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Slembrouck points to the ambiguity of the term discourse analysis and defines it as the
linguistic analysis of naturally occurring connected speech or written discourse, or the study of
larger linguistic units, such as conversational exchanges or written texts. So for him, as for
many other discourse analysts, D.A is concerned with language use in social contexts.
Discourse Analysis (according to Schiffron) involves both TEXT and CONTEXT. (So can be seen
to embrace TL)
As Van Dijk (2002) or Johnstone (2002) point out, DA is essentially multidisciplinary and
therefore crosses into many other domains like:
-Poetics
-Semiotics
-Psychology
-Sociology
-Anthropology
-History
-Communication research
-Political science
-Literary criticism, etc.
They pay attention to linguistic facts AND social, political and cultural aspects.
DA is the study of language in use, and studies TEXT and CONTEXT.
Origins and History
All agreed DA should go Beyond the sentence
In Linguistics in the 20th century we can see new disciplines in the field of Linguistics all
interrelated):
-Functionalism
-Cognitive linguistics
-Sociolinguistics
-Pragmatics
-Text linguistics
-Discourse analysis
**Many authors move from TL to DA as a natural part of their progression.
Important notions:
Macrostructure
Cohesion
Strategic understanding (what language really does)
Socio-cultural knowledge
Mental models
Approaches to the Phenomenon of discourse
All definitions of discourse and DA fall into three different categories:
1. Anything beyond a sentence
2. Language use
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3. A broader range of social practice that includes non-linguistic and non-specific instances of
language
Formal Approach
Discourse is language beyond the sentence
-
Functional Approach
Discourse is language in use
-importance shown to purposes and functions of
language (language and society are parts of each
other)
-include all uses of language, focusing on how
language is used to achieve communicative goals
-discourse NOT just one more level in a hierarchy, but
as an all embracing concept which include:
propositional content and social, cultural and
contextual contexts
Harris (1951) was the first to use the term Discourse Analysis and saw this hierarchy:
Morphemes- clauses- sentences- discourse (but this view is criticized)
Schiffrin proposes a balanced approach to discourse, in which both the formal and the
functional paradigms are integrated. She views discourse as utterances, i.e. units of linguistic
production (whether spoken or written) which are inherently contextualized (1994:41)
In discourse we may include: sign language, dramatization and body hexis: way the speaker
stands, talks, laughs, walks (Bordieu)
Discourse is multi-modal because it uses more than one semiotic system and performs several
functions at the same time.
Wetherell et al (2001) present 4 possible approaches/models to DA:
1.
2.
3.
4.
analysis (using both automatic and interactive techniques), the and use of both quantitative
and qualitative analytical techniques. Studies of language use require empirical analyses of
large databases of authentic texts.
CHAPTER 2
What data to use and how to collect it depend on the type of research to be done and their
goals. Once decided, the researcher must select samples.
Transcription: an important part of data collection. The researcher turns a spoken
conversation into a document: a transcription. This is difficult and time consuming and its very
hard (almost impossible) to be objective.
-should try to show all the variables that intervene in the phenomenon
-a totally neutral transcription DOES NOT exist
There is no single and accepted way to transcribe speech. Each analyst focuses on the features
that best fit the goal of his/her research
Some include:
- Interruptions and pauses
-genre, date and place of publication
- information about the speakers (sex, age, occupation, etc)
- paralinguistic features such as pronunciation and intonation patterns, or even laughter
They need to use a typology (a system of classification). But there are no Golden rules on how.
The best way is to start from a consensual set of categories, and use your own when there is
no agreement.
Highly detailed transcriptions: provide lots of info, but are hard to read
Less detailed transcriptions: are easier to read, but contain less info.
Three main principles should be observed (Edwards 1993):
1. Categories: they should be systematically discriminable, exhaustive and systematically
contrastive
2. Transcripts should be readable (to a researcher)
3. For computational tractability, mark ups should be systematic and predictable.
The researcher should also decide if the transcription will be orthographic, prosodic or
phonetic. (Or a combination)
LONDON LUND CORPUS
This corpus was originally known as the Survey of English Usage (1960s), and consisted of a
million words included in 200 texts of spoken and written material. The whole survey was
computerized and is now called the London Lund Corpus.
