Escalas Armonizadas por Jess Amaya Guitarra & Guitarra

Paso a Paso
Escala Mayor o Jnica

T-T-st-T-T-T-st-

Con # (se construyen por quintas ascendentes)

I(maj7)
C
G
D
A
E
B
F#
C#

II(m7)
Dm7
Am7
Em7
Bm7
F#m7
C#m7
G#m7
D#m7

III(m7)
Em7
Bm7
F#m7
C#m7
G#m7
D#m7
A#m7
E#m7

IV()
F
C
G
D
A
E
B
F#

V(7)
G7
D7
A7
E7
B7
F#7
C#7
G#7

VI(m7)
Am7
Em7
Bm7
F#m7
C#m7
G#m7
D#m7
A#m7

VII()
B
F#
C#
G#
D#
A#
E#
B#

VIII()
C
G
D
A
E
B
F#
C#

V(7)
G7
C7
F7
Bb7
Eb7
Ab7
Db7
Gb7
B7

VI(m7)
Am7
Dm7
Gm7
Cm7
Fm7
Bbm7
Ebm7
Abm7
Dbm7

VII()
B
E
A
D
G
C
F
Bb
Eb

VIII()
C
F
Bb
Eb
Ab
Db
Gb
Cb
Fb

V(7)
G7
A7
B7
C7
D7
E7
F#7

VI(b5#)
Ab5#
Bb5#
Cb5#
Db5#
Eb5#
F5#
G5#

VII()
B
C#
D#
E
F#
G#
A#

VIII()
C
D
E
F
G
A
B

V(m7)
Gm7
Am7
Bm7
Cm7
Dm7
Em7
F#m7

VI(5#)
Ab5#
Bb5#
C5#
Db5#
Eb5#
F5#
G5#

VII(7)
Bb7
C7
D7
Eb7
F7
G7
A7

VIII(7)
C7
D7
E7
F7
G7
A7
B7

Con b (Se construyen por cuartas ascendentes)

I()
C
F
Bb
Eb
Ab
Db
Gb
Cb
Fb

II(m7)
Dm7
Gm7
Cm7
Fm7
Bbm7
Ebm7
Abm7
Dbm7
Gbm7

III(m7)
Em7
Am7
Dm7
Gm7
Cm7
Fm7
Bbm7
Ebm7
Abm7

IV()
F
Bb
Eb
Ab
Db
Gb
Cb
Fb
A

Escala Mayor Armnica o Artificial

st T T st T T T
I()
C
D
E
F
G
A
B

II()
D
E
F#
G
A
B
C#

III(m7)
Em7
F#m7
G#m7
Am7
Bm7
C#m7
D#m7

IV(m)
Fm
Gm
Am
Bbm
Cm
Dm
Em

Escala Mayor Meldica (T T st T st T T)

