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RÉQUIEM PAISANO

para Coro mixto y Bandoneón


opus 77

"IN MEMORIAM"
de Juan Francisco Giacobbe

Pág.
I - INTROITO Allegretto giusto 2

II - KYRIE Andantino con moto 12

III - GRADUAL Andante 21

Rodolfo Daluisio
1990
2
RÉQUIEM PAISANO
para Coro mixto y Bandoneón
opus 77
"IN MEMORIAM"
de Juan Francisco Giacobbe
Rodolfo Daluisio
1990

I
Introito

Allegretto giusto
)
2 3 4 5 6 7 8
(
     
     
 
   
 



 
 
 
  
    
   
f ff f
   
   
Band.

     
 
 
            

10 11 12 13 14

 
sereno e ben sentito
Sopranos                 
p
Des - can - so e - ter
            
Contraltos     

p
Des - can - so e - ter -
    
            

Tenores
p

Des - can - so e - ter -

   
 
            
Bajos
p
 
Des - can - so e - ter -

    
            
      






 
   

Bandoneón  
ff f mf

p

      
         
 
        
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
15 16 17 18 19 3
                  
S.   
mf da

no, - les Se - ñor. Des - can -so e -
C.     
   
    

 

  
mf
- no, da - les Se - ñor. Des - can -so e -

                   

T. 
mf
- no, da - les Se - ñor. Des - can -so e -

 
                  
B.

- no, mf da - les Se - ñor. Des - can -so e -

         
              
         
f mf f mf
mf
           
Band.
 
                 
   

20 21 22 23

   
S.                 

ter - no: f y luz per - pe - tu - a
   
             

 
C.
f y luz per - pe - tu - a
  
ter - no:
                
 ter - no:
T. 
f y luz per - pe - tu - a

B.
    
           
    
f
ter - no: y luz per - pe - tu - a

       
soave

      

   
       



    

   mf   p
 
sfz
 
f
    
      
Band.
       
    
        

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
24 25 26 27
4
  
S.          
les a - lum - bre.

C.           
les a - lum - bre.

          

T.
les a - lum - bre.

B.

           
les a - lum - bre.

() 
     

             
 

    
    
ff

               
Band.
  
         

28
Andante tranquillo 29 30 31

 
28 hieratico ed intenso
        
S.          
f A Ti, oh!, Dios . A
              
C.        
f A Ti, oh!, Dios . A
  
           

T. 
f
A Ti, oh!,
   
B. 
           
f
A Ti, oh!,
Andante tranquillo
    
  
      
                    

  
ff

     
   
Band.
   
          
 
    
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
32 33 34 35 5
        
S.     
Ti, oh!, Dios,

C.            
Ti, oh!, Dios,

   
      

T.
Dios, Dios, Dios,
 
B.

  
      
Dios, Dios, Dios,
marcato
      
           
              

f
  
    
           

Band.
   
          
  
 

36 37 38 39

             
   
S.      
mf
se de - ben can - tar him - -

C.

       
           

mf
se de - ben can - tar him - -
              
     

T.
mf

se de - ben can - tar him - -

          
           
B.
mf
 
se de - ben can - tar him - -


tranquillo

 
  
                 
       
           
3

       
mf
   
Band.
                      
 
  
         
3 
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
6 40 41 42 43

         
S.     
- nos en Si - on, y se te
 
C.            
- nos en Si - on, y se te
   
          

T.
- nos en Si - on, y se te
       
B.       
- nos en Si - on, y se te

  
soave
        
              
      
mf
  
Band. p

            
           

44 45 46 47

  
         
3
S.  
o - fre - ce - rán vo - tos en Je - ru - sa - lén:

          
3
C.
 
o - fre - ce - rán vo - tos en Je - ru - sa - lén:
    
         
3

 o - fre - ce - rán
T.
vo - tos en Je - ru - sa - lén:
   3        

B.
  
o - fre - ce - rán vo - tos en Je - ru - sa - lén:

  
          

  
             
   
sfz   
  
           
Band.
           
3

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


48 49 50 51 7

   
interiore e devoto
 
impetrato
      
3
S.      
f p
es - cu - cha es - cu - cha mi o - ra -

   
        
3
C.      
f p

es - cu - cha es - cu - cha mi o - ra -

  
            
3


T.
 
f p es - cu - cha mi o - ra -
es - cu - cha
 
     
  

3

B.       
f p
es - cu - cha es - cu - cha mi o - ra -

     
 
                       
   
3
f p
    
      
Band.
             
