Documentos de Académico
Documentos de Profesional
Documentos de Cultura
Cost
umes, props, iconography used to reflect genre: My front
cover model Ethan Smith and subsequent band members were
styled in a range of clothing over multiple photo-shoots, this meant I
was able to pick the exact images I wanted to fit with my magazines
genre and the genre of music my fictional band were creating. The
clothes are meant to be quite simplistic and yet they still needed to
hold detail even through being made black and white, this is why
most of the raw images are actually quite monochromatic and there
is very little use of prevalent colour throughout. My cover image
consisting of only Ethan has been specifically selected as it has
quite stylized punk undertones with the blocking of the model
looking down upon the camera and with the scrawled writing upon
the hoodie, however it also comes across as quite calm with the out
of focus high aperture Bokeh background normally associated with
stylized Japanese magazine covers. This enabled my model to fit
with the genre aspects whilst also having a stylized and different
flare towards it. This theme has followed throughout my double
page spread with the use of one large image and on the second
page a collage of images all showcasing the stereotypical punk
aspects I have become familiar with throughout my research.
Camerawork and framing: As previously stated I have used a
low angle on my cover image to show the dominance of the model
and fit with the punk themes I researched throughout my
coursework. The smooth and Bokeh trees backing the image have
been used to add a layer of depth to it and comfort. I did not find
using the studio practical enough and wanted to take all of my
images outside, relying on natural light for composition and giving
complex and unique backgrounds for my models. My initial idea for
my contents page was for the three band members to be together
sitting on recycled props found around the school premises. This is
what I did for my first double page spread however I came across a
problem related to text and the composition of my image, I wanted
to keep the desk in the picture yet it meant I could not fit my article
on one double page. This desk I believe give the first image a
rugged and nonconformist flare yet contrasted with the blocking of
Ethan sat strapped into a car chair it gives a juxtaposed
connotations of conformity and rebellion. I wanted to get a high
angle for this shot with a (fairly) wide depth of field (50mm) to give
a natural perspective and to show the rugged background concealed
within the image. For my second double page spread I wanted to
use different perspectives and ranges for camerawork, I chose to
use three headshots of the band members to be able to introduce
the reader and show the conformity throughout my magazine. The
main image of the squatting was something I had not seen done
before in many magazines and I wanted to be able to manipulate
the blocking and layers of my photo to clearly show the graffiti on
the wall behind the subjects. This way of using headshots to
introduce the members of the band I have seen used throughout
multiple magazines and I felt was necessary to convey the attitude
of the article.
Article, header etc.
font and style: My article follows a simplistic style, I learnt
through my research that most people are likely to just look at the
images in a magazine rather than the text itself. With this in
consideration I tried to make my article friendly looking and less text
focused. I decided to use a bold font for my article reminiscent of
the CLASH font type, this gave my article a friendly and
approachable design. To link my pages together I have also used
Myriad Pro in bold condensed italics for my pull quotes and
headers. I feel this gives my magazine a needed sense of fluidity I
would be unable to get with varied font types throughout my
magazine.