Documentos de Académico
Documentos de Profesional
Documentos de Cultura
3
Thursday
May 27, 2010
Publishers Weekly’s Show Daily is produced each day during the 2010 BookExpo in New York.
The Show Daily press office is in room 1C02. PW’s booth is #4841.
A L L T H E B U Z Z O N B O O K E X P O A M E R I C A
© Steve Kagan.com
you do that?” said Allison Penguin’s Susan Petersen selling Earth’s
Hill, president/COO of Vro- Kennedy said she was happy Children series
man’s Bookstore in Pasa- with the turnout and that will be published
dena, Calif. Despite some there was a good mix of March 29, 2011.
The shorter show made for long lines at the opening bell but they moved swiftly hallward.
changes in the scheduling booksellers and media at Titled The Land
and duration of this year’s this year’s show. Harlequin’s as one marketing manager important as ever. As Miller of the Painted
BookExpo, Hill’s comments Amy Jones added that she noted, Monday, Tuesday, and noted, with more and more Caves, it will be
summarized that industry thinks the move to midweek Wednesday nights are pop- pressure on smaller retail- published in both
members still love BEA for has allowed more librarians ular nights for in-store author ers as the e-book business hardcover and e-book edi-
what it’s traditionally been to come to the show: “the events. And still others, said grows, BEA allows book- tions, and in a rare move, it
about—bringing booksell- mood is much more positive one sales rep, were disap- sellers to share ideas and will be published simultane-
ers face-to-face with editors, even than last year.” pointed with the switch to commiserate. “The more ously in all territories, in a
celebrities, and big-ticket Of course, booksellers midweek, since they could no bookselling is under siege,” one-day laydown, orches-
authors. weren’t without complaint. longer make a long weekend he said, “the more booksell- trated by Jennifer Weltz and
Overall, people thought Some were frustrated by the out of their BEA trip. ers want to connect and the Naggar Agency, with deals
traffic on Wednesday was lack of the galleys. Others Regardless of the inevita- prosper.” so far in the U.K., Croatia,
strong. And booksellers, complained about having to ble complaints, the heart of With additional reporting Finland, France, Germany,
despite some grumbling, leave their stores on nights BEA, which allows booksell- by Judith Rosen and Claire Holland, Japan, Norway,
embraced the shift to mid- dedicated to in-store events— ers to come together, is as Kirch Serbia, Spain, and Sweden.
week. Workman’s group The new book also marks a
publisher, Bob Miller, called significant first for the author:
MOTIV8N’ U
the mood “rocking,” noting, The Land of the Painted
“It feels busier and more by Staci Boyer Caves will also be published
energetic than it has in the Weight loss shouldn’t be your only in an e-book edition, and for
past five to six years.” Will fitness goal. Motiv8n U helps you the first time, Auel’s entire
Weisser, v-p, associate pub- series will be published in e-
strengthen 8 major components of life
lisher, marketing director book format. Bantam will
of Portfolio/Sentinel, said, essential for true health and fitness. bring out e-book editions of
“People seem happier about the previous books in advance
the midweek. It’s certainly Signing in the Autograph of the new installment.
more convenient for New Auel’s groundbreaking
York publishers.” And both
Area today at 10AM Earth’s Children series has
Miller and Weisser noted Table 8 sold more than 45 million cop-
that attendees seemed less ies worldwide, and more than
focused on the economy The Road Through Wonderland 22 million copies in the U.S.
this year. alone. The series began with
Surviving John Holmes
Roger Cooper, publisher the classic Clan of Cave Bear
of Vanguard Press, was happy by Dawn Schiller (1980). In 1985, the third in the
with the greater focus this A young girl, caught up in a lifestyle of drugs series, The Mammoth Hunt-
year on digital: “People are and insanity, who overcame her past and ers, was the first hardcover
talking about e-books and novel to have a one million-
ultimately became a powerful example of the
different platforms, more copy printing. The last install-
than just what’s the hot new courage and resiliency of the human spirit. ment, The Shelters of Stones
book.” Cooper elaborated (2002), debuted at #1 on 16
that it’s been exciting to see Signing in the Autograph international bestseller lists.
people on the show floor, Area today at 3PM Maya Mavjee, Crown presi-
tech entrepreneurs and dent/publisher, said Auel’s
others in the digital space,
Table 12 fans “will be thrilled with this
interested in the content m e d a l l i o n p r e s s . c o m stirring and satisfying finale.”
the industry creates and the Medallion Press is located within IPG booth #2723 —Andrew Albanese
2 BEA SHOW DAILY ■ DAY 3 PUBL I SHERS W E E K LY THURSDAY, MAY 27 , 2010
TRADITIONAL HIGHLIGHTS
SIGNINGS OF THE DAY
T d iin the
Today h Autographing
A hi Area
A
meet two women who overcame MEETINGS AND EVENTS
8-9:30 a.m. Adult Book & Author Breakfast. Master of Ceremonies,
violence and tragedy to become an Jon Stewart; Speakers, Condoleezza Rice, John Grisham, and Mary
inspiration to others Roach (Special Events Hall)
8:30 a.m.-5 p.m. “Big Ideas at BEA.” Sessions include Big Name Authors with|
Graphic Novels: How Will this Change the Market (1E14); Tomorrow’s
THROUGH HER PERSONAL LIFE STORIES OF Library in a World of Digits (1E15); and Maximize Your Sales Potential:
Amazon for Small and Mid-Size Publishers (1E03)
STRUGGLES AND SUCCESSES STACI WILL SHOW 8:30 a.m.-5 p.m. Global Market Forum: Spanish Publishing Text
YOU HOW TO RESTRUCTURE YOUR BELIEFS AND 9 a.m.-5 p.m. Exhibit Hall, Author Stages
BEHAVIORS AND POINT YOU TOWARD A BETTER LIFE 9 a.m.-5 p.m. International Rights & Business Center
Noon-2 p.m. Adult Book & Author Luncheon. Master of Ceremonies: Patton
Staci Boyer Oswalt. Speakers: Christopher Hitchens, Sara Gruen, and William Gibson
TABLE 8 AUTOGRAPHS
Diane Chamberlain, Charles Elton, Mo Williams, Dr. Wayne Andersen, Patti
10:00A.M. LuPone, Tia Stewart, Jane Velez-Mitchell, James Gurney, Linda Lael Miller,
Deborah Coonts, Michael Connelly, M.J. Rose, Carla Neggers
Dawn Schiller
THE ROAD THROUGH WONDERLAND
SURVIVING JOHN HOLMES
TABLE 12
3:00P.M.
© Steve Kagan.com
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Big Books of the Show The Way She Was Barbra Streisand insisted during Tues-
day evening’s keynote that she was too
Justin Cronin’s The Passage is the for My Son, a collection he’s been put- private and too busy to write her mem-
book on everyone’s list. Ballantine ting together since his son was born oirs, so she decided to write a book about design instead. But My Passion for
has been heralding it for months eight years ago. “No publicity,” Melt- Design (Viking, Nov. 16 ), reveals the woman behind the superstar as truly as
and it’s being cradled by badge zer says, “but the book is showing up any autobiography she might have written.
holders all over the show. as #2 on the New York Times list.” As Gayle King, editor-at-large for O magazine, interviewed “the newest and
“It’s a hot book, everyone’s talking As BP makes another effort to surely the hardest-working author” before an audience of 2,000, Streisand
about it,” says Joshua cap the oil spill in the recalled how a failed movie project, A Normal Heart, inspired her to “redirect
Jason, Mystery Pier Gulf, the environment [her] passion into another form” and build her dream home—a complex of
Books, West Holly- is more front and cen- buildings built in a rustic, quasi-European style—on California coast property.
wood, Calif. Juan ter than ever, and Streisand made it clear that writing a book about her houses, her furni-
Vallejo of New York Rowman & Littlefield ture, and her gardens became a vehicle for her to disclose how a childhood
City’s Biography Book- has a timely book. In of deprivation in Brooklyn—having a doll made out of a hot-water bottle,
shop agrees. “Every- fact, the publisher has growing up in a tiny apartment that lacked a couch—forced her to use her
one at the bookstore moved up the pub imagination and develop her strong sense of style.
who’s reading it is lov- date for Clean Energy “I don’t regret anything. It makes you who you are. It made me responsi-
ing it.” Arlene Kovach Common Sense, ble for my success,” she said to applause, while describing how she worked
from Borders at Gar- thanks to the oil spill. closely with architects and contractors on her homes, which are furnished
den State Plaza, N.J., The introduction is by with a lot of couches, as “couches to me are very special.”
