Documentos de Académico
Documentos de Profesional
Documentos de Cultura
11/15/07
11:35 AM
Page 12
7 Coro
Se vuoi, puniscimi
ma pria, Signore, lascia che almeno,
che sfoghi, che si moderi
il tuo sdegno, il tuo furore.
Puniscimi, se vuoi,
lascia, che sfoghi il tuo furore.
Vedi la mia pallida guancia inferma,
Signore, deh, sanami, porgimi soccorso,
aita, Signor, tu puoi, porgimi aita.
Chorus
If you will, punish me
but first, Lord, let at least
your scorn find relief,
your anger be tempered.
Punish me, if you will,
let your anger find relief.
Behold my pale weak face,
Lord, heal me, bring me succour,
help, Lord, you are able, bring help.
8 Aria
Tra loscure ombre funeste,
splende al giusto il ciel sereno,
serba ancor nelle tempeste
la sua pace un fido cor.
Alme belle, ah s, godete!
alme belle! ah s, godete,
n alcun fia che turbi audace,
quella gioia e quella pace,
di cui solo Dio lautor.
Aria
Through the dark grievous shadows
the serene heaven shines on the just,
and during the storms brings
peace to the faithful heart.
Fair souls, ah yes, rejoice!
Fair souls! Ah yes, rejoice
that no one dares to disturb
that joy and that peace
of which God alone is the author.
9 Terzetto
Tutte le mie speranze
ho riposte in te.
Salvami, o Dio, dal nemico feroce
che minsegue e che mincalza,
o Dio, salvami!
Trio
All my hopes
I have placed in you.
Save me, O God, from the cruel enemy
that pursues me and that presses upon me,
O God, save me!
0 Coro
Chi in Dio sol spera:
Di tali pericoli non ha timore.
Chorus
Who hopes in God alone
Has no fear of such dangers.
MOZART
Davide
penitente
(Oratorio)
Kristina Wahlin, Soprano
$ Alleluia, alleluia.
Alleluia, alleluia.
8.570231
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Page 2
Wolfgang Amadeus
MOZART
(1756-1791)
40:31
5:44
2:04
4:27
1:02
2:40
6:03
4:48
5:29
3:38
4:35
12:34
2:45
3:16
3:51
2:42
1 Coro
Alzai le flebili voci al Signor
Alzai le flebili voci al Dio
da mali oppresso.
Alzai le flebili mie voci a Dio
da mali oppresso.
Chorus
I raised my weeping cries to the Lord
I raised my weeping cries to God
oppressed by evils.
I raised my weeping cries to God
oppressed by evils.
2 Coro
Cantiam le glorie e le lodi,
replichiamole in cento e cento modi
del Signore amabilissimo.
Chorus
Let us sing the glories and praises
Let us repeat them a hundred hundred ways
the praises of the most loving Lord.
3 Aria
Lungi le cure ingrate,
respirate omai.
S palpitato assai
tempo da goder.
Aria
Far away from sad afflictions,
feel free again.
If once you were afraid
now is the time to rejoice.
4 Coro
Sii pur sempre benigno, oh Dio,
e le preghiere te muovano a piet.
Chorus
Be ever gracious, O God
and let our prayers move you to mercy.
5 Duetto
Sorgi, Signore, e spargi i tuoi nemici.
Sorgi, Signore, spargi
e dissipa i tuoi nemici.
Fuga ognun che todia,
fuga da te che todia,
sorgi e spargi i tuoi nemici.
Duet
Arise, Lord, and scatter your enemies.
Arise, Lord, scatter
and disperse your enemies.
Put to flight whomsoever may hate you,
Put to flight those who hate you,
arise and scatter your enemies.
6 Aria
A te, fra tanti affanni,
piet cercai, Signore,
che vedi il mio bel core,
che mi conosci almen.
Udisti i voti miei,
e gi godea questalma
per te lusata calma
delle tempeste in sen.
