Bloomsbury Photographs 239-241

THE PHOTOGRAPHS SALE
LONDON, ROME, NEW YORK
Wednesday 19th May 2010

NOTICES & INFORMATION FOR THE LONDON, ROME AND NEW YORK SESSIONS
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For the London Session I and Rome Session II sales lots denoted with the delta
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GLOSSARY OFTERMS
The following glossary describes the terminology used in the catalogue
description for each lot. Every reasonable effort is made in ensuring that the
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Title
Where the title is known or inscribed on the print it is described in Italic Type,
otherwise it represents a common description of the image or simply a descriptive
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When only one date is given it indicates that the print is vintage. A vintage print
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Measurement
Measurements refer to the image only and are described in centimetres
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showing the height of the image followed by the width.
(A)London Session I:
(B) Rome Session II :
(C) New York Session III:
Medium
Where indicated, this refers to Bloomsbury Auctions opinion on the
photographic technique that most closely describes how the print was produced.
Payment
Lots 1 to 199 in British Pounds

Lots 200 to 399 in Euros
Lots 400 onwards in United States Dollars
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Only photographs that are described in the catalogue as framed will be sold
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photographs are sold unframed.
Additional Information and References
Where the description lists signatures, other insignia or stamps these will
usually be accompanied with information describing their location. On the
recto refers to the front of the print within the image, in the margin refers to
the front of the print outside the image, on the verso refers to the back of the
print and on the mount or on the reverse of the mount refers to the front or
back of the board or other material onto which the photograph is permanently
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Copyright
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under any circumstance, be reproduced without the permission of the
copyright holder.


London: Session I
commencing at 1.00 p.m.
lots 1 120
Specialist
Sarah Wheeler
Rome: Session II
lots 200 377
Specialist
Silvia Berselli
NewYork: Session III

lots 400 525
Specialist
Hannah Hayden
Catalogues:
20 / 25 / $30 plus postage as applicable
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Illustrations
Front cover: lot 227 | Inside front cover: lot 428 | Title page: lot 59 | Back cover: lot 446
LONDON

Wednesday 19th May 2010, 1.00 p.m.
Rome: 2.00 p.m. | New York: 8.00 a.m.
Sale No. 35719

Specialist
Sarah Wheeler
swheeler@bloomsburyauctions.com
Consultants
John Cumming
Roland Belgrave
Exhibition
Saturday 15th May 2010
11.00 a.m. - 5.00 p.m.
Sunday 16th May 2010
11.00 a.m. - 4.00 p.m.
Monday 17th May 2010
9.30 a.m. - 8.00 p.m.
Tuesday 18th May 2010
9.30 a.m. - 5.00 p.m.
Day of sale from 9.30 a.m.
Bloomsbury Auctions
Bloomsbury House
24 Maddox Street
London, W1S 1PP
Tel: +44 (0)20 7495 9494
Fax: +44 (0)20 7495 9499
info@bloomsburyauctions.com
www.bloomsburyauctions.com
LONDON
1
Eadweard Muybridge (1830-1904)
Camel Walking; Camel Running, 1887
Two collotypes from Animal Locomotion.
Plates 738 and 740 with printed credit,
title, number and copyright on full sheets.
24.3 x 30.2 cm. (91/2 x 117/8 in.);
22.3 x 34 cm. (83/4 x 133/8 in.)
600-800
650-1,000
$900-1,300
2
2
AdrienTournachon (Nadar Jeune) (1825-1903)
Untitled (Studies of cows with owner), ca.1854-1856
Three salt prints varnished with gelatin. Each on period card mount,
signed Nadar Jne and numbered 323, 805, 309 in the negative.
Each approximately 20.4 x 28.7 cm. (8 x 111/4 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
LONDON
3
Roger Fenton (1819-1869)
Untitled (Salisbury Cathedral),1858
Albumen print. On original mount with
engraved credit.
40.5 x 36.1 cm. (16 x 141/4 in.)
2,000-3,000
2,200-3,500
$3,000-4,700
The photographers carriage is visible in

the lower left of the image.
4
Pietro Guidi (active 1870-1880)
Narcissus Papyracens Gawl, ca. 1875
Albumen print. On period card mount
with printed credit, title and botanical
description on label pasted on the mount.
27.3 x 20.7 cm. (107/8 x 81/4 in.)
600-800
650-1,000
$900-1,300
5
Roger Fenton (1819-1869)
Untitled (Two views of an English
country house), ca.1860
Two albumen prints. Each on original
mount with engraved credit on the mount.
Each approximately 32.5 x 42 cm.
(123/4 x 161/2 in.)
600-800
650-1,000
$900-1,300
LONDON
6
Adolphe Braun (1811-1877)
Views in Switzerland, ca.1865
29 albumen prints each mounted within
buff-coloured borders with printed credit
Braun Dornach Haut-Rhin with
French titles in ink on the mount. Bound
in 4to. contemporary green morocco,
cover with gilt ruling and monogram,
spine gilt and titled.
Book: 33.2 x 26.5 cm. (13 x 101/2 in.)
Prints: 16 x 19 cm. (61/4 x 71/2 in.)
800-1,200
900-1,400
$1,200-1,900
Includes views of Alpine peaks,

snowfields, and glaciers with general
views of Geneva, Lucerne and Vevey.
7
7
Adolphe Braun (1811-1877)
Untitled (Panoramic Alpine Views), ca.1865
Nine albumen prints. Each mounted within buff-coloured borders
with printed series title Vues Panoramiques, Brevetees S.G.D.G and
credit A. Braun Dornach Haut-Rhin and printed titles in French
pasted on the mount.
Each approximately 22.5 x 48 cm. (87/8 x 187/8 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
Includes views of Alpine peaks Lucerne, Grindelwald, Chamonix,

Chteau de Chillon, and the Riffelhorn.
LONDON
8
Sgt. James McDonald (1812-1885)
Group of Bedawin at the Convent of
St. Katherine, 1869
Albumen print. On period card mount
with printed credit and title on label
pasted to the mount.
16.1 x 21.5 cm. (61/4 x 81/2 in.)
800-1,200
900-1,400
$1,200-1,900
9
Charles Smerdon Roe (ca.1842-1900)
Hollywell, ca.1890
Three platinum prints. Each remounted;
two with original title in ink on label pasted
on the mount.
Each approximately 24 x 28.7 cm. (91/2 x 113/8 in.)
800-1,200
900-1,400
$1,200-1,900
10
Charles Smerdon Roe (ca.1842-1900)
Pauvre Fauvette, ca.1890
Three platinum prints. Each remounted;
two with original title in ink on label
pasted on the mount.
800-1,200
10
8
900-1,400
$1,200-1,900
LONDON
11
Henry Peach Robinson (1830-1901)
Waiting at the Stile, ca.1871
Mammoth-plate albumen composite print.
54.2 x 41.4 cm. (213/8 x 161/4 in.)
500-700
550-800
$750-1,100
Provenance: Margaret Harker collection, Petworth
11
12
Julia Margaret Cameron (1815-1879)
The Dream, 1869
Albumen print. On period card mount with gilt
line border. Signed, titled and dated Freshwater
April 1869 in pencil and annotated in ink
From life Registered Photograph Copyright
on the mount.
33 x 24 cm. (13 x 91/2 in.)
800-1,200
900-1,400
$1,200-1,900
There is also a printed facsimile inscription

quite divine G.F.Watts on the mount.
12
9
LONDON
13
13 *
Various Artists
Group of portraits of Tsars Alexander II, Nicholas II and family,
ca.1860-1900
49 albumen prints on original carte-de-visite and cabinet card
mounts, most with studio imprints and stamps on the mount or
on the verso.
Various sizes from 10 x 6 cm. (4 x 23/8 in.) to 16 x 10 cm. (61/4 x 4 in.)
6,000-8,000
6,800-9,100
$9,200-12,400
An archive of photographic studio portraits of the Royal Family,

these photographs were issued commercially by a number of
studio photographers across Europe and Russia including Linde
in Berlin, W. & D. Downey in Newcastle (photographers to the
English Royal family), Reuthlinger in Paris and Pasetti in
St. Petersburg. Including 16 portraits of Tsar Alexandre II,
7 portraits of Nicholas II, images of both Tsaritsas Marie
Alexandrovna and Nicholas IIs wife Alexandra (the last empress
of Russia) and other photographs in various formats including a
news file photo of Nicholas II on the day of his abdication, an
albumen print of a troop of Cossacks, Alexander with staff
officers and Nicholas II reviewing soldiers during the SinoJapanese War.
10
LONDON
14
14
Jean Laurent (1816-1886)
Armeria De Madrid, ca.1870
48 albumen prints. Each on period card mount, titled and
numbered; no. 31 signed in the negative; contained in
contemporary boards with the remains of ties.
34.5 x 25.5 cm. (131/2 x 10 in.)
2,000-3,000
2,200-3,500
$3,000-4,700
11
LONDON
15
16
15
James Anderson (1813-1877)
Castel Sant Angelo, Rome, ca.1850
Salt print. Numbered 42 in the negative.
28.2 x 39.4 cm. (111/8 x 151/2 in.)
800-1,200
900-1,400
$1,200-1,900
Literature: Dorothea Ritter, Rom

1846 1870: James Anderson und die
Maler Fotografen, p.79.
16
Gustave Eugne Chauffourier
(1845-1919)
Palazzo Farnese, ca.1875
Albumen silver print. File number
in the negative; annotated
in unknown hand on the verso 1535
Palazzo Farnese, Porte posteriore,
Fontana.
28.1 x 21.1 cm. ( 11 x 81/4 in.)
17
500-700
550-800
$750-1,100
17
Tommaso Cuccioni (d.1864)
Porta Maggiore, Rome, ca.1860
Albumen print from a paper negative.
33 x 45 cm. (13 x 173/4 in.)
1,200-1,800
12
1,300-2,100
$1,800-2,800
LONDON
18
Giacomo Caneva (1813-1865)
Two views of the Pyramid of Caius
Cestius, Rome, ca.1855
Two salt prints; one from a paper
negative, the other from a glass negative.
19.4 x 25 cm. (75/8 x 97/8 in); 16.2 x 25.4 cm.
(63/8 x 10 in)
2,500-3,500
2,800-4,000
$3,800-5,500
Views show Porta San Paolo and the

Protestant cemetery.
18
19
19
Robert Macpherson (1811-1872)
Temple of the Sibyl at Tivoli; View over Rome from the Palatine Hill;
Horses of the Capitol, from the Palazzo Caffarelli, ca.1858
Three albumen prints from glass negatives. Each on period
card mount titled in pencil on the mount.
Approximately 16.2 x 25.4 cm. (61/2 x 10 in.)
2,000-3,000
2,200-3,500
$3,000-4,700
13
LONDON
20
21
20
Giuseppe Ninci (1823-1890)
The Capitol; Trajans Column; The Arch of Titus, ca.1865
Three albumen prints. Each on period card mounts with
photographers blindstamp.
Each approximately 27 x 37.5 cm.
(107/8 x 143/4 in.) and the reverse.
600-800
14
650-1,000
$900-1,300
21
Dimitrios Constantin (active 1850-1870)
Fort Neuf, Corfu, ca.1855
Salt print. On period card mount,
titled and numbered 68 in ink on mount.
27.5 x 37.7 cm. (103/4 x 147/8 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
Provenance: Galerie Texbraun, Paris
LONDON
22
22
James Robertson (ca.1813-1888)
A general view of Athens; the Erechtheion;
the Parthenon; the Acropolis, 1857
Four albumen prints. Each on period card mount,
three signed in the negative.
Each approximately 25 x 30 cm. (97/8 117/8 in.)
3,000-5,000
3,400-5,700
$4,600-7,800
15
LONDON
23
24
23
Louis de Clercq (1836-1901)
Beyrouth, Maison Des Soeurs, 1859
Salt print from a paper negative. On period
card mount with printed title and artists
monogram, numbered 28 in the negative.
21.5 x 56 cm. (81/2 x 22 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
Provenance: Galerie Baudoin Lebon,

Paris, from the estate of Harry Lunn
24
Louis de Clercq (1836-1901)
Grenade, Vue Partielle, 1863
Salt print from a paper negative.
On period card mount with printed
title and artists monogram.
20.3 x 55.9 cm. (8 x 22 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
25
25
L. Morel (active ca.1860s)
Untitled (Three views of a French shipyard), ca.1865
Three albumen prints. Each on period card mount,
signed and dated with names of the boats in the negative.
Each approximately 24 x 34 cm.
(93/8 x 133/8 in.)
800-1,200
16
900-1,400
$1,200-1,900
LONDON
26
26
James Robertson(1813-1888) and Felice Beato(1832-1909)
Untitled (Nine views of Turkey), ca.1850-1860
Nine albumen prints. Each on contemporary card mount,
six titled and four signed in the negative.
Approximately: 25 x 19 cm. (97/8 x 71/2 in.)
3,000-4,000
3,400-4,600
$4,600-6,200
Views include: Fountain of Sultan Mahmoud, The Sehzade

