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 Malaysia Contemporary
Art Tourism Festival
July 1 – September 30, 2010

"Contemporary art is a passion

that unites discerning travellers
and tourists alike from all corners
of the world..."

Dato' Sri Dr. Ng Yen Yen

Minister of Tourism, Malaysia

Malaysia’s contemporary art scene is a reection of the country itself. It is

varied, multicultural and resists stringent denition.

Just like Malaysia, a nation whose historic sites, towers of modernity and
glimpses of nature promise surprises and memories on every visit.

For the rst time ever, Malaysia’s Ministry of Tourism hosts the 1Malaysia
Contemporary Art Tourism Festival.

The festival encompasses exhibitions, seminars, competitions and other fringe

events at various locations around the country.

Come see how Malaysia’s renowned contemporary artists have expertly

woven her history, national identity, landscapes and people into paintings,
sculptures, photographs, installations and more.

Whether it is abstract works that channel artistic soul, mixed media art that
shows off artistic ingenuity or gurative works that display artist prowess,
Malaysia has it all.
Fatamorgana #2 The State of Confusion > 2006, oil on canvas, 244 x 150cm
The 1Malaysia Contemporary Art Tourism Festival is not to be missed. Visit
Malaysia and take part in history.

Events in Kuala Lumpur, Melaka, Johor and Penang | JUL 1 – SEPT 30, 2010 |

MCAT Exhibition 2010 Art Seminar

Galeria Sri Perdana Starhill Gallery The Inuence of Mahathirism on The Aliya & Farouk Khan
3 July – 30 September 2010 July – September 2010 Contemporary Art Collection Art Seminar
www.arkib.gov.my www.starhillgallery.com MaTic, Jalan Ampang Galeri Seni Rakyat, Melaka
20 – 24 September 2010 1 – 3 August 2010
Malaysia Tourism Centre (MaTic) Galeri Seni Rakyat (Folk Art Gallery)
15 July – 30 September 2010 1 August – 30 September 2010 IMCAS 2010 –The Aliya & Farouk Malaysia Contemporary
www.mtc.gov.my www.perzim.gov.my Khan Collection Art Seminar Art Tourism Seminar
Danga City Mall, Johor Penang
Balai Seni Lukis Negara i-City Contemporary Art Exhibition 27 September – 1 October 2010 18 – 19 August 2010
(National Art Gallery) 11 August – 9 September 2010
July – September 2010 A Curatorial Discourse on the MALAYSIA’S FIRST EVER
www.artgallery.gov.my IMCAS 2010 Danga City Mall Making of an Artwork ART AUCTION
July – September 2010 12 Gallery, Kuala Lumpur Wisma Bentley Music
Galeri Petronas (Petronas Gallery) www.dangacitymall.com 8 – 10 July 2010 PJU 7/2, Mutiara Damansara
July – September 2010 Petaling Jaya
www.galeripetronas.com.my 1-8 August 2010

MINISTRY OF TOURISM MALAYSIA

Menara Dato' Onn, Putra World Trade Centre, 45 Jalan Tun Ismail, 50480 Kuala Lumpur
Tel: 603-2693 7111 www.motour.gov.my www.tourismmalaysia.gov.my

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CONTENTS

Williamcho@Flickr

22 COMING UP
ART AUCTION MALAYSIA - The 1st Henry Butcher
31 COVER STORY
Strawalde
Auction of Malaysian Modern and Contemporary Art
Collection
Classes at DreamSpace Art Studio
Walasse Ting: A Commemoration 38 FEATURES
The Man Behind the Merlion
Yayoi Kusama
Top 30 Public Artworks
Kumari Nahappan: A solo exhibition
From Cheo Chai-Hiang’s Concepts
Singapore Art Wave in Art Expo Malaysia 2010 to Singapore’s Contemporary Art?
A Walk Down Memory Lane

28 SPOTLIGHT
Gallery in Focus – Pop and Contemporary Fine Art

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AUGUST 2010 / 15
CONTENTS

22. 28. 31.

38. 44. 47.

57 GLOSSARY

59 POSTSCRIPT
Post-It Notes

61 SINGAPORE
ART MAP

66 DIRECTORIES
Singapore Art Guide
For Tourists
Malaysia Art Guide

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AUGUST 2010 / 17
Issue #9 (August 2010)
ISSN 1793-9739 / MICA (P) 183/02/2010
www.confabmag.com

Cover
Anna Chron I (Fontainbleau möglicherweise) 1/1/2002 / Anna Chron 1 (Fontainbleau possibly) January 2002,
Oil on Canvas 162 x 130 cm

Editor-in-chief // Sabrina Sit / s@confabmag.com

Art Director // Amalina MN / a@confabmag.com
Photography Director // Michael Tan (Ambious Studio)
Account Executive // Kayla Hoo / k@confabmag.com

General enquiries and feedback // _@confabmag.com

Submission of press releases // pr@confabmag.com

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AUGUST 2010 / 19
Published monthly, complimentary copies of CONFABULATION
are available at several places around Singapore including the
National Library, Singapore Tourism Board’s Singapore Visitors
Centre at Orchard (junction of Cairnhill Road and Orchard
Road), MICA Building on Hill Street, leading art galleries
(Opera Gallery at ION Orchard, Galerie Joaquin at The Regent
and Sunjin Galleries in Holland Village), art groups and venues
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20 / CONFABULATION
AUGUST 2010 / 21
COMING UP

1. Datuk Ibrahim Hussein The Dream, 1969 Acrylic on canvas 121 x 121 cm
2. Chia Yu Chian Paris Street Scene, 1960 Oil on board 58 x 44 cm
3. Khoo Sui Hoe Lovers’ Dance, 1988 Oil on canvas 90 x 90 cm
4. Dato’ Chuah Thean Teng Mother With Children, 1986 Batik 85.5 x 85.5 cm

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 COMING UP

ART AUCTION MALAYSIA - The 1st Henry

Butcher Auction of Malaysian Modern and
Contemporary Art Collection
Preview: 01-07.08.10 Auction: 08.08.10 / Wisma Bentley Music
(3, Jalan PJU 7/2 Mutiara Damansara Petaling Jaya, Malaysia)
www.henrybutcher.com.my

Singapore: The 1st Henry Butcher Auction of Malaysian

Modern and Contemporary Art Collection presents an
interesting dynamics of the socio-cultural nexus between
Malaysia and Singapore.

Essentially, the people who happened to be sequestered

territorially, then as one entity until the 1965 split, were one
and the same people with the same ethnic mix and cultural
practices and life. Whereas, politically, the two countries had
a more strained past what with sibling economic rivalry, the
situation on the ground, especially related to arts and culture,
is very much different and opposite.

In the arts, the ties are inextricably linked and it is common to

find artists from both sides of the causeway having exhibitions
together at home and abroad.

One reason could be due to the Nanyang Academy of Fine

Arts (Nafa), where many of the early artist aspirants from
Malaya, mostly of Chinese ethnicity, had had their academic
training. The academy was mooted, after all, by Yong Mun
Sen (1896-1962), dubbed arguably the Father of Modern
Malaysian Painting, before his friend Lim Hak Tai set up the
venerated institution.

Auction artists such as Khoo Sui Hoe, Cheah Yew Saik, Tew
Nai Tong, Lim Kim Hai, Tan Choon Ghee and Lee Long Looi
were trained by the best masters in what is regarded the
institution’s Golden Years.

For instance, when Cheah Yew Saik and Khoo Sui Hoe
studied at Nanyang from 1959-1961, it had some of the best
teachers such as Cheong Soo Pieng, Georgette Chen, Lai
Foong Mooi and Tan Tie Chie.

Kuo Juping (198-1966) was there for a year (1941) before the
war broke out, Datuk Ibrahim Hussein had a short stint there
before moving on to work at an advertising company where
he developed his signature style and eventually ended up in
the Byam Shaw School of Drawing and Painting in London
(1959-64).

Chia Yu Chian (1936-1991), who was privately taught by

Chen Wenxi and Cheong Soo Pieng, was given an “honorary”
Nafa certificate so that he could study at the Ecole Nationale
Beaux Arts in Paris, and Fung Yow Chork met Nafa’s Zhong

AUGUST 2010 / 23
COMING UP
Baimu, who persuaded him to switch to a career-
changing practice in oil painting.
Khoo Sui Hoe even opened a gallery there called
Alpha Singapore which operated for several years
after 1972, and later had had several solos there,
including one at Outram Park in 1990. It was at
Alpha Gallery that Dato’ Sharifah Fatimah Zubir held
a solo in 1972 and later in other group exhibitions
such as with the Utara group of artists.
Of all the Nafa alumni, the one who most represents
the so-called Nanyang Style until today is perhaps
Tew Nai Tong, who studied there in 1957-58 before
continuing his studies at the Ecole in Paris.
Yong Mun Sen spent two years in Singapore,
working in a bookshop while painting, before being
posted to Penang, where he remained permanently
until his death. But he had then decided to set up
photo studios which doubled as his gallery cum
painting studio.
Yong Mun Sen was also given a rare Memorial
exhibition in 1966 besides a solo exhibition at the
Victoria Memorial Hall in 1948.
In this auction, Yong Mun Sen had painted a de
rigeur work on the Singapore River in 1953.
Another pioneer, Dato Hoessein Enas (1924-
1995), fleeing political persecution, had a stopover
Singapore where he eked a living as an artist and
beca rider, before moving to Penang, and then
Kuala Lumpur.
Even the Sunday painter, A.B. Ibrahim (1925-77),
was an early member of the Singapore Malay
Artists Society, joining its second exhibition in
1951 (the society was formed in 1949).
Artist-playwright John Lee Joo For had a solo
there in 1972, at the Mandarin Hotel, and also
gave a demonstration in Chinese calligraphy in
1989. Chang Fee Ming had a major “graduation”
exhibition after an experimental workshop at
Singapore’s Tyler Print Institute in November
2009.
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Batik Painting founder Dato Chuah Thean
Thean and Khalil Ibrahim had given batik art
demonstrations in Singapore.
Academician-artist Dr Jolly Koh was born in
Singapore in 1941, before moving back to Malacca
where he grew up in, and then to Australia, and
now back to Malaysia. He had recently gone back
to Singapore in his latest two-man show with Choy
Weng Yang at Sunjin Galleries (Singapore) from 8
- 29 July 2010.
Latiff Mohidin, too, has long and rich ties with
Singapore. Born in Malaysia but grew up in
Singapore, he stayed with his parents at No.
15 Java Road and studied at the Kota Raya
Malay School and the English School Mercantile
Institution in the early 1950s.
Also featured in the auction is an unusual and
large 1989 work of Latiff Mohidin, who launched
the book, Latiff Mohidin: Journey to Wetlands and
Beyond at the Singapore Art Museum last year. In
its press release then, the Singapore Art Museum
acknowledged that Latiff has long and rich ties
with Singapore. Born in Malaysia in 1941, Latiff
spent his early years in Singapore, living with
his parents at Java Road, where he attended the
Kota Raja Malay School and the English School
Mercantile Institution in the early 1950s. The artist
also held his first exhibition at the former in 1951,
wherein he was hailed as a ’wonder boy’ by the
local press then. It was also at the same school
that his drawing first drew the attention of his
schoolmaster who then advised his parents to
nurture his manifest artistic talents.
Malaysia’s National Art Laureate Datuk Syed Ahmad
Jamal also had an exhibition at Takeshimaya
Singapore while most of the artists featured in the
auction, including Zulkifli Yusoff have their works
in the collection of the Singapore Art Museum.
(Ooi Kok Chuen)
 COMING UP

