Documentos de Académico
Documentos de Profesional
Documentos de Cultura
DUKE
U N I V E R S I T Y P R E S S
contents
GENERAL INTEREST AFRICAN AMERICAN STUDIES
Cultural Studies 1983, Hall 1 Film Blackness, Gillespie 29
Staying with the Trouble, Haraway 2 The Revolution Has Come, Spencer 30
Only the Road / Solo el Camino, Randall 3
Love, H, Jones 4 ENVIRONMENT
Flyboy 2, Tate 5 The Rise of the American Conservation Movement, Taylor 30
Terminated for Reasons of Taste, Eddy 6
Songs of the Unsung, Tapscott 6 AFRICAN STUDIES/RELIGION
Life and Death on the New York Dance Floor, 1980–1983, Lawrence 7 Religion and the Making of Nigeria, Vaughan 31
Spill, Gumbs 8
In the Wake, Sharpe 9 ANTHROPOLOGY
Color of Violence, INCITE! Women of Color Against Violence 10 Doing Development in West Africa, Piot 31
Nation Within, Coffman 10 Collecting, Ordering, Governing, Bennett, Cameron, Dias, Dibley,
One and Five Ideas, Smith 11 Harrison, Jacknis & McCarthy 32
Marshall Plan Modernism, Mansoor 11 Punk and Revolution, Greene 32
Southern Accent, Lash & Schoonmaker 12 Encoding Race, Encoding Class, Amrute 33
Real Pigs, Weiss 13 Placing Outer Space, Messeri 33
Duress, Stoler 14 Multispecies Studies, van Dooren, Münster, Kirksey, Rose,
Geontologies, Povinelli 15 Chrulew & Tsing 34
Fungible Life, Ong 16 Cold War Ruins, Yoneyama 34
Animate Planet, Weston 17 Man or Monster?, Hinton 35
Third World Studies, Okihiro 18
The Colombia Reader, Farnsworth-Alvear, Palacios & Gómez López 19 ASIAN STUDIES
A Chancellor’s Tale, Snyderman 20 Radiation Brain Moms and Citizen Scientists, Kimura 35
From Washington to Moscow, Sell 20 Ghost Protocol, Rojas & Litzinger 36
Telemodernities, Lewis, Martin & Sun 36
CULTURAL STUDIES Body and Enhancement Technology, Ma 37
The Black Jacobins Reader, Forsdick & Høgsbjerg 21
Decolonizing Dialectics, Ciccariello-Maher 21 LITERARY STUDIES/POSTCOLONIAL STUDIES
Finite Media, Cubitt 22 Of Gardens and Graves, Kaul 37
Adorno and Music, Gordon & Rehding 22 Thinking Literature across Continents, Ghosh & Miller 38
Eating the Ocean, Probyn 23 This Thing Called the World, Ganguly 38
SOCIAL THEORY
GENDER STUDIES/FEMINIST THEORY
Gramsci’s Common Sense, Crehan 39
Vulnerability in Resistance, Butler, Gambetti & Sabsay 24
Transatlantic Gender Crossings, Berger & Fassin 24
CARIBBEAN & LATIN AMERICAN STUDIES
Freedom without Permission, Hasso & Salime 25
We Dream Together, Eller 40
Everyday Intimacies of the Middle East, Zengin & Sehlikoglu 25
The Borders of Dominicanidad, García-Peña 40
Reconsidering Gender, Violence, and the State, Arellano, Ball & Frisken 26
Musicians in Transit, Karush 41
Curative Violence, Kim 26
New Countries, Tutino 41
The Great Woman Singer, Fiol-Matta 27
An Aqueous Territory, Bassi 42
Now Peru Is Mine, Llamojha Mitma & Heilman 42
GAY/LESBIAN/QUEER/TRANS STUDIES
Queer Cinema in the World, Schoonover & Galt 27 HISTORY OF ECONOMICS
Melodrama, Goldberg 28
Economizing Mind, 1870–2015, Bianchi & De Marchi 43
The Child Now, Gill-Peterson, Sheldon & Bond Stockton 28
No Tea, No Shade, Johnson 29 journals 43
selected backlist & bestsellers 47
sales information & index Inside Back Cover
You www.dukeupress.edu
Tube COVER: Robert A. Pruitt, Stunning Like My Daddy (detail), 2011.
Courtesy of the artist. From Flyboy 2 by Greg Tate, page 5.
general interest
The publication of Cultural Studies 1983 is Stuart Hall (1932–2014) was one of the most prominent
a touchstone event in the history of Cultural and influential scholars and public intellectuals of his
generation. He was a prolific writer and speaker, and
Studies and a testament to Stuart Hall’s unpar-
a public voice for critical intelligence and social justice
alleled contributions. The eight foundational who appeared widely on British television and radio.
lectures Hall delivered at the University of Illinois He taught at the University of Birmingham and the Open
in 1983 introduced North American audiences University, was the founding editor of New Left Review,
and served as the director of Birmingham’s Centre for
to a thinker and discipline that would shift
Contemporary Cultural Studies during its most creative
the course of critical scholarship. Unavailable
A Theoretical
and influential decade. Jennifer Daryl Slack is Professor
CULTURAL STUDIES 1983 History
until now, these lectures present Hall’s original of Communication and Cultural Studies at Michigan
Stuart Hall engagements with the theoretical positions that
Edited and with an introduction by
Jennifer Daryl Slack and Lawrence Grossberg
Technological University. Lawrence Grossberg is Morris
contributed to the formation of Cultural Studies. David Distinguished Professor of Communication and
Cultural Studies at the University of North Carolina,
Throughout this personally guided tour of Cultural Studies’ intellectual geneal-
Chapel Hill.
ogy, Hall discusses the work of Richard Hoggart, Raymond Williams, and E.
P. Thompson; the influence of structuralism; the limitations and possibilities
of Marxist theory; and the importance of Althusser and Gramsci. Throughout “A very timely gift. These detailed, rigorous lectures are
these theoretical reflections, Hall insists that cultural studies aims to provide Stuart Hall’s most sustained reckoning with the strands
of Marxist theory that remain crucial for Cultural Studies.
the means for political change.
Today, at a time of decentered neoliberal hegemony,
STUART HALL: SELECTED WRITINGS his nonreductive analysis of cultural struggle is more
A series edited by Catherine Hall and Bill Schwarz relevant than ever.”—JAMES CLIFFORD , author of
Returns: Becoming Indigenous in the Twenty-First Century
C U LT U R A L S T U D I E S
1
October 248 pages
paper, 978–0–8223–6263–0, $23.95/£17.99 cloth, 978–0–8223–6248–7, $84.95/£65.00
Also available as an ebook
general interest
EXPERIMENTAL FUTURES
A series edited by Michael M. J. Fischer and Joseph Dumit
“Staying with the Trouble is written with love and rage, making it felt what it takes not
to turn one’s back against the demands of this terrible time which some dare to call
the Anthropocene. Donna J. Haraway mobilizes the power of words, images, and tales
to shake off the dual temptation of faith in providential technofixes and of bitter ‘game
over’ pseudo‑wisdom. Her book forcefully demands that we consent to participate in the
ongoingness of the world.”—ISABELLE STENGERS , author of In Catastrophic Times:
Resisting the Coming Barbarism
C U LT U R A L S T U D I E S/ F E M I N I S T T H E O R Y/S C I E N C E S T U D I E S
2
September 304 pages, 31 illustrations (including 2 in color)
paper, 978–0–8223–6224–1, $26.95/£20.99 cloth, 978–0–8223–6214–2, $94.95/£73.00
Also available as an ebook
general interest
Featuring the work of over fifty poets Margaret Randall is the author
road
E IG HT DECADES OF CUBAN POETRY
most complete bilingual anthology of
Cuban poetry available to an English
Cuban Revolutionary: She Led
by Transgression and Che on My
Mind, both also published by Duke
camino
stylistic breadth and the diversity of its Magazine.
also by Margaret Randall dences, departures and ruptures, of a process that is human
as well as literary. It is history in other codes.”—SILVIO
RODRÍGUEZ , Cuban singer-songwriter
P O E T R Y/ L AT I N A M E R I C A N S T U D I E S
3
October 528 pages
paper, 978–0–8223–6229–6, $28.95tr/£21.99 cloth, 978–0–8223–6208–1, $109.95/£84.00
Also available as an ebook
general interest
Love, H
The Letters of Helene Dorn and Hettie Jones
hettie jones
///////////////////////////////// /////////////////////////////////
Hettie Jones is the author of numerous books, “It works, we’re in business, yeah Babe!”
including her memoir of the Beat scene How I Became So begins this remarkable selection from
Hettie Jones; the poetry collection Drive; and the
a forty‑year correspondence between two
young adult Big Star Fallin’ Mama: Five Women in
artists who survived their time as wives
Black Music. She has published in many newspapers
and magazines, including the Village Voice, Global in the Beat bohemia of the 1960s and went
City Review, and Ploughshares. She currently teaches on to successful artistic careers of their own.
in the Graduate Writing Program at The New School, LOVE,
the 92nd Street Y, and the Lower Eastside Girls Club, H From their first meeting in 1960, writer Hettie
and she previously taught at several colleges and uni- the letters of
Jones—then married to LeRoi Jones (Amiri
versities in New York and elsewhere. Jones lives helene dorn
Baraka)—and painter and sculptor Helene
and hettie jones
in New York City. Dorn (1927–2004), wife of poet Ed Dorn,
///////////////////
found in each other more than friendship.
