Documentos de Académico
Documentos de Profesional
Documentos de Cultura
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Course and Syllabus Design for Teaching Chinese Abroad
: 36
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652008,1
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20064 P.286-293
7. 2005 3
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10. National Standards in Foreign Language Education Project, Standards for Foreign
Language Learning in the 21st Century ( 3RD Edition ), Printed by Allen Press, Inc.
Lawrence, KS
11. National East Asian Language Resouce Center,
The Ohio State University.
3:
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Chinese Culture with Western Comparisons
: 36
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Introduction
2.
Key concepts
c. cultural construct
d. modernity
2.
3.
a.
The Western framework of the wilderness vs. The Chinese framework of the
naturalness
the bush myth in Western culture
b. the mountains and water myth in Chinese culture
4.
2.
Western translations and interpretations of some Confucian and Daoist ideas in The
Analects of Confucius, The Way and its Power, and The Book of Master Zhuang
5. The appreciation of emptiness, lightness, simplicity in Chinese art vs. the appreciation
of fullness, heaviness, richness in Western art
6. Different interpretations of tranquility and silence in Chinese poetry, music and painting
2. The shift from the concept of harmony to the concept of conflict in both Chinese and
Western ideologies
3.
4.
The meeting of the Chinese and the Western cultures: the postmodern interactions
: 30
30
40
Arnold, D 1996, The Problem of Nature: Environment, Culture and European Expansion,
Blackwell Publishers, Oxford
Jullien, F 2006, The Impossible Nude: Chinese Art and Western Aesthetics, University of
Chicago Press
Owen, S 1992, Readings in Chinese Literary Thought, Harvard University Press
Passmore, J A 1974, Mans Responsibility for Nature: Ecological Problems and Western
Traditions, Duckworth, London
Richard, E N 2003, The Georgraphy of Thought: How Asians and Westerners think differently
and why, Nicholas Brealey Publishing, London
Spretnak, C 1997, The resurgence of the Real: Body, Nature and Place in a Hypermodern World,
Addison-Wesley Publishing Company, Inc. USA
Sullivan, M 1973, The Meeting of Eastern and Western Art, From the Sixteenth Century to the
Present Day, Thames and Hudson, London
Yip, W 1993, Diffusion of Distances: Dialogues Between Chinese and Western Poetics, University
of California Press
2007
1994,
2005
1994
:
:
5:
Intercultural Communication--Concepts, Theories and Strategies
: 36
: 2
:
:
:
Section
1.
Introduction
2.
3.
4.
2.
a.
b.
c.
d.
e.
f.
definition
racial, ethnic, gender, national identities
acquiring and developing identities
establishing and enacting cultural identity
cultural identity and international communication
identity and multiculturalism
3.
4.
a. individualism / collectivism
b. uncertainty avoidance
c. power distance
d. masculinity / femininity
5.
6.
7.
8.
: 30
30
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13. (1999). . :
14. (2004). Crossing Cultural Barriers (Revised ed.). :
(1999).
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22. (1999).
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24. http://www.shihan.edu.cn
25. http://www.hanban.edu.cn
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27. http://www.blcup.com
28. http://cbs.pku.edu.cn
29. http://www.pep.com.cn
30. http://www.bnup.com.cn
31. http://www.fltrp.com
32. http://www.cp.com.cn
33. http://www.hep.edu.cn
34. http://210.72.20.211:3041
35. CHENG & TSUI COMPANY http://www.cheng-tsui.com
36. http://www.cntexts.org
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2
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2. Tones and tone changes
3. Basic information about Chinese characters
4. Strokes, radicals and structures of Chinese characters
1
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1. Factors affecting the difficulty of listening
2. Three models of listening
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4. The role of questions
5. Features of an effective listening course
2
1. Conveying vs. practising language
2. Drills vs. real-thing practice
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4. A basic methodological model for teaching productive skills
5. How to help reluctant students?
2
1. Purpose and strategies of reading
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Harmer, J. (2007)
3.
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Dornyei, Z. (2007)
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