Aria
In you, amid such tribulation,
I sought mercy, Lord,
that you should see my good heart,
that at least you should know me.
You have heard my prayers,
and already my soul has rejoiced
since through you the storms in
my bosom have been calmed.
11
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The coloratura soprano Trine Wilsberg Lund was born in Oslo in 1979. She was a pupil of Barba Marklund and
Hkan Hagegrd at the Norwegian Academy of Music and gained her diploma with distinction in 2003. She then
continued her studies at the Cologne Musikhochschule as a pupil of Barbara Schlick. Trine Lund already enjoys a
considerable reputation in Europe as a concert soloist, with a repertoire that ranges from early Baroque music to the
present, including works by Monteverdi, Strozzi, Schtz, Bach, Handel, Vivaldi, Mozart, Mendelssohn, Meyerbeer,
Verdi, Grieg, Bernstein and Berio. She has appeared at festivals, including the Oslo Church Music Festival, Oslo
International Contemporary Music Festival, Mnster Barock Fest, Wiesbaden Bach Festival, La Folle Journe,
Nantes, Festa da Msica, Lisbon, and MDR Musiksommer, collaborating with the Leipzig Baroque
Orchestra/Chamber Orchestra, the Leipzig Gewandhaus Orchestra, Cologne Chamber Orchestra, Cologne
Collegium Cartusianum, Dresden Barock, Oslo Symphony Orchestra/Chamber Orchestra, conducted by Peter
Neumann, Georg Christoph Biller and Morten Schuldt-Jensen. As an opera-singer she has appeared as Clarice in
Haydns Il mondo della luna, as Servilia in La clemenza di Tito at the Mnster City Opera, and in Wuppertal as
Amintha in Mozarts Il re pastore. She won first prize at the 1998 Norsk Sanglrerforening Singing Competition
and at the 2003 national Queen Sonja International Music Competition with the Stavanger Symphony Orchestra. In
2004 she won the second prize at the Leipzig International Johann Sebastian Bach Competition. In 2006 she won
the second prize at the Fifteenth European Mozart Competition in Wrzburg. Trine Wilsberg Lund has taken part in
numerous international broadcasts and commercial recordings.
Kristina Wahlin
The talented young mezzo-soprano Kristina Wahlin is Swedish-born and studied singing at the Royal Music
Academy in Stockholm, completing her musical education as an opera singer at the Royal Academy of Music in
London, from which she graduated in 2000. She has sung Cherubino in Le nozze di Figaro and the title rle in
Handels Ariodante at Opera Funen in Denmark. Her performance of Ariodante made an exceptionally favourable
impression on the critics and she was invited to return to sing the title rle in Glucks Orfeo in 2004. She had great
success as Isabella in a concert performance of LItaliana in Algeri at the Tivoli Concert Hall in the summer of 2004,
again to considerable critical acclaim. Kristina Wahlin has appeared as a soloist with several orchestras in
Scandinavia, performing Bach, Mozart, Handel and Rossini. Since 2006 she has been a member of the soloist
ensemble at Oper Kln, where her rles include Rosina, Hnsel, Isabella, Nicklausse, Cherubino and Giulio Cesare.
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Page 12
7 Coro
Se vuoi, puniscimi
ma pria, Signore, lascia che almeno,
che sfoghi, che si moderi
il tuo sdegno, il tuo furore.
Puniscimi, se vuoi,
lascia, che sfoghi il tuo furore.
Vedi la mia pallida guancia inferma,
Signore, deh, sanami, porgimi soccorso,
aita, Signor, tu puoi, porgimi aita.
Chorus
If you will, punish me
but first, Lord, let at least
your scorn find relief,
your anger be tempered.
Punish me, if you will,
let your anger find relief.
Behold my pale weak face,
Lord, heal me, bring me succour,
help, Lord, you are able, bring help.