Mosque, Gateway to Dolmabahce Palace, Tophane fountain,
Eyup, Fountain of Sultan Ahmed III, Sultanahmet Mosque.
17
LONDON
27
27
Eugenio Courret (active 1860-1900)
Vistas Monumentos Y Tipos De Lima, ca.1870
52 albumen prints. Mounted two to a page on single side
of leaves, ink titles in French below, mounted on stubs at
left edge, contemporary morocco, gilt arms of Peru in
centre of both covers, gilt borders, spine titled as above.
10,000-15,000 11,300-17,100
$15,400-23,200
Eugenio Courret arrived in Lima from France ca.1861 and

opened a photographic studio with his brother Aquiles in
1863. This collection comprises of 42 views of Lima
(general views, street scenes, individual buildings),nine
figure subjects, and one study of a banana tree.
18
LONDON
28
28 *
Edouard Baldus (1813-1889)
Vues de Paris en Photographie, ca.1860
40 albumen prints of which 39 are by Baldus. All on original
mounts, 25 with Baldus signature stamp at bottom right
below image, one with printed title and credit, one
reproducing a watercolour drawing of an interior of the
Luxembourg Palace signed V. Duval in negative, mounted
on guards at left edge, titled in pencil at foot in English,
contemporary embossed cloth, upper cover gilt-lettered
as above, label of the retailer Maison Martinet inside front
free endpaper.
Oblong folio: 32.3 x 41.7 cm. (123/4 x 163/8in.)
Prints: various sizes from 20.3 x 22 cm. (8 x 83/4 in.)
to 21 x 26.8 cm. (81/4 x 10 1/4in.) or the reverse
8,000-12,000
9,000-13,700
$12,300-18,600
The views include a panorama of the city, a view of the Seine,

the Arc de Triomphe, Palais de LIndustrie, Place de la
Concorde, Vendome Column,Tuileries Palace, Arch of the
Carrousel, the Louvre,Tour St. Jacques, Hotel de Ville, Notre
Dame Cathedral and other churches, the Bourse, Portes St.
Denis and St. Martin, the Palais de Justice (with printed title),
the Pantheon, Eastern Railway terminus and the chateaux of
Versailles and Fontainebleau. (A full list is available on request).
19
LONDON
29
30
29
Charles Ngre (18201880)
Paysage Provencal, (possibly Le Muy), ca.1852
Waxed paper negative.
25.5 x 34 cm. (10 x 133/8 in.)
2,000-3,000
2,200-3,500
$3,00-4,700
Provenance: Collection Marie-Thers et Andr

Jammes, Sothebys Paris, 22 March 2002, lot 508
20
30
Dr John Murray (1809-1898)
Akbars Tomb, Sikandra, ca.1858
Waxed paper negative. Signed in
ink on the verso.
34.3 x 45.5 cm. (131/2 x 173/4 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
LONDON
31
32
31
Dr John Murray (1809-1898)
The gateway to the Taj Mahal from the southern wall, ca.1858
Albumen print with waxed paper negative. Watermark reads
R. Turner Patent Talbotype, numbered in ink 17/3 in the
negative on the verso.
Print: 38 x 47 cm. (15 x 181/2 in.)
Negative: 37 x 46.5 cm. (141/2 x 181/4 in.)
4,000-6,000
32
Artist unknown
Taj Mahal, Agra, ca.1860
Albumen print. On period card mount.
24.6 x 30 cm. (93/4 x 117/8 in.)
1,200-1,800
1,300-2,100
$1,800-2,800
4,500-6,900
$6,100-9,300
21
LONDON
34
33
33
Maxime Du Camp (1822-1894)
Kalabascheh, Porte Du Pronaos, (Nubie),
1849-1851
Salt print, printed 1852. Printed title,
plate number (90), photographers,
publishers and printers credit on
the mount.
23.1 x 15 cm. (91/8 x 61/4 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
34
Baron Alexis de Lagrange (b.1825)
Temple Hindou Moderne. Odeypour
(Hindoustan), ca.1849-1851
Blanquart-Evrard process print from a
waxed paper negative. Album
Photographique de lArtiste et de
lAmateur blindstamp, printed
photographers and printers credits, title
and plate number, numbered 18 in gilt on
the mount, ruled in gilt.
21.2 x 17.8 cm. (83/8 x 7 in.)
1,500-2,000 1,700-2,300
$2,300-3,100
Provenance: Sothebys, Nineteenth

Century Photographs of India:
The Ehrenfeld Collection, 25 May 2005
35
35
LinnaeusTripe (1822-1902)
Amerapoora, Corner of Mygabboodee-Tee Kyoung, ca.1855
Salt print. On period card mount, signed in ink on the recto
with printed title and plate number 43 on original label pasted
on the mount.
26.7 x 34.8 cm. (101/2 x 13 3/4 in.)
1,500-2,000
22
1,700-2,300
$2,300-3,100
LONDON
36
Henri Cammas (1813-1888)
Luxor, Thebes, ca.1860
Salt print from a waxed paper negative.
On period card mount, numbered in
the negative.
25.3 x 31 cm. (10 x 121/4 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
36
37
FelixTeynard (1817-1892)
Ruins at Karnak, Thebes ca.1850
24.2 x 30.5 cm. (91/2 x 12 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
37
38
Edouard Baldus (1815-1852)
Palais de lIndustrie, ca.1860
Albumen print. On period card mount,
numbered 27 in negative with signature
stamp on the mount, lower right.
33 x 44 cm. (13 x 171/4 in.)
2,000-3,000
2,200-3,500
$3,000-4,700
38
23
LONDON
39
39 *
Francis Frith (1822-1898)
Egypt and Palestine, ca.1858-59
71 of 76 albumen prints. Signed and
many dated in the negative, trimmed
to the edges.
Each approximately 16.8 x 23.4cm.
(61/4 x 9 in.)
2,000-3,000
24
2,200-3,500
$3,000-4,700
LONDON
40
Artist unknown
Untitled (Cairo mosque), ca.1860
25 x 19.4 cm. (97/8 x 85/8 in.)
1,200-1,800
1,300-2,100
$1,800-2,800
41
Artist unknown
Untitled (Tombs of the Caliphs), ca.1860
20.4 x 25 cm. (81/8 x 97/8 in.)
1,200-1,800
1,300-2,100
$1,800-2,800
40
41
25
LONDON
42
Antonio Beato (ca.1830-1903)
Untitled (Cairo), ca.1864
21.8 x 26.9 cm. (85/8 x 101/2 in.)
600-800
650-1,000
$900-1,300
Literature: Kathleen Stewart Howe, Excursions along

the Nile, pl. 55.
This view is taken from the Citadel, with a distant view
of the pyramids.
42
43
Artist unknown
Untitled (Cairo from the rooftops), ca.1865
Albumen print, on period card mount.
29.7 x 25.5 cm. (113/4 x 10 in.)
800-1,200
43
44
OthonVon Ostheim
(active ca.1855-1865)
Jerusalem from the Mount of Olives,
ca.1860
On period card mount.
24.9 x 32.8 cm. (93/4 x 13 in.)
600-800
650-1,000
$900-1,300
44
26
900-1,400
$1,200-1,900
LONDON
45
45
OthonVon Ostheim (active ca.1855-1865)
Church of the Holy Sepulchre; Mosque of Omar, ca.1860
Two salt prints from paper negatives. Each on period card mount,
titled and signed; one dated 1816 in the negative.
35.4 x 26.4 cm. (137/8 x 101/2 in.)
2,000-3,000
2,200-3,500
$3,000-4,700
46
46
OthonVon Ostheim (active ca.1855-1865)
A general view of Gethsemane; the Garden of Gethsemane, ca.1860
Two salt prints from paper negatives. Each on period card mount,
signed and titled in the negative.
25.5 x 33.5 cm. (10 x 131/8 in.).)
1,200-1,800
1,300-2,100
$1,800-2,800
27
LONDON
47
47
Charles Marville (1816-1879)
Faubourg St Jacques (de la Rue
St Jacques), ca.1865
Albumen print. On original mount with
blindstamp credit and original printed
title on the mount; annotated in pencil
in unknown hand on the verso.
33.2 x 27.6 cm. (13 x 11 in.)
1,000-1,500
48
1,100-1,800
$1,500-2,400
48
Eugne Atget (1857-1927)
Les Archives, ca.1900
Albumen print. Titled in pencil on the
verso with negative number 371 in
unknown hand.
22.2 x 17.6 cm. (83/4 x 67/8 in.)
2,000-3,000
2,200-3,500
$3,000-4,700
49
Eugne Atget (1857-1927)
Hotel dit des Juifs, Rue Ferdinand Duval,
ca.1900
Albumen print. Numbered in the
negative; titled in pencil on the verso with
negative number 5742 in unknown hand.
17 x 22 cm. (63/4 x 85/8 in.)
2,000-3,000
2,200-3,500
$3,000-4,700

49
28
LONDON
50
Robert Doisneau (1912-1994)
The bistro, ca. 1950
Gelatin silver print. Photographers and
various credit stamps and
press label with printed annotations
affixed on the verso.
23.7 x 18 cm. (93/8 x 71/8 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
Provenance: Michael Hoppen Gallery,

London
51
Saul Steinberg, 1955
Gelatin silver print. Titled and dated in
pencil on the verso with
photographers credit stamp.
21.8 x 29 cm. (83/8 x 113/8 in.)
2,000-2,500
2,200-2,900
$3,000-3,900
Provenance: Michael Hoppen Gallery,

London
50
51
29
LONDON
52
Constantin Brancusi (1876-1957)
Coucher de Soleil sur la Bassin de Radoub
du Jiu, ca.1937
Gelatin silver print. Annotated Coll. AJ
in pencil on the verso.
31.8 x 27.8 cm. (12 3/8 x 10 7/8 in.)
2,000-3,000
2,200-2,900
$3,000-3,900
Provenance: Andr Jammes collection,

Paris
53
Untitled (Bouquet of flowers), ca. 1930
13.4 x 29.8 cm. (51/4 x 113/4 in.)
2,000-3,000
2,200-2,900
$3,000-3,900

Paris
52
53
30
LONDON
54
Torse de Jeune Femme, Marbre, 1909
16.9 x 12.1 cm. (65/8 x 43/4 in.)
5,000-7,000
5,600-8,000
$7,700-10,900

Paris
54
55
Branches dans une Cruche, 1933-34
23.7 x 17.7 cm. (93/8 x 7 in.)
4,000-6,000
4,500-6,900
$6,100-9,300

Paris
55
31
LONDON
56
56
Brassa (Gyula Halsz) (1899-1984)
Untitled (Semana Santa, Seville), ca.1954
Two gelatin silver prints. Each has
photographers studio stamp and
annotations in unknown hand in both
pencil and ink on the verso.
30.5 x 24 cm. (117/8 x 93/8 in.);
29.6 x 22.7 cm. (113/4 x 9 in.)
2,000-2,500
2,200-2,900
$3,000-3,900
Literature: Brassa, Fiesta in Seville,

p.72-73
57
Josef Sudek (1896-1976)
Untitled (Sculpture), 1934
Gelatin silver print. Studio stamped,
annotated and dated in unknown
hand in pencil and ink on the verso.
22.8 x 16.9 cm. (9 x 61/2 in.)
600-800
57
32
650-1,000
$900-1,300
LONDON
58
annotations in pencil in unknown hand
on the verso.
29.2 x 11.2 cm. (111/2 x 43/8 in.);
29 x 13 cm. (113/8 x 51/8 in.)
1,500-2,000
1,700-2,300
$2,300-3,100

p.109
58
59
annotations in pencil in unknown hand
on the verso.
30 x 23.5 cm. (117/8 x 91/4 in.);
26.6 x 23 cm. (101/2 x 91/8 in.)
2,000-2,500
2,200-2,900
$3,000-3,900

p. 50-51, p.120
59
33
LONDON
60
Jacques-Henri Lartigue (1894-1986)
The Beach at Villerville, 1914
Gelatin silver print, printed ca.1970.
Copyright stamps and annotations in
pencil on the verso in unknown hand.
24.5 x 20 cm. (10 x 8 in.)
800-1,200
900-1,400
$1,200-1,900
Literature: Diary of a century, n.p.
60
61
Auteuil, 1912
Gelatin silver print, printed ca. 1960-69.
Signed in ink in the margin, titled and
dated in unknown hand on the verso.
26 x 32.8 cm. (101/4 x 127/8 in.)
800-1,200
900-1,400
$1,200-1,900
Provenance: Light Gallery, New York;

Galeria Documenta, Torino.
Literature: Diary of a century, n.p.
61
34
LONDON
62
Mario Giacomelli (1925-2000)
Paesaggio, ca. 1974
Gelatin silver print. Signed and stamped
in the margin in ink with credit stamp
on the verso.
29.6 x 39.8 cm. (113/8 x 155/8 in.)
800-1,200
900-1,400
$1,200-1,900
Provenance: Collezione Luigi Carluccio;