Founded in 2006, DreamSpace Art Studio is located just units

away from Sotheby’s Institute of Art. Housed in a restored
shophouse, the studio offers a quiet respite from Singapore’s
buzzing city life. Aside from the art classes on offer, the studio
serves as an exhibition space from time to time.

Visit www.hill-ad.com.sg or call +65 9168 7785 for class and exhibition
schedules.

创立于2006年，主要是以艺术创作，销售艺术品和绘画教育为
主，现在开始引进中国的年轻画家，并为他们提供策划和举办画
Classes at DreamSpace Art 展。
Studio 同时，还为绘画爱好者和学生，开设了创作和绘画培训中心，发
Ongoing / DreamSpace Art Studio /
掘和培养年青的艺术人才，
+65 9168 7785 (Leo)
欢迎艺术爱好者来参观我们的Art Studio
www.hill-ad.com.sg

For its second exhibition, The Private Museum offers a rare

opportunity to see private collections of late Chinese-American
artist Walasse Ting works.

Walasse Ting, born in Shanghai, is a self-taught painter, sculptor,

graphic artist and poet. Leaving China in 1949 to travel, he
reached Paris in 1953 and became acquainted with artists
Karel Appel, Asger Jorn and Pierre Alechinsky, members of the
avant-garde group known as COBRA. Known for his paintings of
female nudes, animals and scenery, Ting rose into prominence
in the 1960s in New York.
Walasse Ting:
A Commemoration
19.07.10 - 30.10.10 / The Private Museum /
www.theprivatemuseum.org

Pop and Contemporary Fine Art proudly presents one of Japan’s

most famous and influential female artists, Yayoi Kusama.
Kusama’s work reflects the hallucinations she has endured since
childhood which compel her to cover surfaces with polka dots
and lines which she calls infinity nets. She has often been quoted
saying “If it were not for art, I would have killed myself a long
time ago”. In 1973 Kusama voluntarily committed herself to a
psychiatric hospital in Tokyo where she continues to live, whilst
commuting to her studio, a short distance away.

Among her numerous awards and distinctions is the Praemium

Yayoi Kusama Imperiale, one of Japan’s most prestigious awards for
07.08.10 – 28.08.10 / Pop and Contemporary
internationally recognized artists, which she received in 2006,
Fine Art /
becoming the first Japanese woman to receive such a distinction.
www.popandcontemporaryart.com
On the 12th Nov ember 2008 Christies New York sold one of her
works for USD 5.1 million, a record for a living female artist at
the time.

AUGUST 2010 / 25
COMING UP

Chan Hampe Galleries has been established to advocate

Singaporean contemporary art nationally and internationally.

To begin our inaugural program, an exhibition of seminal works

from one of Singapore’s most celebrated contemporary artists –
Kumari Nahappan – will be presented, high-lighting 20 years of
artistic practice.

Kumari Nahappan is recognised for her iconic public artworks

including Nutmeg at ION Orchard and Pedas, Pedas at the
National Museum of Singapore.
Kumari Nahappan: A solo
exhibition
20.08.10 – 10.10.10 / Chan Hampe Galleries /
www.chanhampegalleries.com

Singapore Art Wave in Art Expo Malaysia 2010

28.10.10 – 01.11.10 /

Singapore galleries will be making a big wave in this year’s Art Expo
Malaysia slated for October 28 - November 1 at the Matrade Exhibition
and Convention Centre in Kuala Lumpur.

They will not only be representing Singapore masters and exciting

contemporary artists but in reflecting its cosmopolitan and globalized
outreach, also artists from various countries and all spectrums.

The galleries lined up are Art Facet; Cape of Good Hope Art Gallery,
which will also manage the Singapore Artists Pavilion; MAD Museum of
Art & Design managed by Jasmine Fine Art; Collectors Contemporary;
S.Bin Art Plus; Sunjin Galleries; The Gallery of Gnani Arts, Y2Arts and
Yisulang Art Gallery. Art Trove of Germany has also set up base in

26 / CONFABULATION
 COMING UP

Singapore while Summit Arts Collection, once based in Singapore with its
stable of Myanmar artists, has relocated to Yangon. Valentine Willie Fine
Art which started in Malaysia has expanded to Singapore, Indonesia and
the Philippines.

What is most interesting about the Singapore galleries is that they have such
a diverse buffet of artists not only from Singapore, but also China, Tibet,
the United States, India, Indonesia, England, Australia and Germany.

Collectors Contemporary, with its base at Pedro Centre, will be using the
Art Expo Malaysia 2010, to test the regional market for prints of American
Pop Art pioneers Andy Warhol and Roy Lichtenstein. S.Bin Art Plus, a
contemporary offshoot of SooBin Art Gallery, will plumb for Malaysian
hotshot artist Ahmad Zakii Anwar and Indonesian/Singaporean Lee Man
Fong with a host of thirty-something Indonesian artists such as Putu
Sutawidjaja (40-years-old), Jumaldi Alfi, Farhan Siki, M. Irfan and Wayan
Kun Adnyana.

Sunjin Galleries, celebrating its 10th anniversary, will be showcasing

China’s Wu Qiong and the island republic’s own, blind sculptor of wire
Victor Tan Wee Tar.

Art Facet, from International Plaza, will parade India’s Raju Mehta, the New
York-based surrealist artist Shay Kun and Berlin-based Cornelia Renz,
while the Gallery of Gnani Arts will have several Indian artists headed by
mechanical engineer-turned-artist P. Gnana, who is based in the island
republic.

Y2Arts will parade several China artists such as Liu Gang and Bai Yao
while Yisulang Art Gallery has Singapore sculptor Han Sai Por and Tibetans
Benba and Jimei Chilei.

Cape of Good Hope Art Gallery, which will also be helming the Singapore
Artists Pavilion, has also a stable of China artists besides Malaysia’s
Nanyang stalwart Tew Nai Tong. Its Singaporean representatives will
include Lim Yew Kuan, the son of Nanyang Academy of Fine Art founder
Lim Hak Tai and who headed the institution from 1963-79, Choy Wen Yang,
the owner Terence Teo, collagist Goh Beng Kwan and politician-artist Dr.
Ho Kah Leong.

Jasmine Tay’s MAD Museum of Art & Design will offer a double-barreled
Pop Art fare in China’s Song Wei and Singapore’s Taipei-based Jahan
Loh.

Art Trove will present German artists Ewald Platte (1894-1985) and artist-
film director Strawalde (Jurgen Botcher).

Singapore galleries entry into the Art Expo Malaysia 2010 promises to bring
greater excitement and prestige to the art expo, now in its fourth year.

(Ooi Kok Chuen)

Image credit: Zhang Tongshuai Stand with You, 2009 Woodblock monoprint 150 x 200
cm at Sunjin Galleries

AUGUST 2010 / 27
SPOTLIGHT

Andy Warhol Campbell’s Soup I - Black Bean, 1968 Screenprint 88.9 x 58.4 cm (Edition of 250)

28 / CONFABULATION

Pop and Contemporary
Fine Art
W hen Saskia Joosse was looking for a
suitable gallery space a year ago, she
could not have found a better spot. Nestled
in the heart of the city centre, the bedrock of
commerce, high fashion and popular culture,
Pop and Contemporary Fine Art has found its
new home in Palais Rennaissance early this
year.
“We only sell art that we ourselves collect
and we own all our pieces,” Saskia explains.
Although the gallery owner is reluctant
to divulge the exact size of the collection
she and her husband have amassed over
the years during their sojourns across
continents, a quick survey of her gallery
reveal an unwavering dedication to art
collecting. Their collection, which reads like
a Who’s Who of the avant-garde, follows
two simple principles – first, to collect only
pieces they enjoy looking at and second, to
buy only pieces that are in the best possible
condition.
Andy Warhol, also hailed the grandfather of
American Pop Art, features prominently in
their collection which includes some of his
most famed pieces – Campbell’s Soup I – Black
Bean (Screenprint) (1968) and Marilyn Monroe
(Screenprint) (1967). Warhol’s controversial
appropriation of a publicity shot of Monroe
had inadvertently turned her into a modern
day icon; the Pop Art movement for which
Warhol had undoubtedly played a central
role influenced the development of modern
art and its reception in profound ways both
within America and across the world. Like
GALLERY IN FOCUS
dots waiting to be connected, generations of
Pop Art could be observed from the gallery’s
tidy collection alone.
Keith Haring and Burton Morris – also
from Pennsylvania like Warhol – have been
strongly influenced by local conditions
and art developments; their art works
perpetuated themes of pop culture and are
difficult to miss in the gallery. Displayed
on one side of the wall is the familiar
screen print, Growing I, by the late graffiti
artist, Haring. It depicts the ubiquitous
android figures devoid of sexuality and is
a fine example of how a cultural icon had
become first popularized and subsequently
reconstituted into a trademark that bespoke
of his artistic expression. Hung generously
across several walls opposite Haring are
the colourful paintings of Burton Morris
whom the gallery is the sole representative
of. His representations of the Chanel No. 5
bottle and Tiffany & Co. gift box are among
the many original and stylized renditions of
objects and themes related to the world of
pop and glamour relevant to his generation.
Apart from these “signature” works, Saskia
adds that they also collect “sleepers” – which
are works that they have discerned as being
undervalued. From among the collection
lay lessen known pieces – for example
lithographs and etchings by Henry Moore,
Damien Hirst and Salvador Dali that would
surely interest any serious art collector or
buyer keen to learn more about the artists’
oeuvre. In particular, the gallery’s collection
AUGUST 2010 / 29
SPOTLIGHT

