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    Speed 21

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    21st Edition SPEEDBALL TEXTBOOK The only complete guide to lettering and calligraphy Includes: lor BB ovverviate Bow: Script Bic u neial Ba lackletter eS Serif = New examples and uses of lettering and calligraphy ™ New guide shows which nibs to use for different lettering styles = New section on layout, spacing and design ] G ep, oy ace By DM C1osertatine phe a eG a QU ceases yy Pe, o2 cai) os BRS | | | Sheila Waters Sheila Waters ee eaamammamaaacacammmmmmammammmaammaaaiaias (GE POOLS AND MATERIA ne ettering is an interaction between pen, ink, and paper, and . there are many different types of supplies with which you should be familiar. Dip pens fall into two categories: flexible nibs like the Hunt : 99, 103, ete. used for Copperplate, and broad-edged nibs used mg for most other lettering. One of the classic types of dip pens is = ee the SPEEDBALL, available in a variety of sizes. oe A style «Designed to produce square poster type letters with a single stroke. SPEEDBALL ELEGANT WRITER Cal- B style -For producing single stroke round Sans Serif letters without thick ligraphy Marker, OSMIROID Fountain Pen, and thin lines 4 2 H y T Dip Pen, SPEEDBALL St C style -A broad-edged nib used for calligraphic lettering with thick and thin UNDIES Galins elements. Left-handed C-pens also available. D style -With oval marking tip, used for bold poster alphabets with thick and thicker elements, a eae Another type of dip pen is the steel brush, which is used to make larger letters. The steel brush comes in four different sizes ranging from % "to %”. It is considered a calligraphic tool since it makes thick and thin strokes. FOUNTAIN PENS. The OSMIROID fountain lettering pen is a reservoir pen which automatically feeds the ink supply. OSMIROID pens feature a variety of interchangeable nib units for calligraphy, Copperplate and scroll lettering as well as everyday writing. CALLIGRAPHY MARKERS ELEGANT WRITER calligraphy markers are a wonderful ad- SPEEDBALL and OSMIROID Inks, Pen Holders: Crow Quill, No. 104, dition to the world of calligraphy supplies. They are made with Standard SPEEDBALL, Oblique chisel tips, and form thick and thin lines like the SPEEDBALL C style pens. Two of the most convenient features of using markers. are that they come in a variety of colors and sizes, and are very easy to carry around with you. INKS, Inks fall into two basic categories: water soluble or waterproof (permanent). Both types of ink are available in a variety of colors. OSMIROID ink is water soluble, and is made for use in your fountain pen, although you can use it with a dip pen as well. It comes either bottled or in cartridges. Two types of SPEED- BALL inks are available: non-waterproof, pigmented, opaque inks and waterproof, pigmented, translucent inks. PAPERS " It is important to select papers specifically designed for letter- | ing. For practice, use BIENFANG practice paper, tracing paper, or layout bond. For more finished work, you might select parch- ment paper (also available in cards and envelopes), illustration board, or Bristol board. Be sure to test the ink to make sure It does not skip, feather, or bleed. Choosing a paper with a smooth surface will generally give you cleaner lines than using a more HUNT: GOMIRGIBTERTCINTANG PRUE textured paper. ice Paper, Cards and Envelopes EE NIB CHARI DIP PENS SPEEDBALL PENS AD At AQ AS Ad AS RATA 56 ~ School No. 9406—A fine drawing pon for at school, sti action, Bronze finish, Ye OSMIROID WRITING & CALLIGRAPHY NIBS REGULAR Right Hand: SPECIALIST ‘Right Hand — 89 ~ Drawing No, 9409 — Special extra fine point for draftsmen and lithographers. 