Prosody
Tones
Pitch
Stress
Pauses
Speakers
Corpora which cover only one stage of language history Shakespeare Corpora, Corpus of Old
English, Corpus of Middle English.
d) Geographical/dialectal variation:
Corpus of dialect samples Scots
Mixed corpora BNC (which includes samples of speakers from all over Britain)
e) Age:
Adult English corpora
Child English corpora CHILDES
f) Genre:
Literary texts corpora
Technical English corpora
Non-fiction corpora ( e.g. News texts)
Mixed corpora covering all genres
g) Open-endedness:
Closed/unalterable corpora LOB, Brown Corpus
Monitor corpora Bank of English
h) Availability:
Commercial corpora/Non commercial research corpora
Online corpora/ corpora on ftp servers/ corpora on floppy disks or CD-ROMs.
This is not an entirely comprehensive taxonomy, for other variables might be considered
depending on the researchers aims.
John Gumperz
-Essay: Discourse Strategies
-real time processes in face to face interactions
-cognition and language are affected by social and cultural forces
-contextualization cue: any verbal sign which when proceeded in co-occurrence with symbolic
grammatical and lexical signs serves to construct the contextual ground for situated
interpretations, affecting how messages are understood. (intonation, prosodic choices,
conversational code switching, lexical or syntactic choices, accent, style switching and
facial/gestural signs).
Contextualization cues function indexically (they are deictic, like shifters, but they are not
lexically based because they can be non-verbal)
Contextual cues are learned, through face to face contact over time.
BUT cues are not always shared in diverse societies. Interactional Sociolinguistics insists on this
ASSYMETRY in the communicative background of speakers. (its expected)
So..Sociolinguistics of Interpersonal Communication says:
-speakers are members of social and cultural groups
-the way we use language reflects our group identity
-the way we use language also provides indices of who we are, what we want to communicate
and how skillful we are in doing so.
Example of Contextual cue in book: code switching between a person using formal speech and
one not .having failed to show himself as part of that group they are distanced. Lauras
Example of foreigners speaking to each other in their dialect.
Erving Goffman
-he centers on physical co presence (more than on social groups)
He focuses on aspects of interaction order like:
-Settings (elevator talk)
-Forms of self-maintaining behavior (focused interaction and civil inattention)
-Conduct in public situations of embarrassment, face saving behavior and or public displays of
competence (oops!)
-Role of temporal and spatial activity boundaries, which result in inclusion/exclusion from talk
All these roles can be played by different people, or all by the same person, or switching during
the talk.
For hearer there are 2:
1. Primary addressee: a ratified hearer
2. Overhearer: non ratified hearer/accidental bystander
Similarities between Gumperz and Goffman
-they focus on situational meaning
-study interaction between self and other
-study context
-language is indexical to the social world
-their work complements each other
POLITENESS
-politeness is not easy to define, not everyone sees politeness as the same thing
-in Pragmatics politeness refers to strategies for maintaining or changing interpersonal
relations.
4 approaches to Politeness:
1. Social-norm view: politeness in the English speaking world in general
2. Conversational-maxim view: (Grice) Cooperative principle and maxims. Lakoff and
Leech also subscribe to this approach.
3. Face saving view: best known. Rational and efficient manner of talk. Concept of face.
4. Conversational contract view: Conversational contract (Fraser)
Conversational-Maxim view
LEECH
-Cooperative Principle and Politeness Principle do not work in isolation. They create a tension
in the speaker.
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So, minimize unfavorable aspects to hearer and maximize those that are favorable to him/her.
Relative Politeness: politeness in a specific situation
Absolute Politeness: politeness inherently associated with specific speaker actions. Offers are
inherently polite whereas orders are inherently impolite
Negative politeness: minimizing the impoliteness in impolite illocutions.
Positive politeness: maximizing the politeness in polite illocutions.
ROBIN LAKOFF
Politeness: a device used in order to reduce friction in personal interaction. Her two Rules of
Pragmatic Competence:
1. Be clear
2. Be polite
They sometimes reinforce each other, sometime conflict with each other. When clarity is in
conflict with politeness, politeness wins out.