“Love, H, a lucid compendium of epistles, postcards, HETTIE JONES
They were each other’s confidant, emotional
and emails, depicts an intimate account of the lives
support, and unflagging partner through
and minds of two artists. The straightforward acumen
difficulties, defeats, and victories, from surviving divorce and struggling as
of beat poet Hettie Jones (New York City) and sculptor
Helene Dorn (Gloucester) cumulate in a poignant dia-
single mothers, to finding artistic success in their own right.
logue that critiques and probes a unique body of shared Revealing the intimacy of lifelong friends, these letters tell two stories from
feelings during the post‑Beat movement and its legacy.
the shared point of view of women who refused to go along with society’s
Love, H is life on the page. The day to day, with gaps
expectations. Jones frames her and Helene’s story, adding details and explana-
and silences, portrays a psychological and spiritual map
of these two speakers who aptly refer to the post‑Beat
tions while filling in gaps in the narrative. As she writes, “we’d fled the norm
landscape as Boyland. These pages of joy and pain for women then, because to live it would have been a kind of death.”
add up to more than two full hearts and minds caught
Apart from these two personal stories, there are, as well, reports from the
at a turning point in America. Two friends sort out the
battlegrounds of women’s rights and tenant’s rights, reflections on marriage
fray. Their playful certainty embodies wisdom. Lively,
and motherhood, and contemplation of the past to which these two had
and at times even taciturn, the two give us a shared
truth as witnesses. This correspondence of more than remained irrevocably connected. Prominent figures such as Allen Ginsberg
forty years is personal and political, and without trying and Timothy Leary appear as well, making Love, H an important addition to
creates a collage of experience that grows into an literature on the Beats.
American portrait.”—YUSEF KOMUNYAKA A , author
Above all, this book is a record of the changing lives of women artists as the
of The Emperor of Water Clocks: Poems
twentieth century became the twenty‑first, and what it has meant for women
considering such a life today. It’s worth a try, Jones and Dorn show us, offering
their lives as proof that it can be done.
MEMOIR/LE T TERS
4
October 376 pages, 21 illustrations (including 10 in color)
cloth, 978–0–8223–6146–6, $29.95tr/£22.99
Also available as an ebook
general interest
Flyboy 2
The Greg Tate Reader
greg tate
Since launching his career at the Village Greg Tate is a music and popu-
FLYBOY Voice in the early 1980s Greg Tate has lar culture critic and journalist
whose work has appeared in
been one of the premiere critical voices
many publications, including
on contemporary Black music, art, litera-
the Village Voice, Vibe, Spin,
ture, film, and politics. Flyboy 2 provides the Wire, and Downbeat.
2
THE
a panoramic view of the past thirty
years of Tate’s influential work. Whether
He is the author of Flyboy
in the Buttermilk: Essays on
Photo by Nisha Sondhe.
GREG Contemporary America and
TATE
interviewing Miles Davis or Ice Cube,
READER
Midnight Lightning: Jimi Hendrix and the Black Experience
reviewing an Azealia Banks mixtape and the editor of Everything but the Burden: What White
or Suzan-Lori Parks’s Topdog/Underdog, People Are Taking from Black Culture. Tate, via guitar and
discussing visual artist Kara Walker baton, also leads the conducted improvisation ensemble
or writer Clarence Major, or analyzing Burnt Sugar the Arkestra Chamber, who tour internationally.
“Gathered here we have a body of work a generation in the making that will certainly
shape our thinking, listening, and seeing for generations to come. Greg Tate is the
standard-bearer; his critical sensibilities are matched only by his ability to render them
in stunning prose. The power and charisma of his intellect emanate from the page.
In the tradition of Ellison and Baraka, but unlike them, shaped by the best of Black
feminism, Tate forges his own brilliant path.”—FARAH JASMINE GRIFFIN
B L AC K C U LT U R E / M U S I C
5
August 376 pages
paper, 978–0–8223–6196–1, $25.95tr/£19.99 cloth, 978–0–8223–6180–0, $94.95/£73.00
Also available as an ebook
general interest
MUSIC M E M O I R / M U S I C/A F R I C A N A M E R I C A N S T U D I E S
6
September 344 pages, 32 illustrations October 272 pages, 46 photos
paper, 978–0–8223–6225–8, $26.95tr/£20.99 paper, 978–0–8223–6271–5, $23.95tr/£17.99
cloth, 978–0–8223–6189–3, $94.95/£73.00 Also available as an ebook
Also available as an ebook
general interest
As the 1970s gave way to the ’80s, New Tim Lawrence is Professor of
York’s party scene entered a ferociously Cultural Studies at the University
of East London and the author
inventive period characterized by its cre-
of Love Saves the Day: A History
ativity, intensity, and hybridity. Life and of American Dance Music Culture,
Death on the New York Dance Floor chron- 1970–1979 and Hold On to Your
icles this tumultuous time, charting the Dreams: Arthur Russell and the
T I M L AW R E N C E
Downtown Music Scene, 1973–1992,
sonic and social eruptions that took place
both also published by Duke University Press.
in the city’s subterranean party venues
as well as the way they cultivated break-
through movements in art, performance, “Tim Lawrence connects the dots of a scene so explosively
video, and film. Interviewing DJ s, party creative, so kaleidoscopically diverse, so thrillingly packed
with the love of music and the love of life that even those
hosts, producers, musicians, artists, and
of us who were there could not have possibly seen or heard
dancers, Tim Lawrence illustrates how the
it all! Now we can. Life and Death on the New York Dance
relatively discrete post‑disco, post‑punk, Floor, 1980–1983 is not only a remarkable account of a
and hip hop scenes became marked by their level of plurality, interaction, and remarkable time, it is a moving memorial to all those who
convergence. He also explains how the shifting urban landscape of New York left the party much too soon. And with the inclusion of
supported the cultural renaissance before gentrification, Reaganomics, corpo- DJ set lists from the era, it’s a history lesson you can dance
rate intrusion, and the spread of AIDS brought this gritty and protean time and to!”—ANN MAGNUSON , writer, actress, and former Club 57
manager and NYC Downtown performance artist
place in American culture to a troubled denouement.
“Tim Lawrence brings the authority of his deeply sourced
disco history Love Saves the Day to club culture’s great melt-
ing‑pot moment, when hip hop, punk, and disco transformed
one another, with input from salsa, jazz, and Roland 808s.
If you never danced yourself dizzy at the the Roxy, the
Paradise Garage, or the Mudd Club, here’s a chance to feel
the bass and taste the sweat.”—WILL HERMES , author of
also by Tim Lawrence Love Goes to Buildings on Fire: Five Years in New York That
Changed Music Forever
M U S I C/ N E W YO R K /C U LT U R A L S T U D I E S
7
September 576 pages, 115 illustrations
paper, 978–0–8223–6202–9, $27.95tr/£20.99 cloth, 978–0–8223–6186–2, $99.95/£77.00
Also available as an ebook
general interest
Spill
Scenes of Black Feminist Fugitivity
alexis pauline gumbs
spi ll
a poet, independent scholar, maker and Black feminist love evangelist,
and activist. She is coeditor
Alexis Pauline Gumbs presents a commanding
of Revolutionary Mothering: scenes of
FROM Spill
“she tripped halfway down the porch steps before she felt it. mother
deep smothering her ankles. round, locked, growing hot to the untouched.
VapoRub tingle to the flesh. what would her mother say. and right there
her wild skip turned shuffle like trying on cheap shoes bound by plastic.
if the shoe fits, her mother would have sung. and she had never said mama
no they don’t fit and her mother never wore flat shoes anyway nor did
she raise her eyes long or far enough to escape. nor did she raise our shero
to be ungrateful for the story she almost fit into. but hero is not heroine
and neither the shoes nor the dress nor the damn panties ever fit right
and somewhere there was sky to suit her, sand to shape her, and an ocean
to savor. so she stomped three times as if to unshackle somebody and
stepped deliberately off.”
B L A C K F E M I N I S M/ P O E T R Y
8
October 184 pages
paper, 978–0–8223–6272–2, $22.95tr/£17.99 cloth, 978–0–8223–6256–2, $79.95/£61.00
Also available as an ebook
general interest
In the Wake
On Blackness and Being
christina sharpe
In this original and trenchant work, Christina Sharpe interrogates literary, Christina Sharpe is Associate
visual, cinematic, and quotidian representations of Black life that comprise Professor of English at Tufts University
and the author of Monstrous
what she calls the “orthography of the wake.” Activating multiple registers of
Intimacies: Making Post‑Slavery
“wake”—the path behind a ship, keeping watch with the dead, coming to con- Subjects, also published by Duke
sciousness—Sharpe illustrates how Black lives are swept up and animated by University Press.
the afterlives of slavery, and she delineates what survives despite such insistent
violence and negation. Initiating and describing a theory and method of reading
“Christina Sharpe brings everything she has to bear on her
the metaphors and materiality of “the wake,” “the ship,” “the hold,” and
consideration of the violation and commodification of Black
“the weather,” Sharpe shows how the sign of the slave ship marks and haunts
life and the aesthetic responses to this ongoing state of
contemporary Black life in the diaspora and how the specter of the hold emergency. Through her curatorial practice, Sharpe marshals
produces conditions of containment, regulation, and punishment, but also the collective intellectual heft and aesthetic inheritance
something in excess of them. In the weather, Sharpe situates anti-Blackness of the African diaspora to show us the world as it appears
and white supremacy as the total climate that produces premature Black death from her distinctive line of sight. A searing and brilliant
work.”—SAIDIYA HARTMAN , author of Lose Your Mother:
as normative. Formulating the wake and “wake work” as sites of artistic pro-
A Journey Along the Atlantic Slave Route
duction, resistance, consciousness, and possibility for living in diaspora, In the
Wake offers a way forward.
