127 Offaly slow h = 74


Voice       


        
         
     
Pno. p
 

                       
   
Betty Blue Eyes 5.5.11
No.2 - Fair Shares For All 10

 
131 WORMOLD: "Nevertheless, Sergeant, it is my duty as Meat Inspector for the Ministry of Food to ensure ..."


Voice      


      
    
  


     
Pno.
 
     


    

       

WORMOLD (cont.): "...that every citizen receives his fair ration, and that anyone dealing in unlicensed meat be punished to..."

 
134


Voice       


        
 
           
Pno.
 
 

           
    
    
    
                

 
WORMOLD (cont.) "...the full and severest extent of the law." NOBLE: "I hear you did a bang-up job in Bootle."
138

 
   



Voice

    
      
        
   
Pno. 
 
      
     


     

WORMOLD: "Every butcher shop’s been closed and every butcher’s behind bars." NOBLE: "Good Lord. How do people eat?"

 
141


Voice       


        
         

Pno.
 

                     
                     
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All 11
WORMOLD: "That is not a matter which falls under the jurisdiction of my department."
Swooning q = 122

 
145 SAFETY


Voice       


SAFETY

             
   
  
          
Pno.    
     
  
         
   

  
148

                 


War - time is o - ver Those cliffs of Do - ver Seem ev - en whit - er there's no
Voice ALL
mp
    

        
(falsetto)


Mmm o - ver Mmm Do - ver Seem ev - en whit - er there's no

 
                        
       
Pno. mp
             


   
JOYCE
151

           

doubt mf But there are few words A - bout the blue birds
Voice

  
     


doubt

              


     
                             
Pno.        
            
    

Betty Blue Eyes 5.5.11


No.2 - Fair Shares For All 12


154


Voice            



That they made such a song and dance a - bout

                


       
          
Pno.    
      
      
 

Scurrying q = 150

 

156 ALL

      


Voice f Fair shares Fair shares for all We're rid -ing for a


   
ALL


   
 
  
 
Fair shares Fair shares for all We're rid -ing for a


     
                       
         
Strings

      
         
                   
          
Pno. f 
      
 
    
  
   

  
159

        
 
Voice fall With Fair shares Fair shares for
 

       

 
fall With Fair shares Fair shares for

      


                    
Strings                                
   

 
   
  
   
  
             
            
Pno.    
            
        
     
     
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All 13

        
162
  
   



all fair shares Fair shares for


Voice

     

      

 
all fair shares Fair shares for

 
                       


               
  
 
    
Strings
    

 
                             
                 
Pno.
 
                     
   
         

 




166 subito mf
   ff     
    
Fair shares for all!
Voice all

      
    
  
 Fair shares for all!
all

  


         
Strings 


    
         
                            
                               
Pno.
    ff
f

        
                          
                                     
Betty Blue Eyes
    5.5.11
No.3 - A Place On The Parade
Lyrics by Anthony Drewe Music by George Stiles

CUE: GILBERT: "New shop "To Let"?"


REG BOWEN: "That's right. Thinking of renting it?"

GILBERT: "Me?
No, no, I could never --"

  
Freely q = 110 GILBERT


Gilbert           
            
    


p A place on the pa - rade I - mag - ine it A place on the pa - rade


  
     
  




pp colla voce 


 
Piano

   
  
con pedale   

REG BOWEN:"Could be just the opportunity GILBERT:

 
for a get-ahead young man!" "Gilbert Chilvers - Chiropodist"
5


Gilbert            
           



A place on the pa - rade My name a - bove the door A

    
   
      
      






Pno. 
   bell-like
  
   


 

 
A Tempo q = 110
 
10 poco rit.


Gilbert   
              
      


place on the pa - rade It's what I've been wait - ing for It's per - fect - ly pos - i - tioned Both

   
    


  



Pno.
    
   
   
   

This score is the property of and should be returned to:


Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.3 - A Place On The Parade

   
13

 

Gilbert                       




prom - in - ent yet quaint An ad - e-quate shop win - dow A lick or two of paint


  
   
    
  
Pno.
             
         
    


 

  
16 poco rall.
 

Gilbert                      


Ev' ry-thing I dreamed of for set -ting up in trade my own place My place on the pa -

  
     
  
          
 
       

    
Pno.
    
     
   
 
  

   

  
20 Steady Pulse q. = 60


Gilbert       


rade

               


           
          

     
Pno. mp
   
  
       

 
23


Gilbert           
      


mp
Ham- mer - toes and bun - ions Cal- lous - es and corns

 
           

       
Pno.
   



             
  

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 3

 
26


Gilbert                  
     


Clip - pers for the toe - nails Tweez - ers for the thorns Fear of fal - len arch - es?

              



     
    
Pno.
                  
   

 
  
29


Gilbert          
  


Eas - i - ly al - layed In my place on the pa - rade


            
        


Pno.
                     
  

 
32


Gilbert                  
     


Ti - ne - al in - fec - tion Fet - id fun - gal growth Step in - to my parl - our

     
        

     
    
Pno.
                  
     


  
35


Gilbert           
          
   


I can cure you both Vi - ru-lent ver - ruc - cas Fall be - neath the bladeIn my place on the pa

     
     
                 

         
  
   

   
      

  
mf

Pno.
  
       
     
   

Betty Blue Eyes 22.4.11


4 No.3 - A Place On The Parade

 

Poco più mosso
     
39


Gilbert          


rade mf Think of the good I could a -

               
                  
     
     

    
mf
     
Pno.

3

  
    
 
    
      
     

 
    
43


Gilbert          

 


chieve Think of the pain I could re -

                
  

              


                   
Pno.
 
      

 

   
 
47


cresc poco a poco
Gilbert            


lieve mp While wise men Make Brit - ain

    
 
  
                 

  

   
 
 
         
Pno. smp

    
         

   
 


    

51


Gilbert               


 great a - gain Play- ing their roles mf I'm sav - ing

   
                      
       
 
Pno.

                    
    
   

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 5

     
Steady again q. = 60


55

   
  
       
  


Gilbert

soles f Rem - e - dies and oint- ments It's the stuffof dreams

    

 
 
                       
  

   
       
mf
     

Pno.

              
       
     
  
con pedale

 
59


Gilbert                       
  
 Ev - ryem bro-ca tion Lin-i-ments and creams
 


Pum - ice stones and scal- pels Lov - ing - ly dis- played In my

    
    
  
                

      
    
                
  
Pno.

         
       

             

63 GILBERT: "Joyce! Joyce!"


Gilbert   
 place


on the pa - rade On the Pa - rade

  

                           
       
    
 
Pno.
  
f
             
  
      

  
 
    
 
JOYCE: "Gilbert -- propriety. Shouting down the Parade. What will people think?" GILBERT: "Read that!"

 
JOYCE: “Shop to Let. Contact Mr. Francis Lockwood, solicitor.”

67


Gilbert       

  
  
       
                
     
      
   
    
     

 
     
mp
  
Pno.
      


    
 
     
    
  

Betty Blue Eyes 22.4.11


6 No.3 - A Place On The Parade


GILBERT: "Haven’t we always talked of one day having my own surgery on the Parade?"


73


JOYCE: "That was a dream -- once. But it’s hard to dream on an empty stomach."
Gilbert     

 
    
 
 

  
Pno.
  
 
p




 



GILBERT: "All that's about to change. I can feel it. Could be just the opportunity for a get-ahead young man."


77


   

Gilbert

 
     
        
Pno.



  


MOTHER DEAR: "Get-ahead young men don’t wait for opportunities -- they make them."


GILBERT: "Is there any way of silencing her? Permanently?