Galleria Documenta, Turino
62
63
Paesaggio, 1979
Gelatin silver print. Signed and stamped
in ink on the verso.
(29 x 39.5 cm. (113/8 x 151/2 in.)
800-1,200
900-1,400
$1,200-1,900
Literature: Crawford, Mario Giacomelli,

p.309
63
35
LONDON
64
Raymond Moore (1920-1987)
Untitled (Two English landscapes), 1974
Two gelatin silver prints, flush-mounted.
Each signed and dated in pencil on the
reverse of the mount.
17.9 x 26.9 cm. (7 x 101/2 in.);
16.9 x 25.1 cm. (65/8 x 97/8 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
64
65
Weegee (1899-1968)
Headless sunbather, ca.1950
Gelatin silver print. Copyright stamped in ink,
titled and dated in pencil in unknown hand on the verso.
26 x 26.7 cm. (101/4 x 101/2 in.)
600-800
650-1,000
$900-1,300
65
66
douard Boubat (1923-1999)
Paris, 1948
Two gelatin silver prints, printed
before 1995. One signed and titled
with presentation inscription in ink
in the margin; the other signed in ink
on the verso.
16 x 16 cm. (61/4 x 61/4 in.);
15 x 22 cm. (6 x 83/4 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
Provenance: acquired directly from

the artist
Literature: Bernard Boubat et Genevive
Anhoury, Edouard Boubat, p.57
66
36
LONDON
67
Willy Ronis (1910-2009)
Le Depart du Morutier, Fcamp, 1949
Gelatin silver print, printed 2003 by
Pierre-Jean Amar. Signed in the margin;
copyright stamped, titled and dated in
unknown hand on the verso.
29.7 x 25 cm. (115/8 x 97/8 in.)
800-1,200
900-1,400
$1,200-1,900

the artist
Literature: Sur le fil du hasard, p. 107
67
68
Quai des Orfvres, 1965
Gelatin silver print. Copyright stamped in
ink, titled and annotated in unknown
hand on the verso.
24 x 17.5 cm. ( 91/2 x 7 in.)
800-1,000
900-1,200
$1,200-1,600
68
37
LONDON
69
Nikola Kossikoff (1898-1975)
Untitled (Two views of Ghent), ca. 1935
Two gelatin silver prints. Signed in ink on the recto, stamped
numbers 1052 and 1034 on the verso with various annotations in
unknown hand in pencil.
22.2 x 13.5 cm. (83/4 x 53/8 in.); 16.3 x 22 cm. (61/2 x 85/8 in.)
800-1,200
900-1,200
$1,200-1,600
69
70
70
Nikola Kossikoff (1898-1975)
Dpt du fer; Power plant, ca.1940
Two gelatin silver prints. Signed in ink on the recto, stamped
numbers 2301 and 1056, one with date stamp on the verso.
22.8 x 17 cm. (9 x 65/8 in.); 22.7 x 14.5 cm. (9 x 63/4 in.)
800-1,200
900-1,200
$1,200-1,600
71
Electricity Cables, 1938
Gelatin silver print. Copyright stamped in ink and
24 x 18.2 cm. (91/2 x 71/8 in.)
800-1,200
71
38
900-1,400
$1,200-1,900
LONDON
72
73
74
72
Leni Riefenstahl (1902-2003)
Die Fackel Wird Entzndet, 1936
Gelatin silver print. Numbered J17/48 in
the negative; Tobis copyright stamp on
the verso.
21.3 x 27.5 cm. (83/8 x 113/4 in.)
800-1,200
900-1,200
$1,200-1,600
73
Olympische Ringe, 1936
Gelatin silver print. Numbered J106/266
in the negative; Tobis copyright stamp on
the verso.
21.3 x 27.5 cm. (83/8 x 113/4 in.)
600-800
650-1,000
$900-1,300
74
Speerwerfer, 1936
Gelatin silver print. Numbered 18/30
in the negative; Tobis copyright print
on the verso.
21.5 x 27.5 cm. (81/4 x 103/4 in.)
600-800
650-1,000
$900-1,300
39
LONDON
75 *
Boris Carmi (1914-2002)
Transit camp Rosh Haayin, ca.1952;
Cement workers, ca.1950; Fishermen,
Jaffa, 1979
Three gelatin silver prints. Each signed
in Hebrew in ink on the recto; labels
affixed to the verso with some
annotations in pencil.
(113/4 x 91/2 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
Literature: Alexandra Nocke ed,

Boris Carmi: Photographs from Israel,
p. 32, p. 71
76
Bill Brandt (1904-1983)
Bedroom in Westham, 1937
Flush-mounted, signed in ink in
the margin.
34.1 x 29 cm. (131/2 x 113/8 in.)
1,000-2,000
1,100-2,300
$1,500-3,100
77
London Air Raid Shelters, East End
Underground Station, 1940
Flush-mounted, signed in ink in
the margin.
30.3 x 29 cm. (117/8 x 113/8 in.)
1,000-2,000
76
40
1,100-2,300
$1,500-3,100
75
77
LONDON
78
Ernst Haas (1921-1986)
Miracle In Greece, 1950
Gelatin silver print. Photographers
Magnum credit stamp on the verso.
24 x 29 cm. (91/2 x 113/8 in.)
600-800
650-1,000
$900-1,300
79
Andrea Altemller (b.1964)
Spielende Madchen Mit Taube (Children
playing with pigeons), 1993
Gelatin silver print, printed 1998. Signed,
titled, dated and numbered 1/12 in pencil
on the verso; photographers blindstamp
on the recto.
36 x 46.7cm. (141/8 x 143/8 in.)
800-1,200
900-1,400
$1,200-1,900
78
79
41
LONDON
80
80
Venise, Calle della Bissa, 1959
Pierre-Jean Amar. Signed in the margin;
copyright stamped, titled and dated in
20 x 30 cm. (77/8 x 111/2 in.)
800-1,200
900-1,400
$1,200-1,900

the artist
81
81 *
Elliot Erwitt (b.1928)
New York City, 1949
Gelatin silver print, printed later.
Signed in ink in the margin; signed,
titled and dated in pencil on the verso.
30.5 x 20 cm. (12 x 77/8 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
82 *
Venice, Italy, 1949
22.5 x 24 cm. (87/8 x 93/8 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
82
42
LONDON
83 *
New York City, 1946
Signed in ink in the margin;
signed, titled, and dated in
pencil on the verso.
37.3 x 54.8 cm. (145/8 x 215/8 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
83
84
Heidi Bradner
Home For The Night, Yamal, Siberia, Russia, 2001
Gelatin silver print. Signed, titled and dated in ink
in the margin.
30.3 x 20.4 cm. (12 x 8 in.)
84
600-800
650-1,000
$900-1,300
Provenance: acquired directly from the artist
85
85
Heidi Bradner
Nenets girl in village, Yamal, Russia, 1998
Gelatin silver print. Signed, titled and dated in ink
in the margin.
30.3 x 20.4 cm. (12 x 8in.)
600-800
650-1,000
$900-1,300

43
LONDON
86
Alvin Langdon Coburn (1882-1966)
Men of Mark, 1913
London/New York: Duckworth & Co./Mitchell Kennerley, 1913.
First edition, half-title, title, dedication leaf, list of plates,
introduction by Coburn and 33 tipped-in monochrome
photogravure plates, each with sitters facsimile signature
and guardleaf. Original publishers linen-backed beige cloth
boards with gilt title.
Folio: 31.5 x 24.6 cm. (121/4 x 93/4 in.)
Plates: each approximately 21.6 x 16.7 cm. (81/2 x 61/2 in.)
2,000-3,000
2,200-3,500
$3,000-4,700
Coburns first book of portraits of the great and the good

(it was followed some years later by More Men of Mark)
features 33 portraits of artists, thinkers and writers such as
George Bernard Shaw, H. G. Wells, Henry James, Rodin, Henri
Matisse, Theodore Roosevelt, Mark Twain, Frank Brangwyn,
William Butler Yeats and Robert Bridges.
86
44
LONDON
87
Frantiek Drtikol (1883-1961)
Untitled (Opera Singer), 1913
Gelatin silver print. Copyright credit
blindstamp in the margin; annotated in
23 X 19.9 cm. (91/8 x 77/8 in.)
1,200-1,800
1,300-2,100
$1,800-2,800
88
Cecil Beaton (1904-1980)
Patricia Lopez-Wilshaw (wife of Arturo),
ca.1930
Four gelatin silver prints. Each flushmounted and signed in red ink on the
mount.
25.8 x 24.8 cm. (101/8 x 93/4 in.)
600-800
650-1,000
$900-1,300
Provenance: from the artist to Edward

James, West Dean, Sussex; by descent
to present owner
87
88
89
Zissou, Rouzat, 1911
Copyright stamped, titled, dated, and
annotated in unknown hand in ink on
the verso.
23.7 x 18 cm. (93/8 x 71/8 in.)
1,000-1,500
650-1,000
$900-1,300
89
45
LONDON
90
Roberto Salas (b.1940) and Osvaldo Salas
(1914-1992)
Che Guevara and Fidel Castro, 1960 and 1963
Two gelatin silver prints, printed 1991.
Each signed and dated in ink with
blindstamp in the margin.
Each approximately 24.1 x 35 cm.
(91/2 x 133/4 in.)
1,000-1,500
1,100-1,800
$1,500-2,400

the artist
91
Osvaldo Salas (1914-1992)
Che Guevara, charity work, 1961
Two gelatin silver prints, printed 1991
by Roberto Salas. Each signed and dated in
ink with blindstamp in the margin.
24.1 x 35 cm. (91/2 x 133/4 in.)
800-1,200
900-1,400
$1,200-1,600

the artist
92 *
Freddy Alborta (1932-2005)
Death of Che, 1967
Gelatin silver print, printed 1993.
Signed in ink on the recto.
39.1 x 50.6 cm. (153/8 x 197/8 in.)
800-1,200
900-1,400
$1,200-1,600

the artist
90
91
46
92
LONDON
93
Osvaldo Salas (1914-1992)
Che Guevara, 1963; Habana, 1962
Two gelatin silver prints, printed 1991
by Roberto Salas. One signed and titled
in ink with blindstamp in the margin; the
other titled and dated in ink on the verso.
22 x 30.5 cm. (83/4 x 12 in.);
35 x 25 cm. (133/4 x 97/8 in.)
800-1,200
900-1,400
$1,200-1,600

the artist
93
94 *
Ruth Orkin (1921-1985)
Marlon Brando on the Set of Julius
Caesar, 1952
dated and titled in pencil on the mount;
signed, titled, dated and annotated in
34.8 x 27.3 cm. (133/4 x 103/4 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
Provenance: Ruth Orkin Photo Archive,

New York
94
47
LONDON
95
95
Cornel Lucas (b.1920)
Newsreel cameramen, 1951
Signed, titled and dated on the verso
with copyright stamp.
47.3 x 59 cm. (185/8 x 231/4 in.)
800-1,200
900-1,400
$1,200-1,900
96
Lord Snowdon (b.1930)
Untitled (Charles and Diana before their
wedding), 1981
Gelatin silver print. Copyright credit and
embargo stamps on the verso.
27 x 20.4 cm. (103/4 x 8 in.)
400-600
450-700
$600-950
96
48
LONDON
97
Harry Benson
The Beatles, Pillow Fight, 1964
Signed, titled, dated and numbered
35/35 in ink on the verso.
50 x 48 cm. (191/2 x 187/8 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
97
98
Harry Benson
Ali Hits George, 1964
Gelatin silver print, printed later. Signed,
titled, dated and numbered 25/35 in ink
on the verso.
45 x 58.9 cm. (173/4 x 23 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
98
99
Michael McCartney (b. 1944)
Paul McCartney, ca.1960
Three gelatin silver prints, printed later.
All signed in pencil in the margin.
(93/4 x 8 2/8 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
99
49
LONDON
100
Harry Benson
The Beatles 40th Anniversary portfolio, 2003
12 gelatin silver prints. Each signed and numbered 42/50 in pencil on the verso. Published by Looking Back.
Folio: 65.5 x 55 cm. (253/4 x 215/8 in.)
Prints: 33 x 28 cm. (13 x 11 in.)
100
6,000-8,000
6,800-9,100
$9,200-12,400
Titles include:
The Beatles arrive, New York, February 7, 1964; The Ed Sullivan Show II, New York, February 1964; John in Amsterdam, June 1964;
Paul on the set of A Hard Days Night, London, April 1964; George in an Amsterdam hotel room, June 1964; Ringo on Miami Beach,
February 1964; The Beatles with Cassius Clay, 12th Street Gym, Miami, February 1964; The Beatles, Miami Beach, February 1964; The
Beatles Composing II, George V Hotel Paris, January 1964;The Beatles Fan Mail, George V Hotel Paris, January 1964; The Beatles
Pillow Fight II, George V Hotel Paris, January 1964; The Beatles bow, Cyrano Theatre, Versailles, January 1964
50
LONDON
101 *
Sunday Evening, 1936
Signed and numbered 12/25 in ink in
the margin.
20.5 x 26.5 cm. (8 x 101/4 in.)
1,000-2,000
1,100-2,300
$1,500-3,100
101
102 *
Frisbee Player in Central Park, 1974
Signed, titled and dated in pencil on
the mount; signed, titled and dated in
32.7 x 23 cm. (127/8 x 9 in.)
1,500-2,000
1,700-2,300
$2,300-3,100

