Kontakt 5 Application Reference Japanese PDF

Application Reference
Native Instruments GmbH
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GmbH.
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registered in the U.S. and other countries.
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trademark of Steinberg Media Technologies GmbH.
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divisions.
All other trade marks are the property of their respective owners and use of them does not imply
any affiliation with or endorsement by them.
: Native Instruments GmbH
: Akira Inagawa
: 5.2 (06/2013)
Germany
Schlesische Str. 29-30
D-10997 Berlin
Germany
www.native-instruments.de
USA
Native Instruments North America, Inc.
6725 Sunset Boulevard
5th Floor
Los Angeles, CA 90028
USA
www.native-instruments.com
Japan
Native Instruments KK
YO Building 3F
Jingumae 6-7-15, Shibuya-ku,
Tokyo 150-0001
Japan
www.native-instruments.co.jp
Native Instruments GmbH, 2012.
KONTAKT ......................................................................................................... 17
1.1
KONTAKT ................................................................................................................... 17
1.2
............................................................................................................................. 17
................................................ 17
1.2.2
.................................................................................................... 17
........................................................................................................................... 19
2.1
2.2
1.2.1
................................................................................................................ 19
2.1.1
........................................................................................... 20
2.1.2
........................................................................................................ 20
2.1.3
........................................................................................... 21
2.1.4
MIDI .................................................................................................................. 22
..................................................................................................................... 23
2.2.1
Pro Tools ...................................................................... 23
2.2.2
Logic 8 ........................................................................... 23
.............................................................................. 24
3.1
Info ................................................................................................................................ 24
3.2
......................................................................................................................................... 25
3.3
..................................................................................................................................... 26
3.4
........................................................................................................ 27
3.5
..................................................................................................................... 27
3.6
................................................................................................................................. 28
3.7
.................................................................................................... 28
KONTAKT 5 - Application Reference - 4
3.8
MIDI ........................................................................ 29
3.8.2
MIDI ................................................................ 30
..................................................................................................................................... 31
4.1.1
.................................................................................................... 31
4.1.2
........................................................................................................................ 33
KONTAKT ......................................................................................................... 35
5.1
........................................................................................................ 36
5.2
............................................................................................ 36
5.3
3.8.1
KONTAKT: ............................................................................................................... 31
4.1
MIDI ............................................................................................................................... 29
5.2.1
...................................................... 37
5.2.2
Files .......................................................................................................... 38
Options ................................................................................................................ 44
5.3.1
Interface ......................................................................................................... 45
5.3.2
Engine ............................................................................................................. 46
5.3.3
Handling ......................................................................................................... 48
5.3.4
Load / Import ............................................................................................... 50
5.3.5
Database ........................................................................................................ 52
5.3.6
Memory .......................................................................................................... 53
5.4
Purge ........................................................................................................................ 56
5.5
............................................................................... 57
5.6
Minimized View ...................................................................................................................... 58
Rack Multi Instrument ......................................................................................... 59
6.1
Multi Instrument ...................................................................................................... 59
6.2
Instrument .................................................................................................................. 60
6.3
Instrument ............................................................................................. 62
6.4
........................................................................................................ 63
Rack Multi Instrument Edit ................................................................................ 65

7.1
Instrument Options ........................................................................................ 69

7.1.1
Instrument ..................................................................................................... 70
7.1.2
DFD .................................................................................................................. 71
7.1.3
Controller ....................................................................................................... 72
7.1.4
Infos ................................................................................................................. 73
.................................................................................. 75
....................................................................... 80
10 ................................................................................................. 82
11 Master Editor ...................................................................................................................... 83
12 .................................................................................................................................. 85
12.1
Files ................................................................................................................................... 85
12.1.1 ....................................................................................... 86
12.1.2 ............................................................................... 87
12.1.3 Instrument Navigator ........................................................................... 89
12.1.4 ........................................................................................................ 90
12.1.5 Refresh Eject ......................................................................... 91
12.1.6 View ......................................................................................................... 91
12.2
KONTAKT .............................. 92
12.2.1 .......................................................... 92
12.2.2 ............................................................................................... 94
12.2.3 ...................................................................... 95
12.2.4 ................................................................................... 96
12.3
Libraries .......................................................................................................................... 97
12.3.1 Multis Instruments .......................................................... 97
12.3.2 Info and Function ............................................................................... 98
12.3.3 Library ............................................................................................ 98
12.3.4 ........................................................................................................ 99
12.4
Database ......................................................................................................................... 99
12.4.1 ........................................................................... 100
12.4.2 ............................................................................................... 101
12.4.3 ................................................................................... 103
12.4.4 ........................................................................................... 107
12.4.5 Results List ................................................................................... 108
12.4.6 ................................................................................... 109
12.4.7 .............................................................. 113
12.5
Monitor ............................................................................................................................ 116
12.6
Modules ........................................................................................................................... 120
12.7
Automation .................................................................................................................... 122

12.7.1 MIDI () ......................................................... 124
12.7.2 MIDI ................................................................ 125
13 (Quick-Load Catalog) ..............................................................126
13.1
......................................................................................................................... 127
13.2
........................................................................... 128
14 Outputs .............................................................................................................130
14.1
............................................................................................................ 131
14.2
....................................................................................... 132
14.3
Aux ................................................................................................... 133
14.4
....................................................................................... 134
15 ................................................................................................................135
15.1
............................................................................................................ 136
15.1.1 Edit All Groups ...................................................................................................... 136
15.1.2 Group Selector ...................................................................................................... 137
15.1.3 Edit ............................................................................................................................. 137
15.1.4 Group Solo .............................................................................................................. 138
15.1.5 MIDI ...................................................................................................... 139
15.2
Group List ................................................................................................................................ 139
15.3
Voice Groups .......................................................................................................................... 140
15.4
Group Start ....................................................................................................... 142
16 ............................................................................................................144
16.1
....................................................................................... 145
16.2
....................................................................................... 146
16.3
............................................................................................................................. 148
16.3.1 ......................................... 149
16.3.2 ....................................................................................... 149
16.3.3 MIDI ................................................................ 150

16.4
........................................................................................................ 150
16.5
Edit ............................................................................................................................ 153
16.6
Batch Tools ............................................................................................................................. 155
17 (Wave Editor) ..............................................................................................158

17.1
................................................................................................................................. 160
17.2
..................................................................................................................... 163
17.3
................................................................................................................................. 164
17.4
Grid ............................................................................................................................... 166

17.4.1 Fix ................................................................................................................. 167
17.4.2 Auto ............................................................................................................. 169
17.4.3 ...................................................................... 170
17.5
Sample Loop ................................................................................................................. 171
17.6
Sync / Slice .................................................................................................................... 175

17.6.1 Beat Machine ........................................................................................... 176
17.6.2 Time Machine .......................................................................................... 177
17.6.3 ...................................................................... 178
17.6.4 ........................................................................... 179
17.7
............................................................................................................ 182
17.7.1 ........................................................................... 182
17.7.2 ........................................................................... 184
17.7.3 ........................................................................... 184
17.7.4 ............................................................................................... 186
17.8
................................................................................................................ 187
17.8.1 ................................................................................................................ 190
17.8.2 ................................................................................................................ 190
18 ............................................................................................................191
18.1
............................................................................................................ 192
18.2
................................................................................................ 193
18.3
............................................................................... 193
19 ................................................................................................................195
19.1
Sampler ..................................................................................................................................... 195
19.2
DFD ............................................................................................................................................. 197
19.3
Tone Machine ......................................................................................................................... 198
19.4
Time Machine ......................................................................................................................... 200
19.5
Time Machine II .................................................................................................................... 200
19.6
Time Machine Pro ............................................................................................................... 201
19.7
Beat Machine ........................................................................................................................ 202
19.8
S1200 Machine ..................................................................................................................... 204
19.9
MP60 Machine ....................................................................................................................... 204
20 ................................................................................................................205
21 KONTAKT ...................................................................................208
21.1
................................................................................... 210
21.2
(Bus Insert Effects) .................................................. 211
21.3
(Instrument Insert Effects) ...... 212
21.4
(Instrument Send Effects) ................ 213
21.5
................................................................................................................ 214
21.6
............................................................................................................ 214
21.7
....................................................................... 215
21.8
................................................................................................................... 215
21.9
...................................................... 216
21.9.1 .......................................................... 216
21.9.2 Aux ....................................................................................................... 217
21.10 ............................................................................................ 218

22 ..............................................................................................................................219
22.1
AET ....................................................................................................................... 219

22.1.1 Authentic Expression Technology .............................................. 219
22.1.2 Velocity Morph ........................................................................................ 221
22.1.3 Articulation Morph ................................................................................ 222
22.1.4 AET (AET Morph Layer Dialog) ....... 225
22.1.5 (Morph Map Editor) .............................................. 226
22.1.6 AET (AET Filter Module
Controls) .................................................................................................................. 228
22.2
......................................................................................................................... 229
22.3
Solid Bus Comp ..................................................................................................................... 230
22.4
................................................................................................................................. 231
22.5
Transient Master ................................................................................................................... 232
22.6
Tape Saturator ....................................................................................................................... 233
22.7
Distortion .................................................................................................................................. 233
22.8
Lo-Fi ............................................................................................................................................ 234
22.9
Saturation ................................................................................................................................. 235
22.10 Cabinet ...................................................................................................................................... 235

22.11 Skreamer .................................................................................................................................. 236
22.12 Twang ........................................................................................................................................ 236
22.13 Rotator ...................................................................................................................................... 237
22.14 Surround Panner ................................................................................................................... 238
22.14.1 ................................................................................... 240
22.14.2 ............................................................................................................ 243
22.14.3 Surround Panner ........................................................... 244
22.14.4 /MIDI ...................................................................... 244
22.14.5 .......................................................................................... 244
22.15 Stereo Modeller ..................................................................................................................... 245
22.16 Delay ........................................................................................................................................... 246
22.17 Chorus ....................................................................................................................................... 247
22.18 Flanger ....................................................................................................................................... 248
22.19 Phaser ........................................................................................................................................ 249
22.20 Convolution ............................................................................................................................. 249
22.21 Reverb ....................................................................................................................................... 251
22.22 Gainer ......................................................................................................................................... 252
22.23 Inverter ...................................................................................................................................... 253
22.24 Send Levels ............................................................................................................................. 254
23 Filters .....................................................................................................................................255
23.1
Lowpass .............................................................................................................. 256

23.1.1 SV LP1 ...................................................................................................................... 257
23.1.2 SV LP2 ...................................................................................................................... 257
23.1.3 SV LP4 ...................................................................................................................... 257
23.1.4 Ladder LP1 ............................................................................................................. 258
23.1.5 Ladder LP2 ............................................................................................................. 258
23.1.6 Ladder LP3 ............................................................................................................. 259
23.1.7 Ladder LP4 ............................................................................................................. 259
23.1.8 AR LP2 ..................................................................................................................... 260
23.1.9 AR LP4 ..................................................................................................................... 260
23.1.10 AR LP2/4 ................................................................................................................. 260
23.1.11 Daft ............................................................................................................................ 261
23.1.12 PRO-53 ..................................................................................................................... 261
23.1.13 Legacy LP1 ............................................................................................................. 261
23.1.14 Legacy LP2 ............................................................................................................. 262
23.1.15 Legacy LP4 ............................................................................................................. 262
23.1.16 Legacy LP6 ............................................................................................................. 262
23.1.17 Legacy Ladder ...................................................................................................... 263
23.2
Highpass ............................................................................................................. 263

23.2.1 SV HP1 ..................................................................................................................... 263
23.2.2 SV HP2 ..................................................................................................................... 264
23.2.3 SV HP4 ..................................................................................................................... 264
23.2.4 Ladder HP1 ............................................................................................................ 264
23.2.5 Ladder HP2 ............................................................................................................ 265

23.2.6 Ladder HP3 ............................................................................................................ 265
23.2.7 Ladder HP4 ............................................................................................................ 266
23.2.8 AR HP2 ..................................................................................................................... 266
23.2.9 AR HP4 ..................................................................................................................... 266
23.2.10 AR HP2/4 ................................................................................................................ 267
23.2.11 Daft HP ..................................................................................................................... 267
23.2.12 Legacy HP1 ............................................................................................................ 267
23.2.13 Legacy HP2 ............................................................................................................ 268
23.2.14 Legacy HP4 ............................................................................................................ 268
23.3
Bandpass .................................................................................................................................. 268

23.3.1 SV BP2 ..................................................................................................................... 269
23.3.2 SV BP4 ..................................................................................................................... 269
23.3.3 Ladder BP2 ............................................................................................................. 269
23.3.4 Ladder BP4 ............................................................................................................. 270
23.3.5 AR BP2 ..................................................................................................................... 270
23.3.6 AR BP4 ..................................................................................................................... 270
23.3.7 AR BP2/4 ................................................................................................................ 271
23.3.8 Legacy BP2 ............................................................................................................ 271
23.3.9 Legacy BP4 ............................................................................................................ 272
23.4
Peak/Notch ............................................................................................................................. 272

23.4.1 SV Notch ................................................................................................................. 272
23.4.2 Ladder Peak ........................................................................................................... 273
23.4.3 Ladder Notch ......................................................................................................... 273

23.4.4 Legacy BR4 ............................................................................................................ 273
23.5
Multi ............................................................................................................................................ 274