3

52 53 54 55 56

      
S.           
mf f
ción. A Ti ven - drá to - da

C.                 
mf f
ción. A Ti ven - drá to - da
   
        
  
 ción.
T.
mf f
A Ti ven - drá to - da
          
B.        
mf f
ción. A Ti ven - drá to - da

 
 
         
    
  
        

 
 
mf sfz mf sfz
 f
  
 
           
Band.
    
       

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


8 57 58 59 60 61

           
S.   
f
car - ne. A Ti ven

C.             
f
car - ne. A Ti ven -

            

T.
f
car - ne. A Ti ven -

     

B.        
f
car - ne. A Ti ven -

      
 

         
  
       
mf
ff
    
f
    
Band.
                    
    

62 63 64 65 66

  
Allegretto tranquillo

S.          
drá to - da car - ne.

C.            
drá to - da car - ne.
   
    
    
 drá
T.
to - da car - ne.

B.
 
 
         
drá to - da car - ne.
Allegretto tranquillo

marcato
   
                

              

 ff
        
  
   
Band.
 
        
           

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


67 68 69 70
9
 
S.        
p
Des -

C.        
p
Des -

       

T.
p
Des -

B.

        
p
Des -

sereno assai e con devozione


 

                            

mf p
Band.
               
       
         

71 72 73

          
S.      
can - so e - ter - - - - no,

C.           

  
can - so e - ter - - - - no,
     
       

T.

can - so e - ter - - - - no,
   
  
B.         
can - so e - ter - - - - no,

       
            
                    

      
   
Band.
       
                    

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


10 74 75 76 77

              
S.  
f
da - - les, Se - ñor. Des - can - so e -

C.    
  
   

    
f da - - les, Se - ñor. Des - can - so e -
     
         
 f da
T. 
- - les, Se - ñor. Des - can - so e -
   
             
B.

f
da - - les, Se - ñor. Des - can - so e -

 
     

                   
     
   
        
f
Band.
             
     

78 79 80 81 82

      
S.                 
p
ter - no, y luz per - pe - tu - a les a-

                  
 
C.
p
ter - no, y luz per - pe - tu - a les a-
   
                   
 ter - no,
T.
p
y luz per - pe - tu - a les a-
    
B.
    
              
p
ter - no, y luz per - pe - tu - a les a-

    
marcato
   
soave
    
 
 
 
    
                 

  p

ff f mf
     

Band.
                          
       
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
83 84 85 86 87 11
  
rit. Lento
        
S.
mf
lum - bre, les a - lum -
   
C.        
mf
lum - bre, les a - lum -
   
       
 lum
T.
mf
- bre, les a - lum -
           
B.    
mf
lum - bre, les a - lum -

rit. Lento dim...

       


  
   

 
f mf
Band.
       

          

88 89 90 91

 
S.          
p
bre, les a - lum - bre

C.          
p
bre, les a - lum - bre

         
 bre,
T.
p
les a - lum - bre
      
B.     
p
bre, les a - lum - bre

   
   
      
  
mf pp

 
Band.
          
 2-11-90

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


12
RÉQUIEM PAISANO

para Coro mixto y Bandoneón


opus 77 Rodolfo Daluisio
1990

"IN MEMORIAM"
de Juan Francisco Giacobbe

II
Kyrie

Andantino con moto


malinconico e con espressione ben sentito
2 3 4 5 6 7

             
    
                
mf   
Bandoneón
         
     


   
       

9 10 11 12 13 14

 
nobile e pacìfico sereno e sentito
        
Sopranos 
mf

Se - ñor

Contraltos             
mf
Se - ñor ten pie - dad de

       

Tenores



Bajos       

 
       
             
     
 p
   
Bandoneón
   
           
  
  
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
15 16 17 18 19 20 21 22
13
                  
S. 
ten pie - dad de no - so - tros, de no - so - tros
             
C.   
no - so - tros de no - so - tros, de no - so - tros
           
  

T.
mf
Se - ñor ten pie -

B. 
             
mf
Se - ñor ten pie -

            


      

             
Band.
         
       

23 24 25 26 27 28 29

      
con anima sonoro
       
S.
. Se - ñor, ten pie - dad de

C.             
Se - ñor, ten pie - dad de
          
    

T.
dad. Se - ñor, ten pie - dad de no - so - tros

            

B.  
dad. Se - ñor, ten pie - dad de no - so - tros

  

poco marcato

sonoro
  
con anima
             
f

               
Band.
         