8 Aria
Tra loscure ombre funeste,
splende al giusto il ciel sereno,
serba ancor nelle tempeste
la sua pace un fido cor.
Alme belle, ah s, godete!
alme belle! ah s, godete,
n alcun fia che turbi audace,
quella gioia e quella pace,
di cui solo Dio lautor.
Aria
Through the dark grievous shadows
the serene heaven shines on the just,
and during the storms brings
peace to the faithful heart.
Fair souls, ah yes, rejoice!
Fair souls! Ah yes, rejoice
that no one dares to disturb
that joy and that peace
of which God alone is the author.
9 Terzetto
Tutte le mie speranze
ho riposte in te.
Salvami, o Dio, dal nemico feroce
che minsegue e che mincalza,
o Dio, salvami!
Trio
All my hopes
I have placed in you.
Save me, O God, from the cruel enemy
that pursues me and that presses upon me,
O God, save me!
0 Coro
Chi in Dio sol spera:
Di tali pericoli non ha timore.
Chorus
Who hopes in God alone
Has no fear of such dangers.
MOZART
Davide
penitente
(Oratorio)
Kristina Wahlin, Soprano
$ Alleluia, alleluia.
Alleluia, alleluia.
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Lothar Odinius
Morten Schuldt-Jensen
Lothar Odinius was born in Aachen and from 1991 to 1995 studied with Anke Eggers at the Berlin Hochschule der
Knste, graduating with distinction and attending master-classes with Ingrid Bjoner, Bernd Weikl, Alfredo Kraus
and Dietrich Fischer-Dieskau. Since 2000 he has attended regular classes with Gundula Hintz and Neil Semer. He
has collaborated with leading conductors in his concert career, and in performances for television and recording, and
has participated in a number of major festivals, including Bad Hersfeld, Ludwigsburg, Schwetzingen, the
Schleswig-Holstein Music Festival, the Mecklenburg-Vorpommern Festival, the Haydn-Festspielen Eisenstadt, the
Schubertiade Feldkirch/Hohenems, the BBC Promenade Concerts in London and the Edinburgh Festival. From
1995 to 1997 he served as a lyric tenor with the Brunswick Staatstheater, undertaking, among other rles, those of
Ferrando in Cos fan tutte and Tamino in Die Zauberflte. Guest engagements have taken him to Bonn to sing
Tamino, to Copenhagen to sing Charles Lindbergh in Kurt Weills Der Lindberghflug, to Zurich for Alfonso in
Schuberts Alfonso und Estrella, and, in 2003, to the Salzburg Mozartwoche to sing Ferrando. In 2004 he appeared
in the world premire of Mendelssohns Der Onkel aus Boston, and at the Berlin Komische Oper in Hans Zenders
Don Quijote. His many recordings are testimony to the breadth of his repertoire and the distinction of his career.
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The coloratura soprano Trine Wilsberg Lund was born in Oslo in 1979. She was a pupil of Barba Marklund and
Hkan Hagegrd at the Norwegian Academy of Music and gained her diploma with distinction in 2003. She then
continued her studies at the Cologne Musikhochschule as a pupil of Barbara Schlick. Trine Lund already enjoys a
considerable reputation in Europe as a concert soloist, with a repertoire that ranges from early Baroque music to the
present, including works by Monteverdi, Strozzi, Schtz, Bach, Handel, Vivaldi, Mozart, Mendelssohn, Meyerbeer,
Verdi, Grieg, Bernstein and Berio. She has appeared at festivals, including the Oslo Church Music Festival, Oslo
International Contemporary Music Festival, Mnster Barock Fest, Wiesbaden Bach Festival, La Folle Journe,
Nantes, Festa da Msica, Lisbon, and MDR Musiksommer, collaborating with the Leipzig Baroque
Orchestra/Chamber Orchestra, the Leipzig Gewandhaus Orchestra, Cologne Chamber Orchestra, Cologne
Collegium Cartusianum, Dresden Barock, Oslo Symphony Orchestra/Chamber Orchestra, conducted by Peter
Neumann, Georg Christoph Biller and Morten Schuldt-Jensen. As an opera-singer she has appeared as Clarice in
Haydns Il mondo della luna, as Servilia in La clemenza di Tito at the Mnster City Opera, and in Wuppertal as
Amintha in Mozarts Il re pastore. She won first prize at the 1998 Norsk Sanglrerforening Singing Competition
and at the 2003 national Queen Sonja International Music Competition with the Stavanger Symphony Orchestra. In
2004 she won the second prize at the Leipzig International Johann Sebastian Bach Competition. In 2006 she won
the second prize at the Fifteenth European Mozart Competition in Wrzburg. Trine Wilsberg Lund has taken part in
numerous international broadcasts and commercial recordings.