23.5.1 SV Par. LP/HP ....................................................................................................... 274
23.5.2 SV Par. BP/BP ....................................................................................................... 274
23.5.3 SV Ser. LP/HP ....................................................................................................... 275
23.5.4 3x2 Versatile .......................................................................................................... 275
23.6
Effect Filters ........................................................................................................................... 277

23.6.1 Formant I ................................................................................................................. 277
23.6.2 Formant II ................................................................................................................ 278
23.6.3 Phaser ....................................................................................................................... 278
23.6.4 Vowel A .................................................................................................................... 279
23.6.5 Vowel B .................................................................................................................... 280
23.7
EQs .............................................................................................................................................. 280

23.7.1 Solid G-EQ ............................................................................................................... 281
24 KONTAKT ...........................................................................................282
24.1
.................................................................................................... 282
24.2
........................................................................... 283
24.3
............................................................................... 283
24.4
............................................................................... 285
24.5
............................................................................................................ 285
25 .....................................................................................................289
25.1
............................................................................................................................. 289
25.1.1 AHDSR .............................................................. 289

25.1.2 DBD .................................................................... 290
25.1.3 Flexible Envelopes ............................................................................................... 291
25.2
LFOs ........................................................................................................................................... 293

25.2.1 LFO .............................................................................................. 294
25.3
..................................................................................................................... 295
25.3.1 32-Step Modulator ............................................................................................ 295
25.3.2 Envelope Follower ................................................................................................ 296
25.3.3 Glide ........................................................................................................................... 297
25.4
................................................................................................................................. 297
26 .....................................................................................................300
26.1
......................................................................................................................... 300
26.2
..................................................................................................................................... 301
26.3
Instrument Edit Mode ......................................................................................................... 301
26.4
Group Editor ........................................................................................................................... 301
26.5
Mapping Editor ...................................................................................................................... 302
26.6
Wave Editor ............................................................................................................................. 303
27 ............................................................................................................304
..........................................................................................................................................310
KONTAKT
KONTAKT
KONTAKT
KONTAKT Native Instruments

KONTAKT 5
1.1
KONTAKT
KONTAKT
KONTAKT
DSP
KONTAKT
1.2
KONTAKT
1.2.1
(Application Reference
KONTAKT

1.2.2
KONTAKT KONTAKT
PDF KONTAKT
(Windows) (Mac) Help
PDF
KONTAKT
KONTAKT
Getting Started KONTAKT
KONTAKT
Library ManualKONTAKT

Kontakt Factory Library
KSP KSP Reference Manual
MIDI

KONTAKT PLAYER - ( Getting Started)KONTAKT 5

KONTAKT PLAYER
KONTAKT PLAYER
KONTAKT 5
KONTAKT 5
KONTAKT
KONTAKT
DAW

KONTAKT MIDI
KONTAKT MIDI
KONTAKT

2.1
KONTAKT 5 KONTAKT
KONTAKT MIDI MIDI

KONTAKT

KONTAKT
KONTAKT MIDI
KONTAKT MIDI
Options
(Options)
Options
KONTAKT
Audio MIDI
2.1.1
KONTAKT KONTAKT
KONTAKT RAM

KONTAKT
2.1.2
Options Audio KONTAKT
Options Audio
Driver: KONTAKT OS
ASIOCoreAudio (Mac)
WASAPI (Windows)
Device:

Sample rate: KONTAKT

44100 Hz 48000
Hz
KONTAKT
Latency:
2.1.3

CPU
Latency
384 512
(Latency Slider)
2.1.4
MIDI
Options MIDI MIDI

MIDI
MIDI
MIDI
Options MIDI
KONTAKT MIDI MIDI 1
Inputs
MIDI Status
Off MIDI 1 A-D

2.2
DAW
KONTAKT
MIDI
KONTAKT VST Audio Units (AU) RTAS
KONTAKT 5 KONTAKT
DVD
RTAS Digidesign
KONTAKT
2.2.1
Pro Tools
1.
Pro Tools
2.
KONTAKT Pro Tools
3.
Pro Tools
4.
KONTAKT
KONTAKT
2.2.2
Logic 8
KONTAKT Logic 8
Aux

Info
KONTAKT

Info
3.1
Info
Info KONTAKT Info

Info Info
/
Info Browser
Multi Rack

Info
Info
Info ()
Options
Interface Language
KONTAKT Automatic
3.2
[Shift]
[Ctrl] (Windows)
[cmd] (Mac OS X)
KONTAKT

1
1
Default
KONTAKT
24, KONTAKT
MIDI- MIDI
3.3
3.4

KONTAKT

1
3.5

+
-
Mapping Editor Wave Editor
Wave Editor
3.6
3.7
KONTAKT KONTAKT
.nkp KONTAKT 2
1

MIDI
1
KONTAKT
Windows PC
C:\Program Files\Common Files\Native Instruments\Kontakt 5\presets

C:\Documents and Settings\[username]\My Documents\Native Instruments\Kontakt 5\presets
Windows Vista Windows 7
C:\Users\[username]\Documents\Native Instruments\Kontakt 5\presets
Mac OS X
Macintosh HD/Library/Application Support/Native Instruments/Kontakt 5/presets

Macintosh HD/Users/[username]/Documents/Native Instruments/Kontakt 5/presets
KONTAKT
Factory
KONTAKT
Pre Preset

Save Preset
Save
User Save
3.8
MIDI
KONTAKT MIDI KONTAKT

MIDI KONTAKT
3.8.1
MIDI
KONTAKT MIDI
1.
MIDI

MIDI
2.
Learn MIDI CC# Automation
3.
MIDI
KONTAKT MIDI (CC#s)
MIDI
MIDI 12.7, Automation

3.8.2
MIDI
1.
KONTAKT
2.
Remove MIDI Automation: CC#
KONTAKT:
KONTAKT:
KONTAKT
MIDI

KONTAKT
KONTAKT
KONTAKT

3.1, Info Info
4.1
KONTAKT

2
MIDI KONTAKT
4.1.1
KONTAKT
KONTAKT:
1
WAVAIFFREX
Zone() KONTAKT
MIDI
KONTAKT
Zone
KONTAKT 64 95 F3
Zone
Group ()
1
.nkg
KONTAKT
KONTAKT

/
KONTAKT .nki
KONTAKT
128
1 MIDI
MIDI
KONTAKT:
MIDI
1

.nkb
Multi 64
Multi KONTAKT Multi
MIDI
Multi
Multi .nkm
/
4.1.2
KONTAKT
KONTAKT
Multi KONTAKT

12,
KONTAKT
12.1, Files

KONTAKT 2
Multi Instrument Multi

Instrument Edit
Output
Multi
KONTAKT:
Master EditorInfo Options
KONTAKT
KONTAKT
KONTAKT
KONTAKT
MIDI

KONTAKT
(Main Control Panel)
KONTAKT
Files
Multi Instrument (Multi

Rack)
Multi
(Multi Rack) (Instrument Headers)
(MIDI
)

Output 4 Aux
Info
5.1
KONTAKT
Help Mac OS X Windows PC
KONTAKT Help Native Instruments Service Center
KONTAKT PDF
KONTAKT
5.2
KONTAKT
/Options
KONTAKT
KONTAKT
5.2.1
6 KONTAKT

KONTAKT
Browse: KONTAKT
12,
Master:
11, Master Editor
Info: Info
Outputs: KONTAKT Outputs /14,

Outputs
Keyb:
10,

Quick: KONTAKT Quick-Load /
13, (Quick-Load Catalog)
KONTAKT
5.2.2
Files
Files
Files
New instrument: Multi

KONTAKT

Save Save as Default Instrument
New Instrument Bank: Multi

9,
Load: KONTAKT
.nkiMulti.nkm
.nkb
Load recent: KONTAKT
KONTAKT
New Instrument From List: Instrument Quick-Load

Multi
(Quick-Load catalog ) 13, (QuickLoad Catalog)
New Instrument Bank From List: Instrument Banks Quick-Load
Save as: Multi .nki

Multi Save
nki
Save
Patch Only

Samples Missing
KONTAKT Samples Missing8,

KONTAKT
KONTAKT
Patch Only Absolute Sample Paths
KONTAKT
Absolute Sample Paths
KONTAKT
Patch + Samples .nki

Sample SubFolder Use Default KONTAKT
Samples
Samples
Samples

Samples
Monolith 1

KONTAKT
Patch + Samples Monolith
KONTAKT

KONTAKT CPU
KONTAKT
KONTAKT Multi

Samples Missing KONTAKT

Options Load / Import
KONTAKT

KONTAKT
KONTAKT
Save multi as: Multi .nkm Multi

KONTAKT
Save
Save as Multi
Save as default instrument:

File
New Instrument
KONTAKT
Save as Default Multi: KONTAKT Reset Multi
Multi
Reset Multi: Multi Multi
Batch re-save: Save KONTAKT
Samples Missing
8,
1 2

Samples Missing
Samples Missing
Batch Re-save
Choose
Multi
Samples Missing
Batch Re-save Multi
KONTAKT
Multi
Collect samples/Batch compress: nki

()
Batch Compress
(nkinkbnkm
)
2
KONTAKT
Mirror source folder structure in the destination location :
Instruments Collected Samples
source/library
source/library ()
Collected Samples
Collect Samples and create new destination folder structure -

Instruments Collected Samples
(Impulse
Response samples)
.ncw-Lossless compressed NCW

.ncw- Uncompressed WAV / AIF
KONTAKT
Options
5.3
Options
Options
Options
KONTAKT

Options
KONTAKT
Options
5.3.1
Interface
Options Interface
KONTAKT
Reset Size: KONTAKT KONTAKT
KONTAKT
Show Mapping and Keyswitches on Keyboard: KONTAKT
Auto-refresh Browser:
Font Size: 2

KONTAKT
KONTAKT
Options
Language : KONTAKT (
) Language Automatic
KONTAKT
5.3.2
Engine
Options Engine
Default Volume for New Instruments and Volume Reset:

[Ctrl]/[Cmd]-
CPU Overload Protection: CPU
Engine
Restart Engine (! )
CPU KONTAKT
RelaxedMediumStrict KONTAKT
KONTAKT
Options
Relaxed CPU
CPU
Multiprocessor Support: KONTAKT CPU
KONTAKT

KONTAKT

KONTAKT
KONTAKT
(Multiprocessor support off )
Options Engine
Send MIDI to Outside World: MIDI

KONTAKT MIDI
/
GUI Keyboard: KONTAKT

MIDI
Script Generated CCs: MIDI
Script Generated Notes:
Incoming CCs: MIDI MIDI
Incoming Notes: MIDI MIDI
Offline Interpolation Quality:

HQI
Standard CPU
KONTAKT
Options
Perfect Like
Realtime HQI
5.3.3
Handling
Options Handling
Use Computer Keyboard for MIDI Playback:
MIDI QWERTZ/QWERTY
Keyboard Velocity:
Solo Mode: Solo
In Place 1
Latch
Browser: Double-click Loads Instrument:
KONTAKT
Options
Browser: Show Files Before Folders:
Default Root Key for New Zones:
MIDI Channel Assignment for Loaded Patches:

MIDI 2
Assign 1st Free MIDI
Assign to Omni KONTAKT 1
Omni Keep
Channels from K1.x patches KONTAKT KONTAKT 1
MIDI
MIDI Multi MIDI
External Wave Editor: Wave

Editor Ext.Editor KONTAKT
KONTAKT
Options
5.3.4
Load / Import
Options Load / Import

Show "Replace Multi" Dialog: KONTAKT Multi Multi
KONTAKT
Multi Multi
Load samples in background: KONTAKT 4.1

KONTAKT
Convert 3rd Party Samples to WAV when Saving: KONTAKT WAV

REX
KONTAKT
Options
Unwind Automation IDs for Additionally Loaded Patches: Multi

ID ID
KONTAKT ID
2 ID 0 9 Multi
KONTAKT 2 ID
10-19 Multi ID
Force-Load Pre-2.0 Patches in DFD Mode: DFD (Direct From Disk) KONTAKT 1.0
KONTAKT 1.x DFD
DFD Sampler KONTAKT 1.x
Limit File Names to 31 Characters: KONTAKT

31
Import Keyswitched Sources into Separate Instruments:

KONTAKT KONTAKT
1
Write Absolute Paths Instead of Relative Paths: KONTAKT

Import
Import
Multi
Browser Import: Destination File Format: Import
KONTAKT
KONTAKT
Options
5.3.5
Database
Options Database
KOTAKT 12.4, Database
Automatically Add Loaded / Saved Files to Database:

KONTAKT
Include Samples in Database Scan: KONTAKT

()
Database Location List:

Add
Remove
KONTAKT
Options
Update
Reset and Scan
()
5.3.6
Memory
Options Memory
Memory KONTAKT
Override Instruments Preload Size: KONTAKT 2
KONTAKT

KONTAKT (Mac OS X )
Mac OS X 10.5 (Leopard) Mac OS X 4 GB
RAM (3.5 GB ) KONTAKT 32 Mac
KONTAKT Memory Server (KMS) 4 GB RAM
KONTAKT
Options
KMS KONTAKT
KONTAKT
KMS Mac OS X 10.5 (Leopard) 4 GB RAM

KMS
KONTAKT Mac OS X RAM
KMS KONTAKT
Options > Memory Memory Server

KONTAKT RAM RAM KMS
KONTAKT KMS
KONTAKT KONTAKT
KONTAKT KONTAKT
KONTAKT
KONTAKT
Options
KMS Mac OS X RAM

KMS CPU RAM KMS
Options > Memory Memory Server modes ()

