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CONGRESO INTERNACIONAL DE PROFESORES DE CANTO

EUROVOX/ICVT7, París 2009
El canto pasado y presente: innovación y tradición

Vivimos un momento histórico en cuanto a la
facilidad de las comunicaciones. Internet ha cobrado una
importancia sin igual en relación al acercamiento entre los
distintos pueblos y culturas. Esta herramienta nos ha
facilitado conocimiento de cada vez más estilos de canto,
más métodos de enseñanza, influencia de algunas terapias
en la voz, descubrimientos médicos que pueden ayudar a
la enseñanza del canto.

Sin embargo, en medio de tantas innovaciones,
aún en este nuevo siglo seguimos debatiendo sobre la
convivencia entre la técnica de canto clásico y la de canto
moderno, sus diferencias, la utilidad de cada una.

Del 15 al 19 de julio de 2009 tuvo lugar el Congreso
Internacional de Profesores de Canto en París al que
España acudió gracias a la beca del programa de
aprendizaje permanente Leonardo da Vinci de la Unión
Europea. El tema central del congreso fue el debate entre
la enseñanza del canto pasado y presente, entre la
tradición y las innovaciones.

Fueron 5 días intensivos de ponencias, talleres, clases magistrales etc. Una experiencia inolvidable a
la vez que agotadora en un entorno como es el Follies Bergère de París, la famosa sala de variedades que
tuvo su época de esplendor a finales del siglo XIX y principios del XX.

En 1987 se celebró el primer congreso ICVT en Estrasburgo. El congreso se convoca cada 4 años en
diferentes partes del mundo. Esta ha sido la primera vez que España ha asistido a un congreso ICVT.

El comité organizador
De arriba a abajo y de izquierda a derecha:
Marie José Ledru, Scott Swope, Dominique Daniel, Evelyne Koch, Yves
Ormezzano, Marie Paule Hallard, Chantal Latour, Marvin Keenze,
Paolo Zedda, Norma Enns, Anne Constantin, Claudia Phillips y François
Le Roux.

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
EL PROGRAMA DE JÓVENES PROFESIONALES (YPP) EN ICVT7
La European Voice Teachers Association (EVTA) inauguró el Programa de Jóvenes Profesionales
(YPP). En este programa se ofrecía la oportunidad a 18 jóvenes profesionales del mundo del canto a
participar como alumnos activos en el congreso de París. Cada país integrante de EVTA podía enviar hasta 4
candidatos de los cuales, un comité compuesto por integrantes de EVTA y de ICVT seleccionaría uno.

El trabajo desarrollado por estos jóvenes como alumnos activos fue intensivo. Participaron en todas
las clases magistrales, en un concierto inaugural y colaboraron con los profesores en todas las
demostraciones de repertorio que eran necesarias.

En este momento, la Asociación Española de Profesores de Canto (AEPC) no se encontraba con la
suficiente infraestructura como para poder enviar esos 4 candidatos. Por eso entre los jóvenes seleccionados
no se encontraba ningún cantante español. Sin embargo España fue capaz de enviar a 4 profesoras y una
joven cantante. De entre las profesoras, una de ellas, María Beltrán, presentó una ponencia con el título: “La
resonancia Edith Piaf”.

Los jóvenes que participaron en el congreso y un resumen de sus biografías figuran a continuación.
Como se puede observar, el porcentaje está muy equilibrado entre representantes de música lírica y de
música ligera. Sin embargo, como asociación, lo que más nos ha impresionado a AEPC es la enorme
preparación musical y teatral así como la experiencia de todos estos jóvenes a pesar de su juventud puesto
que ninguno supera los 30 años. Esto nos hace reflexionar sobre la preparación que se ofrece a nuestros
cantantes noveles y, sobre todo, las oportunidades de cantar de manera seria. Todos estos jóvenes cuentan
con un repertorio bastante consolidado y una preparación artística muy completa y debemos hacer examen
de conciencia sobre las carencias pedagógicas de nuestro país en materia de enseñanza de canto.