100 — Artist No. 9400 — Very delicate for experts BO BY B1B2 BI B4 B5B5/B6 pmzoen°° B 101 —Imporial No. 9401—A very flexible pen for ‘ornamental work, Bronze finish. 102—Crow Quill No, 9402—The nation's favorite art pen. A superfine pen. Flexible | co cl C2 C3 C4 C5 Cé | WAAAY STYLECFLAT @ 103 —Mapping No. 9403—For mapping and fine line work 0.00 DO D1 D2 D3 D4 D5 eExEecece D ELEGANT WRITER CALLIGRAPHY MARKERS ey Oe AGI To ~~ BROAD 104—Finest No, 9404— Superfine art pen for fine hair lines and smallest detail EXTRA FINE FINE MEDIUM AW “—S SCROLL a EXTRA BROAD a | a a | RRS tte age Bo om | 1, itieeacio E cue SH4 SHS Ta — OS 1788 8h met mie ae OHO Em | & Tt we” tralichroad strnight Lot and Lon Hana ae ar Sean Minne ne me oer = ral in que caneonsonieens BZoblique =lessthan | | POMPEII WALL WRITING HESS NOPQ. : TUV} R ABCD FGHI LIKLM ABCDE abcdefg FGHIJK hijkimno MNOP parstuv ©QRSTU WXYZEO VWAYI §12345¢ ZEREST 67890, NB@DE FGHIIK 5 es 34SO 5734996 VERSALS ABCDEFG HIJKLN - UVWXYZ de te a | i . ih abcdefghijkl akathgtintep mnopdisytu 26 T839O0¢:\ABEFHI. a VW From the versal Book Hind XZ, ABCDEF GHIJKLM | NOPQRS TUVWX YZ& N RUSTIC HES ROMAN INSIIC: a IO OTHCENIVRY “8 pee eee ree cuca this a ieleredl widths ne 1B CC iu ut TEE LOS GC ILrtU IL ad WR I AWWA LIAN GO) WP COO WR 99S Fl WY Wy ae XX Tine e€ text. EXE INTRODUCTION TO STEEL BRUSH in purpose of using a steel brush is to make larger letters than can be made with a pen (one quarter inch is about as wide as a pen with a reservoir can be made and still function properly). The SPEEDBALL Steel Brush is dipped and used like a pen and has a very flexible tip. It performs the same functions as the conventional lettering brush, but with its seven staggered layers of steel and brass and its four interchangeable sizes, it gives you far more control than a lettering brush. Steel brushes range in size from 4 inch to 4 inch and allow you to make letters more than seven inches high. Because it is a wide tool, you can dip the steel brush into different color inks and get some very interesting effects, such as changing color within a letter or a word. The SPEEDBALL Steel Brush is ideal for sign or poster work where large, bold, compelling lettering is required. You'll find it a versatile and valuable lettering tool. — CQ he ousupn— = Te : OWARTET David Green Deborah Partington Patricia Buttice Lisa Karp —————— re nee aS 67 8 oinenaee B 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 “The only bespanr may unpre. GERRIT KOUWENAAR Bob Boyajian EEE STEEL BRUSH CONDENSED ROMAN Basic Ei F Pp | TROKES | 4 iy, y QRS! I IM | A N up strokes with pen edge ABCD win QU vertical strokes made downward EG POSTER ROMAN SIHLO9 aWOULS JTIONIS ats daidvu “EL BRUSH ROMAN OOTTED ARROWS {i Suow TWIRLING OF BRUSH! == Brush lettered se ROMAN EQ INTRODUCTION TO CALLIGRAPHY be (from the Greek word “kalligraphia”) means beautiful writing or penmanship. Hand lettering was the only means of written communication until the printing press came into use during the 15th century. All too often, aesthetic pursuits have been pushed aside by industrial progress. In recent centuries calligraphy has had to compete, not always successfully, with mass production. Both the printing press and the typewriter brought about the near demise of calligraphy. But early in the 20th century, English scribe Edward Johnston revived the craft, and today calligraphy is enjoying a new wave of popularity. Study and practice are essential to becoming an accomplished calligrapher. Study the various letter forms and the angles or directions used to produce each one, Practice upper and lower case letters, and numbers. When you can form the individual characters, begin writing words and sentences. Keep evaluating your work so you can improve on it. Strive for a rhythm, a consistency in