New York
102
51
LONDON
103
104
103
GarryWinogrand (1928 1984)
Untitled from Women are Beautiful, 1965-1975
Two gelatin silver prints, printed 1981. Signed and numbered
69/80 in pencil on the verso.
Each approximately 22.5 x 33.6 cm. (87/8 x 131/8 in.)
1,500-2,000
52
1,700-2,300
$2,300-3,100
104
GarryWinogrand (1928-1984)
Untitled from Women are Beautiful, 1965-1975
Gelatin silver print, printed 1981. Signed and numbered
69/80 in pencil on the verso.
22.5 x 35.5 cm. (87/8 x 131/4 in.)
1,000-1,500
1,100-1,800
$1,500-2,400
LONDON
105 *
William Klein (b.1928)
Smoke and Veil, Paris, 1958
Signed, titled and dated in pencil
on the verso.
45.5 x 32 cm. (173/4 x 121/2 in.)
2,000-3,000
2,200-3,500
$3,000-4,700
106
105
106
Mode en RDA, 1967
Gelatin silver print. Copyright stamped,
dated and annotated in unknown hand
on the verso.
23.6 x 18 cm. (91/4 x 71/8 in.)
1,000-1,200
1,100-1,400
$1,500-1,900

the artist
107
Cornel Lucas (b.1920)
Fashion Models on Scaffolding, London, 1977
Gelatin silver print, printed later. Signed,
titled and dated in ink on the verso with
copyright stamp.
43 x 60.1 cm. (17 x 23 5/8 in.)
800-1,200
900-1,400
$1,200-1,900
107
53
LONDON
108
108
Gladys
Nausicaa, ca.1980
Three gelatin silver prints. Each signed
in ink in the margin.
Each approximately 26.5 x 17.3 cm.
(101/2 x 6 3/4 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
109
Colin Jones (b.1936)
Full Venitienne Alonge, 1903-1904, 2008;
Cocotte de Soho, 1905, 2008
Two unique gelatin silver selenium
toned prints. Each has photographers
blindstamp in the margin; signed,
Each 39.2 x 30.8 cm. (153/8 x 12 in.)
or the reverse
1,000-2,000
1,100-2,300
$2,300-3,100
From the series After Walter Sicket,

The Camden Town Nudes.
109
54
LONDON
110
111
110
Nu, 1946
Gelatin silver print. Copyright stamped, dated
and annotated in unknown hand on the verso.
24 x 18.2 cm. (93/8 x 171/4 in.)
1,000-1,200
1,100-1,400
$1,500-1,900
111
Nu New York, 1981
Gelatin silver print, printed 1997 by Pierre-Jean Amar.
Signed in the margin; copyright stamped, titled and
26.5 x 18 cm. (10 3/8 x 71/8 in.)
800-1,000
900-1,200
$1,200-1,600
55
LONDON
112
Roger Ballen (b.1950)
Living Room Scene, North West Province, 1999
Gelatin silver selenium toned print. Signed,
titled and numbered 8/35 in pencil on verso.
36 x 36cm. (141/8 x 141/8 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
Provenance: Michael Hoppen Gallery, London

113
Pierre Molinier (1900 -1976)
Autoportrait, ca.1967
Gelatin silver print. Annotated in pencil in
17.5 x 11.5 cm. (7 x 41/2 in.)
800-1,200
900-1,400
$1,200-1,900
Provenance: Estate of the artist

114
Pierre Molinier (1900 -1976)
Mon cul, ca.1967
Gelatin silver print. Annotated in pencil in
17.5 x 12.5 cm. (7 x 5 in.)
800-1,200
112
113
56
900-1,400
$1,200-1,900
Provenance: Estate of the artist
114
LONDON
115
Mario Cravo Neto (1947 -2009)
Criana Voodoo, 1983
Signed and numbered 2/25 with
print date in pencil in the margin.
17 x 17 cm. (6 5/8 x 65/8 in.)
600-800
650-1,000
$900-1,300
116
John Blakemore (b.1936)
The Garden, Fragments of a History,
No. 1, 1991
Gelatin silver print. Signed, titled and
dated in ink in the margin.
32.1 x 40.4 cm. (123/4 x 157/8 in.)
600-800
650-1,000
$900-1,300

the artist
115
116
57
LONDON
117
Nanda Lanfranco
Untitled, 1984
Gelatin silver print. Signed, dated and
numbered 1/5 in pencil on the verso.
39.9 x 40.4cm. (15 5/8 x 1 6in.)
800-1,200
900-1,400
$1,200-1,900
Provenance: acquired directly

from the artist.
117
118
Nanda Lanfranco
Essi Sono, 1984
Gelatin silver print. Signed, dated and
numbered 1/5 in pencil on the verso.
39.9 x 40.4 cm. (15 5/8 x 16 in.)
800-1,200
900-1,400
$1,200-1,900
Provenance: acquired directly

from the artist
118
58
LONDON
119
Robert Mapplethorpe (1946-1989)
America, 1988
Three photolithographs. Each signed by
Michael Ward Stout, Attorney-in-Fact
in ink, numbered 30/40 in an unknown
hand in pencil with facsimilie signature,
copyright credit reproduction limitation
and edition stamps on the verso.
Each approximately 66.6 x 55.2 cm.
(26 x 21 in.)
2,500-3,500
2,800-4,000
$3,800-5,500
120 *
David Drebin (b.1970)
Tear, 2005
Chromogenic print. Signed, titled, dated
and numbered 1/10 on label affixed to
the reverse of the mount.
101.5 x 66 cm. (40 x 26 in.)
1,500-2,000
1,700-2,300
$2,300-3,100
119
120
59
ROME
ROMA
FOTOGRAFIA
Mercoled 19 Maggio 2010, ore 16.00
London: 3.00 p.m. | New York: 10.00 a.m.
Londra: ore 15.00 | New York: ore 10.00
Sale No. 45033
Asta No. 45033
Specialist
Esperto
Silvia Berselli (Consultant)

sberselli@bloomsburyauctions.com
Silvia Berselli (Consulente)

sberselli@bloomsburyauctions.com
Department
Reparto
Viola Marzoli
vmarzoli@bloomsburyauctions.com
Viola Marzoli
vmarzoli@bloomsburyauctions.com
Marica Rossetti
mrossetti@bloomsburyauctions.com
Marica Rossetti
mrossetti@bloomsburyauctions.com
Exhibition
Milan
Esposizione
Milano
Manzoni 23
Via Manzoni, 23
T +39 331 78 111 97
Manzoni 23
Via Manzoni, 23
T +39 331 78 111 97

10.00 a.m. - 7.00 p.m.
Luned 10 Maggio 2010

ore 10.00 - 19.00

10.00 a.m. - 7.00 p.m.
Marted 11 Maggio 2010

ore 10.00 - 19.00

10.00 a.m. - 1.00 p.m.
Mercoled 12 Maggio 2010

ore 10.00 - 13.00
Rome
Roma
Domenica 16 Maggio 2010
ore 10.00 - 18.00

10.00 a.m. - 6.00 p.m.

10.00 a.m. - 6.00 p.m.
Luned 17 Maggio 2010

ore 10.00 - 18.00
Marted 18 Maggio 2010
ore 10.00 - 18.00
Bloomsbury Auctions
Palazzo Colonna
Via della Pilotta 19
00187 Roma
Bloomsbury Auctions
Palazzo Colonna
00187 Roma
Tel: +39 06 679 1107

Fax: +39 06 699 23077
rome@bloomsburyauctions.com
Tel: +39 06 679 1107

Fax: +39 06 699 23077

10.00 a.m. - 6.00 p.m.
ROME
200
201
200
Yoichi Midorikawa (1915-2001)
Fireflies, ca. 1950
Gelatin silver print. Credit stamp on the verso.
15 x 27 cm. (57/8 x 105/8 in.)
600-800
500-800
$800-1,000
201
Yoichi Midorikawa (1915-2001)
Tide in Nicht, ca. 1950
18 x 26 cm. (71/8 x 10 in.)
600-800
500-800
$800-1,000
61
ROME
202
202
BrettWeston (1911-1993)
Untitled (Roof), ca. 1950
Gelatin silver print, printed 1998. Credit stamp
on the verso. This work was authenticated by
the Brett Weston Estate.
27.5 x 35.2 cm. (103/4 x 137/8 in.)
800-1,200
700-1,100
$1,000-1,700
203
Ren Jacques (1908-2003)
Usines Renault, 1951
Gelatin silver print, printed ca. 1970.
Signed in ink in the margin.
34 x 26.8 cm. (133/8 x 101/2 in.)
600-800
203
62
500-800
$800-1,100
ROME
204
204
Homecoming Prisoners, Vienna, 1947
Credit stamp on the verso.
23.7 x 18.3 cm. (93/8 x 71/4 in.)
1,500-2,000
1,300-1,800
$2,000-2,800
63
ROME
205
205
Henri Cartier-Bresson (1908-2004)
Mexico, 1963
Gelatin silver print. Annotated in
pencil with credit stamp on the verso.
16 x 25 cm. (63/8 x 97/8 in.)
1,100-1,600
900-1,500
$1,400-2,200
206
Enzo Sellerio (b. 1924)
Randazzo, 1963
Signed in ink with credit stamp on
the verso.
38.5 x 28.5 cm. (151/8 x 111/4 in.)
1,000-1,500
800-1,400
$1,300-2,100
Literature: Fermo Immagine

Photographs by Enzo Sellerio, p. 104
206
64
ROME
207
207
William Klein (b. 1928)
Dance in Brooklyn, New York, 1955
Signed, titled and dated in pencil on the verso.
32 x 45.5 cm. (125/8 x 177/8 in.)
3,000-4,000 2,600-3,600
$4,000-5,500
65
ROME
208
Francesco Radino (b. 1947)
Orvieto, 1984
Gelatin silver print. This work is
accompanied by a certificate signed and
numbered 3/10 by the artist in ink, issued
by Galleria Cons Arc.
30 x 40 cm. (113/4 x 153/4 in.)
1,000-1,200
800-1,100
$1,300-1,700
Provenance: Galleria Cons Arc,

Switzerland
Literature: Mutazioni, p. 51; Modus
Vivendi, n.p.; Archivi della Fotografia,
p. 42; Valtorta, Pagine di fotografia
italiana, p. 151
208
209
Francesco Radino (b. 1947)
Linate-Radar, 1989
Gelatin silver print. This work is
accompanied by a certificate signed and
numbered 1/10 by the artist in ink, issued
by Galleria Cons Arc.
50 x 60 cm. (195/8 x 235/8 in.)
1,000-1,200
800-1,100
$1,300-1,700

Switzerland
Literature: Mutazioni, p. 18
209
210
Mimmo Jodice (b. 1934)
Matera, 1990
Gelatin silver print. Signed and dated
with inscription in ink on the mount. This
work is accompanied by a certificate
signed and numbered 1/5 by the artist in
ink, issued by Galleria Cons Arc.
40 x 50 cm. (153/4 x 195/8 in.)
1,600-2,000
1,400-1,800
$2,100-2,800

Switzerland
Literature: Perdersi a guardare, p. 140
210
66
ROME
211
211
Gabriele Basilico (b. 1944)
Rotterdam, 1986
Gelatin silver print. Credit blindstamp in the margin;
signed, titled, dated and numbered A.P. in pencil on the verso.
36 x 47 cm. (141/4 x 181/2 in.)
2,800-3,200
2,400-2,900
$3,800-4,400
67
ROME
212
Gianni Berengo Gardin (b. 1930)
Gran Bretagna, 1977
Gelatin silver print. Credit stamp on
the verso.
20 x 30.4 cm. (77/8 x 117/8 in.)
1,000-1,200
800-1,100
$1,200-1,700
Literature: Contrasto, ed., Gianni