Automatic Mode: KMS KONTAKT
KONTAKT
KONTAKT KMS
Manual Mode: KONTAKT KONTAKT
KONTAKT
KONTAKT
RAM
KONTAKT
Purge
Mac OS X KMS
KONTAKT
KONTAKT KMS
5.4
Purge
KONTAKT
Multi C1 G4
5
C2 G1 4
KONTAKT
round robin

4
Options Purge
Multi
KONTAKT

Reset Markers: KONTAKT
KONTAKT

Update Sample Pool
Update Sample Pool:
Purge All Samples: RAM

Update Sample Pool
Reload All Samples:
5.5
CPU
KONTAKT
Minimized View

DFD
CPU LED
5.6
Minimized View
(Minimized View) KONTAKT
KONTAKT KONTAKT
KONTAKT
2
Maximize View
Rack Multi Instrument

Multi Instrument
KONTAKT Multi Instrument

Multi Instrument Edit
Multi Instrument
KONTAKT Multi Instrument Multi
Multi 64
1 16 4
6.1
Multi Instrument
Multi
Instrument
Multi Instrument Multi

Aux
Multi KONTAKT
New (default)
Multi
Multi
Multi 4
Multi 64 1 16 4

Instrument
Multi
16
1
MIDI 4
Multi MIDI
MIDI
KSP
KSP
Multi Scripts Multi
18,
2
Aux 1 Aux
Aux
14.3, Aux
Aux Sends /
6.2
Instrument
Multi

Instrument
Multi
Edit button:

Instrument Edit
Multi Instrument
Instrument Icon: KONTAKT Instrument

Quick-Load menu: Quick-Load
Instrument Name:
.nki
Previous / Next buttons:

Output Channel:

MIDI Channel: MIDI

MIDI Omni MIDI MIDI
MIDI
16
MIDI KONTAKT 64
16
Voices:
Max Voices:
Max Voices

Instrument
P urge:
5.4, Purge
Memory:
S olo : Multi
KONTAKT
Solo Mode 5.3.3, Handling

M ute :
Tune:
+/- 3 [Shift]
P an:
Level Meters: LED
Volume:
Options Volume -6 dB 0 dB
Remove Instrument: X
Multi
Minimize View:
Aux: Aux
PV: Performance View

Performance View 6.4,
6.3
Instrument
Edit Solo
Mute Output Volume Pan Level Meters
Multi
6.4
KONTAKT
Instrument Edit

Instrument Edit
KONTAKT 5

18.3,

Rack Multi Instrument Edit
Instrument Edit
Instrument Navigator
12.1.3, Instrument Navigator
Multi Instrument
Instrument Edit
Instrument Edit /
Multi /
Exit : Multi Instrument

Edited Groups: 1
Group
Multi All
Displayed Group:

1
Edit All Groups :

Group Editor Edit All Groups
Undo :
KONTAKT

Undo Redo Instrument Edit Undo

Global Options Handling Enable Undo
Redo : Undo 1 Redo

Undo
Undo
Undo Redo
Quick-Save:
Save
Previous / Next Instrument : Multi

Instrument Edit
Multi Instrument
/ 1
4 BusesInsert EffectsSend EffectsModulation

Instrument Edit
Instrument Edit

Info

Instrument Header: Multi Instrument

Multi Instrument
Editor : Instrument Edit

KONTAKT
Instrument Options
Script EditorScript Editor :
Group EditorGroup Editor :
Mapping EditorMapping Editor :
Wave EditorWave Editor :
Source Module:
Source Modulation Router:
Group Insert Effects : 8
Signal Processor Control Edit

: Group Insert Effects
Amplifier Module:
Modulation Router Amplifier Channel Routing
:
Instrument Bus Effects Chain: 16

: Instrument Bus Effects

Instrument Options
Instrument Insert Effects chain:

: Instrument Insert Effects
Send Effects Slot:
Signal Processor Control Send Effects Edit

: Send Effects 1
Modulation Sources:
7.1
Instrument Options
Instrument Options
MIDI
Instrument Options 4

Instrument Options
7.1.1
Instrument
Instrument Options Instrument
Voice Stealing Mode: KONTAKT

Group Editor 15.3, Voice Groups
Voice Stealing Fadeout Time: KONTAKT

Key Switch Default Key:
MIDI Transpose: MIDI

Tune
MIDI 12 1
Key Range:

Instrument Options
Velocity Range:
Instrument Wallpaper:
TGA PGA

162432 633
KONTAKT
Performance Views
wallpaper
Resource Container: KONTAKT

Resource Container
Resource Container Browse nki
7.1.2
DFD
Instrument DFT

Instrument Options
DFD Preload Buffer Size:

DFD
DFD
Sampler
Background Loading: Allow instant playback for

samples which are not loaded yet ()
KONTAKT
7.1.3
Controller
Instrument Controller
MIDI Controller #64 (Sustain Pedal): MIDI #64

KONTAKT
Pedal + CC:
MIDI

Instrument Options
Sustain Pedal Without Controller:

MIDI
Controller Only: KONTAKT

MIDI
Accept All Notes Off / All Sounds Off: KONTAKT all notes off
MIDI
Accept Standard Controllers for Volume and Pan: MIDI CC #7 #10
2
MIDI Controller #7 (Volume) Range:

MIDI CC #7 128
0
127 MIDI negative infinity ..
0dB 0 127
7.1.4
Infos
Instrument Infos

Instrument Options
Instrument Icon: KONTAKT
new
KONTAKT
Instrument Info:
Author:
Weblink: KONTAKT
KONTAKT .nki
1 Multi
Multi
Instrument
File Load
InstrumentMultiInstrument Bank
Options Browser: Double click loads instrument
Instrument
MIDI
MIDI
Files New
Instrument
Files
Save as Default Instrument Instrument Edit
Mapping Editor
16,
1
WAV
REX Beat Machine
Samples Missing
Main Control Panel File KONTAKT

KONTAKT
KONTAKT
Samples
Missing KONTAKT
Samples Missing 10
Samples Missing
Samples Missing" Assumed

At
Search Filesystem:
Search Database: KONTAKT

2
KONTAKT
Multi
Samples Missing Check for Duplicates

1
Browse for Folder:
KONTAKT
Browse for Files:
Resolve All Possible KONTAKT

Browse for Folder Browse for Files

KONTAKT

Files Save
Samples
Missing
Files Batch Re-Save
5.3.3, Handling
Samples Missing

Allow Alternate File Types:

WAV NCW
WAV NCW
128 KONTAKT 1
1 MIDI

MIDI
Aux
KONTAKT
Solo Flute 4 Flute sustain.nkiFlute
staccato.nki
Flute halftone trill.nki
Flute flutter tongue.nki
MIDI
Solo Flute 1
3
MIDI 64 3
Flute
MIDI

MIDI

MIDI
MIDI

MIDI MIDI
Multi Files New

Instrument Bank

128
.nki

MIDI
001 plain 001
2 MIDI
Instrument Edit
Multi Instrument X
Multi
Multi
KONTAKT .nkb

Files
Load
10
MIDI

KONTAKT
Pitch Mod
MIDI CC #1
()
(
)

Master Editor
11
Master Editor
Master Editor Multi
KONTAKT Master /
Master Editor
Master Volume: Aux

KONTAKT
0.0 dB
Master Tempo: BPM
(BPM )
LFO Speed
KONTAKT
KONTAKT KONTAKT
Extern Sync
Ext KONTAKT MIDI

KONTAKT
Tap button: Master Editor 4
KONTAKT
KONTAKT
Extern Sync
Master Editor
Metronome:
On
LED
Volume
Master Tune: A3 = 440 Hz

KONTAKT
Reference Tone: KONTAKT

On
KONTAKT

Files
12
KONTAKT

KONTAKT

KONTAKT

MIDI
Main Control
6 Files
LibrariesDatabaseMonitorModulesAuto
12.1
Files

2 3
Database Monitor

Files
Files
12.1.1
CD-ROM

Files
+
-
12.1.2
KONTAKT

1


Files
4 Tempo

KONTAKT
Multi .nkm Multi
Multi
Multi Multi
.nki
Multi Options MIDI Channel Assignment for Loaded Patches

MIDI
Instrument
MIDI


Files
8
DFD 8
Mapping Editor

Mapping Editor

1
KONTAKT

2
1 [Shift]
[Ctrl]- (Mac OS X [Cmd]-)
12.1.3

Multi Instrument 4
16
Mute Solo
Instrument Navigator Files


Files
Multi Instrument Navigator
Instrument Navigator list

4 Multi Instrument
Instrument
Navigator

Instrument Navigator KONTAKT
12.1.4
KONTAKT Master
Editor
3
Volume :
Auto : 1
Speaker : 1

Files
12.1.5
Refresh Eject
Files Refresh
refresh eject
Refresh KONTAKT CD/DVD

12.1.6
View
view

KONTAKT
3 Show Network DrivesShow Removable DrivesShow Foreign

Formats

KONTAKT
Quick-Jump 1 10
Quick-Jumps

Quick-Jump QuickJump Quick-Jump Quick-Jump
Quick-Jump
View Lock Current Quick-Jump
Windows [Ctrl]
+ [F1] [Ctrl] + [F10] Mac Alt-F1 Alt-F10 QuickJump
12.2
KONTAKT
KONTAKT KONTAKT

KONTAKT
KONTAKT
KONTAKT
12.2.1
KONTAKT KONTAKT 1
Multi
KONTAKT

KONTAKT
EXS24
GigaStudio
KONTAKT
KONTAKT

proprietary
AKAI S-1000/S-3000 E-mu EOS CDROM CD
KONTAKT
KONTAKT
1 EXS24 HALion
1.
EXS24
2.
EXS24
3.
KONTAKT KONTAKT
1
Samples Missing
8,
(gig )

Multi
KONTAKT Missing Sample
.nki
KONTAKT

KONTAKT
GigaStudio Kurzweil K2x00SountFont2Unity

REX I/IIREAKTOR
1.
GigaStudio monolith (.gig)
+

2.
CD-ROM 1 AKAI S-1000 / S-3000

proprietaryKONTAKT
E-mu EOS / EIV / ESIEnsoniq ASR-10 /
EPSRoland S50 / S550 / S770
KONTAKT CD / DVD AKAI CD
CD
Ignore
1.
Akai
CD
2.
AKAI
4.
KONTAKT
KONTAKT
3.
12.2.2
KONTAKT
KONTAKT

KONTAKT

Sample Destination Folder
KONTAKT
KONTAKT
1.
GigaStudio .gig
AKAI S-1000/S-3000 CD
2.
Import
3.
Choose
4.
Convert
5.

KONTAKT
12.2.3
CD-ROM
KONTAKT

KONTAKT CD-ROM

KONTAKT
Mac OS X Windows
Mac OS X Apple
Mac OS X
1.
2.
Untitled 0

KONTAKT
3.
File -> New
Disk Image from (...)
(...) disk3s1 ID
4.
5.
.dmg
KONTAKT
/Users/[username]/Documents/Native Instruments/KONTAKT 5/Images

Import
Windows ChickenSys Translator Free

http://www.chickensys.com/downloads/translator_free.php
ASPI for Windows
1.
Windows
2.
Translator Free SCSIATAPIIOMEGA Zip 100
Options Tools
-> Options Drives Nero ASPI Driver
3.
1 2
4.
Create Virtual Drive
5.
Copy Entire Drive Write Virtual Drive
Save
%SYSTEMDRIVE%\Users[username]\Documents\Native Instruments\KONTAKT
5\Images
6.
KONTAKT Import
CD-ROM KONTAKT CD-ROM
12.2.4

Libraries
EXS24:
AppleACIDBeatCreatorREX loops: Mapping Editor
1
Reason NN-XT : Refill

Reason NN-XT NN-XT SXT
KONTAKT
GigaStudio:GigaStudio
Options Load / Import WAV AIFF

GigaPlayer .gvi
HALion : 2 3
Yamaha A-3000A-4000A-5000: DOS

VSampler : 2.5
Battery: Battery 3 Import Group
Group Editor Edit
Bitheadz DS-1 Unity : Unity
Akai MPC: MPC MPC-60MPC-3000MPC-2000MPC-2000XL
Kurzweil K2500K2600: ROM
Roland S700 S770:

12.2.3,
12.3
Libraries
Libraries KONTAKT
12.3.1
Multis Instruments
Instrument Multi Instruments Multis Files

Libraries
KONTAKT PLAYER
Instruments Multis Libraries
12.3.2
Info and Function
Info and Function
The Info and Function ("i" ) Library readme
Function Info
Instrument Options Info
12.3.3
Library
KONTAKT PLAYER
Libraries Libraries Add Library

Add Library
KONTAKT
Libraries

Libraries
12.3.4
Service Center Activate

Activate
30
12.4
Database
KONTAKT
KONTAKT
File Browser File

Browser
Metadata

KONTAKT 5
KONTAKT
Database

Database
12.4.1
Database 2
(Attribute List)(Results List)
Results List Attribute List
Database Attribute ListResults ListEdit

Database
Database DB Options Options

Dialog Database Instr Nav
Instrument Navigator (12.1.3, Instrument Navigator
)
Attribute List KONTAKT (MultisBanks
Instruments )
KONTAKT
Results List Multi