 
   

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
30 31 32 33 34 35 36 37
14
                 
S. 
no - so - tros. Se - ñor, ten pie - dad de no - so -

C.                
no - so - tros. Se - ñor, ten pie - dad de no - so -
            
   

T.
. Se - ñor, ten pie - dad, pie - dad de no - so -

      

B.
        
. Se - ñor, ten pie - dad, pie dad de no - so -

  dim. . .

     

  
    
           

 
       
Band.
       
           
    

38 39 40 41 42 43 44

  
S.        
tros.

C.         
tros.

        
 tros.
T.

 

B.       
tros.

sentito ed espressivo

             
            
           
 mf
              

 
Band.
  
       
 
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
45 46 47 48 49 50 51
15
 
Adagietto

sostenuto e dolente   
S.    
f
Cris - to, Cris - to
        
C.     
f ten pie - dad de no - so -
        


T.
f Cris - to, Cris - to

       
 
B.     
f ten pie - dad de no - so -
Adagietto
  
    
marcatiss. (idem)
         
      
  
asfz f asfz
    
f f
   
Band.

              


        
     


52 53 54 55 56 57 58 59

     
S.           
ten pie - dad de no - so - tros.

C.             
 

p
- tros ten pie - dad de no - so - tros. Cris -

              

T.
ten pie - dad de no - so - tros.
    
    
 
B.      
p
- tros ten pie - dad de no - so - tros. Cris -

   
legato
      
  
             
      
p

  
mf sfz p
Band.
     
 
    
       

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
60 61 62 63 64 65 66
16
     
con ardore pietoso
        
S.  
p f
ten pie - dad de no - so - tros, ten pie - dad

C.            
f
to, Cris - - - to, ten pie - dad
      
         
 p ten pie
T.
f
- dad de no - so - tros, ten pie - dad

 
  
B.        
f
to, Cris - - - to, ten pie - dad
    
cresc...
  
     
              
    

        f  
         
          
Band.

                          
 
        

    

67 68 69 70 71 72 73

     
S.        
f
de no - so - tros, Cris - to.

C.         
   
p
de no - so - tros, Cris - to, Cris - to.

      
    

T.
f
de no - so - tros, Cris - to.

     
 
B.
     
p
de no - so - tros, Cris - to, Cris - to.

       
      
          

 


    sfz

sfz
 sfz 
   
mf

p
 
  
Band.
    
       
      
 
 
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
74 75 76 77 78 79 80
17
   
Andantino con moto
        
S.  
f
Se - ñor,
 
C.            
f
Se - ñor,
   
       

T.

 
B.          

Andantino con moto


          
f più
 
 
   
                 
     
   

mf
  
f f
Band.
          
        
        

81 82 83 84 85 86 87

                 
S. 
ten pie - dad, de no - so - tros, ten pie - dad.
     
C.            
ten pie - dad, de no - so - tros, ten pie - dad.
       
     

T.
f
Se - ñor, ten pie - dad.
       


B.     
f
Se - ñor, ten pie - dad.

        
             
        

       
ff
Band.
   
   
  
 

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


88 89 90 91 92 93
18
          
S. 
f
Se - ñor,
         
C. 
f
Se - ñor,
         


T.
f Se - ñor,

 
B.         
f
Se - ñor, Se -

       
                  
sonoro assai
        
        
   f
           
ff
Band.
        
     
    

94 95 96 97 98

         
S.         
ten pie - dad de no - so - tros. Se - ñor, ten pie -
   
C.       
             
ten pie - dad de no - so - tros. ten pie - dad de no - so -
 
               

T.
   
ten pie - dad de no - so - tros. Se - ñor, ten pie -

                


B.   
ñor, ten pie - dad de no - so - tros, ten pie - dad de no - so -

       
    
          


               
Band.
  
      

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
99 100 101 102 103 104 105
19
             
S. 
f
dad. Se - ñor, ten pie -
    
C.         
f
tros, Se - ñor, ten pie -
           
 
 dad.
T.
f Se - ñor, ten pie -

 

B.           
marcatiss. f
- tros. Se - ñor, ten pie -


       
       

                 
        
 
        
                    
Band.
           
      
 

106 107 108 109 110

            
S.  
p
dad de no - so - tros, ten pie - dad de no -
 
C.            
p
dad de no - so - tros, ten pie - dad de no -
         


T.
p
dad de no - so - tros, Se - - ñor, Se -

   

         
B.
p
   
dad de no - so - tros, ten pie -dad de no - so -

 
                 
    

Band.           p
 
             
   
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
111 112 113 114 115 116
20
  
con voce

S.           
so - tros, f ten pie - dad de no -

C.         
so - tros. f Se - ñor, Se - -
       
    
 ñor
T.
f ten pie - dad de no -

        
         
B.

f
tros. Se - ñor, Se - ñor, ten pie - dad de no -

   
   
           


sfz
      
Band.
 
sùb.