thought the line was too long to wait Robert Redford. And Jon Stewart’s While the interview was for the most part a lighthearted conversation
for a galley, but can’t wait to read it: Earth: A Visitor’s Guide to the between two celebrity friends about one’s property and her attitudes toward
“I’ve heard it’s like Stephen King’s Human Race is a popular take on a color and objects, there were several poignant moments, such as when Strei-
The Stand, which was one of my all- serious issue (Grand Central). sand talked about her late father’s love of books—Shakespeare, Ibsen, Russian
time favorite books.” On the mystery front, David novels, and Greek tragedies—and how he passed his love of literature on to his
Bill Cusumano, adult book buyer, Thompson of Murder by the Book, daughter, whose homes include collections of leather-bound literature care-
Nicola’s Books, Ann Arbor, Mich., is in Houston, Tex., says Dead Zero by fully chosen to coordinate with the rest of that room’s interior.
touting Ape House by Sara Gruen Stephen Hunter (S&S) is excellent. As King and Streisand walked toward the stage left exit after the inter-
(Spiegel & Grau). “By page 20, you’re view concluded, several in the crowd shouted, “We love you, Barbra!” Strei-
totally drawn in. It’s better than Small Press on the Radar: sand paused briefly, seeming touched at being welcomed with such warmth
Water for Elephants.” Dan Radovich, Coffee House’s Extraordinary Rendi- into the book world, before disappearing from sight behind the curtains.
from the Deerfield, Ill., Barnes & tions by Andrew Ervin has been —Claire Kirch
Noble, is looking forward to reading nominated for a Moby Award, which
it, hoping the apes will be as great as has had booksellers asking for it all
the elephants. And speaking of pri- day long. And at Graywolf, Per Pet-
mates, they are the stars of Twelve’s terson’s I Curse the River of Time, is
The Evolution of Bruno Littlemore by flying out of the booth. In the Dark
debut author Benjamin Hale, and the Streets Shineth: A 1941 Christmas
word is “awesome.” Story by David McCullough, from
Radovich is also wild about Room Shadow Mountain Books, a Mormon
by Emma Donoghue (Little, Brown): Press, has Sue Zumberge from Com-
“One of the best reads of 2010.” As is mon Good Books in St. Paul, Minn.,
Ana McDaniel, manager of the planning to do something new: “I
Bookseller in Brattleboro, Vt.: “It’s never sell Christmas books, but this
got a sensational topic, but more one is going to do well. Lovely book,
than that, the writing’s solid.” well-known author.”
Speaking of Room, Roberta Rubin Again with the mystery, Thompson
from the Book Stall, in Winnetka, Ill., of Murder by the Book declares Inno- Cornelia Funke at her signing for
and Barbara Theroux, from Fact and cent Monster by Reed Farrell Cole- Reckless, first in a new series
Fiction, Missoula, Mont., both include man (Tyrus Books, Madison, Wis.) from Little, Brown. With her are
Melanie Chang and Jennifer Hunt,
it in their top two picks; the other: “absolutely fantastic, 50 pages in.”
both of Little, Brown.
Bruno Littlemore again. Several indies expressed high
Steve Berry’s The Emperor’s hopes for A Novel Bookstore (Europa)
Tomb (Ballantine) has Michael Bur- by Laurence Cossé.
saw of Mystery Mike’s Bookstore, in
Carmel, Ind., excited. “I’m crazy for And Finally…
Berry’s books, but we have to thank Travels in Siberia (FSG) by indie
Dan Brown for reviving the genre of favorite Ian Frazier, Man in the
religious mystery. In fact, Steve Woods by Scott Spencer (Ecco), and
The Duchess of York tore herself away from a U.K.
Berry has thanked Dan Brown for An Object of Beauty (Grand Central),
scandal to help promote her children’s book and also
making it all possible.” actor/comedian Steve Martin’s foray moderate Wednesday’s Book and Author Breakfast.
Stephanie Singer of the Jewish into New York City’s art world, gained
Community Center in San Fran- significant mention on the floor.
cisco, Calif., is looking forward to Okay, let’s not forget the ubiqui-
Scorpions, Harvard professor Noah tous and megaselling James Patter-
Feldman‘s biography of FDR and son. Did we mention prolific? His
four of his Supreme Court Justices. new galley from Little, Brown reads
Jonathan Karp of Twelve, Feld- in two directions, all the better to fea-
man’s publisher, says that these jus- ture two books: Private (with Maxine
tices “would have a hard time being Paetro) and Cross Fire, an Alex Cross
confirmed today.” thriller in which Alex gets married.
Geri Diorio from the Ridgefield Coming upon the man himself and Carl Hiaasen signing copies of his
All photos © Steve Kagan.com
Library in Ridgefield, Conn., is inquiring which of his books at the new book for Knopf, Star Island,
thrilled about the new Brad Melt- show was the biggest, he answered, which publishes in July.
zer from Grand Central—The Inner “They’re all big.” Bill Shinker (left), publisher at Gotham Books, chats with David
Gernert, who is John Grisham’s agent. They were at the Penguin
Circle, set in Washington, D.C. And every author and publisher
booth because Grisham’s first book for kids came out this week,
Meltzer himself was talking about on the floor might say the same. from Dutton.
his book from HarperStudio, Heroes —Louisa Ermelino
THURSDAY, MAY 27 , 2010 PUBL I SHERS W E E K LY BEA SHOW DAILY ■ DAY 3 5
© Steve Kagan.com
ing influence-peddling scandal, all passion, and compromise”— Star Wars over and over, “like a
eyes were on master of ceremonies are at the core of her new series. piano player practicing scales.”
Sarah Ferguson, the Duchess of “At the end of the day, I’m a He has just finished touring for
York, who showed off a self-depre- children’s book author, I’m his new book about gamers from
cating sense of humor in her opening Sarah Ferguson, I’m a mother, Breaking bread with Doctorow, Peck, Fergy and Perkins. across the globe attempting to
remarks. “Maybe I should take a leaf and I’m very proud of that.” adult writer—something he said unionize, and said that while the
out of one of my own books,” Fergu- Cory Doctorow (For the Win, Tor) was inextricably entwined with his experience of writing can grow more
son joked (one of the titles is Ashley choked back tears at several points being a young adult reader. His banal over time, meeting fans is a
Learns about Strangers). during his presentation, which cov- early experiences with storytelling constant source of excitement and
Ferguson’s latest children’s book ered his path to becoming a young included his father’s kid-friendly, energy. “Young adult literature is the
most serious literature we have,” he
said, “because it’s written for the
most serious audience we have.”
HOW DO YOU
While discussing her path to
becoming a writer, Mitali Perkins
(Bamboo People, Charlesbridge)
dwelled on the idea of books serv-
SHOW
YOUR COLORS?
ing as mirrors and/or windows for
readers. Perkins recalled her first
time entering the Queens Public
Library (“at seven years old, I felt
like I’d walked into Ali Baba’s cave
of treasures”), which began a love
affair with books like Little Women,
The Little Princess, and Emily of
Deep Valley. Despite being raised in
a “village Bengali” home environ-
ment in Queens and in California,
Perkins said she used these books
as mirrors to her own life (namely,
her love of her sisters and a grow-
ing sense of social awareness).
Perkins said she was gratified that
Enter ecosystem, the fresh line of notebooks with a pulse. 100% eco-minded, 100% made in the USA. With bold designs for such a mirror worked both ways—
everyday life and inspired living, the system offers owners a collection of color, size and format combinations to engage any personality. she described getting a letter from a
reader in Lancaster, Pa., who was
Featuring colors vibrant as a new perspective—kiwi, clementine, lagoon, watermelon, onyx, and now grape—the ecosystem
able to draw parallels between her
collection is designed to empower and motivate people while providing a platform to capture the next generation of ideas.
life and that of the protagonist in Per-
kins’s Secret Keeper, which is set in
Choose your: 1. size 2. cover 3. color 4. interior 1970s India. She praised booksellers’
ability to connect children with books
RULED NOTEBOOK they might not immediately gravitate
toward, equating them with a “slant
of light” that has “the power to change
12 or 18 MONTH mirror books into window books and
PLANNERS
window books into mirror books.”
