Ian Shanahan.(rev.1984.

FOR LAWRENCE DOBELL:-

-PASTELS-
for solo clarinet in A.-

1984, by Ian Shanahan.

 NOTES FOR THE PERFORMER:

3,
. ae.notes t\ 1'>\ .

5, Incn!.Clsi n'3 c:\1nQI'llIt. ;1"ln.T\siry froI \eft +0 ri~ht: pppt ??P pp~ fP p+ P II'\pt mp rnf- 11'1++ + f+ * 1ft 1ff #f+
PPf (I'Ie.qoS <liS s~ft OIS llo~ib\1!. - OIl(\')Q~ ;oqudible.
ptlS\

7, , tma nqye, their vSIA\ rnE!Qnio<,3s : - StOlCCC\tISS I~() toe.xtre;i'l\ery s\'l6rt] OinQ finlit\) tto be he~ fur tf'le fvll dvrqH,n,OI sli~fifl'1
\oo9e.r J) respe.c.tive.I'j . No ~cce(\ts or s~o:.ses o.re. to pe '31'V'e.n vnle.st O'ttlerwise ~\rectt~.
8, IJfI\eS$ ~ :'.'6 MilM+cj; 0.1\ IlISf'&B
J (if yib~ ~re ItH to ffle fgFE~I' tle,.;e;ve;r,. 'fipem, if v5eGl 'lit "II WA~ fiOt ;fiG\iW"'i~ )~hevl~
be ~fI'l?~ with conSi~ef'blb\e C\\st.re.t~n thro~~vt the. pie.ce.
9, In trills) IWO +i.e ,,*s irWo~ Sll~vlGt \iii +tjllell\ GIS f'OIpic.)t'j r;aQ pesMple.

t.Ol\'\\fIenc.e jv<>t prIor to thlt. nOI)- fh)+te.rtol\~v~ +on~ OInol shov\o\ 'it.C'Ve. OIS tin q,~ in c\ i s ';,vis;o3 tIl~ first trqnsitlol\ . Thi~ v;b~to

Th:t~eZi:=4t;;;;:t:i~Ii&t=;= ;;IT5Pf~== thelil:}:t;:~~~

should ~C.ofl'\e. f"Qu~he.(" I" I}lJcIlit-y )O\nc\ thiS ~ffI?t,t ta.s W'?\) CI'i 0111 ~rs he~) IYIUst ~ ~~cli\'1 pe.rc.eive.ol
D-t the. o.VC\j'ef)ce.
"i;rt~:;~f\\; to WM t'tiq f\* t5Jo~'(\9 'f\,itb t'AA fiq f'o(t\9f!l ;A$ q 1M'! FOVJh Sp;jII'Jli'rg sGVf.iCl\)slJ~@l17) o,tJM @ Eff k natri!) qS
c:

11. ~ (~r:r\1t;:1 ttUttiitfs~nr;:u:CtiZtt=;~;ilQ !tt;itk~~r1e=:/: ld2!;;S1U~)

"Ie; i~icC\~ . The e.~c.t InVS+ ~ ~~i\'1 fl!.rc~;v'!.cl !'1 +he Clvdie.nc.t .
,,",-171 !~""
12. 4 #0 SZSZV9Q' vs#sz i :1\;;r!5~:;h1S:t+~~I;fjtt]i~;o:.lJ:~Pf.':~~:#
::,:::::;~,~,:,:,= i:'!: ;=::;I:'r.;,~~~;~;:;;:~;::;~:~:t: :.;~~::~,!
who\~ proCl!.cl<Jr~io:. r~:...ersto\ )~S s~wt). The wri1\-Q,o F IS th~ ~ic\c1-J "p(t)t vp" "It the I?ocl of +h~ 00\"11. (w;*, e.~bovchv"Q. qf)r},jor
SMq\!\9) - el(tlctl't how I'IIvch is I~ft to ~ ?l1.ffon"l~f' - 0100\ 1h'i?, wri1ten C" is 1+le.n ilVll"lecliC\1e\'1 qrtlcv\<>.~ <:>forz.o,oo\o! <\s shown .
Exsad ,~~fOils C0tlC'i!f"tIl"Cj clp!"Olfioll of "'C~"~j \C~ Il\IU~' "''I""'W; !ol\it)Sl?I!I~ "f I!~\/er;,fipqb, q e\l OJ;(11 left to 1'AA: 10:;1 tcinYI.~' the
dfQ.c1S II'\Vst b~ l"ao,q;l,,/ ~rc.\!.i~ b'l1+ll q~lel'\c.e. .

13, Cot\,~rl'lil\'J ~\t\ai<l3 P\UpqPill'i~1 iMe itw. cP\rine>t 11 o,~if'cc:) Ie p~;~, ""hllf !s iAAic9~ is fltere~1 Qlfl "'WeX1M'\Wo C~/)fjvF ~i...it1~
on\,! '" roUC3\-c ~viqe to the.. pitt."e..s 5\)0'3 (which sou~ ~ Mlf\ .3ro\ \o~r th~!) wn-\Teo I <\s for 1+1~ c.\qrit'l<2.t If) A). The se(.ono\ o<.cvrrenc.~
0+ this cl.~"IC.(!, s'oo\)\o\ bit c.onsi~Q.rq'o1 'A('lec\ frorvdhl? ;r<;: "";+h ~ c.t to itch. (Als {\ tht ~\ ~(\t- 'Aci _of-~ flCIl\I\i'cS

;n ~r+ic.vllllr) MO.,! fit'lo\ q shift of the "'''o\e. c.ontovr vp II) p'tc.h r>O(, co!"\foM"clbk Wnef)eve. ~ 5'vl31~ oc.c.vrs. T"t O\~ireo\
0':!!!.J"'3\\ t~Mbre. shovlol PI! <>. \:;ind. of'S"II'IOOth ,,,,,~\\io'3 50vrPl wh~ch IS o-,\WflI'I':" chq~ i~ ;" CI svb\t ",qnr,e.r. lht VOICR.)~rtlo~ froM sllenCl1.)
sm .\CJj g.'IY'\'},& 'jK ~ I:ij~~@A ..,i*, t'i\q; flerl\\'31 t?:~P c::'"rlne SQI."a,. ~Il~ 1\StI tW $ sin~r"'3 S'hwIG\ eH'l ,"\. ~ ,,"6 s;l~ briO.\!;
the ~lq'fre..a. fit' s~m 1'0 wqve.r -see 11 . 1').- ~s s~own . P('~c.i'3e. o\~tq\\s of v()~ \ tiMbre. "are \~ft to the perforMer. The !\!{trcts cWS+ be
re"'o\ll't e!cce'j\IQ.o\ bt the C\vc\iel\c..e..
14. The Esop'-f1IIIO ] c""', ill(;l ill ~n be:: \/'Sea to f'A'f '1his pl~t ~l\sf'iqO) ot 'f+iIi c'~, inet I,.. A on!A thy; \q'l\'lir 1$ vno'C)'fqil\iij)l~,;11 wl,kh
I?
c~s~ the sil\3il)3 \:.hv"'''';I\~] - see. 0.13 - !>h\)v\o\ be q~~~ a.c.c.or9 1nS'Y PleJ:\se obs~rve ~"o\ cOl\$I~'l.r 01\1 eI're.cholls I~~ g,r!l~'t +h~ Mvsic .
IS . S'l~~'1 ,AvSTRA\..\A)Ju\'1I~%l.
 -PASTELS-
- FOR SOLO CLARINET in A.

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