BankInstrument Groups SamplesScript
Attribute List
Attribute List Results List Results List
Attribute List
Attribute List
Results List Database Edit
Database

12.4.2
KONTAKT
KONTAKT
( Options Database
Automatically Add Loaded / Saved Files to Database

Database
Database Options
Database
Database 2

Database DB Options
Database KONTAKT
Add
Update

Remove

Database
KONTAKT (WAV
AIFF)
KONTAKT Include samples in
database scan () Options
Database
Results List //

Update Reset and Scan ( Options )
Results List
12.4.3
Options Database Instruments

Multis Banks Groups Presets
author vendor
musical genre(s) Instrument / Multi
(timbre) fat
dissonant
coldexotic
instrument type 2

Database
rating 5
custom attributes
complexity attitude

strings brass woodwindspercussion
(Attribute List) Database

Attribute List Results List
Attribute List
Results List
Results
List Attribute List

X

Database
Attribute List KONTAKT

Attribute List Results
List
Rack KONTAKT
Attribute List
Attribute List
1.
2.
Type
Type 2
Drums
Acoustic Drum Kit (Acoustic Drum Kit
)

Database
3.
Genre
+
Genre
4.
Genre Jazz Results List
Options
OR ModeAND Mode KONTAKT

Database
2
KONTAKT Multi Select
Single Select
[Ctrl]
(Windows) [Cmd] (Mac OS X)
OR Mode
(any)AND
(all)(
) Genre OR Mode
Jazz Pop Results List
AND Mode Jazz Pop
12.4.4

Attribute List Results List
Results List
KONTAKT

KONTAKT
Attribute List


Database
Results List

violin stacc ens ens violin stacc KONTAKT Results List
(green blue)
X
KONTAKT Attribute List

Results List
12.4.5
Results List
Results List

Database
Rating
()
(Name)
12.4.6
KONTAKT
KONTAKT

Results List

1
File Browser [Ctrl]-(Windows)
[Cmd]- (Mac OS X) [Shift]-

Database
Results List Edit

Edit Database
()
Attribute List


Database
KONTAKT (
) Edit
Info
(vendorauthor bank name )
3
Type 2

Database
Edit
5
Results List
Results List

Database
Save
Cancel
Database

1.
Database Instr

Database
2.
3.
4.
5.
Attribute List
Results List (
)
(12.4.2,
)
Results List Edit
Standard Type 3 Mallet

Instruments 4 Marimba
2 Genre 3 Orchestral/ClassicalFilm MusicJazzEthnic/
World ()
6.
vendor () author ()
(
)
7.
Save
KONTAKT
Results List Attribute List

KONTAKT
12.4.7

Database
2
Attribute List

2
1.
Database
Save Cancel
2.
Attribute List
3.
Create User Set

Empty
MyGenreComplexityProject
Rename User Set
4.
(Attribute List
)
5.
Attribute List
Delete User Set
12.4.6,
Results List
Edit

Database
1.
Attribute Class User
2.
(Create
New)

Monitor
3.
3
(Create
New)
Delete User Attribute
KONTAKT Attribute List
12.5
Monitor
KONTAKT
Monitor
Monitor
Monitor
Monitor String Melody
5 4 Monitor
Groups: Instrument Edit

Group
Editor
Group Editor Edit

Monitor
ID KSP

[Shift]-
[Ctrl]-(Mac OS X [Cmd]-)
Alt-

Group Editor Edit
Quick-Search

XQuick-Search
Zones:
Groups Quick-Search
Wave Editor
Parameter: Monitor
Instrument
Edit Multi


Monitor
Monitor
Source Module Grain Time Machine

Time Machine
Value NA
Engine: CPU
Native Instruments

Monitor
Engine KONTAKT
CPU Restart Engine KONTAKT
KONTAKT Offline (Bounce) Mode


Modules
KONTAKT
CPU Profiling Mode: CPU CPU

Edit Source
CPU
Instrument name: CPU Edit
Source module: CPU HQI

Group Inserts:
Instrument Inserts / Sends: Output

Aux
Monitor Instrument Navigator
Monitor
12.1.3, Instrument Navigator
12.6
Modules
Modules KONTAKT


Modules
Modules KONTAKT
Modules 3
Effects: KONTAKT
Group Insert Effects Instrument Insert Effects
Instrument Send Effects
3
KONTAKT

Automation
Filters: KONTAKT
SamplerSynthEffect EQ
2 Group Insert Effects
Instrument Insert Effects Instrument Send Effects
Modulators: KONTAKT
EnvelopesLFOsOther
2 External Sources
Group Modulation
Router
KONTAKT
24, KONTAKT
Info: Modules Info

KONTAKT
12.7
Automation
KONTAKT
MIDI
Auto

Automation
MIDI Automation MIDI
Auto 2
KONTAKT
MIDI

Automation
MIDI
MIDI
KONTAKT MIDI
MIDI
#1 #7
From % / To %:

Soft Takeover:

50 %
KONTAKT
Remove:
12.7.1
MIDI ()
MIDI 3.8, MIDI ,
1.
1 MIDI
2.
Automation
3.
MIDI Automation
4.

Automation
5.
CC# MIDI
MIDI
6.
Inputs MIDI
7.
MIDI MIDI CC#
KONTAKT MIDI
12.7.2
MIDI
1.
Automation
2.
MIDI Automation
3.
MIDI
4.
Remove
(Quick-Load Catalog)
13
12, KONTAKT
File Browser Libraries
KONTAKT Database
Instruments BanksMultis 4
(Quick-Load catalog) File
Browser Quick-Load catalog

Quick-Load Browser
(Mac OS X [Ctrl]
)
Quick-Load Browser
On-Screen Keyboard
Quick-Load Browser
Quick-Load Browser

Quick-Load Catalogs
Multis Banks Instruments 3
3
Quick-Load Catalogs
Quick-Load Browser
Quick-Load
13.1
Instruments BanksMultis

Quick-Load Browser
Quick-Load favorites

( * )
Add New Folder


Quick-Load
Rename
Folder
Delete from Quick Load
Files Libraries Database

KONTAKT QuickLoad Browser
FilesLibraries Database QuickLoad
(with mouse button held down)

Quick-Load

Delete
from Quick Load
13.2
KONTAKT Quick-Load
InstrumentsBanks Multis Quick-Load
Browser Quick-Load Menus
Quick-Load Browser

Instrument
Bank
Load Multi
Load Into Slot Multi
Multi Multi Multi
(Multi Multi
) Quick-Load Menus
Files New
Instrument from List New Instrument Bank from List
Quick-Load Menus
Instrument BankRack
Instrument Bank Multi
Outputs
14
Outputs
KONTAKT Output

Output

Aux
Aux
Aux

Output /Main Control Output

Outputs
Output 4 Aux
14.1
Output 1
Aux Aux
Channel name: KONTAKT
C hannel Insert SlotsShow Inserts :

21, KONTAKT
Channel Fader and Level Meter:
LED
Channel Configuration :
Output
Presets/Batch Configuration: Outputs
Add Channel:
Delete Channel: Output
Show Inserts:
Edit Effect:
Outputs
14.2
KONTAKT Multi Output

1 16
Configuration
Output
Configuration
Master Editor
Master Volume Output
Aux
1
1
Output
Outputs
Aux
Channel Configuration
Channel Configuration
Channel Name:
Audio Channels: 16
Output Map:
KONTAKT

Previous / Next : 2 Output
14.3
Aux
KONTAKT 4 Aux
1
1 Aux

Outputs
Aux

21, KONTAKT
Aux
Aux Output 4
Aux Master Editor Master

Volume
14.4
KONTAKT Channel Configuration

Options Audio
32
KONTAKT
VST
KONTAKT 32 AU RTAS 16 VST
81632 AU RTAS

KONTAKT
Outputs
Presets/Batch Configuration Save current output

section state as default for
KONTAKT
KONTAKT
KONTAKT
15
4
vel 0-31
vel 32-63
vel 64-95
vel 96-127

EQ Group
Insert Effects
Release Trigger
Group
Editor Instrument Edit Instrument Edit Group Editor
3 Group Editor
Bass
Group Editor 4

Group Editor
Group
Start Options
15.1
Group Editor
Group Editor
15.1.1
Edit All Groups
3 LFO

Edit All Groups 1 Intensity
15.2, Group List
15.1.2
Group Selector
Edit All Groups

Instrument Edit

15.1.3
Edit
Edit
Edit Group Editor Groups
Delete Selected Groups:
Purge EmptyGroups:
Copy Selected Group(s):
Cut Selected Group(s):
Group Editor
KONTAKT
Duplicate Group(s):
Paste Group(s) with Samples:

Paste Group(s) w/o Samples:

Export Edited Group: .nkg

Patch Only Patch +
Samples Monolith
1
Import Group: .nkg
Battery 3
15.1.4
Group Solo
15.1.5
MIDI
KONTAKT MIDI
15.2
Group List
Group Editor Edit
1
[Ctrl] (Mac OS X [Cmd])
2 [Shift]
Edit
Amplifier Volume Pan


Voice Groups

Instrument edit
Monitor
Monitor 12.5,
Monitor
15.3
Voice Groups
1 1
1
1
Instrument
1
128

Instrument
128
1
Voice
Group 1 1


Voice Groups
128 Group Editor
Voices:
Mode:
Kill Any: KonTAKT

Kill Oldest:
Kill Newest:
Kill Highest:
Kill Lowest:
Pref Rel: KONTAKT
Fade Time:
Exclusive Group: 16 Exclusive Groups

1 2 Exclusive Group
1 Exclusive Group

Exclusive Group


Group Start
15.4
Group Start

KONTAKT
MIDI
Group Start

Group Editor Group Editor Group Start
Options
and
Group Start

Group Start
Always:

Start on Key:
Start
on Key 1
Start on Controller: KONTAKT MIDI

Cycle Round Robin: Group Start
Cycle Random: Cycle Round Robin
Slice Trigger: KONTAKT 2

always
16
KONTAKT
KONTAKT
KONTAKT

Mapping Editor Mapping Editor
Mapping Editor
Mapping Editor
3
Mapping Editor 3
2
-+
-+
Alt
MIDI
16.1
1 Mapping Editor

KONTAKT
Mapping Editor
1
1
1
Mapping Editor
Piano-C3-1.wav PianoC3-8.wav 8
Mapping Editor
Mapping Editor 1

Source Module Beat Machine
16.2
Violin-1.wavViolin-14.wav
Violin-G2-A2Violin-A#5-C6?
Mapping Editor Auto-Mapping
Auto-Mapping Mapping Editor

Auto-Mapping
Mapping Editor Auto-Mapping
[Shift]

Mapping Editor Edit Auto Map
- Setup
4 Auto Mapping
Trumpet-f-C1-D#1.wav
f
1 Trumpet Ignore Me
2 3 4 f
C1
D#1
Make Group NameMake Low KeyMake High Key Set to Single Key
Ignore me
2 Ignore Me
Read Rootkey From Sample Metadata if Possible KONTAKT
WAV AIFF
Close
Mapping Editor Edit Auto map

selected [Ctrl] + T (Mac OS X
[Cmd] + T )
KONTAKT
Rack Undo
Auto Map - Setup
16.3
Keyboard Range:
C3 D#3
KONTAKT C3C#3D3D#3
1
C3 C3
Velocity Range:
0 127
Root Key:

KONTAKT
Source Module
Tracking
Volume:
0 dB
Pan:
Tune: Zone +/- 36
3
Source
Amplifier
17.7, Zone Envelopes
16.3.1
Mapping Editor
16.3.2
Mapping Editor
[Ctrl]
(Mac OS X [Cmd])
[Shift] [Ctrl] (Mac OS X [Cmd])

2 [Shift] [Ctrl]
[Ctrl]-

Alt-
Alt-
[Shift]
[Shift]
[Shift]

16.3.3
MIDI
3 MIDI
Mapping Editor
MIDI 1
2
2
KONTAKT
16.4
Mapping Editor 2
Mapping Editor
Edit menu:
List View:
expand/collapse [Shift]

Alt
Select Zone via Midi: MIDI

Group Editor Select by MIDI
Auto-Spread Zone Key Ranges:
Auto-Spread Key Ranges via Root

Key Auto-Spread Zone Key Ranges Edit
Auto-Spread Velocity Ranges: Auto-Spread Zone Key Ranges
Edit
Auto-Map Selected: AutoMapping Edit

Auto-Mapping
Auto-Spread Key Ranges via Root Key: Auto-Spread Zone Key Ranges
Edit
Resolve Overlapping Key Ranges:

Edit [Ctrl]-R (Mac OS X
[Cmd]-R)
Resolve Overlapping Velocity Ranges: Resolve Overlapping Key Ranges
Edit
[Shift] + [Ctrl] + [R] (Mac OS X [Shift] + [Cmd] + [R] )
Set Key Range via MIDI: 1 KONTAKT 2

MIDI
Set Velocity Range via MIDI: 1 KONTAKT

2 MIDI
Lock Zones:

Solo Zone:
Select. Groups Only: Mapping Editor

AutoSel. Grp: Group Zone

Sample Field:


Edit
16.5
Edit

Authentic Expression Technology
(22.1, AET )Mapping Editor
Edit
Cut Zone(s):
KONTAKT
Copy Zone(s):
Duplicate Zone(s):
[Ctrl]-D (Mac OS X [Cmd]-D)

Paste Zone(s): Mapping Editor
Delete Zone(s): Mapping Editor

Exchange Sample: Zone Sample
()
Select all Zone(s): Select. Groups Only
Deselect all Zone(s):