Three rules of Politeness:
1. Dont impose (Formal/Impersonal Politeness)
2. Give options (informal politeness)
3. Make the other feel good /be friendly (Intimate Politeness)
Face saving view Brown & Levinsons Theory of Politeness
FACE
Sociolinguistic variables related to face:
-social distance
-relative power
-absolute ranking
All speakers have positive and negative face
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Turn taking: used for talking in different speech-exchange systems like interviews, meetings,
debates or ceremonies. There is a basic set of rules that govern turn construction to minimize
gaps and overlapping. Turn taking is a form of social action.
Rules of turn taking:
-one party talks at a time
-occurrences of more than one speaker are common but brief
-no gaps, no overlaps and some gaps some overlaps are the most common occurrences
-turn order varies, and they can be continuous or discontinuous
-size of turns varies
-length/topic/ turn taking of conversation is not set in advance
-number of parties can vary
-turn allocation techniques are used (selected by first speaker or auto selected to continue)
-repair mechanisms exist to deal with errors/violations
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-there is a preferred (unmarked) and dispreferred (marked) category of response to the first
part.
Dispreferred seconds normally show:
-delays: pause before delivery
-prefaces: markers or announcers of dispreferred (Uh, Well,.)
: tokens of agreement before disagreements
: use of appreciations if relevant (requests, invitations)
: use of qualifiers (I dont know, for sure, but..)
: hesitations (self editing)
-Accounts: carefully formulated explanations for why the dispreferred act is being done
-Declination component: of a form suited to the nature of the first part of the pair, but
characteristically indirect or mitigated.
Other sequences:
REPAIR: correction of misunderstandings, mishearings or non hearings
Self initiated repair: within a turnglottal stops, lengthened vowels.
Other initiated repair: echo questions, repetition of problematic items with stress on
problematic syllables, or with expressions like What? Pardon? Excuse me?....
When to make repairs? Right after the error, at the end of the turn, after delay at the end of
the turn
PRE-SEQUENCES: they prefigure the specific kind of action that they potentially precede
-summonses, pre invitations, pre-closing, pre request, pre announcement, pre arrangements
INSERTION SEQUENCES: repairs or temporary holds
OVERALL ORGANIZATION: the totality of the Exchange, EX: openings of telephone
conversations, first topic slot (why they called), closing section (markers or goodbyes).
Generally conversations have:
-opening
-main body (topic slot 1, 2, 3..)
-closing section
First topic slot is usually the most important
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UNIT 3 Chapters 7
Chapter 7 Variation Analysis and Narrative Analysis
VA: the study of linguistic change
-from Linguistics, but differs from traditional linguistics
VA says there are patterns of language which vary according to the social environment so they
can only be identified after studying a certain speech community
VA is concerned with the variation and changes observed along different speech
communities.
Originally, it only studied semantically equivalent variations (napkin/serviette or lift/elevator),
but now are extended to texts.
William Labov developed the initial methodology and theory.
Data collection and field work are very important.
Language is the property of a speech community (materialistic view) which evolves through
time. Labov shows how language changes spread through society.
Orderly heterogeneity: Structured variation. Linguistic changes are usually carried out by
certain social groups and that dialect variation is not free or haphazard.
Telsur/Atlas project: changes in North American English
VA combines qualitative and quantitative techniques
Constraint: an overall text imposes constraints on parts (EX: temporal structure constrains
composing elements and syntactic forms). Recipes (terms regarding food, ingredients)
Sequence of analyzing for VA (according to Patrick)
-establish which forms alternate with one another (which are the same)
-delimit environment and classify the factors
-propose hypotheses for contextual factors that might contain the variation
-compile a data set
-compare the frequencies/ probabilities with which the different variants co-occur with the
different factors (environmental)
-place primary emphasis on internal linguistic factors and secondary emphasis on external
social explanations
-consider analysis exploratory rather than confirmatory
SO: Variation/linguistic change can be studied at the level of semantically equivalent words
AND at phonological levels, syntactic levels and even textual levels.
Labov considers the narrative a privileged area of discourse, because discourse type is closest
to vernacular.
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VERNACULAR: variety acquired in pre-adolescent years and is used when they pay the
minimum attention to their speech
-when people know they are being taped/studied, they tend to change their way of speaking.
To collect vernacular studies use sociolinguistic interviews: discover the regular rules of
language and the social distribution of variants.
Variations Analysis is the basis for Narrative Analysis.
Narrative Analysis.