Y para comenzar a solucionar la situación, AEPC aprovechó la oportunidad del congreso para
mantener reuniones con representantes de asociaciones similares de varios países concretándose una línea
de actuación consistente en llevar a cabo actividades encaminadas al conocimiento y profundización en
repertorios específicos de otros países. Esta es sólo la primera de nuestras líneas de actuación que iremos
poniendo en marcha poco a poco puesto que debemos recorrer un arduo y largo camino para equiparar la
calidad de enseñanza del canto a la de otros países europeos.

Así la primera parte de esta serie de cooperaciones entre asociaciones se concretó entre AEPC y
AFPC que convinieron realizar una actividad conjunta sobre la Música Vocal Francesa desde la mélodie hasta
las últimas tendencias musicales francesas, pasando por las canciones melódicas de los años 40 a 90.

También la Asociación Sueca de Profesores de Técnica Vocal ofreció su cooperación, concretándose
en conferencias y talleres sobre diversas temáticas entre las que destacan el conocimiento de la música
vocal sueca y su repertorio y talleres sobre la preparación de personajes operísticos según el Teatro de la
Ópera de Estocolmo.

La información sobre los jóvenes integrantes del Programa de Jóvenes Cantantes (YPP) ha sido
extraída de la página oficial de EVTA y las biografías figuran en inglés. Sin embargo, se puede usar un
traductor online para obtener una traducción rápida y cómoda:
http://evta-online.org/ypp-en.htm

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Romana Beutel is currently studying voice at the Konservatorium Wien
Privatuniversität with Uta Schwabe. In 2007 she completed her bachelor’s degree with
honors. She has participated in master classes with Angelika Kirchschlager, Barbara
Bonney, and Patricia Wise, and was awarded prizes at the Prima la musica (2004) and
Fidelio (2006) competitions. In Baden, she sang Serpetta in Mozart’s Gärtnerin aus Liebe
and Papagena in Die Zauberflöte. She has also sung Polly in John Gay’s The Beggar`s
Opera, Poppea in Händel’s Agrippina, and the Bird in Judith Weir’s Blond Eckbert at the
Wiener Kammeroper. She has sung major works such as Brahms’ Requiem in Vienna and
performed as far abroad as Venezuela.

Leonardo Cortellazzi (1980) graduated with honours in Marketing from the School of
Economy at Parma University and subsequently with highest honours from the Music
Conservatory Arrigo Boito in Parma. In June 2008 he also completed a program in opera
studies at the Teatro della Scala in Milan. He is currently studying voice with Maestro
Lelio Capilupi. In 2003 he debuted in the role of Schmidt in Werther by Massenet.
Subsequent roles have included Giocondo in Pietra del Paragone by Rossini, Ferrando in
Cosi fan tutte, Don Basili in Le Nozze di Figaro, and Tamino in Die Zauberflöte. In 2006 he
sang the role of Fracasso in a recording of Mozart’s La Finta Semplice.

Guillaume Delpech discovered music by beginning violin lessons at the age of 7 at
the Conservatoire National de Région de Bordeaux. He moved on to viola, then studied
classical guitar with Olivier Chassain. He sang as well with the children’s choir of the
Opera de Bordeaux from 1994 to 1996. Parallel, he pursued literary studies in
Hypokhâgne and Khâgne, and graduated in 2004 from the Ecole Supérieure de Commerce
de Bordeaux. He began studying voice in 2003 with Jacques Schwarz, first in Bordeaux,
then in Toulouse; he has also attended master classes with Jean-François Lombard,
Gabriel Bacquier, Mireille Larroche, and Jean Paul Fauchécourt at the Conservatory of
Toulouse in association with CESMD. He participated in the prize-winning recording of
Lamentatio by C. Festa for Arrion. He is currently continuing his studies in the
Department of Ancient Music in Toulouse. He also teaches voice at the School of Music of Villeneuve-sur-
Lot.