Kristina Wahlin
The talented young mezzo-soprano Kristina Wahlin is Swedish-born and studied singing at the Royal Music
Academy in Stockholm, completing her musical education as an opera singer at the Royal Academy of Music in
London, from which she graduated in 2000. She has sung Cherubino in Le nozze di Figaro and the title rle in
Handels Ariodante at Opera Funen in Denmark. Her performance of Ariodante made an exceptionally favourable
impression on the critics and she was invited to return to sing the title rle in Glucks Orfeo in 2004. She had great
success as Isabella in a concert performance of LItaliana in Algeri at the Tivoli Concert Hall in the summer of 2004,
again to considerable critical acclaim. Kristina Wahlin has appeared as a soloist with several orchestras in
Scandinavia, performing Bach, Mozart, Handel and Rossini. Since 2006 she has been a member of the soloist
ensemble at Oper Kln, where her rles include Rosina, Hnsel, Isabella, Nicklausse, Cherubino and Giulio Cesare.
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Wolfgang Amadeus
MOZART
(1756-1791)
40:31
5:44
2:04
4:27
1:02
2:40
6:03
4:48
5:29
3:38
4:35
12:34
2:45
3:16
3:51
2:42
1 Coro
Alzai le flebili voci al Signor
Alzai le flebili voci al Dio
da mali oppresso.
Alzai le flebili mie voci a Dio
da mali oppresso.
Chorus
I raised my weeping cries to the Lord
I raised my weeping cries to God
oppressed by evils.
I raised my weeping cries to God
oppressed by evils.
2 Coro
Cantiam le glorie e le lodi,
replichiamole in cento e cento modi
del Signore amabilissimo.
Chorus
Let us sing the glories and praises
Let us repeat them a hundred hundred ways
the praises of the most loving Lord.
3 Aria
Lungi le cure ingrate,
respirate omai.
S palpitato assai
tempo da goder.
Aria
Far away from sad afflictions,
feel free again.
If once you were afraid
now is the time to rejoice.
4 Coro
Sii pur sempre benigno, oh Dio,
e le preghiere te muovano a piet.
Chorus
Be ever gracious, O God
and let our prayers move you to mercy.
5 Duetto
Sorgi, Signore, e spargi i tuoi nemici.
Sorgi, Signore, spargi
e dissipa i tuoi nemici.
Fuga ognun che todia,
fuga da te che todia,
sorgi e spargi i tuoi nemici.
Duet
Arise, Lord, and scatter your enemies.
Arise, Lord, scatter
and disperse your enemies.
Put to flight whomsoever may hate you,
Put to flight those who hate you,
arise and scatter your enemies.
6 Aria
A te, fra tanti affanni,
piet cercai, Signore,
che vedi il mio bel core,
che mi conosci almen.
Udisti i voti miei,
e gi godea questalma
per te lusata calma
delle tempeste in sen.
Aria
In you, amid such tribulation,
I sought mercy, Lord,
that you should see my good heart,
that at least you should know me.