Labov and Waletzky
Based on VA Analysis
Labov studied Afro-American vernacular in NY (South Harlem). He argued against the idea that
black children were verbally deprived (and genetically inferior). He proved that black people
used their vernacular is a highly creative and talented way.
Vernacular (Labov): first acquired, perfectly learned and used only among speakers of the
same vernacular. (used when there are no other speakers of different varieties present)
Observers Paradox: effort made by researchers to observe how speakers talk when they are
not being observed. Eliciting personal experience narratives within face to face interviews is a
partial solution to this paradox.
Narrative (Labov & Waletzky): particular unit in discourse which contains smaller units having
particular syntactic and semantic properties.
Narratives contain a beginning, middle and end, but in detail we can find:
1. Abstract: one or two clauses that summarize the story
2. Orientation: one or two clauses that give info about the time, place, persons, activity
or situation
3. Complicating action: sequential clauses describing different events
4. Evaluation: (typical of personal experience) why was the narrative told (to teach a
lesson?) irrealis mood: what did not happen, what might have happened, or would
occur by comparing real events with alternative realities.
5. Result/resolution: set of complicating actions that follow or coincide with the most
reportable event.
6. Coda: a free clause at the end which signals that the narrative has finished, a final
clause that returns the narrative to the time of speaking, precluding What happened
then?
Not all narratives have the 6 elements, but usually their basic characteristic is their temporal
sequence.
For a recapitulation of experience to be a narrative it must tell the events in the same order as
the original events.
All complicating action clauses are sequential clauses.
Abstracts, orientations and codas may NOT be sequential.
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Sequential clause (Labov): a clause that can be an element of a temporal juncture. Two clauses
are separated by a temporal juncture if a reversal of their order changes the meaning
(interpretation of order by listener)
The simplest possible narrative (Labov) a single line of complication w/o a clear resolution.
Minimal narratives often have complication AND resolution EX: Mary fell down and broke her
arm.
Most common variation: Orientation-Complicating Action-Evaluation-Resolution-Coda..
But in jokes, surprise endings, ghost storiesthe evaluation ends the resolution
Important because insight was gained into the capacity of a narrator to transfer experience of
the narrator to the audience
Social context influences the construction of speech actions and rules (so important to study of
discourse units)
Narratives can be amenable to a formal framework
Narratives are an important role in peoples construction of identity.
Reportability: telling a narrative requires a person to hold the floor longer. The narrative has
to be interesting enough to hold others attention for longer.
Reportable event: one that justifies the automatic reassignment of speaker role to the
narrator (they are interesting enough to be listened to= hold the floor)
Most reportable event: the event that is less common than any other in the narrative and has
the greatest effect on the needs and desires of the participants (semantic and structural crucial
point around which the narrative is organized).
Credibility: the extent to which the listeners believe that the events described actually
occurred in the form described by the narrator. If no credibility=failed narrative.
Casualty: the sequence of events is explained explicit or implicit casual relations. Proposed
chain of events that links orientation to the most reportable event through a web of causal
relations.
Narrators point of view is shown through the assignment of praise or blame to the actors or
actions involved.
Objective event (Labov): one that becomes known to the narrator through sense experience
Subjective event: one that the narrator became aware of through memory, emotional reaction
or internal sensation
Objectivity affects audiences more (seen as more credible). The audience expects the narrator
to be more objective in the sequence of events (complicating act and resolution), whereas
more subjectivity may be expected in the evaluative part. (if events are true=doesnt matter if
view is subjective or objective)
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Information structures
-one of the main concerns of VA is to search for the information structures that prevail in
discourse. They can be analyzed in one text or across several.
Temporal structure: is central to the definition of a narrative. Linear presentation of event
clauses is very important in assigning reference time. (but is not relevant in other areas: like
lists)
Descriptive structures: are not central to, but can be part of narratives. Usually designated to
background orientation function. Narrative description function may preface the narrative, or
be embedded in the complicating action.
The point of a story is shown through evaluation.
So Evaluative structures are important in constructing narratives. Evaluation is necessary in
stories, be may be optional in/less important in EX: recipes or instruction manuals
Related units make text coherent.
Key task for VA: compare and contrast the use of information structures across text types and
w/i given texts.