Burton Morris Chanel triptych, 2008 Acrylic on canvas 76.2 x 76.2 cm

also extends to include two influential Japanese artists

– Yayoi Kusama and Takashi Murakami. Both of
whom had also been strongly influenced by the Pop
Art movement of America and whose interpretations
of ‘Pop Art’ have gained immense popularity first
in New York and in their homeland before gaining
international recognition for their art.

Indeed, Saskia has every reason to be proud of her

collection, now made available to the public for the
first time. She reminds us, “Fashionable artists may
come and go but the true greats have withstood the
tests of time and continue to be relevant today.” //

30 / CONFABULATION
 COVER STORY

Strawalde
AUGUST 2010 / 31
STRAWALDE

Ab und Zu (selbst) / Sometimes (self), Oil on canvas 195 x 175cm

32 / CONFABULATION

J urgen Böttcher, or Strawalde, is a
painter, sculptor and film-maker. His
artistic talents are not constrained by the
conventional boundaries that delineate
these art forms, and he is well-regarded for
the inter-disciplinary character of his works.
He adopted the pseudonym Strawalde for his
graphic and sculptural art, but uses his birth
name for his films. His paintings, sculptures
and films are known to influence each other,
and he has received a number of prestigious
national and international awards for works
in all these media. Strawalde’s artistic
versatility, together with his impressive
oratorical skills, makes him an intriguing
figure for art connoisseurs, historians and
students.
Böttcher was born on July 8, 1931 in
Frankenberg, in the state of Saxonia in
Germany. He spent his youth in Strahwalde,
a small village in the German state of Upper
Lusatia. Fond memories of his childhood,
family and the people of the village led
Böttcher to adopt the name of ‘Strawalde’
for his non-filmic art. “Strawalde” also
has echoes of master artists Stradivari and
Vivaldi, both of whom Böttcher greatly
admires.
Strawalde is part of the generation of
Germans whose lives were shaped by the
tumultuous events of the mid-20th century.
After the Second World War, Strawalde
moved to Dresden, which had just become a
part of the newly-constituted East Germany.
There, he attended and graduated from the
Academy of Fine Arts. Between 1953 and
1955, he taught art at high schools in the
city, while doing freelance art work at the
same time.
Strawalde recognized that his creative
impulses for paintings and sculptures could
not take flight in this highly regulated
environment. He moved into film studies,
COVER STORY
having been inspired by films made by
Vittorio De Sica, Alexander Dowshenko and
Roberto Rossellini. He applied to study at
the German University for Cinematography
at Potsdam. He was one of a handful
of candidates accepted from over 800
applicants, a rare accomplishment in those
days, seeing that he had already graduated in
another field. He impressed his interviewers
with his creativity and clear exposition of his
views. He graduated in 1960 and began a
second career working for the German Film
Academy, DEFA, in East Berlin.
In 1961, Strawalde was expelled from the
German Academy of Arts, after being
accused of “aestheticism”. This prevented
his paintings and sculptures from being
shown in any more exhibitions. Many
East Germans in a similar position fled to
the West for better working environment,
living conditions and economic prospects.
But Strawalde did not want to abandon his
family, friends and students.
A few of his students left East Germany. The
best known of these is Ralf Winkler, better
known as A.R. Penck. He attained great
fame after leaving East Germany in 1980,
having faced the same bureaucratic obstacles
in getting recognition for his work.
Penck cited Strawalde as his most important
teacher. He argues that “Jürgen is not
simply a painter, he is a full-blooded painter!
… he has really bewitched us all”. He
respectfully refers to Strawalde as “Master
Böttcher” (Genie-Böttcher) for his guidance
and inspiration. He sees Strawalde as a
fatherly figure and, as such, occasional
tensions can be felt between the two artists
- as one would expect in any mentor-student
relationship. Penck could not understand
Strawalde’s selfless devotion to his family
and students. He criticises Strawalde for
remaining in East Germany instead of going
AUGUST 2010 / 33
STRAWALDE

1. Feld / Field, 2007 Oil on canvas 137 x 140cm

2. Regen / Rain, 1996 Oil on canvas 195 x 175 cm
3. Spätwerk / Rolling Stones, 2002 Oil on canvas 180 x 150 cm

34 / CONFABULATION

to the West to develop his artistic career: “I
am not a philanthropist who helps everyone
like Jürgen has … he likes people and wants
them to succeed in life ... (he) is not that
interested in business ... he does not want
to become rich”.
Within the confines of East Germany,
Strawalde continued to keep a positive
outlook and remained optimistic that
his contributions would one day make a
difference. He was not deterred by being
unable to exhibit his works. In a studio at
home, he continued tirelessly to paint and
sculpt, experimenting with different media,
materials and ideas.
For the rest of the time the East German state
remained, Strawalde focused on producing
films. His films, totally more than 40, were
highly successful, and a number of them are
still being sold in DVD format. Beginning
1962, he began producing documentary
films. That same year, he was awarded
the “Silver Grape” at the International
Documentary Festival in Liepzig. Once
again, despite the national and sometimes
international success of his films, he found
himself the target of political persecution.
Four films were banned – “Drei von vielen”,
“Jahrgang 45”, “Der Sekretaer”, and “Barfuss
und ohne Gut”. In 1965, Strawalde directed
his first, and what turned out to be his last,
feature film. The film was halted while in
production for being cynical and nihilistic.
It was not until 1990, within re-unified
Germany, that the draft version of this film
had its first screening - at the Berlinale.
With a slight relaxation of the political
environment, the first comprehensive
exhibition of Strawalde took place in
Berlin, Dresden and Karl-Marx City (now
Chemnitz). At the same time, Strawalde’s
film, “Martha”, featuring a lady who makes
COVER STORY
a living by sifting through the rubble of
bombed out cities in Germany, earned
him international fame. In 1982, the
National Gallery of Berlin acquired one of
his paintings, thus giving him the national
recognition that was long due.
Strawalde´s renown began ascending with
the reunification of the two Germanys.
Here are some of his achievements in
chronological order:
1989
Elected a member of the Arts Academy of
Berlin.
Invited to lecture at the Art Academy of
Hamburg.
1990
Strawalde’s works featured in exhibitions in
Toulouse, as well as in the prominent East
German Arts festival in Paris. Among other
things, he held art workshops at which he
composed large paintings as the public looks
on.
1991
Becomes guest professor at the Summer
Academy Salzburg, a post still held.
His film “The Wall” (1991) is awarded the
European Film Academy in the category for
“best documentary film” at the European
Film Awards (Felix)
1992
Receives the Art Award of Darmstadt
and the “Filmband in Gold” for lifetime
achievement.
1994
Awarded “Officier de l’Ordre des Arts et de
Lettres” for his artistic work by the French
President François Mitterand.
AUGUST 2010 / 35
STRAWALDE
1997
Receives the Art Award of Dresden.
1998
Wins the Art Award “From the occasion ...”
in the Sprengel Museum, Hanover.
1999
Strawalde´s paintings are bought for the
collection of the German Parliament.
Late 1990s
Extensive exhibition activity. Strawalde`s
works are seen in Belgium, France,
Switzerland and the USA, among others.
Many film retrospectives are dedicated to
him in France, Scotland and Spain.
2000
Receives the “Golden Dove” award at the
International Leipzig Documentary and
Short Film week.
2001
Strawalde is awarded the First Class Service
Cross of Germany.
Böttcher introduced in 2001 his then last
film “Concert in the Open”.
36 / CONFABULATION
2006
Honored at the Berlinale Camera for lifetime
achievement.
On the occasion of his 75th birthday, a
retrospective is dedicated to him.
Since 2006, there have been many
exhibitions in Germany and in other
countries. Retrospectives of his films have
been screened in several countries, including
France, Japan, Korea, the U.K. and the
USA
His paintings are included in the following
public collections: collection of the German
Parliament, National Gallery Berlin, Albertan
in Dresden, The Dresden Residential Palace,
Albertan in Vienna, Bibliothèque Nationale
de France, Museum Ludwig and the Boston
Public Library. //
 CONFABULATION wishes Singapore
a very Happy Birthday and dedicates
this issue to the lesser-known artists
behind some of the nation’s icons
such as the Merlion and takes A Walk
Down Memory Lane to revisit some of
the best public sculptures that have
unfortunately been removed and kept
in storage. We explore contemporary
art in Singapore and follow the traces
of Post-it notes left behind all over
town by a litterbug.

To a country that have only three

small parts – Cuisine, Media and
Sport & Recreation – to make up
the Culture section on its Wikipedia
page (http://en.wikipedia.org/wiki/
Singapore) but have an entire article
exploring gay art in the country
(http://en.wikipedia.org/wiki/
Singapore_gay_art)

Cheers!
AUGUST 2010 / 37
The man behind the Merlion

The Man
behind
the Merlion
38 / CONFABULATION
 FEATURES

AUGUST 2010 / 39
The man behind the Merlion

T here are many iconic sights in Singapore but

little is known about the artists who created
them. We are acquainted with local artists such
as Georgette Chen, Liu Kang, Cheong Soo Pieng
and Ho Ho Ying but the talents behind National
symbols such as the Merlion is often overlooked.