“Christina Sharpe’s deep engagement with the archive of Black knowledge production
across theory, fiction, poetry, and other intellectual endeavors offers an avalanche of
new insights on how to think about anti‑Blackness as a significant and important struc-
turing element of the modern scene. Cutting across theoretical genres, In the Wake will
generate important intellectual debates and maybe even movements in Black studies,
cultural studies, feminist studies, and beyond. This is where cultural studies should
have gone a long time ago.”—RINALDO WALCOTT, author of Black Like Who?: Writing
Black Canada
Monstrous Intimacies:
Making Post-Slavery Subjects
paper, $22.95/£17.99
978-0-8223-4609-8 / 2010
Also available as an ebook
B L AC K S T U D I E S
9
November 184 pages, 31 illustrations
paper, 978–0–8223–6294–4, $22.95tr/£17.99 cloth, 978–0–8223–6283–8, $79.95/£61.00
Also available as an ebook
general interest
NOW AVA IL A BLE F ROM DU KE NOW AVA IL A BLE F ROM DU KE
“Color of Violence is a fantastic anthology from an amazing organization— “Nation Within is a refreshing new look at a Hawai‘i known to most
it’s a must‑read for academics, activists, and everyone in between!” Americans for Pearl Harbor and beautiful beaches. This book gives us
—JESSICA VALENTI, author of Full Frontal Feminism and Co‑Founder the untold story, the history we were not given in school, placing Hawai‘i
of feministing.com inside the larger picture of U.S. expansion into the Pacific. What we learn
is sobering, and fascinating.”—HOWARD ZINN , author of A People’s
History of the United States
F E M I N I S T S T U D I E S/A C T I V I S M/ W O M E N O F C O L O R H I S T O R Y/ H AWA I ‘ I
10
August 328 pages August 368 pages, 68 illustrations
paper, 978–0–8223–6295–1, $24.95tr/£18.99 paper, 978–0–8223–6197–8, $26.95tr/£20.99
cloth, 978–0–8223–6305–7, $89.95/£69.00 Also available as an ebook
Also available as an ebook
general interest
conceptualism was key to the historical transition from modern Burri’s burnt and exploded plastics,
to contemporary art. Nothing less than a distinctive theory of and Manzoni’s “achromes” as metaphors of traumatic memories
Conceptual and contemporary art, One and Five Ideas showcases of World War II. Rather, she locates the motivation for this violence
the critical voice of one of the major art theorists of our time. in the history of the medium of painting and in the economic
Terry Smith is Andrew W. Mellon Professor of Contemporary Art History history of postwar Italy. Reconfiguring the relationship between
and Theory at the University of Pittsburgh and Professor in the Division politics and aesthetics, Mansoor illuminates how the mono-
of Philosophy, Art, and Critical Theory at the European Graduate School. chrome’s reemergence reflected Fontana, Burri, and Manzoni’s
He is the author of several books, including Making the Modern: Industry,
aesthetic and political critique of the Marshall Plan’s economic
Art, and Design in America and What Is Contemporary Art? Robert Bailey
is Assistant Professor of Art History at the University of Oklahoma and warfare and growing American hegemony. It also anticipated the
the author of Art & Language International: Conceptual Art between Art struggles in Italy’s factories, classrooms, and streets that gave rise
Worlds, also published by Duke University Press. to Autonomia in the 1960s. Marshall Plan Modernism refigures our
understanding of modernist painting as a project about labor and
“Terry Smith writes about the history of Conceptual Art as its participant and the geopolitics of postwar reconstruction during the Italian Miracle.
observer—and his book produces a stereoscopic image of the movement
Jaleh Mansoor is Assistant Professor of Art History at the University
that is fascinating and persuasive. According to Smith, Conceptual Art has of British Columbia and coeditor of Communities of Sense: Rethinking
transformed itself into the global conceptualism that is still contemporary. Aesthetics and Politics, also published by Duke University Press.
This book should be read by everybody who became tired by the simplistic
opposition between global and local and looks for the ways to overcome
it.”—BORIS GROYS , author of In the Flow ART HISTORY PUBLIC ATION INITIATIVE
www.arthistorypi.org
“Possessing the great gift of being able to bring art to life through language,
Jaleh Mansoor offers new and illuminating readings of artworks that
are among the most compelling objects from the last seventy‑five years.
She infuses the complex frameworks of recent Marxist thought with her
own voice, thinking through the possibilities open to painting while deep-
ening our understanding of postwar Italian culture and its contradictions.
This book makes a powerful contribution to the discourses of art history
and cultural criticism.”—RACHEL HAIDU , author of The Absence of Work:
Marcel Broodthaers, 1964–1976
A R T T H E O R Y/C O N C E P T U A L A R T A R T H I S T O R Y/ M A R X I S T T H E O R Y
11
January 176 pages, 50 illustrations (including 8 in color) September 304 pages, 26 illustrations (including 8 in color)
paper, 978–0–8223–6131–2, $22.95/£17.99 paper, 978–0–8223–6260–9, $25.95/£19.99
cloth, 978–0–8223–6112–1, $79.95/£61.00 cloth, 978–0–8223–6245–6, $94.95/£73.00
Also available as an ebook Also available as an ebook
general interest
Southern Accent
Seeking the American South in Contemporary Art
miranda lash & trevor schoonmaker , editors
Contributors
Diego Camposeco, Mel Chin, Brittney Cooper, John T. Edge, William Fagaly, Carter Foster, Brendan
Greaves, Harrison Haynes, Patterson Hood, Miranda Lash, Ada Limón, Mark Anthony Neal, Catherine
Opie, Fahamu Pecou, Richard J. Powell, Tom Rankin, Dario Robleto, Trevor Schoonmaker, Bradley
Sumrall, Natasha Trethewey, Kara Walker, Jeff Whetstone
Selected Artists
Walter Inglis Anderson, Benny Andrews, Radcliffe Bailey, Romare Bearden, Sanford Biggers, Mel Chin,
William Christenberry, Robert Colescott, William Cordova, Thorton Dial, Sam Durant, William Eggleston,
Minnie Evans, Howard Finster, Theaster Gates, Jeffrey Gibson, Deborah Grant, Barkley L. Hendricks,
James Herbert with R.E.M., Birney Imes, George Jenne, Deborah Luster, Kerry James Marshall, Jing Niu,
Tameka Norris, Catherine Opie, Gordon Parks, Ebony G. Patterson, Dario Robleto, Xaviera Simmons,
Jimmy Lee Sudduth, Hank Willis Thomas, Kara Walker, Andy Warhol, and Carrie Mae Weems
A R T/S O U T H E R N S T U D I E S
12
September 208 pages, 300 color illustrations
paper, 978–0–938989–38–7, $49.95tr/£38.00
general interest
Real Pigs
Shifting Values in the Field of Local Pork
brad weiss
REAL
farmers, butchers, and chefs through the pro- published by Duke University
Press, and Street Dreams and Hip Hop Barbershops: Global
cess of breeding, raising, butchering, selling,
Fantasy in Urban Tanzania.
PIGS
and preparing pigs raised on pasture for con-
sumption. Drawing on his experience working
on Piedmont pig farms and at farmer’s “I have covered the Triangle’s food scene since 2007, inter-
SHIFTING VALUES IN THE FIELD
OF LOCAL PORK BRAD WEISS markets, Weiss explores the history, values, viewing and profiling many of the same people as Brad Weiss.
social relations, and practices that drive Revealing layers to the local food movement and the produc-
the pasture‑raised pork market. He shows how pigs in the Piedmont become tion of pasture‑raised pork that were previously unknown
imbued with notions of authenticity, illuminating the ways the region’s residents to me, Real Pigs is a fascinating examination of a local market
and, by extension, any local market in the United States.”
understand local notions of place and culture. Full of anecdotes and interviews
—ANDREA WEIGL , News & Observer (Raleigh)
with the market’s primary figures, Real Pigs reminds us that what we eat
and why has implications that resonate throughout the wider social, cultural,
and historical world.
“Moving beyond normative debates over whether eating local is a moral good, Brad Weiss
shows us that locality itself comes into view through American understandings of what
‘good’ food is and should be. Real Pigs gives us rich fodder to think about the intercon-
nections of taste and place, consumption and production, capital and labor, humans and
animals in the contemporary United States.”—HEATHER PA XSON , author of The Life of
Cheese: Crafting Food and Value in America
F O O D/A N T H R O P O L O GY/ R E G I O N A L
13
August 312 pages, 37 illustrations
paper, 978–0–8223–6157–2, $24.95/£18.99 cloth, 978–0–8223–6138–1, $89.95/£69.00
Also available as an ebook
general interest
Duress
Imperial Durabilities in Our Times
ann laura stoler
Ann Laura Stoler is Willy Brandt How do colonial histories matter to the urgen-
Distinguished University Professor of cies and conditions of our current world? How
Anthropology and Historical Studies at
have those histories so often been rendered as
The New School for Social Research and
leftovers, as “legacies” of a dead past rather
the author and editor of many books,
including Imperial Debris: On Ruins and
DURESS than as active and violating forces in the world
Ruination and Race and the Education today? With precision and clarity, Ann Laura
of Desire: Foucault’s History of Sexuality Stoler argues that recognizing “colonial presence”
and the Colonial Order of Things, both
Photo by Tessa
Hirschfeld-Stoler. also published by Duke University Press.
