ISAAC ALBENIZ

C ATA L U A
(Suite Espaola Op. 47, Nr. 2)

R e v ised and f inger ed

by
Eythor Thorlaksson

The Guitar School - Iceland

www.eythorsson.com.
 -1-

CATALUA
(Suite Espaola Op. 47 Nr. 2)

Rev. Eythor Thorlaksson Isaac Albeniz

Tempo di Corranda
1
6 . . # n .. .. .
0
. . 4
8 1 # . .
& 3 4
3

f
3 2
3 . . .
0 2

V VII VII
j j V j V j j
3
5 2
3 # 0
#
1 ..
1 1
2
& {
. . . . . .

V j j
j
8 j
4 4 0
4
1 4 .
3 . 1 1 .
0
2 .
& 2 3 .

. b . . .
1
3 2
1 .

III
j j
11 1 j
3
.
4
4
4
. . 1 .

. b . .
2
2
&
. .
1

. 1 .
. 1 .

VII
V j j
14
#
g 0 . . .
0 . ..
g 1 # .. .
& g 3 3
g 2 . . . .
0 . .
g p

V j VII j
j V V j
17
#
0
.. 4 .
1
3 .
2
&
. . . . . b .
1

Copyright 2001 by The Guitar School - Iceland 1100

www.eythorsson.com
 -2-
j
j
20 0 j
4 4 4 4
.
1 1 . . .
0
. . b .
& 3 .
2
2
. 1

3 . 2 . 1 . .

III
j j
23 1 j
3
g .. . .
4
. 4
2 1
. 2
g # ..
..
2 .
& g
.
1 .
1 g . .

. 1
g . .
J

poco meno
j j j j
4 j
27 4
b b
0 0
2
b # b # .. b #
1 4
2 3
3 1 2
3

& 1 4
. . . . 2
. .
F

j
4
. 3 3
.
1
j 4 4 4
.
. .. b .
30
0 1 2
. 1 1
1 3
1 .
1 2
b # . 2# .
1
1
. 2 n 2 3
& . . .
. . 0
J
marcato

VIII
4
.
3
. .
1
4
1
.
.. b . .
33
# #
1
.. . ..
3
2 1 . .
3 # . 2
3
& . . . . . 1 .

VII VIII IX VII

. 2
36 43 .. ..
4 1
. 1
# . 4 3 . 1 1 . 4 .. 1
4

. . 2 .
.
1 . # .
3 .
1 2
2

. #
3
& 3
1 . . . 1 . 3 J
4
5

4 4
. .
4 4 4
4
1
.
.. .
39 1
3 # . 4 1
2 .. 1 2 # . 3
. .. .
1 3
2 .
3 3
3 2 1
& . # . # 2 . #
2 1 2
1 0
. . .

1100
 -3-
4
4
.
1

. ..
42 4
n .
..
1 4
. 2 1
.. . .
2 3 1
1
.
1

0
.
3 1 3
2
# ..
2 0
2 3
& 1

2
3
. #
0 2
. . . .

4 4
. j
. 4 .
45 4 1
# .
1

4
n . 4 1
1 2 3 1
1
.. . 1 . .. . 0

3 2 3
3 3 2 1 . 3 1
. 4
2 2
2

2# . 1
& 2 . # 3 #



1 2 1 3 2
. . .
p

j j j
2 4 4 j
48

1

1 1

0
3
# n # #
& # n # # 3
#
3 2 1 4 3 1
2
1

2
3 1
2 3
2 3 2 1 2 4 2
0
F 5 4
4 5

j j j
2 4 4 j
50

1 1 1 0
1
# n # 3 #
& # n # # #
3 2 1 4 3 1 1 2
2
3 2
2 3 b 2 3 2
0 4
5 4

j
j
52
4 4 4
0
1 1 . 1 .
0
.
& # #
2

n 2

2 3 2 0
0 3 3 3
2
1 3 1 3

j j
4 4 4
54
4 0
.

0
1 . . 1
b . b 0
& #
# 1 # # n
0 1

3 4 2 3
2 3
3 3 2 2 3 0 1
3

1 2 2
p

56 j
4 4
0 . . .

0
1 1 . . ..
2 . 2
0
# .
&
# # {
1
#
3
#
3 2 2 3
0
1 2
3 2
# # 2 2 .
1 2 4
2

rit.
1100
 -4-
j j j j
4 j
59 4
b 0 b
4 0

2
b # b # .. b #
2 3 1
2
3
1
& 1 4
. . . . 3 2 . .
0
F a tempo

4
1 . meno mosso
j 4 4 1
.
62 1
3 1
.
1
2
1

b # 1 . .
1 4
. 2 n 2
3 0
.
1
2 2
&
2
0 .
. .
1 3
0 2 3
1
0 3

5 harm. 12
U
65 4 .
.. 01 ..
. . .
1 0 2 0
4 4 3 0 1 .
2
0
3 . 2 . 2 . 3 .
& . 2
0 3 . .
3 1 . 2 #
2 . 0 1 .
u .
a tempo
VI
3 4 VII
4 2 4
1
4
. ..
4
4
3
68 2
..
2
. 1 b .
. .. # .
1 4
. 1 #
3
2 2 .
1
& . # 1 . # .
0 2 3 1 b .
. .
5

V VII
V j j V

. .
71 1 #
.. ..
0
. .
1 1
2

& 3 . . .
1 . 4
. .
. . .

V VII
j j V
1 2 3 4 1 2
4 2
2 3 2 3 2 3
74
4 2 3
# 2 3 3

#
. 4
& 3
#
#
1
. # 4
3

. 5

J 6
1 2
2
3
#
1 2
77 1 2
3 4

1 2
# #
# 1 2


&
cresc.
XIII
VII
4 . V 4 .
.
.. ..
4
2 1
.
79
3 # .
4 4 # . 2 2
.
2 .
3 . 1 .. 1 .
.
1 . 3 .
. .
3
& 1 1

0 . . .
f . 0
0

1100