81


Gilbert     

   
               
 
   

  
Pno.




JOYCE: "Go and buy us another tin of Spam, Mother." MOTHER DEAR: "What do we say?"
JOYCE: "Please." MOTHER DEAR: "That's Better."


VAMP UNTIL...

  


85 (MOTHER DEAR exits)


Gilbert     

    
    
  
     
     
  

      
Pno.
 

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 7

 
Picking Up q. = 66


89 GILBERT: "Joyce, I know things haven't progressed as quickly as you -- we -- would've liked.


Gilbert     

 

         
 
  
  







 mp
                  
Pno.
         



"But settling in a new place, finding your way -- it takes time. Now, finally, there's an open door!"
JOYCE: "It's true. everyone knows you're really someone when you're on the Parade --"

   
93


SAFETY


96A
Gilbert       

          
    
    

   
        





                    
mf
Pno.
        
          

  
97

Gilbert             
 mf   
 
mf "Good day Mis- sus Chil - vers" "How may we as - sist?"

  
Joyce        
       


Ev' ry - one will not - ice How could they res- ist?

             
        




       
                              
Pno.


   

  


101

Gilbert              
 f on the pa - rade
  
They will quick - ly fade With ourplace


Joyce                  
    


f
As for dirt- y glan - ces They will quick - ly fade With ourplace on the pa - rade We'll be the

         
        
   

               
      


Pno.
     
    
 

             
    

Betty Blue Eyes 22.4.11


8 No.3 - A Place On The Parade

        
105 Più mosso q. = 70

Gilbert      


Think of the good I could ach - ieve


Joyce 
     
  


new peop - le to know We will break

    
 
                
        

       
f

          
Pno.
 
      
 
 

            
109

Gilbert  



Think of the pain I could re - lieve

  
Joyce  
  


through then watch us grow

            
      
               
   
                    
Pno.

   
 
 

 

  
 
113 cresc poco a poco


Gilbert      
 mp One

small shop! f Dreams can be

 

 


Joyce      
 
Who knows where things may stop f Dreams can be

    
mf
 
      

 
 

      
     
Pno. smp mf
   
             
      
 

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 9

    
 
117 rall.

Gilbert     
 made On the par - ade

    



 

ff


Joyce    
made On the par - ade

 
              
 
             
       

      
Pno. f

                       


     

Broader q. = 60

 
121 GILBERT

Gilbert                  
  
Ham- mer - toes and bun - ions Cal- lous - es and corns Clip - pers for
  
the toe - nails
f

  

Joyce        
JOYCE

      



mf When this town gets to see There is

                         

             
f
                
Pno.

                
        
   

  
  
   
  
  
   
124 poco accel.

Gilbert            
 
 Tweez- ers for the thorns As
 
for dirt - yglan - ces They will quick - ly fade With our

 
            
Joyce
   


far more to me No more dirt- y glance - es With our

    
     
      
  
      
       

      
              
Pno.

         
      
  

Betty Blue Eyes 22.4.11
10 No.3 - A Place On The Parade

    
mf
127

       

Gilbert

place On the pa - rade at

  
mf


Joyce
      
place on the pa - rade at

    
                             
     

   
Pno. mf

    
    
   

    

   
        
130

Gilbert   
 last Set - ting up in


  
  
Joyce  
last

   
   
      
     
             
       
Pno.

               
             
 
    
      

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 11

   
133 f rit. ff
Gilbert           
 trade When we'reon the pa -


ff


Joyce                


f Due re- spect will be paid When we'reon the pa -

       
       
   
  
   
      
  
 
 




        
      
f
           

 
      
Pno.

     

                
                
      
 


   
Faster q. = 70


137
  
 

Gilbert

rade

  
Joyce
     


rade

 

  
  
                        
    
                   
   
  


ff
      
                    
Pno.

      
        
      
     

  

Betty Blue Eyes 22.4.11


No.4 - Magic Fingers
Lyrics by Anthony Drewe Music by George Stiles

CUE: JOYCE: "Of course he said yes. You were very convincing!"


MRS. ROACH: "Oh, Mr. Chilvers --!" MRS. LESTER: "Mr. Chilvers -- !

  
Brightly h = 66 MRS. TURNBULL: "Are you coming, Mr. Chilvers --?"

 
MRS R    
 
     
      
p

                  

Piano      
p
          
                  
   


GILBERT: "My patients are expecting me!"

 
5 JOYCE: "Don't be late for supper. And afterwards, I believe sexual intercourse will be in order." poco rit.


MRS R    

   
         
    

    
      
             
Pno.      

      
                      
       
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
No. 4 - Magic Fingers
2

 
9 Magical h = 60
      
MRS R 
   
mp He has mag - ic fing - ers

 
 
MRS L   
  
  


mp He has mag - ic hands


 
     
MRS T
 
mp And I
  
   
   

  
   
               
  
Pno. 

 
mp

     

  
  

 simile

 
12

MRS R         
   
     

That he un - der - stands And his touch is ten - der When he

  

  
            
MRS L

That he un - der - stands And his touch is ten - der When he



      
MRS T
            


just know some - how That he un - der - stands And his touch is ten - der When he

     
  
      
         
  


Pno.



  

22.4.11 Betty Blue Eyes


No. 4 - Magic Fingers
3

  
15

MRS R              
         
hits the spot And he talks a -bout con - di - tions That I nev -er knew I'd got

 
            
          
MRS L

hits the spot And he talks a -bout con - di - tions That I nev -er knew I'd got
 

         
           
MRS T


hits the spot And he talks a -bout con - di - tions That I nev -er knew I'd got

    
   
    
             
    
    


f
 
mp

   
Pno.
       
        

MRS ROACH

 
"There you are Mr Chilvers."
Faster h = 86 rall.


18


MRS R      

         
         
 
 
   

       
Pno.

          


  
     
   

MRS. ROACH (cont.): "I was beginning to think you weren’t coming. "
Flowing h = 70 GILBERT "Why, Mrs Roach, would I ever miss an appointment with you?"

 
22


MRS R     


          
               

 
mp
   
Pno.

               
   

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
4
GILBERT (cont.): "Now let’s see how that in-grown toenail is coming along. Why, I believe we’ve turned the corner."

 
26


MRS R     


             

            

          
 
     
Pno.
        

 
30 GILBERT "I touch her feet and what a moment ago was an expression as worn and grey as an old wool cardigan...."


MRS R     


                
         
   
   
                
Pno.

   

 
GILBERT (cont.) "... is suddenly as bright as..." MRS. ROACH: "-- marsh marigolds growing beside a stream where..."
34


MRS R   


                  
  
   
 
          
Pno.
   
  

MRS. ROACH (cont.): "...I used to play as a little girl, the mud squishing between my toes."

 
MRS. ROACH
37 poco rit.




    
MRS R
  

 
mp
He has



 
      
    
   
    
   
 

   
Pno.

        
    

  

22.4.11 Betty Blue Eyes


No. 4 - Magic Fingers
5

  
Con moto h = 60


41


MRS R          
        


mag - ic fin - gers He has mag - ic hands And I just know some - how That he

 
      
 
    
    
  
mp
           
Pno.
   
        

 
44 p

   
MRS R 
         
  


   
mf


un - der - stands And he shows such kind - ness That I long for more He re-

    
            
  
    
   
  
    
mf



           
Pno.

        
   
  
    


 
47

     
MRS R   
         


minds me of my hus - band As he was be - fore the war

      
      
   
  
mp
  
Pno.


   
  
     
  

MRS ROACH: "My husband had magic fingers. Before he lost his arms. Macaroon?"

