Documentos de Académico
Documentos de Profesional
Documentos de Cultura
****
The closet was a big walk-in, far more storage space than we needed on
such a short Caribbean vacation. After we’d folded our beachwear into
three dresser drawers, there was little else to hang—Kara’s two cocktail
dresses, my own lightweight Navy blue blazer and gray slacks. We would
be here for only five days, a brief respite from New York’s brutal
February.
“Honey?” the voice in the closet said. “Come take a look at this!”
Kara and I had come up from the beach at a quarter past four, and
were napping before dinner time. The voice sounded so immediate I
thought it was actually in the room with us. It was a male voice, young
and obviously impressed by whatever it was he was asking “Honey” to
come see. Startled out of a light sleep, it took me a moment to realize that
the voice was coming from our closet, and another moment to
comprehend that it was coming from beyond the closet wall.
Here in the tropics, there was the sound of the ocean rushing the
beach beyond our shuttered windows, and the whisper of palm fronds on
the moonlit balmy night, and once again the same cries of passion spilling
from the closet and across the room to where we lay listening, captive in
our own bed.
We learned the next day that the object of attraction in the closet
next door was an enormous tropical spider. From what we could overhear,
and we overheard all, this was a truly extraordinary bug.
“But let’s hang our things away from that corner, okay?”
****
It wasn’t as if either of us had secret lovers. There was no one else.
Neither had we “outgrown” each other, as the cliché would have it. I’m
an oboe player. I do sit-in work with whichever symphony orchestra has a
musician out sick or otherwise unable to meet a performance date. That
winter, I was playing on and off with the Philharmonic, but such work is
rare, believe me. I usually play with far less distinguished orchestras here
and there around the city. If you have occasion to look me up in a
program sometime, I’m Richard Haig. I sit there in the woodwinds
section, a pleasant-looking man in a black suit, in no way outstanding. I
once played a Galway concert. That was truly exciting.
What I’m trying to say is that neither of us had progressed very far
beyond the other in our twelve years of marriage. I had not achieved
anything more important than Kara had. She had no real reason to feel
threatened by me. She was happy with what she did, and had won no
recognition that might have caused me to feel envious or resentful. There
was no competition between us. We were equal partners, perfectly
content with the people we were.
****
While Kara took long, solitary walks on the beach, I tried to determine
which of the hotel guests were the two in the room next door. They were
young, yes, or at least their voices sounded youthful. They were
energetic, too, undeniably so. In addition to their clockwork afternoon
matinees, Kara and I were treated to audio performances at midnight, and
highly vocal encores just before breakfast. I figured they had to be
honeymooners. But then, something Sweetie said—he was the male—
changed my mind about that.
They were talking about a sweater they were searching for in the
closet; the nights here in the tropics tended to get a bit chilly. Sweetie was
trying to remember where they’d purchased it. It was clear that they’d
been together on vacation someplace. Had it been Bali? South America?
My interest was piqued. Kara and I had been to these places as well. Then
Sweetie said, “I remember.”
“Paris!”
****
Years ago, I forget how many, Kara and I used to play a game where we
tried to determine whether any given tourist was an American or a
foreigner. There were only two rules: we had to guess before we heard a
person speak, and dining habits didn’t count; we knew that foreigners cut
their meat and forked it into their mouths without changing hands. We
learned to look for facial expressions and hand gestures, the manner in
which a person walked, hair styles, tailoring, shoes. To our amazement
and delight, we were soon able to guess correctly at least eighty percent
of the time. We used to play lots of games like that.
****
The crowd here was a bit young for such dated fare, but the dance
floor was an outdoor oval fringed with red bougainvillea, yellow hibiscus
and purple jacaranda, and it lured dancers as surely as might have the
rock and roll we grew up with. Here under the stars, couples clung to
each other and swayed to swingless renditions of Glenn Miller
arrangements. There were four or five blondes on the dance floor. Each
danced with her eyes closed, tight in the circle of her partner’s arms. I
wondered if one of them was Honey.
Once, on La Costa Brava, I forget when, it must have been five or
six years ago, Kara and I returned to the hotel after a midnight Spanish
dinner and swept onto the dance floor like professional flamenco dancers.
Everyone applauded.
“Thanks, Richard, no,” she said. “The sun really knocked me out
today.”
****
On the plane home, Kara made tentative sketches for the new book
she’d accepted, and I finished reading the biography I’d started. I must
have napped. The captain’s voice woke me up. I elevated my seat and
turned to where Kara was still asleep. I touched her shoulder.
Long ago.
****