making the letter forms. Calligraphy is a very useful as well as aesthetically pleasing skill. There is great satisfaction in being able to give a striking individuality to the letters you address; to invitations, announcements, posters, birthday or anniversary cards. If you are fond of verse, you’ll find calligraphy the perfect presentation for poetry because, quite simply, it makes beautiful words more beautiful. bic ‘a ood toil Seas p Seen SIR I have 00 at WINSTON LEONARD » SPENCER Krught ofthe atest Noble Yj prderof thecarter J = ss ivcasthetsandet nthe net thee ‘nmin then thant een onthe ns peng frirmnuntaimastesentatanes shecontn ‘Seon captomvavte sess om Putentydanren Naornine te a einen commana ‘hha mca a the tigcsarcatonnhnuy iene esha inmh re eee esbaligt te his Inyur: rsolution_> maefeat: defiance myitony: magnanimity Mm peace: qoodwall yo ethmt Rae eee Vict 1 Tiel pero desdichado ae at t#) A) SCHURCHILL © DILL Donald Jackson | | THE BOOKSTORECAFE Lunch Menu APPETIZERS ‘French Onion Soup 2.95 Onions ina beef broth with red wine and a crust of Svenbo cheese chili & Blackbeans 375 ‘A ‘true'Texas style chili served with blackbeane & tortilla chips vegetable Tempura 3.15 Assorted vegetables cooked ina delicate batter-served with Hoisin sauce SALADS Caesar Salad 415 Romaine lettuce, croutons, parmesan cheese & Caesar dressing Green Salad 2.50 Curly endive and escarole, cherry tomatoes, radishes & mushrooms in d celerysced vinaigrette ~ spinach Salad 4.50 Fresh spinach, mushrooms, artichoke hearts, bacon & cherry tomatoes with a creamy horsenadish dressing ¢ Oriental Salad 6.25 Japanese «gg noodles tossed with bamboo shoots, waterchestnuts, chicken, ‘mushroonis, scallions & cherry tomatees in a soy-sesame dressing, served on @ bed of red cabbage ¥ 5 SANDWICHES Fresh Turkey 425 Slices of fiesh turkey breast, tomato, romaine lettuce anda dill mayonnaise; served with potato salad Ham & Swiss Cheese 4.75 Slices of cured ham, swiss cheese, tomato, and lettuce with amustard mayonnaise; served with potato salad Joanne Fink S:O-N-N-E-T 128 EUULAM SHAKES ROAR O How oft: when thoumy music music laps pon thar bléss® wood whose motion sounds With thy sweet fingers whien thou gently swayst She wiry concord that mine ear confourds Do J envy those jacks that nimble leap Fotiss the rerider inward of tfiy and. whilst my poo lips which should that fiarvest reap At thie wwo00's bolOness by thee blisshing Stan, Go be so rickled they would chang theirstate— And situation with those dancing chips, OK whom thy fingers walé with gentle gatt, Making dead wood more blest than living lips. Since saucy jacks so fiappy are in this, Give tem thy finggas.me thy lips to Fis Barry Morentz nm PERHAPS LOVE John Denver oe tp is i a abi ing pace” | ais cy a fee f GIMBEL tin a int le whit 4 ne iB st oS PHILADELPHIA alone up ne Hove fw l See you home. Perhaps love ts like a windo LAPS aN Open ¢ TORO: “Tt invites you fo opin AWARD closer: iP you nts to show gu MOTE te AAnd w Ji. Be even if you ee ourselFand don't, kno’ ‘0r 1979 is conferred Ducat; what to do, memory of Love, wills fo 99 fer Ce ferand’ wave ough - Tove to some is like a clou to soi ne as strong as steel-Tor so en aw ~ way oF living, for ae a way a cel. eAnd some say love is pol Ing Of, an eo cyt a An somes ‘love? is eve ng Me sa ont kn Jehe bye i tea” ful ofc ine ict, pain. L ee ire when, its col mz full oe ener when it rains. If’ should live forever and all ja: feams come true, my memories of Le ove— will Be o yous. of Soe et ad Music Publishing Co, Inc. Joanne Fink eee Peso Used win Prmsen Jerry Alterman a: Through chestudyof | S NO] © echnique - pecan aistre SO € J ( lingis asi = onc learns the best’ most 4 «fficient ways of making characters come aliye learnscotll che difference = between emotion fearnstodiscern inthe eee. oy thewors LIKE A THUNDERDOLT BUT. a A GATHERING POWER THAT MOVES Ie isthislind of know! THROUGH T] Me’ th LIKE U/E-NT HER: mastery St. Clair outers of our Latin alphabet Shil( ‘velnin the essensial form of theirlapidary Prototypes of more thaw 2,000 years ago. CY Vea Ie Ni + Evolution inletter form, asin nature, isavery slow process in which many are made — and few are chosen. Raymond DaBoll EGRMITALIC CAPITALS 6 & £ & € C ‘tl 6 spendvy sym), — NN % Nb LOO sINco XM x IL Uw YD O oO so eee de 4 0D) Z > Zi Sv i< ae SE , 06 you ybivuad —ybiy sppunguss0s-LL sTvLtgvd ITVAI WZAXMANLS YOIONWITML (ye 4II TQ ITALIC LOWER CASE Formal Italic Lower Case : x Wi jaa boyy is dé ce f qq 0 ii | ao 4 t © ee ieee: | hh i¢ j {9° “Se kk 1d mm) YY 2m Ttalic letters should slant 7 degrees. Beginners -try to keep your pen held at a 45° angle A. When you get more experienced, you can experiment with other angles, such as 35°A. \ Ss SS tA) - SA). A WV CS, i eS y y 4talic base letters -like nor v are usually written at five pen heights (z) ascending letters like h orb are written at nine pen heights (3) as are desending letters like y or p(z);t is written at six pen heights. ( CAROLINGIAN Cxbalit IAN basic pen angle’ 40° body height 3p. x L cdefeh ij Li mno P14 ae uvwxys ce 'g shi ‘kn nape ry Se erinueyZ Barry Mor pte POg ey a 6,4 Mf > 3 oe j JE > yi ie ie He Cc 6 32 % 2 Ge ag ey Vr < Ss : a pre ee ae £ ae mits » a AE oe v~ % Aes ee % cS = Leslie Cohen (EE UNCIAL nrybh AGCSER ee PROU HyKLMNO "=e porte The pen, A slender Beak-SpouTSADARKSTREAGD OF BLVE Ink AD UNCEASING STREAM) OF WISdON) Vv WwW XY Z Y POURS FROM PY BROwWN,Ssbapely band; 1T x 7 & Some as S SPILLs ITS Flow OF INK FROM The BlYEeskInnE) 3 oven ee PAVE Ise ROS litcle pen These round, directly-written majuscules were ei ae 1 OF Ove ee : ; ; d Fou TWEALTH OF GREAT ONES ADO SO used in the 4th through sth centuries, and Be oh z were popular as headings into the 12th cent. There are various UNcial, letterforms ire manuscripts as well as ligatures: OR AAAAAOE. FRO) == M N Drees Qi. WMRIANDG,. grpae Maura Cooper Maura Cooper BOOK OF KELLS BGA [EG CELTIC LETTER FORMS 1 Gooseph Gaudae Gesimonns lone; SoRoRCSerus hic HobisaumMsuuc > dite scoMdalisabaaair mo + IS GuIaHC ICSC PROLE Re nechonore pst Tpaduasuc, Ga it IOLUTRUT mem ULE PaceRe- WIS! Pau NIPIRMOS UCpoOssi As maqyibus CURE UNIRAbAMIR pPROPceR mIcRecuuar % Romp © cafe aReurar wocLUTG Guooeam CcoepIG” CELTIC ROMAN WITH C-3 SPEEDBALL PEN adcdefghikinny | oxsssesstaaaas Op QRSCUVUIXY A Looncescdcalaacos sccaicadas Gne sTHICCCReOMOS Gudabua es: UCC Spin MMundoRuM EgpRac HequidcoUerenc mur furRgaM (GE INTRODUCTION TO COPPERPLATE | 69 | Gauk sometimes known as Round Hand, or Spencerian Script, was perfected by European penmen and DEY. engravers during the 17th and 18th centuries. It differs from ys, other types of calligraphic lettering in that it is produced with a flexible nib, such as the Hunt 99 or 103 pens or the J OSMIROID Copperplate nib. Copperplate lettering is slanted a NOPE at 55° to the base line. This slant may vary slightly but is never less than 50°. The use of an oblique penholder (see Tools and pease Materials section) helps to achieve the steep slant more naturally, LY WY. ZY Sezione while still maintaining a comfortable writing position. The TMS USUALLY, offset of the penholder is necessary because the nib must be 7A DOWN STROKE. pointed in the direction of the stroke at the correct angle to the writing surface. The oblique penholder also prevents the sharp flexible point from splattering ink, scratching the paper or even possibly breaking. Copperplate lettering is usually done by applying pressure on the downstroke of a letter to spread the point and releasing the pressure on the upward