I(7)
C7
D7
E7
F7
G7
A7
B7

II()
D
E
F#
G
A
B
C#

TNICA
TRANQUILO
I, VI y III

III()
E
F#
G#
A
B
C#
D#

IV(m)
Fm
Gm
Am
Bbm
Cm
Dm
Em

SUBDOMINANTE
MEDIANA TENSIN
IV y II

DOMINANTE
TENSIN
V y VII

Escala Menor Elica

T, st, T, T, st, T, T
I(m7)
Am7
Em7
Bm7
F#m7
C#m7
G#m7
D#m7
A#m7

II()
B
F#
C#
G#
D#
A#
E#
B#

III()
C
G
D
A
E
B
F#
C#

IV(m7)
Dm7
Am7
Em7
Bm7
Fm7
C#m7
G#m7
D#m7

V(m7)
Em7
Bm7
F#m7
C#m7
G#m7
D#m7
A#m7
E#m7

VI()
F
C
G
D
A
E
B
F#

VII(7)
G7
D7
A7
E7
B7
F#7
C#7
G#7

VIII(m7)
Am7
Em7
Bm7
F#m7
C#m7
G#m7
D#m7
A#m7

Fm7
Abm7
Ebm7
Bbm7
Fm7
Cm7
Gm7
Dm7

G
Bb
F
C
G
D
A
E

Ab
Cb
Gb
Db
Ab
Eb
Bb
F

Bbm7
Dbm7
Abm7
Ebm7
Bbm7
Fm7
Cm7
Gm7

Cm7
Ebm7
Bbm7
Fm7
Cm7
Gm7
Dm7
Am7

Db
Fb
Cb
Gb
Db
Ab
Eb
Bb

Eb7
Gb7
Db7
Ab7
Eb7
Bb7
F7
C7

Fm7
Abm7
Ebm7
Bbm7
Fm7
Cm7
Gm7
Dm7

Menor Armnica (se aumenta un st la sptima)

T-ST-T-T-ST-Ty1/2-ST
I(m)
Cm
Dm
Em
Fm
Gm
Am
Bm

II()
D
E
F#
G
A
B
C#

III(b5#)
Eb5#
F5#
G5#
Ab5#
Bb5#
C5#
D5#

IV(m7)
Fm7
Gm7
Am7
Bbm7
Cm7
Dm7
Em7

V(7)
G7
A7
B7
C7
D7
E7
F#7

VI(b)
Ab
Bb
C
Db
Eb
F
G

VII()
B
C#
D#
E
F#
G#
A#

VIII(m)
Cm
Dm
Em
Fm
Gm
Am
Bm

III(b5#)
Eb5#
F5#
G5#
Ab5#
Bb5#
C5#
D5#

IV(7)
F7
G7
A7
Bb7
C7
D7
E7

V(7)
G7
A7
B7
C7
D7
E7
F#7

VI()
A
B
C#
D
E
F#
G#

VII()
B
C#
D#
E
F#
G#
A#

VIII(m)
Cm
Dm
Em
Fm
Gm
Am
Bm

Menor Meldica
(Se aumenta un ST la sexta)

T-ST-T-T-T-T-ST
I(m)
Cm
Dm
Em
Fm
Gm
Am
Bm

II(m7)
Dm7
Em7
F#m7
Gm7
Am7
Bm7
C#m7

TNICA
TRANQUILO
I, VI y III

SUBDOMINANTE
MEDIANA TENSIN
IV y II

DOMINANTE
TENSIN
V y VII

Escala Lidia
(es la mayor con la IV aumentada un st)
I()
C
D
E
F
G
A
B

II(7)
D7
E7
F#7
G7
A7
B7
C#7

III(m7)
Em7
F#m7
G#m7
Am7
Bm7
C#m7
D#m7

IV()
F#
G#
A#
B
C#
D#
E#

V()
G
A
B
C
D
E
F#

VI(m7)
Am7
Bm7
C#m7
Dm7
Em7
F#m7
G#m7

VII(m7)
Bm7
Cm7
D#m7
Em7
F#m7
G#m7
A#m7

VIII()
C
D
E
F
G
A
B

IV()

V()

VI(m7)

VII(m7)

VIII()

Notas en el mstil:

Mixolidia
(es la mayor con la VII bajada un st)
I()
II(7)
III(m7)

F
G
A
Bb
C
D
E

Gm7
Am7
Bm7
Cm7
Dm7
Em7
F#m7

Am7
Bm7
C#m7
Dm7
Em7
F#m7
G#m7

Bb
C
D
Eb
F
G
A

C7
D7
E7
F7
G7
A7
B7

Drica
(Armada desde el 2 de la escala mayor)
T st T T T st T
Cm7
Dm7
Eb
F7
Gm7
Am7
Bb
C7
Dm7
Em7
F
G7
Am7
Bm7
C
D7
Em7
F#m7
G
A7
Bm7
C#m7
D
E7

Gm7
Dm7
Am7
Em7
Bm7
F#m7

A
E
B
F#
C#
G#

B
F
C
G
D
A

Cm7
Gm7
Dm7
Am7
Em7
Bm7

C7
D7
E7
F7
G7
A7
B7

Dm7
Em7
F#m7
Gm7
Am7
Bm7
C#m7

E
F#
G#
A
B
C#
D#

Notas en el mstil:

