Album Com 40 Arranos para Trio de Flautas Doce

Son at a i
from Twelve Sonatas for Two Violins; with a Bass for the Violoncello or Harpsicord (1747)
Arranged for ATB recorders by R. D. Tennent

1. Largo
A
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in A minor.
c R. D. Tennent 2009 Licensed under a Creative Commons AttributionShare Alike license.

2. Fuga: Allegro
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Son at a ii

1. Andante Vivace
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Son at a iii

1. Largo
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2. Fuga: Allegro assai
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Fine
5. Minuetto II
2
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Minuetto I da Capo al Fine
Son at a iv
1. Gratioso
43
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2. March: Grave
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Son at a vi

1. Adagio
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Son at a viii
1. Largo
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Fantasia a 3, (VDGS No. 1)

Tenor Recorder 1
Tenor Recorder 2
Bass Recorder
17
13
John Bull (c1562-1628)
21

29
33
37
25
41
45
48
52

56
2008 Alberto Gomez Gomez. Non-commercial copying welcome. Canon at the Fourth and Octave Below, p. 1
Canon at the 4th and 8ve below

Flute
Oboe
Clarinet
& 4

2

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Sonata I
Op. 6
Arcangelo Corelli (1653-1713)

XII Sonate
Del Sig;r Arcangelo Corelli
Op : 6:ta
a 2 Flauti, e Basso Continuo
Transportate
Da Gio; Christiano Schickhard
Dedicate
Al Molt, Ill;re Sig;r Pron; Colmo;
Il Sig;r Giovanni de Gostling
Version 1.0 - 20/06/2006
Trio 4
Essercizii Musici
Traverso
Cembalo
Basso
Largo

Largo

Georg Phillipp Telemann

(1681 - 1767)
7
#
7
#
6
- LORD-K 2004 - admin@lordk.cl -
13
17
21
25
29
7
#
33
Allegro
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3
3 3
3 3
3
3 3 3 3 3 3 3 3 3
Allegro
6
5
6
5
6
3
3
3
3
3
3
3 3
3 3 3
3
3
3
3
3 3
3 3
3
3 3 3
25

3
3
3
3

3
D
2
D
2
6
5
3
3
32
3
3
3
3
3
3

17

3
3

40
3
3 3 3

3 3
3 3 3

3
3

3
3
3
3
3

3
3
3
3
3

47
6
5
54
3
3
3
3 3 3
6 6
3
3
3
3
3
3 3 3
3
3
3
3
3

3 3 3 3 3
3
3
62
6
70
78
6 6
6 6
5
3
6
4
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3
3
3 3
3 3
3 3
3
3 3 3
86
6
5
3
3
3
3
3
3

3
3
3 3 3 3
3
94

Fine
3 3 3
3
3

Fine
Fine
6
5
6
3
3
3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3

3
3
101
6
4
5
#
108
3
3
3
3
3 3

3
3
3
3
3
3
3
3
3
3
3

6
4
E
#

3
3

119
115
Da capo
Da capo
Da capo
Largo
Largo
13
19
25
3 3
37
31
3
3
6
5
3
7
#
10
43
61
55
49

__________________
65
11
Vivace

Vivace
____
11
5 __
6
5
6
5
5 __
6
5
_______
6 6
5
12
20
44
36
28
13
52
____
62
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6
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6
5
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6
4
71
6
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4
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6
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J.S. Bach
Goldberg Variationen
BWV 988
Arranged for recorders
ARIA MIT VERSCHIEDENEN

VERNDERUNGEN
GOLDBERG-VARIATIONEN
Descant Recorder
Tenor Recorder
Bass Recorder
Aria
11
BWV 988
14
J. S. Bach

17

29

BWV 988
25
21

Variatio 1
Descant Recorder
Bass Recorder
11
14
BWV 988

17
20
23

27
30
BWV 988
Descant Recorder
Treble Recorder
Bass Recorder
13
Variatio 2

1.

BWV 988

2.
17
21
26
30
1.
BWV 988

2.
Variatio 3
Descant Recorder I
all'Unisuono
Canone
Descant Recorder II
Bass Recorder
BWV 988
11
15
13
BWV 988
10
Variatio 4
Descant Recorder
Treble Recorder
Tenor Recorder
Bass Recorder
13
1.
2.
BWV 988
17
29
23
11
1.
2.

BWV 988
12

Variatio 5
Descant Recorder I
Descant Recorder II
Treble Recorder
Bass Recorder
BWV 988
13
12
16
19
Tenor Recorder
BWV 988
14
22
26
BWV 988
30
16
Variatio 6
Descant Recorder I
Descant Recorder II
Bass Recorder
Canone
alla Seconda
10
1.

15

2.

BWV 988
18
22
27
31
1.

BWV 988
17

2.
18
Variatio 7
al tempo di Giga
Descant Recorder
Tenor Recorder
12
18
23
28

BWV 988
19

Variatio 8
Descant Recorder I
Descant Recorder II
Tenor Recorder
Bass Recorder
BWV 988
20

12
16
20
BWV 988
21
24
28

30
BWV 988
22
Variatio 9
Descant Recorder I
Canone alla terza
Descant Recorder II
Bass Recorder

BWV 988
11
15
13
23

BWV 988
24
Variatio 10
Descant Recorder
Fughetta

Treble Recorder
Tenor Recorder
Bass Recorder
12
BWV 988
17
22
BWV 988
27
25
26
Variatio 11
Descant Recorder
Treble Recorder
Tenor Recorder
Bass Recorder
BWV 988
27
12
16
20
BWV 988
28

23
30
27
BWV 988
29
Variatio 12
Canone alla Quarta
Descant Recorder
Treble Recorder
Tenor Recorder
Bass Recorder
BWV 988
30
12
20
16

BWV 988
31
24
28
30
BWV 988
32

Variatio 13
Descant Recorder
Tenor Recorder
Bass Recorder
BWV 988
33
11
14
17
20
22
BWV 988
34
24

27
29

31
BWV 988
36
Variatio 14
Descant Recorder
Treble Recorder
Tenor Recorder
Bass Recorder
BWV 988
37
11
13
15
BWV 988
38

17
20
23
BWV 988
39
26
29
31
BWV 988
40
Variatio 15
Canone alla Quinta
Andante
Descant Recorder
Bass Recorder
Treble Recorder

10

BWV 988
14
41
17
21
25
29
BWV 988
42
Variatio 16
Ouverture
Descant Recorder
Bass Recorder
Treble Recorder
BWV 988
11
14
23
1.