stroke to create a hairline effect. It is important that all the heavy strokes and all the light strokes be uniform. A uniform pattern will produce a truly beautiful script. Most wedding invitations, certificates and engrossed ws i fey ¥ Ah documents such as the Declaration of Independence are lettered MNAME. Y- Af in Copperplate. It is one of the most elegant hands, lending Te itself easily to flourishes. Attwoven COPPERPLATE HAS A CURSIVE LOOK, EACH SMALL LETTER &S FORMED SEPARATELY. THE FOLLOWING STROKES SHOW THE METHOD. Sit M AYE, MPD & # fi rtd MM, TE: me oe 67890 Mary Flanagan Sea ie < Pere eta ne ; SEC cee ‘tabb “daroor wry 1G ‘bY $22°aQ Ig gvv ptplgexeery2 5 ge aia oe : Mil Dowb LEO L4.2LDBE: JS: oe MAE, “IGGLE EIS TRODUCTION TO BLACKLETTER Bowe (also known as Old English) was the hand used in the Middle Ages by the Church, at that time the undisputed center of learning and scholarship. During this period religious books, papers, and decrees of all kinds were hand lettered almost exclusively in the Blackletter style, which was intentionally condensed to save space on precious and expensive parchment. It is a formal, ornate style of lettering, based on a combination of diamond-shaped strokes and_ straight downstrokes. The Blackletter style was perfected by scribes during the 12th, 13th, and 14th centuries. Today it is still used for awards, diplomas, and certificates. Blackletter forms are best made by using the C-style ) rule o of MeN SPEEDBALL pens, the OSMIROID B nibs, or an ELEGANT WRITER marker. These pens all produce thin and thick strokes and crisp letter endings. To form these letters, hold the pen at ntivel 7 a 30° degree angle to the writing line. Blackletter may seem somewhat complicated in the beginning, but it is actually one of the least difficult lettering forms to master. Practice both the elementary strokes and the combinations of strokes used to produce the letters. Use both upper and lower case letters to ensure legibility of your work, since upper case letters in this style, without lower case to break them up, can be very difficult to read. Harry Forrest gothic tertura quatnata thirteen lisa =5 aa Ub o ob ie tf F dog th ty Lek Ul WM. 1M CO | PY cq, vd It 799-6999 “ffl OU. {yt tin ‘WWE We at Vang ey Tine, PIR? rt a Lihjagigy , ‘ce ENG mcaematoeté YER MEL DSHOLONE EEPECO SIO DEY ! poeydny yD , ystoug, ae Slassoidug, |eqquadg EES INTRODUCTION TO CONTEMPORARY STYLES ®... tend to think that calligraphy is a very elegant, almost dignified type of lettering. While this is often true, calligraphy can also be used in many less formal and more creative ways. It can interact with the words and layout of a piece to convey a meaning. It can work hand-in-hand with color to enhance a feeling. It can be whimsical, and it can be clever. Today, many people interested in lettering are using calligraphy not only as a means of communication, but as an AD) art form. On the following pages, you will find examples by leading calligraphers who have done just that. There is a lot to be learned from studying their pieces. (OS ( a Vi & Snigader(gencral e2Nir c ry a In addition to its more traditional calligraphic uses, CPE ie Gey) contemporary lettering can take almost any form, from A 4(S es Sek ie advertisements and posters to greeting cards. It can and should Spe ie LEE pee prsegndenrag Hi ] ‘ie RET be fun. But, perhaps most important, it should be expressive. : SY, 0) (ee LG esD Yo Wa MeV ba pe ny >? 