Hinrich Horn began his study of voice with Eike Tiedemann, Max Ciolek, and Philip Zenof
(Sofia). He is currently completing his studies at the Hochschule für Musik und Theater
Hannover, where he studied with Peter Anton Ling and Jacques Schwarz. Most recently, he
sang the lead role in the university’s annual opera production: Mozart’s Le Nozze di Figaro.
In addition, he has taken master classes with Ingrid Kremling, Irwin Gage, and Charles
Spencer. His stage repertoire includes Renaissance music, roles such as Papageno,
Guglielmo, Figaro, and Bim in Heinz Holliger’s What Where. Concert performances have
taken him to Prague, Budapest, Vienna, and Indonesia. Together with his Lied partner,
Fabiana Sisto, he was awarded second prize at two competitions in Pistoia and Brescia,
Italy. In addition, he was given the prize for the most interesting program and best artistic presentation. He
currently has guest contracts at the Nationaltheater Mannheim and the Staatsoper
Hannover.

Aili Ikonen studied folk and jazz music at the Sibelius Academy in Helsinki, where she
completed her bachelor’s degree in 2008. Her most significant teachers have been Aija
Puurtinen, Maija Hapuoja, and Ritva Eerola. She has performed at several renowned jazz
festivals both in Finland and abroad, was featured as a soloist with the UMO Jazz
Orchestra, and won first prize at the inter-Scandinavian Young Nordic Jazz Comets contest
in 2004. In addition to singing and composing with Kvalda, Aili is working with several

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
other bands such as Korpi Ensemble, Hereä, and Piiskaajat, which was the winner of the 2007 Finnish Folk
Music Contest. In January 2009 she performed the role of Gill Bates in a contemporary “virtual opera,”
Lovers of Mankind, which combined jazz elements with modern classical music.

Marie Karall started her musical training at the Conservatoire de Strasbourg and
Conservatoire du IXe arrondissement de Paris studying voice with Anne
Constantin. She continued at the Opera Studio in Rome with Renata Scotto. She
currently works with Michele Command and Gabriel Bacquier. In addition, she
has been awarded many grants and prizes, has had auspicious performances in
London (Vernon Ellis/English National Opera), at the theatre of Montluçon, the
Polish embassy in Paris and in the project Young Talents 08/09 led by Alain
Duault. She has sung at the National Opera of Lorraine with Jose Cura, has
performed Suzanne in Offenbach’s ''Un mari à la porte'' in several French
productions. Future plans include an appearance at the Montpellier Opera and the Imperial Theatre of
Compiègne, Eurydice in Gluck's Orphée & Eurydice', Dorothee in Massenet's Cendrillon at the Massy Opera,
and Taven in Gounod’s Mireille. Further pléiades musicales festival, in Bastia and Mâcon. Additional
repertoire includes Charlotte (Werther), Leonora (La Favorite) or Dido (Dido & Aeneas).

Anamarija Lazarevič (1988) began her musical training studying piano with Lenka Naber
at the Music School Ljubljana Moste-Polje. She began singing lessons at age 14 with Pija
Brodnik at the Music School Ljubljana Vič-Rudnik, where she is currently continuing her
study of voice. Anamarija has performed at numerous school recitals, stage productions
(operetta and opera ensembles), and charity concerts. She has been successful in many
national competitions and, most recently, was awarded second prize at the International
Singing Competition Ithaka in 2006. She occasionally performs with the Tine Rožanc folk
group, with whom she sings a repertoire of national songs at concerts and festivals. She is
also a student in the biotechnical department at the University of Ljubljana.

Gareth Nash joined the Morlais Male Voice Choir when he was 16; his first singing teacher
was its accompanist, Rosalie Evans. He graduated from Trinity College (Carmarthen) in
2004 with a BA hons in Theatre, Cerdd, a'r Cyfryngau (Theatre, Music and Media). While
at Trinity, Gareth trained under Marian Thomas and Janet Massochi. A fluent Welsh
speaker (and singer!), he performed the lead roles in both the Welsh musical Pum
Diwrnod o Ryddid and the English language production of Gilbert and Sullivan’s The
Pirates of Penzance. In 2004 he won the Ian Fleming Musical Theatre Award and went on
to study musical theatre at The Royal Academy of Music, London. There he trained under
Gareth Roberts, Mary Hammond, Seaphen Hill, and Ann-Marie Speed, while also
attending numerous master classes before graduating in 2005. In 2006 Gareth spent six
months on the P&O cruise ship MV Aurora as part of its theatre company, and from June 2007 to the
present he has been playing the role of Joly in the West End cast of Les Miserables at the Queen's Theatre.