16
2.
43

BWV 988
44
29
35
39
44
1.
2.

BWV 988
45
Descant Recorder
Variatio 17
Treble Recorder
Bass Recorder
BWV 988
46
12
14

17
20
BWV 988
47
23
26
29
31

BWV 988
48
Variatio 18
Canone alla Sesta
Descant Recorder
Treble Recorder
Bass Recorder

BWV 988
13
17
21
BWV 988
29
25
49
50

Variatio 19
Descant Recorder
Treble Recorder
Bass Recorder
16
23
28
BWV 988
52
Variatio 20
Descant Recorder
Tenor Recorder
Treble Recorder
Bass Recorder
BWV 988
53
10
13
15
BWV 988
54
17
20

22
BWV 988
55
24
30
27
BWV 988
56
Variatio 21
Descant Recorder
alla Settima
Canone

Treble Recorder
Bass Recorder

BWV 988

11
13
15
57
BWV 988
58
Descant Recorder
Variatio 22
Alla breve
Descant Recorder
Bass Recorder
Tenor Recorder
12
BWV 988
59
17
23
28
BWV 988
60
Descant Recorder
Descant Recorder
Variatio 23

Tenor Recorder
Bass Recorder
BWV 988
61

11
17
14
20

BWV 988
62
23
26
30
BWV 988
63
Variatio 24
Descant Recorder
Treble Recorder
Tenor Recorder
Bass Recorder

D
4
Tr
Canone all'Ottava

Tr
10
Tr
BWV 988
64
13
Tr
15
D
Tr
17
Tr
20

BWV 988
65
23

D
T
26

D

T
29

D

T
31
BWV 988
66
Descant Recorder
Variatio 25
Adagio
Tenor Recorder
Bass Recorder
Tr
B.

Tr
6
B.
BWV 988
67
Tr
B.
11
Tr

D
13
Tr
1.
D
15
Tr
BWV 988
2.
68
D
17
Tr
19
Tr
22

Tr
25
Tr
B.
BWV 988
69
D

28
B.

D
30
Tr
B.
1.
Tr
32
B.
2.
BWV 988
70
Variatio 26
Descant Recorder
Treble Recorder
Tenor Recorder
Bass Recorder
BWV 988
71
12
14
17
20
BWV 988
72
23
26
29
31
BWV 988
74
Variatio 27
Descant Recorder
Treble Recorder
Tenor Recorder
Bass Recorder
Canone allaNona

13
BWV 988

17
75
29
21
25
BWV 988
76
Descant Recorder
Treble Recorder
Variatio 28
Tenor Recorder
Bass Recorder
BWV 988
77
13
15

BWV 988
78
17
21
23
25
BWV 988
27
79
29
31
BWV 988
80
Variatio 29
Descant Recorder
Treble Recorder
Tenor Recorder
Bass Recorder

D
Tr
3
3
3

3 3
3
3

Tr
3
BWV 988
81
10

Tr
16
Tr
BWV 988
19
Tr
13
82
22
Tr
B

Tr
Tr
28
25

Tr
30
BWV 988
84
Descant Recorder
Variatio 30
Quodlibet

Treble Recorder
Tenor Recorder
Bass Recorder
BWV 988
85
14
12

BWV 988
86
Descant Recorder
Aria

Tenor Recorder
Bass Recorder
11
BWV 988
14

17

29

BWV 988
25
21
87
Allegro
Flute 1
Flute 2
Flute 2
10
Hungarian Play Tune
15
Istvn Bartalus (1821-1899)
JK814c.07.09 http://icking-music-archive.org
Psalm 15, Hebrew Psalm for Hanukkah

Benedetto Marcello (1686-1739)
Lento
Treble Recorder
Tenor Recorder
Bass Recorder
18
28

38

47
58
67

77

3
86

95
102

107

112

117

122

127

133

140

to
Adagio assai
Treble Recorder
Tenor Recorder
Bass Recorder
149

152
155

158
Adagio

166
168

Allegro
171

164
162

175

179

182

189

186

193

197

201
206

211
on Ma'oz Zur Yeshuati

Intonation of the German-Italian Jews
9
215

219

229

234
224

10
238

241

248

252

244
256
259

11
Andante and Allegro

from the Trio Sonata Opus 2, No. 1 (hwv 386)
Arranged for AAT/ATB Recorders by R. D. Tennent
A1
A2
Andante
G2S
G2S
8
I
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B
2
W`
G. F. Handel (1685-1759)
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G2
8
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10
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G2
8
I
2
Original
tr`
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`
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A / `
A /
in B minor.
c R. D. Tennent 2010 Licensed under the Creative Commons AttributionNoncommercialShare Alike license.

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28
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36
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Adagio
Second player changes to Tenor recorder.

3
>
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tr`
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33
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Allegro, ma non troppo

tr
G2
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8
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9
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6
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8
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tr
21
G2
4
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G2

8
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G2 6
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29
G2
G2
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4 6
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37
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Go From My Window
(Lute version adapted to 3 parts by Martin Grayson)
Francis Pilkington (c1565-1638)
Treble Recorder
Tenor Recorder
Bass Recorder
18

14
10
23

27

31
3
3
3

35
3
3
3

38

41
45
Cantabile? (Adagio from Sonata Op. 4 No. 2)

e = 120
Descant Recorder
Tenor Recorder
Bass Recorder
Giovanni Platti, (c1697-1763)
10

14

2
19
24

28

32

36
40

45

48
Canon, No. 1 from 6 Trios for Organ Op. 47

q = 58
Max Reger (1873-1916)
Andante, sempre ben legato.

Descant Recorder

Treble Recorder
Bass Recorder
pp
pp

D. Rec.

Tr. Rec.
B. Rec.