There is Thomas Woolner who sculpted the

iconic Sir Stamford Raffles in front of Victoria
Theatre and Concert Hall as well as Cavalieri
Rodolfo Nolli, an Italian sculptor who came to
Asia in 1913 with a group of Italian artists on
the service of the King of Thailand to construct
artwork for the throne room. He finally settled
in Singapore in 1921. He was responsible for the
Allegory of Justice which forms the pediment of
the façade of the former Supreme Court Building
(1939).

The 13-ton tympanum (inner cavity) sculpture

that rests within the archway of the building
was carved from faux stoneware and makes for
an imposing decoration for a building that has
been designed in a classical Greco-roman style.
The artwork depicts Adam on the far left with
the serpent, a fallen man, his back turned from
the Goddess of Justice in the centre.

His imprint is also left behind on various other

pre-World War II and colonial buildings of
importance that include the Fullerton Building,
the Tanjong Pagar Railway Station and the former
City Hall.

But, we need to move on to something even

bigger: The Merlion, a trademark of Singapore
and a must-see for all first time visitors to the
country. Just who is the man responsible for
crafting the massive animal, a sculpture made
from cement and so large that it had to be built
on site? CONFABULATION examines the work
of art:

40 / CONFABULATION
 FEATURES

Merlion
Artwork Lim Nang Seng (Singapore) The Merlion, 1972 Cement 8.6-metre tall
Patron Singapore Tourism Board
Location There are five Merlions in Singapore which are recognized by STB.

1. The original statue at Merlion Park

2. The 2-metre tall cub statue standing behind the original statue
3. The 37-metre tall gigantic replica — with Mouth Gallery Viewing Deck on
the ninth storey, another viewing gallery on its head and The Merlion
Shop — at Sentosa Island
4. The three-metre tall glazed polymarble statue at Tourism Court
(near Grange Road) completed in 1995
5. The three-metre tall polymarble statue placed on Mount Faber’s Faber
Point

In addition a recognized Merlion statue is found at the Merlion Restaurant

in Cupertino in California, USA.

Emblem Fraser Brunner

design
Fraser Brunner was a member of the Souvenir Committee and the curator
of Van Kleef Aquarium. The Merlion logo became the emblem of STB on
26 March 1964 and its registration as a trademark was finalised two years
later on 20 July 1966.

By 1997, although STB has acquired a new corporate logo, the Merlion
was still protected under the STB Act and use of the symbol required their
permission.

On 1985, the Merlion Week was initiated by STB which included a week
of celebrations, including dance and carnival events. Unfortunately, in
recent times, the Merlion do not get to have a whole week that revolves only
around him anymore.

Conceptu- Kwan Sai Kheong, Vice-chancellor of the University of Singapore and

alisation of Ambassador to the Philippines.
the Statue
Details such as the water-fountain and piped-music which flows out of the
Merlion were added.

AUGUST 2010 / 41
The man behind the Merlion

Construction Lim Nang Seng, Local craftsman

In November 1971, Lim Nang Seng began sculpting the Merlion statues,
one larger than the other. The actual Merlion to be built was so large that it
had to be built on location and required the enlistment of all eight of Lim’s
children, in particular Pee Nee and Pee Boon.

The Merlion and its cub were finally completed in August 1972.

Description The Merlion was officially installed at 8:45 pm on 15 September, 1972,

by the then Prime Minister Lee Kwan Yew, on his birthday.

Minister Mentor Lee Kuan Yew was again the guest of honor for the official
launch of the new site which took place on 15 September, 2002, exactly 30
years since it was built.

The Merlion is an imaginary creature with the head of a lion and the body
of a fish. This half-lion, half-fish sculpture rests on undulating waves.

The lion head alludes to the legend of Singapore’s founding by Sang Nila
Utama, a Palembang Prince who, on his arrival on the island, saw what he
thought to be a lion and thereafter renamed Temasek, Singapura or “Lion
City”.

The fish-tail represents Singapore’s links to the ancient sea-bound island

which was Temasek and its long and successful association with the sea,
reflecting how our forefathers traversed the oceans to come to Singapore
and our subsequent dependence upon it as a port.

It sits facing the East, aligned in the most auspicious feng-shui position as
advised. An inscription reads “The Merlion has been erected as a symbol to
welcome all visitors to Singapore”.

Edwin Thumboo cemented the iconic status of the Merlion as a

personification of Singapore with his poem Ulysses by the Merlion in
1979. Due to Thumboo’s status as Singapore’s unofficial poet laureate and
the nationalistic mythmaking qualities of his poetry, future generations of
Singaporean poets have struggled with the symbol of the Merlion, frequently
taking an ironical, critical, or even hostile stand - and pointing out its
artificiality and the refusal of ordinary Singaporeans to accept a tourist
attraction as their national icon.

The poem “attracted considerable attention among subsequent poets, who

have all felt obliged to write their own Merlion (or anti-Merlion) poems,
illustrating their anxiety of influence, as well as the continuing local
fascination with the dialectic between a public and a private role for poets,

42 / CONFABULATION
 FEATURES

which Thumboo (as Yeats before him, in the Irish context) has wanted to
sustain as a fruitful rather than a tense relation between the personal and
the public.” Among the poems of this nature are “Merlign” by Alvin Pang
and “Love Song for a Merlion” by Vernon Chan.

The Merlion was featured– or, depending on point of view, not featured–
during the 51st Venice Biennale (2005) in the controversial work “Mike”
by artist Lim Tzay Chuen. He had proposed taking the sculpture in the
Merlion Park to the Singapore Pavilion at the exhibition, but was refused by
the authorities.

Said art critic Lee Weng Choy: “Tzay Chuen’s work is important precisely
because he addresses this very Singaporean problem of ‘can’ versus ‘cannot’.
A personal comment by Eugene Tan, the curator of Lim’s exhibition:
“After the failure to move the Merlion to Venice for the Biennale, I was
apprehensive that Tzay Chuen’s intended installation might perhaps be
too subtle for the context of Venice and overlooked. However, I was proved
wrong, judging by the positive reception to Tzay Chuen’s work. The strength
of the work lies in the way it engages with different audiences through
various levels. Some viewers became aware and fascinated by the artist’s
intention to move the Merlion, while others were simply pleased to have
found clean and functional washrooms at their disposal. In the latter, this
led to long queues to use the washrooms, which attests to the success of
the Tzay Chuen’s intention to challenge and break down the boundaries
between the experience of art and life in a particularly pertinent and
poignant way.” //

AUGUST 2010 / 43
30 Public Artworks

Top 30
A selection of the
best of Singapore’s
iconic public
artworks worthy
of an art trail on
a good-weather
day (listed in no
particular order).

6. Momentum by David Gerstein

Image credit: williamcho@Flickr

44 / CONFABULATION
 FEATURES

1. Sir Stamford Raffles 9. Negative Mass, Harmony

Artist Thomas Woolner of the Generations
Year 1887 Artist Oh Sang Wook
Patron The Government of the Straits Settlements Year 1995
Location In front of Victoria Theatre and Concert Hall Patron Collection of Ministry of Information,
Communications and the Arts (MICA)
2. First Generation Location MICA Building (intersection of Hill Street
Artist Chong Fah Cheong and River Valley Road)
Year 2000
Patron Far East Organization / Sino Group / 10. Big Bang
Singapore Tourism Board Artist Brother Joseph McNally
Location Along the Singapore River Year 2000
(next to the Fullerton Hotel) Patron Collection of the Singapore Art Museum
Location MICA Building (small courtyard)
3. Fishing by the River
Artist Chern Lian Shan 11. ASEAN Sculpture Garden
Year 2005 Artist Napoleon Veloso Abueva / Vichai Sithiratn /
Patron The Riverwalk / National Heritage Board / Ng Eng Teng / But Muchtar / Anthony Lau /
Singapore Tourism Board Osman Bin Mohammad
Location Along the Singapore River Year 1982
(in front of The Riverwalk) Patron National Parks Board
Location Fort Canning Hill
4. Six Brushstrokes
Artist Roy Lichtenstein 12. Space – Time Link
Year 1997 Artist Anthony Poon
Patron Collection of Pontiac Land Group Year 1997
Location Roy Lichtenstein Sculpture Plaza Patron UE Square
at Millenia Singapore Location UE Square (Shell House entrance)

5. Abundance III 13. Web Light

Artist Sun Yu-Li Artist Matthew Ngui
Year 1993 Year 2009
Patron Suntec City Patron Orchard Central
Location Suntec Singapore International Convention Location Orchard Central (side facing Orchard Road
& Exhibition Centre (intersection of Raffles and Killiney Road)
Boulevard and Temasek Boulevard)
14. Sculptural Reliefs
6. Momentum Artist Gerard d’Alton Henderson
Artist David Gerstein Year 1970
Year 2007 Patron Hilton Singapore
Patron One Raffles Quay (Keppel Land / ocation Hilton Singapore (side facing Orchard Road)
Cheung Kong Holdings / Hongkong Land)
Location Finlayson Green 15. Mother and Child
(opposite One Raffles Quay) Artist Ng Eng Teng
Year 1980
7. Living World Patron Far East Organization
Artist Ju Ming Location Orchard Parade Hotel
Year 1986 (side facing Orchard Road)
Patron Collection of the Singapore Art Museum
(SAM) 16. Urban People / Nutmeg / Cloud
Location In front of SAM Artist Kurt Laurenz Metzler / Kumari Nahappan /
Troika
8. A Visit to the Museum: Year 2009
Patron ION Orchard
Taking the Past Forward Location ION Orchard
Artist Chern Lian Shan
Year 2000
Patron National Heritage Board
Location In front of the Peranakan Museum

