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RÉQUIEM PAISANO

para Coro mixto y Bandoneón


opus 77

"IN MEMORIAM"
de Juan Francisco Giacobbe

Pág.
I - INTROITO Allegretto giusto 2

II - KYRIE Andantino con moto 8

III - GRADUAL Andante 14

Rodolfo Daluisio
1990
2 RÉQUIEM PAISANO

para Coro mixto y Bandoneón "IN MEMORIAM"


I de Juan Francisco Giacobbe
opus 77
Introito
Rodolfo Daluisio
Allegretto giusto
1990
2 3 4 5 6 7
(  )A   
        A
A C

C

C
        
A
  





 
      
f ff

f
Band.
  
       
      
            


9 10 11 12 13
sereno e ben sentito

Sopranos                 
p


Des - can - so e - ter
Contraltos                 
p

      
Des - can - so e - ter -
         

Tenores


p

    
Des - can - so e - ter -
           
Bajos
p

Des - can - so e - ter -

     A   C
         
C
         
A
 
 
  
Bandoneón  
ff f
 
mf

p
              
          



14 15 16 17 18 19
       
S.      
              
no, mf da - les Se - ñor. Des - can so e - ter - no:

C.      
   
    

 

       
no,
mf
da - les Se - ñor. Des - can so e -
 
ter - no:

                        

T. 
mf
no, da - les Se - ñor. Des - can so e - ter - no:


   
                  
    
B.

no, mf da - les Se - ñor. Des - can so e - ter - no:

    C    A

    
      

          
A C A

           
     
 
mf mf f mf sfz
f
  
              
  
Band.
                     
     

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

20 21 22 23

3
                  
S. 
f y luz per - pe - tu - a les a -
   
C.            
    
f y luz per - pe - tu - a les a -
   
               

T. 
f


y luz per - pe - tu - a les a -
       
B.            
f
y luz per - pe - tu - a les a -

     soave


 A C
     
C A
    
       
f  mf   p
     
              
Band.

       

    
     


24 25 26 27

S.           

     
lum - bre.
C.     


     
lum - bre.
    

T.


     
lum - bre.
B.     

(  )A
lum - bre.

 C 
      
C
 
A
    
C
     
   
A
       
 
   
ff
Band.       
          
            



Andante tranquillo
29 30 31 32

28 hieratico ed intenso            
S.           
f A Ti, oh!, Dios . A Ti, oh!,

C.

                         
f A Ti, oh!, Dios . A Ti, oh!,
  
              

T. 
f



A Ti, oh!, Dios,
    
B.         
    
f
Andante tranquillo A Ti, oh!, Dios,

 C   A      C 
  
C
      
             
A
            

ff
        
      
Band.
         
    

   
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

33 34 35 36
4      
S.          
mf
  
Dios, se de -
C.             
mf
   
          
Dios, se de -


T.
mf


Dios,
 
Dios,

se
 
de -
B.
          
mf

A   
Dios, Dios, marcato se de -

tranquillo
 A
 
C

A
    
C
  

C
    A   
        
 
 


3
f
     
mf
       
Band.
         
         
   
              
   

3


37 38 39 40 41
      
S.        

     

 -  
   
- ben can - tar him - nos en Si
C.                
      en
 
           
- ben can - tar him - - nos Si
   

T. 

  
        
- ben can - tar him - - nos en Si
           
B.   
- ben can - tar him - - nos en Si

 C   A  C A     C  
        
        
               
A
         
  
f
   p
     
Band.
           

    
  
    
     


42 43 44 45 46
       
  
3
S.      
on, y se te o - fre - ce - rán vo - tos en Je - ru - sa -

      
3
C.         
on, y se te o - fre - ce - rán vo - tos en Je - ru - sa -
      3      
   

T.

 
on, y se te o - fre - ce - rán vo - tos en Je - ru - sa -
              
 
3
B.
on, y se te o - fre - ce - rán vo - tos en Je - ru - sa -

 C 
         A
 
soave
C 
 C A
 
           
A
    
 
p
               
Band.
              