D. Rec.
9
poco a poco
Tr. Rec.
poco
B. Rec.

poco
cresc.

cresc.
poco

D. Rec.
12
Tr. Rec.
cresc.
a poco
rit.
meno
meno pp
pp

B. Rec.

pp
pp
pp
pp

D. Rec.
16
Tr. Rec.
B. Rec.
Tr. Rec.
B. Rec.

piu
22
rit.
pp

D. Rec.
B. Rec.

pp
piu
pp
piu
Tr. Rec.
20

D. Rec.
No. 2 - Gigue, from 6 Trios Op. 47

Descant Recorder
Bass Recorder

D. Rec.

Tr. Rec.
5
Treble Recorder
B. Rec.
Max Reger (1873-1916)

D. Rec.

Tr. Rec.
B. Rec.
13

D. Rec.
Tr. Rec.
B. Rec.
17

D. Rec.

pp
sempre poco cresc.

Tr. Rec.
pp
sempre
poco
a
B. Rec.
pp
poco marcato
D. Rec.

cresc.
f

Tr. Rec.
21

poco cresc.
B. Rec.
25

D. Rec.

Tr. Rec.
B. Rec.
29

D. Rec.
ff

Tr. Rec.
B. Rec.
ff
ff
32

D. Rec.
Tr. Rec.

B. Rec.
No. 4, Scherzo, from 6 Trios Op. 47

Treble Recorder
mf
Tenor Recorder
Bass Recorder
cresc.
cresc.
cresc.
cresc.
36

Max Reger (1873-1916)
mf
f
mf
mf

27

mf

18

2
45

p
cresc.
f
p
cresc.
54

cresc.
f
dim.
63

dim.
cresc.
p
f

p
f
72

Un poco meno mosso
pp

p
pp

p
82

94
106

pp
pp
pp
dim.
f
Tempo primo
118
128
cresc.
f
dim.

cresc.
136

dim.
cresc.

ff

p
ff

ff
dim.
dim.
dim.
144

ff
ff
cresc.
ff
cresc.
cresc.
152
158

pp
pp
pp
RICERCARE
Floriano Arresti (1667-1717)

Treble Recorder 1
Treble Recorder 2
Bass Recorder
10

14

18

21

25
29
33
37
41
45
Si x T ri o Son at as
for ATB recorders
Arranged by R. D. Tennent
Arcangelo Corelli (16531713)
Sonata I
1. Preludio
Andante largo
GS
? -
? -
S
T G
? ?

I

S
G 6 7 7
8

I
?
4
G
`
G
? 4
4
G
4
G 8
I
? 4
D.C. al Segno
Opus
4
-
?
4
4
-
? -
?
4
` ` ` 4 15

4 4 `
`
-
? -
`
10

? -
? - 4
?
4 6
4 4 6 6

(

7 6
8
I

? -
? -
? ? -
20
6, No. 10

2. Allemanda
GS
Allegro
GS
I
S
>
>
`
(
G >
` 4

8
I

6

G
15
4
G

8
I
7 7>
>
`

? -
tr
? -
tr
>
(p)
>
>
>
>
>
>
>
4
?
>
>
>
>
`
9
4 4
? -

?
(p)
`
? -
(p)
4
? -
>
>
>
4 `
? -
10
>
? -
(f)
? -
(f)
(f)
(p)
(f)
7 7

(p)
(f)
4
4
4
4
7 7
>
>
>
>
>
>
>
>
(p)
(f)
4 4

G
20
G >
8
I
25
4
G
8
I
30
>
>
>
>

G
?
G
8
I
>
>
` (p)
(p)
(p)
>
>
35
>
? -

>
>
>
>

>
? -

>
>
>
4

>
>

`
? -
>
>
? -
7
7
3. Adagio
G 34
2FFF \
>
G 34
>
8
I
3
>
2FFF \
>
>
\FF
2 4
>
6
>

>
4
>
>
\FF
>
10
FF
>
>
4
>
>
>
> 4`
>
`
>
>
`
>
4. Corrente
A G3
4
Vivace
T G3
4
B
>
8
I
15
(p)
>
(p)
>
>
tr
>
4
>
>
tr

>
>
tr
30
>
>
>

>
>
10
20
>
>
(p)
tr
>
>
4 (
25

> >
>
G >
G
8
I
3
4
>
>
G6
`
4 ( `
G6
8
I
G
I `
8
>
>
(p)
4
-
>
(p)
>
>
>
>
tr
>
>
>
>
>
>
>
50
`
-
>
>
>
>
>
>
70
>
60
>
>
>

>
>

>

>
40
>
4
>
>
>
>
tr

>
>
>
>
>
>
>
>
tr
>

>
>
55
>
65
(p)
tr
>
>
45
>
4
>
(f)
tr
`
8
I
7 7
(f)
7 7
>
(f)
35
7 7
`
7
`
7
5. Allegro
GS
GS
8
I
S

? - >
? -
? 8

I

? -
G
8
I

? ?
4

?
?
? - >
5

(
?
? ? ? -

?
?
? (
? -
7 7
15
4

?
(f)
4

?
7 7
-
?
?
4
4
7 7
(f)
(f)

? -
10
? -
? -
? -
p
?

? - >

? -
>

G
?

8
I
? - >
4
?
? ?
G ?
-
20
G
G
8
I
G >
A A
? -

? - >

G

8
I
? ?
>
(p)
30
? - >
? ?
35
? - >
? ?
(p)

?
-
? -
?
?