Berengo Gardin, pl. 45, p. 87
212
213
Louis Stettner (b. 1922)
Manhattan from the Brooklyn Promenade,
ca. 1954
Credit blindstamp in the margin;
signed and numbered 6/6 in pencil
on the verso.
19.5 x 29.5 cm. (73/4 x 115/8 in.)
1,000-1,400
800-1,300
$1,300-2,000
213
214
Gianni Berengo Gardin (b. 1930)
Spagna, ca. 1970
Gelatin silver print. Credit stamp
on the verso.
22.5 x 32.5 cm. (83/4 x 123/4 in.)
800-1,000
214
68
700-900
$1,000-1,400
ROME
215
215
Self-Portrait, 1966
Gelatin silver print. Signed in ink
on the mount.
34.2 x 29.3 cm. (131/2 x 115/8 in.)
3,000-4,000
2,600-3,600
$4,000-5,500
216
Elliott Erwitt (b. 1928)
Americans, 1962
Signed in ink on the verso.
14 x 20 cm. (51/2 x 77/8 in.)
900-1,300
700-1,200
$1,200-1,800
216
69
ROME
217
219
218
217
Martine Franck (b. 1938)
Daniel Cohn Bendit, 1968
Gelatin silver print. Credit stamp on the
verso.
20.6 x 29.8 cm. (81/8 x 113/4 in.)
400-600
70
300-600
$500-900
218
Ermete Marzoni
Untitled (Nudes), ca. 1970
Two gelatin silver prints. Each with
credit stamp on the verso.
Each 39 x 29 cm. (153/8 x 113/8 in.)
300-600
200-600
$400-900
219
Fabrizio Ferri (b. 1952)
Ritratto, 1973
Gelatin silver print. Credited and dated
in an unknown hand in ink on the verso.
27.5 x 40.5 cm. (103/4 x 157/8 in.)
300-600
200-600
$400-900
ROME
220
221
220
Paola Agosti (b. 1947)
Abruzzo, ca. 1970
Four gelatin silver prints. Each with
Each 24.2 x 35 cm. (95/8 x 133/4 in.)
600-800
500-800
$800-1,100
221
Tano Damico (b. 1942)
Ad occhi aperti, ca. 1970
10 gelatin silver prints. Each signed
Each 17.5 x 24 cm. (67/8 x 93/8 in.)
500-700
400-700
$600-1,000
222
Aldo Bonasia (b. 1949)
Milano, nelle vie intorno via Mancini, 1975
Two gelatin silver prints. Each with credit
stamp on the verso.
Each 25 x 35.5 cm. (97/8 x 14 in.)
300-600
200-600
$400-900
223
MassimoVitali (b. 1944)
Pop Festival Zerbo, 1972
Gelatin silver print. Titled and dated
in ink with credit stamp on the verso.
27 x 39 cm. (105/8 x 153/8 in.)
600-800
223
500-800
$800-1,100
224
Lisetta Carmi (b. 1924)
Londra Scuola Bonsfield a metodo
moderno antiautoritario, 1973
the verso.
24 x 30.3 cm. (93/8 x 117/8 in.)
300-600
222
200-600
$400-900
224
71
ROME
225
Claudio Abate (b. 1943)
Fabio Mauri, Performance
(La ragazza ebrea), 1971
Gelatin silver print. Titled in ink with
38.7 x 26.5 cm. (151/4 x 103/8 in.)
500-700
400-700
$600-1,000
226
Ugo Mulas (1928-1973)
Wrapped Monument to Vittorio Emanuele,
Project for Piazza del Duomo, Milan, 1975
Gelatin silver print.
56 x 71 cm. (22 x 28 in.)
1,000-1,500
800-1,400
$1,300-2,100
Literature: Christo and Jeanne-Claude:

Prints and Objects, pl. 82
225
226
72
ROME
227
227
Patti Smith, N.Y.C., 1976
Gelatin silver print. Signed, dated and numbered 3/10 in ink in the margin; signed and dated in ink with copyright credit reproduction
limitation stamp on the verso.
34.7 x 34.8 cm. (133/4 x 133/4 in.)
10,000-15,000
8,800-13,300
$13,600-20,500
Provenance: Sothebys New York, 6 April 1993, lot 520

Literature: Whitney Museum of American Art, Robert Mapplethorpe, p. 72
Nel 1967 la musicista e poetessa Patti Smith si trasfer a NewYork dove, a seguito di una serie di circostanze, incontr Robert Mapplethorpe.
Nella sua recente biografia Just Kids (2010) Patti Smith descrive linizio del legame sentimentale e di amicizia con Mapplethorpe,
alimentato dalla comune passione per larte e la poesia. Questo ritratto di Patti Smith realizzato da Mapplethorpe rivela non solo la
vulnerabilit della poetessa ma anche la sua fiducia e la sua profonda convinzione nella genialit artistica del fotografo.
In 1967 singer-song writer Patti Smith moved to New York and through a series of events met Robert Mapplethorpe. In her recently
published memoir Just Kids (2010) Smith describes the start of a romance and lifelong friendship with Mapplethorpe, which was a
relationship fueled by a passion for art and writing. This portrait of Smith by Mapplethorpe reveals not only her guarded vulnerability,
but also her dual role as both muse and the inspired.
73
ROME
228
228
229
228
Letizia Battaglia (b. 1935)
Untitled (Nude Studies), ca. 1970
Seven gelatin silver prints. Each with credit stamp on the verso.
Each 17.8 x 23.8 cm. (7 x 93/8 in.)
800-1,200
74
700-1,100
$1,000-1,700
229
Letizia Battaglia (b. 1935)
Omicidio Reina, 1979
17.6 x 23.8 cm. (67/8 x 93/8 in.)
1,000-1,500
800-1,400
$1,300-2,100
ROME
230
230
Joel-PeterWitkin (b. 1939)
The Eggs of my Amnesia, 1996
Gelatin silver print. Signed, titled, dated
and inscribed in pencil on the verso.
32 x 28.5 cm. (125/8 x 111/4 in.)
2,500-3,500
2,200-3,100
$3,400-4,800
231
Antonin Kratochvil (b. 1947)
Mike Walker from Devenport. Owa.
Heaviest Man in the World, ca. 1970
on the verso.
17.6 x 25.6 cm. (67/8 x 101/8 in.)
600-800
500-800
$800-1,100
231
75
ROME
232
232
Donald McCullin (b. 1935)
Dead man. Congo, 1966
Gelatin silver print. Credited, titled and dated
in an unknown hand in ink on the verso.
22.5 x 33.3 cm. (83/4 x 131/8 in.)
400-600
76
300-600
$500-900
ROME
233
234
235
236
233
Thomas Hpker (b. 1936)
USA, Parris Island, South Carolina, 1970
24.6 x 37.8 cm. (95/8 x 141/4 in.)
234
25.5 x 37 cm. (10 x 145/8 in.)
800-1,200
700-1,100
$1,000-1,700
235
25 x 36.9 cm. (97/8 x 145/8 in.)
800-1,200
700-1,100
$1,000-1,700
800-1,200
700-1,100
$1,000-1,700
236
26 x 36.9 cm. (101/4 x 145/8 in.)
800-1,200
700-1,100
$1,000-1,700
77
ROME
237
Sebastio Salgado (b. 1944)
Lisbon, Portugal, 1975
Gelatin silver print. Annotated in ink
with credit stamp on the verso.
30 x 20 cm. (113/4 x 77/8 in.)
600-800
500-800
$800-1,100
238
Centre George Pompidou, Paris, ca. 1975
on the verso.
16 x 24.5 cm. (63/8 x 95/8 in.)
600-800
237
238
78
500-800
$800-1,100
ROME
239
Alberto Korda (1928-2001)
Che Guevara smoking cigar and playing chess, ca. 1960
23.8 x 18 cm. (93/8 x 71/8 in.)
900-1,300
700-1,200
$1,200-1,800
239
240
Robert Capa (1913-1954)
Russian Scenes, Steinbeck Series, 1947-1948
Gelatin silver print. Titled in ink with newspaper caption on the verso.
22.3 x 18.8 cm. (83/4 x 73/8 in.)
600-900
500-800
$800-1,300
240
241
Alberto Korda (1928-2001)
Hotel Riviera, 1962
18 x 24 cm. (71/8 x 93/8 in.)
400-800
300-800
$500-1,100
241
79
ROME
242
Artist Unknown
Federico Fellini, ca. 1960
39.7 x 29.7 cm. (155/8 x 101/2 in.)
300-600
200-600
$400-900
242
243
243
Gideon Bachmann
Bernardo Bertolucci, Novecento, 1974
Four gelatin silver prints. Each with credit stamp
on the verso.
Varying sizes from 16.6 x 23 cm. (61/2 x 9 in.)
to 29.8 x 19.5 cm. (113/4 x 73/4 in.)
500-600
400-600
$600-900
244
SabineWeiss (b. 1924)
Alberto Giacometti, 1954
Signed in pencil on the mount.
30 x 21 cm. (113/4 x 81/4 in.)
800-1,200
244
80
700-1,100
$1,000-1,700
ROME
245
Gabriele Basilico (b. 1944)
Citto Maselli, ca. 1970
Two gelatin silver prints. Each with
Each 14.5 x 21.5 cm. (53/4 x 81/2 in.)
600-800
500-800
$800-1,100
245
246
246
Denise Colomb (1902-2004)
Nicolas de Stal. 1954
Gelatin silver print, printed ca. 1970. Signed in pencil on
the verso.
19 x 20.8 cm. (71/2 x 81/4 in.)
700-900
600-800
$900-1,300
247
Portrait dAntonin Artaud, 1947
Gelatin silver print, printed ca. 1970. Signed in pencil
on the verso.
35.5 x 24.5 cm. (14 x 95/8 in.)
700-900
600-800
$900-1,300
247
81
ROME
248
Arturo Ghergo (1901-1959)
Luigi Einaudi, 1948
Gelatin silver print. Signed in white ink on the recto;
signed, titled and dated in ink on the mount.
23 x 17 cm. (91/8 x 63/4 in.)
800-1,000
700-900
$1,000-1,400
248
249
249
Henri Cartier-Bresson (1908-2004)
Rudolf Nureyev, ca. 1960
Gelatin silver print. Annotated in pencil with
16 x 24 cm. (63/8 x 93/8 in.)
1,100-1,600
900-1,500
$1,400-2,200
250
Paolo Monti (1908-1982)
Dubuffet, 1960
Gelatin silver print. Signed, titled and dated
in ink on the verso.
30 x 24 cm. (113/4 x 93/8 in.)
1,500-2,000
250
82
1,300-1,800
$2,000-2,800
ROME
251
Paesaggio, Motivi della natura, ca. 1970
Gelatin silver print. Signed and titled in
ink with credit stamp on the verso.
29.4 x 39.5 cm. (115/8 x 155/8 in.)
1,800-2,200
1,500-2,000
$2,400-3,000
251
252
252
Pretini, 1961
Gelatin silver print. Signed and dated in ink with
20.5 x 35 cm. (81/8 x 137/8 in.)
1,300-1,700
1,100-1,500
$1,700-2,400
253
Paesaggio, Marche, 1969
39.2 x 26.5 cm. (151/4 x 103/8 in.)
1,800-2,200
1,500-2,000
$2,400-3,000
253
83
ROME
254
Vincenzo Castella (b. 1952)
Vagherello, 1995
Chromogenic print. Signed, titled and dated in ink
on the verso.
21 x 26 cm. (81/4 x 101/4 in.)
500-700
400-700
$600-1,000
255
Sardegna, 1988
Chromogenic print. Signed and annotated in ink on
the verso.
26 x 33.7 cm. (101/4 x 131/4 in.)
1,000-1,200
800-1,100
$1,300-1,700
254
255
256
256
Franco Fontana (b. 1933)
Paesaggio, ca. 1970
Chromogenic print. Numbered 18/25 in ink with
39.5 x 29 cm. (155/8 x 113/8 in.)
400-800
300-800
$500-1,100
257
Franco Fontana (b. 1933)
Paesaggi, 1977
Two Chromogenic prints. Each signed, titled, dated
and numbered 88/100 in ink on the mount.
19 x 27 cm. (71/2 x 105/8 in.)
600-800
257
84
500-800
$800-1,100
ROME
258
Pirelli, 1986
Polaroid. Signed, titled, dated and numbered 1/3
in pencil in the margin.
68.5 x 51.5 cm. (27 x 201/4 in.)
1,000-1,500
800-1,400
$1,300-2,100
258
259
WolfgangTillmans (b. 1968)
Isa vor Sound Factory, 1995
Chromogenic print. This work is
number 6 from an edition of 10.
40 x 30 cm. (153/4 x 113/4 in.)
2,000-2,500
1,700-2,300
$2,700-3,500
Provenance: Galleria SALES, Roma
259
260
Oskar Luigi Cecere
Untitled (Moda), 2008
Chromogenic print. Signed, titled and dated in ink
on the verso.
28 x 35 cm. (11 x 137/8 in.)
300-400
200-400
$400-600
260
85
ROME
261
262
261
Luigi Ghirri (1943-1992)
Rimini, 1983
Chromogenic print. Signed, titled and dated in pencil in
the margin.
26.5 x 38 cm. (103/8 x 15 in.)
2,800-3,200
2,400-2,900
$3,800-4,400
Exhibited: Viaggio in Italia, Pinacoteca Provinciale,

Bari, 1984
86
262
Olivo Barbieri (b. 1954)
Southampton, England, 1987
Chromogenic print. Signed and titled in pencil in
the margin.
11.7 x 23.7 cm. (45/8 x 91/4 in.)
1,300-1,600
1,100-1,500
$1,700-2,200
ROME
263
264
263
Modena, 1979
Chromogenic print. Signed, dated and numbered 30/30
24 x 36 cm. (93/8 x 141/4 in.)
3,000-4,000
2,600-3,600
$4,000-5,500
264
Fiori, 1982
Chromogenic print. Signed and dated in ink
in the margin.
24.5 x 37 cm. (95/8 x 145/8 in.)
2,000-2,500
1,700-2,300
$2,700-3,500
87
ROME
265
Mario Cresci (b. 1942)
Tricario Ombra 3, 1979
Gelatin silver print. Signed, titled and
dated in ink on the reverse of the mount.
40.6 x 30.4 cm. (16 x 117/8 in.)
700-900
600-800
$900-1,300
266
Sully sur Loire, 1984
Gelatin silver print. Signed in pencil in
the margin.
20 x 24.3 cm. (77/8 x 95/8 in.)
600-800
500-800
$800-1,100
Provenance: Libreria Agor, Torino