After graduating with a Baccalaureat Litteraire in 2004, Julia Orcet followed a two-year
course of study in Paris at the Ecole de la Manufacture de la Chanson. There, she studied
vocal and stage technique, learned script-writing, and had the opportunity to work with
professors such as Anouck Manetti and Michel Troise. Her training culminated in a
performance of her own show at the Theatre Lavoir Moderne. The following year her
success in a vocal competition (Le Mans Cité Chanson) granted her the honor of performing
at the Palais des Congres du Mans. She has also appeared in artists’ first productions such
as Laurent Malot and Eric Guilleton, performing at the Forum Léo Férré, at the Theatre of
Ménilmontant, and the Theatre d’Etampes. She loves solo singing, but is also quite
interested in choral music.

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Cyrielle Sauvage (1988) became involved in the world of music at a very young age. She
began her vocal studies at the age of 15 at the Conservatoire de Montereau fault Yonne
with Armelle Cabral with classical then popular music repertoire. She was successful in
many competitions 2001 – 2006, resulting in television appearances as well as studio
recordings. In 2006 she began studies at the Institut Professionnel des Arts de la Scene
Rick Odums in Paris, where she studied voice with Sarah Sanders, Laurent Mercou and
Nathalie Dupuy, theatre with Guy Shelley and Stanislas Grassian, and classical dance, jazz
and hip hop with Béatrice Marois, Christelle Chinonis, Millard Hurley and Jean-Pierre
Chandler. She was cast for in vocal solos and roles at various school performances,
including the "femme du peuple" for Le Roi Soleil, Doc (readapted for a woman) in West Side Story, and a
smaller role in Hair. Today, Cyrielle works for two artist composers in a hip-hop reggae style as a singer and
chorister giving opportunites to perform in great halls such as the Gibus or the New Morning. Cyrille is
working on her first album with her group, Welcome. She most recently won second place at the Crescendo
competition in Paris as an author, composer and interpreter.

Marysol Schalit (1982) began studying singing at the Universität der Künste Bern/Biel,
where she completed her concert diploma with distinction in 2007. She is currently a
member of the Swiss Opera Studio Biel and is continuing work toward a solo diploma.
Studying with Marianne Kohler, she is also broadening her training in master classes
with Krisztina Làki, Jadwiga Rappé, Cornelia Kallisch, Yvonne Naef, and Gérard Wyss.
She is active as a concert singer, while also performing in several musicals, cabarets,
and theatre productions. In 2007 she sang the part of Amour in Gluck’s Orpheus and
Eurydice with the baroque orchestra Cantus Firmus. Recent roles include Despina in
Mozart’s Cosi fan tutte at the Biennale Bern and Theatre Biel/Solothurn and Flora in
Benjamin Britten’s The Turn Of Screw. This season she will appear as Guadalena and Manuelita in
Offenbach’s La Périchole. She has won awards from numerous organizations and competitions, including the
Friedel Wald–Stiftung (2006), the Kiefer Hablitzel, the Hedwig Collard-Scherer Stiftung (2008), and the
International Simandy Josef Competition in Hungary (2008).

Christina Sutter (1987) was born in Ahmedabad, India, and grew up in Olten, Switzerland,
the youngest of five children. There, she began flute lessons at age 8 and piano at 12.
During the last three years of high school she began singing lessons with Lucie Schibler and
Daphné Mosimann. She then studied classical singing (since 2006) with Liliane Zürcher at
the Hochschule Luzern/Musik, while also attending master classes with Margreet Honig
and Klaus Mertens. She has most recently been singing with ensembles and choirs at the
KKL Lucerne, the Stadttheater Bern, and the Sala Nervi in Rome. Apart from singing, she
enjoys Latin and Middle Eastern dance.