? - >
>

? - >
? -
(p)
25
? -

I

? ?
8

? - >
4
? ?
8
I
4
4
A
A

>
40
6. Minuetto
Vivace
A G3
8
T G3
8
B
8
I
3
-
G ^

8
I
G ?
(f)
G 4 4
(f)
8 4
4
I
(
(f)
4 4
G
G ?
4
8
I
?
4
8
I
?
?
`
`
25
7 7 4
7 7
10
20
`
`
Fine
4 4
4
4
(
4
4
?
?
?
?
-
4 404
7 7
?
?
`
` ` `
7
p
7 ` ` `
p
(
7 `
4 4
G
G
4 4
30
`
` ` 15 `
` ` `
`
?
tr
35
` 4
` 4
4`
Da Capo al Fine
8
Sonata II
1. Preludio
A
2
G2 S
Andante largo
>
8
I
2S
6
B
2
2
G2 S
2
G2 >
10
6 `

2
8
G 2 `
I
2 6
(
2
2
G2
2
G2 6
8
I
2

2
15
? -
20
2
`

G2
2

9 >
G
8

I
2

2
P=
6
6 6

P=
` `
? (
>
?
-
6, No. 11

- ^

? -
? -
Opus
P=
6 `

? (
? -
>
P=
P=
P=
25 `
? -
2. Allemanda
2
G2 S
Allegro
>
2
G2 S
>
8
I
2S
2
>
>
>
>
2
Z
2
G ? ?

2
2
G
? ? -
2 `
G2
10
2`
2
G

8
I
2
2
2
G2
15
7 7
7 7
2
G2 6 6
8
I
2
2
>
? -
7 7 6
? -
? -
? -
? (
10
>
? -
? -
? -
? -
? -
? (
4
>
? ( 6
? -
? -
? -
? -
? -
? (
? -
6 2
>
>
? -
? -
? ( 6
? -

? -
? -
? (
- 6
8
I
2
2
? -
? -
?

6
2
G2
20
?
2
8
I
2
2`
G2 4
25
2
G2 6
8
I
2
2
? -
2
G2
35
G2
22
? -
`
-
11
>
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` 6
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`

-

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>
4
!
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!
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6
?
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4
4
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8
I
2 6
2
2
G2
30
6
-
!
? 6 1
? -
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2
G2 ? ?
2
2
G
? ? -
? -
3. AdagioAndante largo
2
G2 34 >
``FF
4`
Adagio
>
2
G2 34 >
>
8
I
23
24 >
>
Andante largo
2
G2 S
>
2 `
G2 S
>
>
>
>
>
6FF ``
>
^ `
2
G2
tr`
2`
G 2 6
8
I
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2
2`
2
G
2
G2
>
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6`
`
-
tr`
>
>
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Z (
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8

I
2S 6 4
2

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15
4
8

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>
4
6
? - ? - ?
p
f
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6
6 6
12
20

`
4 ?
4
25
10
4. Sarabanda
Largo
2
G2 34
8
I
23
2
4
2 `
2
G
2 `
G2 >
8
I
2
2
>

>
` `
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2
G2 34
>
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7 7 `
15
`
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`
6 ( `
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7 7 > `
`
>
>
>
7 7
`
10
`
7

p
`
7
> >
p

7
p
20
( `
`
5. Giga
Vivace
`
2
G2 68 -
2
G2 68 ?
8
I
26
28 ?
`
`
>
>
> -
>
?
>
6
-
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`
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10
1.
2.
, 15 `
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,
,
- 7 `

G2 7
(
>
,
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2
`
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G 2 7 ( ` ( ` : ( `
( - ` > -

8
I
2 7 `
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13
2
G 2 `
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tr
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8
4`
I
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2 4`
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2
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8
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20
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1.
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35
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, 40
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2
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G
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2
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8
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I
2
6
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2
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> > -
25
`
( - 7
2.
7 `
7 `
( `
> -
> -
> -
` 55 `
> >
` `
`
>
> -
`
> - 7 `
` `
Sonata III
1. Preludio
A
Largo
G 2 S `
G 2 S `
8
I
S `
2
G2
G2
8
I
2
@ .
10 `
.
?
@ .
`
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`
`
@ .
4`
`
@ )
6 6`
? ? ? -
15
^ `
@ )
@ .
?
.
?
? ?
? (
? (
15
@ )
6, No. 9
` 6
`
@ .
@ .
tr
6
` `

` 4`
`
?
`
` `

` 4
` 4

? (
@ )
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`
`

>
@

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@ .
` `
`
tr
Z `
? `

Opus
4`
8
I
2 `
@ .
G 2 ` `
G 2 `
@ .

G2
@ ) `
@ ) `
`
G2 4`
@ .
8
I
2
@ .
2. Allemanda
Allegro
G2S
@
?
8
I
S
B
2

G2S
G2 ?
2
G
? (
tr
G2
? -
6
2
G
8
I

? 6
2
G2
G2 ?
I
2
10
? (
? -

?
?
6 `
? (
tr
(p)
(p)
(p)
? -

? ?
tr
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? -
? -
? ?
8
I

6
G2
G2 `
? -
? -
? -
8
I

? ?
tr

? - ? -
15

6 `
16
7 7
(f)
7 7
(f)
7 7
(f)
>
>
>
>
>
>
A A A A
G2
8
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>
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?
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4 4
6 6

>
<
G2
8

I
2
G2
G2 6
G2
(p)

2
G
(p)
8
I
<
2
2
G
G2
8
I
(f)

? -
25

`
`
? (
? (
30
? ? ?
(p)

`

? ?
(p)
(p)
17
<
>
35
>

? -
? -

( 2
? ? -
(f)
? -
>
? -
? -
? -
8
I
2
G2
20
? -
? (
3. Corrente
Vivace
G2 34
-
G2 ` 6
`
G2
4
-
8
I
2 4
G2
>
>
? 7 7 -
>
>
>
4
`
40
18
6
-
>
45
>
35
>
>
25
>
>
15
tr
? 7 7 (
7 7 -
30
>
G2
8
I
2
20 `
6
`
G2
2`
8
I
2
tr
`
10
G2
8
I
2
G 2 `
8
I
23
G2 34 ( `
tr
`
7
?
? 7
? 7
4. Gavotta
Allegro
G2S
8
I
2S
G2S ?
G2
G2
7 7 ?
`
7 7 ?
6
- ( ?
>
10
`
-
>
4
- ( ?
p
`
4
-
6
-
7 7 -
`
`
2
G
8
I
6 `
`
2
8