 
He accepts it, gratefully, and moves on to Mrs Lester.
49


MRS R    


 
 
 
 
           
  

     
mf

p
Pno.
 
     
 

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
6
GILBERT
"Good afternoon, Mrs Lester.

 
How's that corn?"
51 Faster h = 86 rall.


MRS R      


     
                 
    
     

 
Pno.
    

         

      
 

MRS. LESTER "High as an elephant’s eye, as the saying goes." He kneels before her, takes her foot gently in his hand.

 
Flowing h = 70


55


MRS R     
   
   

  
     
 
    
mp

                    
Pno.

          
   

GILBERT "All day on her feet she stands, shoulders hunched, ankles swollen,

 
washing other women’s husband’s shirts, other women’s children’s frocks, ..."
59



MRS R     
   
   

   
  
     

  
    
mp
Pno.

               
      

 
GILBERT (cont.): "...other couple’s sheets. But when I take her foot in my hand, the sheets drying in the backyard become --"
63


   


MRS R

       


             
    
    
     
       
       
Pno.
       
   
     
 
22.4.11 Betty Blue Eyes
No. 4 - Magic Fingers
7

 
MRS. LESTER: " -- little sails on little boats floating on the sea, while my Harry and I..."
67


MRS R     

                 
    
          
 
Pno.
 
                   
   
   

 
MRS. LESTER (cont.): ".... raced down the beach, the sand burning our feet."

 
71 poco rall. MRS. ROACH

    
MRS R 
  
mp
He has




MRS. LESTER

      
MRS L
 


mp
He has

 
 
     
  
        
  
mf mf p

Pno.
  


  


  
  


  
74 Con Moto h = 60

MRS R      
            
ma - gic fin - gers He has ma - gic hands And I just know some - how That he
 
          
MRS L
       


ma - gic fin - gers He has ma - gic hands And I just know some - how That he

 
      
 
    
    
mp

      
Pno.

   
        

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
8

 
77

MRS R      
        
un - der-stands He is mild in man - ner Ah


            
MRS L
     


mp
un - der-stands He is mild in man - ner He is strong yet shy And for


 
     
  
                 
   
      

  
Pno.
      
mf
   
        


    
      

 
80

MRS R   


MRS L
       

        


sev' - ral pre - cious mo - ments All my troub - les pass me by

      
      
   
  
mp

  
Pno.


   
  
     
   

MRS. LESTER:

 
"I received another letter from the Home Office telling me not to give up hope.
82 They’ll keep searching for my Harry until they find him. Must remember to buy more starch."


  


MRS R 

 
       
              


p mf

Pno.

   
 
    
 

22.4.11 Betty Blue Eyes


No. 4 - Magic Fingers
9
GILBERT: "Lovely day, Mrs Turnbull.
How’s the circulation?"She doesn’t answer.
He kneels, takes her foot gently in his hand.

 
Faster h = 86

rall.


84


G       

       
 
        
     
     
       


Pno. G.P.

            
      
     


GILBERT: "All that was left when the "...What can one say "But when I take her
"She sits there silent as a bomb fell and All Saints Church when God’s roof caves in? " foot in my palm - "

 
stone in a pile of rubble." came crashing down around her."
89



G     

 
 



 


  
 
pp
Pno. 
  
 
     

 
MRS. TURNBULL: "The glass is stained with light, not blood. The chapel bursts with song, not bombs."


93 Con rubato


G  

           
       


Pno. p
  
   

 
Magical h = 60
95 MRS. ROACH


MRS R      
           


mp Marsh Mar - i - golds down by the stream where the wa - ter was swirl - ing a - round

              
                             

   
mp

                             
Pno.

      

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
10

  MRS. LESTER
99

MRS L      
           
Sails bil - low - ing out from the masts of the yachts as they bobbed in the sound

  
MRS TURNBULL

     


MRS T
mf
And

              
                          
 

    
Pno.
 
                      
    


 
103 Piu Mosso

       
MRS T                


on ev' ry sur - face a bowl - ful of daffs So the al - ter was look - ing a treat mf And

                                


    
       
                   
p                   
             
     
Pno.    

  
mf
   
                
   
mf      


 
107


MRS T                     
I sang the des - cant for "Ride on inMaj -es - ty" Ev' - ry one up on their feet


                             
 
                        
            
        
             
Pno.     
 
 
 


 

 
                    
   
   
 
 
22.4.11 Betty Blue Eyes
No. 4 - Magic Fingers
11

 
111 rall.
      
MRS R     
p Ah
Hmm
 



        
MRS L
 
p Ah

 
Hmm
  
       
MRS T
 
mp p
On their feet Hmm

  
 
   
  
  
     
Pno.   
      
f mp p
    
  



   
   


  
Magical h = 60
114

           
MRS R
       
Hmm Hmm


         
    
MRS L
  
Hmm Hmm

 
     
MRS T
       


    
Hmm Hmm


    
Pno.
     

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
12

 
117 mf f

MRS R 
        
       
Mm Oh, He has ma - gic fin - gers and I feel no pain I look
mf
 f
MRS L       
 
      

Mm Oh, He has ma - gic fin - gers and I feel no pain I look


mf
 f

     
MRS T
        


 
Oh, He has mag - gic fin - gers and I feel no pain I look
Mm

     
               
            
 
f



mf
     
Pno.

   

    
     
     

 
MRS ROACH: "Don't forget your coupon!"
120

             
 
 
MRS R

for- ward to each vis - it In a way I can't ex - plain


              
 
 
MRS L

for- ward to each vis - it In a way I can't ex - plain




mp
                

    
 
  


MRS T

for- ward to each vis - it In a way I can't ex - plain Hmm



             
      
mf mp
 
Pno. Piano solo

      
 
 
    



22.4.11 Betty Blue Eyes


No. 4 - Magic Fingers
13

MRS LESTER: "Are you sure this is all you want?"

  
GILBERT: "That'll do just fine."
123

         
MRS R 
     
mf
I look for - ward to each vis - it In a

  
    
  
MRS L
        
mf I look for - ward to each vis - it In a

  

         
MRS T          


mf I look for - ward to each vis - it In a

      
              
    
mf f

      
Pno. Orch

      
 
  
    
 
   
mf

     
125

MRS R       
way I can't f ex - plain


MRS L           
way I can't f ex - plain

    
MRS T
     


way I can't f ex - plain

       
 
     
   



  
  
  


 
mf
  mf

   
Pno.
  
    
    

 
Applause Segue
No.4a Another Day, Another Queue
Betty Blue Eyes 22.4.11
No. 4a - Another Day, Another Queue
Lyrics by Anthony Drewe Music by George Stiles

CUE: Applause from No.4 - MAGIC FINGERS

 
3 Very Lively q = 160


Company      


 
                          
               
Piano mf
 
             

  

  
   

MOTHER DEAR: "Another day, another queue. It's as if I never went to bed."


6


Co.     

          
                      
 mp
Pno.

           
          
  


9 Suddenly slower rit.



Co.    

         
        
      
  p

Pno.

            

  

Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
No. 4b - Mrs. Metcalf's Treatment
Lyrics by Anthony Drewe Music by George Stiles

CUE: JOYCE: "Don't forget your lesson, Veronica! Five o'clock sharp!"

In 2 h = 80

 
JOYCE (cont'd): "A private function Mother! We must start thinking of what to wear."


Gilbert         



          
          
          
mp
         
Piano
 
           

 
JOYCE: "And I have no intention to 'make do and mend'."
5

 
  


    

Gilbert

       
      

 
     
 
 

           
         
Pno.

    
mf
  
  

     

 
MRS. METCALF: "My last little man was so old he could barely see."
9

 
  



Gilbert


   
   

    


mp

  
Pno.
     

