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The lens fitted to vour camera is a product of the Agfa camera werk
and has been computed.and manufactured.in conformity with the most
up-to-date scientific methods,
This lens readtes a standard of performance neper preaiousry attained
in lensesof equal speed haaing the same number of elements.Its &ief
adaattages lie in its great depth of field, extremely high resoluing
power, etcellent definition and outstanding reproduction of detail.
The total of these cltaracteristicsmakes this the ideal lens
for miniature
photography uith bladc and. ushite or colour film.
In ad-dition, eoery lens is thorough\: tested before leaz:ing our
factory
by the most up'to-date methods and is guaranteedby us
lor its'quarity
and pefiormance.
AGFA-GEVAERT AG
Camera-Werk, Muenchen
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EXPLANATIONS
OF ADJACENT
ILLUSTRATION
Operolion, poges 2-5
@ Ropid tronsporl lever
@ M o g i c r e l e q s eb u l i o n
@ Seiiingmork
for outomqticmechonism
CONTENTS
PAGE
R o p i dt r o n s p o rlte v e r
F o c u s i n sgy m b o l s
2
^
H o l d i n g t h e c o m e r o ,v i e w f i n d e r
G r e e ns i g n o l - r e l e o s i n g
T h r e e p o i n t sf o r g o o d p h o i o s
@ Settingmork
f o r f o c u s i n gs y m b o l s
@ Setting ring for symbols
F i l mt y p e s
Loodingihe comero
F i l mc o u n t e r
l0
@ DIN/ASA scole
for setting the film speed
S e t t i n gt h e f i l m s p e e d
ll
@ Light prism
for red qnd green signol
@ Accessoryshoe
@ Rewind knob
@ Diophrogm ring
@ F l o s hc o n t o c t
. 819
W i t h o u t t h e o u t o m o t i cm e c h o n i s m
12
F l o s hi e c h n i q u e
13
A g o i n s t h e l i g h io n d c l o s e - u pe x p o s u r er e o d i n g s 1 4
F i l t e r so n d o c c e s s o r i e s
15
R e w i n d i n gt h e f i l m
16
Y o u o r e n o w i h e p r o u d o w n e r o f q t e c h n i c o l l yp e r f e c t c o m e r q - t h e
fully outomoticAgfo Opiimo 500 which does not require ony comp l i c o t e d m o n u o l o p e r o t i o n so n d s o l e o v e sy o u f r e e t o c o n c e n t r o t eo n
t h e s u b j e c t .W h o t o s o u r c eo f b o u n d l e s sl o y t h o t i s l
F r o m y o u r p h o t o g r o p h i cd e o l e r y o u w i l l h o v e l e o r n e d h o w s i m p l e l h e
A g f o O p t i m o 5 0 0 i s t o h o n d l e .S h u t t e rs p e e d so n d o p e r i u r e sw h i c h o n c e
h o d i o b e w o r k e d o u t , m e o s u r e do r s e t o r e n o w o f y o u r b e c k o n d c o l l .
T h e f u l l y o u t o m o t i c m e c h o n i s mi s s o m e t h i n g o f o m i r o c l e , y o u r i n v i s i b l e s l o v e t o c o l c u l o t e ,t h i n k o n d o c t f o r y o u - i u s t o i o u c h o f t h e
"mogic
r e l e o s eb u t t o n " s u f f i c e s .
Y o u w i l l p r o b o b l y w i s h t o g e t f o m i l i o r i z e d w i t h t h i s m o s t e r p i e c eo f
p r e c i s i o n .O n p o g e s 2 t o 6 y o u w i l l f i n d b r i e f o p e r o i i n g i n s t r u c t i o n s ;
t e c h n i c o lo d v i c e o n d u s e f u l p h o l o g r o p h i c h i n t s o r e g i v e n o n p o g e s
7 Io 16.
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Howfor owqyisyoursu.biect?
There ore only lhree focus settingson the
comero.Accordingto the distoncefrom the
subiectyou merelyset one of the three symb o l so n t h e l e n sm o u n lo g o i n stth e w h i t em o r k :
Subiecl disionce
AQ
f\{
,A(\
l'l"l
ctose-ups
5 f r .r o 7 f t . 5 i n .
Groups
7 ft. 5 in.to
Distqntviews
'15
ft.
.|5ft.
to infiniiy
(londscope)
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W h e n p h o t o g r o p h i n gi t i s i m p o r t o n t i o h o l d t h e c o m e r q
s t e o d y .Y o u s h o u l d t h e r e f o r e t o k e y o u r O p t i m o i n b o i h
honds ond broce your orms ogoinsi your body. Ploce
ihe index finger of your right hond on the mogic releose
b u t t o n . W h e n y o u l o o k t h r o u g h i h e v i e w f i n d e ry o u w i l l
s e e o l u m i n o u s f r o m e w h i c h s u r r o u n d st h e s u b i e c t o n d
s h o w sy o u i h e e x o c t p i c t u r e o r e o .