3
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

48 49 50 51 5
 
interiore e devoto
 
47 impetrato
   
        
3
S.     
f p


lén:
 es -

cu - cha

es - cu - cha mi o - ra
           
3
C.      
f p
 

lén: es - cu - cha es - cu - cha mi o - ra

               
3


T.   
f p es - cu - cha mi


     
lén: es - cu - cha o - ra
   
3

B.           
f p
lén: es - cu - cha es - cu - cha mi o - ra

A 

C
        
              
   
C

A
  
sfz  
      
p
  
f 3
       
        
Band.
           
3


52 53 54 55 56
    
S.           
mf f
 ción.         
A Ti ven - drá to - da
C.        
mf f
 ción. 
 - da
   A Ti
       
ven - drá to


T.


 mf
A Ti
   -  
f
 - da

  ción.      
ven drá to
B.
mf f
ción. A Ti ven - drá to - da
      
C 
 
A  A 
   
           
C
  
 
sfz f

mf sfz mf

      
     
Band.
        
     
    


57 58 59 60 61
 
S.            
f

car - ne. A Ti ven
C.              
f

car - ne. A Ti ven -
            

T.
f



car - ne. A Ti ven -
B.
            
f
car - ne. A Ti ven -

     C   
             
A

A C
   
C
 
mf
 
ff f
Band.
         
                    
  
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

6 62 63 64 Allegretto
65 tranquillo 66
 
S.            


drá to - da car - ne.
C.            


drá to - da car - ne.
  
         

T.

  
   
drá to - da car - ne.
B.       
drá to - da car - ne. Allegretto tranquillo

marcato
  C A
       
A
           
 
A
 
C
           
            
ff
Band.
         
                


67 68 69 70

S.        
p

      
Des -
C. 
p

      
Des -


T.


p
       
Des -
B.
p

Des -
sereno assai e con devozione
     A  C 
            
C
        
A
  
mf
   p
    
                
Band.
 
     


71 72 73 74
   
S.           

   
f

     
can - so e - ter - - - no, da - -
        
   
C.
can - so e - ter - - - no, f da - -
   
             

T.
 


f
   
can - so e - ter - -

-

no, da -
 -
B.            
f
can - so e - ter - - - no, da - -

A     C  C  
          
A

A C

    
                 

     
f
 
Band.
     
                                

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN



75 76 77 78 79
    
7
S.                  
p


les, Se ñor. Des - can - so e - ter no, y
     

             
 
C.
p
les, Se ñor. Des - can - so e - y
    
ter no,
                 

T.
p


 
les, Se ñor. Des - can - so e - ter no, y
  
             
B.     
p

 C   A 
les, Se ñor. Des - can - so e - ter no, y

     


marcato
  
soave

 A               


       
 
     mf 
ff f p
  
          
Band.
        
               


80 81 82 83
 
S.       

     


luz per - pe - tu - a les a - lum - bre,
C.        

     

luz per - pe - tu - a les a - lum - bre,

             

T.


tu - a
         
luz per - pe - les a - lum - bre,
B.       
luz per - pe - tu - a les a - lum - bre,

 
C
 
          
A
A C C
      

      
       
Band.
          
    


84 rit. Lento 86 87 88 89 90 91
     
    
85
S.       
mf p
les a lum - bre, les a - lum - bre
     
C.     
       
mf p
   
les a lum - bre, les a - lum - bre
              

T.
mf p


     
les a lum - bre, les a - lum - bre

B.
             
mf p
les a lum - bre, les a - lum - bre
Lento
C rit. dim...

 
A
     A
A C A 
       
(C )
        
  
f mf
       
mf pp
  
Band.
      