All narratives seem to have:
-sequential structure
-complicating action
-resolution
Narrative and Identity
Social constructions: identity is neither a given nor a product. Identity is a process that
presupposes discursive work and takes place in concrete interactional situations, resulting
from the process of negotiation and entextualization.
UNIT 4 CHAPTER 8
Chapter 8: Functional Sentence Perspective
Functionalism
So it assumes that when speakers say something, they have a communicative purpose and the
elements of their language contribute to this purpose. Broader social and cognitive
commitments are avoided.
The order of words in a sentence (all other things being equal) corresponds to an increase in
communicative dynamism, determined by 4 factors:
-linear modification
-contextual factor
-semantic factor
-prosodic prominence
Linear modification (Firbas): depicts the relation between word order and communicative
dynamism
Contextual factor: concept of retrievability and irretrievability from the immediately relevant
context.
Semantic factor: dynamic functions. Theme: adds least to the advancing process (low
communicative dynamism). Rheme: high degree of communicative dynamism.
Prosodic prominence: factor that can only be studied in spoken language, integrates
functional sentence structure with intonation studies.
Thematic Structure
Theme and Rheme
Theme (Halliday): point of departure. Rheme: the rest
Many sentences can have the same propositional meaning, but what speakers consciously
choose as a departure point is based on the assumptions of the knowledge of the hearer.
Theme: always contains an ideational meaning, some entity that functions as subject, object,
complement or circumstantial adjunct. Halliday calls it the TOPICAL THEME.
Ideational function represents our experience of the world, processes, actions, events,
processes of consciousness and relations (EXPERIENTIAL THEME)
Non experiential themes can be divided into:
-interpersonal themes: continuative themes (pragmatic markers of attention, response,
request, surprise, hesitation, etcoh, well, please, hey!), adjuncts of stance, (apparently,
surely...) vocatives/appellations (Dad, Mr. Wilson, Ladies and Gentlemen)
-textual themes: connective adjuncts/discourse markers (anyway, however, first, finally..)
which connect a phrase to a previous part
Multiple Themes:
Three macro-functions of language: Experiential, interpersonal and textual
Multiple themes: when two or three types of them are concurrent in the same utterance
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When three themes appear together the order is usually: textual, interpersonal, experiential,
although the interpersonal theme may be marked (and therefore appear before the textual
theme). But the experiential theme must always be the final one.
Detached Themes: (two types: absolute theme and dislocations)
Detached themes are normally detached lexical noun phrases which stand outside the clause,
and are called ABSOLUTE Themes. They are common in spoken registers of many European
languages.
E.g. The financial crisis, we are all aware that some measures must be taken.
There is a connection, but the financial crisis is neither subject nor object.
The DT provides a pragmatic framework which allows the hearer to infer the relationship
between the clause and the detached theme.
In dislocations the dislocated element is a constituent of the clause (frequently as a subject)
and is repeated by a co-referential pronoun. The connected is grammatically encoded.
Left-dislocation: the dislocated element is placed at the beginning of the clause (to make
explicit a referent):
E.g. That scream, where did it come from?
Right-dislocation: the dislocated element is placed at the end of the clause.
E.g. Is it yours, that jacket?
Two or more detached themes can occur in the same clause, more common in spoken English:
E.g. Your friend, the car outside her house, theyve stolen it. (absolute + left dislocation)
The relationship between them must be pragmatically relevant.
Thematic clauses:
When two or more clauses are joined together in a complex clause, the first clause is thematic
with respect to the clause as a whole.
Coordination: paratactically related, typically in chronological order
E.g. Tommy hit his sister and then she burst into tears.
Subordination: hypotactically related, not necessarily in chronological order
E.g. When I saw her I realized she had been crying.
Theme, subject and topic (these are not the same thing)
Marked and unmarked themes
Certain info is foregrounded/thematized
Marked theme: when the theme does not coincide with the expected first constituent of each
mood structure. If it does concur with the expected constituent it is unmarked.
Example: In declaratives, the subject is unmarked.
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Thematization/Staging
Thematization: linear organization of sentences and texts
Staging: a more general and all inclusive term that means (Grimes) every clause, sentence,
paragraph, episode and discourse is organized around a particular element that is taken as a
point of departure.