         
  

117 118 119 120 121 122

         
S. 
ff
so - - - - tros, ten pie - dad .
  
C.              
ff
ñor, ten pie - dad de no - so - tros, ten pie - dad .
           


T.
ff
so - - - - - tros, ten pie - dad .

      

B.
  
ff
so - - - - - tros, ten pie - dad .

     
      
        
 
        

ff
  
           
Band.
      
   
    
 5-11-90
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
21
RÉQUIEM PAISANO

para Coro mixto y Bandoneón


opus 77
"IN MEMORIAM"
de Juan Francisco Giacobbe
Rodolfo Daluisio
1990

III
Gradual

Andante
 
2 3 4 5
marcato ed afflitto
 
cresc...    
                  
  


      
    f
 

p
Bandoneón         
      
    

7 8 9 10

 
cresc...

grave e misterioso
Sopranos       
p
Des - can -
   
Contraltos          
p
Des - can - so e - ter - no,

         
   

Tenores
p
Des - can - so e - ter - no, e -


   
Bajos       
p
Des - can - so e -
  
   
cresc...
   
            
 

   
   
p 

ff p
 
      
sùb.
   
Bandoneón

    
    

 
 

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
11 12 13 14 15
22
           
S.     
f
- so e - ter - no, da - les Se - ñor.

C.                 
f
e - ter - no, Des - can - so, da - les Se - ñor.
    
            
 ter
T.
f
- no, Des - can - so, da - les Se - ñor.
            

B.
   
f
ter - no, Des - can - so da - les Se - ñor.

    
 
     

  
   
         
  
   
più
f
   
   
f
  
           
Band.
     
 


 
   

16 17 18 19

  
cresc...

S.           
mf
y luz per - pe - tu -

C.           
mf
y luz per - pe - tu -
        
     

T.
mf
y luz per - pe - tu - a les a-
      
  
B.       
mf
y luz per - pe - tu - a les a-

  
legatiss.
 
       

                    
     
Band.
     p
          
     
       

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


20 21 22 23 24
23
  
più sereno

            
S. 
f p
a les a - lum - bre. Des - can - so_e -

C.            
  
f p
a les a - lum - bre. Des - can - so_e -

             
 lum
T.
f p
- bre les a - lum - bre. Des - can - so_e -
    
B.           
f p
lum - bre les a - lum - bre. Des - can - so_e -

            soave
         
              
 

ff ff f
       
f
 
f p

 
Band.
     

     

25 26 27 28 29

 
calmo e mesto

S.                  
mf p
ter - no, da - les Se - ñor, y luz per -

C.                 
mf p
ter - no, da - les Se - ñor, y luz per -

                 
 ter - no, mf da - les
T.
p
Se - ñor, y luz per -

B.

   
            
p
ter - no, mf da - les Se - ñor, y luz per -

        
           
         
  
 f p
   
mf
Band.
         
           
           

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
24 30 31 32 33 34 35
Allegretto ma non troppo
 
largo e profondo trattenendo
 
     
     
S.   
pp

pe - tu - a les a - lum - bre.
   
C.          
   
pp
pe - tu - a les a - lum - bre.
 
               
 pe - tu - a
T.
pp

les a - lum - bre.
   
B.              
pp
pe - tu - a les a - lum - bre.
Allegretto ma non troppo
trattenendo
  sonoro e patètico
    
  
           




pp   

ff
   
    
Band.
      
          
  

36 37 38 39 40 41 42

             

S.  
f f
E - ter - na. E -

            

C.
f f
E - ter - na. E -
 
            

T.
f f

E - ter - na. E -
      
 
B.     
f f
E - ter - na. E -

    
       
   
                   
   

ff

sfz f sfz
 
ff  sfz

   
   
Band.

 
               

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


43 44 45 46 47
25
     
deciso ma sentito

            
S.
mf
ter - na es la me - mo - ri - a del jus - to:

C.                 
mf
ter - na es la me - mo - ri - a del jus - to:
        
        

T.
mf
ter - na es la me - mo - ri - a del jus - to:
  
  
     
B.      
ter - na mf es la me - mo - ri - a del jus - to:

       
                
            
   
mf
Band.
    
                 
   

48 49 50 51

   
con sentimento
       
S.  
mf
no te - me o - ir

C.            
mf
no te - me o - ir
   
        

T.
mf
no te - me o - ir
    
  
B.     
mf
no te - me o - ir

     
 
               
 
Band.
               