265
266
88
ROME
267
267
Vittorio Sella (1859-1943)
Colle Dongusorun dal ghiacciaio
Ciat/Kogutai, 1889
Gelatin silver print. Numbered in white
ink on the recto; credit blindstamp
in the margin.
28 x 38.5 cm. (11 x 151/4 in.)
2,000-2,500
1,700-2,300
$2,700-3,500
268
Riccardo Moncalvo (1915-2008)
Veduta aerea di Torino, 1940-1950
on the verso.
23.9 x 16.2 cm. (93/8 x 63/8 in.)
600-800
500-800
$800-1,100
268
89
ROME
269
270
269
Domenico Riccardo Peretti Griva (1882-1962)
Campagna Romana, ca. 1930
Bromoil print. Signed and titled in pencil in the margin.
24.2 x 15.8 cm. (95/8 x 61/4 in.)
400-800
300-800
$500-1,100
270
Vecchia Sardegna, ca. 1930
Bromoil print. Signed and titled in ink on the recto;
41.8 x 39.9 cm. (161/2 x 153/4 in.)
400-800
300-800
$500-1,100
271
Atene. LAcropoli, ca. 1910
Bromoil print. Signed and titled in pencil in the margin.
12 x 14.8 cm. (43/4 x 53/4 in.)
400-800
271
90
300-800
$500-1,100
ROME
272
273
274
272
Wilhelm Von Gloeden (1856-1931)
Nerone, ca. 1904
Albumen print. Credit stamp on
the verso.
16.2 x 11 cm. (63/8 x 41/4 in.)
700-800
600-800
$900-1,100
273
Fosco Maraini (b. 1912)
Untitled (Archeologic landscape),
ca. 1940
the verso.
18.3 x 18.2 cm. (71/4 x 71/4 in.)
700-1,100
600-1,000
$900-1,500
274
Rudolf Lehnert (1878-1948) and
Ernest Landrock (1878-66)
Untitled (Oasis), ca. 1910
the verso.
29.5 x 39.5 cm. (115/8 x 155/8 in.)
300-600
200-600
$400-900
91
ROME
275
Guido Rey (1861-1935)
Scena fiamminga, Ragazza alla finestra,
1906
Platinum toned gelatin silver print.
20.3 x 16 cm. (8 x 63/8 in.)
2,000-2,500
1,700-2,300
$2,700-3,500
This work is from the same series of

Flemish interiors that the artist had
published in Camera Work, issue 24,
1908.
275
276
Italo Bertoglio (1871-1963)
La poupe, ca. 1930
Gelatin silver print. Credit label
on the verso.
31.7 x 35 cm. (121/2 x 137/8 in.)
600-1,200
276
92
500-1,100
$800-1,700
ROME
277
277
Ferenc Aszmann (1907-1988)
Chrysanthemum, 1939
Gelatin silver print. Credited Aszmann in an unknown hand in ink
with South shields International Salon of Photography label on
the verso.
41.9 x 29.8 cm. (161/2 x 113/4 in.)
400-800
300-800
$500-1,100
93
ROME
278
Baccarini e Porta
Untitled (Ritratto), ca. 1930
on the mount.
22.2 x 16.2 cm. (83/4 x 11 in.)
250-450
200-400
$300-700
278
279
Italo Bertoglio (1871-1963)
Etude de mains, 1933
Gelatin silver print. Signed in pencil on
the mount; credit and Socit Francaise
de Photographies labels on the verso.
39.5 x 29.8 cm. (155/8 x 113/4 in.)
600-1,200
279
94
500-1,100
$800-1,700
ROME
280
280
Elio Luxardo, Pietro Donzelli, FedericoVender and others
Con una piccola Rondine, 1951
Book containing 42 gelatin silver prints. Milano, Ferrania, 1951. 8vo. Original illustrated
paper cover with 60 black and white plates. Mario Carafoli: three prints, pp. 7-9;
Vico DIncerti: four prints and one contact print, pp. 27-30; Sandro Da Re: four prints,
pp. 18-21; Pietro Donzelli: four prints, pp. 31-34; Giulio Galimberti: four prints, pp. 35-38;
Elio Luxardo: four prints, pp. 39-42; Gualberto Davolio Marani: five prints, pp. 22-26;
Mario Perotti: two prints, pp. 43-44; Federico Vender: six prints, pp. 51-56 and Vittorio
Villani: six prints, pp. 61-66.
Varying sizes from 23.5 x 17.6 cm. (91/4 x 67/8 in.) to 23.5 x 29.7 cm. (91/4 x 113/4 in.)
12,000-15,000
10,500-13,300
$16,300-20,500
95
ROME
281
Francesco Ferruccio Leiss (1892-1968)
Rio della Toletta, ca. 1940
pencil on the mount.
33.8 x 25.8 cm. (131/4 x 101/4 in.)
600-1,200
500-1,100
$800-1,700
281
282
Francesco Ferruccio Leiss (1892-1968)
Ricordo di una serata nebbiosa,
Novembre 1955, 1955
Gelatin silver print. Signed, titled
and dated in ink with credit stamp
on the verso.
22.9 x 16.8 cm. (9 x 65/8 in.)
800-1,600
282
96
700-1,500
$1,000-2,200
ROME
283
283
Giuseppe Cavalli (1904-1961)
Spiaggia, 1959
Gelatin silver print. Signed in ink in the
margin; credit stamp on the verso.
11.5 x 22 cm. (41/2 x 85/8 in.)
2,000-2,500
1,700-2,300
$2,700-3,500
Literature: Trincucci, Giuseppe Cavalli

(1904-1961), p. 70 (variant)
284
Giuseppe Cavalli (1904-1961)
Bottiglie, 1960
Gelatin silver print. Signed and dated in
23 x 17.2 cm. (91/8 x 63/4 in.)
2,000-2,500
1,700-2,300
$2,700-3,500
284
97
ROME
285
285
LuigiVeronesi (1908-1998)
Struttura, 1952
Gelatin silver print. Credit label and Gruppo Fotografico La
Bussola label on the verso.
39.2 x 28 cm. (153/8 x 11 in.)
3,000-4,000
2,600-3,600
$4,000-5,500
Literature: Gorlich, ed., Ezio Croci Foto annuario italiano 1958,

p. 65 (variant)
98
ROME
286
Fulvio Roiter (b. 1926)
Il Platano, 1949
Gelatin silver print. Signed in ink on the
verso.
39.8 x 29.8 cm. (153/4 x 113/4 in.)
600-800
500-800
$800-1,100
Literature: Zannier, Fotografia a Venezia

nel dopoguerra, da Ferruccio Leiss al
Circolo La Gondola, p. 55; Rosenblum
and Morello, Fulvio Roiter, pl. 3, p. 45
286
287
Mario De Biasi (b. 1923)
Cavallini, 1950
Gelatin silver print. Signed, titled
and dated in ink with credit stamp
on the verso.
30.3 x 40 cm. (117/8 x 153/4 in.)
1,000-1,500 800-1,400
$1,300-2,100
287
99
ROME
288
Paesaggio con barche, ca. 1940
24 x 17.8 cm. (93/8 x 7 in.)
400-600
300-600
$500-900
288
289
289
Bruno Stefani (1901-1976)
Il ritorno, Calabria, ca. 1940
23.4 x 17.8 cm. (91/4 x 7 in.)
600-800
500-800
$800-1,100
290
Pietro Donzelli (1915-1998)
Approdo di barche, ca. 1954
22.3 x 28 cm. (83/4 x 11 in.)
1,100-1,600
290
100
900-1,500
$1,400-2,200
ROME
291
Tazio Secchiaroli (1925-1998)
Untitled (skulls), 1953
24 x 18 cm. (93/8 x 71/8 in.)
300-500
200-500
$400-700
291
292
Federico Patellani (1911-1977)
Processione, ca. 1940
20.5 x 25.4cm. (81/8 x 10 in.)
300-500
200-500
$400-700
292
293
Enzo Sellerio (b. 1924)
Lettura del Processo Montesi, 1957
24.2 x 30 cm. (95/8 x 113/4 in.)
800-1,200
700-1,100
$1,000-1,700
293
101
ROME
294
Vitaliano Bassetti
La Bagnina, ca. 1950
Gelatin silver print. Signed and annotated in ink on the verso.
29.9 x 23 cm. (113/4 x 9 in.)
400-600
300-600
$500-900
294
295
295
Giulio Parmiani
Pudore, ca. 1940
Titled in ink with credit stamp
on the verso.
18 x 24 cm. (71/8 x 93/8 in.)
400-600
300-600
$500-900
296
Andr Kertsz (1894-1985)
Feeding the Ducks in the Late
Afternoon, Tisza Szalka, 1924
Credit blindstamp in the margin.
19.8 x 25 cm. (73/4 x 97/8 in.)
1,000-1,500
296
102
800-1,400
$1,300-2,100
ROME
297
297
Aleksandr Mikhailov Rodchenko (1891-1956)
Chauffeur, 1933
26.9 x 40 cm. (105/8 x 153/4 in.)
1,500-2,000
1,300-1,800
$2,000-2,800
298
Ferenc Aszmann (1907-1988)
Gangster, 1938
Gelatin silver print. Credited Aszmann in an unknown
hand in ink with New Zeland International
Photographic Salon label on the verso.
40.5 x 28.8 cm. (16 x 111/4 in.)
400-800
300-800
$500-1,100
298
103
ROME
299
300
299
Philippe Halsman (1906-1979)
Untitled (Red cross nurses), ca. 1940
the verso.
19 x 24.5 cm. (71/2 x 95/8 in.)
300-600
200-600
$400-900
300
Drahomir Josef Ruzicka (1870-1960)
Reading, ca. 1920
Gelatin silver print. Signed in pencil on
the recto.
23.2 x 29.5 cm. (91/8 x 115/8 in.)
500-700
400-700
$600-1,000
301
Mario Gabinio (1871-1938)
Laboratorio di pasticceria n.1, 1937
Bromoil print. Initialed in pencil on
the verso.
15.5 x 22.8 cm. (61/8 x 9 in.)
700-1,100
600-1,000
$900-1,500
Literature: Avigdor, Mario Gabinio

Fotografo, pl. 12, p. 52
301
104
ROME
302
Otto Dyar
Anna May Wong, Daughter of the Dragon,
1930
Gelatin silver print. Annotated in ink
23.5 x 18 cm. (91/4 x 71/8 in.)
300-600
200-600
$400-900
302
303
CarlVanVechten (1880-1964)
Anna Mae Wong, 1940
on the verso.
35.2 x 27.8 cm. (137/8 x 107/8 in.)
600-800
500-800
$800-1,100
303
105
ROME
304
Giulio Parmiani
La Gorgone, 1953
Gelatin silver print. Credited and annotated
Birmingham Photographic Society in an unknown
hand in ink on the verso.
40.3 x 30 cm. (157/8 x 113/4 in.)
600-800
500-800
$800-1,100
304
305
305
Elisabetta Catalano (b. 1941)
Ritratto, ca. 1970
24 x 18 cm. (93/8 x 71/8 in.)
300-600
200-600
$400-900
306
Grancel Fitz (1894-1963)
Doris Day, ca. 1940
21.8 x 21.8 cm. (85/8 x 85/8 in.)
300-600
306
106
200-600
$400-900
ROME
307
Mario Bonzuan (1904-1982)
Occhi a Burano, 1953
on the verso.
37.2 x 30.2 cm. (145/8 x 117/8 in.)
800-1,600
700-1,500
$1,000-2,200
Literature: Oliva, Fotografia Italiana 1955,

pl. 7 (variant); Croci, Foto Annuario
Italiano 1958, p. 65 (variant)
307
308
Pino Dal Gal (b. 1936)
Ritratto, ca. 1960
Gelatin silver print. Signed and
annotated in ink on the verso.
30.7 x 27.8 cm. (121/8 x 107/8 in.)
400-600
300-600
$500-900
308
107
ROME
309
310
309
Paolo Monti (1908-1982)
Cortile, ca. 1950
Gelatin silver print. Signed in pencil
38.9 x 29.6 cm. (151/4 x 115/8 in.)
600-800
108
500-800
$800-1,100
310
Rinaldo Prieri
Fantastic still life, ca. 1940
Gelatin silver print. Titled in ink
23.5 x 11.5 cm. (91/4 x 41/2 in.)
400-600
300-600
$500-900
ROME
311
FedericoVender (1901-1998)
Il Pescatore, ca. 1940
Gelatin silver print. Signed in ink on the
recto; credit stamp on the verso.
36.6 x 28.9 cm. (143/8 x 113/4 in.)
800-1,600
700-1,500
$1,000-2,200
Literature: Gruppo Editoriale Domus,