GRID NOTEBOOK
“The English may have invented
childhood, but we Americans
invented adolescence,” said Richard
BLANK NOTEBOOK Peck (Three Quarters Dead, Dial),
NEW!
grape who cited the 1973 abolishment of
the draft by Nixon as the moment in
which the balance of power shifted
Choose the components to build an ecosystem entirely your own,
from adults to youth. He tempered
then power the content.
his description of the current state of
Find out more at ecosystemlife.com YA publishing as a “golden age” by
calling this a “dark age to be young,”
in large part due to the technological
revolution, with “screens that stay
hot long into the night, long after par-
12:00-12:45 pm Nonfiction Hour Kathy Kinney & Queen of Your Own Life
Cindy Ratzlaff
Erin Bolger The Happy Baker
Dr. Howard Shapiro & Eat & Beat Diabetes with
Franklin Becker Picture Perfect Weight Loss
1:00-1:45 pm Linda Lael Miller Hour Linda Lael Miller McKettricks of Texas: Tate
Booth #3922
© Steve Kagan.com
Nash at a Wednesday morning three years, you lose your He stressed there was still a role
panel entitled Rights, Royalties & author,” Nash noted. “You for agents in the age of abundance,
Retailers: What Works. In his open- renegotiate.” because “publishers can still suck.”
ing remarks, Nash spoke about He referenced Tues- Rights issues were debated by (l. to r.) Andrew Weinstein, Scott He said agents would serve impor-
publishing in the “age of abun- day’s CEO panel where Waxman, Laura Dawson, Richard Nash, and David Marlin. tant roles in auditing publisher ser-
dance,” telling attendees that suc- panelists like Esther New- vice and identifying new opportuni-
cess in the digital age is no longer berg and Scott Turow engaged in “a publishers have only explored a ties.
about securing lifetime monopolies pissing match” over who gets what small range of prices, he explained, Nash was joined on the panel by
associated with copyright, or con- slices of the pie. “You make a bigger from $6 to $35 roughly, but the digi- literary agent Scott Waxman,
trolling the content pipe, but about pie,” Nash implored. Traditionally, tal age, they can now explore a full Ingram’s Andrew Weinstein, Meta-
Comet’s David Marlin and modera-
tor, consultant Laura Dawson. Wax-
man talked about his new e-book
venture called Diversion, which he
said was an attempt to explore digi-
tal options for writers for whom
fewer houses were taking chances.
He said he had 20 writers signed up
and another 30 on tap, writers he
characterized as “midlist, but wor-
thy.”
Marlin told attendees that while
the digital realm brought with it a
degree of uncertainty, there was
also greater opportunity. “There
are so many ways to monetize con-
tent, more ways to consume it.” He
spoke of the need to create a more
transparent, and more easily navi-
gated, rights realm, but said the
real challenge for authors is negoti-
ating the “signal-to-noise ratio,” in
other words, helping users find
quality, and offering visibility to
authors and publishers.
During the Q&A came the inevi-
table question: piracy. For all the
promise of digital, what about the
ease with which content can be
pirated? Nash suggested that the
key to defeating piracy was to cre-
ate ways to profit off un-piratable
content: “You can’t pirate a Mal-
colm Gladwell speech, you can’t
pirate a leather-bound book, and
you can’t pirate a dinner party with
Paul Auster.
Perhaps the session’s underlying
themes were best exemplified by a
question from first-time author
Kimi Puntillo, whose book Great
Races, Incredible Places was
recently published by Bantam. For
all the work authors do, they see so
little return, she noted, from tradi-
tional publishers. “Why bother?”
she asked. Marlin again referenced
the signal-to-noise argument, not-
ing that publishers establish the
signal. “To be a brand,” he noted,
“you need to be a signal.” Nash said
the “key to happiness” is finding an
effective business partner. “Writers
write, readers read, and there are
intermediaries,” he said, to help
bring them all together. “Look for
those intermediaries who will help
maximally,” he said, “and reward
them appropriately.”
—Andrew Albanese
Jon Scieszka
Jeff Kinney • Mac Barnett
David Lubar • Adam Rex
Thursday, May 27
1:00 p.m. • Downtown Stage
What more could a guy ask for?
through best-of-breed technologies, Baker & Taylor now offers publishers and customers
bundled physical and digital media distribution services. And as always, the speed, selection and service you
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software
Bruce Feiler’s New Walk “It changed me,” he says. “It encour-
aged me to build a new kind of com-
In the summer of 2008, bestselling inward and compiled a list of six munity with my girls at the center.
author Bruce Feiler received a terri- close male friends he felt could be These men as my council are a cen-
ble diagnosis—a cancerous sarcoma there for his young twin daughters if tral part of that.”
in his left femur would require che- he could not. He shares how he and In the book, Feiler speaks of his
motherapy, radiation, and a life- his wife crafted this support network time with cancer as “a lost year.”
threatening operation that could in The Council of Dads: My Daugh- Unable to walk, he spent a lot of time
leave him permanently unable to use ters, My Illness, and the Men Who thinking reading about walking. In
his leg—if he survived the cancer. Could Be Me (Morrow, May), which Surviving cancer through community. the process, he came across an inter-
Very bad news for a man who he will autograph today at 10:30 a.m., have really benefited. It has become esting tidbit—a Parisian fad of 200
made his literary reputation retrac- Table 24. “The idea at the heart of this our inner circle.” years ago had people taking turtles
ing the footsteps of the biblical big- is building a bridge between your Feiler hopes to help others con- out for walks. “I love this,” Feiler says.
wigs—Moses (Walking the Bible), family and your kids,” Feiler tells struct their own Council of Dads and “It became my motto for my girls—
Abraham (Abraham: A Journey to the Show Daily. “It creates a new kind of has set up a Web site (www.councilof- learn to walk with a turtle. You hurry,
Heart of Three Faiths), and Joshua community. The secret behind The dads.com) to get them started. He you get where you are going, but you
(Where God Was Born). But Feiler, Council of Dads is that we did it for hopes the Web site and the book will get there alone. You slow down, you
then a 43-year-old new father, turned the girls, but we are the ones who encourage people to do what he did. get where you are going, and you get
there with all the people you collect
along the way.” —Kimberly Winston
Barbecue
New Books Worldwide
New You!
After a five-year writing hiatus dur-
ing which Steve Raichlen traveled
WHY DO WE BELIEVE
THINGS THAT
AREN’T TRUE?
ARE WE
INVESTED IN THE
CULTURE OF BLAME?
© BRENT HOLLAND
THE WATCHMAN’S RATTLE.
The Little Book That Could along with the more modern Alan
Furst and his exile-on-the-run
craft,” she notes, “and that you can
always learn how to do it better.”
Authors’ first back at the same drama. It’s a love story, spy story, and Apparently this was a self-fulfilling
books usually time,” Malcolm, a historical time trip all in one.” prophecy, because Heart of Lies
don’t follow a path former attorney After attending several workshops (originally published as Heart of
from small press and journalist, with romance writers because Deception) won ForeWord magazine’s
to self-published recalls. On the “they’re very savvy women,” Mal- 2009 award for historical fiction.
to a major house, strength of the colm enrolled in the summer writ- The author is scheduled to sign
© Lauren Nguyen
but M.L. Malcolm’s hardcover sales of ing program at the University of copies of her book today, 2–2:30
debut novel, Heart the first book, she Iowa. “I believe that writing is a p.m., at Table 17. —Wendy Werris
of Lies (Harper- signed a distribu-
Collins, June), tion deal with Mid-
Come visit us at our stand 4429 | Hall 3A at the Book Expo America
www.adbookfair.com
Platinum Sponsor
16 BEA SHOW DAILY ■ DAY 3 PUBL I SHERS W E E K LY THURSDAY, MAY 27 , 2010
© Eric Dobbs
as heroes and aggressors. Women to unsettle our fixed ideas presents a series of 45 large-scale
and children were simply victims of about Americans at war,” color photographic portraits and
the conflict. But the wars in Iraq and says Browder, “and their nar- oral histories of women combat vet-
Browder shares her insights about women soldiers.
Afghanistan have radically altered ratives could add dimension erans, can be seen at the Women in
the role of women in war and within to the often flawed or fragmentary ing. “I could easily imagine this Military Service for America Memo-
America’s armed forces. In When representations of women soldiers book having been published by a rial at Arlington National Cemetery
Janey Comes Marching Home: Por- in popular culture: as novelties, but commercial house, but I think it in Arlington, Va., May 1–September
traits of Women Combat Veterans, not as real soldiers. would have been quite different. We 5, 2010, and at the National Museum
Laura Browder’s oral histories are For Sian Hunter, senior editor at tailored the publication process to of the Marine Corps in Triangle, Va.,
juxtaposed with 48 photographs by University of North Carolina Press, make sure Laura’s academic and July 10, 2010–October 9, 2011.