43 © oh fey (la isms allo loi hel E) olf { 7 ls LXE zy i ) at lf, fe our ole : vel ve ia Levy te hode TZ, ae me CER Raphael Boguslav EQ HEBREW SEPHARDIC HEBREW TO° HEIGHT=4 104% NIB WIDTHS youov> qantas AY SAB ee ASHKENAZIC (SQUARE) HBYOUDAS TD ONTATIIN NUTS A CONTEMPORARY SKELETAL ALPHABET ‘OVO PII TD wNNTTAN NWpyS Susan Leviton ODN) DYSON? DIND YAW) B'N AWN NWI WK wINd “TMA Naws ywoL POND PR INIQSA XIN WIAD, AYWY IX PIV YRW Id Dow NX> JAD PI FN 13 VevaNny anna x9 7D Wax TIAN AWA WA AND yart <2 mdbn9 12° 229" ONDA pra TIEN ADK ANN AWA TTD xd 9D 19 spdnaana “39 wa") KvWA pw yonsm pom PApIM PHT PETIA’ [a S2mmx9 29m Syear “ypA.O“MWD1 “DMT ATIKTD “9 NT PAD HE HOD “YAS NOYTT NIT PAT ND AD DID ATT ANDINA AND YONT MID ANAS) NAN AmyTwnwD NYT wivA XwIDdT INVA FUWINa PS) -IAB Ta 9o>9 P.M AD Pam pr yM DaenMT 8 HAS 90> aYPIDE AKAD pT Jan SxtaNy Poy 3p oN X PINS AOD DpIPY OPN SATO OIAK gS G09 BrpIPT AND TY TOYS SIANDOIN | ITD KTAMIND WY .AMINK PT JAA JADA [33a HINT SAN BvD MND WNT PII! YO) NX IHW_DD |p yMONAD AND MTN OY IAD TRAN pA HAI DANN pA’ PST APAMN [IAS NRT POS) wIPAS WN TAT VOD NiO) ya HA WDA ANOOIN TT RTD NT NAGIND WW YIhdB 9 TNA DUN FTI RF NNDIAD WH NANNY Dhy>n PT AAT Ya “ANAND sa NEM HVT gown 313399 Ww SD wBIND pr PM JADA [IAAN-TD NM MVP AT AND {Top NOT ANDBOND NOT AINBD BIDE VIN NAD [IA DAN” MDa [SPIT mya nwa na nd yet mp} [FT JM JADA HIRAI YT SAM Yo ATP OW “sosessie DY WW SOM! 79 ANpAd WITHA SV Vga} INIT Aa 499 NT ADH ‘This isto certty chat on the fist day of the week, the dhitcth day of the montho Adar in de year 5744, corresponding to the fourth of March, 1984, the holy coven- dant of marriage was entird into at Cherry Hill,.New Serey between the bride’ gem ‘Bruce Richard Kaplan, son of Irene and Ceonard Kaplan and his bride? eb Lynn Zeiss daughter of Bovey and Marin Zee. The said bridegroom made the following dadaration to his bride"Be tow my wife aconding t9 the? law of Moses and” Isracl. 7 filly promise chat Til be a true husband wn to thee; Twill honor and cherish the; wil work fore; Twill protect and support the and will provide all that is necessary for thy sustonanc, even as it beseemeth 4 Sewish hushand todo. ‘Valeo take tipon mse all such further obligations fi ‘thy maintenance as are prescribed by our religious statute! And the suid bride? has plighted har troth unto him in affction arin sincerity, ancl has thus takens ‘upon herself the fulfilment ofall the duties incumbent upon a ewish wife: This Covenant of Marriage was duly executed and witnessed this day according to the laws of Moses and the people Israel. The r\ag Sse babi Me \ THE LEAVES y If see RNOW & WHICH LEA Jr ale fa /WILL BE FIRST fp , p= | SOSEI TO FALL. Bs a : M0065 THE WIND Py \ Ou Di » . ow me FF [FROM HATIRU A, oa SsT©1962 CHINESE NEW YEAR ie TER PAUPER PRE. ; woztuir{40\ 4131905 Poy ED. : AysTgUDYy IF ex0s. ~GadINVI A Ie MAL of MOS IONE MP ii YOU yoltolmsypup min osuomngumm — _{noyprondd: 1, } NVWALIHAY LIVAN “PaqAnys} UW WM UDI J, UdYM SIMO} jnprnvag f° UdapPLvd V ASIAUNS WD § iepe JUL ant -SIV]S yy van ya ie L pup} ASSL SUL. Ny) J0199M ma Ybiy| Uo sv amb hyqoapuad IYO IU IAW= WU2109 UINID21 SIVUCUY TN IAD: VIM cS cy a) Ge JUL aM ie MAD paste a JUL IND AOD UD JUL nb: sat SSDAD PAMOUMUN « ") AIIM PILED IU AAD « py upp df) ee pUpU IL MAL Un nD NINE aud AAI: DUNS py snypp a pipuengs a JUL AAI) Denys Taipale Tee = ~~ aa Ce bs ee (EE Feav as SLEW BMISES ES Magen sail to his man Fie, man, pie O Magcin sail To his man Who's the ¢ool now Isawa mouse cacha cat 1saw a tage chase a hound Fie man, ee He man, pre Tsawamouse caccha cas Tsawahage dase a hound Whos che Fool now — Who's che pool now Tsawa mouse each acac saw a haxe chase a hound And che cheese eat che xc Gency miles above the sound Thou hase well dsunken man-Who's the pool now > Fill chou che cuy and 1 che an thou hast well drunken man Who's che ¢ool now ) Polly Broman Karen Ackoff a‘ ORATION Joanne Finke 2: Denys Taipale 5: Bob Boyajian 4+ Mary Flanagan 5-Gerri Rothman.1o co A rrease 6 Debbie Kaplan 7 Lisa Karp Joanne stephan 9+ Dorothy Hampton 10

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