Move Zone(s) to New Empty Group:

Move Zone(s) to New Clone Group:
Move to Existing Group:

1

Edit
Move Each Zone to Its Own Group (Empty): Move Zone(s) to New Empty Group
1
Move Each Zone to Its Own Group (Clone): Move Zone(s) to New Clone Group
Batch Tools:

Create AET Morph Layer: Zone Morph
Layer KONTAKT 4 Authentic Expression
Technology 22.1, AET
AET
Open AET Morph Map Editor: Morph Layers Morph Map
Auto Add AET Velocity Morph:

22.1.2,
Velocity Morph
7 Mapping Editor
Auto Move Root Key:

Show Sample Names:

Map Mode: 5 Mapping

Editor
Chromatic: Mapping Editor
White Keys Only:

Black Keys Only:
Snap to White Keys: Chromatic Mapping Editor
Snap to Black Keys:

Batch Tools
Auto Map Selected: Auto-Mapping

Auto-Mapping 16.2,
Auto Map - Setup: Auto-Mapping
Auto-Spread Zone Key Ranges, Auto-Spread Key Ranges via Root Keys, Auto-Spread Velocity
Ranges, Resolve Overlapping Key Ranges, Resolve Overlapping Velocity Ranges:
16.6
Batch Tools
Edit Batch Tools
2 2
1 4
4 1

2 2

Batch Tools
3 D F
2 2
1 C E D 2
F D# G D# E
D# E D
D# F E

Batch Tools
Auto-Apply X-Fades (Key):
List View
[Ctrl]-
Auto-Apply X-Fades (Velocity):
Remove X-Fades (Key):

Batch Tools
Remove X-Fades (Velocity):
Move Root Key(s) to Lower Border:
Move Root Key(s) to Center:
Move Root Key(s) to Upper Border:
(Wave Editor)
17
(Wave Editor)
KONTAKT

Wave Editor

DC
10 GB
KONTAKT
KONTAKT

KONTAKT
(Wave Editor)

KONTAKT
DC
Wave Editor
Rack (Wave Editor) Wave Editor
Mapping Editor
Mapping Editor
Wave Editor
Wave Editor Sample Loop
Wave Editor 5

(Wave Editor)

Mapping Editor
Wave Editor 4 Wave Editor
Grid

Wave Editor
17.1
Wave Editor
Wave Editor
Size: Wave Editor

Wave Editor 3
(Wave Editor)
Magnify Tool:
Alt
Jump to Zone Start:
Jump to Loop Start:
Zoom on Loop:
Jump to Loop End:
Jump to Zone End:
Snap: 2
KONTAKT
Snap Loop to Zero Crossing

Snap Loop to Value Crossing
2
1

17.5, Sample Loop
Cmd (Command):
Stop:
Loop: Play

Play: Loop
(Wave Editor)
Auto Pre-Listen:
Ext. Editor:
Options Handling External Wave Editor
KONTAKT
KONTAKT
Command
Cmd
Sample Loop
Find Loop End (short):
Find Loop End (long):

Restore Loops From Sample: WAV AIFF 1

KONTAKT
To All Selected Zones

Mapping Editor
(Wave Editor)
Copy Current Zones Loop Setting:
Restore Loops From Samples:

Adjust Loop Starts +/- 1: 1

KONTAKT
1
Adjust Loop Ends +/- 1:
DC Removal: DC
DC
DC
17.2
Wave Editor
Sample:

Mapping Editor
(Wave Editor)
S. Start (): Zone
S.Mod (Sample Start Modulation Range):

2
2
S. End (Sample End):

Format:
Len (Length):
17.3
Wave Editor
Wave Editor
(Wave Editor)
Wave Editor Mapping Editor


S. Start
Grid
1 1
Grid Auto
Zone Envelope
Paste
Sample Editor Paste
Sync / SliceZone EnvelopeSample Editor
(Wave Editor)
Grid
+- 1

Alt

Alt
17.4
Grid
Grid
Grid
Grid
Grid
(Wave Editor)
Grid
Grid
Sync / Slice
Sync / Slice

Sample Editor
Grid
Grid Grid
Grid 2 Fix Auto

Grid Fix Auto Fix Auto
17.4.1
Fix
Fix
Fix

Grid Fix Auto
Grid Fix Fix
Fix
(Wave Editor)
Grid
KONTAKT
KONTAKT 4/4
Grid BPM

2
1 4/4

2
KONTAKT Sync / Slice
Zone Length 50 BPM
1 KONTAKT 100 BPM 2
-+
2 Sync / Slice Zone
Length

1 1
Grid
16 1 16
Fix Width

-
+2
(Wave Editor)
Grid
Beat Machine
16
8 2

1/8 1/163
1/12
Grid

17.4.2
Auto
Grid Fix

Fix Fix
Auto
Grid Auto Auto
Auto
Auto KONTAKT
KONTAKT
Auto
(Wave Editor)
Grid
Grid Auto 2 Auto

2

4 8

Grid
2
Min Slice Duration

Grid Auto 1 KONTAKT

Auto Grid
Fix Auto Beat

Machine Time Machine
17.4.3
KONTAKT

Grid Fix Auto
(Wave Editor)
Sample Loop

Grid -

Grid +

+
Grid

Alt- Grid
17.5
Sample Loop
Wave Editor 4 1
Zone Envelopes
Zone Envelopes
Sample Loop
2 2

KONTAKT
(Wave Editor)
Sample Loop
RAM

KONTAKT
/ Wave Editor Sample Loop
(Wave Editor)
Sample Loop
KONTAKT 1 8
8 2 4
1 3
1

1

Power Button:

Loop Start:
Loop End:
(Wave Editor)
Sample Loop
X-Fade: KONTAKT
Loop Edit:

Loop Edit
Tune:
Count:
(Wave Editor)
Sync / Slice
Loop Mode:
KONTAKT
Until End: KONTAKT
Until End <->: KONTAKT
Until Release: KONTAKT
Until Release <->: Until Release
One Shot :
Grid
Grid
17.6
Sync / Slice
Grid Grid
Wave Editor Sync / Slice

Grid
Grid Sync / Slice
17.4, Grid Grid
(Wave Editor)
Sync / Slice
Sync / Slice
Sync / Slice 4
Beat Machine Time Machine

17.6.1
Beat Machine
Beat Machine KONTAKT Source Module

Grid
Sync / Slice Use Beat Machine
2
Source
Module Beat Machine
KONTAKT
Beat Machine

Source Module Speed Zone

Sync / Slice
Sync / Slice Beat Machine Speed

Zone
(Wave Editor)
Sync / Slice
Default
Zone
Beat Machine

Grid
Beat Machine
17.6.2
Time Machine
Beat Machine KONTAKT Time Machine

Beat Machine
Time Machine
Time Machine 1
Grid KONTAKT
Sync / Slice Zone Length

Grid
KONTAKT

Zone Length

Grid
Zone Length Sync / Slice Use Time Machine
Source Module Time Machine

Beat Machine Time Machine Sync / Slice
Zone Speed
Master Editor Zone
(Wave Editor)
Sync / Slice
17.6.3
Grid
Sync / Slice
Grid Sync / Slice 2

[Ctrl] (Mac OS X [Cmd]) 1
[Shift] 2
1
[Shift]

1 Mapping Editor

Browser Mapping Editor
(Wave Editor)
Sync / Slice
17.6.4

Sync / Slice

MIDI
MIDI
Beat Machine MIDI
KONTAKT

Sync / Slice
(Wave Editor)
Sync / Slice
Auto-Fade Time: KONTAKT

Mapping Base Key:

Auto Find Empty Keys: KONTAKT
Sync / Slice
DragnDrop MIDI
MIDI
MIDI MIDI
MIDI
MIDI
(Wave Editor)
Sync / Slice
Dragndrop MIDI
MIDI
KONTAKT
MIDI
KONTAKT MIDI MIDI

(Wave Editor)
MIDI

17.7
KONTAKT

Wave Editor Zone Envelopes
Zone Envelopes
17.7.1
KONTAKT Zone Envelopes

3 VolumePanAdd 3

(Wave Editor)
2 2
3 Add:

Add: Add:

Group Insert Effects
Cutoff

Add: Cutoff
1
KONTAKT 1
Zone Envelopes
Delete

(Wave Editor)
17.7.2

Zone Envelopes
Modulation Quick-Jump
Zone Envelope
Invert
Lag
24.5,
Wave Editor
Zones
Zone
17.7.3
Wave Editor

25.1.3, Flexible Envelopes
(Wave Editor)
Mac OS X [Ctrl]-

2

Mac OS X [Ctrl]-
Grid
Pencil Tool
17.6.1, Beat Machine Beat Machine

KONTAKT
Pencil Tool

Beat Machine

Group Insert Effects Send Levels Wave
Editor Zone Envelopes
Send Levels Send Level
(Wave Editor)
Zone Envelopes Add:

Pencil Tool
Pencil Tool Randomize Env

Zone Envelopes Cut Copy Cut
Copy
Paste
17.7.4
Zone Envelopes
Loop Env:

KONTAKT
Zone Envelope
(Wave Editor)
Randomize Env:
Pencil Tool

Get Param From Cur. S. Loop: KONTAKT Sample Loop

Env Follows Playback Speed:
DFD
1 2 Env Follows
Playback Speed

Pencil Tool: Zone Envelopes CutCopyPaste

Pencil Tool
Beat Machine
Pencil Tool 2
Pencil Tool
17.8
Wave Editor
(Wave Editor)
DC
KONTAKT
DC
KONTAKT
Wave Editor Sample Editor
Sample Editor
3 EditTransform
Selection Edit
Transform
Sample Editor Grid

Wave Editor Auto Pre-Listen
KONTAKT
Grid
Paste

Edit Transform
[Shift]
Sample Editor Selection
(Wave Editor)
Grid
Grid
KONTAKT
KONTAKT
__edited__
Sample Editor
Sample Editor Undo Redo

2
Undo Redo
Undo
(Wave Editor)
Restore Orig. Sample Editor
Sample Editor
KONTAKT __edited__ Redo Undo
17.8.1
Cut:
Copy:
Crop:;
Delete:
Paste:
Duplicate:
17.8.2
Fade In:
Fade Out:
Silence:
Reverse:
Normalize: Normalize
0 dB
DC Removal: DC DC

18
KONTAKT
Multis
KONTAKT
PDF ()
KONTAKT Documentation
Script Editor
KONTAKT 2
Native Instruments
KONTAKT KONTAKT
MIDI
MIDI 1
2
KONTAKT 4 Instruments Multi

Multi
MIDI
KSP
KONTAKT Script Editors Multi

(Instrument
Rack Header KSP
KSP
Instrument Script
Editor Multi Instrument Script Editors
Script Editor 1
5 empty
18.1
Preset
KONTAKT
Script Editor Preset

Script Editor Bypass
KONTAKT
Browser Auto
MIDI ID
12.7, Automation
18.2
Script Save Preset

Multi
18.3
Script Editor Edit

Apply
Apply

Lock with Password

2 OK
instrument Performance
on initend on
make_perfview Apply Multi
Instrument
Performance 6.4,


Sampler
19
Source Module KONTAKT

Source Module
Source Module 6 1
Sampler: RAM
DFD (Direct From Disk):
Tone Machine:
Time Machine and Time Machine II: 2
Beat Machine:
Source Module
Source Module
Source Module
19.1
Sampler
Sampler

Sampler
Group Editor
Tune: 1
Tone Machine Time Machine

[Shift]
Reverse:
Tracking:
Tracking
Tracking
MIDI: MIDI MIDI MIDI

MIDI Instrument
Header MIDI Default (Instrument)
Release Trigger: MIDI

KONTAKT
TTime: Release Trigger : KONTAKT

DFD
Note MonoRelease Trigger :

1
HQI (High Quality Interpolation): 3
Standard KONTAKT
CPU
High Perfect
CPU Standard
CPU High Perfect
CPU 2
CPU
19.2
DFD
DFD
DFD RAM

RAM

RAM
KONTAKT DFD
DFD

Tone Machine
Sampler

DFD Sampler
CD-ROM DFD
Sampler DFD RAM
DFD Sampler DFD Sampler

RAM
19.3
Tone Machine
Tone Machine
Tone Machine
2
Sampler DFD Tone Machine
Tone Machine

Tone Machine
Tune: 1

Tone Machine
Smooth: KONTAKT
Speed:
% 200% 50% 0%
Speed Master Editor
Speed
1 Speed
Default
Formant:
DC Filter: Tone Machine DC
Legato:
Tracking:
MID I Channel: MIDI MIDI

MIDI MIDI
Instrument Header MIDI Default (Instrument)
Release Trigger: MIDI

Sampler

Time Machine
19.4
Time Machine
Time Machine
Time Machine
Tone Machine

Tone Machine
Hi Quality: Tone Machine DC Filter
Time Machine
Grain: Tone Machine Formant

Hi Quality
Hi Quality Grain
19.5
Time Machine II
Time Machine II
Time Machine
Time Machine II
Time Machine

Time Machine Pro
Transient Copy:

Tr.Size (Transient Size): Transient Copy
Grain Size:

19.6
Time Machine Pro
Time Machine Pro

CPU RAM
Time Machine
Reverse: Time Machine Pro
Voices menu: CPU
Pro Mode: efficientpro/
Envelope Order (Env.Order): 25%