AUGUST 2010 / 45
30 Public Artworks

17. Progress & Advancement 25. Mama’s Precious One

Artist Yu Yu Yang Artist Chong Fah Cheong
Year 1988 Year 1989
Patron Lien Ying Chow Patron HDB
Location In front of OUB Centre Location HDB Hub (in front of Block 184)

18. Harmony
Artist Yu Yu Yang 26. Flower Tree
Year 2001 Artist Choi Jeong-Hwa
Patron Collection of City Developments Limited Year 2006
(CDL) Patron VivoCity
Location In front of Republic Plaza Location VivoCity
(entrance facing HabourFront Centre)
19. Homage to Newton
Artist Salvador Dali 27. Snowman
Year 1985 Artist Ignes Idee
Patron Collection of United Overseas Bank (UOB) Year 2006
Location UOB Plaza 1 (ground floor) Patron VivoCity
Location VivoCity (The Promenade)
20. Bird
Artist Fernando Botero 28. I Was Here
Year 1990 Artist Francis Ng
Patron Collection of UOB Year 2005
Location Along the Singapore River
Location In front of the University Cultural Centre
(next to UOB Plaza II)

21. Reclining Figure 29. Superstring

Artist Henry Moore Artist Joshua Yang
Year 1982 Year 2009
Patron OCBC Bank Patron Land Transport Authority (LTA)
Location OCBC Centre (along Canal Road) Location Marymount Station on Circle Line

22. Samsui Women 30. The Coin Mat

Artist Professor Liu Jilin Artist Jane Lee
Year 1999 Year 2009
Patron URA Centre Patron LTA
Location URA Centre (side entrance facing Maxwell Location Bartley Station on Circle Line
Hawker Centre)

23. Struggle for Survival

Artist Aw Tee Hong
Year 1987
Patron SMRT
Location Outside Raffles Place Station
(in front of OUB Centre)

24. The Climb

Artist Ng Eng Teng
Year 1987
Patron Housing and Development Board (HDB)
Location HDB Hub (in front of Block 190)

46 / CONFABULATION
 FEATURES

From
Cheo Chai-Hiang’s
Concepts to
Singapore’s
Contemporary Art?
Text: Yvonne Low

Cheo Chai Hiang, And Miles to go before I sleep, 1976, Wash board, hinges, stenciled letter, latch

AUGUST 2010 / 47
Contemporary Art
H ow did Contemporary Art come about
in Singapore? Still considered a fairly
recent discourse here, Contemporary Art
appears to have followed a global trend - as
the internationally ‘new’ art. The practice of
Contemporary Art predicates a much wider
field of international production discourse
generally described as ‘visual culture’, and is
characterized by the use of commodity images
and visual technologies, often exchanged
across and between countries in the form
of international art shows. Practitioners
of the Contemporary Art may choose to
conceptualise an artistic concept through the
use of one or more of the following media
– painting, sculpture, installation, video,
performance or other more complex types
typically generalized as multi-disciplinary.
Although it is difficult to pin down the
precise impact of globalization on art making
and reception, it is important to recognize its
role as significant; it has revolutionalised the
manner at which art was created, received
and interpreted – and particularly in the
manner at which local art practitioners of
Contemporary Art now define their ‘art’
themselves. Much as such art practices may
appear to be widely practiced now, they were
once viewed as alien in the local context.
During the 60s and 70s, art practitioners
hoping to pursue further education in art
often went to Paris and London. Cheo Chai-
Hiang and Tang Da Wu went to London and
were exposed to new ways of conceptualizing
art – ‘possibilities’ which were then perceived
as alien in Singapore. For example, Cheo’s
infamous submission – 5’ x 5’ (Singapore
River) (1972) – which consisted of a set of
instructions to the organizers (the Modern
Art Society) was rejected. Art as ‘concept’ was
unimaginable. In this particular instance,
Cheo’s work predicates the fundamental
concept spearheaded by Marcel Duchamp
back in 1917 Paris – that the idea comes before
the visual example. This example further
48 / CONFABULATION
showed how a concept perceived as alien can
accentuate the role and possible function of
dominant gatekeepers. Subsequently, from
the late 1970s through to 1980s, there was
an increase in prevalence of conceptual-
based and performance-based artworks,
indicating perhaps that the gatekeeping role
held by certain art societies was either losing
precedence or showing less resistance to
alien art forms.
In 1976, Cheo once again submitted his work
to a local exhibition, this time to a National
Sculptural exhibition. Entitled And Miles to
Go, it was a 3-dimensional object consisting
of a wooden washing board with hinges
that are attached to a roughly hewn log of
wood. Although it was initially rejected,
the jury accepted the entry in the end. The
audience were allowed to flip open and
close the board like a book. His ‘sculpture’
had experimented with ready-made objects
and was conceptualized to provoke critical
responses from the audience; such departures
questioned the conventions of sculpture and
art making as an aesthetic practice.
Three decades later, Donna Ong presented
a series of four site-specific sculptural
installations titled secret, interiors: chrysalis
(19) (20) (21) (22) at the inaugural 2006
Singapore Biennale. Secret, interiors: chrysalis
(21) used ready-made objects such as
stationery and everyday items to construct
the interior of a plane. She too urged the
audience to ‘enter the work’. In terms of
medium and approach, there were stark
similarities between Cheo’s 1976 work and
Ong’s 2006 work – both had re-worked
ready-made objects into meaningful objects
(art) and both required their audience to
understand their work by engaging with it
physically. Of course, to what extent was
Ong’s work then considered new (modern)
and contemporaneous remains to be
examined in context; what is significant is

Donna Ong, Secret, interiors: chrysalis (21), 2006, Mixed media installation
that State agencies had commissioned her to
make such art. Conceptualism, as shown, is
possibly a precondition to the generic and
canonizing category of Contemporary Art.
On this note, it is important to remember
that terms such as ‘Conceptualism’ or
‘Performance’ are names given to art
practices and they need to be re-defined
and examined from a local perspective; in
brief, Conceptualism in Singapore is in all
likelihood quite different from Conceptualism
in Japan or China (for example) in terms of
how it has developed and how it has been
interpreted and received. The difficulty of
recognizing such issues lay implicitly in how
such practices have been represented in the
FEATURES
English language, a ‘common’ language that
has following Singapore’s independence
gradually become the people’s default lingua
franca. A close examination of Cheo’s work
shows that he is often less interested in
providing a name for his aesthetic practice –
whether in his Mother-Tongue or in English
– than in pushing all boundaries (including
his own) circumventing his practice. The local
language issue – being uniquely Singapore’s
– has pressed it upon us to remember that
much as Conceptual Art is determined by
an artist’s own terms, unique and specific
to his national-cultural identity, so too is
Singapore’s Contemporary Art a unique
phenomenon developed in accordance to
local conditions and local responses. //
AUGUST 2010 / 49
Walk Down Memory LANE

A Walk Down
Memory Lane
- Revisiting the forgotten

50 / CONFABULATION

Public art is art that is specifically
commissioned for a particular site and
its community in mind. The works can be
intended to be permanent or temporary and
its form can range from mosaics, paintings,
sculptures, lighting, landscape designs,
textiles, glassworks, video installations,
ceramics and performance art.
Introducing the artwork into the local
environment creates a significant impact
in terms of encouraging regeneration and
enhancement of the space and creates
opportunity for social and educational
interaction and can even promote tourism.
Before, Singapore was earnest about public
art and endeavored to build monuments and
artworks that reflected national aspirations
and struggles. However, by 1970-80, the task
proved taxing and this gave way to private
and corporate commissioning of artworks.
FEATURES
In the recent years, LTA has been actively
encouraging the incorporation of art into
their train stations (in what came to known
as Art in Transit), a practice common in
Europe and North America.
In 2007, a National Heritage Board survey
estimated that there were over 300 public
artworks on display. The earliest surviving
work of public art in Singapore is a statue
of an elephant, a gift from King Rama V of
Thailand in 1871 that is currently located
at The Arts House (side entrance facing
the Padang). Sadly, over the years, not all
sculptures stood the test of time and many
have come and gone from our public spaces.
A Walk Down Memory Lane takes us through
a handful of these works of art; some which
have been removed and placed in storage,
and others permanently destroyed in the
pursuit of the newer and better.
AUGUST 2010 / 51
Walk Down Memory LANE

Athletes in Action
Artwork Brother Joseph McNally (Singapore) Athletes in Action, 1979
Patron Housing and Development Board
Location Previously at the Town Centre
Description The Town Centre was originally built in 1973 and the sculpture
was added in 1979. It survived a few different redesigns of the
Town Centre, but not the rebuilding in 2004 and is currently not
accessible by the public.

Breakthrough
Artwork Chern Lian Shan (Singapore) Breakthrough, 1990
Patron NTUC Income
Location Previously at the NTUC Income building
Description Breakthrough is a golden sculpture of a horse leaping out of an
egg, commissioned to celebrate the 20th Anniversary of NTUC
Income. The Golden Egg depicts the essence of life as all forms
of life begin with an egg while the Golden Horse is a symbol of
hardwork, dedication and reliability.

Dancer
Artwork Sun Yu Li (Singapore) Dancer, 1993
Patron Wing Tai Land
Location Previously outside Park Mall
Description The work is a liberation of the body and soul. The sculpture
evolves itself into ever-changing symbols following the rhythm
of nature. The curves twist gently, achieving greater balance and
rhythm through the asymmetrical design. The swaying posture looks
as if it is inviting you to dance to the music of life.

Joyous Rivers
Artwork Elsie Yu (Singapore) Joyous Rivers, 1987
Patron Singapore Airlines
Location Previously located at the Marina Bay. It was moved during
the redevelopment of the Esplanade waterfront.
Description A sculpture to commemorate the successful completion of the
cleanup of the Singapore River/Kallang Basic Catchment. It
epitomizes the eternal flow of live-giving water. Meandering and in-
terlocking patterns of rivers and catchments are captured on its base,
whilst joyous, dancing waves, frozen in motion, portray the abstract
form of mass celebration of a happy event. The waves surge forward
in one direction, at a 60 degree angle in one direction, symbolizing
Singaporeans striving with one common purpose towards a better
tomorrow. Lights at night enliven the liquid forms with an animated,
shimmering glow. At the time, it was the most expensive work com-
missioned to a local artist.