IMPERIAL may have as much to do with how the connec-
DURABILITIES tions between colonial histories and the present
IN OUR TIMES are expected to look as it does with how they are
Ann Laura Stoler expected to be. In Duress, Stoler considers what
“Duress is an extraordinary excavation of colonialism’s
methodological renovations might serve to write
recurrent conceptualizations of massive zones of ecological
ruination, human vulnerability, and affective disregard. Ann histories that yield neither to smooth continuities nor to abrupt epochal breaks.
Laura Stoler is laser-like in the forensics of those imperial Capturing the uneven, recursive qualities of the visions and practices that impe-
pursuits—global and across centuries—whose accumulating rial formations have animated, Stoler works through a set of conceptual and
sedimentations have all but naturalized unremitting states of concrete reconsiderations that locate the political effects and practices that
emergency, eternal war, and perpetual exceptions to the rule
imperial projects produce: occluded histories, gradated sovereignties, affective
of law. This book’s comprehensive clarity about the histories
security regimes, “new” racisms, bodily exposures, active debris, and carceral
of our present is a gift of vision that, if heeded, might point
archipelagos of colony and camp that carve out the distribution of inequities
the distance toward reckoning and repair.”—PATRICIA J.
WILLIAMS , author of The Alchemy of Race and Rights: Diary and deep fault lines of duress today.
of a Law Professor A JOHN HOPE FRANKLIN CENTER BOOK
H I S T O R Y/A N T H R O P O L O GY
14
November 424 pages, 4 illustrations
paper, 978–0–8223–6267–8, $28.95/£21.99 cloth, 978–0–8223–6252–4, $99.95/£77.00
Also available as an ebook
general interest
Geontologies
A Requiem to Late Liberalism
elizabeth a . povinelli
A N T H R O P O L O GY/S O C I A L T H E O R Y
15
October 224 pages, 9 illustrations
paper, 978–0–8223–6233–3, $22.95/£17.99 cloth, 978–0–8223–6211–1, $79.95/£61.00
Also available as an ebook
general interest
Fungible Life
Uncertainty in the Asian City of Life
aihwa ong
A N T H R O P O L O GY/S C I E N C E S T U D I E S/A S I A N S T U D I E S
16
October 304 pages, 10 illustrations
paper, 978–0–8223–6264–7, $25.95/£19.99 cloth, 978–0–8223–6249–4, $94.95/£73.00
Also available as an ebook
general interest
Animate Planet
Making Visceral Sense of Living
in a High‑Tech Ecologically Damaged World
k ath weston
In Animate Planet Kath Weston shows how new intimacies between humans, Kath Weston is Professor of
animals, and their surroundings are emerging as people attempt to understand Anthropology at the University of
Virginia. A Guggenheim Fellow and
how the high‑tech ecologically damaged world they have made is remaking
two‑time winner of the Ruth Benedict
them, one synthetic chemical, radioactive isotope and megastorm at a time. Prize, Weston is the author of several
Visceral sensations, she finds, are vital to this process, which yields a new books, including Traveling Light: On
animism in which humans and “the environment” become thoroughly entangled. the Road with America’s Poor, Gender
In case studies on food, water, energy, and climate from the United States, in Real Time: Power and Transience in a Visual Age, and
Families We Choose: Lesbians, Gays, Kinship.
India, and Japan, Weston approaches the new animism as both a symptom of
our times and an analytic with the potential to open paths to new and forgotten
ways of living. “Once again Kath Weston masterfully upturns the lexicon
of everyday life, this time by illuminating intimacy not only
as a psychic or spatial relation, but as ecologically lived.
ANIM A
A series edited by Mel Y. Chen and Jasbir K. Puar This is a humbling and beautiful book that tells stories of
inescapably cohabited destruction in witty, clever, but no
less tragic terms.”—JASBIR K. PUAR , author of Terrorist
“Animate Planet luminously draws out how our bodies, ourselves, our foods, our waters,
Assemblages: Homonationalism in Queer Times
our chemicals, our devices, our radioisotopes, our climate, and our planet are all animated,
for good and ill, by their ecological intimacies with one another. Kath Weston brilliantly
shows us that such animacies are signs of today’s globally uneven spacetime and require
a reinvigorated, and fully political, animism—an exciting analytic that this book dazzlingly
realizes.”—STEFAN HELMREICH , author of Sounding the Limits of Life: Essays in the
Anthropology of Biology and Beyond
E N V I R O N M E N TA L S T U D I E S/A F F E C T T H E O R Y/A N T H R O P O L O GY
17
January 264 pages, 24 illustrations
paper, 978–0–8223–6232–6, $24.95/£18.99 cloth, 978–0–8223–6210–4, $89.95/£69.00
Also available as an ebook
general interest
“Displaying his customary erudition and insight, Gary Y. Okihiro rethinks the meaning
of ethnic studies, highlighting the existence of a rich but often neglected tradition of
antisubordination scholarship capable of delineating and critiquing how the histories
of imperialism and capitalism have shaped the fatal couplings of social identities and
power. A generative and thought-provoking work by a sophisticated and advanced thinker,
Third World Studies will challenge many ethnic studies scholars and impact how ethnic
studies will proceed to think of itself.”—GEORGE LIPSITZ, author of American Studies
in a Moment of Danger
E D U C AT I O N/ R A D I C A L H I S T O R Y
18
September 224 pages, 5 photographs
paper, 978–0–8223–6231–9, $23.95/£17.99 cloth, 978–0–8223–6209–8, $84.95/£65.00
Also available as an ebook
general interest
Containing over one hundred selections— Ann Farnsworth‑Alvear is Associate Professor of History
most of them published in English for the at the University of Pennsylvania and the author of
Dulcinea in the Factory: Myths, Morals, Men, and Women in
first time—The Colombia Reader presents
Colombia’s Industrial Experiment, 1905–1960, also published
a rich and multilayered account of this complex by Duke University Press. Marco Palacios is Professor
nation from the colonial era to the present. at El Colegio de México and Universidad de los Andes,
The collection includes journalistic reports, Bogotá, and the author of many books, including Between
songs, artwork, poetry, oral histories, govern- Legitimacy and Violence: A History of Colombia, 1875–2002,
also published by Duke University Press. Ana María Gómez
ment documents, and scholarship to illustrate
López , cofounder and former coordinator of the Colombian
the changing ways Colombians from all walks Interdisciplinary Team for Forensic Work and Psychosocial
of life have made and understood their own Assistance (EQUITAS), is an artist and independent scholar.
history. Comprehensive in scope, it covers
Francisco Flores and Irene Gaviria c. 1984.
Photograph by James Mollison, from regional differences; religion, art, and culture; “The Colombia Reader’s editors have done extraordinary
family snapshot.
the urban/rural divide; patterns of racial, work, especially by including the voices of those who are
economic, and gender inequalities; the history of violence; and the transna- historically marginalized or omitted in traditional histories
tional flows that have shaped the nation. The Colombia Reader expands of Colombia. In the past I have had to rely on texts I have
personally translated for use in my courses if I wanted
readers’ knowledge of Colombia beyond its reputation for violence, contrasting
students to think beyond the narrow categories typically
experiences of conflict with the stability and significance of cultural, intellectual,
used to define Colombia’s history. Solving this scarcity of
and economic life in this plural nation. translated texts, The Colombia Reader is a great teaching
The Rio de Janeiro Reader The Dominican The Cuba Reader The Mexico Reader
Daryle Williams, Amy Chazkel, and Paulo Republic Reader Aviva Chomsky, Pamela Maria Gilbert M. Joseph and Timothy J.
Knauss, editors Eric Paul Roorda, Lauren H. Derby, Smorkaloff, and Barry Carr, editors Henderson, editors
paper, $25.95tr/£19.99 and Raymundo Gonzalez, editors paper, $29.95tr/£22.99 paper, $29.95tr/£22.99
978–0–8223–6006–3 / 2015 paper, $27.95tr/£20.99 978–0–8223–3197–1 / 2004 978–0–8223–3042–4 / 2003
Also available as an ebook 978–0–8223–5700–1 / 2014
Also available as an ebook
T R AV E L / L AT I N A M E R I C A N S T U D I E S
19
December 664 pages, 103 illustrations (including 8-page color insert)
paper, 978–0–8223–6228–9, $29.95tr/£22.99 cloth, 978–0–8223–6207–4, $119.95/£92.00
Also available as an ebook
general interest
During his fifteen years as chancellor, When the United States and the Soviet
Dr. Ralph Snyderman helped create Union signed the first Strategic Arms
A Chancellor’s Tale new paradigms for academic medicine Limitation Talks accords in 1972 it was
TRANSFORMING
ACADEMIC MEDICINE while guiding the Duke University generally seen as the point at which
r a l p h s n y d e r m a n, m.d.
