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Mishko Pavlovic Artworks on Paper c.1997 Preface to exhibition of
artworks on paper . Analysiis of visual artists preocess an it's specific approach. By Nikola Suica
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Fluctuating Mutations - Mishko Pavlovic's Artworks on Paper c.1997
Mishko Pavlovic Artworks on Paper c.1997 Preface to exhibition of
artworks on paper . Analysiis of visual artists preocess an it's specific approach. By Nikola Suica
Mishko Pavlovic Artworks on Paper c.1997 Preface to exhibition of
artworks on paper . Analysiis of visual artists preocess an it's specific approach. By Nikola Suica
Misko Pavlovic: Paintings, Works on paper, collages
In the Visual Arts at the end of the eighties, the loosening of distinctions between compositional principles emerged in various intensities. It was obvious that The Art of Making and Accomplishing a Painting, as a trademark of a decade, came to the manner of new highly personal departures. Throughout European painting practise in diverse social and geography circumstances in the nineties, bursted and generated a new psychological and emotional desires of an individual. Misko Pavlovic s paintings have ties precisely to that type of artistical swing. While his images can recall existential anxieties from previous decades of European past, their appearence is concentrated into turbulent centrifugal handwork that provides a extraordinary playful sense. Although their thematic background can be detected from suggested mythological forces and creatures, a rather experimental difference of textures provides rich effects. The luminous quality of considerate care to organic movement gives a notable vigour and flexibility to his works. Use of expressive colour patches and marks prove such realizations of turbulent passionate surfaces addressed to surprising remembrances. An intriguing result is achieved leaning heavily into feelings of instability somehow pertinent in the newly returned facts of life in turnaround of centuries. Corresponding to aspects of inner sensibility in opposing harsh colour planes and bravura use of white brushstroke, Pavlovics Paintings, as well as his works on paper or collages create an inextricable reality of expressiveness. By such means of juxtaposing of events, shadows and motions, he achieves an expansive potential that is often more important then mere searching for truth. The fascination of refinement of its contents and dynamic fairy tale parts - sometimes in applicated material - follows a reinforcement of creative enjoyment. While suspending a direct visual narrative Misko Pavlovic creates his images toward extreme assemblies. Twists of dynamics, splits and breaches of impulsive colour signs and particles struck in most of his shaped paper planes and canvases. Cultivated painterly skill offers even exuberant explosion of colour that provide a wit but through its rarefied atmosphere confirms something else: alert situation distributed through postmodern transparency of evil that lurks in contemporary world. Nikola Suica - Art Historian MA