Through staging/thematization certain elements can be given more prominence. (E.g. Title of
book or article). (can constrain how texts are interpreted)
Thematization creates certain expectations in the reader/hearer, because they provide a
starting point which contains their interpretation of the discourse that follows
GIVEN vs. NEW Information Structures
Tone group: a phonological constituent and functions as the realization of something else, a
unit/quantum of info in discourse (Halliday).
Halliday says that spoken discourse takes the form of a sequence of information units. This
information unit is a structure made up of GIVEN and NEW.
From a structural standpoint, all information units must have an obligatory NEW element and
an optional GIVEN element, which is recoverable (from linguistic co text or from cultural or
situational context) by the hearer/reader. It is optional from a structural perspective. Can be
ellipted.
New info is presented as non recoverable by the hearer.
Given normally precedes NEW. New is always marked by some tonic prominence
Information focus: the element which carries the tonic prominence
Marked and Unmarked Focus:
Unmarked distribution starts with the Given and progresses towards the New (principle of
end-focus). The focus normally marks where the New element ends (falls on the last lexical
item in the clause). But no clear boundary where New begins. Depends on context. Examples:
What were all the people doing after the 9/11 attacks in NY? All the people were running for
their lives.
Who were running for their lives after.? All the people were running for their lives.
When were all the people running for their lives? All the people were running for their lives
after the 9/11 attack.
Principle of end focus says that the unmarked option for the focus is to fall on the last lexical
item of the clause. It is marked when it does not fall on the last lexical item of the clause.
Focus is marked when the speaker/writer wants to emphasize, contrast or correct something.
Or even for emotive reasons.
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Unmarked focus:
Marked focus:
We are shy.
It sounds odd.
You will see me in the future.
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Social spaces and the world of material objects are discursive in nature.
There is nothing outside of the text. BUT this does NOT mean they deny a
material world.
Meaning-making in relation to people and objects is never fixed= it is unstable.
All elements are not internal moments of the system= no closure.
PS are against totalizing concepts. All is relative.
Reality is fragmented, diverse and culture specific.
Emphasis on the body (human being inserted in time and history).
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Mikhail Bakhtin
-shared some views with Marxism
-language is dialogic: utterance is the basic unit of language. Utterances cannot be
isolated from the sequence they are found in. They have dialogic relationships with
previous utterances.
-Discursive practice is heteroglossic (multilanguagedness).
Heteroglossia is all the different ways people speak to one another: and how each
appropriates each other's speech/ideas and attempts to make it their own. Collection
of all the forms of social speech that people use daily. Not all texts have the same level
of heteroglossia (some more some less). Screenplay: more. Kitchen recipe: less.
Language is usually patterned into speech genres: two or more speech genres usually
coexist in a given discourse practice.
Centripetal forces: associated with political centralization and a unified cultural canon.
They produce authoritative and inflexive discourse (scientific truth, religious dogma,
fathers, teachers..)
Centrifugal forces (spins out or decentralizes): allude to stratification and
diversification of language into varieties (different genres, age groups, professions,
etc). These forces are associated with everyday informal conversation and peoples
inner dialogue (reflections).
Because language is dialogic and heteroglossic, our views are always evaluative and
ideological.
Genres: drive belts (correa que mueve algo) between history of language and history
of society. Shifts/changes in these genres= changes in society. Social changes are first
perceived at genre level and languages change through transformation in genre
conventions.
Sample of heteroglossic Analysis
Page 224: Social worker interviewed by a senior colleague about the diagnostic of an
underweight baby.
Two strings of speech: string one=conclusion about the failure to thrive. String two:
the detailed observations that lead to this conclusion.
Final remarks:
Post structuralism and Social theory have not been accepted by all (thought to be
politically orientated and biased).
But they HAVE influences Critical Discourse Analysis (CDA), Positive Discourse Analysis
(PDA) and Mediated Discourse Analysis (MDA).
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CDA uses discourse to make people aware of important social and political issues.
CDA bridges the gap between micro and macro levels of social order.
Macro level: power and dominance
Micro level: discourse, verbal interaction and communication
Van Dijk says a racist speech in Parliament is at micro level is a debate and at macro
level may enact or constitute part of legislation or the reproduction on racism.
CDA says most studies in critical linguistics and DA neglect social cognition (the social
representations in the mind of social actors), which for them is an important
shortcoming of discourse research. They say it is necessary, its the missing link
between discourse and dominance.