You have heard my prayers,
and already my soul has rejoiced
since through you the storms in
my bosom have been calmed.
11
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7 Coro
Se vuoi, puniscimi
ma pria, Signore, lascia che almeno,
che sfoghi, che si moderi
il tuo sdegno, il tuo furore.
Puniscimi, se vuoi,
lascia, che sfoghi il tuo furore.
Vedi la mia pallida guancia inferma,
Signore, deh, sanami, porgimi soccorso,
aita, Signor, tu puoi, porgimi aita.
Chorus
If you will, punish me
but first, Lord, let at least
your scorn find relief,
your anger be tempered.
Punish me, if you will,
let your anger find relief.
Behold my pale weak face,
Lord, heal me, bring me succour,
help, Lord, you are able, bring help.
8 Aria
Tra loscure ombre funeste,
splende al giusto il ciel sereno,
serba ancor nelle tempeste
la sua pace un fido cor.
Alme belle, ah s, godete!
alme belle! ah s, godete,
n alcun fia che turbi audace,
quella gioia e quella pace,
di cui solo Dio lautor.
Aria
Through the dark grievous shadows
the serene heaven shines on the just,
and during the storms brings
peace to the faithful heart.
Fair souls, ah yes, rejoice!
Fair souls! Ah yes, rejoice
that no one dares to disturb
that joy and that peace
of which God alone is the author.
9 Terzetto
Tutte le mie speranze
ho riposte in te.
Salvami, o Dio, dal nemico feroce
che minsegue e che mincalza,
o Dio, salvami!
Trio
All my hopes
I have placed in you.
Save me, O God, from the cruel enemy
that pursues me and that presses upon me,
O God, save me!
0 Coro
Chi in Dio sol spera:
Di tali pericoli non ha timore.
Chorus
Who hopes in God alone
Has no fear of such dangers.
MOZART
Davide
penitente
(Oratorio)
Kristina Wahlin, Soprano
$ Alleluia, alleluia.
Alleluia, alleluia.
8.570231
12
8.570231
DDD
Playing Time
MOZART
53:05
(1756-1791)
40:31
al Signor
5:44
2:04
4:27
12:34
2:45
3:16
3:51
2:42
8.570231
8.570231
A detailed track list can be found on page 2 of the booklet Sung texts and translations included
The sung texts and translations can also be accessed at www.naxos.com/libretti/570231.htm
Recorded at the Gewandhaus zu Leipzig, Groer Saal, Germany, from 18th to 23rd April, 2006
Producer and Editor: Michael Silberhorn, Genuin, Leipzig Engineer: Tatsuo Nishimura
Booklet Notes: Keith Anderson
Cover image: David by Simeon Solomon (1840-1905)
(Fitzwilliam Museum, University of Cambridge / The Bridgeman Art Library)
& 2008
Naxos Rights International Ltd.
!
@
#
$
4:48
5:29
3:38
4:35
Booklet notes in English Kommentar auf Deutsch
Disc made in Canada. Printed and assembled in USA.
oh Dio
1:02
5 5. Duetto: Sorgi, o Signore, e spargi 2:40
6 6. Aria: A te, fra tanti affanni
6:03
www.naxos.com
7
8
9
0
Wolfgang Amadeus
NAXOS
NAXOS
In 1785, at the height of his career in Vienna, Mozart was commissioned by the Viennese Society of
Musicians to write a work for a Lenten benefit concert. Short of time, he recycled the Kyrie and Gloria
from his earlier unfinished Mass in C Minor to form part of the oratorio Davide penitente. Drawing upon
the psalms of David, both penitential and joyful, this is a work of great beauty, notable for its memorable
choruses, exquisite writing for the woodwind and, in particular, the two new solo arias, A te, fra tanti
affanni (In you, amid such tribulation) and Tra loscure ombre funeste (Amid the dark grievous
shadows), both of which begin with a long expressive opening followed by a virtuoso second section.