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An Introduction of the Animated Documentary


/Text/Sun Hongyun Qiao Dongliang
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Animated Documentary

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1918 Winsor
McCay 1915
The Sinking of the
LusitaniaSharon Katz
Animated Realism:
A Behind-the-Scenes Look at the Animated
Documentary Genre1
1964 John Hubley
Of Stars and Men

Del Gaudio1997

If truth be told, can 'toons tell


it? Documentary and animation2
Paul Wells
The beautiful village and the
true village: a consideration of animation and the
documentary aesthetic19973
Gunnar StrmThe animated
documentary20034 Eric
Patrick /
Representing reality: structural/conceptual
design in non-fiction animation20045
20106

20 90
Joyce Borenstein
The Colours of My Father: A
Portrait of Sam Borenstein1992

Paul FierlingerDrawn from


Memory1995

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CIT&TCD20130514
2011D0050220000038
1Judith KrigerThe Art of Documentary Animation
http://www.awn.com/blogs/ambling-around/art-documation
2DelGaudio S (1997) If truth be told, can 'toons tell it?
Documentary and animation. Film History 9(2): 189-199.
3Wells P (1997) The beautiful village and the true village: a
consideration of animation and the documentary aesthetic. In: Wells P
(ed.) Art and Animation. London: Academy Editions, 40-45.
4Strm G (2003) The animated documentary. Animation Journal
11: 46-63.
5Patrick E (2004) Representing reality: structural/conceptual
design in non-fiction animation. Animac Magazine no. 3: 36-47.
6

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Chris Landreth
Ryan2004 3D

10Chicago 102007
Waltz with Bashir2008
BBC
Discovery
Walking With Dinosaurs1999

Animated Minds2003
Andy Glyne

2003 4
BAFTA

1990

Paul Wells
Donald Crafton Paul Ward

Bill Nichols Michael Renov,


Brian Winston

fps82005 3

(The
Truth in Pictures)
W. Noell
Wolfgram Evans J.R.
7

J.R. BrayDocumentarian?
J.R.
How
Swede It Is
Animation:
An Interdisciplinary Journal2011 6

084

14 /
[Making it
Unreal: Contemporary Theories and Practices in
Documentary Animation]

Absence Excess and


Epistemological Expansion: Towards a Framework
for the Study of Animated Documentary


Animating the Photographic
Trace, Intersecting Phantoms with Phantasms:
Contemporary Media Arts, Digital Moving
Pictures, and the Documentary's 'Expanded
Field'


Experiments in Documentary Animation: Anxious
Borders, Speculative Media
Drawing
VoicesJacqueline Goss

Animated Recollection and


Spectatorial Experience in Waltz with Bashir

Reenacting
Ryan: The Fantasmatic and the Animated
Documentary
Stranger Comes
To Town2007
10 Animating with
Facts: The Performative Process of Documentary
Animation in the ten mark2010
2011 11

the world
a world9
7 http://animatedminds.com/the_films/
8frames per second magazinewww.fpsmagazine.commarch 2005.
9Bill Nichols (1991) Representing Reality Bloomington and
Indiana: Indiana University PressNichols, 1991:109

Norman McLaren

Charles Solomon

10


Maureen
Furniss11

Charles S. Peirce
iconic signs

indexical signs,
X
symbols
12

13

14

15


16

17

10 Maureen Furniss(1998)Art in Motion: Animation


Aesthetics. Sydney: John Libbey,p5.
11Maureen Furniss(1998)Art in Motion: Animation Aesthetics
London: John Libbey.
12Bill Nichols(1994)Blurred Boundaries: Questions of Meaning in
Contemporary Culture Bloomington and Indiana: Indiana University
Press. Page 18.
131931-58. The Collected Papers of C. S. Peirce, vols. 1-6,
ed. Charles Hartshorne and Paul Weiss; vols. 7-8, ed. A. W.
Burks, Cambridge: Harvard.
14Deacon, David, Michael Pickering, Peter Golding & Graham
Murdock(1999): Researching Communications: A Practical Guide to
Methods in Media and Cultural Analysis. London: Arnold.p188.
151931-58. The Collected Papers of C. S. Peirce, vols. 1-6,
ed. Charles Hartshorne and Paul Weiss; vols. 7-8, ed. A. W.
Burks, Cambridge: Harvard.4.447.
16Davis, Howard & Paul Walton(1983b): 'Death of a Premier:
Consensus and Closure in International News'. In Davis & Walton
(Eds.), op. cit, p.45.
17Nichols, Bill( 1981) : Ideology and the Image: Social
Representation in the Cinema and Other Media. Bloomington, IN:
Indiana University Press.p21.