Sascha Pflaeging to provide a dra- the book is a testament to the Sascha’s photographic expertise Browder and Pflaeging are signing
matic portrait of today’s women at importance of university publish- were highlighted, and we kept their today, 2–3 p.m., at Table 24 in the auto-
graphing area. Copies of When Janey
Comes Marching Home are also avail-
able at the UNC booth (3723).
Turner’s First
adventure with Mo Willems! BEA Turn
The National Enquirer has come a
Mo will be signing long way, from once being dismissed
Knuffle Bunny as a sleazy supermarket tabloid with
little credibility to becoming a viable
posters and F&Gs* at contender last year for a Pulitzer
© Calvin Ki
became terrified about a massive hippie invasion
and pulled the plug.
Tiber was working nearby at his parents’ motel Tiber made history!
and was also the president of the Chamber of Com-
merce in Bethel, N.Y. Max Yasgur, whose farm eventually hosted Wood-
stock, was his milkman. When Tiber heard about Lang’s trouble, he man-
aged to get him on the phone with four fateful words: “I have a permit.” The
rest is history.
Tiber’s comedic countdown to Woodstock is delightfully described in Tak-
ing Woodstock. With a knack for being at the right place at the right time,
Tiber tells Show Daily he was sitting in the green room of a morning talk-
show program while promoting the book when director Ang Lee walked in.
“I said to him, I love all your films but they are so sad, wouldn’t you like to do
a comedy?” Ang Lee replied, “I love humor, but I haven’t found the movie to
do yet.” Tiber quickly said, “Yes, you have!” and handed him Taking Wood-
stock. Ang Lee’s subsequent movie adaptation, along with the paperback
tie-in from Square One, were released in 2009 in time for the 40th anniver-
sary of the festival.
Rudy Shur, publisher of Square One, tells Show Daily that though his spe-
cialty is alternative health, not memoir, he knew there was something
unique about Tiber. “He is a gifted humorist, an absurdist humorist. No mat-
ter what the circumstances, he would have a funny line. Elliot’s life is like a
movie. One day we were talking, and he said, ‘Did I ever tell you the story
about Judy Garland, the mob, and the birthday party?’ I said, that’s as good
as your Woodstock story.” This October, Square One will release Tiber’s new
book, Palm Trees on the Hudson: A True Story of the Mob, Judy Garland &
Interior Decorating.
It is a “prequel” to his Woodstock days and includes his adventures as an
interior decorator in New York City. The title refers to an A-list birthday
party he was asked to design circa 1968. The venue was a large ferry on the
Hudson River, and both the mayor of New York and Judy Garland were
guests. Tiber, who is gay, was later part of the Stonewall riot that ignited the
gay pride movement of the late 1960s. He says Judy Garland was a lifelong
hero to him and the gay community. “Her message in the song ‘Over the
Rainbow’ from The Wizard of Oz was [that] at the end of the rainbow there
was a chance for a better life, not a pot of gold, but a better life.”
As to what happened to the party, Judy Garland, some “wiseguys,” and
100 rented palm trees that ended up bobbing down the Hudson River, you’ll
have to wait for the new book or ask Elliot Tiber today. He will be signing
copies of Taking Woodstock at the Square One booth (3250), 11 a.m.–noon.
—Karen Jones
—— N G
“Utterly ——
SI
IS ———
ON-SALE JULY 2010 L M ——
absorbing.” T IL ———
S —
—KATHY REICHS “I am still amazed at the way Chevy Stevens U T th!
was able to shift between two voices in telling A BO ou od
e
E o fM r-
ba t,
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her story...I absolutely devoured this book.” V d D visi
“Irresistible…from the
RA or
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2 or
t his ne ing
opening when Annie —RENE KIRKPATRICK, THIRD PLACE BOOKS S al W of ho ss
re rt P llmi
R
E tu u
t a ti
Pic Sm m/s
says to her psychiatrist,
‘No, I wasn’t always I EW e Ac a
ke ou .c
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“The reader’s attention is held R ce EV th w ma tch
st wa
such a bitch,’ to the
captive along with the victim D n to
unexpected ending…” AN rie
e
—MARILYN DAHL, until the end of the book.”
E RS Exp
SHELF AWARENESS —JUDI WUTZKE, L L
E ——
“AND BOOKS, TOO” S —
O K
———
BO ———
———
—
20 BEA SHOW DAILY ■ DAY 3 PUBL I SHERS W E E K LY THURSDAY, MAY 27, 2010
AUTHORS
believe you might not be able to control your circumstances, but you can con-
trol how you react to your circumstances.” She credits them with making her
childhood a happy one even though she grew up in a segregated South—she
spent her first dozen years in the Titusville section of Birmingham, Ala. They
AT THE S H OW did their best to protect her from the violence surrounding her, including the
1963 bombing of a nearby church that killed four black girls. “I didn’t have a
white classmate until I moved to Denver,” says Rice.
Condoleezza Rice As a teacher, professor of political science, and senior fellow at the Hoover
Institution at Stanford University, Rice says that she hopes the book will
ATribute to Her Parents teach young people about what segregation was like. She says that her
research assistants were “stunned” by what it was like to live under the Jim
As the first black woman to become secretary Crow laws. Education and teaching are another strand gained from her par-
of state, Condoleezza Rice says that she is fre- ents and grandparents. She grew up reading the books her father’s father,
quently asked how she got to where she is who was college educated, passed on from the Great Depression. Her grand-
today. Her answer: “You have to know my par- father on her mother’s side ensured that all four of his children attended col-
ents, John and Angelina Rice.” lege.
Rice elaborates on that response and pays Rice is very involved in k–12 education and was a founding board member
tribute to her parents in Extraordinary, Ordi- of the Center for a New Generation, an educational support fund for schools
nary (Crown, Oct.), her first book since leav- in East Palo Alto and East Menlo Park, Calif. She has also been an active
ing office. She not only relies on childhood spokesperson for the Boys and Girls Clubs.
memories and her father’s letters and out- She is one of the speakers at this morning’s breakfast. —Judith Rosen
© Steve Gladfelter
lines of sermons but interviews neighbors,
family members, and her parents’ former
students—her mother was a teacher, her John Grisham
father was a teacher and minister turned
university administrator. Enjoying It All
The title, explains Rice, who was an only child, refers to the fact that “her John Grisham has been a fixture on the literary landscape since the phe-
parents didn’t make much, yet there wasn’t a single opportunity I wanted nomenal success of The Firm in 1991. Master of the modern legal thriller, he
that I didn’t have.” When the family relocated to Denver when she was 12 is currently putting the finishing touches on The Confession (Doubleday,
and her father’s colleagues suggested that he buy a house, he said, “Condo- Oct.), his 24th book. While some authors might find the creative process chal-
leezza is my house.” Their home was filled with French classes, ice skating, lenging after double-digit production, Grisham feels just the opposite.
and music, which was her original major when she entered college at 15. “There are more and more stories I want to write. My kids are grown and I
What also made John and Angelina so extraordinary, says Rice, “is the am not coaching baseball anymore, so I have more time—but the most
sense of normalcy they gave in the midst of abnormalcy. They are people who important part is I am still having fun.”
“NBN’s FUSION Program offers many well-priced options for eBook and short run book publishing.”
—Jeff Cox, Publisher, Snow Lion Publications
“As the publishing industry continues to rediscover its identity, both with innovations in digital and in the midst
of difficult economic circumstances, I am deeply heartened by the crucial support that NBN provides.”
—Bruce Shaw, President, Harvard Common Press
“The NBN sales, marketing and executive team members have been extremely responsive during our tran-
sition and have shown their passion for our product and for working together as a team.”
—Liz Plotnick, Publisher, Gooseberry Patch
“NBN’s world class operations, facility and staff give us confidence that our “brand” is in the right hands.”
—Eileen Osteen, Director of Sales, Michelin Travel & Lifestyle
“The smart, talented, and aggressive staff of NBN is launching Blood Moon into the 21st century.What’s
their chief talent? The NBN staff knows how to sell books—and that’s what it’s all about.”