Envelope Factor (Env.Fact.): 0

Time Machine Pro ()
2

Beat Machine
19.7
Beat Machine
Beat Machine Wave Editor

Sync / Slice Use Beat Machine Beat Machine
Beat Machine
KONTAKT
Beat Machine
Wave Editor Grid
17.4, Grid
Wave Editor Sync / Slice Use Beat Machine
Source Module Beat
Machine Use Beat Machine
Beat Machine Wave Editor
17.4, Grid 17.6, Sync / Slice

Beat Machine
Beat Machine
MID I Channel: MIDI MIDI
MIDI MIDI
Instrument Header MIDI
Default (Instrument)
Tune: 1
Speed: Wave Editor Sync / Slice
Use Beat Machine
Zone
17.6.1, Beat Machine Beat
Machine
Tracking:
Sl.Atk.(Slice Attack):
Sl.Rls.(Slice Release):
Rel ease Trigger: MIDI
Sampler
Internal Trigger:
KONKTAKT 3
KONTAKT

S1200 Machine
19.8
S1200 Machine
S1200 Machine
S1200 Machine 80
( 12-bit26kHz
) KONTAKT
Sampler DFD Quality Static Filter
19.9
MP60 Machine
MP60 Machine
MP60 Machine 2 80
S1200 KONTAKT
S1200
Sampler DFD Quality
20
Amplifier ModuleKONTAKT
Source Module Group Insert Effects Amplifier Module
Amplifier Module
Source Module Amplifier Module

Amplifier Module KONTAKT
1 Amplifier Module
Source Module Amplifier Module
Amplifier Module
Volume:
Pan:
Volume Pan
Mapping Editor Zone Envelopes Zone

Envelopes 17.7,
Chan nel Routing:
2
-12 dB
Amplifier Module
Instrument Header

Channel
Routing

Output: Output Channel

Bus (Instrument)

Bus (Bus Effect Chain)
( Instrument Effect Chain )

KONTAKT
21
KONTAKT
KONTAKT

KONTAKT

KONTAKT
KONTAKT
KONTAKT
8 4

3 Group Insert Effects Bus Insert Effects InstrumentInsert Effects

KONTAKT
AUX
KONTAKT

21.1

Group
Editor
Group Editor
KONTAKT
(Bus Insert Effects)
The Group Insert Effects Instrument Insert Effects

6 Amplifier
2 Amplifier
Send Levels Send Levels

Amplifier

Send Levels 2
2

CPU
Bus Instrument Insert Effects

Modulation
KONTAKT
24, KONTAKT
KONTAKT
Surround Panner
21.2
(Bus Insert Effects)
KONTAKT
(Instrument Insert Effects)
KONTAKT 16 Instrument Buses

16
Edit All Buses
Edit All Buses

Bus Volume Pan

Output program out

(bypass insertFX)

Group Insert Effects Chain /

(
)
21.3
(Instrument
Insert Effects)
Instrument Insert Effects
KONTAKT
(Instrument Send Effects)
(Output Channel
)
(Amplifier)
Bus Insert Effects Chain
EQ
21.4
(Instrument
Send Effects)
Instrument Send Effects Send Levels
Send
Effects Send Levels GroupBus Instrument Insert Effects

Send Effects Return

I
KONTAKT
21.5
2
Browser Modules
12.6, Modules

21.6
X
delete
KONTAKT
21.7
Edit

21.8
Byp. (Bypass):

Pre (Presets): KONTAKT
KONTAKT
Modulation:
Modulation Router KONTAKT

24, KONTAKT
KONTAKT
21.9
Multi
KONTAKT Outputs
24,
KONTAKT
Aux

21.9.1
Outputs
1
4
Outputs Show Inserts
KONTAKT
Bus Insert Effects Instrument Insert Effects
Edit Effect
Empty
21.9.2
Aux

Aux
Outputs
Aux Aux

KONTAKT
Aux KONTAKT 2
Aux
1
1 Aux
1 Aux Send
Send Effects Aux

1
Aux KONTAKT
Send Effects Gainer
Aux
22.22, Gainer
21.10
KONTAKT 2
Modules
12.6, Modules
KONTAKT
4 23, Filters

AET
22
KONTAKT
Modules
+
22.1
AET
KONTAKT 4 Authentic Expression Technology (AET)

Group
Group FX
AET
22.1.1

mf p

KONTAKT 4 Authentic Expression Technology (AET)

FFT

AET
(
)
AET 2 KONTAKT
(Mapping Editor)
AET
Group Insert FX
AET 2
Morph Layer Zone
Morph Map (Morph Layers) AET

Morph
Morph Map Morph Layer
Zone Morph
(Morph Layers)(Morph Map)
2
Morph Layers

Morph Layer Morph Map ( Auto add AET velocity morph
) Morph Layers
Morph Map

AET
22.1.2
Velocity Morph
KONTAKT
Instrument Mapping Editor Zone (
Zone Selected Groups Only
) Auto add AET velocity morph Edit
Edit Mapping Editor Auto add AET velocity

morph
Group Insert FX AET
(Modulation Router)
Morph Map Morph

AET
Auto add AET velocity morph AET Filter Group Insert FX
KONTAKT
Zone Zone
Zone
MIDI
22.1.3
Articulation Morph
""""
2
1.
(/
) Groups Morph Layer
2.
Morph Map
3.
Group Group Insert FX AET

AET
"""" KONTAKT 2
" " ( Selected
Groups only )Edit Create AET morph layer
Morph Layer KONTAKT
(ahh) Tonal Smoothing

0.5 OK KONTAKT
Morph Layer
2
Morph Layers
KONTAKT Morph Map
Morph Map

AET
1.
Edit AET Morph Map Editor
2.
AET Morph Map Morph Maps Morph Layers
3.
(ahh -> ooh morph) Add:

Morph Layers 2 Morph Map

4.
Morph Map
velocity morph articulation morph
KONTAKT
Morph Layer OK
Morph Map
ooh
Morph

Volume Amplifier Module

AET
ahh Group Insert FX AET

Morph Map
Modulation Router
Morph
AET
2 Morph Layers
(mmh)
AET
22.1.4
AET (AET Morph Layer Dialog)
Mapping Editor Edit Create AET morph layer

22.1.3, Articulation Morph
Name: Morph Layer Morph Map Editor
Smoothing:
0.1 () 2.0 ( smoothing )

AET
Tonal: KONTAKT

KONTAKT
Root Key Shift: KONTAKT Tonal

C2 C4
Root Key Shift

0 -12
Analysis Range:

KONTAKT

Number of Zones: Zone Mapping Editor OK

Morph Layer
22.1.5
(Morph Map Editor)
Mapping Editor Edit Open AET morph map editor

22.1.3, Articulation Morph

AET
AET
Add: Morph Map

Map: Morph Maps
Remove: Morph Map AET
Velocity/Articulation: Morph Map

Articulation Maps
Morph Layers in Current Map: Morph Layers
Available Morph Layers: Morph Layers

Morph Map
Delete: Morph Layer
Rebuild: Create Morph Layer

AET
22.1.6
AET (AET Filter Module

Controls)
Auto add AET velocity morph

AET KONTAKT
Group Insert FX
AET Filter 6
Morph Map:
Edit Morph Map: Morph Map
Morph Map
Morph: MIDI
Morph Map KONTAKT
Morph Layers
Morph
Morph Layer (
)
Morph Layer
Amount:
Filter Curve: ()
(Morph Morph Map Morph Layer)
Morph Curve View:

Morph Layers

Morph Layer
()

Morph KONTAKT
Output: dB
22.2
Mode: ClassicEnhancedPro 3
St.Link (Stereo link):


Solid Bus Comp
Thresh:
Ratio: ()
(/Ratio) 1:1 2:1
2 dB 1 dB ()
4:1 4 dB 1 dB
2:1 4:1
Attack:

5 10
Release:
50 250 ms
Output:

Bypass
22.3
Solid Bus Comp
Solid Bus Comp

KONTAKT
SolidBusComp
Link (Stereo link):

Threshold:
Ratio: ()
(/Ratio) 1:1 4
4:1 4 1
Attack:
Release:
Makeup:
Mix: /
100% 0%
Output:
22.4

Transient Master
In Gain:
Attenuation
Release: Release
Attenuation: LED

In Gain
Output:
22.5
Transient Master
Transient Master

Transient Master
Transient Master
Smooth: Transient Master

()
Input:
Attack:

Tape Saturator
Sustain:
Output:
22.6
Tape Saturator
Tape Saturator
Tape Saturator
High Quality:
CPU
Gain:
Warmth:
HF Rolloff:
Output:
22.7
Distortion

Lo-Fi
Distortion
Mode menu: Tube Transistor Tube
Drive:
Damping:
Output:
22.8
Lo-Fi
Lo-Fi
Bits:
12.4
CD 16
8 12 4
S.Rate (Sample Rate):
50 Hz
Noise:
N. Color:
Output:

Saturation
22.9
Saturation
Saturation
Mode menu: ClassicEnhancedDrums

Classic KONTAKT Enhanced
Drums MASCHINE
Saturation:

0.0
Output:
22.10 Cabinet
Skreamer
Cabinet
Cabinet Type:

Skreamer
Size:
Air:
Treble:
Bass:
Output:
22.11 Skreamer
Distortion
Skreamer
Tone:
Drive:
Bass:
Bright:
Wet:
Output:
22.12 Twang
Twang


Rotator
Twang
Bright:
Polyphonic: Twang
Volume: Output
TrebleMidBass:
Output:
22.13 Rotator
Rotator 60 70
Rotator
Speed: Slow Fast


Surround Panner
Acceleration Brake SpeedSpeed :
Balance:
Distance:
22.14 Surround Panner
16
Surround Panner
Surround Format:
- (1.1) 16
5.17.110.2

Surround Panner

Surround Panner
22.14.1
Channel()
Left
Right
Left 2
L2
Right 2
R2
Left 3
L3
Right 3
R3
Center
Left Center
Lc
Right Center
Rc
Center Surround
Cs
Center Center
CC
Center 2
C-2
Center 3
C3
Surround
Left Surround
Ls
Right Surround
Rs
Low Frequency Effects
Lf
Left High
Lh
Right High
Rh
Amplifier Channel
Routing 20,
Mouse Mode:
Mono Mix:

Surround Panner
Sync:
Center Mirror:
X Mirror: X
Y Mirror: Y
XY Mirror: X Y
Individual:
Algorithm:
3
Constant Power :

Divergence
Sinusoid :
Divergence
Divergence

Surround Panner
Logarithmic :
Air Absorption:
Surround Panner
Size
Delay:
Surround Panner
CPU
Divergence 0%
Doppler Effect:
KONTAKT
Surround Panner
Size

Surround Panner
Surround Panner Options Doppler Air Absorption Delay
Options: Doppler Air Absorption

Delay LFE
Out Routing Amplifier Module Channel Routing
22.14.2
Output:
Divergence:
0%
Size: 100%

LFE: LFE
LFE
X Shift: X
Y Shift: Y

Surround Panner
Angle:
Distance:
Meter: Surround Format
22.14.3
Surround Panner
Surround Panner

MIDI KONTAKT
KONTAKT Modulation
Router
22.14.4
/MIDI
MIDI Surround Panner

MIDI X ShiftY ShiftAngleDistance
Browser Auto
12.7, Automation
22.14.5
Surround Panner

XY
MIDI CC

Stereo Modeller
XY
Surround Panner plane
plane

Surround Panner
Circular motion.
Surround Panner Angle Sawtooth LFO
Surround Panner Distance
Modulation Router
Invert Master
Editor LFOs Freq
Random motion.2
X Shift /Y Shift
Fly-by paths. X Shift Y Shift

22.15 Stereo Modeller
Stereo Modeller

Delay
Pseudo Stereo:

Spread:

Pseudo Stereo
Pan: Amplifier Pan
Output:
22.16 Delay
5 2900 20
Delay
Time: Master Editor

Speed
Damping:

Chorus
Pan: 0

100
Feedback:
Return:
Dry/Wet
:
22.17 Chorus
Chorus
LFO
Chorus
Depth:
Speed:LFO Master Editor
Speed
Phase0 90 : LFO
Return:
Dry/Wet
:

Flanger
22.18 Flanger
1
Flanger Phaser
Flanger LFO LFO
Flanger
Depth: LFO
Speed: LFO Master Editor

Speed
Phase0 90 : LFO
Colour:

Feedback:
Return:
Dry/Wet
:

Phaser
22.19 Phaser
Phaser
Depth: LFO
Speed: LFO Master Editor

Speed
Phase0 90 : LFO
Feedback:
Return:
Dry/Wet (:

22.20 Convolution
Convolution

Convolution
KONTAKT

Instrument Insert Effects Instrument Send Effects
Convolution
KONTAKT
WAV
Impulse Window:

Pre-Dly : Reverb

Return:

Reverb
Dry/Wet (:
Latency: 5 1.52.95.811.623.2
KONTAKT

Sample Rate: 9 1/11/1.51/21/2.51/31/41/61/8Auto

Preserve Length
Preserve Length
CPU
Reverse Button:
Auto Gain:

Volume Envelope :
8
Early / Late:
3
IR Size:
HighPass:
LowPass:
22.21 Reverb

Gainer
Reverb
Pre-Dly.:
Size:
Colour:
Damping:
Stereo:
Return:
Dry/Wet
:
22.22 Gainer
Instrument Insert Effects
2
Gainer