Fotografia, prima rassegna dellattivit
fotografica in Italia, , p. 34
311
312
Mario Bonzuan (1904-1982)
Disperazione, 1955
ink on the verso.
29.5 x 29.5 cm. (115/8 x 115/8 in.)
800-1,600
700-1,500
$1,000-2,200
312
109
ROME
313
Ansel Easton Adams (1902-1984)
Afternoon Sun, Crater Lake National Park,
1943
Initialed in pencil on the mount;
numbered 8/74 in ink with credit stamp
on the reverse of the mount.
23.4 x 18 cm. (91/4 x 71/8 in.)
3,000-4,000
2,600-3,600
$4,000-5,500
313
314
EdwardWeston (1886-1958)
Melting Ice, 1937
Gelatin silver print. Initialed and dated in
pencil on the mount.
24 x 19 cm. (93/8 x 71/2 cm.)
4,000-6,000
314
110
3,500-5,300
$5,400-8,200
ROME
315
315
Andreas Feininger (b. 1906)
9th Ave Elevated Structure in Harlem, 1940
Gelatin silver print. Titled and dated in ink with credit stamp on the verso.
35.5 x 27.5 cm. (14 x 103/4 in.)
3,000-4,000
2,600-3,600
$4,000-5,500
111
ROME
316
316
Berenice Abbott (1898-1991)
Hands of Cocteau, 1927
17.5 x 23.5 cm. (67/8 x 91/4 in.)
3,500-4,500
3,000-4,000
$4,700-6,200
317
FedericoVender (1901-1998)
Nudo, ca. 1940
on the verso.
25.4 x 20.2 cm. (10 x 8 in.)
2,500-3,000
2,200-2,700
$3,400-4,100
317
112
ROME
318
318
Holy Family, 1872
Albumen print.
33.7 x 27.8 cm. (131/4 x 107/8 in.)
7,000-9,000
6,100-8,000
$9,500-12,300
Literature: Olsen, From Life: Julia Margaret Cameron and Victorian Photography, n.p.;
Si tratta di uno scatto realizzato nello stesso momento dellesemplare conservato nelle collezioni fotografiche del Getty Museum di
Malib. Una variante della stessa composizione dedicata dalla Cameron a Gustave Dor, gi nella collezione Jammes, stata
venduta da Sothebys a Londra nel 1999 a 42.000.
Secondo Victoria Olsen la Cameron: Sarebbe stata interessata alla rappresentazione della Sacra Famiglia come metafora della
classe operaia, umile, gente contadina. Ha utilizzato la sua cameriera Mary Hillier per interpretare la Vergine Maria, e due ragazzini
locali nelle vesti di Giovanni Battista e Ges. Penso che fosse interessata a questa contraddizione tra lelevato e il mistero - tra il
pulito e lo sporco, il mortale e il divino, lordinario e lo straordinario.
A variant of this image is in the permanent collection ofThe J. Paul Getty Museum, California. A similar photograph with the same
composition dedicated from Cameron to Gustave Dor, from the Jammes Collection, was sold by Sothebys in London in 1999 for 42.000.
Quoting Victoria Olsen in From Life: Julia Margaret Cameron and Victorian Photography: Cameron would have been interested in
that notion of the holy family as working class, humble, peasant people. She used her maid Mary Hillier as Mary Madonna, and two
local children as John the Baptist and Jesus. I think she was interested in that contradiction between the high and the low
between the clean and the dirty, the mortal and the divine, the ordinary and the extraordinary.
113
ROME
319
319
Roi Pausole at Eden Rock, 1932
Gelatin silver print, printed ca. 1970. Signed in ink with credit
blindstamp in the margin.
29.5 x 39.5 cm. (115/8 x 155/8 in.)
1,100-1,600
114
900-1,500
$1,400-2,200
ROME
320
320
Man Ray (1890-1976)
Autoportrait la voiture, ca. 1930
7.8 x 5.4 cm. (31/8 x 21/8 in.)
600-800
500-800
$800-1,100
321
Man Ray (1890-1976)
Self portrait, ca. 1930
5.5 x 8 cm. (21/8 x 31/4 in.)
600-800
500-800
$800-1,100
321
115
ROME
322
Satiric Dancer, 1926
26.8 x 22 cm. (101/2 x 87/8 in.)
1,200-1,800
1,000-1,600
$1,600-2,500
322
323
Carlo Mollino (1905-1973)
Interno di casa Devalle, 1939-1940
28 x 23 cm. (11 x 91/8 in.)
1,300-1,700
323
116
1,100-1,500
$1,700-2,400
ROME
324
Distortion, 1933
19.5 x 27.8 cm. (73/4 x 107/8 in.)
1,000-1,500
800-1,400
$1,300-2,100
324
325
Lydia Cheng, 1987
Gelatin silver print. Signed, titled, dated and
numbered 5/10 in ink with copyright credit
reproduction limitation stamp on the verso.
57.5 x 47.5 cm. (225/8 x 183/4 in.)
2,000-4,000
1,700-3,600
$2,700-5,500
325
326
Distortion, 1933
20.5 x 25 cm. (8 x 97/8 in.)
1,000-1,500
800-1,400
$1,300-2,100
326
117
ROME
327
Un regard oblique, 1948
on the verso.
17.7 x 17.5 cm. (67/8 x 67/8 in.)
1,400-2,000
327
328
La Dernire Valse, 1949
verso.
21.1 x 17.8 cm. (81/4 x 7 in.)
1,200-2,000
1,000-1,800
$1,600-2,800
328
118
1,200-1,800
$1,900-2,800
ROME
329
Place Vendme, 1947
Gelatin silver print, printed ca. 1980. Credit stamp
on the verso.
24 x 17.7 cm. (93/8 x 7 in.)
800-1,000
700-900
$1,000-1,400
330
Boulevard Richard-Lenoir, Paris, ca. 1950
Gelatin silver print, printed ca. 1970. Signed in ink
on the mount.
29.5 x 20.5 cm. (115/8 x 81/8 in.)
900-1,100
700-1,000
$1,200-1,500
329
330
331
Jean-Loup Sieff (1933-2000)
Place du March, 1953
30.4 x 23.3 cm. (117/8 x 91/8 in.)
700-1,100
600-1,000
$900-1,500
331
119
ROME
332
Paris, ca. 1950
36.5 x 24 cm. (143/8 x 93/8 in.)
1,000-1,400
800-1,300
$1,300-2,000
332
333
Petite fille aux feuilles mortes, Paris, 1947
Rapho credit stamp on the verso.
21.8 x 15.6 cm. (85/8 x 61/8 in.)
800-1,000
333
120
700-900
$1,000-1,400
ROME
335
334
334
Gordes, 1949
21.4 x 17.2 cm. (83/8 x 63/4 in.)
700-900
600-800
$900-1,300
335
Port de Bonnevil sur la Marne, 1956
Signed in ink in the margin; credit stamp
on the verso.
25.5 x 34.3 cm. (10 x 131/2 in.)
900-1,100
700-1,000
$1,200-1,500
336
Rivire, 1950
Signed in ink in the margin.
20.5 x 30.8 cm. (81/8 x 121/8 in.)
900-1,100
700-1,000
$1,200-1,500
336
337
Place des Voges, Paris, 1979
Gelatin silver print. Signed, titled and dated in pencil on the verso.
35.5 x 23.5 cm. (14 x 91/4 in.)
1,000-1,400
800-1,300
$1,300-2,000
337
121
ROME
338
339
338
Stefano Bricarelli (1889-1989)
Villa Donegani (architetto Gi Ponti) a
Bordighera, 1938
verso.
23.5 x 17 cm. (91/4 x 63/4 in.)
300-500
200-500
$600-1,000
339
Mario Gabinio (1871-1938)
Prugne e uva, 1936
17 x 22.9 cm. (63/4 x 9 in.)
700-1,100
600-1,000
$900-1,500
340
France, 1955
Gelatin silver print, printed 1980. Signed
in ink in the margin; titled and dated in
25 x 27.5 cm. (97/8 x 103/4 in.)
1,000-1,400
340
122
800-1,300
$1,300-2,000
ROME
341
342
341
Marcel Bovis (1904-1996)
Le Pont Neuf, 1934
Gelatin silver print. Signed in ink with
18.3 x 17 cm. (71/4 x 61/8 in.)
600-800
500-800
$800-1,100
342
LHomme Orchestr, Paris, 1950
19.7 x 16 cm. (73/4 x 61/8 in.)
600-900
500-800
$800-1,300
343
Surimpression, ca. 1950
Signed in pencil on the verso.
26.5 x 20.8 cm. (103/8 x 81/4 in.)
600-800
500-800
$800-1,100
343
123
ROME
344
344
Alti forni a Liegi, ca. 1960
on the verso.
18.5 x 28 cm. (71/4 x 11 in.)
1,000-1,400
800-1,300
$1,300-2,000
345
Franois Kollar (1904-1979)
Pavillon du cinma sous la Tour Eiffel,
Paris, Exposition Universelle, 1937
on the verso.
25 x 21.3 cm. (97/8 x 81/2 in.)
600-800
345
124
500-800
$800-1,100
ROME
346
Alfredo Camisa (1927-2007)
Antiques, ca. 1950
Gelatin silver print. Credit label and stamp
on the verso.
29.7 x 23.3 cm. (113/4 x 91/4 in.)
2,000-2,400
1,700-2,200
$2,700-3,300
346
347
347
Ren Jacques (1908-2003)
La Fentre, 1950
Gelatin silver print, printed ca. 1970. Signed in ink
on the verso.
36 x 26 cm. (141/4 x 101/4 in.)
600-800
500-800
$800-1,100
348
Cesare Colombo (1935-1974)
Apprendista n.1, ca. 1970
29.8 x 40 cm. (113/4 x 153/4 in.)
300-400
200-400
$400-600
348
125
ROME
349
Maria Callas, ca. 1960
on the verso.
20 x 28 cm. (77/8 x 11 in.)
300-600
200-600
$400-900
350
Elio Luxardo (1908-1969)
Maria Callas, ca. 1950
verso.
23.7 x 17.8 cm. (93/8 x 7 in.)
500-600
400-600
$600-900
349
350
351
126
351
Untitled (Legs), ca. 1950
30.3 x 20 cm. (117/8 x 77/8 in.)
500-700
400-700
$600-1,000
ROME
352
Elio Luxardo (1908-1969)
Concorso Gusella Anni 40 e Girandole di
Fuoco (Laura Nucci), 1939
Two gelatin silver prints.
(153/8 x 113/8 in.) or the reverse
800-1,100
700-1,000
$1,000-1,500
Literature: Turroni, Luxardo:

litalica bellezza, pp. 58, 98; Motta, ed.,
Luxardo, p. 135
353
Tournesol, ca. 1960
verso.
30.2 x 23.8 cm. (117/8 x 91/4 in.)
600-800
500-800
$800-1,100
352
353
354
Franois Kollar (1904-1979)
Untitled (Photomontage), ca. 1930
27.8 x 21 cm. (107/8 x 81/4 in.)
600-800
500-800
$800-1,100
354
127
ROME
355
Sandro Da Re
Untitled (Nude and mirror), ca. 1940
24.3 x 19 cm. (95/8 x 71/2 in.)
600-800
500-800
$800-1,100
355
356
356
Pierre Boucher (1908-2000)
Photomontage surrealist, 1936
Gelatin silver print, printed 1991. Signed in ink in the margin;
24.8 x 20.5 cm. (93/4 x 81/8 in.)
500-700
400-700
$600-1,000
357
Alfred Cheney Johnston (1884-1971)
Nude, ca. 1930
33.3 x 24.5 cm. (131/8 x 95/8 in.)
400-800
357
128
300-800
$500-1,100
ROME
358
358
Graziella, 1968
Gelatin silver print. Signed and dated with dedication in ink
on the verso.
30 x 23 cm. (113/4 x 9 in.)
2,200-2,800
1,900-2,500
$2,900-3,900
129
ROME
359
359
Franco Grignani (b. 1908)
Untitled (portrait of a woman), 1955
Gelatin silver print. Signed and dated in pencil on the verso.
23 x 29.5 cm. (9 x 115/8 in.)
2,800-3,200
130
2,400-2,900
$3,800-4,400
ROME
360
Jean-Franois Jonvelle (1943-2002)
Nu au canap, ca. 1980
Gelatin silver print. Credit blindstamp in the margin.
25 x 37.4 cm. (97/8 x 143/4 in.)
500-800
400-800
$600-1,100
360
361
Lucien Clergue (b. 1934)
Nu dans leau, ca. 1960
Gelatin silver print. Signed in ink on the verso.
20.5 x 20 cm. (81/8 x 77/8 in.)
800-1,200
700-1,100
$1,000-1,700
361
362
Jean-Franois Jonvelle (1943-2002)
Cinq mannequins sur la plage, ca. 1980
Gelatin silver print. Credit blindstamp in
the margin.
25 x 37.4 cm. (97/8 x 143/4 in.)
500-800
400-800
$600-1,000
362
131
ROME
363
Louis Stettner (b. 1922)
Mexique, ca. 1954
Credit blindstamp in the margin; signed
and numbered 3/6 in pencil on the verso.
38 x 48.6 cm. (15 x 191/8 in.)
800-1,000
700-900
$1,000-1,400
363
364
Jan Saudek (b. 1935)
The Mother of Love, 1973
on the verso.
20.2 x 25 cm. (8 x 97/8 in.)
1,000-1,500
800-1,400
$1,300-2,100
364
365
Connie Imboden (b. 1953)
Nude, 1991
ink in the margin.
24 x 25 cm. (93/8 x 97/8 in.)
700-900
365
132
600-800
$900-1,300
ROME
366
Mia moglie, 1955
39.5 x 29.2 cm. (153/4 x 111/2 in.)
Literature: Alistair, Mario Giacomelli,
p. 407
900-1,200
700-1,100
$1,200-1,700
366
367
Nudi, 1956-60
on the verso.
39 x 28.5 cm. (153/8 x 111/4 in.)
2,000-3,000
1,700-2,700
$2,700-4,100
Literature: Enzo, Giacomelli. La forma