Erika Tordéus made her solo debut in Carnegie Hall at the age of 22. She has performed in the United States,
England, Greece, Cyprus, Germany, Russia, Estonia, Finland, Norway, and Sweden, singing with the American
contemporary music ensemble ALEA III, the Cyprus State Orchestra, the Athens
Chamber Orchestra, the Hamptons Festival Orchestra, and the Mellersta Upplands
Chamber Orchestra. She has worked with a variety of noted conductors, including
Lukas Foss and Simon Carrington. Erika did her undergraduate studies at the New
England Conservatory of Music in Boston (USA), her elementary opera studies at
the Stockholm Opera Studio 67, and she is currently studying toward a master’s
degree in opera at Gothenburg University in Sweden. Erika’s main voice teachers to
date have been Susan Clickner, Iwa Sörenson, and Birgit Louise Frandsen Irestad.

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Matti Turunen is studying sacred music at the Sibelius Academy in Helsinki with Pekka
Kähkönen, voice, and Ville Urponen, organ. He previsiously studied music at the
Conservatory of Joensuu with Rauno Keltanen, voice, and Janne Mertanen, piano. He has
taken additional master classes in singing with Jorma Hynninen and Erkki Rajamäki, as
well as Tom Krause, Matti Salminen, and Hannu Niemelä. This past season, 2008-09, he
was a trainee at the Finnish National Opera, debuting as the Einarmige in Strauss’s Die
Frau Ohne Schatten. Additional roles to date are Tevye in Fiddler on the Roof, Menelaos
in Women of Troy, and the Eremit in Der Freischütz. He has also composed two services
for the Evangelical Lutheran Church, called Service of Young Fate and Service of Peace. He
has broad tastes in music as well as food!

Maartje Waanders (1981) began music studies at the age of 9 with classical piano
lessons. She then studied music education and pop and jazz singing at the ArtEZ
Conservatory in Arnhem, where she completed her Bachelor degrees in 2003 and
2007 respectively. In June 2009 she will receive her Masters degree at the Messiaen
Academie. Her most significant teachers were Jolande Geven, Mariëlle Vester,
Mathilde Santing and Ineke van Doorn. She has taken master classes with Alberto ter
Doest, Tom Salisbury, Jeroen Willems and Hans Dulfer. Currently, Maartje performs
with several pop- and jazz bands and theatre groups. She is often asked as a soloist
for orchestras and pop/gospel choirs, works in studios and sings backing vocals (e.g.
Johnny Logan). Additionally, she has her own private practice in singing, and
performs frequently with her personal pianist.

After completing a BA in Linguistics and German, Derek Welton went on to receive a
master’s degree in music and recently completed the Opera Course at the Guildhall
School of Music and Drama under the tutelage of Janice Chapman. His operatic roles
include Silvano in Cavalli’s La Calisto, Vertigo in Gluck’s La rencontre imprévue,
Podkolyosin in Martinu’s The Marriage, Falstaff in Salieri’s Falstaff, the Count in Mozart’s
Nozze di Figaro, Masetto in Don Giovanni, Guglielmo in Cosi Fan Tutte, Papageno in Die
Zauberflöte. His concert appearances include performances at venues such as the
Barbican and the Royal Albert Hall, where he has performed a wide range of choral and
song repertoire. He has won three competitions to date: the 2007 Handel Singing
Competition (UK), 2005 Geelong Aria, and 2004 Australian Youth Aria.

Barbara Zamek-Gliszczyoska (1985) was a member of the Alla Polacca Children’s Choir affiliated with the
National Theatre in Warsaw. She continued her musical education in the Fryderyk Chopin Music High School
in Warsaw where her teacher Hanna Rejmer prepared her for study at the Fryderyk Chopin
Music University in Warsaw. She is now completing her second year as a student of Bożena
Betley. Barbara has won several competitions: 1. Mieczysław Karłowicz National Vocal
Competition in Kraków, 3. Krystyna Jamroz National Vocal Competition in Wrocław, and
the 8. Stanisław Moniuszko International Competition “Pieśo Wieczorna” (Night Song).