—Danforth Prince, President, Blood Moon Productions
seen a number of his books adapted by Holly- the planet hundreds of years from now,” Stewart
wood. Though he thinks he has been lucky tells Show Daily. He adds that what he hopes readers will take away from
overall with the big screen translations, he has Earth is a true aha moment. “I want them to say, ‘Oh, my god! The definitive
a personal favorite—Francis Ford Coppola’s The Rainmaker in 1997. “It was a story of man has been written in 224 pages with pictures. I can’t believe I can
very faithful adaptation of the book, very well done, with a wonderful cast, flip through the entire history of man while in the bathroom!’ ”
which included Matt Damon and Claire Danes.” He explains that where America was “more of a narrative,” Earth (the
Another adaptation of Grisham’s books has just taken place—all have Book) relies heavily on visuals, though he admits that did complicate the
been digitized. He believes part of the reason e-books are causing an indus- process. “I learned that a lot of pictures you’d like to use are actually owned
try upheaval is because publishers don’t know how to predict what the for- by someone else and you have to pay for them. It costs a lot to put a picture of
mat of choice will be five or 10 years from now. “The huge question is, how Mickey Mouse in a book. We might have to draw that one ourselves.”
many of the current and next generation of readers are going to grow up on Stewart was named one of the top entertainers of the decade (1999–2009) by
Kindle and iPads and do all their reading electronically? One thing we have Entertainment Weekly magazine, while The Daily Show with Jon Stewart has
learned over the past 20 years is you cannot bet against technology. There garnered 28 Emmy Award nominations, 13 Emmy Awards, and two Peabody
will always be hardcover and paperback books, but I think the e-market will Awards. It is said that a large contingent of the under-35 set list the show as
increase dramatically.” Grisham is part of this morning’s Author Breakfast, their primary television news source. Meanwhile, he has hosted the Grammy
but it is not his first breakfast appearance at a BEA. “I did it once before in Awards and the Oscars ceremonies twice; asked about his “Master of Cere-
Chicago,” he says. “I am not sure anyone ate breakfast, but it was a lot of fun. monies” role at the BEA Author Breakfast this morning, he replies, “It all
You get a roomful of people who love books and that’s an easy crowd.” He depends on what they are serving. If it’s a continental breakfast, there could
also admits he is enthusiastic about the entire show. “I love the atmosphere. I be problems. If they have a nice spread, I think this could be okay.”
love the energy. It’s book lovers and people doing deals. It’s my industry and Stewart promises that the tone of Earth (the Book) is consistent with The
my business.” —Karen Jones Daily Show point of view. “With America we were able to put out a great deal
Stop by booth #3883 for these hot titles and more! IMPRINTS INCLUDE:
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Surviving Your Doctors Dust Lox, Stocks, and Sundance-Newbridge
by Richard Klein by Paul Lioy Backstage Broadway
by Nancy Groce
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24 BEA SHOW DAILY ■ DAY 3 PUBL I SHERS W E E K LY THURSDAY, MAY 27, 2010
of misinformation, and we said, how can we expand on this? We then Of his first book, Oswalt says, “It’s a shadow
thought—let’s do a very misguided look at all of humanity.” autobiography done out of order through humor-
—Karen Jones ous essays.” With chapter titles like “Chamomile
Kitten Greeting Cards,” “I Went to an MTV Gifting
Suite and All I Got Was This Lousy Awareness of
Patton Oswalt My Shallowness,” and “About the Type,” the book
might be one of the more talked about humorous
Doing the Book Shtick memoirs of recent memory. In it, Oswalt describes
Comedian, writer, and actor Patton Oswalt, author of Zombie Spaceship his childhood obsessions with Dungeons and
Wasteland (Scribner, Jan. 2011) is emceeing today’s BEA Author Lunch, fea- Dragons, gifts from grandma, and Edgar Allan Poe
turing Christopher Hitchens, Sara Gruen, and William Gibson. as well as his early years on the standup circuit.
© Ryan Russell
Oswalt, whose most notable TV role was as Spence Olchin in the CBS hit With an acerbic worldview that covers the gamut
The King of Queens, has also appeared in such films as Zoolander, Magnolia, from pop culture to foreign policy, Oswalt’s inven-
The Informant, and The Fan. His two-decade career as a standup comic is tive spirit promises to bring a wallop of humor to
among the most successful in show business, and he’s typically booked for BEA.
100 shows a year on the comedy circuit. Oswalt’s Comedians of Comedy tour, Although he’s written comic books that have been published by Last Gasp,
in which he shared the stage with Zach Galifianakis, later became a bestsell- Fantagraphics, and Quirk Books, Zombie Spaceship Wasteland is Oswalt’s first
ing DVD and CD. foray into trade publishing. He was approached last year by agent Peter Green-
berg about writing a book, which gen-
erated interest from eight publishers.
NEW! NEW! NEW! NEW! NEW! NEW! NEW! NEW! NEW! NEW! “It took longer for me to pick who I
NEW! NEW! NEW! NEW! NEW! NEW! NEW! NEW! NEW! NEW! wanted to go with than to actually sell
the book,” he says happily, acknowl-
NEW! NEW! NEW! NEW! NEW! NEW! NEW! NEW! NEW! NEW! edging that he’s both excited and
nervous about his new role as author.
COMPLETE BOOK OF Sharing the stage with such heavy-
weights as Hitchens, Gibson, and
Gruen will be a world apart from
doing shtick at a comedy club, and
Oswalt is mindful of that. “I’ll act like
I’m a fan of these guys and show them
Includes a respect and enthusiasm rather than
put the focus on me,” he says. “These
Poster & Stickers! are the guys who have books out right
now. I’m new at this. I think it should
The perfect extension of our best-selling be more about them than ‘By the
subject-specific Complete Book series! way, keep me in mind...!’” Asked if he
has a specific message for booksell-
ers, Oswalt laughs and says, “Please
sell my book!” —Wendy Werris
Steven
Rattner
Car Crazy
“The auto industry is doing better
than anybody thought it would,
including us, including General
Motors and Chrysler,” says Steven
Rattner, chief architect of the auto
bailout and author of Overhaul: An
Insider’s Account of the Obama
Administration’s Emergency Rescue
of the Auto Industry (Houghton Miff-
lin Harcourt, Oct.). The book grew
out of a long
article that
appeared in
Fortune
Visit us at
magazine in
October
2009. “After
# 2769
force, I felt
the work we
did and the
momentousness of the events were
worth preserving for posterity,”
Rattner says. “I had often thought
about writing a book, but I never had
www.CarsonDellosa.com 800-253-5469 Carson - Dellosa the focus or the time. This was my
Publishing chance.”
A former financial reporter for the
New York Times, Rattner reached
President Obama’s inner circle via
AUTHORS
executive positions on Wall Street (the Quadrangle Group, Lazard Frères, and Bonk: The
Morgan Stanley, and Lehman Brothers). Despite the complexity of his sub- Curious Coupling
ject—the largest corporate restructuring in American history—or perhaps of Science and
because of it, the biggest challenge to writing the book, he says, was the writing Sex—Packing for
itself. “There was so much material, so many strands. Telling the story in a Mars offers a lot AT TH E SH OW
way that would be interesting was not without its challenges.” of reporting, a lot
Bryan Burrough’s Barbarians at the Gate: The Fall of RJR Nabisco set the of science, and a fair amount of goofiness. “It’s clearly a Mary Roach esca-
narrative standard he followed, along with a more recent example, Andrew pade,” Roach says.
Ross Sorkin’s Too Big to Fail: The Inside Story of How Wall Street and Wash- Roach’s inspiration came from a chance encounter in Antarctica with a
ington Fought to Save the Financial System—and Themselves. “Also Bob NASA employee whose job was to live in a space-simulation facility doing
Woodward’s books, in terms of telling the Washington story and melding all nothing but living weightless for two weeks so researchers could find out
that together,” he says. what happens to bone and muscle when they’re deprived of gravity. Roach
How much is about President Obama? “A fair amount. He gave three was on assignment to write about the search for meteorites, but the space
national addresses during the course of our work, and he was very involved. simulations appealed to her offbeat sensibility.