Medical Center through periods of the USSR achieved parity with the
great challenge and transformation. United States. Less than twenty years
Under his leadership, the medical later the Soviet Union had collapsed,
center became internationally known FROM WA SHINGTON
TO MOSCOW
confounding experts who never
for its innovations in medicine, includ-
US-Soviet Relations and the Collapse of the USSR
louis sell expected it to happen during their life-
ing the creation of the Duke University times. In From Washington to Moscow
Health System—which became a veteran U.S. Foreign Service officer
model for integrated health care delivery—and the development of Louis Sell traces the history of U.S.–Soviet relations between
personalized health care based on a rational and compassionate 1972 and 1991 and explains why the Cold War came to an abrupt
model of care. In A Chancellor’s Tale Snyderman reflects on his role end. Drawing heavily on archival sources and memoirs—many
in developing and instituting these changes, and discusses the in Russian—as well as his own experiences, Sell vividly describes
necessity for strategic planning, fund-raising, media relations, and events from the perspectives of American and Soviet participants.
the relationship between the medical center and Duke University. He attributes the USSR’s fall not to one specific cause but to
He concludes with advice for current and future academic medical a combination of the Soviet system’s inherent weaknesses, mis-
center administrators. A Chancellor’s Tale will be required reading takes by Mikhail Gorbachev, and challenges by Ronald Reagan and
for those interested in academic medicine, health care, administra- other U.S. leaders. He shows how the USSR’s rapid and humiliating
tive and leadership positions, and the history of Duke University. collapse and the inability of the West and Russia to find a way
Ralph Snyderman, MD is Chancellor Emeritus, Duke University, James B. to cooperate respectfully and collegially helped set the foundation
Duke Professor of Medicine, and Director of the Center for Research for Vladimir Putin’s rise.
in Personalized Health Care at the Duke University School of Medicine.
Louis Sell is a retired Foreign Service officer who served twenty‑seven
Darrell G. Kirch, MD is President and Chief Executive Officer of the years with the U.S. Department of State, specializing in Soviet and Balkan
Association of American Medical Colleges. affairs. He is the author of Slobodan Milosevic and the Destruction of
Yugoslavia, also published by Duke University Press.
MEMOIR/MEDICINE F O R E I G N A F FA I R S/ H I S T O R Y
20
November 304 pages, 40 photographs August 424 pages
cloth, 978–0–8223–6185–5, $34.95/£26.99 paper, 978–0–8223–6195–4, $27.95tr/£20.99
Also available as an ebook cloth, 978–0–8223–6179–4, $99.95/£77.00
Also available as an ebook
cultural studies
of
phies to center the ocean as place.
journey around the world’s oceans
Developing the concept of seascape
and fisheries, she finds that the
K now i ng
Photo by the author.
epistemology, she articulates an
ocean is being simplified in a food
A Seascape indigenous Hawaiian way of knowing
politics that is overwhelmingly land based and preoccupied with Epistemology
founded on a sensorial, intellectual,
buzzwords like “local” and “sustainable.” Developing a conceptual
and embodied literacy of the ocean.
tack that combines critical analysis and embodied ethnography,
As the source from which Kānaka
she dives into the lucrative and endangered bluefin tuna market, Karin Amimoto Ingersoll Maoli (Native Hawaiians) draw their
the gendered politics of “sustainability,” the ghoulish business of
essence and identity, the sea is
producing fishmeal and oil for animals and humans, and the long
foundational to Kanaka epistemology and ontology. Analyzing oral
history of encounters between humans and oysters. Seeing the
histories, chants, artwork, poetry, and her experience as a surfer,
ocean as the site of the entanglement of multiple species—which
Ingersoll shows how this connection to the sea has been crucial to
are all implicated in the interactions of technology, culture, politics,
resisting two centuries of colonialism, militarism, and tourism. In
and the market—enables us to think about ways to develop
today’s neocolonial context—where continued occupation and surf
a reflexive ethics of taste and place based in the realization that
tourism marginalize indigenous Hawaiians—seascape epistemology
we cannot escape the food politics of the human‑fish relationship.
as expressed by traditional cultural practices such as surfing, fish-
Elspeth Probyn is Professor of Gender and Cultural Studies at the ing, and navigating provides the tools for generating an alternative
University of Sydney and the author of Blush: Faces of Shame and Carnal
indigenous politics and ethics. In relocating Hawaiians identity
Appetites: FoodSexIdentities.
back to the waves, currents, winds, and clouds, Ingersoll presents
a theoretical alternative to land‑centric viewpoints that still
“Beautifully written and full of profound ideas, Eating the Ocean engages
dominate studies of place‑making and indigenous epistemology.
the reader and surprises her at many turns. Elspeth Probyn complicates
the current work being done on food politics, making this an urgent and Karin Amimoto Ingersoll is independent scholar, writer, and surfer
necessary book for scholars of food studies, environmental culture, based in Honolulu, Hawai‘i. She holds a PhD in Political Science from
the materialist turn, consumer culture, and gender.”—SARAH SHARMA , the University of Hawai‘i at Mānoa.
author of In the Meantime: Temporality and Cultural Politics
“A risk‑taking and vividly written work, Waves of Knowing helps destabilize
reigning land‑centered frameworks of contemporary place‑making and, all
the more so, puts the Hawaiian oceanic sensibility back where it culturally
and politically belongs. With flair, range, and commitment, Karin Amimoto
Ingersoll shows ocean and land to be one interactive Hawaiian continuum
of embodied place‑making. Waves of Knowing offers an important, timely,
and conjunctive intervention into Hawaiian studies, oceanic studies,
and decolonizing indigenous scholarship.”—ROB WILSON, author of
Reimagining the American Pacific: From South Pacific to Bamboo Ridge
and Beyond
F O O D S T U D I E S/ F E M I N I S T C U LT U R A L S T U D I E S H AWA I ‘ I/ N AT I V E A N D I N D I G E N O U S S T U D I E S
23
December 208 pages, 29 illustrations November 224 pages, 12 illustrations
paper, 978–0–8223–6235–7, $22.95/£17.99 paper, 978–0–8223–6234–0, $23.95/£17.99
cloth, 978–0–8223–6213–5, $79.95/£61.00 cloth, 978–0–8223–6212–8, $84.95/£65.00
Also available as an ebook Also available as an ebook
gender studies / feminist theory
Frances S. Hasso is Associate Professor of Women’s Studies and Review and Third Space Contributors
Sociology at Duke University and the author of Resistance, Repression, Dena Al‑Adeeb, Adam George Dunn, Rima Dunn, Meral Düzgün, Iklim Goksel,
and Gender Politics in Occupied Palestine and Jordan and Consuming Didem Havlioğlu, Sarah Ihmoud, Sarah Irving, Adi Kuntsman, Shahrzad Mojab,
Afsaneh Najmabadi, Rachel Rothendler, Afiya Zia
Desires: Family Crisis and the State in the Middle East. Zakia Salime
is Associate Professor of Sociology and Women’s and Gender Studies Aslı Zengin is Allen‑Berenson Fellow in Women’s, Gender and Sexuality
at Rutgers University and the author of Between Feminism and Islam: Studies at Brandeis University. Sertaç Sehlikoglu is Affiliated Researcher
Human Rights and Sharia Law in Morocco. at the University of Cambridge.
“Filling a lacuna in the scholarship on gender and the Arab Spring, these
essays approach their topics from especially sophisticated, innovative, and
engaging angles, putting forward new theories and methods for thinking
about the intersections of politics, gender, revolution, and feminism. Given
the major significance of women to the Arab Spring revolutions, this out-
standing book is more urgent than ever.”—NADINE NABER, author of
Arab America: Gender, Cultural Politics, and Activism
M I D D L E E A S T S T U D I E S/G E N D E R S T U D I E S M I D D L E E A S T S T U D I E S/ W O M E N ’ S S T U D I E S
25
October 312 pages, 26 illustrations August 165 pages, 13 illustrations Vol. 12 no. 2
paper, 978–0–8223–6241–8, $24.95/£18.99 paper, 978–0–8223–6390–3, $16.00/£11.99
cloth, 978–0–8223–6221–0, $89.95/£69.00
Also available as an ebook
gender studies / feminist theory
H I S T O R Y/G E N D E R S T U D I E S D I S A B I L I T Y S T U D I E S/G E N D E R S T U D I E S/ KO R E A
26
September 230 pages, 11 illustrations Vol. 16 no. 3 (issue 126) January 312 pages, 8 illustrations
paper, 978–0–8223–6391–0, $14.00/£10.99 paper, 978–0–8223–6288–3, $25.95/£19.99
cloth, 978–0–8223–6277–7, $94.95/£73.00
Also available as an ebook
gender studies / feminist theory g a y / l e s b i a n /q u e e r / t r a n s s t u d i e s
“As the first substantive text on contemporary global queer cinema, Queer
“In this rigorous and original read, Licia Fiol‑Matta puts a welcome nail in
Cinema in the World transforms current debates in world cinema while
the masculine script dominating conversations about ‘Latin’ popular music
bringing a welcome disciplinary specificity to queer theory’s musings on
and Puerto Rico’s musical history. Her critical biographical approach and
cinema and transnational queer representability. Provocative, generative,
her archive of the voice provide new standards for interdisciplinary research,
and teachable, Queer Cinema in the World excites the reader with its scope
while her treatment of female pop stars such as the giant, but largely obvi-
and smartness.”—PATRICIA WHITE , author of Women’s Cinema, World
ated Lucecita Benítez, is simply moving and beautiful.”—ARLENE DÁVILA ,
Cinema: Projecting Contemporary Feminisms
New York University
M U S I C/ W O M E N ’ S & G E N D E R S T U D I E S/ L AT I N A M E R I C A N S T U D I E S F I L M S T U D I E S/Q U E E R S T U D I E S
27
February 296 pages, 50 illustrations December 400 pages, 109 illustrations
paper, 978–0–8223–6293–7, $24.95/£18.99 paper, 978–0–8223–6261–6, $27.95/£20.99
cloth, 978–0–8223–6282–1, $89.95/£69.00 cloth, 978–0–8223–6246–3, $99.95/£77.00
Also available as an ebook Also available as an ebook
g a y / l e s b i a n /q u e e r / t r a n s s t u d i e s
to normative forms of value and a powerful tool for creating new Julian Gill‑Peterson is Assistant Professor of English and Children’s
potentials. Literature at the University of Pittsburgh. Rebekah Sheldon is Assistant
Professor of English at Indiana University. Kathryn Bond Stockton
Jonathan Goldberg is Arts and Sciences Distinguished Professor of
is Distinguished Professor of English at the University of Utah and the
English at Emory University and the author of several books, most
author of The Queer Child, or Growing Sideways in the Twentieth Century,
recently, Strangers on a Train: A Queer Film Classic. He is also the author
also published by Duke University Press.
of Willa Cather and Others and editor of Queering the Renaissance, both
also published by Duke University Press.