 


Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
No. 4c - Magic Fingers - Reprise
Lyrics by Anthony Drewe Music by George Stiles

CUE: MRS. METCALF: "He who eats the fastest eats the most.
That's the law of the jungle and it's no different here. (GILBERT hits the spot) Ooh!"

   
Freely h = 66

   
MRS METCALF

Metcalf  
Mrs.    
       


mp He has mag - ic fin - gers He has force - ful thumbs And I

         
       
  
   
 
  

 
Piano p mp
         


 
5

Metcalf    
      
    
Mrs.
   


have hot flush -es ev' ry time he comes How I wish my Met - calf Could be

 

 
  
  
  
      
  
 
Pno.
   
   
 
      

 
8
 
 
Metcalf               
           
Mrs.


half as sweet When you're mar- ried to a butch-er You're just a - noth- er cut of meat

   


       

 
    
  
 
   

  
mf mp
 
Pno.
     
 
      
      

Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
2 No.4c - Magic Fingers - Reprise

  
11 Seductively MRS. METCALF: "Are you sure there isn't anything I can offer you?"

 
   


Mrs.
Metcalf

                  
   
 
    
 
p
 
                
Pno.
   
    

 
GILBERT: "Just a ration coupon -- if you can spare it."


15 SHE pulls one from her bosom, hands it to him...when...

Metcalf 
Mrs.    

                   
  
 
      
 
Pno.
  
                
   
 

MUSIC CUT ON CUE

 
NOBLE: "Open up. This is the police!"


19


Mrs.   
Metcalf

 

     
   
  
   

Pno.
    
  
   


METCALF: "Gestapo! Gestapo! MRS. METCALF: Bloody hell!"

22.4.11 Betty Blue Eyes


No. 5 - Painting By Heart
Lyrics by Anthony Drewe Music by George Stiles
CUE: WORMOLD: "Any unlicensed meat is to be confiscated
and painted regulation green, making it, "Unfit for Human Consumption"."
Stony q = 130

 
WORMOLD


Wormold     
        


 mp 
 
 
No stone will go un - turned It's time these peo - ple learned


     

 
 
 

Piano mp
    
    
   


5 Meno mosso
    

Wormold          

     


If meat is deemed un - fit They won't be eat - ing it

    
 

  
 
 

 

Pno.
   

   

 


9


Wormold      
    

  


  
For fresh - ly butch - ered roast or raw I will up - hold the

     
   
          
 
 

 
 

Pno.
     
 
    
  
 
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
No. 5 - Painting By Heart 2

Rhythmically q = 150 WORMOLD: "Bring me the paint!"


13


Wormold    
 law
 


     
          
 
Pno.
       
   
                         
                         
 

 
17 MRS METCALF

          
mp No he can't it's ob - scene
Co.
METCALF

   
     


mp Noth - ing wrong with that


  

 
 
 
Pno.
 


                  
 


 
20 MR & MRS METCALF

             

mf They'd rath - er eat They don't care where it's
Co.

   
   
 side o' meat


         
  


    
 
  

Pno.


                  
 
22.4.11 Betty Blue Eyes
No. 5 - Painting By Heart 3


23 CONSTABLE NOBLE: "Why don’t you let me do that, sir? You’ve done enough for one day."


Co.      



been

   

       
Pno.    


                         
 
 


27 WORMOLD


Wormold    
    


   
 mf 
 
 
I'll keep il - leg - al pork From each im - mor - al fork


     
        
    

      
                     
   
Pno. mf        
                    
      
                         


31
    

Wormold         

      



In lit - tle towns like this To find such av - - ar - ice

              
                  
                
                 
Pno.

                 
                 
         


35


Wormold      
    

   


Is some - thing I won't tol - er - ate Stand back while

   

            
           

    
Pno.

             
               

Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 4


38
 

Wormold        

 


I cre - ate Watch me I'm
mp

           
    
Pno.  f
        
  


Tainted waltz - in 1 h. = 70

 

43

 
   
 paint
Wormold


- - ing paint - ing by

   
  

          
           
Pno. subito mp        
        
 
mf    

 
47


Wormold      
 heart
 


Some think it
  

       
   
 
            
Pno.
       
   
   

 
51


Wormold           
 waste


  
- - ful But I con - sid - er it

  

          
           
Pno.        
        
 
   
22.4.11 Betty Blue Eyes
No. 5 - Painting By Heart 5

 
55


Wormold       
 art
  


The sweep of the

  

       
    
           
 
Pno.
         
   
 

59


Wormold  

 

  



should - - er A brush of the




          
       
Pno.        
         
   
 

 
 

 
63


Wormold      
 breast


 
mp The

 
     
         
   
Pno.       mp
 
        
 
   

 
67


Wormold        
 ten
     


- der young rump So pleas - ing - ly plump The

    
  
   
 
  
 
Pno.
       
        

  



 
Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 6

 
71


Wormold     



 part
   
I love best mf Yes when I'm



         
     
  

  
Pno.
  
          
 

 
 
75


Wormold      
 paint


- - ing Struc - ture and

   
            
            
Pno. mf        
        

   

  

 
79


Wormold      
 form
 


I get a
  
       
        
    
    

   


Pno.
    
 
 
   


 

 
83


Wormold          
 feel


- - ing in - side that's fuz - zy and




      
     
      
   
 
Pno.
       


    
  

  
22.4.11 Betty Blue Eyes
No. 5 - Painting By Heart 7

 
87


Wormold      
 warm
 


Though my vo -
  
       
   
         
         
Pno.
      
  
 
 

 
Wormold    
91

  
 ca



- - tion may strike

            
          
Pno.
       
  
    
 
     
 
  

  

95 f
 

Wormold      
 some


as odd When I am

 

   

     
         
  
 
Pno. f

   

   
    

 


  
99


Wormold      
 paint
 



mp

  
- - ing Then I feel

     
   
         
  
Pno. mp


    
   



Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 8

    
103


Wormold  
 
 close


 
to

 
   
  
        

  
   
 
     

Pno.     

    
   
   

  
 
107


Wormold    
 God


 
   
 
  
      
     
 

 
 
Pno. mp

  
  

 
111 WORMOLD: "I always wanted to be an artist."


Wormold      



 
          
           
 
       
 
   
Pno.

 
115 WORMOLD: (cont.) "But my father -- "The Vicar" -- forbade me."


Wormold      



  
         
          
  
     
 
   
Pno.

22.4.11 Betty Blue Eyes


No. 5 - Painting By Heart 9

 
119 WORMOLD: (cont.) "He said that only God had the right to create."


Wormold      


   
    
  
 
  



         
     
 
   
Pno.

 
123 WORMOLD: (cont.) "But my father was wrong! Now I have the right."



Wormold       

  


mp

     
Be - cause when I'm


        

           

     
 
   
Pno.

  

 

127


Wormold     
 



paint - - ing, paint - - ing
  
    
         
     
         

   
  
Pno. mf
       
    
   

   
 
   
 

 
131
 

Wormold     
      



mp It's an art in it - self

  
 
   
        
 mp        
           
  
Pno.
           
            
   

Betty Blue Eyes 22.4.11


No. 5 - Painting By Heart 10

 
135


Wormold           




My cal - ling in life
    
       
     
        
            
  
Pno. mf
       
    
        
 
   
 

 
139
 

Wormold     
    



Keep - ing meat off the shelf

   
   
         
 mp        
           
  
Pno.
     

   

 
          
  

 
143


Wormold           


 
Paint - ing it Taint - ing it

    
  
          
       
   
mf
Pno.
    