I
2
`
7
7
7
5. Adagio
G2 34 > >
> >
G2 34
8
I
23
> >
``FF
> >
4`
> >
> >
4`
`FF
`F
> >
> >
`
> >
> >
> >
19
4`
> >
10
4`
> >
> >
> >
6. Minuetto
G2 38
G2 38 (
8
I
3
B
28 -
8
I
2
8
I
7
2
30
20
7 7
7 7
?
20
`
P
`
P
Fine
25
( 6
7 7
15
G2 7
4 6
2
7
G
4
2
G
8
I
2 4

G2
G2
G2
tr`
10
Vivace
35
Da Capo al Fine
Sonata IV
1. Adagio
G2 34
G2
G2
8
I
2
>
G2
8
I
2
Opus
>
>
>
20
6, No. 6
21
6
`
"
FF
f
30
"

15
6FF
FF
FF
FF
>
25
G2
>
>
>
>
>
10
>
G2 4`
`
G2
I
2
8
I
23
G2 34
2. Allegro
S
2
A G

=
S
2
T G
8

I
S
B
>
>
2
` ` ` 5

?
( ( ? p

G2 ``FF
G2
8
I
( `
( `
` ` `

10
( `
( `
6`
( `
`
-
( `
( `
6`
? - ? ? - ? >
?
? - ? - ? - >
? ? 4 4 4 4
G 2 `
15
2
G >
? ? - >
? - >
p
f

4

I
4
2

f
p
8
I
G2 >
G2

2

p

>
? -
G ? ? `
`
2
G
8
4 4
I
20
25
? -
>
?

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`
`
6 6
6
6
22
FF
? -
FF
? -
? (

>
>
? -
4
4
30
? - >
>
`
`
? -
G2
G24
8

I
2
4 6

G2 >

<
2
<
G
>
8
2
>
>
>
2
G
G2 (
8
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2
55
G2
G2
8
I
6 6 `

? ( (

40
( `
( `
( `
( `

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6`
( `
- 4
4 `
4 6
45
( `
50
G2 ?
8
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2
35
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f
4 4 4
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4
-

> p ?

? - >

? - >
? f
6
4 4
>

? - >

? -
>
?

f
23
FF
60

? (
3. Largo
A
G2S
G2S
I
S ` 4 (
B
2
=
?
4 6
G
p
G2
p
8
I
`
2
` `

` 4 4
?
>
2 4
?
(

?
?

G2 ?
G2 ^

8
I
2
>
25
?

f
4
-
24
`
-
4 FF
4 (
f
p
4 4

?
f
4 4

7 7

?
`

` `
-
? p ? f
4
-
`
`
4 6
15
` ` 20
` ` 4 4 `

> ?
?

2
G

G2
8
I
2 >
10

`
`
` 4
-

( 4 (
` `
2

(7
(
4 ( ^ 6 >
4
?
4 6
- 6 ` 4 (
G 6 (
`
G2 4 ( ( > ? 4 ( 6
8

I
2

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1. Grave
G2S `
G 2 S `
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2
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2. Allegro
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This
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movement was re-worked by Corelli to be the largo in Opus 6, No. 6 (Sonata IV here).
32
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1. LargoAllegro
Largo
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from Corellis Opus 6, No. 1 (transposed
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38
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Corellis Opus 6, No. 2
39
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41
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Corellis Opus 6, No. 1 (transposed from D major)

42
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35
G2
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Original en r majeur.
Transposition pour
trois fltes bec.
Sonate en trio N 1
pour trois fltes traversires sans basse
Op. VII - Paris, 1725
m . m j .
Gravement
Flte bec I
Flte bec II
Flte bec III
&b c
&b c
m
J
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Version pour 3 fltes bec.
Allemande
Gayment
II
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III
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II
III
II
III
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III

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59
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..
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Original en si mineur.
Transposition pour
trois fltes bec.
Sonate en trio N 2
3
J
&b 4
Modrment
Flte bec I
Flte bec II
Flte bec III
&b
II
III
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m
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Original en la majeur.
Transposition pour
trois fltes bec.
Sonate en trio N 3
Allemande
R
&c
&c
& c R
Gravement
Flte bec I
Flte bec II
Flte bec III
II
III
&
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III
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II
2
&4
III
2
&4
&
&
III
&
& ..
II
III
& ..
II
III
&
&
.
. .
. . .

.
.
. . .
. . .
. . .
. .
. .
..
..
..
. # . # .
. .
. . . m . . m .

j
.
m
. . # . . .
. .
. .
& . .
. .
. . . # .
. . . . . . . . . # .
. .
& ..
24
. . . . . . . . . . . .
. .
17
. .
. .
II
m
m
. . . . . .
. .
. b m . . .
&
30
II
III
. m . . m .
&
&
. . . . .
&
36
II
III
. . . . .
&
&
43
&
II
&
III
&
. .
&
III
&
. R
. R
J
. . .
. . . . .
. R
. m
.
R
. R
. R
. R
. . .
. R
. R
. R
. R
. m
.
. R
. R
. R
. R
.
.
& . R
II
. R
J
. . . . .
50
. R
..
..
..
Sonate en trio N 4
Original en r mineurr.
Transposition pour
trois fltes bec.

b b3
&b b 4
Doucement
Flte bec I
b b3
&b b 4
Flte bec II
b
& b bb
II
III
b
& b bb
b
& b bb
b
& b bb
12
II
III
b
& b bb
b b
&b b
b
& b bb
II
III
b b
&b b
b b
&b b
n .
17
n .
b
& b b b 43
Flte bec III
nm
n .