THEORY Q
A series edited by Lauren Berlant and Lee Edelman
Q U E E R T H E O R Y/ F I L M/ L I T E R A R Y C R I T I C I S M G AY & L E S B I A N S T U D I E S
28
August 224 pages September 123 pages Vol. 22 no. 4
paper, 978–0–8223–6191–6, $23.95/£17.99 paper, 978–0–8223–6396–5, $12.00/£9.99
cloth, 978–0–8223–6175–6, $84.95/£65.00
Also available as an ebook
g a y / l e s b i a n /q u e e r / t r a n s s t u d i e s african american studies
new writings in
collection No Tea, No Shade brings BL A CK N ESS about black film, treating it not as
black queer studies together nineteen essays from the American Cinema and
the Idea of Black Film
a category, a genre, or strictly a rep-
next generation of scholars, activists, resentation of the black experience
and community leaders doing work on but as a visual negotiation between
black gender and sexuality. Building film as art and the discursivity of race.
on the foundations laid by the earlier Gillespie challenges expectations that
volume, this collection’s contributors black film can or should represent
speak new truths about the black the reality of black life or provide
e. patrick johnson, editor
B L AC K Q U E E R S T U D I E S F I L M S T U D I E S/ B L AC K S T U D I E S/ V I S U A L C U LT U R E
29
October 424 pages, 21 illustrations September 248 pages, 50 illustrations
paper, 978–0–8223–6242–5, $28.95/£21.99 paper, 978–0–8223–6226–5, $23.95/£17.99
cloth, 978–0–8223–6222–7, $99.95/£77.00 cloth, 978–0–8223–6205–0, $84.95/£60.00
Also available as an ebook Also available as an ebook
african american studies environment
“Tearing down myths and distortions on virtually every page, The Revolution
Has Come is the first substantive account of the Black Panther Party’s “Pulling together a quarter‑century of groundbreaking work, Dorceta E.
Oakland chapter—the iconic gathering that birthed the party and held on Taylor unearths, documents, and examines the disproportionate price that
to its very last breath. Robyn C. Spencer’s incisive attention to gender, state low‑income communities and people of color pay for our environmental ills.
repression, black radical alliances, philosophical and ideological debates, She lays bare the failings of our government and the environmental community
and the organization’s long decline makes this one of the most original to adequately address the inequities at the heart of widespread environmental
studies of the Panthers to appear in years.”—ROBIN D. G. KELLEY, injustice. And she shows how we can confront those shortcomings, strengthen
author of Freedom Dreams: The Black Radical Imagination the environmental safety net, and improve the quality of our democracy
by making this movement look, think, and sound more like the nation it
serves.”—RHEA SUH , president, the Natural Resources Defense Council
A F R I C A N A M E R I C A N H I S T O R Y/G E N D E R S T U D I E S E N V I R O N M E N TA L H I S T O R Y/S O C I O L O GY
30
November 272 pages, 9 photographs August 496 pages
paper, 978–0–8223–6286–9, $24.95/£18.99 paper, 978–0–8223–6198–5, $29.95/£22.99
cloth, 978–0–8223–6275–3, $89.95/£69.00 cloth, 978–0–8223–6181–7, $104.95/£81.00
Also available as an ebook Also available as an ebook
a f r i c a n s t u d i e s /r e l i g i o n anthropolog y
“The perspectives of the students in this collection make it clear that simply
having good intentions, dedication, or even excellent innovative ideas are
not sufficient to implement the initiatives that development workers hope
to. A grasp of local politics and regional histories and social forms is critical,
not just to success, but to understanding the nature of the ‘problems’ in
the first place. An innovative work, Doing Development in West Africa is an
eminently readable and teachable text valuable to courses in international
relations, political science, and anthropology.”—BRAD WEISS
R E L I G I O N/A F R I C A N S T U D I E S S T U DY A B R OA D/ E C O N O M I C D E V E L O P M E N T
31
December 336 pages, 9 illustrations August 240 pages, 33 photographs
paper, 978–0–8223–6227–2, $25.95/£19.99 paper, 978–0–8223–6192–3, $23.95/£17.99
cloth, 978–0–8223–6206–7, $94.95/£73.00 cloth, 978–0–8223–6176–3, $84.95/£65.00
Also available as an ebook Also available as an ebook
anthropolog y
M U S E U M S T U D I E S/A N T H R O P O L O GY A N T H R O P O L O GY/ L AT I N A M E R I C A N S T U D I E S
32
December 352 pages, 46 illustrations November 256 pages, 63 illustrations (8 page color insert)
paper, 978–0–8223–6268–5, $26.95/£20.99 paper, 978–0–8223–6274–6, $23.95/£17.99
cloth, 978–0–8223–6253–1, $94.95/£73.00 cloth, 978–0–8223–6259–3, $84.95/£65.00
Also available as an ebook Also available as an ebook
anthropolog y
In Encoding Race, Encoding Class In Placing Outer Space Lisa Messeri traces how the place‑making
Sareeta Amrute explores the work practices of planetary scientists transform the void of space into
and private lives of highly skilled a cosmos filled with worlds that can be known and explored.
ENCODING
Indian IT coders in Berlin to reveal Making planets and other celestial bodies into places is central to
R A C E,
ENCODING the oft‑obscured realities of the the daily practices and professional identities of the astronomers,
CLASS embodied, raced, and classed geologists, and computer scientists Messeri studies. She takes
INDIAN
IT WORKERS
nature of cognitive labor. In addi- readers to the Mars Society’s Mars Desert Research Station, show-
IN BERLIN
tion to conducting fieldwork and ing how scientists transform Earth into a Martian place and use
S A R EE TA A M R U T E
interviews in IT offices as well the Utah desert to create narratives of Martian exploration.
as analyzing political cartoons, At NASA Ames, she traces how scientists inscribe senses of place
advertisements, and reports within digital maps of Mars. Messeri also joins scientists at Chile’s
on white-collar work, Amrute Cerro Tololo Inter‑American Observatory and in MIT ’s labs as they
spent time with a core of twenty discover exoplanets, combine telescopic data with their planetary
programmers before, during, and after their shifts. She shows imagination, to capture both a planet’s past and future, and envi-
how they occupy a contradictory position, as they are racialized sion what it would be like to visit and live there. The place‑making
in Germany as temporary and migrant grunt workers, yet their work of planetary scientists, especially their search for an Earth‑
middle-class aspirations reflect efforts to build a new, global, and ike planet, allows us to understand the universe as densely inhab-
economically dominant India. The ways they accept and resist the ited by evocative worlds, which in turn tells us more about Earth,
premises and conditions of their work offer new potentials for ourselves, and our place in the cosmos.
alternative visions of living and working in neoliberal economies. Lisa Messeri is Assistant Professor of Science, Technology, and Society
Demonstrating how these coders’ cognitive labor realigns and in the Department of Engineering and Society at the University of Virginia.
reimagines race and class, Amrute conceptualizes personhood and
migration within global capitalism in new ways. EXPERIMENTAL FUTURES
A series edited by Michael M. J. Fischer and Joseph Dumit
Sareeta Amrute is Associate Professor of Anthropology at the University
of Washington.
“Part cosmic travelogue, part scholarly analysis, in Placing Outer Space:
An Earthly Ethnography of Other Worlds, Lisa Messeri refreshingly interprets
“In this pathbreaking book Sareeta Amrute challenges some of the more
the planetary scientist’s methods and tools and orbs-of-interest through
pedestrian notions around race and technology, showing how race gets
the lens of a curious anthropologist. From there we gain insight into who
encoded in technology, not only at the level of devices and platforms, but
we really are as explorers, and what motivates our endless search for
at the level of structure, infrastructure, and systemic formulations of the
worlds beyond.”—NEIL DEGRASSE TYSON , Astrophysicist, American
bodies of technology and the technologized bodies of digital globaliza-
Museum of Natural History
tion. Bound to excite interest from a variety of disciplines, Encoding Race,
Encoding Class will emerge as a critical milestone in the landscape of
scholarship on the intersections of technology, body, race, and policy.”
—NISHANT SHAH , Cofounder of the Centre for Internet and Society,
Bangalore
The Trial of a stood trial for these crimes against inated food. In Radiation Brain Moms and Citizen Scientists Aya
Khmer Rouge humanity. While the prosecution Hirata Kimura shows how, instead of being praised for their con-
Torturer painted Duch as evil, his defense cern about their communities’ health and safety, they faced stiff
social sanctions, which dismissed their results by attributing them
lawyers claimed he simply fol-
ALEXANDER LABAN HINTON
lowed orders. In Man or Monster? to the work of irrational and rumor‑spreading women who lacked
Alexander Hinton uses creative ethnographic writing, extensive scientific knowledge. These citizen scientists were unsuccessful
fieldwork, hundreds of interviews, and his experience attending at gaining political traction, as they were constrained by neolib-
Duch’s trial to create a nuanced analysis of Duch, the tribunal, eral and traditional gender ideologies that dictated how private
the Khmer Rouge, and the after‑effects of Cambodia’s genocide. citizens—especially women—should act. By highlighting the chal-
Interested in how a person becomes a torturer and executioner as lenges these citizen scientists faced, Kimura provides insights into
well as the law’s ability to grapple with crimes against humanity, the complicated relationship between science, foodways, gender,
Hinton adapts Hannah Arendt’s notion of the “banality of evil” to and politics in post‑Fukushima Japan and beyond.
consider how the potential for violence is embedded in the every- Aya Hirata Kimura is Associate Professor of Women’s Studies at the
day ways people articulate meaning and comprehend the world. University of Hawai‘i at Mānoa and the author of Hidden Hunger: Gender
and the Politics of Smarter Foods.