52 / CONFABULATION
 FEATURES

LOVE

Artwork Robert Indiana (American) LOVE, 1987

Patron Wing Tai Holdings
Location Previously located at the Marina Bay. It was moved during
the redevelopment of the Esplanade waterfront.
Description The LOVE design has been reproduced in a variety of formats.
Likewise, the sculpture has been recreated in multiple versions and a
variety of colors, and is now on display around the world. The piece
in Singapore is one of the thirteen LOVE sculptures located outside
of USA.

Metamorphosis I
Artwork Obie B. Simonis (USA) Metamorphosis I, 1986
Patron Marina Centre Holdings
Location Previously along Marina Bay
Description John Portman and Associates was developing a large architectural
project in Singapore and commissioned Simonis to create the work
for the project.

Musical Fountain
Artwork Tan Teng Kee (Malaysia) Musical Fountain, 1974
Patron DBS for Plaza Singapura
Location Previously placed at Plaza Singapura and later moved to
the Marina City Park (and then removed)
Description Tan mentioned in a catalogue for his retrospective show held at
Sculpture Square in October 2001 that, “the commission was
sponsored by the Development Bank of Singapore (DBS). It was to
be displayed in front of a shopping centre called Plaza Singapura. I
studied the environment, measured the size of the proposed pool and
used metal to build an abstract form, using straight lines to build a
model. My concept was to join two clusters of forms: one in front of
the other. From a distance, the two forms appear like natural forms,
like a mountain, summits high and low. It can appear as a landscape,
as a scene that seems to be changing. I wanted to convey a sense
of change and development. I sent it in for the competition and the
judges selected my work.”

From an exchange with art historian TK Sabapathy in 1991 –

TK Sabapathy: Are you still very interested in art in public places? Do

you still think that it is relevant or important?

Tan Teng Kee: I think it is important for the public environment.

First we must look for a suitable environment to display sculpture;
that is important. That is challenging work for me, a big project. I

AUGUST 2010 / 53
Walk Down Memory LANE

just want to mention about the first project which I did in 1974. At
that time it was a closed competition and I was lucky to win the first
one organized by the Development Bank. The judges selected my
submission, but the managers of Plaza Singapura could not believe
that my entry could be the winner; but they had to accept it as the
judges had decided on it. So, the manager decided to test the entries
on his own staff. Everyone including the clerks and the janitors were
asked to view the first three winners and to select one from their
own judgments. They were asked to cast their votes. Guess what!
They still chose mine to be the overall winner. Is that not amazing?

TK Sabapathy: That is interesting and I am glad you disclosed that.

Peace and Prosperity

Artwork Yu Yu Yang (Taiwan) Peace and Prosperity, 1971
Patron Mandarin Hotel / Lien Ying Chow
Location Previously in front of Mandarin Hotel
Description Yu Yu Yang has had a strong influence as a teacher, counting Ju
Ming as one of his students. In 1983, he drew up plans for a Space
& Technology Art Centre in Singapore, and in 1991 the Singapore
National Museum featured his work in an exhibition titled “Stainless
Steel Sculptures Exhibition”.

This work stood for 20 years in front of the Mandarin Hotel but
little remained after a remodelling of the hotel in the late 1990s.
Remnants included two white stucco structures pictured.

Rainbow
Artwork Chern Lian Shan (Singapore) Rainbow, 1994
Patron Pidemco Land
Location Previously outside Pidemco Center (later developed into
One George Street)
Description The sculpture was intended to reflect the business goals of the now
defunct Pidemco Land.

Singapore at the Crossroads

Artwork Sim Lian Huat (Singapore) Singapore at the Crossroads, 1986
Patron Port of Singapore Authority
Location Singapore Port
Description The sculpture is fabricated from brass plates. It is crossed at the
centre to symbolise Singapore’s strategic position at the crossroads
of world shipping. Its shape is inspired by ancient Chinese junks
which plied in this region and reflects Singapore’s long maritime
history and the port’s contribution to Singapore’s development.

54 / CONFABULATION
 FEATURES

Singapore’s Multicultural Life

Artwork Chieu Shuey Fook (Singapore) Singapore’s Multicultural Life,
1987
Patron Singapore MRTC (currently known as SMRT)
Location Previously Orchard MRT, destroyed during the building
of ION Orchard
Description Chieu states that the artwork was the largest copper enamel artwork
in the world. This low relief copper enamel mural measured some
2.5 x 30 metres, and cost around S$200,000 at the time of its
commission.

Soaring Visions
Artwork Elsie Yu (Singapore) Soaring Visions, 1992
Patron Donated by Mr Albert Hong
Location Previously at the Marina City Park
Description A symbol of our society’s aspirations and progress. Its components
symbolise the spiralling development of a people working together
for a common cause. Each layer of the brass units represents bursts
of energy of individual effort. The units are moulded together in a
fluid movement emphasising the co-operation between individuals.
The brass units are attached to the shaft by stainless steel pipes
which signify the unifying and stabilising strength of the people.
The volcanic base emerging from the earth portrays both the
dynamism of the Nation and the solid roots which form the basis for
advancement.

Surprising Singapore
Artwork Leo Hee Tong (Singapore) Surprising Singapore, 1987
Patron Singapore MRT
Location Previously leading to the entrance of Orchard MRT station
Description Measuring 2.2 x 37 metres, it was a painting that was translated
into a mosaic mural featuring the tourist icons of Singapore. It was
destroyed in the construction of ION Orchard.

Taichi
Artwork Ju Ming (Taiwan) Taichi, 1984
Patron Donated to the National Museum by the Trade Mission of
Taiwan
Location Previously in front of the Singapore History Museum
(now known as the National Museum)
Description The twin of this sculpture is located at the HDB Headquarters office.

AUGUST 2010 / 55
Walk Down Memory LANE

Typical Prosperous and Honest Merchant

Artwork William G. Stirling Typical Prosperous and Honest Merchant,
1937
Patron Gift from the artist
Location Previously in front of the Raffles Museum, it was moved to
make way for the time capsule and again during the renovations
of the National Museum of Singapore in 2004-2006
Description The artwork was the artist’s conception of a typical prosperous
and honest Chinese merchant during the colonial days.

Wings of Victory
Artwork Ramon Orlina (Philippines) Wings of Victory, 1986
Patron Wisma Atria
Location Previously displayed in the Wisma Atria atrium
Description A S$300,000 work made up of 67 suspended steel birds weighing
35kg each. It is presumably destroyed during a change of the mall’s
ownership and management.

56 / CONFABULATION

Glossary
This glossary contains terms that commonly arise in the discussion of art,
especially in 3D art. (Ed’s note: Commit selected vocabulary to memory
to suitably impress people the next time you find yourself engaged in an
arty-farty conversation.)
A Content
Abstract
Art that either distorts or
transforms its subject matter so that
it is no longer clearly recognizable,
or is art that resists representation
of anything concrete or realistic
Applied Arts
Refers to crafts (pottery, weaving,
stitchery, jewelry-making, etc.),
industrial design, fashion design,
advertising design, and architecture.
The applied arts are functional and
their products are intended to fulfill
some practical purpose.
B characterized by areas of bright,
Biomorphic Shapes
Shapes which are irregular and
resemble the freshly formed shapes
of Nature, e.g. a leaf, your body,
clouds
Bronze
Any mixture of alloys of copper
and tin in various proportions,
often with traces of other metals
Bronze Disease
When mineral salts in the surface
of the bronze react with air to form
acids that erode the bronze and
produce a green powdery residue
C Mixed-media
Cast
To give shape and form, often used
to describe the process of forming
material (liquid metal, for example)
into a particular shape by pouring
into a mould
The subject matter, narrative or
thematic concerns of an artwork
Cubism
A school of painting and sculpture
developed in Paris in the early
20th century, characterized by
the reduction and fragmentation
of natural forms into abstract,
often geometric structures usually
rendered as a set of discrete planes
F
Fauvism
A style of painting introduced in
Paris in the early 20th century,
contrasting colour and simplified
shapes. The name les fauves is
French for “the wild beasts”
Figuration / Figurative
Representations of the world based
on resemblance and association
with real forms, but these references
are not based on realism, figurative
art can be heightened, exaggerated
and stylized
Fine Arts
Refers to drawing, painting,
sculpture, music and dance
Focal point
An object, artwork or design
element that is the main point of
focus in a given space
Form/Formal concern
The characteristics of an artwork’s
visual elements, not subject matter
or content
Free-standing art
Art that has been placed in the
space, but which is independent of
that space, such as a sculpture on
its own plinth
GLOSSARY
G
Geometric Shapes
Shapes which are defined in terms
of science and mathematics
I
Icon
A famous or instantly recognizable
image that embodies certain
positive values or characteristics
Integrated Art
Art that takes the place of materials
that would have been used on
location, such as wall finishings,
seating and other functional objects
Impressionist /
Impressionism
A style of painting that originated
in France about 1870. Paintings
of casual subjects were executed
outdoors using divided brush
strokes to capture light and mood
of a particular moment and the
transitory effects of natural light
and color
M
Matte
A non-glossy or shiny surface
coating
Artwork created with more than
one type of art material
Modernity
Pertaining to the set of political,
social, economic and aesthetic
ideas that charaterize the modern
world in the 20th Century
AUGUST 2010 / 57
GLOSSARY

N Stylized
Negative Space
Areas of an artwork which are
unoccupied by shape or color
(see Positive Space)
P the workings of the subconscious
Positive Space
The space in a composition that
is filled with form
Process
The methods or techniques through
which an artwork is created
Made to conform to some style;
represented according to some
convention, rather than in a realistic
or literal manner
Surrealism
A 20th-century literary and artistic
movement that attempts to express
and is characterized by fantastic
imagery and incongruous
juxtaposition of subject matter
Symbolic
An artwork is symbolic if it, or a
part of it, stands for or represents
something else

Public Art T
The practice of involving artists in
the conception, development and Tympanum
transformation of a public space The surface enclosed by the arch
and lintel of an arched doorway,
R frequently carved with relief
sculptures

Relief
Artwork that projects out or above
the surface plane where it is
presented or made

Representation
A tangible or recognizable image or
likeness of something or someone

S
Sand Mould Casting
When a model is encased in a
sand mould which is then split,
the model removed and molten
metal poured into the reassembled
mould

Sculpture
The art or practice of shaping figures
or designs in three-dimensions

58 / CONFABULATION
 POSTSCRIPT

Location: Peninsula Plaza

Location: Forum

Location: Upper
East Coast Road
Location: Tanjong Pagar

AUGUST 2010 / 59
 Mercedes-Benz Center

61 / CONFABULATION
Pop and Contemporary
Fine Art

Art Trove
51 Waterloo Street #02-01/2/3
Singapore 187969

T: +65 6336 0915 F: +65 6336 9975

E: enquiry@art-trove.com
W: www.art-trove.com

Opening hours:
Wednesday - Sunday,
11am - 6:30pm.