 

     
          
   

 

147


Wormold        


Seiz - ing their spoils

    
     
    
 



 




 



Pno.
        
               


22.4.11 Betty Blue Eyes


No. 5 - Painting By Heart 11

    
Wormold      
151

  


Ev - - 'ry joint a

 
    
      
      
   
     
Pno.    
               


     
155

Wormold    
    
 stu - dy in oils
POLICEMEN

 
       
mf
 
Co. Watch him he's

 
     


mf  
Watch him he's

         


   
  
  
  

  

Pno.

          
     
   

 

159

        
paint - - ing Paint - ing by


Co.

  
      


paint - - ing Paint - ing by

        
                
Pno.
       
f
             
  
  
 
Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 12

    
163 mp
Wormold                  
 With a lit - tle dab With a lit - tle daub With a lit - tle flair


        

 
Co. heart Some think it

  
    
   




heart Some think it

chromatics stet
  
             
 
       

        
 p       
Pno.       mf  
            
  
     

 
167

           
Co. waste - - ful but he con - sid - ers it

 
      

 


waste - - ful but he con - sid - ers it

        
               
Pno.
       
           
  
   
    
171

Wormold                  
 With a lit - tle brush With a lit - tle stroke With a lit - tle care


         
Co. art

 
      



art
chromatics stet

              
       
   
     
 p      mf
Pno.         
          
    
 
  
 
22.4.11 Betty Blue Eyes
    
175 No. 5 - Painting By Heart 13

   
 

Wormold

Peo - ple think



          
Co. Peo - - ple think he

 
    


 
Peo - - ple think he

 


     

Pno.
 
            
           

 

179

Wormold         
 I ride rough shod mp But



     
 



 
rides rough shod


Co.

    
   


 

rides rough shod

   
       
  
Pno. f mp
 
 
    
  
  



 


183


Wormold        

     


I've had this tal - ent since I was a kid

        


             


  
Pno.

           
           

Betty Blue Eyes 22.4.11


 
No. 5 - Painting By Heart 14

 

187

        

Wormold
    


Now I use it where - ev - er I'm bid

       
         
  
  

Pno.
             

           


   
191
   
f
       

Wormold
 
In a way Mi - chel An - ge - lo did Just the


f
 
       
 
 
Co. Just the

  
f

  
     


 
 

Just the

         
              

Pno.
             

         


     
195 rit.
Wormold        
 same ff Dad - dy I'm

       

  
  
Co. same


 




   
 

 
same
  

     
         
 
     
       
 
f
      
    
Pno.

    

  
 
  
 
22.4.11 Betty Blue Eyes
No. 5 - Painting By Heart 15

     
 
199 Broadly in 1 h. = 70

Wormold    
  
 paint - - ing Paint - ing and
 
     
         
Co. La la la la la la la la la la la la

 

f
 


         
 La la la la la la la la la la la la

          
   
         
     
 
Pno. ff         
         
  
 
   
     
203

Wormold          
 proud Think of my

        

   

   
  
Co. With a lit - tle dab With a lit - tle daub With a lit - tle flare

 
      
           


With a lit - tle dab With a lit - tle daub With a lit - tle flare
     
 
   
           
            
       
Pno. chromatics stet
          
   
    
     
207
    
Wormold      
 bo - - dy of work if I'd been al -


     
         
Co. La la la la la la la la la la la la

  
   
          


 La la la la la la la la la la la la

       
   
          
     
Pno.
            
         
    
 
  
 
Betty Blue Eyes 22.4.11
    
211 No. 5 - Painting By Heart 16

         

Wormold

lowed! Though my vo -

             

   
  
Co.  With a lit - tle brush With a lit - tle stroke With a lit - tle care

 
      
           


With a lit - tle brush With a lit - tle stroke With a lit - tle care
     
 
   
           
           
        
Pno. chromatics stet


         
 
  
 
    

215

Wormold      

      
mp ca - - tion may strike
 
 

          
Co. mp Ah ah

  


 Ah ah


               


                  
Pno. mp
         
      
          
        
 
     


219
 
Wormold    
 some as odd ff When I am
 
       

        
Co. Ah ah

    


Ah

ah

   
  
 
      

 
     

Pno.  f 
 
  
       

    

     

22.4.11 Betty Blue Eyes
    
No. 5 - Painting By Heart 17
223

       

Wormold

paint - - ing Then I feel


 
     

  


Co. When he is paint - - ing

  
     




f When he is paint - - ing

    
 
 
   
 
  
 
       
   
Pno. 
     
 
  
     
  
        
Piu mosso
227

  

Wormold

close

        

     
Co. Close

  
  


    
Close


 
    



  


 

Pno.

   
 
      
       

    
231
  
Wormold    
 to

  

   

     
Co. to

  
  


 
to

 
     
     
         

 
Pno.

   
   
      

       
Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 18

        
Faster
235

 

Wormold

God


    
   


Co.

 
Ah

  
  
 


Ah

 
     

              
   
Pno.
 
 

   
     
 

        
239

Wormold     

   
     

     
God

     
Co.

  


God



 
 
 
 
 
  
   
  


     
 

  
APPLAUSE
Pno.
SEGUE


    
 


 
  

22.4.11 Betty Blue Eyes
No. 5a - Painting By Heart - Wipe

Lyrics by Anthony Drewe Music by George Stiles

CUE: APPLAUSE SEGUE

 
Fast Waltz - in 1 h. = 75

    

Noble

FEMALE CONSTABLES


     


f Oom


 
MALE CONSTABLES
     

       
f Oom pah pah


     
ff


           


Piano

  
ff 




       
   


 NOBLE 
5
   
Noble 
 Oh, what a crime mf
f

         
  


Oom Oom Oom Pah

            
 Oom pah pah Oom pah pah Oom pah pah pah

    


     

         
  
           
Pno.


    
           
  
 
 
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.5a - Painting By Heart - Wipe

 

9

    
 He
Noble

must be mad

      


Oom

      
 Oom pah pah

  
   
  
  

      

     

Pno.
         
      
        
  
   
    


13

Noble       
 I thought

         
  
Oom Oom Oom Pah


            
 Oom pah pah Oom pah pah Oom pah pah Pah

     

 
    
  

         
  
           
Pno.


    
         
  
 
 
22.4.11 Betty Blue Eyes
 
No.5a - Painting By Heart - Wipe 3


17

    
 Hit
Noble

- ler was bad



    


Oom
 

   

 
pah pah

       

     

     

Pno.
         
 
  

         



    
  

 
 
21 poco rit.
    


Oom Oom pah pah

 

    

  

 
pah pah Oom pah pah

 
 

  
 
   


 
Pno.  
    


 
 mf

         
         

 
Half Time Feel

Noble  
26 Poco moto (q = 116) VERONICA's PIANO - AS NEEDED (and as butchered)


   



 
               
    
  

 
PIANO SOLO

       
Pno.
    
  

Betty Blue Eyes 22.4.11



4 No.5a - Painting By Heart - Wipe

    
30
     
1.

          
  


Pno.
             
  



2.
  
34

           
     

   
Pno.
            
   


38 
                           
 

Pno.

                   
   

22.4.11 Betty Blue Eyes


No. 6 - Nobody - Part One
Lyrics by Anthony Drewe Music by George Stiles

CUE: MOTHER DEAR:


"That’s a fine way to talk. You’d think I taught her no manners."

    
JOYCE: "Playing matinees at the Arcadia
Freely Theatre. No one even seeing my face."

   
   


Joyce

        
      
         
     
p
   

Piano

   
      
   

JOYCE: (cont.) "Giving lessons to privileged brats! If that’s what it’s like to have
children it's just as well we didn't have any."