Man or Monster? provides novel ways to consider justice, terror,
genocide, memory, truth, and humanity.
“Riveting and smart, Radiation Brain Moms and Citizen Scientists tracks the
Alexander Laban Hinton is Founding Director, Center for the Study of
efforts made by citizens in post‑Fukushima Japan to ensure the safety of
Genocide and Human Rights and Professor of Anthropology at Rutgers
their food from radioactive contamination. In the face of state neglect and
University. He is coeditor of Colonial Genocide in Indigenous North
criticism from fellow Japanese, these initiatives display a ‘soft’ boldness
America, also published by Duke University Press, and author of the
(versus activist politics). Interweaving stories of citizen scientists and ‘radia-
award‑winning Why Did They Kill? Cambodia in the Shadow of Genocide.
tion brain moms’ with sharp theoretics that deconstruct the entanglements
of science, neoliberalism, and postfeminism at work, this book is at once
“Man or Monster? is an elegantly written, passionate, and well-documented powerful and timely.”—ANNE ALLISON , author of Precarious Japan
treatment of genocide, collective memory, transitional justice, the problem
of evil, and the trajectory of Cambodian history. Alexander Hinton’s decades
of engagement with these issues and with Cambodia gives the book power,
persuasiveness, and integrity.”—DAVID CHANDLER, author of A History
of Cambodia
A N T H R O P O L O GY/A S I A N S T U D I E S/ H U M A N R I G H T S A S I A N S T U D I E S/ W O M E N ’ S S T U D I E S/S C I E N C E A N D T E C H N O L O GY
35
October 336 pages, 22 illustrations August 224 pages, 3 illustrations
paper, 978–0–8223–6273–9, $26.95/£20.99 paper, 978–0–8223–6199–2, $23.95/£17.99
cloth, 978–0–8223–6258–6, $94.95/£73.00 cloth, 978–0–8223–6182–4, $84.95/£65.00
Also available as an ebook Also available as an ebook
asian studies
stem from an overlapping mix of social- Lewis, Fran Martin, and Wanning Sun
ist and capitalist institutional strategies, political procedures, legal demonstrate how lifestyle‑oriented popular factual television
regulations, religious rituals, and everyday practices. Analyzing the illuminates key aspects of late modernities in South and East Asia,
process of urbanization and the ways marginalized communities offering insights not only into early twenty‑first‑century media
and migrant workers are positioned in relation to the transforming cultures but also into wider developments in the nature of public
social landscape, the contributors show how these protocols and private life, identity, citizenship, and social engagement.
constitute the Chinese national imaginary while opening spaces Drawing on extensive interviews with television industry profes-
for new emancipatory possibilities. Offering a nuanced theory sionals and audiences across China, India, Taiwan, and Singapore,
of contemporary China’s hybrid political economy, Ghost Protocol Telemodernities uses popular lifestyle television as a tool to help
situates China’s development at the juncture between the world us understand emergent forms of identity, sociality, and capitalist
as experienced and the world as imagined. modernity in Asia.
“The combination of Suvir Kaul’s essays, Kashmiri poetry, and Javed Dar’s
images leaves one breathless and amazed at the treasures to be found, and
sorrowful and outraged at the experiences to be witnessed here. Of Gardens
and Graves is a completely affective geopolitical history delivered to us with
authority and love.”—ANTOINETTE BURTON , author of Africa in the Indian
Imagination: Race and the Politics of Postcolonial Citation
S C I E N C E S T U D I E S/A S I A N S T U D I E S S O U T H A S I A N S T U D I E S/ L I T E R A R Y S T U D I E S
37
Available 112 pages Vol. 10 no. 1 February 256 pages, 30 photographs
paper, 978–0–8223–6394–1, $14.00/£10.99 paper, 978–0–8223–6289–0, $23.95/£17.99
cloth, 978–0–8223–6278–4, $84.95/£65.00
World, excluding South Asia Also available as an ebook
li t e ra r y s t u d i e s /p o s t co l o n i a l s t u d i e s
Thinking Literature across Continents finds Ranjan Ghosh and In This Thing Called the World
J. Hillis Miller—two thinkers from different continents, cultures, d e b j aNi G aNGu ly Debjani Ganguly theorizes the
training, and critical perspectives—debating and reflecting upon contemporary global novel and
what literature is and why it matters. Ghosh and Miller do not the social and historical conditions
attempt to formulate a joint theory of literature; rather, they allow that shaped it. Ganguly contends
their different backgrounds and lively disagreements to stimulate that global literature coalesced into
generative dialogue on poetry, world literature, pedagogy, and T hi s its current form in 1989, an event
T hi NG marked by the convergence of three
Called
the ethics of literature. Addressing a varied literary context ranging
major trends: the consolidation of
from Victorian literature, Chinese literary criticism and philoso-
The
phy, and continental philosophy to Sanskrit poetics and modern
European literature, Ghosh offers a transnational theory
W or l d the information age, the arrival of
a perpetual state of global war, and
The Contemporary Novel as Global Form
of literature while Miller emphasizes the need to account for what the expanding focus on humanitari-
a text says and how it says it. Thinking Literature across Continents anism. Ganguly analyzes a trove of
highlights two minds continually discovering new paths of com- novels from authors including Salman Rushdie, Don DeLillo, Michael
munication and two literary and cultural traditions intersecting in Ondaatje, and Art Spiegelman, who address wars in Iraq, Afghanistan,
productive and compelling ways. and Sri Lanka, the Palestinian and Kashmiri crises, the Rwandan
genocide, and post‑9/11 terrorism. These novels exist in a context
Ranjan Ghosh teaches in the Department of English, University of North
Bengal, and is the author of, most recently, Transcultural Poetics and in which suffering’s presence in everyday life is mediated through
the Concept of the Poet: From Philip Sidney to T. S. Eliot. J. Hillis Miller is digital images and where authors integrate visual forms into their
UCI Distinguished Professor Emeritus at the University of California, Irvine storytelling. In showing how the evolution of the contemporary
and the author of, most recently, An Innocent Abroad: Lectures in China.
global novel is analogous to the European novel’s emergence in the
eighteenth century, when society and the development of capitalism
“Rejecting any easy binaries between East and West, Ranjan Ghosh and faced similar monumental ruptures, Ganguly gives us both a theory
J. Hillis Miller read across not just continents but languages, traditions,
of the contemporary moment and a reminder of the novel’s power.
cultures, texts, philosophies, and pedagogies. For Ghosh, method comes
before text; for Miller, text comes before method. Working both ends to Debjani Ganguly is Professor of English and Director, Institute of the
the middle, the authors elegantly demonstrate a new, powerful, and gen- Humanities and Global Cultures at the University of Virginia. She is
erous way to do critique, inviting readers directly into their conversation the author of Caste and Dalit Lifeworlds: Postcolonial Perspectives.
to tease out its productive ruptures, surprising convergences, and thorny
entanglements. A highly readable, wonderfully inventive, and deeply sat- “In this compelling study, Debjani Ganguly makes a powerful case for novelistic
isfying book.”—DIANA FUSS , Louis W. Fairchild ’24 Professor of English, witnessing as a countervailing force in today’s ‘mediated deathscapes’ of
Princeton University terrorism and state violence. Situated at the intersection of postcolonial theory,
world literature, and media studies, This Thing Called the World will interest
anyone who wants to think freshly about the function of literature, and of
criticism, at the present time.”—DAVID DAMROSCH , Harvard University
“Writing on citizenship tends to take the legal status of citizens for granted.
But what happens when a government refuses to recognize its own
citizens? Citizenship in Question uniquely probes how citizenship status
has been challenged by various levels of government and the dire conse-
quences that can ensue. Presenting a great deal of new and little-known
material, this volume is the first of its kind.”—LETI VOLPP, Robert D.
and Leslie Kay Raven Professor of Law in Access to Justice, University of
California, Berkeley
L E G A L S T U D I E S/ P O L I T I C A L S C I E N C E / H U M A N R I G H T S C R I T I C A L T H E O R Y/A N T H R O P O L O GY
39
January 304 pages October 240 pages, 6 photographs
paper, 978–0–8223–6291–3, $25.95/£19.99 paper, 978–0–8223–6239–5, $23.95/£17.99
cloth, 978–0–8223–6280–7, $94.95/£73.00 cloth, 978–0–8223–6219–7, $84.95/£65.00
Also available as an ebook Also available as an ebook
caribbean & latin american studies
H I S T O R Y/ L AT I N A M E R I C A N & C A R I B B E A N S T U D I E S A M E R I C A N S T U D I E S/ L AT I N O S T U D I E S
40
December 376 pages, 11 illustrations November 272 pages, 18 illustrations
paper, 978–0–8223–6237–1, $26.95/£20.99 paper, 978–0–8223–6262–3, $24.95/£18.99
cloth, 978–0–8223–6217–3, $94.95/£73.00 cloth, 978–0–8223–6247–0, $89.95/£69.00
Also available as an ebook Also available as an ebook
caribbean & latin american studies
In Musicians in Transit Between 1750 and 1870 the world faced transformations marked
Matthew B. Karush examines by the rise of industrial capitalism, the fall of European empires in
the transnational careers the Americas, and the rise of nations there. New Countries explores
of seven of the most influ- how these events transformed the Americas in diverging ways.
ential Argentine musicians Up to 1790, Saint Domingue’s sugar and slave economy drove
of the twentieth century: Atlantic trades; then revolutionary slaves made Haiti, freeing them-
Afro‑Argentine swing guitarist selves and ending export production. New Spain’s silver fueled
Oscar Alemán, jazz saxophon- global trades until Bajío insurgents collapsed silver capitalism and
ist Gato Barbieri, composer undermined Spanish rule after 1810. Meanwhile, Britain triumphed
Lalo Schifrin. Gente, March 1, 1973.