Foundation Oil
Painting

Art Trove,
The Private Museum

The Private Museum

Lai Chan,
Chan Hampe Galleries

Art Trove

AUGUST 2010 / 64
Sotheby’s Institute of Art,
DreamSpace Art Studio
DIRECTORIES

SINGAPORE ART GUIDE Barrosa Studio 4 Woking Road #01-02

Bhaskar’s Art Academy 19/21 Kerbau Road
# Borobudur www.borobudurauction.com

33 Auction www.33auction.com C
72-13/TheatreWorks 72-13 Mohamed Sultan Road
2902 Gallery 11 Mount Sophia Block B #B2-09
Cape of Good Hope
140 Hill Street
#01-06 MICA Building
A Singapore 179369
+65 6733 3822
Alliance Française de Singapour 1 Sarkies Road www.capeofgoodhopeartgallery.com

Antiquaro
19 Tanglin Road
#02-42 Tanglin Shopping Centre
Singapore 247909
+65 6737 4822
www.antiquaro.com
AndrewShire Gallery 5 Swiss Cottage Estate
Asian Civilisations Museum www.acm.org.sg
Aratong Galleries 26 Mount Pleasant Drive
Art Forum 82 Cairnhill Road
Art Galleries at NAFA 80 Bencoolen Street
Art Glass Solutions 30 Kuo Chuan Avenue
Art Retreat (Wu Guanzhong Gallery) 10 Ubi Crescent
#01-45/47
Art Seasons 7 Kaki Bukit Road 1 #02-12
Art Tree Gallery 333A Orchard Road #04-11
Art-2 Gallery 140 Hill Street #01-03
artcommune 133 New Bridge Road #02-77
Artesan 793 Bukit Timah Road #02-01
Artfolio 328 North Bridge Road #02-25
ArtGoGo 402 Orchard Road #02-08
ARTSingapore www.artsingapore.net
Art Trove
51 Waterloo Street
#02-01 to 03
Singapore 187969
+65 6336 0915
www.art-trove.com
ArtSpace at Royal Plaza Hotel 25 Scotts Road
Arty Art Gallery 686A Woodlands Drive 73 #15-52
Aryaseni 10A Bukit Pasoh
B 艺术创作，专业绘画教育。
Benaka Art Conservation
Private Ltd
64 Taman Warna
Singapore 276386
+65 9105 4377 / +65 6100 2707
www.benakaartconservation.com
Black Earth Auction
367 Joo Chiat Road
Singapore 427559
+65 6346 3767
www.blackearth.com.sg
Chan Hampe Galleries
328 North Bridge Road
#01-04 Raffles Hotel Arcade
Singapore 188719
+65 6338 1962
www.chanhampegalleries.com
Chieu Sheuy Fook Studio
Studio 102
91 Lorong J
Telok Kurau Road
Singapore 425985
+65 96690589
chieusf@gmail.com
Changi Museum 1000 Upper Changi Road North
Collectors Contemporary 5 Jalan Kilang Barat #01-03
COMBINART 27 Woodlands Industrial Park E1 #01-08
D
d’Art 5 Westbourne Road #02-03
DaTang Fine Arts Singapore
177 River Valley Road,
Liang Court , #02-09A
Singapore 179030
+65 9846 2098 / +65 9721 3718
www.9911art.com
D’Peak Art Space Kaki Bukit Road 1 #01-07
DreamSpace Art Studio
19 China Street
#03-04/05 Far East Square
Singapore 049561
+65 9168 7785
www.hill-ad.com.sg
Dynasties Antique & Art Gallery
18 Boon Lay Way
#01-136 TradeHub 21
Singapore 609966
+65 67383268
www.9911art.com
DLR Gallery 22 Marshall Road

66 / CONFABULATION
 DIRECTORIES

E
Impress Galleries
Esplanade 1 Esplanade Drive 1 Kim Seng Promenade
Eagle’s Eye 39 Stamford Road #01-01 #02-07/08 Great World City
Echo Art Galerie 19 Tanglin Road #02-59 Singapore 237994
Emily Hill 11 Upper Wilkie Road +65 67362966
www.impressgalleries.com
F
fill your walls Impress Galleries
21 Tanjong Pagar Road 429 East Coast Road
#04-02 Singapore 429016
Singapore 088444 +65 64404533
+65 6222 1667 www.impressgalleries.com
www.fill-your-walls.com

Fortune Cookie Projects www.fortunecookieprojects.com I

Indigo Blue Art 33 Neil Road
Foundation Oil Painting INSTINC 12 Eu Tong Sen Street
(conducted by Mr Wee Shoo Leong) iPRECIATION 1 Fullerton Square #01-08
155 Waterloo Street
#01-04 Stam ford Arts Centre
Singapore 187962
J
+65 9726 2028
Jalan Bahar Clay Studios 97L Lorong Tawas
www.foundationoilpaintingclass.com
JENDELA (Visual Arts Space) 1 Esplanade Drive Level 2
FOST 65 Kim Yam Road Jeremy Ramsey Fine Art 16 Bukit Pasoh Road

G Ketna Patel
35 Jalan Puteh Jerneh
Gajah Gallery 140 Hill Street #01-08 Chip Bee Gardens, Holland Village
Singapore 278057
Galerie Joaquin +65 6479 3736
1 Cuscaden Road www.ketnapatel.com
#01-03 The Regent Hotel
Singapore 249715
+65 6725 3113
www.galeriejoaquin.com
Koeh Sia Yong 许锡勇
Galerie Belvedere 168 Robinson Road #36-01 10 Kampong Eunos
Singapore 417774
The Gallery of Gnani Arts +65 9671 2940
1 Cuscaden Road www.yessy.com/koehsiayong
#01-05 The Regent www.koehsiayong.artfederations.com
Singapore 249715
+65 6725 3112
www.gnaniarts.com
K

Kelly Reedy - Studio Arts 27 Woking Road #01-01

Gnani Arts Space Kwan Hua 19 Tanglin Road #02-09
190 Middle Road
#02-30/31, Fortune Centre L
Singapore 188979.
+65 6339 1230 Li Fine Art
www.gnaniarts.com 19 Tanglin Road
#03-32 Tanglin Shopping Centre
Singapore 247909
Galerie Waterton 39 Keppel Road #02-01
+65 6235 3306
Geeleinan Art Gallery & Studio 1 Whitchurch Road #02-03 www.lifineart.com
Give Art 65 Spottiswoode Park Road

HaKaren 19 Tanglin Road #02-43

Heng Artland 290 Orchard Road #04-08

AUGUST 2010 / 67
DIRECTORIES

Lukisan Art Gallery Peter’s Frames

110 Faber Drive 19 Tanglin Road #02-02
Singapore 129421 Tanglin Shopping Centre
+65 6774 1609 Singapore 247909
www.lukisan-art.com +65 6737 9110
petersframes@hotmail.com

The Luxe Art Museum

6 Handy Road Pop and Contemporary Fine Art
#02-01 The Luxe 390 Orchard Road
Singapore 229234 #03-12 Palais Renaissance
+65 6338 2234 Singapore 238871
www.thelam.sg +65 6735 0959
www.popandcontemporaryart.com
La Libreria 50 Kent Ridge Crescent Level 3
Larasati www.larasati.com Ode to Art 252 North Bridge Road #01-36E/F
LASALLE 1 McNally Street
The Private Museum
Little Red Shop www.littleredshop.org 51 Waterloo Street
Linda Gallery 15 Dempsey Road #01-08 #02-06
Singapore 187969
M +65 67382872
www.theprivatemuseum.org
Mercedes-Benz Center
301 Alexandra Road
Singapore 159968 Opera Gallery 2 Orchard Turn #03-05
+65 6866 1888 Osage 11B Mount Sophia #01-12
www.mercedes-benz.com.sg
P
Ray’s Transport & Services
Artwork Installation &
Delivery Services
Mulan Gallery All other Art related services
19 Tanglin Road +65 91522511
#02-33 Tanglin Shopping Centre artswithray@gmail.com
Singapore 247909
+65 6738 0810
www.mulangallery.com.sg
Peranakan Museum 39 Armenian Street

M Gallery 1 Kaki Bukit Road 1 #03-19

MAD Museum of Art & Design 333A Orchard Road #03-01
Marisa Keller 28 Woking Road #03-05
Masterpiece www.masterpiece-auction.com
Metakaos 1 Kaki Bukit Road 1 #03-22
MINT Museum of Toys 26 Seah Street

Nanyang Academy of Fine Arts 38/80/151 Bencoolen

Street
National Museum of Singapore 93 Stamford Road
Ngee Ann Cultural Centre 97 Tank Road
Night & Day 139 A/C Selegie Road
NTU (School of Art, Design & Media) 81 Nanyang Drive
NUS Museum 50 Kent Ridge Crescent

O Post Museum 107/109 Rowell Road

68 / CONFABULATION
 DIRECTORIES

Public Art Space (Pan Pacific) 7 Raffles Boulevard Utterly Art 229A South Bridge Road 2nd Level