 
5


Joyce        


           
      
             

    
  
Pno.

     
 
     

JOYCE: (cont’d) "Striving to keep a gracious home, set a lovely table,

 
prepare a meal from the meagerest of means --"
9


Joyce        


               
   
  

      
   
Pno.

      

       
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
No. 6 - Nobody - Part One
2

 
13 JOYCE: "I could have been somebody. I should have been somebody. Everyone said I had a lovely voice --"

  
    


Joyce


       
 
  

  
        
  

    

Pno.
  
          
 

   
MOTHER DEAR: "What did I tell you about your posture, Joyce! Nobody wants to grow a hump!"
17

  
    


Joyce

      
                  
    
f
     
  
Pno.
     
 
    
Steady h = 70

 
21 JOYCE


Joyce                    
   


       
mf
No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


banging her hands on the keys...

    
           
     
   
Pno.    
   
f 
             
    

   

  
25


Joyce           
   


         
I'm some - bo - dy They ought to be Hob - nob - bing with yet they put me


             
    
   
Pno.   
 
            
   

   
22.4.11 Betty Blue Eyes
No. 6 - Nobody - Part One
3
Piu mosso

 
29

       

Joyce     
         


down mp I see the way peo - ple smirk May - be their jibes would - n't

 

   
           
   
                            
Pno. mp
       
       
          

 
33


Joyce         
      


work If I could move in high cir - - cles

 
      
                           
             
Pno.  
      
          
   

 
piu mosso
37

  
               
   


       
Joyce

No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


      
 
         
       
     
Pno.       

 
mf
     
             
      
 

   

 
 
41


Joyce        
     


mf
    
If on - ly they'd take the time they'd see That

      
     
  

 
 
     
 
Pno.  
   
   
   
 

Betty Blue Eyes 22.4.11
No. 6 - Nobody - Part One
4

  
45


Joyce                



those who call me a no - bo - dy don't know

 

 
  


   
 
  

 
   
Pno.
   
  
   
  

Quicker h = 100

 
49

   
   


Joyce

me


    
  
   
    
    
           
        

Pno. f   
   
3
    
      
 
       

   
53


Joyce                       


mf I'm a wo - man of sub - stance A wo - man with stand - ards

       
    
          
                
          
 
Pno. mf
 
            
   
   

  
57


Joyce     

         


A wo - man of ma - ny ex - tremes


            
         
               
 

Pno.
                  

         

22.4.11 Betty Blue Eyes


No. 6 - Nobody - Part One
5

 
61


Joyce                       


A wo - man with hopes A wo - man who copes De -

       
             
                
          
Pno.

 
            
      


  
65


Joyce             
 



spite so ma - ny un - ful - filled dreams I'm well -

     
  
           
   

Pno.
      
 
 



    


 

69


Joyce     
  
 
    
    


bred e - nough Well - read e - nough with wit - ty rep - ar - tee I'm


      
  
 
   



      
Pno.

          
     
 

 
73


Joyce              
  


good e - nough I've stood e - nough of peop - le talk - ing

   
     
  
 

 

     
Pno.

  
 

  

Betty Blue Eyes 22.4.11


No. 6 - Nobody - Part One
6

 
poco rall.
76

   
  


Joyce

down to me


      


 

  
Pno.
      
    

 
Steady Swing h = 90
79

  
               
   


       
Joyce

f
 No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


                  
      
    
   
         
Pno. f
 
            
   

 
83


Joyce         
 
    


         
I'm some - bo - dy Who's born to be The cen - tre of eve - ry - thing in

              
       
      
        
Pno.
 
             
  

 
87

   

Joyce               
   


town I'll be the creme de la creme I'll show I'm bet - ter than

  
                   
       
  
Pno.
   

             

22.4.11 Betty Blue Eyes


No. 6 - Nobody - Part One
7

 
91


Joyce         
       


them Though they're so quick to con - demn me

      
            
        
       
 
Pno.  
 
    
       
   
 

 
95


Joyce                   
           


No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy

                
      
   
   
Pno.          
   
            
   

 
99


Joyce        
         


I'm sure giv - en time they'll all a - gree That

             
          
 
  
        
Pno.   
 
   



   
    

  
103


Joyce               


 
those who call me a no - bo - dy


 
          
 
    
                    
           
Pno.
   
     
  
     

Betty Blue Eyes 22.4.11


No. 6 - Nobody - Part One
8

 
rall.

106


Joyce      


f don't know...

      
  
     
            

       
  

 
 

Pno.
     
    
    
   
  
 
   

 
109 Slightly Broader h = 85

              
Joyce
            
No, No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy

  
GIRLS

 
     
No - - bo - - dy No - bo - dy
Company mf BOYS
      
    
 No


- - bo - - dy No - bo - dy

        
   
     
          
       
Pno. f
  
      
   
      
   

 
113

Joyce       
              
I'm some - bo - dy They're gon - na see Rise up to be som - one of re -


 
  
Company Some - - bo - - - dy

 
    
 Some


- - bo - - - dy


        
 
        

     
  

Pno.        
  
    
  

    

    
 
22.4.11 Betty Blue Eyes
No. 6 - Nobody - Part One
 
117 9

Joyce       
            
nown I'll make them eat ev - ery word I'm not just one of the

  
    
G
B
       
B
Ooh Ooh

 

Company

     
       


G
B
B
Ooh Ooh


    

         

        
 
Pno.
  
        
    


 
121

Joyce        
       
herd Time that the whole town was stirred up

 
 
            
   
Ooh Do do bi do Do do bi do
Company
  
                  


Ooh Do do bi do Do do bi do

           
                 
            
  
Pno. 

   
      

   
 

Betty Blue Eyes 22.4.11


No. 6 - Nobody - Part One

 
10

    
125 Più mosso h = 90

Joyce 
     
No - - bo - - dy calls me no - bo - dy


         
    
        
Company No - bo - dy No - bo - dy No - bo - dy Ooh
 
                   


No - bo - dy No - bo - dy No - bo - dy Ooh

          
     
     

    
 
Pno.        
  
      
   
      
   

 
 
129

Joyce     
        
I'll climb to the top of an - y tree


    

Company Ah

  
     


Ah

         
         
              
Pno.  

  






 


    
  
22.4.11 Betty Blue Eyes
No. 6 - Nobody - Part One
11

  
133

Joyce         

Those who call me a no - bo - dy Don't know

   
          

     
Company f No - bo - dy Don't know

   


   


Don't know
 
No - bo - dy
   

      
         
                
 

       
Pno.
    
     
       
   
 

 
138


Joyce     


me!

   

  

   
                   
      

    
Pno. ff

   
    
       
           

 
142 APPLAUSE SEGUE

Joyce     


    
ff
f Ah

Company
   
    
 Ah


       
  


 
 

    
  
 

   

       
Pno.
 



 
 
 
    
      
Betty Blue Eyes 22.4.11
No. 6a - Nobody - Part 2
Lyrics by Anthony Drewe Music by George Stiles

CUE: UNDER THE APPLAUSE FROM PART ONE

 
Bright h = 100
A1 A2 A3 A4



Company      

   
       
 
      
     
      
       

mf
Piano 
  
3
   
        
3

  
MRS ALLARDYCE, MRS LOCKWOOD, VERONICA

          
 
1 mf

            
  


Company

What a pre - poste - rous wom - an

            

            
    
       
      
  
   
Pno. f mf

       
3

        


 
    
5

      
    
    
Company Who does shes think she is


     
SWABY, ALLARDYCE, LOCKWOOD


  


mf
I'm on - ly thank - ful

          

             
   
     

Pno.
 