Lalo Schifrin, tango innovator at war while pioneering an industrial capitalism that turned the
Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, U.S. South, still-Spanish Cuba, and a Brazilian empire into coun-
and rock musician Gustavo Santaolalla. As active participants tries expanding slavery to supply rising industrial centers. The
in the globalized music business, these artists interacted with fall of silver left regions from Mexico through Guatemala and the
musicians and audiences in the United States, Europe, and Latin Andes in search of new polities and economies. After 1870 the
America and contended with genre distinctions, marketing conven- United States became an agro-industrial hegemon, most American
tions, and ethnic stereotypes. By responding creatively to these nations turned to commodity exports, and Haitians and diverse
constraints, they made innovative music that provided Argentines indigenous peoples struggled to keep independent lives beyond
with new ways of understanding their nation’s place in the world. the reach of industrial powers seeking supplies and markets.
Eventually, these musicians produced expressions of Latin identity Contributors
that reverberated beyond Argentina, including a novel form of pop Alfredo Ávila, Roberto Breña, Sarah C. Chambers, Jordana Dym, Carolyn Fick,
ballad, an anti‑imperialist, revolutionary folk genre, and a style Erick D. Langer, Adam Rothman, David Sartorius, Kirsten Schultz, John Tutino
of rock built on a pastiche of Latin American and global genres. John Tutino is Professor of History and International Affairs at
A website with links to recordings by each musician accompanies Georgetown University, and Director of the Georgetown Americas Initiative
that sponsored the workshops that led to this volume. He is author of
the book.
Making a New World: Founding Capitalism in the Bajío and Spanish North
Matthew B. Karush is Professor of History at George Mason University. America, also published by Duke University Press.
He is the author of Culture of Class: Radio and Cinema in the Making of
a Divided Argentina, 1920–1946 and coeditor of The New Cultural History
of Peronism: Power and Identity in Mid‑Twentieth‑Century Argentina, both “New Countries offers a powerful correction to Atlantic and world histories
also published by Duke University Press. of the eighteenth and nineteenth centuries that still privilege Anglophone
or Francophone worlds when explaining the rise of democratic republican-
ism and industrialization. It bridges the often arbitrary colonial‑national
“From an exploration of early jazz in the 1920s to contemporary rock en
divide while addressing many of the most active debates in Latin American
español, Matthew B. Karush maps out the shifting topography of Argentine
history, including critiques that the literature so concerned with culture and
musicianship as no one has before. Musicians in Transit expertly traverses
politics has neglected the economic realm. This volume wisely insists we
the racial politics and cosmopolitan yearnings that characterized musi-
separate them at our peril.”—JAMES SANDERS , author of The Vanguard
cians’ efforts to define themselves in relationship with the world beyond
of the Atlantic World: Creating Modernity, Nation, and Democracy in
Argentina. Karush reveals the individual footpaths and transnational
Nineteenth‑Century Latin America
bridges essential for decoding the relationship between music, capital, and
nation.”—ERIC ZOLOV, author of Refried Elvis: The Rise of the Mexican
Counterculture
L AT I N A M E R I C A N S T U D I E S/ M U S I C L AT I N A M E R I C A N S T U D I E S/ W O R L D H I S T O R Y
41
December 296 pages, 20 illustrations December 424 pages, 34 illustrations
paper, 978–0–8223–6236–4, $24.95/£18.99 paper, 978–0–8223–6133–6, $28.95/£21.99
cloth, 978–0–8223–6216–6, $89.95/£69.00 cloth, 978–0–8223–6114–5, $99.95/£77.00
Also available as an ebook Also available as an ebook
c a r i b b e a n c &u l tl ua tr ianl as tmu edri iecsa n s t u d i e s
H I S T O R Y/G E O G R A P H Y L AT I N A M E R I C A N S T U D I E S/ I N D I G E N O U S S T U D I E S
42
December 352 pages, 27 illustrations December 240 pages, 24 illustrations
paper, 978–0–8223–6240–1, $26.95/£20.99 paper, 978–0–8223–6238–8, $23.95/£17.99
cloth, 978–0–8223–6220–3, $94.95/£73.00 cloth, 978–0–8223–6218–0, $84.95/£65.00
Also available as an ebook Also available as an ebook
histor y of economics journals
HISTORY OF ECONOMICS
43
November 300 pages Vol. 48
cloth, 978–0–8223–6389–7, $59.95/£46.00
jjoouurrnnaallss
The Chile Reader The Peru Reader The Costa Rica Reader The Argentina Reader
Elizabeth Quay Hutchison, Thomas SECOND EDITION Steven Palmer and Gabriela Nouzeilles and
Miller Klubock, Nara B. Milanich, Orin Starn, Carlos Iván Degregori, Iván Molina, editors Graciela Montaldo, editors
and Peter Winn, editors and Robin Kirk, editors 2004 2002
2013 2005 978–0–8223–3372–2 978–0–8223–2914–5
978–0–8223–5360–7 978–0–8223–3649–5 paper, $26.95tr/£20.99 paper, $27.95tr/£20.99
paper, $29.95tr/£22.99 paper, $28.95tr/£21.99
Also available as an ebook
The Ghana Reader The South Africa Reader The Russia Reader The Indonesia Reader
Kwasi Konadu and Clifton Crais and Thomas Adele Marie Barker and Tineke Hellwig and
Clifford C. Campbell, editors V. McClendon, editors Bruce Grant, editors Eric Tagliacozzo, editors
2016 2013 2010 2009
978–0–8223–5992–0 978–0–8223–5529–8 978–0–8223–4648–7 978–0–8223–4424–7
paper, $27.95tr/£20.99 paper, $29.95tr/£22.99 paper, $29.95 tr/£22.99 paper, $27.95tr/£20.99
Also available as an ebook Also available as an ebook
Hillary and Bill: Beyond the Whiteness Bending Toward Justice: This Nonviolent Stuff’ll
The Clintons and the of Whiteness: The Voting Rights Act Get You Killed:
Politics of the Personal Memoir of a White Mother and the Transformation How Guns Made the
William H. Chafe of Black Sons of American Democracy Civil Rights Movement Possible
2016 Jane Lazarre Gary May Charles E. Cobb Jr.
978–0–8223–6230–2 2016 2014 2015
paper, $21.95tr/£16.99 978–0–8223–6166–4 978–0–8223–5927–2 978–0–8223–6123–7
World, excluding UK and paper, $22.95tr/£17.99 paper, $23.95tr/£17.99 paper, $24.95tr/£18.99
47
47
Commonwealth Also available as an ebook
s esleelcetcetde db ab cakc lki lsits t&&b eb setssteslel lelresr s
Every Last Tie: Willful Subjects Light in the Dark ⁄ The Intimacies
The Story of the Unabomber Sara Ahmed Luz en lo Oscuro: of Four Continents
and His Family 2014 Rewriting Identity, Lisa Lowe
David Kaczynski 978–0–8223–5783–4 Spirituality, Reality 2015
2016 paper, $24.95/£18.99 Gloria E. Anzaldúa 978–0–8223–5875–6
978–0–8223–5980–7 Also available as an ebook 2015 paper, $24.95/£18.99
cloth, $19.95tr/£14.99 978–0–8223–6009–4 Also available as an ebook
Also available as an ebook paper, $25.95tr/£19.99
Also available as an ebook
How Would You Like to Pay?: Give a Man a Fish: Cruel Optimism No Future:
How Technology Is Changing Reflections on the Lauren Berlant Queer Theory and the Death Drive
the Future of Money New Politics of Distribution 2011 Lee Edelman
Bill Maurer James Ferguson 978–0–8223–5111–5 2004
2015 2015 paper, $24.95/£18.99 978–0–8223–3369–2
978–0–8223–5999–9 978–0–8223–5886–2 Also available as an ebook paper, $22.95/£17.99
paper, $19.95tr/£14.99 paper, $24.95/£18.99 Also available as an ebook
Also available as an ebook Also available as an ebook
48
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F A L L & W I N T E R 2 0 1 6 H I G H L I G H T S
only the
Staying with
road
E IG HT DECADES OF CUBAN POETRY
the
Making Kin
Trouble solo el
camino
in the Chthulucene
A Theoretical
CULTURAL STUDIES 1983 History
Stuart Hall
Edited and with an introduction by
Jennifer Daryl Slack and Lawrence Grossberg edited and translated by
D o n n a J. H a r a w a y MARGARET RANDALL
///////////////////////////////// /////////////////////////////////
T I M L AW R E NC E
LOVE,
H
the letters of
helene dorn
and hettie jones
///////////////////
HETTIE JONES