   
  
2-11-90
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN
8 RÉQUIEM PAISANO
para Coro mixto y Bandoneón "IN MEMORIAM"
opus 77 de Juan Francisco Giacobbe
II Rodolfo Daluisio
Kyrie 1990
Andantino con moto
malinconico e con espressione ben sentito
2 3 4 5 6 7

              C 


A C A
A
   
A
  
C
             
  
Bandoneón mf
          
         
     
   


9 10 11 12 13 14
 
nobile e pacìfico
   
sereno e sentito
 
Sopranos   
mf
 
Se - ñor
Contraltos            
mf

Se - ñor ten pie - dad de

       

Tenores


Bajos
       
 C


C
 A 
A
         
       
    
 p
    
Bandoneón
  
           
  
  


15 16 17 18 19 20 21 22
      
S.            
ten pie - dad de no - so - tros, de no - so - tros

C.                
no - so - tros de no - so - tros, de no - so - tros
       
      

T.
mf



Se - ñor ten pie -
B.
            
mf
Se - ñor ten pie -

         


A C
  
A
 
C
    
C A
 

             
Band.
         
       

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

23 24 25 26 27 28 29 30
  con anima
   
sonoro
  
9
       
S.
. Se - ñor, ten pie - dad de no - so -
  
C.              

 
Se - ñor, ten pie - dad de no - so -

                

T.


dad. Se - ñor, ten pie - dad de no - so - tros . Se -
               
B.  
dad. Se - ñor, ten pie - dad de no - so - tros . Se -

poco marcato
  
con anima sonoro
       A 
C C
    
C
 
A
         
mf
               
Band.
   
           
   


31 32 33 34 35 36 37 38
   
S.             
- tros. Se - ñor, ten pie - dad de no - so - tros.

C.               
- tros. Se - ñor, ten pie - dad de no - so - tros.
      
        

T.


ñor, ten pie - dad, pie - dad de no - so - tros.

B.
                
ñor, ten pie - dad, pie dad de no - so - tros.

  A dim.
  C
..
     C 
              
A
     

Band.
    
          
        
         
   
  

sentito ed espressivo
39 40 41 42 43 44


A
     C  A C
 A  C

         
             
mf
        

Band.
     
 
   
  

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN



45 Adagietto 46 47 48 49 50 51
10 
    
sostenuto e dolente
S.    
f
Cris - to, Cris - to

C.             
f ten pie - dad de no - so -

        

T.
f
 

    
Cris - to, Cris - to

B.
      
f
Adagietto ten pie - dad de no - so -

  
    C
marcatiss. (idem)
 A
        
        

     
f asfz f asfz f
       
Band.
                
             


52 53 54 55 56 57 58 59
      
S.         


ten pie - dad de no - so - tros.
         
C.      p 
   
- tros ten pie - dad de no - so - tros. Cris -
           

T.




ten pie

- dad
  
de

no - so - tros.
        
B.  p
- tros ten pie - dad de no - so - tros. Cris -
 legato
 C
 C    
     
A
       
A C A
   

       
  
mf sfz p p
Band.
     
          
     


60 61 62 63 64 65 66
        
      
con ardore pietoso
S.
p f

ten pie - dad de no - so - tros, ten pie - dad
          
C.
 f
   
to, Cris - - - to, ten pie - dad
            

T.
p f


   
ten pie - dad de no - so - tros, ten pie - dad
B.         
f

to, Cris - - - to, ten pie - dad
C
    C A 
cresc...
C
      C        A
             
A A
 

        

f
Band.
      
             
           
 
    
              
  
    
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

67 68 69 70 71 72 73
  
11
        
S.
f

de no - so - tros, Cris - to.
       
C.
p    
de no - so - tros, Cris - to, Cris - to.
        
  

T.
f


de no - so - tros, Cris - to.
           
B.  p

 
de no - so - tros, Cris - to, Cris - to.

    C A  C
 

   
C
            
A A
 
    sfz
sfz
  mf
    
sfz p

  
Band.
           