Inverter
Gainer
Outputs Aux
1 Gainer
Aux
Aux
CPU
Aux
Gainer Aux Aux
Gainer Gain
Return Return
I
Aux 1
Send Levels
Aux
Gain: dB
22.23 Inverter
Inverter
Phase:

Send Levels
Pan:
22.24 Send Levels

Group Insert Effects Instrument Insert Effects
Send Levels
Levels: Send Levels Instrument Send Effects 1
Level meters: LED
Filters
23
Filters
Filters
dB 3 dB
12 dB/ 440 Hz
880 Hz 1 15 dB
1760 Hz 27 dB
1
6 dB 1 -6 dB/
6 -36 dB/
KONTAKT
1 2
4 6
KONTAKT 7
Lowpass Filters
Highpass Filters
Bandpass Filters
Peak/Notch Filters

Multi Filters
Effect Filters
Effect Filters 1
Filters
Lowpass
EQ
5
State Variable (SV): KONTAKT
Legacy: KONTAKT 5 Legacy

SV
SV
Adaptive Resonance (AR): AR

Ladder:

Legacy Ladder
Daft: MASSIVE Daft filter
Pro 53: Native Instruments Pro-53 80
KONTAKT Modules Filters

7

23.1
Lowpass
Cutoff:
Filters
Lowpass
Reso. (Resonance): 0
23.1.1
SV LP1
SV LP1
State Variable (SV)
LP1 1- -6 dB/octave 1-
Resonance
23.1.2
SV LP2
SV LP2
State Variable (SV)
LP2 2- -12 dB/octave
23.1.3
SV LP4
SV LP4
State Variable (SV)
Filters
Lowpass
23.1.4
Ladder LP1
Ladder LP1
Ladder:
LP1 1-
-6 dB/octave Ladder
High Quality:
CPU
Gain:
23.1.5
Ladder LP2
Ladder LP2
Ladder:
LP2 2-
-12 dB/octave Ladder
High Quality:
CPU
Gain:
Filters
Lowpass
23.1.6
Ladder LP3
Ladder LP3
Ladder:
LP3 3-
High Quality:
CPU
Gain:
23.1.7
Ladder LP4
Ladder LP4
Ladder:
LP4 4-
High Quality:
CPU
Gain:
Filters
Lowpass
23.1.8
AR LP2
AR LP2
Adaptive Resonance (AR)

23.1.9
AR LP4
AR LP4

23.1.10
AR LP2/4
AR LP 2/4
Filters
Lowpass

LP2/4 2-pole 4-pole
23.1.11
Daft
Draft
MASSIVE Daft filter
2- -12
dB/octave Gain

23.1.12
PRO-53
PRO-53
Native Instruments PRO-53
4
23.1.13
Legacy LP1
Filters
Lowpass
Legacy LP1
KONTAKT 5 Legacy SV

SV LP1 1-
-6 dB/octave 1- Resonance
23.1.14
Legacy LP2
Legacy LP2
KONTAKT 5 Legacy SV

SV LP2 2-
-12 dB/octave
23.1.15
Legacy LP4
Legacy LP4
KONTAKT 5 Legacy SV

SV LP4 4-
-24 dB/octave
23.1.16
Legacy LP6
Filters
Lowpass
Legacy LP6
KONTAKT 5 Legacy SV

SV LP6 6-
-36 dB/octave
23.1.17
Legacy Ladder
Legacy Ladder
KONTAKT 5 Legacy Legacy
Ladder Ladder Legacy
Ladder Legacy Ladder 4-
-24 dB/octave
23.2
Highpass
Cutoff:
Resonance (Reso.): 0
23.2.1
SV HP1
SV HP1
Filters
Highpass
State Variable (SV)

HP1 1- -6 dB/octave 1-
Resonance
23.2.2
SV HP2
SV HP2
State Variable (SV)
HP2 2- -12 dB/octave
23.2.3
SV HP4
SV HP4
State Variable (SV)
23.2.4
Ladder HP1
Ladder HP1
HP1 1-
-6 dB/octave Ladder
High Quality:
CPU
Filters
Highpass
Gain:
23.2.5
Ladder HP2
Ladder HP2
HP2 2-
High Quality:
CPU
Gain:
23.2.6
Ladder HP3
Ladder HP3
HP3 3-
High Quality:
CPU
Gain:
Filters
Highpass
23.2.7
Ladder HP4
Ladder HP4
HP4 4-
High Quality:
CPU
Gain:
23.2.8
AR HP2
AR HP2

23.2.9
AR HP4
AR HP4
Filters
Highpass

23.2.10
AR HP2/4
AR HP 2/4

HP2/4 2-pole 4-pole
23.2.11
Daft HP
Daft HP
MASSIVE Daft filter
2- -12
dB/octave Daft
Gain:
23.2.12
Legacy HP1
Filters
Highpass
Legacy HP1
KONTAKT 5 Legacy SV

SV HP1 1-
-6 dB/octave 1- Resonance
23.2.13
Legacy HP2
Legacy HP2
KONTAKT 5 Legacy SV

SV HP2 2-
-12 dB/octave
23.2.14
Legacy HP4
Legacy HP4
KONTAKT 5 Legacy SV

SV HP4 4-
-24 dB/octave
23.3
Bandpass
Cutoff:
Filters
Bandpass
Resonance (Reso.): 0
23.3.1
SV BP2
SV BP2
State Variable (SV)
BP2 2- -12 dB/octave
23.3.2
SV BP4
SV BP4
State Variable (SV)
23.3.3
Ladder BP2
Ladder BP2
BP2 2-
High Quality:
CPU
Filters
Bandpass
Gain:
23.3.4
Ladder BP4
Ladder BP4
BP4 4-
High Quality:
CPU
Gain:
23.3.5
AR BP2
AR BP2

23.3.6
AR BP4
Filters
Bandpass
AR BP4

23.3.7
AR BP2/4
AR BP 2/4

BP2/4 2-pole 4-pole
23.3.8
Legacy BP2
Legacy BP2
KONTAKT 5 Legacy SV

SV BP2 2-
-12 dB/octave Legacy BP2 Resonance
Filters
Bandpass
23.3.9
Legacy BP4
Legacy BP4
KONTAKT 5 Legacy SV

SV BP4 4-
-24 dB/octave
23.4
Peak/Notch
Cutoff:
Reso. (Resonance): 0
23.4.1
SV Notch
SV Notch
State Variable (SV)
Notch 4-
Filters
Peak/Notch
23.4.2
Ladder Peak
Ladder Peak
Peak
High Quality:
CPU
Gain:
23.4.3
Ladder Notch
Ladder Notch
Notch
High Quality:
CPU
Gain:
23.4.4
Legacy BR4
Filters
Multi
Legacy BR4
KONTAKT 5 Legacy SV

SV BR4 4-
23.5
23.5.1
Multi
SV Par. LP/HP
SV Par. LP/HP
State Variable (SV)
The Par. LP/HP /
Cutoff: 2
Resonance:
Bandwidth: 2

23.5.2
SV Par. BP/BP
SV Par. BP/BP
Filters
Multi
State Variable (SV)

Par. BP/BP 2
Cutoff: 2
Resonance:
Bandwidth: 2
23.5.3
SV Ser. LP/HP
SV Ser. LP/HP
State Variable (SV)
Ser. LP/HP
Cutoff: 2
Resonance:
Bandwidth: 2

23.5.4
3x2 Versatile
3x2 Versatile Filter 3 3

12 dB/

Filters
Multi
3x2 Pole Multi-Mode Filter

KONTAKT 3x2 Versatile Filter CPU
3x2 Versatile
Filters
Effect Filters
Cutoff: 3
1 2
Shift 2: 2 1
0
2 1
Shift 3: 3 2
Reso.1 to Reso.3 (Resonance):

98%
Type 1 to Type 3: (0.0)
(0.5) (1.0)
Amt.1 to Amt.3 (Amount): 0
Gain:
Gain
23.6
Effect Filters
23.6.1
Formant I
Formant I

Talk Box
Filters
Effect Filters
Talk:
Sharp:
Size:
23.6.2
Formant II
Formant II

Talk Box
Talk:
Sharp:
Size:
23.6.3
Phaser
Phaser
Filters
Effect Filters
Phaser

Phaser
Cutoff:
Reso:
23.6.4
Vowel A
Vowels
Cutoff:
Reso.(Resonance): 0
Filters
Effect Filters
23.6.5
Vowel B
Vowel B
Vowel A
23.7
EQs
KONTAKT
3 EQ
18 dB Bandwidth
EQs
EQ 1-2-3-
3
Freq.(Frequency):
Bandw.(Bandwidth):
Gain:
Filters
EQs
23.7.1
Solid G-EQ
Solid G-EQ
Solid G-EQ KONTAKT EQs
4- EQ /
LF Gain: LF
LF Freq:
LF Bell:
LMF Gain: LMF
LMF Freq:
LMF Q: (Q) EQ Q
EQ
HMF Gain: HMF
HMF Freq:
LMF Q: (Q) EQ Q
EQ
HF Gain: HF
HF Freq:
HF Bell:
KONTAKT
24
KONTAKT
KONTAKT
KONTAKT
Modulation Router
5 Hz

KONTAKT
Source Module Tune
LFO Modulation Router
24.1
KONTAKT 4
Envelopes:
MIDI MIDI 128

KONTAKT
KONTAKT
LFOs (Low Frequency Oscillators): 0.01 Hz 210 Hz

SineTriangleRectangleSawtooth
Random KONTAKT LFO
External Sources: KONTAKT
MIDI
Others:
24.2
Modulation Routers Source

Amplifier Group Insert Effects

1
1
24.3
Modulation Router 1 Mod Modulation

Modulation Router
KONTAKT
Amplifier Modulation Router

Modulation Router Instrument Edit
Rack LFO
Modulation
Modulation Router
Quick-Jump
^
US ~
Modulation Router Quick-Jump
Modulation Router
3 1
KONTAKT
1.
2.
3.
Modulation Router

Modules Modulators 4 1
Stop

Modulation Router Add Modulator

24.4
Modulation Router
Delete
Rack Modulation
24.5
Rack

Modulation Router
KONTAKT
Modulation Router
MIDI CC #69
Modulation Source:
Quick-Jump :
Rack
MIDI CC Number MIDI CC :

MIDI
MIDI CC #1 CC #7 CC #11
MIDI CC Default Value MIDI CC : MIDI
MIDI CC -1
KONTAKT
Modulation Shaper: Intensity
KONTAKT
Active
128
X Y
1

[Shift] [Ctrl]-Mac OS X [Cmd]-
Table

Active [Shift]-[Shift] + [Ctrl]
(Windows) [Shift] + [Cmd] (Mac OS X)
Modulation Shaper
Switch

Mac OS X [Ctrl]-
[Ctrl]-
Invert button:
KONTAKT
Modulation Intensity:
LFO
Smoothing: 0
MIDI
MIDI 128
Smoothing
250
Modulation Target:
25
KONTAKT
4
LFO
KONTAKT
25.1
KontaKT 3
AHDSR: ADSR
4 ADSR
KONTAKT AHDSR Hold Time
DBD: 1
Flexible Envelope:

25.1.1
AHDSR
AHDSR
AHD Only:

1
Retrigger: KONTAKT

Curve: 0
Attack:
Hold:
Decay: Sustain
Sustain:
Release:
25.1.2
DBD
DBD
Retrigger: KONTAKT
Decay 1 (D1):
Break (B):
Decay 2 (D2):
25.1.3
Flexible Envelopes
32
Flexible Envelopes
ADSR

X Y
4 4
Mac OS X [Ctrl]
[Ctrl]-

Mac OS x [Ctrl]
0.5

Mode
SLD FIX SLD
FIX
3 2 1
3 H

2
2
1 2
Modulation Router
2
Retrigger: KONTAKT

LFOs
Tempo Sync:
[Ctrl]-

Master Editor
25.2
LFOs
LFO

LFO
LFO

LFO
20 Hz
1 Hz LFO
KONTAKT LFO 0.01 Hz 210 Hz
LFO
0.01 Hz 40 Hz
LFO - 1

LFOs
KONTAKT LFO LFO

LFO LFO
LFO
Rack Modulation LFO

25.2.1
LFO
Wavefor m : LFO
1 SineTriangle
RectangleSawtoothRandomMulti Multi
Retrigger: LFO
LFO
Freq: LFO Hz
0.01 Hz100 1 210 Hz
LFO MIDI Master Editor

1 LFO
1
Whole 1.0 LFO
4/4 1
Default
Fade in: 0 LFO
5
Start Phase: LFO

0 180 360
Retrigger
Pulsew.Rectangle :
50%
Waveform MixerMulti : Multi

Multi

0.0
Normalize LevelsMulti :
LFO
25.3
25.3.1
32-Step Modulator
32-Step Modulator
Step Modulator 32

Mac OS X Ctrl-
Step
Modulator Master Editor

Freq: Step Modulator 0.01 Hz

100 210 Hz Master Editor
Speed 1
#:
1 2 816
32 Step Modulator
Retrigger: Step Modulator 1
Step Modulator
One Shot: Step Modulator 1
Tools: 2 Reset
0 Snap 1/12 24 12
25.3.2
Envelope Follower
Envelope Follower
Envelope Follower
Attack: Envelope Follower

Envelope Follower
Decay: Envelope Follower

Envelope Follower
Gain: Envelope Follower
Adapt: Envelope Follower
25.3.3
Glide
Glide
Glide