F o r c l o s e - u p s( 3 y 4 f t . s e t i i n g ) ,t h e t w o l i n e s b e l o w t h e t o p
m o r g i n o f t h i s f r o m e i n d i c o i ei h e u p p e r e d g e o f i h e p i c ture oreo.
T o t o k e u p r i g h tp h o t o s ,o p e r o t e t h e r e l e o s eb u t i o n w i t h
your thumb or index finger,
os illustroied.
Gr eensignol... r eleqse
G r e e ns i g n o l :
"All
cleor" for
your photogroph
R e ds i g n o l '
Stopdo not photogroph
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Threepoints
w h i c h y o u c o n q u i c k l y m o s t e r s u f f i c ei o o b i o i n
perfectPictures'
l . S e t t h e f o c u s i n gs Y m b o l .
2 . L i n e u p y o u r s u b i e c tq n d i q k e t h e f i r s t
pressure.
3 . G r e e n s i g n o l i n v i e w f i n d e r' P r e s s r e l e q s e
bution righi down.
Afterwordsprepore the comero for the next phoiogroph
qs noi to miss
b y o p e r o i i n g t h e r o p i d t r o n s p o r tl e v e r , s o
s
h
o
t
.
on oction
Thot's lust how eosy photogrophyis
with the Agfo OPtimo500'
But you will probobly wont to know more
cqmeroin your honds
so toke the
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The film con be looded in doy- drow oui rewind knob firmly
light,but olwoysin the shode- with left hond os for os posmoking use of body shodow. s i b l e .
Firstopen the comero bock bY
sliding cotch in direction of
orrow.
Push locking buiton of rewind
knob in direciionof orrow ond
il
I
I
Insert new film cosseltewiih Turn loke-up spool by its mill- firmly, so thot the lug engoges
hole lowords rewind knob.
ed disk until the brood slit ond in the secondfilm perforotion.
film perforotionlug ore upperPushbock rewind knob, if nec- mosf.
Now iurn the toke-upspool on
essory turning slightly bock- Drow out ihe film from the slighily in the directionof the
words ond forwords.
cossette lowords the toke-up orrow, os shownin figure F, unspoor.
til iust under holf on inch of
lnsertihe end of the film in the the full film width proiectsfrom
slit, holding the toke-up spool the cosseite.
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p o s u r e s t i l ll e f t o n t h e f i l m '
to thot
knob roiotesin the oppositedirection
Everytime the film is movedon the rewind
film is properlyloodedond tronsported'
shownby the orrow," t""1lg" thot the
imPossible
Doubleexposures
e n s u r e tsh o t y o u d o n o t t o k e i w o
s o u b l e" * o J r r r " p r e v e n t i o n . m e c h o n i s m tronsporteduniil on exposure
A n i n g e n i o ud
be
connoi
on one ""niiiu".in"oial,ion the film
photogrophs
h o sb e e nm o d e .
lmporlonl:
Rememberto set the speed of the film
looded on the comerolo be sure of cor.
reclly exposedphologrophs.
To do this,pushin the smollorrestingknob
o n d i u r n t h e m i l l e dd i s k w i i h i h e o i d o f o
c o i n u n i i l t h e r e q u i r e dD I N o r A S A s p e e d
is oppositethe settingmork.
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on this Po'ge).
TirneexPosures
"B"
until
T u r nt h e m i l l e dr i n g o n t h e l e n sm o u n t
in the top
i s i n l i n e w i t h t h e m o r k ,o s s h o w n
shutter
ihe
setting
this
lilustrotion.When on
b
u
t i o ni s
r
e
l
e
o
s
e
t
h
e
o
s
l
o
n
g
o
s
s i o y so p e n
coble
ond.o
rt.'" ,'J of o triPod
;;J;";:;.
loiter
The
coses'
such
;"1:";; is odvisqblein
releose
the
below
ihreod
the
t.t"*"a into
ir
'fria"
milled
tr.t the side'By turningthe reor
smoll
t
h
e
i
n
v
i
s
i
b
l
e
i"glL"' ofurtr,"' become
window.
No floshlight problems
For flosh work turn the ouiomqtic mechqnism
ring uniil the flosh symbol is opposite the
white mork.
A constont shutter speed of llgo sec. is used
for flosh work. Pleose see the column for ,,X',
s y n c h r o n i z o t i o no n e o c h p o c k e t o f f l o s h b u l b s
f o r i h e r e q u i r e do p e r t u r ew h i c h i s s e t b y t u r n ing ihe reor milled ring. The plug of the flosh
coble is connectedio the flosh contoct ll2.
moin illusirotion).