3
   
     

This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 5.5.11
2 No. 6a - Nobody - Part 2

 
8

   
Company
  
      

     
    

  


my wife Is - n't as de - ranged as his

   
  
     
 
     
  
Pno.
 
             
3

     
     

   
11


               
            
   
mp

   
       
 
Company The wom - an's an up - start The wo - man's a no - one
          
     
       

 


The wom - an's an up - start The wo - man's a no - one

           


           
       
          
   
Pno.
            
   
   

 
15

            
           
Company Her place is the back of the queue
          
            


Her place is the back of the queue

     
               
 
      
       
Pno.

               
        
  

5.5.11 Betty Blue Eyes


No. 6a - Nobody - Part 2 3

 
MRS ALLARDYCE
19


                   
A lit - tle more beef?

 
Company She beg - gars be - lief

     
     
SWABY

        


Well
She beg - gars be - lief

           


                  
          
   
Pno.
            
   
   

 
23
ALL

    
 
We're well

Company ALL

        

  


thank you I don't mind if I do We're well

   
   
        
 
Pno.

   
 
 



    

 
27

      
           
Company fed e - nough We've said e - nough the wo - man is no good De -

   
   
  
   
 fed e-nough
   


We've said e - nough the wo - man is no good De -


      
        


    
Pno.
         
     

Betty Blue Eyes 5.5.11


4 No. 6a - Nobody - Part 2
 
31

  



  
void of charm SWABY
Company

 
Oh twist my arm per - haps just one more
 
         

     


void of charm
  
  
  
 

 

  
Pno.
  
    

 
rall.
34

    
 
One more York - shire
Company


York - shire pud
  
   


 


One more York - shire


    


 

  
Pno.
         

Slightly quicker h = 90

 
37 JOYCE

Joyce                
f            
No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


 
       
  
No - - bo - - de - - li - cious!
Company mp
 
 
 
         
  
  



No - - bo - - de - - li - cious!
      
              
    
       
Pno. f

  

   

   

   
 
   

5.5.11 Betty Blue Eyes


No. 6a - Nobody - Part 2 5

 
41

Joyce      
               

 
I'm some - bo - dy They're gon - na see Rise up to be some - one of re -
 
       
  
No - - - bo - - - de - - li - cious!
Company
  
   
 
     
 
   


No - - - bo - - - de - - li - cious!
     
               
          
Pno.
   
            
      

 
45

      

Joyce  
          


nown I'll make them eat ev - ery word I'm not just one of the

    

         

        
 
Pno.
  
          
  

 
49

Joyce        
       
herd Time that the whole town was stirred up


             

The hoi pol - loi Will not en - joy
Company mf


            


The hoi pol - loi Will not en - joy

             


              
             
   
Pno. 

    
       
   

Betty Blue Eyes 5.5.11


6 No. 6a - Nobody - Part 2

 
53

Joyce                
           
f
No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


 
       
  
Yum! Yum! Yum! Sir - loin!
Company
mp
 
 
     
  
  
  
  


Yum! Yum! Yum! Sir - loin!

       
             
  
            
Pno.
   
           
       


 
 
57

Joyce     
        
I'll climb to the top of an - y tree

 
            
  
Yum! Yum! Rid - ic - u - lous nin - com - poop
Company mp mf

                
 
 


Yum! Yum! Rid - ic - u - lous nin - com - poop

 
 
        
  
 
     
         
Pno.
        
     
    
 

5.5.11 Betty Blue Eyes


No. 6a - Nobody - Part 2 7

  
61

Joyce            
Those who call me a no - bo - dy

  
   
     
And she is

   
Company f
 

   


And she is

    
 

 
               
                
Pno.

      
     
  

 
64

Joyce    

 

 
  

 


   
 
 
 

    
Company rub - bish at teach - ing pi - a - no as


         


       


rub - bish at teach - ing pi - a - no as

     
        
  
        
 
       
                  
  
Pno.

      
     
  

Betty Blue Eyes 5.5.11


8 No. 6a - Nobody - Part 2

 
67

  
Joyce    
Don't know

  
     
Company well
 
 

   


well

     
  
    
  


 
mp
  
Pno.
   
   

 

In 4 q = 100

  
71

 
           
Joyce
           


p
May - be they're right May - be it's true May - be I'm just a no - bo - dy

 
 



  

 
 
p

Pno.
   
 

 

75

Joyce     
3

 
    
Is this my lot? My des - ti - ny?
 GILBERT


      

Gilbert


mp To

 
      
 
 


 
  
     
  
Pno.

    
   

5.5.11 Betty Blue Eyes


No. 6a - Nobody - Part 2 9

JOYCE: "Your dinner’s getting cold."

 
79 rall.

Joyce     

 
             
 me
Gilbert


you'll al - ways be some - bo - dy

 
   
 
 








   

Pno.
     
 

  
83


Joyce      


p They don't know me

 
    
 
Pno. mp 
  
    


APPLAUSE SEGUE
No.6b Sutcliffe's Farm

 
86 a tempo


She sits
Joyce    


    
   
 
   

 
     


Pno. mf p
    



Betty Blue Eyes 5.5.11


No. 6b - Sutcliffe's Farm
The Chicken Chase


Lyrics by Anthony Drewe Music by George Stiles

Fast h = 100

41
 
      
f

 
Piano                   

      
 
  
  
mf 

  
     
            



           

  
     
45

         
    


                                 
    
Pno.
          
f
 
    
          



49


   
      
 

  
       
                       
  
Pno.
   
   
   
     
          

 
Betty Blue Eyes This score is the property of and should be returned to: 5.5.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.

2 No.6b - Sutcliffe's Farm - The Chicken Chase


(bars 53 - 81 CUT)

  
     
82
     
       
f


                                 
    
Pno.
        
f
 
    
          


     
86

     

 
              
            
   

  
Pno.

    
    
       
 




[CUT ON CUE]
  
    
94
     
      
 
    
f



      


  
    
        
Pno.

 
f
  

        
   

      
   
5.5.11 Betty Blue Eyes

No.6b - Sutcliffe's Farm - The Chicken Chase 3

 
97
 
  
 
 
                  
3
      
3
          

3


     
Pno.
        
 

   
    
      
     



    
 

   
  
  
100

     
ff

    
       
      
   
  
Pno.
   
         
       
           
ff
      
              
       
  


   
103




   
 
Pno.



        
       
           

         
   
     
 
Betty Blue Eyes 5.5.11
No.7 - A Private Function

Lyrics by Anthony Drewe Music by George Stiles

CUE - SWABY: And a damn fine dinner -- the likes of which have not been
seen since before the War. And all in honour of that pure, unspoiled couple..."

  
Andante q = 80

   
Swaby    


SWABY: "...who stand for everything we fought for. And died for. This isn't just dinner, gentlemen."

                              
  
                        
  
            
Piano

    

SWABY: "This is our moment!"

  
     
SWABY

    
4
 
 
mp
       
Swaby


A pri - vate func- tion A bles - sed treat A grand oc - cai- sion as be

          


   
       
 
       
     
Pno.
  

      

   
  
   
8
  
  
Swaby           


fits this town's e - lite The roy - al coup - le will that day be joined Let us


       
   
    
      
Pno.
   
 

                                   
  
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.7 - A Private Function

             
mf

11
      
 
 
Swaby
 


share their rap - ture with the pork that we've pur - loined I'll pro - pose the loy - al


            
    
         
   
    
       
Pno. mf
  
                       
    


BETTY Snorts

   
        
mp
14
  
 
Swaby  


toast To the Prince and to his Princ - ess And our fine pork

    
       
  
       
    
       
Pno.