      
  
 


74 75 76 77 78 79 80
  Andantino

con moto
  
S.       
f
 
Se - ñor,
          

C.
f
  
Se - ñor,
        

T.

 
B.
         
Andantino con moto più f
  
    A      C    A    
    

C
         
   
  
f mf
 
f
     
Band.
      
    
      
  


81 82 83 84 85 86 87
         
S.        
ten pie - dad, de no - so - tros, ten pie - dad.

C.                 
ten pie - dad, de no - so - tros, ten pie - dad.
       
     

T.
f
    

  
Se - ñor, ten pie - dad.

B.
     
f

 
Se - ñor, ten pie - dad.
 
   C   A   
A
       
C
         
ff

      
       

Band.
    

 
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

88 89 90 91 92 93
12 
         
S.
f

Se - ñor,
C.          
f
Se - ñor,
      
   

T.
f



Se - ñor,
B.
        

  C   Se -
f
  
ñor, Se -
 
sonoro assai
         C   A               
A

      
 
                 
ff f
Band.
   

         


94 95 96 97 98
           
       
S.  
ten pie - dad de no - so - tros. Se - ñor, ten pie -
          
C.                 
ten pie - dad de no - so - tros. ten pie - dad de no - so -
   
             

T.
   


Se - ñor,
  
ten pie - dad de no - so - tros. ten pie -
                
B.        
ñor, ten pie - dad de no - so - tros, ten pie - dad de no - so -

C       A   C 
      
C A
         

                 
Band.
       



99 100 101 102 103 104 105
            
S. 
f
 dad.
 
Se - ñor, ten pie -
C.           
f
       
tros, Se - ñor, ten pie -
     

T.


f
dad. Se - ñor, ten pie -
B.
            
f
- tros. Se - ñor, ten pie -


marcatiss.

       
A  C  A  
     

               
          
        
          
          
Band.
     
 
        
 
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

106 107 108 109 110 13
      
S.       
p
dad de no - so - tros, ten pie - dad de no -

          
C.
  p

dad de no - so - tros, ten pie - dad de no -
         
 dad
T.
p


 
de no - so - tros, Se - - ñor, Se -
            
B.
   
p
dad de no - so - tros, ten pie dad de no - so -

 
       C  A

C
    
A
    
     
Band.           p
 
             
   


111 112 con voce 113 114 115 116
    
S.        
f ten

so - tros, pie - dad de no -
C.         
f Se
 so - tros.
   
- ñor,
  
Se

- -
   
 ñor
T.


f ten

pie - dad de no -
              
B.    
f
tros. Se - ñor, Se - ñor, ten pie - dad de no -
  A 
    
C C
     
( C)

A
     

sfz
      
 
Band. sùb.

 ()         
  


117 118 119 120 121 122
  
S.       
ff
so - - - - - tros, ten pie - dad .
   
C.              
ff
ñor, ten pie dad de no - so - tros, ten pie - dad .
          
 

T.
ff


so - - - - - tros, ten pie - dad .

B.
          
ff
so - - - - - tros, ten pie - dad .

  C C   C
   
A
        A
  
            

ff   
Band.
           
      
   
   
 
5-11-90
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN
14 RÉQUIEM PAISANO
"IN MEMORIAM"
de Juan Francisco Giacobbe para Coro mixto y Bandoneón
opus 77
III Rodolfo Daluisio
Gradual 1990
Andante
 
marcato ed afflitto
 
5
cresc... 3 4
 A   
2
A     C  C   A 
           
       

 


  
  
f
   

p
Bandoneón
        
    


7 8 9 cresc... 10
      
 
grave e misterioso
Sopranos
p

Des - can -
Contraltos             
p
Des - can - so e - ter - no,
          
  

Tenores
p


Des - can - so e - ter - no, e -
Bajos
          
p
Des - can - so e -

C A
  C  cresc...
   A C
 
        

  
     
  
p 
       
ff p
Bandoneón
 sùb.
    