(1689-1755)
..
..
..
II
III
b
& b b b ..
II
III
b
& b b b ..
&
b
& b bb
b b b nm
b
&
34
II
III
b b b nm n
b
&
b
& b bb n
b b
b
& b
40
II
III
b
& b bb
n m

b
b bb
b
& b bb
m
n
b b
& b b ..
28
22
.
J
n m
n .
J
. n n
J
nm .
J
m n n .
J
n m n n n .
J
n
nm
b b n .
b
& b

J
.

n
n n
b n
J
.
J
n .
J
b
b
&b b
46
II
III
b b .
b
& b
b b
&b b
m . m .
J
J

n
Doux
.
n . J
Doux
Doux
..
n . J
..
..
Courante
II
III
b
& b b b 43
b b3
&b b 4
b
& b b b 43
b
& b bb
II
III
II
III
n m m
n n
n n .
b
b
b b
b

& b bb n
n n .
n
m
n
n
n .
J
b
& b bb
n
n
b b
&b b
&
b b n
b
& b
13
n m n
n n .
J

..
..
..
II
III
b b
& b b ..
II
III
&
&
&
29
II
III
&
II
III
bbbb
bbbb
bbbb
bbbb
b b
&b b
b
& b bb
b
& b bb
34
b
& b b b ..
24
m
n n
b
& b b b ..
&
nm
n
m
n
n
n
b
m
b
m
& b bb
m
n n
bbbb
n .
39
II
III
&
II
III
b
& b bb
&
bbbb n
II
III
II
III
b
& b bb
&

bbbb
b
& b bb
b
& b bb
b
& b bb
b
& b bb

b
b
&b b
b
n
& b bb
52
47
b b
b
& b
43
m
b
b
b b
n
n
m
.
n .
..
..
..
Allemande
b
& b bb c R
Gravement
II
III
II
III
II
III
II
III
nm
n . . n
&
bbb
b
&
bbbb
m .
b b b
& b bb

b b
R
& b b ..

b
b
.
&b b . R
nm
m
J n
.
J
m
J

J
J
.
m
m
m
. m . m
n

b b . R
b
& b .
bbbb
&
&
b
& b bb
b b
&b b c
b
b
b b
b b
&b b c
n . .
.
.
.
..
..
..
n . n n
b
.
n
J
12
II
III
&
b b
&b b
II
III
&
&
II
III
bbbb
b
& b bb
18
bbbb
nm
&
bbbb
II
n .
b b
b
& b
III
&
n
bbbb
b
& b bb
n .
nm
n J
21
b
b
&b b
b
& b bb
n .
b
& b bb
15
bbbb
n n .
n .
J
J
n
J
..
..
..
Premier Menuet
II
III
b b3
b
& b 4
m n
b
& b b b 43
b b3
&b b 4

b
& b bb
II
III
bbb
b
&
b
& b bb
15
II
III
&
&
II
III
bbbb
b
& b bb
22
bbbb
&
m n
bbbb n .
b
b
&b b
n
J
.. ..

.
J
b
n
& b bb n
. .
J
.. ..
. .
J
.. ..
. n n
J
.
J

. J
n .

J

J

..
..
..
2e Menuet
I
II
III
&b
II
&b
III
&b
.
3
b
& 4
3 .
&b 4
3
&b 4
1.
II
III
&b
II
III
&b
..
..
..
2.
..
n .
.. . .
.
.. .
& b .
20
&b
&b
14
.
J
.
J
&b
Reprendre le Premier Menuet
.
.
..
..
..
Sonate en trio N 5
Original en sol majeur

Transposition pour
trois fltes bec.

Allemande
.
Modrment
b
&b c
Flte bec I
Flte bec III
II
III
&
II
III
&
&
&
II
III
bb
&
n
b
b
bb
b
&b
10
b

&b c
.
b
b
b n .
b
&

b
&b
.
J

n
.

b
&b
bb
b
&b c
Flte bec II

(1689-1755)
n .

..
..
..
Version pour trois fltes bec.
.
J
b .. .
b
&
13
II
III
.
J
b
& b .. .
. m
#
#
J
J

J
J
J #
b ..
&
J #
n J n
b J
. .
b
b
&b
18
II
III
. # .
b
J
&b
&b
&b
II
&b
23
III
b
b n
b
b
II
III
n n

J
m
j n n
b
& b
b
& b
b
&b
b
&b
m
n J n
b
.
. n .
J
J
J
27
n
J
# m
J
J
..
..
..
Lgrement
b
&b c
II
bb
b
&b
II
III
&
II
III
b
&b
&b
III
&b
n #
(
)
.
b
&b
II
b

&b
b
&b
10
b

&b
b
&b c
III
b
&b c

13
II
III
&
II
III
&b
&
II
III
II
III
bb
b
&b
&
n .
b b

J
b
&b
n .
&b
b
&b
b
&b
(m
)
bb
&b
22
b
&
19

b
J
b
&
16
bb
m
J
b .
b
&
n .
25
II
III
&b
b
&b
28
II
III
&
b b #
II
III
&b
b J
b
&
&b
b
& b J
II
III
&
bb
#
J
# n
n #
.
J
b
&b

b
n #
J
b
&
34
31
b

&b
37
II
III
&
bb
b
&b
&
II
&b
III
&
bb
39
(
)
b
b
&b
II
m
b
J
&b
J
&b
III
b
&b
b
&b
45
II
III
b
&b
&b
.
J
42

J
J
b
& b 23
Lentement
b3
&b 2
II
II
.
J
b
b
&
III
&
bb
&b
b m .
b
&
II
III
b .
&b
&b
II
III
&b
.
J
.
J
b
& b .
.
J
.
J
b .
& b b
12
b3
b
& 2
III
.
J
b .
J
.
J
n .
J
.
J
j
.
n .
j
b .
b .
J
.
J
j
n n .
b
J
m .
b .
J
.
J
b .
J
.
J
.
J
.
J
.
b.
J
.
J
n
.
J
.
J
b .
b
&
.
J
15
II
III
b
& b .
b
&b
18
II
III
&
II
III
b
&b
II
III
n # .
J
b
&b
&b
&
bb
b
&b
b
&b
# .