S.Bin Art Plus Xuanhua Art Gallery

140 Hill Street MICA Building 70 Bussorah Street
#01-10/11/12 Singapore 199483
Singapore 179369 +65 6392 2556
+65 6883 2001 www.xuanhuaart.com
www.sbinartplus.com

R V

ReDot 39 Keppel Road #02-06

Red Dot Design Museum 28 Maxwell Road Y2ARTS
Red Sea 9 Dempsey Road #01-10 140 Hill Street
RSAF Museum 400 Airport Road #01-02 MICA Building
Singapore 179369
S +65 6336 8683
School of the Arts 90 Goodman Road www.y2arts.com
Sculpture Square 155 Middle Road
Sealey Brandt Photography Studio 1 Westbourne Road
#01-02 Valentine Willie Fine Art 39 Keppel Road #02-04
Sinema 11B Mount Sophia #B1-12 Yisulang Art Gallery
Singapore Art Museum 71 Bras Basah Road 6 Handy Road
SAM at 8Q 8 Queen Street #01-01 The Luxe
Singapore Art Society 10 Kampong Eunos Singapore 229234
Singapore Coins and Notes Museum 2 Trengganu Street +65 63376810
www.yisulang.com
Sunjin Galleries
43 Jalan Merah Saga
#03-62 Work Loft @ Chip Bee Victoria Theatre & Concert Hall 11 Empress Place
Singapore 278115 VITRIA 17 Chee Hoon Avenue
+65 6738 2317
www.sunjingalleries.com.sg
X

Level 3
Singapore Contemporary Young Artists www.
contemporaryart.sg
Singapore Navy Museum 32 Admiralty Road West
Singapore Philatelic Museum 23B Coleman Street
Soobin Art International 10 Ubi Crescent #04-90/92/93/95
Sotheby’s Institute of Art 82 Telok Ayer Street
Sun Craft 19 Tanglin Road #02-08
T
Y
Yang Gallery 19 Tanglin Road #02-41
Your MOTHER gallery 91A Hindoo Road
LIFESTYLE
Lai Chan 1 Beach Road #02-10
STYLE: NORDIC 39 Ann Siang Road
Papa Palheta 140 Bukit Timah Road

TAKSU 43 Jalan Merah Saga #01-72 FOR TOURISTS

Telok Kurau Studios 91 Telok Kurau Lorong J
Tembusu 140 Hill Street #01-05
The Art Gallery 1 Nanyang Walk
The Arts House 1 Old Parliament Lane
The Gallery (SMU) 90 Stamford Road
The Gallery of Gnani Arts One Cuscaden Road #01-05
The Luxe Art Museum 6 Handy Road #02-01
The Peach Tree 129 Tanglin Road
The Picturehouse 2 Handy Road
The Republic Cultural Centre 9 Woodlands Avenue 9
The Substation 45 Armenian Street
Third Floor – Hermès 541 Orchard Road
U Emergency
Armenian Church 60 Hill Street
Battle Box 51 Canning Rise
Botanic Gardens 1 Cluny Road +65 6471 7361
Buddha Tooth Relic Temple 288 South Bridge Road
Bukit Timah Saddle Club 51 Fairways Drive +65 6466 2782
CHIJMES 30 Victoria Street +6336 1818
Chinatown Heritage Centre 48 Pagoda Street +65 6221 9556
Chinese Garden 1 Chinese Garden +65 6261 3632
Crocodilarium 730 East Coast Parkway +65 447 3722
Escape Theme Park 1 Pasir Ris Close +65 6581 9112
Fort Canning Park 51 Canning Rise +65 6332 1302
Goethe-Institut Singapur 163 Penang Road #05-01
- Ambulance / Fire 995
- Non-emergency Ambulance 1777

AUGUST 2010 / 69
DIRECTORIES
- Police 999
- Traffic Police 1800 547 1818
Haw Par Villa (Tiger Balm Gardens) 262 Pasir Panjang Road
+65 6872 2780
Hospitals
- Alaxandra 378 Alexandra Road +65 6472 2000
- Changi General 2 Simei Street 3 +65 6788 8833
- Gleneagles 6A Napier Road +65 6473 7222
- KK Women’s and Children’s 100 Bukit Timah Road
+65 6293 4044
- Mount Alvernia 820 Thomson Road +65 6347 6688
- Mount Elizabeth 3 Mount Elizabeth +65 6737 2666
- National University 5 Lower Kent Ridge Road +65 6779 5555
- Parkway East 321 Joo Chiat Place +65 6344 7588
- Raffles Hospital 585 North Bridge Road +65 6311 1111
- Singapore General Outram Road +65 6222 3322
- Tan Tock Seng 11 Jalan Tan Tock Seng +65 6256 6011
Information
- Directory Assistance (Local) 100
- Directory Assistance (International) 104
- Flight Information 1800 542 4422
- IDD 001
- Immigration Enquiries +65 6391 6100
- Postal Enquiries 1605
- Time 1711
- Weather +65 6542 7788
Johore Battery Cosford Road +65 6546 9897
Jurong Bird Park 2 Jurong Hill +65 6265 0022
Kranji War Memorial 9 Woodlands Road
Lim Bo Seng Memorial Esplanade Park
Malay Heritage Centre 85 Sultan Gate +65 6391 0450
Malay Village 39 Geylang Serai +65 6748 4700
Mandai Orchid Garden 200 Mandai Lake Road +65 6269 1036
Marina Barrage 8 Marina Gardens Drive +65 6514 5959
Marina Bay Sands 10 Bayfront Avenue +65 6688 8868
Masjid Sultan Kampong Glam
Merlion Park Fullerton
Mount Faber +65 6270 8855
National Archives of Singapore 1 Canning Rise +65 6332 7909
National Library Singapore 100 Victoria Street +65 6332 3255
National Parks Board 1800 471 7300
Night Safari 80 Mandai Lake Road +65 6269 3411
Parliament House 1 Parliament Place +65 6336 8811
Raffles’ Landing Site North bank of the Singapore River
Reflections at Bukit Chandra 31K Pepys Road +65 6375 2510
Resorts World Sentosa 39 Artillery Avenue +65 6577 8888
St. Andrew’s Cathedral 11 Saint Andrew’s Road
Science Centre Singapore / Omni Theatre 15 Science Centre
Road +65 6425 2500
Sentosa 1800 736 8672
SIA Hop-on +65 9457 2896
Singapore Botanic Gardens 1 Cluny Road +65 6471 7361
Singapore Cable Car +65 6270 8855
Singapore City Gallery 45 Maxwell Road +65 6321 8321
Singapore Discovery Centre 510 Upper Jurong Road +65
6792 6188
Singapore Expo 1 Expo Drive +65 6403 2160
Singapore Flyer 30 Raffles Avenue +65 6734 8829
Singapore Turf Club 1 Turf Club Avenue +65 6879 1000
Singapore Zoo 80 Mandai Lake Road +65 6269 3411
SKI360° 1206A East Coast Parkway +65 6442 7318
Snow City 21 Jurong Town Hall Road +65 6560 2306
Sri Mariamman Temple 244 South Bridge Road
70 / CONFABULATION
Sun Yat Sen Nanyang Memorial Hall 12 Tai Gin Road +65 6256
7377
Supreme Court 1 Supreme Court Lane +65 6336 0644
Sungei Buloh Wetland Reserve 301 Neo Tiew Crescent +65
6794 1401
Taxis
- Comfort/YellowTop +65 6552 1111
- CityCab +65 6552 2222
- Premier +65 732 2516
- Smart +65 6485 7777
- Tibs +65 6555 8888
- Transcab +65 6555 3333
Thian Hock Keng Temple 158 Telok Ayer Street
Touristline 1800 736 2000
Underwater World 80 Siloso Road +65 6275 0030
Universal Studios 8 Sentosa Gateway +65 6577 8888
War Memorial Park Bras Basah Road & Beach Road
intersection
MALAYSIA ART GUIDE
+Wondermilk Art Gallery www.theclickproject.com
12 (Art Space Gallery) www.12as12.com
A2 Gallery www.a2artgallery.com
Annexe Gallery www.annexegallery.com
Art Case Galleries www.artcase.com.my
Art Expo Malaysia www.artexpomalaysia.com
Art House Gallery www.arthousegallery.biz
Art Loft www.artloftgallery.net
Art Salon @ Seni www.theartgallerypg.com
Artseni Gallery www.artseni.com
CHAI (Instant Cafe House of Arts and Idea) www.
instantcafetheatre.com
City Art Gallery
Edi.A Art Gallery www.ediarts.blogspot.com
Galeri Chandan www.galerichandan.com
GALERI PETRONAS www.galeripetronas.com.my
Galeri Shah Alam www.galerisa.com
galleriiizu @ Shangri-La Hotel www.galleriiizu.com
House of Matahati (HOM) www.matahati.com.my
Islamic Arts Museum www.iamm.org.my
Lookiss www.lookissgallery.com
Lost Generation Space www.lostgenerationspace.blogspot.
com
Malaysia National Art Gallery www.artgallery.gov.my
MERAH: Mansion for Experimentation, Research, Arts and
Horticulture www.facebook.com/pages/MERAH/148050170487
Metro Fine Art www.metro3gallery.com
NN Gallery www.nngallery.com.my
Pace Gallery www.pacegallery.net
Pelita Hati www.pelitahati.com.my
Pinkguy Gallery www.pinkguymalaysia.com
Richard Koh Fine Art www.rkfineart.com
Rimbun Dahan www.rimbundahan.org
RougeArt www.rogueart.asia
Shalini Ganendra Fine Art www.shaliniganendra.com
The Gallery @ Star Hill www.starhillgallery.com
Valentine Willie Fine Art www.vwfa.net
Wei-Ling Gallery www.weiling-gallery.com
Y 2 S Art Space www.y2sart.com.my
ZINC www.zinc.com.my
AUGUST 2010 / 71
72 / CONFABULATION