        
  
    

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


26 52 53 54 55 56

   
Andante
            
S.    
p
ma - las no - ti - cias. E - ter - na es la me -
 
C.           
ma - las no - ti - cias.
     
     

T.
ma - las no - ti - cias.
     
 
B.
     
ma - las no - ti - cias.
Andante

ritmato grave e sostenuto
 
      
       
    
    
  
 
mf
   
p

            
Band.

        
   

57 58 59 60

                   
S.           
mo - ri - a del jus - to. E - ter - na. E - ter - na.

C.              
  
   
p
E - ter - na es la me - mo - ri - a del jus - to

      

T.

       
 
B.     
p
E - ter - na es la me -

 
     
       

                 
       
 

               
Band.
         
    
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
61 62 63 64
27
                  
S.        
E - ter - na la me - mo - ria del jus - to, la me -
 
C.        

    

      
E - ter - na, E - ter - na es la me - mo - ria del
            
        

T.
p
E - ter - na es la me - mo - ri - a del jus - to,
                   
B.     
mo - ri - a del jus - to. E - ter - na, E - ter - na

       
   
      
      

             
    

          
   
  
Band.
          
  
 
   

65 66 67 68 69

      
S.                  
p
mo - ri - a del jus - to: no te - me o-
        
C.           
p
jus - to, del jus - to: no te - me o-
         
       
     

T.
p

la me - mo - ria del jus - to: no te - me o-
 
               
 
B.    
p
la me - mo - ria del jus - to: no te - me o-

   
       
                 
  
p

 
   
 
    
 
Band.
    
     

  

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


70 71 72 73 74
28
   
S.              
ir ma - las - no - ti - cias.

C.       

    
  
ir ma - las - no - ti - cias.

              

T.
ir ma - las - no - ti - cias.

         
B.       
ir ma - las - no - ti - cias.

    
cresc...

profondo
  
      
 
 
            
    
mf
        
          
Band.
         
    

75 76 77 78 79

 
     
con fervore
S.            
f Des - can - so e - ter - no, da les, Se -
  
C.               
 
f
Des - can - so e - ter - no, da les, Se -
   
             



T.
f Des - can - so e - ter - no, da les, Se -
 
     
  
   
B.    
f Des - can - so e - ter - no, da les, Se -

     
          
                 
       
     

ff

f
    
     
Band.

   
     
   

    
  
REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
80 81 82 83
29
   
sensibile

S.           
    
p
ñor : y luz per - pe - tu - a les a -
 
C.                 
p
ñor : y luz per - pe - tu - a les a -
     
            

T.
p
ñor : y luz per - pe - tu - a les a -
 
        

     
B.
p

ñor : y luz per - pe - tu - a les a -



    
   
        
 

p

pp
   
                 
Band.
     
    

84 85 86 87 88

  
disteso
S.          
pp
lum - bre, les a - lum - bre,
 
C.          
pp
lum - bre,

les a - lum - bre,
      
  
 lum - bre,
T.
pp
les a - lum - bre,
       
 
B.  
pp
lum - bre, les a - lum - bre,
disteso
 
    
     

     

pp
Band.
     
         
   

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)
30
89 90 91 92

 
quietamente

S.     
les a - - lum - bre.
 


C.
  
 
les a - - lum - bre.
    
 les
T.
a - - lum - bre.
 
B.      
les a - - lum - bre.


quietamente 
   
      


Band.
 
  
6-11-90
    
 Deo Gratias

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)


31

REQUIEM PAISANO

para Coro mixto y Bandoneón - opus 77


de Rodolfo Daluisio
“in memoriam” de Juan Francisco GIACOBBE

I - INTROITO

Descanso eterno, dales, Señor:


y luz perpetua les alumbre.

A Ti, oh! Dios, se deben cantar himnos en Sión,


y se te ofrecerán votos en Jerusalén:
escucha mi oración.
A Ti vendrá toda carne.

Descanso eterno, dales, Señor:


y luz perpetua les alumbre.

II - KYRIE

Señor, ten piedad de nosotros.


Cristo, ten piedad de nosotros.
Señor, ten piedad de nosotros.

III - GRADUAL

Descanso eterno, dales, Señor:


y luz perpetua les alumbre.

Eterna es la memoria del justo:


no teme oír malas noticias.

( Descanso eterno, dales, Señor:


y luz perpetua les alumbre. )

REQUIEM PAISANO - Coro mixto y Bandoneón - op-77 - R.Daluisio (1990)

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