J
n .
J
.
J
n .
J
.
J
n # .
J
.
.
.
J
# .
&
.
J
bb
.
J
n .
J
n .
J
25
.
b
b
b .
&b
21
n .
J
.
J
m .
J
.
J
#
J
w .
.
J
w.
#w .
w.
Gigue
II
II
III
&
II
III
b
& b 68 J
b
b
b
&b
b
&b
10
b
& b 68 J
III
b6
&b 8 J
&
&
bb
n
bb
b n
&b
..
j
.
..
..
10
II
III
b
& b .. J
b
& b .. J
b
j
& b ..
m
#
#m n
J
#(m ) n
#
J
15
m
n
b
&b
19
II
III
&
24
II
III
&
&
29
II
III
&
.
.
b .
b n
#
b
& b .
# .
n
b
b
#
# n
#
bb
&b

b
b
&b
bb
&b

J

J
n nm
34
II
III
&
b .
&b
b
& b .
39
II
III
&
II
III
b
b
b
&b
&
bb
II
III
b
&b
b
&b
b
&b
&b
&b
48
b
b
&
43
bb
b
J
Doux
Doux
b b J
J

b
J
b
J
Doux
b
J
b
J
#
b b J
J
b b J
11
b
J
b
J
b
J

J

J
b
J
..
..
j
.
..
Original en mi mineurr.
Transposition pour
trois fltes bec.
Sonate en trio N 6
(1689-1755)
b
&b c
Modrment
Flte bec I
Flte bec II
Flte bec III
b
&b c
b
&b c
II
III
# .
b
&b
&
bb
#( )

b
&b

b
b
&
II
III
b
&b
b
& b ..
12
II
III
b
& b ..
b
& b ..
J #
. n
J
..
. #
J
.
b
&b
..
.

J
n
J
J
J
..
b
&b
16
II
III
&
II
III
&
II
III
II
III
bb n .
&b
&b
b
b
# j
n m
b m
.
J
# .
J
#m n m #
# J
. .
J
. # .
J
n
#
m m #
b
J
b
&
b
&b
m
b
b
m
#

#
b
J
&b
27
b
&b
&
b
& b # .
23
bb
&b
20
..
..
..
Courante
I
II
II
III
II
III
&
b
& b 43

b
b
b
&b
n n
b
&b
II
III

b
& b .. . R
b
& b ..
b
&b
&
b
&b
n #
# n
nm # .
. R

bb
b
& b .. . R
16
b 3 . R
b
& 4
III

b
3
.
&b 4 R
n .
n .
..
..
..
b
n
b
&b
21
II
III
&
&
26
II
III
&
&
II
III
II
III
bb
bb
# .
&
&
bb
# .
Doux
Doux
b
b
&b

b
&b
&b
&
bb
36
bb
&b
31
bb
Doux
..
..
..
Tendrement
b
& b 23
b3
&b 2
II
w
b
&b
II
III
&
b b #
b
b
&
II
III
&
II
III
&
bb
# .
.
J
. n
J
b w
b
&
&b
b w
b
&b w
12
bb
j
n
b
&b
j
N
b3
&b 2
III

J

J
# .
J
.
J
.
J
.
J
16
II
III
&
II
III
II
III
b
b
&
&
bb
b
&b w
m
b
b
b #
&b
&
&
bb
.
J
b
&b
24
b
b
&
20
bb
.
J
.
J
.
J
. # .
J
II
III
.
J
w.
w.
J
w.
J
.
J
.
J
. . . . .
b
J
J
J
J
&b
28
w.
.
J
. . . . # .
b
J
J
J
J
&b
b
& b #
.
J
. # .
J
.
J
.
J
.
J
w.
m
.
J
# . n .
J
.
J
.
J
.
J
# . n .
J
J
w.
#w .
w.
w.
w.
b6
&b 8
II
II
III
&
&
.
b
b
II
III
&
&
15
II
III
&
&
bb
&b
b .
.
J

J
.
.
# .
J
# J
n .
..
j
.
..
m
J
#
J
.
bb
bb
#m n

b
&b
.
bb
10
.
bb
b
& b .
b6
&b 8
III
b
& b 68 J
Gigue

J

J
..
II
III
b
J
& b ..
b
& b .. J
b
& b .. J
n
b
J
&b
25
II
III
n
b
&b
&b
b .
n
J

b
&b
II
III
&
bb
&b
b .
II
III
j
.
# n
# n
n
J
n
J

b
&b J
&
# n
b
&b
bb

J
J
36
30
n .
J
# .

J

J
J
# .
.
.
n
J
n
J
41
II
III
&

b
b
b
&b
n #
&b
n .
b
&b
J
46
II
III
b n # .
b
&
J
&b
52
II
III
&
&
.
bb
II
III
j .

# .
b #
b
J
&
J
# J
.
#
J
# j
.
.

J
J
J #
J
# J
J
.
J
j

J
n .
#m n

J
J
b # J
b
&
b
& b .
57
.
bb
b
& b .
# J
j
#
#
J
#
..
..
..
Sui t e
from Sonatas VII, IX, and XII in
Twelve Sonatas for Two Violins; with a Bass for the Violoncello or Harpsicord (1747)
1. Canone: Grave1
2
G 2 S `
G2 S
8
I
22S
G 2 `
1from
>
( `
>
>
6`
<
4
-
>
>
6 ` Z
<
` `
6`
>
>
6 4
>
>
>
>
6 4
`
<
25
>
>
8
I
22 `
8
I
2
2
2
G2 <
G2
6`
17
2
G2
G2 > 6 4
8
I
2
2 `
( `
2
G2
( `
4P
Sonata IX. The key signatures are as in the original (transposed down a tone).

2. Moderato2
2
G2 34
2
G2 34
2
G2
8
I
2
2
13
8
I
22

2
G2
8
I
2
2
2
G2
8
I
2
2
2from
>

?
`
Z A
6
tr` `
tr` `
6
6
?
? -

?
>
>
`
2
G2
23
18
2
G2
2
G 2 `
2 ` `
2
G
`
? -
2
G2
Z A
8
I
23
B
24
f
`

f
6 `

`
6

6`
?

6
?
tr` `

6

tr` 6 `
>
>
Sonata XII.
2
Z
?

?
` `
` `
6
6
>
? -
28
`
2
G2
2`
2
G
2
G2 @
2
2
G
2`
2
G
>
>
>
>
tr
8
I
2
2
8
I
2 `
2
32
6tr
>
>
>
>
>
` `

>
>
` ` `
`
`
`
2
`
Z
`
`
G2 6`
8
I22 6

? Z
37

tr` ` ` `
tr
2
`

G2
? -
? -
I
2
>
>
>
>
2
2`
G2
2 ` `
2
G
>
>
>
2
`
G2
` ` 4 6 `
?