I was not in his office every day, but I wanted to bring to life the difficult deci- “What’s amazing to me is just the extent to which you have to rethink, redo,
sions that had to be made. I had met him during the campaign, but this was a and relearn every aspect of your life if you’re going to have no air,” she says,
different experience. This was being one of his team members.” since no gravity implies nothing to hold an atmosphere. “It re-teaches you
The biggest lesson for other businesses, including the publishing industry, basics of physics and life. It’s an environment in which we don’t belong. It’s a
Rattner says, is to stay lean and mean
and responsive, to confront chal-
lenges head on and not gloss over
them. “All this got Detroit in trouble,
and may have something do with the 8M8@C89C<
publishing industry’s problems. You
have to maintain a culture that is fast
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moving and decisive, produce prod-
ucts people want to buy, and remem-
ber, the world changes and you have
to change with it.”
A pro now on corporate restruc-
turing, Rattner is a total novice
when it comes to BEA. You can
catch him on the Uptown Stage
@EJG@I<;9PK?<)9@CC9F8I;?@KJFE>È:@KPFEFLIBE<<J%É
today at 2 p.m. with Jonathan Alter,
whose The Promise: President 9\jkj\cc`e^Xlk_fiXe[>iXddp8nXi[$n`ee`e^dlj`Z`Xe
Obama, Year One (Simon & Schus- KfYpDXZ_Xji\XZ_\[)%*d`cc`fei\X[\ijn`k__`jgi\m`flj
ter) has just been published. Yffbj%?`jcXk\jkYffbZ_Xcc\e^\ji\X[\ijkfÈjk\gXZifjj
—Suzanne Mantell k_\c`e\ÉkfZ_Xe^\k_\`infic[%
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Mary
Roach
Living Light
The idea of living without gravity
was like a siren’s call to Mary Roach,
who heard the strains of something
strange and compelling in the sub-
ject. Following her instincts, she
spent time at research facilities and
simulated space stations across the
globe; interviewed space scientists,
American astronauts and Japanese
cosmonauts; and came up with
Packing for Mars: The Curious Sci-
ence of Life in the Void (Norton,
Aug.). The book explores what she
calls “a surreal scenario,” the reality
and ramifications of weightlessness.
Like her earlier books—Stiff: The
Curious Lives of Human Cadavers;
Spook: Science Tackles the Afterlife;
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© David Paul Morris
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AUTHORS
fascinating chal- face as consumers, or how sophisticated or rapidly changing our electronic
lenge.” equipment is, or how hard it is to understand, say, the financial markets, but
Her favorite all of these things combined, and more. Civilizations before ours have
chapter, titled reached a similar point and been destroyed because of it, she says, but we can
AT THE S H OW “Houston, We save ourselves if we learn from what science has to teach us.
Have a Fungus,” “Evolution moves in increments and our discoveries are happening in pico
looks at space simulation studies from the ’60s that tested what happens seconds,” Costa says. “It sounds dim but we’re the first civilization to
when a person, locked into a space suit and a helmet, doesn’t shower for two acknowledge that a gap occurs. And we’re the first civilization to have the
weeks. “What they found out was in fact you don’t just get smellier and smell- technology to stop it. We can look inside the human brain and observe it. We
ier and filthier and filthier. The body only builds up filth so far, and then it can see it not be able to solve a problem.” But scans of the brain also show
plateaus.” that people can solve problems through what she calls “aha! moments.” We
The most difficult thing about the book was access, Roach says. “I tend to can all learn to do it. And therein lies hope.
want to go and poke around in places where people don’t want you to go. What does Costa do to relieve the worry that her work has instilled in her?
NASA isn’t interested in discussing sex and death and the nitty-gritty of life.” “I live in Big Sur. I walk the beach, hike the canyons, look at things made by
Roach has been to BEA with each of her previous books and calls it a “big nature and untouched by mankind. It relaxes me and reminds me that I am a
wonderful frenzied party.” Her participation as a breakfast speaker is a first. biological organism subject to evolution. This is the most important principle
“It was announced that the Thursday lineup included John Grisham, Jon governing life forms on earth. We act as though it happened in the past, as
Stewart, Condoleezza Rice ‘and more,’” she says. “The more is me.” She will though it doesn’t happen to us. How could we move forward without
also be signing ARCs at 10 a.m. at the Norton booth (3423). —Suzanne Mantell acknowledging this?”
Costa will be signing copies of her book at 11 a.m. today at the Perseus
booth (4225). In case you’re concerned that her heady thoughts may make
Rebecca Costa her unapproachable, consider that she calls herself a serial processor, not a
parallel processor. “I can barely drive and drink my coffee at the same time,”
Complexity Is Her Game she says. —Suzanne Mantell
Rebecca Costa is variously described as a “futur-
ist,” an “evolutionary thinker,” “a provocative new
voice in the tradition of thought leaders Thomas Sara Gruen
Friedman, Jared Diamond, and Malcolm
Gladwell,” but asked how she describes herself, Going Ape over Bonobos
she says, simply, “I’m a writer.” An e-mail link from Gruen’s mother about the Great Ape Trust in Des
The simplicity of that statement is in radical con- Moines, Iowa, rekindled the author’s early love of apes. “I’ve always been fas-
trast to Costa’s subject, which is complexity. The Watchman’s Rattle: Thinking cinated by ape/human discourse,” Gruen tells Show Daily. “I was really
Our Way Out of Extinction (Vanguard, Oct.) argues that the world has grown interested in language-competent apes, but I had never heard about bono-
more complex than our brains can handle—not just in how many choices we bos. The more I learned about them and their very unique culture, the more I
AUTHORS
wanted to know, consider the way that we’ve historically treated these first cousins of ours.
so I stopped writ- Whether a person believes in evolution or not really has nothing to do with
ing the book I the fact that they are sentient, intelligent, feeling creatures, and maybe it’s
had already time to re-evaluate what we do to them in terms of experiments and quality
AT THE S H OW abandoned once of life.”
to write Water for The author is speaking at today’s Book & Author Lunch (Special Events
Elephants, and instead wrote Ape House (Spiegal Hall) and will sign ARCs of her book at the Random House booth (4341) at 2:30
& Grau, Sept.). p.m. —Hilary S. Kayle
The author underwent a rigorous process in
order to be allowed to meet the bonobo family
that is housed at a special Iowa research facility. Lauren Belfer
“A lot of people want to meet these apes,” says
Gruen. “So the first thing they do to weed out peo- Love in theTime of Penicillin
ple is give them gobs of homework. I had to read With A Fierce Radiance (HarperCollins, June), Lauren Belfer is furthering
this $137 hardcover book called Functional her claim to a very particular niche: historical dramas that shed light on
Dimensions of Ape-Human Discourse.” The taken-for-granted technologies. Like her enthusiastically received first
author read about a dozen more books and took a novel, City of Light (1999), a love story set amid the struggles of the burgeon-
crash course in linguistics at York University in ing electric industry, A Fierce Radiance uses the emerging field of antibiotics
© Jerry Bauer
Toronto. “The best part of my research was that I as a springboard for what the publisher
did get to go and meet these apes and had an describes as “a thriller, a love story, a family
actual two-way conversation with them. It was saga, and a window onto American history.”
wonderful, and I felt so honored.” Set in New York City during the early days of
These particular apes understand the English language and communicate WWII, the novel interweaves the personal life
to humans using a lexigram—a chart with symbols that represent words. of its heroine, photojournalist Claire Shipley,
“The apes carry around laminated versions of these lexigram boards—they with the dramatic story of the development of
just fold them up under their arms and when they want to say something, penicillin.
they unfold them and speak in complete sentences. They point to sequences “Someone once told me you should write the
of words—there are subject and verb lexigrams and tenses—I was not type of book you most enjoy reading,” says
expecting ‘is’ and ‘was.’ ” Belfer, a Greenwich Village resident. “I find
In Ape House, a family of bonobos ends up on a TV reality show. The author those moments very compelling when human
skewers such shows as well as tabloid culture, gossip rags, and vicious gos- beings create something that changes all of
sip blogs. “I want readers to see the harm that these things can do in hard- society, their own lives, and their view of all
ening people toward humanity and toward nonhumanity. The fact that we around them. It’s something I always have in
can communicate very clearly with another animal has to make us at least the back of my mind.”