Eleclronicfloshgunscon qlso be used, in which
c o s e i h e o p e r i u r e i s c q l c u l q t e df r o m t h e g u i d e
n u m b e ro f t h e f l o s h g u n .
E .g . g u i d e n u m b e r o f e l e c t r o n i c f l o s h g u n 9 6
divided by o distonce of l2 feet = operiure f/8.
The hondyAgfoluxfloshgun
in zip cose
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p h o t o g r o p h si o k e n
W h e r e c l e o r d e t o i l i s r e q u i r e di n .
th.e
shodows'
deep
in
or
fight
"n"fttt tf't"
,outomotic
with.thesetting
used
be
still
con
co'mero
ihe
of
mechonism
odvisobleto sef o
." lfl" DIN/ASA scole reduced'lt is
lessthon
equivoleni
ASA
iis
or
DIN
3
iirn to""a of obout
the film
exomple'
for
in"t titf."a on the film pockoge'lf'
the set:
A
S
A
'
4
0
D
I
N
i n t h u . o . " r o h o s o s p e e do f 1 7
:
ASA'
20
DIN
14
to
ii"g tL.ufa be red'uced
A l e o i h e r c o s e .d e s i g n e d
;; i":k; ; lens ho.od,ond
t w o f i l t e r si s o v o l l o b l e '
Filtersfor YourOPtimo
W h e n o V e r y c o n t r o s t y s u b i e c t h q s t o b e p h ofor
t o gon
rophed
for block ond while PhotogroPhY
exposure
""a-;i it wirn"a io obtoin ihe correct
iis,surroundings'
R e d u c eD I N
wilh
"rl.i *r,lrln is smollin comporison
scole setting
meos'
close-up
o
os
known
is
by
it-i, oauitoUt"to toke whot
comero'
of
DIN
1
"t"-r"*i *itf-r the built-inexposuremeier .the
Iiohtvellow
DIN
dressin froni of o
2
light
o
in
person
o
*
'
"
d
i
u
t
Y
"
l
l
o
*
done,
not
is
lf this
DIN
on
2
produce
y
e
l
l
o
w
g
i
e
e
n
eosily
could
Jonkwood (io give on exomple)
UV filter (ultro-violei)
no chonge
i n c o r r e crte o d i n g .
to o shortdistonce
ln suchcosesopproochwith the comero
for sPeciol PhotogroPhs
bufionto the
with colour leversol lllm
it.tln" subieciond pressdown the releose
ond
position
this
in
Aqfo Color Filier
Hoia tnu button
;;;';;;J;J-poiit.
no chonge
Ri.5
p
h
o
t
o
g
r
o
p
h
'
t
h
e
t
o
k
e
t
o
p
o
s
i
t
i
o
n
r e t u r nt o y o u , o , ' g ' n o l
Filters/ Accessories
Filters
There is o voriety of filters
for blqck ond whit6 film ovoiloble for use with ihe Aofo
Opiimo 500 in screw mor-ilts
o f 3 5 . 5m m d i o m . A s s o o n o s
q f i l t e r i s u s e do n t h e c o m e r c r
you will hove to reducethe
setting..on.th
f i el m s p e e ds c o l e
q c c o r oI n gl y .
A filter hovinq o focior of 2
will require 6 reduciionin
the speed settinq of 3 DIN
o r i t s A S A e q u i v d l e n t .l f y o u
hove o film of 17 DIN- :
40 ASA this meonsthot you
<- l w i l l h o v e i o r e d u c et h e f i o u r e
: 20 ASA. A fo-ctor
to 14
. l .DIN
5
of
would require q reduction of l-2 DlN.
W h e n r e m o v i n gt h e f i l t e rf r o m
ihe comerq do nol forget io
reset the originol DIN/ASA
t i g u r et o r t h e t i l m i n q u e s t i o n .
Close-ups
You con olso photogroph
the wonders of the minioiure world with yo'Jr
Optimo. All you hovb io
do is fix ihe Agfo Notorix
c l o s e - u po t t o c h m e n tl o t h e
l e n sm o u n i o f y o u r c o m e r o .A n o d d i t i o n o l
N o t o r i x v i e w f i n d e r o t t o c h m e n t c o m p e n s o t e sf o r
p o r o l l o xw h e n l i n i n g u p y o u r s u b i e c t . '
Symbol setting
3y4 ft.
1' 3"-1,7"
An
LJ''?
1'8"-2'y2"
ix{
/YA'Y\
llill
2/1/2t_2/6,
2'6"-3,2y2"
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