Ideology: language can never appear by itself, it is representative of an ideological
system.
Discourse and Power
-power is multifaceted and can take many forms
-power is associated with rank and status
-according to CDA, power belongs to some but not to others (depending on socioeconomic status, ethnic identity or gender).
Social power: is defined in terms of control (van Dijk). Social members of a certain
social group have power if they can control the acts and minds of others. This control
gives them access to money, status, fame, knowledge, information (not available to
all).
Types of power
Military power: based on force
Power of the rich: based on money
Power is seldom absolute. Inferior groups may resist, accept, condone, comply with,
legitimate, etc
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Van Dijk divides the issue of discursive power into two basic questions
1. How do powerful groups control public discourse?
2. How does such discourse control mind and actions of less powerful groups and what
are the social consequences of this control? (social inequality)
We much distinguish between legitimate forms of power and abusive power.
Hegemony: when a less powerful group accepts the dominance of another more
powerful one (even though it is abusive)
Hegemonic groups= power elites (They have special access to discourse because they
have the most to SAY. The less powerful are not allowed speaking.)
Symbolic power is what these elites have (scope and resources).
Powerful discourse structures
Discourse can be powerful.
Sociolinguistics studies more and less powerful ways of speaking.
Elites control communicative events in all its components. The same way the CEO of a
company decides the time, place and circumstances of a meeting.
Some controls are legally or morally unacceptable (exclusion of women by men,
restrictions on blacks by whites, etc).
Structures also affected. Points of view and opinions are censured. The less powerful
are less quoted, less heard, less spoken about= their voices are blocked.
At micro-level of talk and text, there is a less direct control: intonation, rhetorical
figures, power in turn taking And politeness. The more powerful people feel
entitled to be impolite to subordinates.(E.g.: high ranking soldier to foot soldier)
So linguistic strategies to express power:
-politeness (or lack thereof)
-hedges
-hesitations
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-interruptions, pauses
-laughter
-forms of address, etc
TOPIC: the group that decides the topic is the powerful one. Control the topic =control
the mind.
Schematic organization
Local meaning: coherence, implications and presuppositions.
Lexicalization: our positive/their negative
Style: argumentative style
Rhetorical devices: contrasts, metaphors, hyperboles and euphemisms
Steps to follow
Analytical framework
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Mediated means: the material means (body, dress, movements of the material actors)
through which mediated action is carried out.
Practice: mediated action is only interpretable within practices.
Nexus of practice: discursive and non-discursive practices are interrelated and linked
to form nexus of practice.
E.j: Italian restaurant nexus of practice includes
Playback responses: gives an objective record of actions as well as the analysis of the
observer
Mediated social interaction
Sender-receiver model of communication is misleading, because it makes us think that
the social interaction is between the author/producer and the reader/audience.
But..in the case of a news program, its the producers (Journalists, photographers,
editors) that produce the info who are really the ones that have social interaction
among themselves. The news is then SHOWN to the audience.
In MDA all discourse is mediated and all mediations are discursive.
Interdisciplinary
Roots in Boas (not Saussure)
Grounded their analysis of language in the sociocultural worlds of the people who use
language (not so much in language itself).
The incorporation of so many disciplines brings about problems:
o Representation and structure: tension between the study of abstract systems
of representation and the study of social actors living in real time. They use
Mediated action and activity theory to solve this.
o Linguistic relativity: tension between Saussarian assertion about the total
arbitrariness of the symbol and the Boasian assertion that symbolic systems
embed the histories of mental categorization in their users.
o Units of analysis: mediated action as unit of analysis.
o Methodology: tape recording, transcription and playback. But these really focus
on linguistic data than on mediated action.
o Psychology of the social actor: what we do has no connection to our capacity to
articulate our intentions or goals. So there is no well-grounded analytical basis
for attributing a given action to a particular social actor.
How does MDA analyze discourse? Cup of coffee with friends at Starbucks
Discourse of commercial branding: logo of Starbucks on clothes and cups
Legal discourse: logo is a registered trademark
E-commerce discourse: website of company
Consumer correctness discourse: company cares about its coffee growers (clients can
call and make a donation)
Environmental Correctness discourse: things made of recycled paper
Service information discourse: printed list of products
Manufacturing information Discourse: info about the cup
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Geosemiotics: How language appears in the material world: applied to signs, symbols
and even messages sent by our bodies
The broad analytical position of how language appears in the material world:
geosemiotics: all language is based on the material, concrete, physical placement of
that language in the world.