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AUTHORS
The miracle of features characters from his two previous books,
penicillin was Pattern Recognition and Spook Country. “I usu-
brought home to ally begin with some strong and inexplicable
Belfer by her sense of place and wait for the characters to
AT THE S H OW aunt, whose emerge from that. Sometimes the characters are
brother died new to me and sometimes they’re characters I’ve
when he was 11 years old. “He contracted an infection after a Fourth of July known before, but they seem to have changed in
celebration, and he was dead within a few days. There was nothing the doc- some way since I last saw them.”
tors could do. I started talking to my friends and discovered this was a com- It is in retrospect that the author sees connec-
mon story—a child who died too soon, a breadwinner who died of a scratch tions in his books and becomes aware of what
on a knee. I felt compelled to tell the story of the great changes antibiotics he is exploring in his work. “Pattern Recognition
© Michael O’Shea
brought.” now seems to me a sort of early post-9/11 novel.
A medieval studies major in college, Belfer knew nothing about penicillin The second one, Spook Country, has a lot to do
or the details of life during the war when she started out. It took her eight with the atmosphere of the middle of the Bush
years of research to become fluent in her subjects. But, she says, research administration. This new one, I suspect, is early
has always been enjoyable for her. “The writing is the difficult part, especially post–global financial crisis. Most of the characters have money and career
the meticulous creation of characters.” worries that they didn’t have the last time I saw them—though some others
Back when City of Light was published, writers didn’t have their own Web have become more ambitious and rapacious with the change.”
sites and Facebook didn’t exist. But using these things, Belfer says, has been For all his success, the renowned author is surprisingly anxious every time
a lot of fun. “They make me think about my work in a new way—not about the he sits down to write a book. “I go through the same horrible processes of self-
work itself, but about how to interact with people about my work. There’s a doubt, and constant and perpetual writer’s block that has to be written
certain joy to it.” through anyway. There are parts of it that I very actively enjoy, but I’m never
Belfer will be at Table 1 signing finished books today, 11:30 a.m.–12:30 p.m. very comfortable with the process overall. I should be able to sit down and say,
“Writers think of BEA as a holy grail,” she says. “I am thrilled and honored to Well, the last time, and the time before that, I felt this way and it all worked
be here.” —Suzanne Mantell out. But somehow the insecurity always comes from a different direction. It
seems to have a different flavor.”
Asked if his latest novel continues past themes or goes in new directions,
William Gibson Gibson says, “I won’t know for a couple of years. The real themes are things
that I’m not even conscious of when I’m writing—I discover them later, or
The Wary Writer when I’m starting the next book. I don’t write books because I think there’s
Gibson’s legions of fans may be surprised that the writer never sets out to anything I know that other people should know. In fact, I don’t write books to
write trilogies, though he has several under his belt. “I’m kind of allergic to find answers, I write them to find what my questions are.”
the term, ‘trilogy,’ with all its dire commercial associations,” he says. Zero His- Gibson will be appearing at today’s Book and Author Luncheon.
tory (Putnam, Sept.), his 10th novel, though not specifically part of a trilogy, —Hilary S. Kayle
AUTHORS
branch out as an actress.” In the intervening years she married producer
and screenwriter Michael Sloan, with whom she has two children.
The Way I See It includes stories of life on the Little House set as well as
Anderson’s relationships with Michael Landon and her other co-stars on
AT THE S H OW the show. Her 15-city tour will take her all over the country and bring her
back into the Little House spotlight that she’s shied away from for decades.
Melissa Anderson “I haven’t participated in any of the cast reunions; that is not my cup of tea,”
Anderson muses. “In the absence of Michael, I didn’t see the point. I try
not to glorify the past.” She’ll likely be in for a surprise, though, when the
A ‘Little House’ RoadTour past—and her many fans—come back to find her at her book signings.
Although Melissa Anderson, one of the stars At BEA they can meet up with her today, 11:30 a.m.–12:30 p.m., at Table 23.
of the beloved Little House on the Prairie TV “I’m proud of the book,” she says, “and hope people find it interesting and
series prefers to live in the moment rather funny. It’s a feel-good story.” —Wendy Werris
than look back, she approached the writing
of her memoir, The Way I See It: A Look Back
at My Life on Little House (Globe Pequot, Scott Spencer
May) with a fond enthusiasm for the past.
“I never thought I’d write a book,” she Exploring the Dark Side
tells Show Daily. “My husband is a writer, Expect the unexpected from acclaimed novelist
and it just didn’t occur to me.” An interview Spencer in his 10th novel, Man in the Woods (Ecco,
with Greg Hardesty of the Orange County Sept.). Instead of his trenchant and wide-ranging
Register set the idea in motion. He con- perspective on love relationships, the author delves
tacted literary agent Laura Dail, who in turn into an irrevocable act of brutality and the full
persuaded Anderson of the importance of a memoir. “I sat down and wrote range of its ramifications.
the proposal and was so pleased to end up with Erin Turner at Globe “I wanted to explore what it means to take a life—what does it feel like,
Pequot.” Anderson dedicated herself to writing the book, which she finished what is the actual physical sensation of being that close to violence when
in a few months. “I worked on it daily. I don’t type, so my husband transcribed you’ve never had violence in your life before—to step into that dark place in
my handwritten notes for me—and acted as my personal thesaurus.” human possibility.”
Anderson was surprised by how much she remembered of her eight Set in the familiar upstate fictional town of Leyden, N.Y., in which Spencer
years on Little House, where she started at the age of 11 in the role of Mary, places many of his novels, the story includes Kate Ellis—who first appeared
the blind sister. “Overall, I have pleasant memories, and I poured them into in his bestselling A Ship Made of Paper, a National Book Award finalist—and
the book,” she says. After she left the show, Anderson went on to star in sev- her now eight-year-old daughter, Ruby. “I enjoyed Kate the first time
eral TV movies and built a body of work independent of Little House: “I through, and I didn’t feel finished with her. I was entertained and intrigued
never wanted to be known for just one thing, and it was healthy for me to by the idea of her falling in love again.”
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AUTHORS
Spencer’s pro- the Borders Original Voices series. Both books
tagonist, Paul reflect Rotella’s Italian heritage. He describes
Phillips, a car- Amore as “a personal journey through music
penter, is another rather than a physical journey across land-
AT THE S H OW new direction for scape and terrain.” He guides readers through
the author, whose what he calls the “Italian decade” of the 1950s,
heroes are generally literate, articulate men. “He is a departure for me in when jukeboxes, the radio, and the ready
that he is really taciturn. I spend a lot of time writing in the first person, in availability of records and turntables turned
which the narrator is so talkative that he can narrate an entire book. Paul singers like Perry Como, Dean Martin, and
could never do that, so this is in third person. Paul is a man of action and a Frank Sinatra into superstars.
© Sigrid Estrada
man of craft—it’s not that he’s not verbal, but it’s not his main means of self- While songs like That’s Amore, O Sole Mio,
expression. It was a challenge for me to have somebody going thorough such Night and Day, and Mack the Knife formed
a trying and morally complex situation, and have him be able to express his more of a soundtrack for his Italian father’s
experience in a way that I thought was true to the character.” life—his mother is a French-Canadian born in Montreal—they seeped into
Spencer regards his writing six hours a day as a civic duty. He tells Show Rotella’s life as well. “Many people of my generation know these songs,” he
Daily, “Writing for me is a form of citizenship. It’s paradoxical because I’m says, “especially Sinatra and Louis Prima. My father would break out into
participating in the world by withdrawing from it. In the end, I’m just adding song every once in a while, and there were two Italian delis in St. Peters-
my voice to the conversation that is taking place in my time. I’m not weighing burg [Fla.] where we went that played Italian music.”
in on health care or what our policy ought to be in Afghanistan, but I’m trying In the book, Rotella chronicles what he regards as the top 40 Italian-
to weigh in on what it means to be a human being.” American songs, interviewing many of the singers, including Vic Damone,
This is the author’s first visit to BookExpo. “I’m really looking forward to Connie Francis, and Frankie Laine before his death in 2007. “Some were
meeting booksellers because we are all in this together,” he says. The author really receptive to the book,” says Rotella. “Many are still performing for
is signing books today at Table 18, 10:30–11 a.m. —Hilary S. Kayle sold-out crowds, be it Frankie Valli or Dion, who’s opening for Bob Dylan in
Europe.” It took months for some to agree to talk with him, but once they
did, many reminisced as if they were talking to a son or grandson. For oth-
Mark Rotella ers, like Frankie Valli, whom Rotella interviewed around the opening of
Jersey Boys, the musical about Valli and the Four Seasons, Rotella may
Italian Music Is His Amore have been just one more interviewer.