C#m7
G#m7
D#m7
A#m7

D#
A#
E#
B#

E
B
F#
C#

F#m7
C#m7
G#m7
D#m7

V()
B
E
A
D
G
C
F
Bb

VI()
C
F
Bb
Eb
Ab
Db
Gb
Cb

VII(m7)
Dm7
Gm7
Cm7
Fm7
Bbm7
Ebm7
Abm7
Dbm7

VIII(m7)
Em7
Am7
Dm7
Gm7
Cm7
Fm7
Bbm7
Ebm7

Locria
(sale del 7 grado de la escala de C mayor [cromtico])
st T T st T T T
I()
II()
III(m7)
IV(m7)
V()

B
C
Dm7
Em7
F

C
Db
Ebm7
Fm7
Gb

D
Eb
Fm7
Gm7
Ab

E
F
Gm7
Am7
Bb

F
Gb
Abm7
Bbm7
Cb

G
Ab
Bbm7
Cm7
Db

A
Bb
Cm7
Dm7
Eb

VI(7)
G7
Ab7
Bb7
C7
Db7
Eb7
F7

VII(m7)
Am7
Bbm7
Cm7
Dm7
Ebm7
Fm7
Gm7

VIII()
B
C
D
E
F
G
A

F#m7
C#m7
G#m7
D#m7

G#m7
D#m7
A#m7
E#m7

A
E
B
F#

B7
F#7
C#7
G#7

Frigia
(Armada desde el 3 de la escala mayor)
st T T T st T T
I(m7)
II()
III(7)
IV(m7)
Em7
F
G7
Am7
Am7
Bb
C7
Dm7
Dm7
Eb
F7
Gm7
Gm7
Ab
Bb7
Cm7
Cm7
Db
Eb7
Fm7
Fm7
Gb
Ab7
Bbm7
Bbm7
Cb
Db7
Ebm7
Ebm7
Fb
Gb7
Abm7

Escala Lidia Dominante

T T T st T st T
I(7)
II(7)
C7
D7
D7
E7
E7
F#7
F7
G7
G7
A7
A7
B7
B7
C#7

III()
E
F#
G#
Ab
B
C#
D#

IV()
F#
G#
A#
Bb
C#
D#
E#

V()
Gm
Am
Bm
Cm
Dm
Em
F#m

VI(m7)
Am7
Bm7
C#m7
Dm7
Em7
F#m7
G#m7

VII(5#)
Bb5#
C5#
D5#
E5#
F5#
G5#
A5#

VIII(7)
C7
D7
E7
F7
G7
A7
B7

III(7)
E7
F#7
G#7
A7
B7
C#7
D#7

IV(#)
F#
G#
A#
B
C#
D#
E#

V(#)
G#
A#
B#
C#
D#
E#
F##

VI(m)
Am
Bm
C#m
Dm
Em
F#m
G#m

VII(m7)
Bm7
C#m7
D#m7
Em7
F#m7
G#m7
A#m7

VIII(5#)
C5#
D5#
E5#
F5#
G5#
A5#
B5#

Escala Lidia Aumentada

T T T T st T st
I(5#)
C5#
D5#
E5#
F5#
G5#
A5#
B5#

II(7)
D7
E7
F#7
G7
A7
B7
C#7

Acordes Invertidos
1

C
D
E
F
G
A
B
Cm
Dm
Em
Fm
Gm
Am
Bm

C/E
D/F#
E/G#
F/A
G/B
A/C#
B/D#
Cm/Eb
Dm/F
Em/G
Fm/Ab
Gm/Bb
Am/C
Bm/D

C/G
D/A
E/B
F/C
G/D
A/E
B/F#
Cm/G
Dm/A
Em/B
Fm/C
Gm/D
Am/E
Bm/F#

C/Bb (dominante)
D/C (dominante)
E/D (dominante)
F/Eb (dominante)
G/F (dominante)
A/G (dominante)
B/A (dominante)
Cm/Bb
Dm/C
Em/D
Fm/Eb
Gm/F
Am/G
Bm/A

Frmulas para distintos acordes