  
      
  
mp
   
   



 
Più mosso q = 86

17 ALLARDYCE: "Betty!" mf
   
ALLARDYCE

Allardyce        


A

 
LOCKWOOD mf

           

Lockwood
A

mf
      
 
  
Swaby


roast A

                                    
   
                               
Pno.
  

mf
 
         
 
      


22.4.11 Betty Blue Eyes
No.7 - A Private Function 3

 
 
 
21

Allardyce          

 
pri - vate func- tion as Eng - land strives

  
 
        

Lockwood
   
pri - vate func- tion as Eng - land strives and their

      
        

Swaby    


pri - vate func- tion as Eng - land strives For men of sub- stance

 
 


      
  
    
 
 
     

Pno. mf

   
              
  

 
 mp
  

24

Allardyce            


For hope for glor - y for a land that's free

 mp
 
          
 

Lockwood
        
ev - er charm - ing wives For hope for glor - y for a land that's free


 mp  
    

          
Swaby
 


For hope for glor - y for a land that's free And yet

            
   
                   

Pno. mp

                 
         
 

Betty Blue Eyes 22.4.11


4 No.7 - A Private Function

  
27  f

Allardyce         

 It's our priv - i - lege to


 
 
  
mf
     

Lockwood

It's our priv - i - lege to

             mf
     
Swaby
   


not for peo - ple who are not our cup of tea It's our priv - i - lege to


  
   
              
               
   
    
Pno. mf
   
         
      
  


  

poco rit.

30
             
Allardyce 
 host Such a feast fit for a mon- arch Our fine pork

 
               
 

Lockwood

host Such a feast fit for a mon- arch Our fine pork

 

              

Swaby 


host Such a feast fit for a mon- arch Of our fine pork

    
         
               
       


           
  
f

Pno.
 
             
       
       

22.4.11 Betty Blue Eyes


No.7 - A Private Function 5
Pompous and circumstantial q = 90

 
f

33

Allardyce    
 roast


f mf


      

Lockwood

roast For

f
  
 
mf


Swaby    


roast For


                                
 
          
 
                
   
    
    
  
ff
Pno.
   
 
 

 

 
   

    

        
37
         
Allardyce        
 mf For gen - er - a-tions Look back and say Re - mem - ber clear - ly where we


    
   
            
 gen
Lockwood

- er - a - tions we'll look back and say We re - mem - ber clear - ly where we

      

            
Swaby
   


gen - er - a - tions we'll look back and say We re - mem - ber clear - ly where we


    
                    
     
Pno. mf


                             
                             

Betty Blue Eyes 22.4.11


6 No.7 - A Private Function


 f
    

      
40

Allardyce     
 were that sa-cred day And great men will proud - ly boast Of the


 
f
      
      
 
 were that sa-cred day And great men
Lockwood

will proud - ly boast Of the

      f      
    

Swaby 


were that sa-cred day And great men will proud - ly boast Of the

    

            
                    
     
 
  
Pno. f

    
  

 
     
            

         
 

43

    
Allardyce 
 func-tion the were pri - vy to Our fine pork


           
    
 func-tion the were pri - vy to
Lockwood

Our fine

 
    
 

Swaby
 
     


func- tion the were pri - vy to Our fine pork


       

         

             

         




                    
Pno.
    
 
        
     
22.4.11 Betty Blue Eyes
No.7 - A Private Function 7

    
47 rit. Meno mosso

Allardyce    
 roast

  
   

Lockwood

 mp
roast

 p
  
     

Swaby
       


roast A pri - vate func- tion they were pri - vy to Our

 
                
         


     
p
 
Pno.

   
 
 
  


   
50
    
Allardyce       
 p Our fine pork roast with ap - ple sauce


   
      

 p
Lockwood
   
Our fine pork roast with ap - ple sauce

  

 
Swaby
 


fine pork roast


   


       

  
  





 
Pno.
      
  


Betty Blue Eyes 22.4.11


No.8 - Betty Blue Eyes
Lyrics by Anthony Drewe Music by George Stiles

CUE: GILBERT: "I don't..."


ALLARDYCE: "She won't bite. She's every so gentle."

Freely h = 90


ALLARDYCE


Allardyce       
 
          
 mp If you think if farm yard crea-tures


And their most dist - inct - ive fea - tures

 
 
  




 





   
Piano mp
    
  
 
 


   
5
 

Allardyce    
    
 
 Pret - ty soon you'll have


a comp - re - hen - sive list When

  

  
 
 
    
 

 
 
 

Pno.
    


  
9


Allardyce                      
 peo - ple stop and


think A - bout a pig they just think pink Per - haps a


  


     



 
 

Pno. 
    
        

This score is the property of and should be returned to:


Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.8 - Betty Blue Eyes

 
colla voce h = 60 A Tempo h = 90
13

    
  
            
 snout
Allardyce


a cur-ly tail And yet there'ssome-thing that they've missed For


 
   
 
     
 
   

        
   


  
 

Pno.
 

       




 

 
 
18
 

Allardyce     


       
 when you get up clos - er Then you're in for a sur - prise
L.H.
     
  
 
              
       
Pno.


     
   



poco rall.
  
22


    
Allardyce           
 Have you seen the col - our Of this lit - tle pig - gy's eyes?
mf
 

    
 

                 

   
Pno.


mf

  
  

 
26 Romantically


Allardyce              
 Bet


- ty blue eyes Bet - ty blue eyes When I look in - to your

   

   
     
  

Pno. mp
               
  

22.4.11 Betty Blue Eyes


No.8 - Betty Blue Eyes 3


30

 
Allardyce        
 two
 


  
eyes I see the heart and soul of God's cre - a - tion

      
       
  
        
 
       
Pno.
 
           
   


34


Allardyce  
               


Bet - ty blue eyes Bet - ty blue eyes There were nev - er two more

     

 
   
     
  
 
   
Pno.
            
 
  



38
 

Allardyce  
         
 true


eyes How I love this per - fect pig - men - ta - tion

      
 

    
  
 
 
 
   
 


    
Pno.
      
 
  
 


42
Gentle fox-trot h = 76


        


  

Allardyce
    
They're blu - er than the sky a - bove They're deep - er than the

     
          
    
Pno.
      
    
   

Betty Blue Eyes 22.4.11


4 No.8 - Betty Blue Eyes

 
46


              


Allardyce 
 sea I al - most think they're smil - ing When she turns and fa - ces

         
        
        
Pno.
        
    
  


50 poco rit. A tempo h = 76


Allardyce                  
 me mf Bet - ty


blue eyes Bet - ty blue eyes Some folk tend to mis - con -

                  


        
   
Pno. mf       
            
           
 

  
54
  

Allardyce       


 strue eyes

But I'm proud to say this here and now

      
            
  
     
 
Pno.
       
        
         
   

  
58 poco rit. molto rit.
       

Allardyce    


I will nev - er have eyes for an - y oth - er

 
 
 

         


   

     
       
Pno.
    
     
   

22.4.11 Betty Blue Eyes


No.8 - Betty Blue Eyes 5

 
61 A tempo h = 80
GILBERT: "Does Mrs Allardyce know about this?"


  


 sow
Allardyce

            
     
          
 
  
Pno.
               

             
 


65 ALLARDYCE: "She wouldn't understand." GILBERT: "No...no I don't suppose she would."



   



Allardyce

  

  
   
             
         
  

Pno.
    
            
      
 


 
69


Allardyce              
 mp Would you


say they're corn - flower or hya - cinth?

 

 

  
 





      