“It’s funny to be on the other side,” says Mark Rotella, senior editor at Pub- Rotella says that his wife accused him of writing the book so that he
lishers Weekly. “It’s odd to see galleys go out to other reviewers. I’m usually could play the music of artists like Jimmy Roselli at home and claim that
deciding what gets reviewed.” Even though Amore: The Story of Italian Amer- he was doing research. But the truth is that he never stopped listening to
ican Song (FSG, Sept.) is his sophomore effort—after Stolen Figs and Other the stars of the Italian decade. On his commute to work he still listens, but
Adventures in Calabria—he still finds the process “nerve-racking.” not exclusively. He sometimes switches to mid-’80s New Wave.
He needn’t worry. Stolen Figs received a starred review in PW and was part of Rotella will appear on the Author Stage today at 11 a.m. —Judith Rosen
AUTHORS
know and love well, because the subject is so difficult to illustrate—with photos
or art,” she reflects. “This story deals with sounds and you can’t photograph
sounds—but it’s also a challenge to illustrate them. I think Lisa Desimini did an
amazing job of making clear what sounds might look like.”
AT THE S H OW Alda’s experience at a show of her photographs some 20 years ago led to
her children’s book career. “This particular show included a lot of candid
Arlene Alda shots of animals, and, in terms of sales, I realized that people were buying
them for their children’s bedrooms,” she recalls. “I saw a connection I
Playing on Her Musical hadn’t seen before, and I spread the photos out and said to myself, ‘There’s a
story here.’ ” That story became Sheep Sheep, Sheep, Help Me Fall Asleep,
Past Alda’s first children’s book, published by Doubleday in 1992.
“When I was a kid, I loved music but hated to Though she has attended past BEAs in L.A. and Chicago, New Yorker
practice,” says Arlene Alda, who ultimately Alda notes she’s “happy to be able to just hop in a cab” to get to this year’s
abandoned the piano, but went on to play show. “With the isolation of writing and photographing, I love this exposure
clarinet in the Houston Symphony. Her lat- to other people in publishing and meeting my potential audience.”
est picture book, Lulu’s Piano Lesson (Tun- Alda will meet some of her audience today, 11–11:30 a.m., when she and
dra, Aug.), introduces a girl who would Desimini sign copies of Lulu’s Piano Lesson at Table 1. —Sally Lodge
rather listen to the squeak of a swing or the
ring of her bike bell than the sound of the
piano at practice time. Luckily, Lulu has a Becky Garrison
wise piano teacher who knows how to
© Alan Alda
inspire his reluctant student. Satire Keeps Her Centered
“When I got older and playing an instru- Many Christian leaders have big platforms these days. From megachurches
ment was my own choice, I loved playing the clarinet and took off with it— to megabook deals, they enjoy resources galore to help bring attention to
and I had some very creative teachers,” says the author. “I drew from all of their messages and bigger-than-life personalities. But all that noise and
my past experiences with music to create this book. I want to spread the showmanship tends to make Jesus hard to find.
word that a child will naturally not want to practice, but there are ways of That’s a central theme in the recent work of Becky Garrison, a prolific
hooking kids on music without making them feel guilty for not practicing. religious satirist with a platform of her own at BEA. She’ll be sharing obser-
It’s important to tap into the love of music that’s inside kids.” vations on a panel—“The Future of Fundamentalism in an Obama Era”—at 2
An accomplished photographer before she became a children’s author, Alda p.m. today in Room 1E17.
has illustrated many of her books with her photos. She realized from the start In Garrison’s new book, Jesus Died for This? (Zondervan, Aug.), she brings
that the theme of Lulu’s Piano Lesson didn’t lend itself to photographic treat- readers inside what she calls “the Christian publishing empire” and into the
ment. “I’ve written 14 books, but have never done one on music, a subject I crowd at many a well-publicized event, where headliners seem to know
comes the
h next in
i the
h thrilling
h illli
Detective Jack Lennon series set
in Northern Ireland
STUART NEVILLE
“Stuart Neville is Ireland’s
answer to Henning Mankell.”
—Ken Bruen
ARCs available at
the Soho Press booth
© Nancy Villere
scape. Fresh voices within American Christianity quickly get caught up in a enjoyed writing her so much.”
branding machine that links them to a movement—the Emerging Church, But the author had an initial moment
New Monasticism, or Organic Church, to name a few—and, ironically, of self-doubt. “Before I began to write
makes them irrelevant as they cater to a marketplace. Radiance, I went into a panic,” she says.
Still, hope is not lost. Signs of authentic faith and committed discipleship “I’m so used to writing for teens, and that’s my state of mind anyway. No
are percolating in grassroots settings, far from the spotlights and mar- matter how old I really am, I am a teen in my head, so I thought, ‘How am I
quees, in Garrison’s assessment. She applauds select figures such as writer going to write for 12-year-olds or in the voice of a 12-year-old?’ But I told
Shane Claiborne for recommitting to roots in religious communities and myself not to worry about Riley’s age, just recreate the character, and
resisting temptations to cash in on celebrity. that worked.” Noël calls Radiance “one of the easiest books I’ve ever writ-
Garrison says she’s somewhat insulated from the problems that plague ten. It really flowed, and I enjoyed the entire process. And, honestly, that is
other Christian writers because, as a satirist, she’s always an outsider. Per- not true of every book I write.”
haps being on the margins has its benefits. —G. Jeffrey MacDonald Noël published her first YA novel, Faking 19, back in 2005, while working
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that colleges won’t be telling them. Foreword by Shepard Fairey Foreword by Michael Mondavi
David Wiesner
AUTHORS
as a flight atten-
dant. “We’d
have a lot of
Brings Creative Process to Life
downtime A three-time Caldecott Medalist, most recently in 2007 for Flotsam, David
AT THE S H OW between flights, Wiesner has a new picture book for the fall, Art and Max (Clarion, Oct.). A
and of course 250,000-copy first printing is on order for the title, which centers on two liz-
delays, so I was constantly writing—on cocktail napkins or anything I could ard friends: Arthur, an accomplished artist, and Max, who is a beginner—
find,” says the author, who had been determined to become a writer since but a fast learner.
reading Judy Blume in sixth grade. She turned to writing full-time after Wiesner says that his most recent work took him in new directions. “When
September 11: “I knew that my job as flight attendant would never be the I finished Flotsam, it felt like a culmination of the way I had been working
same. When we had to take pay cuts and do bomb searches, I realized that for a long time, in terms of both the media and the visual storytelling pro-
it was time to get serious about my writing.” cess,” he says. “When that book won the Caldecott, it occurred to me that if
After writing six subsequent novels, Noël decided to venture into para- that didn’t give me license to try something new, I didn’t know what would.”
normal fiction with the Immortals and didn’t know how her readers would His response was to explore various media, which is exactly what ends up
respond. “I didn’t know what to expect, but it was a great and almost surreal in Art and Max. “Basically, I saw a character rendered in an opaque media
moment when I realized that readers embraced it.” that then cracks open,” says Wiesner. “Underneath is the character ren-
Noël will sign galleys of Radiance today, 10:30–11 a.m., at the Macmillan dered in pastel, which is then blown off, revealing the character in water-
Children’s Publishing Group booth (3953). —Sally Lodge color, and then that is washed off and there’s a line drawing, which snaps
and collapses. I thought that was all
very interesting—but then I had to
figure out what the story is that sets
this all in motion—why is this hap-
pening?”
© Peggy Morsch
Though Wiesner says it took him a
while to find the answer, he finally
realized this was about the media
themselves: “To a certain degree it
is an exploration of the creative pro-
cess. Once the line-drawing charac-
ter disappears, the other character
1_4 hor.indd 1 5/12/2010 9:44:25 AM has to figure out how to recreate
him. The book really grew organi-
cally.”
Arthur and Max began as what
the author calls “cuddly creatures,”
but, he adds, “that was just a place-
holder until I could figure out who
the characters were going to be.”
The characters became lizards,
since Wiesner finds they “have char-
acter traits that are more interest-
ing to draw.”
Wiesner says it’s been a few years
since he’s been to BEA, and he’s
happy to return and get caught up
in what he calls the show’s “extraor-
dinary energy level.” He praises
independent booksellers for their
skill at guiding visitors to their
stores. “For me, walking into a book-
store is like walking into a gallery.
There is so much great stuff that
grabs the eye. It’s nice to know that
a bookseller knows the books and
can help decipher all that is there.”
Wiesner signs copies of Flotsam
and posters promoting Art and Max
this morning, 10–11 a.m., at Table 6.
—Sally Lodge
Booth 4132
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