         
     


11 12 13 14 15
     
S.       
   
f
- so e - ter - no, da - les Se - ñor.

C.                 
f
e - ter - no, Des - can - so, da - les Se - ñor.
  
               

T.
f

 

ter - no, Des - can - so, da - les Se - ñor.
      
B.
        
f
ter - no, Des - can - so da - les Se - ñor.

   A     
  
A C 
     
A C
         
  

 f   
più
       
f

              
Band.
 
    



   

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN



16 17 18 cresc... 19

15
S.            
mf

y luz per - pe - tu -
C.            
mf

y luz per - pe - tu -
     
        

T.
mf
   a a

   
y luz
 per - pe - tu -

les -

B.    
mf
y luz per - pe - tu - a les a -
legatiss.
   A 
      C A C C

                 
      
Band.      p
     
      
     
      


20 21 22 23 più sereno 24
       
S.         
f p

a les a - lum - bre. Des - can - so_e -
C.            
  
f p
   
a les a - lum - bre. Des - can - so_e -
          

T.
f p

 
   
lum - bre les a - lum - bre. Des - can - so_e -

B.
         
f p
lum - bre les a - lum - bre. Des - can - so_e -

     A      A
soave
    
A
    
C
    
C
      
    

ff ff f
f
       
f p
   
Band.
     
    


29
25 26 27 28
calmo e mesto

S.                  
mf p

ter - no, da - les Se - ñor, y luz per -
C.   
             
mf p

 
ter - no, da - les Se - ñor, y luz per -
               

T.
mf


p

     
ter - no, da - les Se - ñor, y luz per -
B.           
mf p

A  C
ter - no,

 
da - les Se - ñor, y luz per -
C    A 
        
   
C
         
  

   
mf    
f
  
p

   
Band.
             
      

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

30 31 32 33 34 35
16 trattenendo Allegretto ma non troppo
  
 
largo e profondo
         
S.   
pp
pe - tu - a les a - lum - bre. 
      
C.           

pp

pe - tu - a les a - lum - bre.
      
        

T.
 pp

 
pe - tu - a les a - lum - bre.
   
B.            
pp
pe - tu - a les a - lum - bre.
Allegretto ma non troppo
trattenendo sonoro e patètico
  A

A
 
C
  A
  
C
            

pp   
 

ff
 
         
Band.
            
        
 

36 37 38 39 40 41 42
 
S.             
f f

  
E - ter - na. E -
        
C.
 
f f
 
    
E - ter - na. E -
       

T.
E

f f
  
    
- ter - na. E -
B.      
f f


E - ter - na. E -

C A       
 
( C)
    
A
   




             


ff

sfz f sfz
  ff  sfz

        
Band.
     
          


43 44 45 46 47
deciso ma sentito
   
S.              
mf
ter - na es la me - mo - ri - a del jus - to:

C.                  
mf
    
ter - na es la me - mo - ri - a del jus - to:
  
         

T.
mf


ter - na
     
es la me -

mo - ri

- a del jus

-
 to:

B.        
ter - na mf es la me - mo - ri - a del jus - to:

   A    C A  C
     
           
A
         
C
  

mf

      
 
           
Band.
       
   

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

48 49 50 51 17

    
con sentimento
S.       
mf
no te - me o - ir

C.            
mf
no te - me o - ir
   
        

T.
mf

 

no te - me o - ir
     
B.   
mf
no te - me o - ir
C
             A  C

     

                  
Band.
          
  


52 53 54 55 56
    
Andante
S.              

p
ma - las no - ti - cias. E - ter - na es la me -
 
C.           

   
ma - las no - ti - cias.
        

T.


ti cias.

   
ma - las no - -
B.       
ma - las no - ti - cias.
Andante
 
ritmato grave e sostenuto

 
C  
 
A
 
A
  
A C A C
     
    
    
    mf
  
p
 
 
Band.
         
        
    


57 58 59 60
             
S.      

     
mo - ri - a del jus - to. E - ter - na. E - ter - na.
 
