Documentos de Académico
Documentos de Profesional
Documentos de Cultura
Perspectives critiques
1. Cf. Susan McLary, Feminine Endings: Music, Gender, and Sexuality, Minneapolis, University of
Minnesota Press, 1991; Ruth A. Solie (d.), Musicology and Difference. Gender and Sexuality in Music
Scholarhip, Berkeley-Los Angeles-London, University of California Press, 1995; Rose Rosengard
Subotnick, Developing Variations: Style and Ideology in Western Music, Minneapolis, University of
Minnesota Press, 1991; Nicholas Cook,, Music: A very short Introduction, Oxford, Oxford University
Press, 1998.
2. Cf. Lawrence Kramer, Music as cultural Practice, 1800-1900, Berkley, University of California Press,
1990.
3. Cf. Paul Attinello, David Osmond-Smith, Gay Darmstadt: Flamboyance and Rigour at the Summer
Courses for New Music , Contemporary Music Review vol. 26, issue 1, 2007, p. 195-114.
4. In Quasi una fantasia, Gesammelete Schriften band 16, Frankfort, Suhrkamp, 1978.
5. James Phelan, Peter J. Rabinowitz (ed.), Blackwell Publishing Ltd, 2005.
6. See for instance Susan Cusick, Music as torture / Music as weapon , Revista Transcultural de
Msica / Transcultural Music Review n10, 2006
(http://www.sibetrans.com/trans/trans10/cusick_eng.htm).
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Makis Solomos, New Musicology. Perspectives critiques , Filigrane [En ligne], Numros de la revue,
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