GENRE STUDY

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3D

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3D
Cave of Forgotten Dreams

rotoscope

19

20 20

20 90
20

William Moritz

21

086


22

Beige LucianoAdams When


Docs Get Graphic: Animation Meets Actuality

23Orly
YadinBut Is It Documentary?
2003 1.
2.
3.
4.
24

2001
Voice

18Lev Manovich, The Language of New Media, The MIT Press,


2002, p. 254.
19Donald Crafton(1993) Before Mickey: The Animated Film
1898-1928 Chicago: University of Chicago Press. Page 158.
20Paul Wells (1998) Understanding Animation London and New
York: Routledge. Page 28.
21William Moritz(1988) "Some observations on non-objective
and non-linear animation" in Storytelling in Animation: The Art of
the Animated Image volume 2 Los Angeles: American Film Institute
p21.
22Paul Ward2008, Animated ealities: the animated film,
documentary, realism, in Reconstruction: Studies in Contemporary
Culture 8 (2).
232012 12
24 http://www.yadinproductions.com/but_is_it_
documentary.htm

Silence,1998
Feeling My Way,1997
His mothers voice,1997


imitative
subjective fantastic postmodern25

26

27

28

29

30



mimetic substitution non-mimetic
substitutionevocation31
10

Its Like That

Backseat
Bingo2003

An
Eyeful of Sound

32

33

25Paul Wells (1997) "The Beautiful Village and the True


Village: A Consideration of Animation and the Documentary
Aesthetic" in his (ed.) Art & Animation, Profile no. 53 of Art &
Design magazine, London: Academy Group. p41.
2624p44.
2724p45.
28Paul Wells (1997) "The Beautiful Village and the True
Village: A Consideration of Animation and the Documentary
Aesthetic" in his (ed.) Art & Animation, Profile no. 53 of Art &
Design magazine, London: Academy Group. P45.
29Eric Patrick( 2004) Representing Reality: Structural/
Conceptual Design in Non-Fiction Animation, Animac Magazine (3):
36-47.
3029p41.
31 Bella Honess RoeAbsence, Excess and Epistemological
Expansion: Towards a framework for the study of animated
documentaryAnimation: An Interdisciplinary Journal 63.p17-18.
32Eric Patrick(2004)Representing Reality: Structural/Conceptual
Design in Non-Fiction Animation,Animac Magazine (3): 45.
33Paul Wells (1997) "The Beautiful Village and the True
Village: A Consideration of Animation and the Documentary
Aesthetic" in his (ed.) Art & Animation, Profile no. 53 of Art &
Design magazine, London: Academy Group.p45.

GENRE STUDY

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Nol Carroll
Nonfiction Film and
Postmodernist Skepticism

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1993

21

37

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magnitude

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40

088


Richard Robbins

41

Beer Wars
2009Anat Baron

42
10
Brett Morgen

43

34Nol CarrollDavid BordwellPost-Theory: Reconstructing


Film Studies.p299.
3536Michael Renov, The Subject of Documentary(2004).
Minneapolis: University of Minnesota Press.p137.
3738Paul WardAnimated realities: the animated film,
documentary, realism Reconstruction 8.2 (2008).
39Bill Nichols Representing Reality: Issues and Concepts in
DocumentaryIndiana University Pressp231.
4039p232.
414243

2012 12

44

Plantinga

45


100083
44
2012
12
45Rhetoric and Representation in Nonfiction Film (Cambridge
University Press, 1997).

The Definition of the Animated Documentary


/Text/Zhang Qizhong
2009


2009 7

2009 66
1982

2011

2001
2007

1992

911

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