2 Glide
2
Time/Speed: 2 Time
Speed
Speed: Master Editor
Speed
25.4
MIDI Amplifier
KONTAKT
MIDI
MIDI
Pitch Bend: MIDI
MIDI 14
16,384
KONTAKT
Poly Aftertouch: MIDI
Mono Aftertouch:

MIDI CC: MIDI 1280-127 MIDI

#1 =
#7 = #11 = #64 = KONTAKT
0 121
Key Position: MIDI
Velocity: 0-127

Release Velocity:
RLS Trig.Count:
19,
External MIDI 3
Constant:
Random Unipolar: 0 1
Random Bipolar: -1 1
26
OS X [Ctrl] [Cmd]
LMBRMB
26.1
[Ctrl]+[N]
New Instrument
[Ctrl] + [O]
Open Instrument
[Ctrl]+[S]
Save
[Shift] + [Ctrl] + [S]
Save AsSave As
[Ctrl]+[C]
Copy()
[Ctrl]+[V]
[Ctrl]+[X]
Cut()
[Ctrl]+[A]
Select All
[Cmd] + [Q] (Mac OS X), [Alt] Quit

+ [F4] (Windows)
Delete / Backspace
Delete
[F1]
Browser
[F2]
Outputs section
[F3]
Keyboard
[F4]
Master Editor
[F5]
Group Editor
[F6]
Mapping Editor
[F7]
Wave Editor
[F8]
Script Editor
[F9] (Windows), [Ctrl] + [I]
Info Pane
26.2
26.3
Instrument Edit Mode
[Ctrl]+[Z]
Undo
[Ctrl]+[Y]
Redo
[^] [~] ([1]

)
Modulation Quick-Jump
[Esc]
Instrument Edit
26.4
Group Editor
(Function)
[Ctrl] + [D]

Mapping Editor
26.5
Mapping Editor
[Ctrl] + LMB
()
()
[Shift] + LMB
[Shift] + Cursor Keys
[Ctrl] + Cursor Left / Right
[Shift] + [Ctrl] + Cursor

Left / Right
[Ctrl] + Cursor Up / Down
[Shift] + [Ctrl] + Cursor Up /

Down
[Shift] + LMB (
)
Alt + LMB (
)
[+] (Number Pad)
[-] (Number Pad)
[Ctrl] + [T]
[Ctrl] + [E]
[Ctrl] + [R]
[Shift] + [Ctrl] + [R]
[Ctrl] + [D]
[Shift] + [Ctrl] + [E]

Wave Editor
26.6
Wave Editor
[Alt] + LMB (
)
27
AKAI
S-1000
CD-Rom
S-3000 / Mesa
CD-ROM; .s3p; .sp; no extension (Mac OS X)
S-5000 / S-6000 Program
.akp
S-5000 / S-6000 Multi
.akm
Z-4 / Z-8 Program
.akp
MPC 5000
.akp
MPC Sound
.snd
MPC Program
.pgm
ALESIS
FUSION
.afp
EMU
EOS IV
CD-ROM
EIII
CD-ROM
Esi
.esi
Emax II
KORG
TRITON
.ksc & .pcg
KURZWEIL
K2000 / K2VX
.krz
K2500
.k25
K2600
.k26
YAMAHA
A3000
A4000
A5000
MOTIF
.xov
ROLAND
S-50 / S-550
.out
S-700 / S770
.out
FANTOM-G / FANTOM-S
.svd
ENSONIQ
EPS
.efe
ASR-10
.efa
ASR-X
PULSAR
Pulsar STS Program
.p
Pulsar STS Sample
.s
Pulsar STS-5000
.sts
GIGASTUDIO
Gigastudio 1-2.5
.gig
Gigastudio 3
.gig
EXS24
EXS24 mkI
.exs
EXS24 mkII
.exs
HALION
Halion 1 / 2 program
.fxp
REASON NN-XT
NN-XT Instruments
.sxt
RECYCLE
REX 1
.rex
REX 2
.rx2
MACH 5
Mach 5 Bank
.m5b
Mach 5 Preset
.m5p
Mach 5 Performance
.m5m
SOUNDFONT 2
Soundfont 2
.sf2
BATTERY
Battery 1
.kit
Battery 2
.kt2
Battery 3 Kits
.kt3
Battery 3 Cells
.cl3
REAKTOR
Reaktor
.map
LM4
LM4 mk1
.txt
LM4 mk2
.fxp
BITHEADZ
DS-1 Unity
.uds
SAMPLECELL
SampleCell
.ins; no extension / CD-ROM
BEATCREATOR
BeatCreator
.zgr
DR-008
DR-008 Kits
.zgr
RGC:AUDIO SFZ
sfz sample definition files
.sfz
VSAMPLER
VSampler 1 2.5
.vsb
WAVEMACHINE LABS
Drumagog
.gog
WAV
mono / stereo
.wav
multichannel
.wav
AIFF
mono / stereo
.aiff / .aif
multichannel
.aiff / .aif
APPLE LOOPS
Apple Loop
.aiff / .aif
ACID
Acidized Wave
.wav
SOUND DESIGNER 2
Mono / Stereo
.sd2
Disc Formats
Akai S1000 Disc
proprietary
Akai S3000 Disc
proprietary
E-MU Disc
proprietary
Roland Disc
proprietary
Ensoniq Disc
proprietary
Kurzweil Disc
proprietary
Mac HFS Disc (PC)
proprietary
[132]
[61]
[206]
[104]
Send [213]
[36]
[38]
[65]
[182]
[90] [161]
Mod [82]
[82]
[51]
[143]
MIDI [48]
[300]
[148] [151]
[166]
[137]
[135] [136] [137]
[174]
[195]
[187]
[145] [146]
[187]
[209]
[208]
[215]
Outputs [216]
[191]
[193]
[192]
[193]
[27]
[36]
[158] [167] [175]
[165]
[178] [179]
[167] [169] [171]
[171]
[170]
End [165]
Length [168]
Start [164] [165]
[155]
[158]
[165] [182]
[184]
[182]
[183]
[205]
[175]
[27]
[94]
[134]
[28]
[151]
[140]
[159]
[36]
[36]
[282]
[116]
[98]
[59] [65]
[171]
Snap [161]
[161]
[158] [162]
[175]
[158]
[46]
[28]
[99]
[99]
[158]
[164]
[159] [188]
AET Filter [219]

Aftertouch [298]
AKAI [94] [97]
Amplier Module [205]
Apple Loops [97]
Articulation Morph [222]
Attribute [103]
List [100]
[109]
[113]
Audio Engine [118]
Audition [158]
Automation [122]
Unwind IDs [51]
Aux
Channel [217] [253]
Send [60] [62] [254]
[133]
Batch Re-save [41]

Beat Machine [176] [185] [202]
Bitheadz DS-1 Unity [97]
Browser [33] [36] [85]
Button [26]
Chorus [247]
Compressor [229]
Convolution [249]
CPU Overload [46]
Crossfade [150]
Database [33] [99]

Results [100] [108]
[52]
[103] [107]
[100]
[102]
DC Bias [190] [199]
DC [163]
Delay [246]
DFD [197]
Pre-2.0 Patches [51]
Distortion [233]
Effects [68] [121] [219]

Envelope [245] [251]
AHDSR [290]
DBD [290]
Envelope Follower [296]
EQ [122] [280]
Exclusive Group [141]
EXS24 [97]
[93]
File Browser [85]

Files [38]
Filters [122] [255]
Effect [277]
Sampler [256]
Synth [263]
Flanger [248]
Flexible Envelope [291]
Font Size [45]
GigaStudio [94] [97]

Glide [297]
Grid [175] [185] [188]
Group [32]
[138]
[142]
HALion [97]
Help [36]
HQI (Interpolation Quality) [47] [197]
Import [92]
Info [24] [36]
[46]
Insert Effects [210] [212] [213] [216]
Instrument [32]
Create [75]
Default [41]
Header [62]
Load [38] [88]
Options [69]
Referenced Samples [39] [75]
Save [39]
[75]
[60]
Instrument Bank [32] [38] [80]
Instrument Navigator [89]
LFO [245]
Frequency [294]
Waveform [294]
Libraries [97]
Library
Function [98]
Info [98]
Library Folder [40]
Library
[98]
Library
Libraries [98]
Limiter [231]
Lo-Fi [234]
Loop
Edit [173]
Keyswitch [70] [82]

Knob [25]
Kurzweil [97]
Main [35] [58]

Master Editor [83]
Memory
[53]
Metadata [99]
MIDI
Controller [72] [298]
Output [47]
Velocity [298]
[49] [61] [196] [199]
[203]
MIDI
[29] [124]
[30] [125]
Modulation
Sources [122] [282] [289] [298]
[283]
[283]
Modulation Router [285]
Modules [120] [214]
Morph Layer [220]
Morph Map [220]
MP60 Machine [204]
Multi [33] [59]
Default [41]
Load [88]
Reset [41]
Save [41]
Mute [62]
On-Screen Keyboard [82]

Options [44]
Output [33] [36]
Outputs section
Signal Processors [131]
Outputs [130]
[216]
Pan [62] [149] [205]

Performance View [62] [63]
Performance [194]
Phaser [249]
Pitch Bend [298]
Portamento [297]
Purge [62]
Quick-Jump [92]
Quick-Load [126]
Quick-Load Catalog
[128]
Normalize [190]
Rack [33] [36]

Multi Instrument [59]
Rating [104]
Reason NN-XT [97]
Release Trigger [196] [203]
Reverb [251]
Reverse [190]
REX [97]
Roland S700/S770 [97]
Root Key [49] [148] [157]
Round Robin [143]
Tempo
Master [83]
Sync [294]
[25]
Time Machine [177] [200] [201]
Tone Machine [198]
Tuning [149]
Instrument [62]
Reference [84]
Twang [236]
Velocity Morph [221]

S1200 Machine [204]
Sample [32]
Compression [40]
Load [89]
Mapping [154]
Tempo [168]
Saturation [235]
Send Effects [217]
Service Center [36]
Signal Phase [253]
Skin [71]
Skreamer [236]
Solo [62]
Source Module [195]
Step Sequencer [295]
Stereo Enhancer [245]
Surround Panner [238]
Voice Count [61]

Volume [149] [252]
Envelope [205]
Master [83]
VSampler [97]
Wave Editor
External [49]
Yamaha A-3000, A-4000, A-5000 [97]
Zone [32]
End Marker [164]
[144] [149]
[148]
Zone Envelope
Loop [186]

Kontakt 5 Application Reference Japanese PDF

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Kontakt 5 Application Reference Japanese PDF

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Application Reference

Native Instruments GmbH

Native Instruments GmbH

Native Instruments GmbH, 2012.

Pro Tools ...................................................................... 23

KONTAKT 5 - Application Reference - 4

Load / Import ............................................................................................... 50

Minimized View ...................................................................................................................... 58

Rack Multi Instrument ......................................................................................... 59

KONTAKT 5 - Application Reference - 5

Multi Instrument ...................................................................................................... 59

Rack Multi Instrument Edit ................................................................................ 65

Instrument Options ........................................................................................ 69

KONTAKT 5 - Application Reference - 6

Monitor ............................................................................................................................ 116

Modules ........................................................................................................................... 120

Automation .................................................................................................................... 122

13 (Quick-Load Catalog) ..............................................................126

KONTAKT 5 - Application Reference - 7

Aux ................................................................................................... 133

Group List ................................................................................................................................ 139

Voice Groups .......................................................................................................................... 140

Group Start ....................................................................................................... 142

KONTAKT 5 - Application Reference - 8

16.3.3 MIDI ................................................................ 150

Edit ............................................................................................................................ 153

Batch Tools ............................................................................................................................. 155

17 (Wave Editor) ..............................................................................................158

Grid ............................................................................................................................... 166

Sample Loop ................................................................................................................. 171

Sync / Slice .................................................................................................................... 175

KONTAKT 5 - Application Reference - 9

Sampler ..................................................................................................................................... 195

DFD ............................................................................................................................................. 197

Tone Machine ......................................................................................................................... 198

Time Machine ......................................................................................................................... 200

Time Machine II .................................................................................................................... 200

Time Machine Pro ............................................................................................................... 201

Beat Machine ........................................................................................................................ 202

S1200 Machine ..................................................................................................................... 204

MP60 Machine ....................................................................................................................... 204

(Bus Insert Effects) .................................................. 211

(Instrument Insert Effects) ...... 212

(Instrument Send Effects) ................ 213

KONTAKT 5 - Application Reference - 10

21.10 ............................................................................................ 218

AET ....................................................................................................................... 219

Solid Bus Comp ..................................................................................................................... 230

Transient Master ................................................................................................................... 232

Tape Saturator ....................................................................................................................... 233

Distortion .................................................................................................................................. 233

KONTAKT 5 - Application Reference - 11

Lo-Fi ............................................................................................................................................ 234

Saturation ................................................................................................................................. 235

22.10 Cabinet ...................................................................................................................................... 235

KONTAKT 5 - Application Reference - 12

Lowpass .............................................................................................................. 256

Highpass ............................................................................................................. 263

KONTAKT 5 - Application Reference - 13

23.2.5 Ladder HP2 ............................................................................................................ 265

Bandpass .................................................................................................................................. 268

Peak/Notch ............................................................................................................................. 272

KONTAKT 5 - Application Reference - 14