The key to the analysis of any human action is indexicality. (meaning of signs based on
material location). Hence all language takes a major part of its meaning from how and
where it is placed.
Indexicality: property of context-dependency of signs, especially language; hence the
study of those aspects of meaning which depend on the placement of the sign in the
material world.
Who uttered this?
Who is the viewer?
What is the social situation?
Is that part of the material world relevant to such a sign?
We signal our meanings by means of:
Discourse?
Oral discourse: exchange between teacher and students
Written discourse:
Diagrammatic discourseteaching explaining what is on the board (diagram)
Discourse of rules/regulations.rules on the wall
Poetic discourseposter with nursery rhyme
Language-learning discourse.sentences/language exercises on the board
So in this picture the discursive and non-discursive practices are interconnected,
constituting the nexus of practice of the social situation in question.
Practices seen:
-turn taking
-physical spacing practices
-teacher-learning practices
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PRINCIPAL SUMMARY
Interactional
Sociolinguistics
Main
authors
Ideas
John
Gumperz
Based on relationships
between language,
culture and society and
has its roots in
Anthropology,
Sociology and
Linguistics.
Its multidisciplinary.
Language, context and
the interaction of self
and other.
Discourse is a social
interaction.
Situational meaning
Ideas
Irving
Goff
man
-physical co presence
-interaction order (setting,
form, conduct)
-FACE,FRAME, FOOTING
-Theory of Politeness is based
on Goffmans idea of face.
Conversational
Analysis
-originated in
Sociology
-interaction is
structurally organized
-CA explores
sequential structures
of social activities
Variation Analysis
-solely Linguistics
Harold
Garfinkel
Ethnomethodology: knowledge is
neither autonomous nor
decontextualized, avoids
idealization, categories
continuously adjusted
William
Labov
- Orderly heterogeneity
-probability theory
-materialistic approach
-constraint: of syntactic units
-vernacular:
Narrative Analysis
Labov and
Waletzky
-based on VA
-studied Afro-American
vernacular:
Vernacular: variety acquired in
pre-adolescence and only used
when not paying attention to their
language.
Functional
Sentence
Perspective
-language as social
interaction
-based on Linguistic
School of Pragie
-Danes
(Communicativ
e dynism)
-Mathesius
-Firbas
(Functional
Sentence
Perspective)
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Patric
k
Post Structuralist
Theory
-The world of material
objects and social space are
discursive in nature
-The meaning of texts vary
according to the readers
identity
-Relativism underlies all/
truth/rationality crisis
-reality is mediated by
ideology and cultural codes
-Foucault
(discourse and
power. Discourse
cannot be studied
objectively)
-Bakhtin
(language is
dialogic.
Heteroglossic
and speech
genres)
-reality is
fragmented/diverse/culture
specific. Local contextualization
is important.
-
-Bourdieu
(symbolic
capital, habitus
and bodily
hexis)
Social Theory
Critical Discourse
Analysis
-from UK and Australia
- analysis of text or
discourse (not
decontextualized
sentences)
-multidisciplinary
-based on Hallidays
systemic/functional
gram.
-grammar is an
ideological instrument
to classify and
categorize what
happens in the world,
based on Sapir/Whorf
hypothesis
-Foucault
-Bakhtin
-Bourdieu
-Van Dijk
-Fairclough
(discourse is 3
dimensional)
Positive Discourse
Analysis
-a recent approach to
AD
-needs to develop
methodology and tools
for analysis
-it has strong
foundations (grounded
in Systemic Functional
Linguistics and based on
positive values and
intentions)
Mediated Discourse
Analysis
-focuses on social
action
-Scollon
Focuses on
-power
-domination
-social inequality
Ideology: social systems and
mental representations (which
are the basis of social cognition)
Power belongs to some and not
to others (depends on socio-economic
status, gender, ethnic identity..)
-mediational means:
language/non verbal
communication/physical objects
used by agents to carry out
action
-practices: social action is made
up of unconscious actions
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SUERTE
-LAB
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