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Jacksons name always accompanied by the refrain I may run, but all the while that I am,
Ill be looking for a stick appears in both volumes of Deleuzes Capitalism and Schizophrenia
(Deleuze and Guattari [1972] 1985, [1980] 1987), written with Guattari, and in a short text written in
1977 with Parnet, On the Superiority of Anglo-American Literature (Deleuze and Parnet [1977]
2006).5 In each instance, Jacksons line announces the idea that escape is revolutionary:
Good people say that we must not flee, that to escape is not good, that it isnt effective, and that one
What matters
is to break through the wall, even if one has to become-black like John Brown. George
must work for reforms. But the revolutionary knows that escape is revolutionary. . . .
Jackson. I may take flight, but all the while I am fleeing, I will be looking for a weapon. (Deleuze and
Guattari 1985 [1972]: 185, 277; my emphasis)6 Affirming the force of fugitivity to break
through the wall (a wall that throughout the book is defined as the limits of capital), this passage
maps two important connections. First, invoking the nineteenth-century American abolitionist John
Thousand Plateaus as a universal figure of minoritarian consciousness (Deleuze and Guattari [1980]
1987: 106). In connecting a political concept of escape with a white abolitionist becoming
black,Deleuze and Guattari imply a thinking of blackness that resonates with
what FredMoten (2008a: 1745) has called blacknesss distinction from a specific set of things called
black. Browns absolute commitment to end slavery in the raid at Harpers Ferry emerges as an event
that affirms, to quote Moten (ibid.: 1746) again, that everyone whom blackness claims, which is to
say everyone, can claim blackness. A second connection directly quotes Soledad Brother and
introduces a crucial element into thinking of escape as a revolutionary idea. Jacksons line I may run .
. . announces that fugitivity, rather than simply being a renunciation of action, already carries with it
an active construction: a line of flight composes itself as a search for a weapon .7
Disrupting the opposition of flight or fight that has often troubled the political understanding of
fugitivity, Jacksons line affirms a politics where escape is always already a
counterattack. What we encounter here, quite rare in the work of a European philosopher, is a
political concept produced in connection with both nineteenth-centuryabolitionism and
the resistance to what Jackson termed the neo-slavery of theAmerican prison
system a concept of resistance that affirms a force of becoming black or, more
precisely, a blackness of becoming
White civil society has already told you what blackness is; only
you can decide whether or not you will accept those codes or
exist otherwise. That flips try or die.
Ehlers
Even if subjects are formed in power, they are not determined
by power. -Ehlers Evidence.
Fischer
Social death theory is historically inaccurate, and falls prey to
colonial redaction. Slavery continues to explain the plight of
blackness as catastrophe, but remains curiously inanimate.
Hegemonic structures silence the events at the core of the
black Atlantic this is slavery as communal, queerness on the
middle passage as a unique narrative of self-love, the stories,
instances of massive uprising, cultural fraternities such as the
Cuban Cabildos, etc. all prove that resistance Fischer
Hudson
Social death is not engraved in ontological stone. Black and
white are sustained in contingently performed signification
which the aff disrupts Hudson.
Can we bring some order to this host of criticisms? It is remarkable that, for all the criticisms of ieks political
symptoms and anxieties. As a clinical and existential process, it has its own independent importance and
The analysands, in transforming their subjective world, change the way they regard
the objective, shared social reality outside the clinic. But they do not transform the world.
The political relevance of the clinic can only be (a) as a supporting moment in ideology critique or (b)
authenticity.
as a fully- fl edged model of politics, provided that the political subject and its social object are ultimately identical.
rests on the idea, not only of a subject who becomes who he is only through
whose traversal of the fantasy is
immediately identical with his transformation of the socio- political system or Other.
Option (b), ieks option,
Hence, according to iek, we can analyse the institutional embodiments of this Other using psychoanalytic
categories. In Chapter 4, we saw ieks resulting elision of the distinction between the (subjective) Ego Ideal and
the (objective) Symbolic Order.
subjectobject, whose perverse (or perhaps even psychotic) structure is expressed in every manifestation of
contemporary life. ieks decisive political- theoretic errors, one substantive and the other methodological, are
different (see Figure 5.1)
name with the total change of the subjectobject that is, today, global capitalism. This is a type of
change that can only mean equating politics with violent regime change, and ultimately embracing dictatorial
government, as iek now frankly avows (IDLC 41219). We have seen that the ultra- political form of ieks
structures the regimes inherent transgressions: at once subjects habitual ways of living the letter of the law, and
new subjectobjects. Providing the model for this set of ideas, the fi rst iekian political subject was Schellings
divided God, who gave birth to the entire Symbolic Order before the beginning of time (IDLC 153; OB 1448). But
can the political theorist reasonably hope or expect that subjects will simply give up on
all their inherited ways, myths and beliefs, all in one world- creating moment? And can they be
legitimately asked or expected to, on the basis of a set of ideals whose legitimacy they will only retrospectively see,