8

I

6 4 6
2 6
>
>
2` `
` ` 6
?

>
42
47
2 `
>
>
6

`
6
2 ` `
2
G
52
6 tr
2 6
G2 4
? `
8
I
2
4
2
57
2
G2
2 ` 6`
2
G
8
I

2 6
2
2
G2
8
I2
?
2
>
22 6
`
8
I
2
2
`
2
73
G2
>
8
I
2 `
2

>
>
>
?
@
>
>
>
?
>
>
>
2 `
G2
>
67
2
G2
4`
62
2
G2
^
>
>
? (
>
6
6

@
>
>
>
?
6
`
6
@
>
>
?
>
>
>
>
>
tr
`
`
tr` `

tr
tr
` `
` `
>
>
>
4
>
>
>
>

tr` `

tr
Z `

@ `

tr` `
6
tr
? ( 6`
=
2
2
G
2
G2
>
>
>
>
>
8
I
2
2 >
`
2
2
?

2
G2
?
89
2
G2
2
G2
>
>
>
>
>

8
I
2
2
A G2 S
2
T G2 S >
8
I
2S
B
2 >
3from
>
>
>
Sonata XII.
>
>
<
<
>
>
?
?
>
` `
>
>
>
? -
3. Tempo di Gavotta3
>
83
8
I
22
78
>
>
>
> 6
>
>
`
P
>
G2
2
G2
>
8
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Trio Sonata in E-Minor

For Oboe and Violin, arranged for 3 recorders by Martin Grayson.
G. P. Telemann (1681-1767)
Andante
Treble Recorder 1
Treble Recorder 2
Bass Recorder
11

13
q = 100
Vivace

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20
24

28
32
36

40
44
48
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Sonate
Affettuoso
Alt
Flten
Tenor
Flten
Bass
G.Ph.Telemann (1681-1767)
arr. Jrgen Knuth (*1952)
JK483.05.08 http://icking-music-archive.org
Sonate / Telemann
Alt
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13
10
16

Sonate / Telemann
19
Alt
Tenor
Bass
22
24
Johan Helmich Roman

(16941758)
Triosonata in c minor
(orig. g minor)
arranged for
two treble recorders and basso continuo
Arranged and edited by Christian Mondrup
c
1996,
2005 Don Simons (dsimons@adelphia.net) & Christian Mondrup (reccmo@icking-music-archive.org)
Non-commercial copying welcome
Trio Sonata in C Minor

orig. G minor
Johan Helmich Roman (16941758)
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64

c 1996, 2005 Don Simons & Christian Mondrup, Non-commercial copying welcome

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Johann Pachelbel ;
arr. for recorders trio (ATB)
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Fugue a 3 in F-Minor (F. 31)
Descant Recorder
Treble Recorder
Bass Recorder
Wilhelm Friedemann Bach (1710-1784)
18
27

37
46
55
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84
65

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102
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158
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Adagi o an d Past oral e

From the Christmas Concerto (Opus 6, no. 8)
Arranged for ATB Recorders by R. D. Tennent
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Allegretto (Mvt. 1) from a Sonata a Tre for 'Cello

(difficult obligato) and Violin Francesco Zappa (1760- 1788)
Allegretto
Descant Recorder
Tenor Recorder
Bass Recorder
13

17
6
6

6
6
21
25

f
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37

pp
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pp

pp

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Album Com 40 Arranos para Trio de Flautas Doce

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Album Com 40 Arranos para Trio de Flautas Doce

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Son at a i

Arranged for ATB recorders by R. D. Tennent

William Boyce (17111779)

3. Allegro ma non Troppo

Arranged for ATB recorders by R. D. Tennent

William Boyce (17111779)

4. Allegro ma non Troppo

Arranged for ATB recorders by R. D. Tennent

William Boyce (17111779)

c R. D. Tennent 2009 Licensed under a Creative Commons AttributionShare Alike license.

2. Fuga: Allegro assai

Minuetto I da Capo al Fine

Arranged for ATB recorders by R. D. Tennent

William Boyce (17111779)

c R. D. Tennent 2009 Licensed under a Creative Commons AttributionShare Alike license.

Arranged for ATB recorders by R. D. Tennent

William Boyce (17111779)

Arranged for ATB recorders by R. D. Tennent

William Boyce (17111779)

c R. D. Tennent 2009 Licensed under a Creative Commons AttributionShare Alike license.

4. Tempo di Minuetto: Allegro

Fantasia a 3, (VDGS No. 1)

John Bull (c1562-1628)

Canon at the 4th and 8ve below

Version 1.0 - 20/06/2006

Georg Phillipp Telemann

- LORD-K 2004 - admin@lordk.cl -

- LORD-K 2004 - admin@lordk.cl -

- LORD-K 2004 - admin@lordk.cl -

- LORD-K 2004 - admin@lordk.cl -

- LORD-K 2004 - admin@lordk.cl -

- LORD-K 2004 - admin@lordk.cl -

- LORD-K 2004 - admin@lordk.cl -

Arranged for recorders

ARIA MIT VERSCHIEDENEN

Canone alla terza

Hungarian Play Tune

Istvn Bartalus (1821-1899)

Psalm 15, Hebrew Psalm for Hanukkah

on Ma'oz Zur Yeshuati

Andante and Allegro

Second player changes to Tenor recorder.

Allegro, ma non troppo

Cantabile? (Adagio from Sonata Op. 4 No. 2)

Giovanni Platti, (c1697-1763)

Canon, No. 1 from 6 Trios for Organ Op. 47

Max Reger (1873-1916)

Andante, sempre ben legato.

No. 2 - Gigue, from 6 Trios Op. 47

Max Reger (1873-1916)

sempre poco cresc.

No. 4, Scherzo, from 6 Trios Op. 47

Max Reger (1873-1916)

Un poco meno mosso

Arcangelo Corelli (16531713)

> > > > >

> > - ( ( ` > >

Sonata III published by Walsh and Hare,

Corellis Opus 6, No. 1 (transposed from D major)

Corellis Opus 6, No. 2

Corellis Opus 6, No. 2

Corellis Opus 6, No. 1 (transposed from D major)

Flte bec III