C.            
 

   
p
E - ter - na es la me mo - ri a del jus - to

      

T.

 
          
B. 
p
E - ter - na es la me -

A 
 C      C  A     
C
  

            
        

 
         
        
   
Band.

    
    
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

61 62 63 64
18             
S.             
E - ter - na la me - mo ria del jus - to, la me -
 
C.      

 
   

 
       

    
E - ter - na, E - ter - na es la me - mo - ria del
      
        


T.
p

  
           
E - ter - na es la me - mo- ri - a del jus - to,
        
B.  
mo - ri - a del jus - to. E - ter - na, E - ter na

A    C
   A    C   A
 
    
        

 

    
       
           
       
Band.
       
    


65 66 67 68 69

  
             
  


S.
p
mo - ri - a del jus - to: no te - me o -
   

C.                 

p

   
jus - to, del jus - to: no te - me o -
      
        

   

T.
p



la me - mo - ria del jus - to: no te - me o -
    
    

 
     
   
B. 
p
la me - mo - ria del jus - to: no te - me o -

   
       
C
 

A C
   
A
          
 
     
p
    
 
Band.
      
        


70 71 72 73 74

S.               
ir ma - las - no - ti - cias.

C.         

 
  
ir ma - las - no - ti - cias.

              

T.

  
ir ma - las - no - ti - cias.
            
B.
ir ma - las - no - ti - cias.
 C  A  
cresc...

profondo
    
 
           
C
     
A

         
mf
          
        
Band.
         
   

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN

75 76 77 78 79 19
     
con fervore
S.             
f
  
     
Des - can - so e - ter - no, da les, Se -
C.          
f
  
  
Des - can - so e - ter - no, da les, Se -
            

T.

-
 
f

Des - can - so e - ter - no, da

les, Se
B.
              

 Des - can - so e - ter -


f
  A   C  A  
no, da les, Se -

 
C
        C  A  
                    

ff

f 
   
Band.
      
   
       

    
 

80 sensibile 81 82 83

S.            

    
p

 
ñor : y luz per - pe - tu - a les a -
C.                 
p

     
ñor : y luz per - pe - tu - a les a -
            

T.
p


    
ñor : y luz per - pe - tu - a les a -

B.       

    
p
ñor : y luz per - pe - tu - a les a -



    
    
C A
       
 
 
p pp
    
                  
Band.
     
 


89 90 91
 
84 85 86 87 88 92
 disteso

quietamente
S.              
pp
lum bre, les a - lum - bre, les a - lum - bre.
  
          

C.
lum bre,
pp   

les a - lum - bre,

les a - lum - bre.
  
           

T.
pp



          
lum bre, les a - lum - bre, les a - lum - bre.
B.      
pp


lum bre, les a - lum - bre, les a - lum - bre.

 A   
disteso quietamente
C    

                 
   
    
pp
 
      
Band.
   
  
   
   

Deo Gratias 6-11-90


REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN
20

REQUIEM PAISANO
para Coro mixto y Bandoneón - opus 77
de Rodolfo Daluisio
“in memoriam” de Juan Francisco GIACOBBE

I - INTROITO
Descanso eterno, dales, Señor:
y luz perpetua les alumbre.
A Ti, oh! Dios, se deben cantar himnos en Sión,
y se te ofrecerán votos en Jerusalén:
escucha mi oración.
A Ti vendrá toda carne.
Descanso eterno, dales, Señor:
y luz perpetua les alumbre.

II - KYRIE

Señor, ten piedad de nosotros.


Cristo, ten piedad de nosotros.
Señor, ten piedad de nosotros.

III - GRADUAL

Descanso eterno, dales, Señor:


y luz perpetua les alumbre.

Eterna es la memoria del justo:


no teme oír malas noticias.

( Descanso eterno, dales, Señor:


y luz perpetua les alumbre. )

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77- R.Daluisio(1990) parte BANDONEÓN