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
El miércoles 15 de julio a las 9 de la mañana dio comienzo el Congreso. Pero hasta las 13 horas no se
celebró la ceremonia de apertura.

Follies Bergère, fachada

Follies Bergère, Foyer

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Follies Bergère, vista de escalera

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Los representantes españoles pertenecientes a la junta directiva de AEPC estuvimos a primera hora
puesto que a las 10 comenzaba una ronda de reuniones de EVTA e ICVT. Uno de los principales temas del día
era la votación para la reforma de los estatutos de EVTA.

Reunión EVTA, al fondo a la derecha junta de AEPC

Junta directiva de EVTA

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Junta directiva de EVTA

Marvin Keenze, Coordinador Internacional de NATS y presidente de ICVT

La cantidad de reuniones seguidas con distinta temática originó esta imagen tan curiosa. La junta y el resto
de representantes de asociaciones, almorzando en el lugar de reuniones. Los representantes españoles a esa
hora sólo salimos a tomar café.

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
A las 15 horas comenzó la ceremonia de apertura. A continuación, distintos momentos de la
ceremonia, panorámica del Follies y discursos inaugurales. Por parte de AEPC acudieron a ICVT7: Marianne
Ax, presidente, Elena Montaña, vicepresidente, Pilar Lirio, secretaria, María Beltrán, socio, Miriam García,
alumna.

Discurso de Norma Enns, presidenta de EVTA y los jóvenes seleccionados para participar en el congreso a
través del YPP (Young Professionals Programme)

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Marvin Keenze y Claudia Phillips

Escenificación a modo de “cheerleaders” de las letras del anagrama ICVT

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
PROGRAMA
Algunos profesores participantes en el congreso han sido muy amables al ceder los escritos de sus
ponencias o de sus talleres y ponerlos a disposición de todo aquel que desee leerlos. Para acceder a las
ponencias es necesario entrar en la web y pinchar en el título de cada ponencia.

PONENCIAS Y TALLERES
MIÉRCOLES 15

Dr. Susana Zapke - The Archeology of Singing

Richard Cross - Three solutions to singing high notes

Agnes Mellon - Baroque Singing

Paolo Zedda/Marybel Dessagnes - Hommage a Nicola Vaccai

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Concierto de apertura: Tradición e innovación en el canto. Concierto de los estudiantes europeos

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
JUEVES 16
Melanie Jackson - Singing and Qi Gong

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Dr. Nathalie Henrich - Between Vibrations and Resonances

François Le Roux – Master Class: Rare French Melodies

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Barre Phillips: The art of improvisation

Lukas Haselboeck - French and Austrian Vocal Music 1890-1914

Marianne Liljas - David Bjoerling

Jeannie Darnell - Boys to Men

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Dr. Duane Karna - Choral Acoustics

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
VIERNES 17
Francoise Semellaz - Survival Kit for the Travelling Singer

Dr. Bernhard Richter/Dr. Matthias Echternach - Real Time MRI

Sarah Sanders – Popular Music Master Class

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Janice Chapman - Breathing and Support: The Use of the Accent Method

Dominique Desmons - The French Chanson

Kathleen Roland Silverstein - The Swedish Opera: Marie Antoinette...

Dr. Peter Ling - The Fach System

Roundtable: Making a Career in Opera: Susan Kane, Jill Segal , Therese Renick , Peter Ling

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
SÁBADO 18
Nadia Vadori - Being Present in the Here and Now

Dr. Gerard Chevallier - The Saturated Voice of Rock Singers

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Jeniffer Smith – Master Class: French Opera

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Anna Gotti - How to Sing Standards with a Jazz Feel

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Suzanne Draayer -Lets Sing Spanish Art Song!

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Cecilia Montemayor - Art Song of Mexico

Dr. Mei Zhong - Chinese Art Song

Maria Beltran - Piaf Resonance

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
DOMINGO 19
Donald Dumpson - Gospel for Everyone

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Dr. Karin Knoll - Training for Top Performance in Elite Sport

Jean Nirouet - Early French Diction as Established at the Beginning of the Recording Process

Valérie Phillipin – Contemporary Music

Martha Herr - 20th Century Brazilian Song

Tran Quang Hai - Voices of the World

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Ceremonia de clausura: Discursos de despedida

La delegación australiana toma la palabra para presentar el proyecto de ICVT8 que tendrá lugar en
ese país en 2013.

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Finalmente los alumnos del Programa de Jóvenes Profesionales cantan a coro e imitan la coreografía
“cheerleader” de la ceremonia de apertura.

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
POSTER SESSIONS
Las poster sessions o sesiones de cartels, completaron el congreso de París. Una poster session
consiste en la presentación de información en un congreso o en una conferencia con un enfoque académico
o profesional. Normalmente se suele separar una estancia o un piso en una feria o conferencia para la sesión
de carteles donde los investigadores ilustran con un cartel sus métodos de investigación y sus resultados. El
investigador responde en el acto a las preguntas de sus colegas.

JUEVES 16
Teja Saksida - Vinko Globokar
Lisa Popiel - Ingredients of American Vocal Styles and handout

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719
Jane Kristen Hagness - 20th and 21st Century Works for Soprano and Marimba
Tammie Huntington - Jody Nagel's Opera Fifty-Third Street
Patrice Michaels - Divas of Mozart's Day
Judy Bellingham - Songs of Love and the Land
Kevin Hanrahan - Effect of Auditory Feedback in Singing
Heather Hunnicut - Stage Fright and Singers and handout
Berislov Jerkovic - Human Voice and Psycho-physical Training
Olugbemi Matthew Adesanjo - Preparation for Performance Psychophysiospiritual Analysis
Wladimir Mattos - Brazilian Portugese- Norms for Lyric Diction
Minoru Yamada - The Essential Practice for Consonant
Morten Sadolin - Power and Safety in Voice Production - Acoustic Control

VIERNES 17
Scott Harrison - Sing For Life
Sally Collyer - Bringing Breathing Science into the Voice Studio and handout
Sally Collyer/diana Kenny/Michaele Archer - Does How You Breath Really Change How You Sound
Marie-Therese Boiton-Rivoli - The Freedom of Voice
Martha Sheil - The Legacy Lives On
Kevin Hanrahan - The Global Masterclass
Kathy Woodley - Vocal Mentoring
Daniel Robinson - Singing for Contemporary Christian Worship and handout
Flora Edwards - Must the Singing Voice in Age Be Silent
Diane Hughes - The Vocal Journal
Kristine Hurst-Wajszczuk - Do They Really Get It? Using Kolb LSI
Susan Yarnall/Susan Monks - The Role of Vocal Identity

SÁBADO 18
Tracy Bourne/Maeva Garnier - Laryngeal Mechanism and Vocal Tract Resonance in Music Theatre Voice and
abstract
Franciose Vanhecke -
Cathy Aggett - Strategies for Baritones in Singing Australian Art Song and handout
Jana Holtzmeier - Grit and Grazioso: the Songs of Vincent Persichetti and handout
Kristine Hurst-Wajszczuk - Causes and Treatments of Perfomrance Anxiety in Singers
Kevin Hanrahan - Second Formant Relationship to Adduction
Katherine Wells - Three Levels of Song
Patircia Caicedo - Discovering Latin-American Soul Through Song and Poetry
Mihaela Buhaiciuc - Elements of Style in enescu's Sept chansons de Clement Marot
Teresa Radomski - Recovering the Salon Operas of Manuel del Populo Vincente Garcia
Jessica McCormack - The Influence of National Styles on Pauline Viardot
Anne Harley - Russian Female Aristocratic Composers
Catalina Ionela Chelaru - Le Complexe d'inferiorite dans l'art

Informe elaborado por Pilar Lirio (Secretaria y Coordinadora Internacional AEPC)

AEPC Asociación Española de Profesores de Canto / NIF. G-84235365 / Apdo. Correos 21133, 28080 Madrid
www.aepc.com.es / aepc.info@gmail.com / Teléfono: +34 91 573 7382 Fax: +34 91 327 1719