dentro. Fotografie 1952-1955, p. 51;
Enrica, ed., Mario Giacomelli. La
collezione della Citt di Lonato, p. 39;
Alistair, Mario Giacomelli, pl. 14, p. 414
367
133
ROME
368
Corine Day (b. 1965)
Kate at home, 1993
Digital inkjet print. Vogue credit stamp
on the verso.
26.7 x 19.7 cm. (101/2 x 73/4 in.)
500-800
400-800
$600-1,100
368
369
Richard Avedon (1923-2004)
Untitled (Model with leaves), ca. 1980
Digital inkjet print, printed ca. 1990.
25.2 x 20 cm. (97/8 x 77/8 in.)
600-800
369
134
500-800
$800-1,100
ROME
370
370
Helmut Newton (1920-2004)
Untitled (Model on the sea side), ca. 1990
Digital inkjet print. Credit stamp on the
verso.
19.5 x 27 cm. (73/4 x 105/8 in.)
700-1,300
600-1,200
$900-1,800
371
Irving Penn (1917-2009)
Mouth, New-York, 1992
Digital inkjet print. Credit stamp
on the verso.
24.7 x 20 cm. (93/4 x 77/8 in.)
800-1,400
700-1,300
$1,000-2,000
371
135
ROME
372
372
Erwin Blumenfeld (1897-1969)
Helena Rubistein, New York, 1948
Dye transefer print, printed 1982. Numbered 23/50 in ink with
Estate stamp on the verso.
32 x 24.5 cm. (125/8 x 95/8 in.)
3,000-4,000
2,600-3,600
$4,000-5,500
Provenance: Villa Grisenbach Berlin, 29 November 2001, lot 1025.
136
ROME
373
373
Pierluigi Praturlon (1924-1999)
Anita Ekberg and Marcello Mastroianni
La Dolce Vita, Fellini, 1960
18.2 x 23.8 cm. (71/4 x 93/8 in.)
400-600
300-600
$500-900
374
Frank Horvat (b. 1928)
Marcello Mastroianni and Deborah Dixon,
Harpers Bazaar, 1962
in ink in the margin; signed, titled, dated
and annotated in pencil on the verso.
29.5 x 20 cm. (115/8 x 77/8 in.)
1,200-1,600
374
1,000-1,500
$1,600-2,200
137
ROME
375
375
Simone & Marines, Pont Alexandre III, Paris, 1960
Gelatin silver print, printed ca. 1970. Signed, titled and dated in
60.7 x 50.4 cm. (237/8 x 193/4 in.)
2,500-3,000
138
2,200-2,700
$3,400-4,100
ROME
376
Seydou Keita (1921-2001)
Untitled (Family), n.d.
Gelatin silver print, printed 1988 by Yvone
Le Marlec. Credited in pencil with
printers stamp on the verso.
46 x 33.5 cm. (181/8 x 131/4 in.)
1,200-1,800
1,000-1,600
$1,600-2,500
376
377
Seydou Keita (1921-2001)
Untitled (Serenade), n.d.
Yvone Le Marlec. Credited in pencil
with printers stamp on the verso.
46 x 32.5 cm. (181/8 x 123/4 in.)
1,200-1,800
1,000-1,600
$1,600-2,500
377
139
NEW YORK

London: 6.00 p.m. | Rome: 7.00 p.m.
Sale No. 40048

Specialist
Hannah Hayden, International Head of Photographs
hhayden@bloomsburyauctions.com
Department
Eric Winkler, Cataloger / Administrator
ewinkler@bloomsburyauctions.com
Exhibition
Friday 14th May 2010
10.00 a.m. - 5.00 p.m.
Saturday 15th May 2010
10.00 a.m. - 5.00 p.m.
12.00 p.m. - 5.00 p.m.
10.00 a.m. - 5.00 p.m.
10.00 a.m. - 5.00 p.m.
Day of sale from 9.00 a.m.
Bloomsbury Auctions
6 West 48th Street
New York, NY 10036
Tel: +1 212 719 1000
Fax: +1 212 719 1400
newyork@bloomsburyauctions.com
NEW YORK
400
401
400
Mondrians Glasses and Pipe, 1926
Signed and dated in pencil on the verso.
73/4 x 9 5/8 in. (19.7 x 24.4 cm.)
$5,000-7,000
3,200-4,600
3,600-5,200
Literature: Drucot, ed., 60 Years of Photography 1912-1972, p. 116
401
Chairs of Paris, 1927
Copyright estate stamp on the verso.
75/8 x 93/4 in. (19.3 x 24.6 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Provenance: Bruce Silverstein Gallery, New York

Literature: Drucot, ed., 60 Years of Photography 1912-1972, p.114
141
NEW YORK
402
Pays Basque, 1931
Signed and dated in pencil on the verso.
73/4 x 95/8 in. (19.5 x 24.5 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
402
403
Place Maubert, Paris, 1952
135/8 x 91/4 in. (34.3 x 23.5 cm.)
$2,500-3,500
1,600-2,300
1,800-2,600
Provenance: Swann Auction Galleries

New York, 26 May 2005, lot 525
403
142
NEW YORK
404
Mother and Infant, 1947
Signed, titled and dated in pencil on the
mat overlay; signed, titled, dated and
annotated in pencil on the verso.
135/8 x 9 in. (34.7 x 23 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700

New York
405
Jewish Refugees from Iraq, Lydda Airport,
Tel Aviv, Israel, 1951
Signed, titled and dated in ink in the
margin; signed, titled and dated in
93/4 x 13 in. (24.9 x 33 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500

New York
404
405
143
NEW YORK
406
Nickolas Muray (1895-1965)
Frida with Granizo, ca. 1939
Platinum palladium print, printed 1994 by
Sal Lopes, authorized by the Estate of
Nickolas Muray. Credited, titled, dated,
numbered 2/30 and annotated by the
photographers daughter, Mimi Muray, in
pencil on the verso. This work is from an
edition of 30 plus 5 artist proofs.
Accompanied by Estate colophon titled
and numbered in ink.
11 x 101/2 in. (30.6 x 26.7 cm.)
$5,000-7,000
3,200-4,600
3,600-5,200
Provenance: John Stevenson Gallery,

New York, December 2002
406
407
Nickolas Muray (1895-1965)
Frida Icon, ca. 1939
Platinum palladium print, printed 1994 by
Sal Lopes, authorized by the Estate of
Nickolas Muray. Credited, titled, dated,
numbered 1/30 and annotated by the
photographers daughter, Mimi Muray, in
pencil on the verso. This work is from an
Accompanied by Estate colophon titled
and numbered in ink.
12 x 101/2 in. (30.6 x 26.7 cm.)
$5,000-7,000
3,200-4,600
3,600-5,200
Provenance: John Stevenson Gallery,

New York, December 2002
407
144
NEW YORK
408
408
Harry Callahan (1912-1999)
Chicago, 1961
Gelatin silver print, printed late. Signed, titled and dated in ink with
reproduction notations in an unknown hand in pencil on the verso.
95/8 x 63/8 in. (24.4 x 16.1 cm.)
$6,000-8,000
3,800-5,200
4,400-5,900
Provenance: Light Gallery, New York

Literature: Museum of Modern Art, Harry Callahan, p. 46; Greenough, Harry Callahan, p. 125;
Galassi, Walker Evans & Company, p. 132
This work was most likely sent to Creative Camera for publication, which began publishing in 1968,
and was then returned to Light Gallery.
145
NEW YORK
Property from a Southern California museum

409
Various Artists
In Chicago
Chicago: The Art Institute of Chicago, 1983.
10 (of 12) matted gelatin silver prints with
colophon. Each print signed in pencil on the
verso unless otherwise noted. Numbered
11/75 in ink on the colophon. Contained in a
linen clamshell folio with gilt lettered paper
label affixed to the cover.
Folio: 23 x 181/2 in. (58.4 x 47 cm.)
Each image approximately 9.5 x 10 in.
(24.1 x 25.4 cm.) or the reverse
$7,000-9,000
4,500-5,900
5,100-6,700
The titles include: Harry Callahan, State

Street, Chicago, 1959, signed in pencil in the
margin; Harold Allen, Subway Platform,
1969; Yasuhiro Ishimoto, Chicago, 1962,
signed in pencil in the margin; Nathan
Lerner, Roundhouse, Chicago, 1935, signed,
titled and dated in pencil on the verso; Luis
Medina, View from 1000 Lake Shore Drive,
1974; Richard Nickel, Carson, Pirie, Scott
and Co., ca. 1955, credit stamp on the verso;
David Plowden, Railroad Yards, South
Chicago, 1966; Aaron Siskind, Walker
Warehouse, 1953; John Szarkowski, Garrick
Theatre, 1955; Bob Thall, Chicago, 1979.
409
146
NEW YORK
410

410
Women are better than men. Not only have they
survived, they do prevail
New York: D.E.P Editions, 1982. 14 (of 15) matted
gelatin silver prints. Each print signed in pencil on
the verso. Contained in a cloth clamshell folio with
gray printed lettering. This work is from an edition
of 75.
Folio: 163/4 x 213/8 in. (42.5 x 54.2 cm.)
Each image: 87/8 x 13 in. (22.5 x 33 cm.)
$7,000-9,000
4,500-5,900
5,100-6,700
147
NEW YORK
411
Bill Owens (b. 1938)
Pantry, 1972
Signed, dated and numbered in pencil
with copyright credit stamp on the verso.
This work is number 5 from an edition of
15 plus 3 artist proofs.
133/8 x 10 1/8 in. (34 x 25.6 cm.)
$1,500-2,500
900-1,700
1,100-1,900
Provenance: Private Collection,

New York
Literature: Suburbia, pl. 61
411
412
7-Up, New York, 1954
Titled and dated in pencil with credit
stamp on the verso.
145/8 x 103/8 in. (37.2 x 26.4 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700

New York
Literature: New York, pl. 167
412
148
NEW YORK
413
414
413
Danny Lyon (b. 1942)
Ronnie and Cheri, La Porte, Indiana, 1962
Gelatin silver print. Signed and titled in pencil and annotated
in an unknown hand in ink with Bleak Beauty printers credit
stamp initialed and dated in pencil on the reverse of the
original exhibition mount.
57/8 x 87/8 in. (15.1 x 22.5 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Provenance: Private Collection, New York
414
Danny Lyon (b. 1942)
Outlaw Women, Starved Rock, Illinois, 1966
Gelatin silver print. Signed and titled in pencil with Bleak
Beauty printers credit stamp initialed and dated in pencil
on the reverse of the original exhibition mount.
61/4 x 93/8 in. (15.9 x 23.7 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700

Literature: The Bikeriders, p. 36
Literature: The Bikeriders, p.10

149
NEW YORK
415
416
415
Emmet Gowin (b. 1941)
Edith, Danville, Virginia, 1969
Gelatin silver print, printed later. Signed, titled and dated in
51/2 x 61/2 in. (14.4 x 16.5 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Provenance: Light Gallery, New York
150
416
Ralph Gibson (b. 1939)
Untitled (Female with sculpture), 1974
Gelatin silver print. Signed and dated in pencil on the verso.
81/8 x 121/4 in. (20.7 x 31.4 cm.)
$1,000-1,500
600-1,000
700-1,200
NEW YORK
417
417
Imogen Cunningham (1883-1976)
Nude, 1932
Gelatin silver print, printed ca. 1960. Signed and inscribed in ink
with typed title and date on the artists Green Street label
affixed to the reverse of the mount.
67/8 x 87/8 in. (17.4 x 22.6 cm.)
$15,000-20,000
9,700-13,000
11,000-14,700
Provenance: gift from the artist to Herbert Matter, 1961

Literature: Lorenz, Photographs, p. 22; Man, On the Body, pl. 84
151
NEW YORK
418
418
EdwardWeston (1886-1958) and ColeWeston (1919-2003)
Nude on Sand, Oceano, 1936
Gelatin silver print, printed 1972 by Cole Weston.
Signed, titled and dated by the printer in pencil with
Edward Weston credit stamp on the reverse of the mount.
71/2 x 91/2 in. (19 x 24.1 cm.)
$5,000-7,000
3,200-4,600
3,600-5,200
Provenance: Swann Auction Galleries New York,

5 April 2001, lot 440
Literature: Conger, Edward Weston: Photographs from the
Collection of the Center of Creative Photography, n.p.
152
NEW YORK
419
420
419
Wynn Bullock (1902-1975)
Mendocino, California, 1968
Gelatin silver print. Signed, titled and dated in pencil on the verso.
71/2 x 91/2 in. (19.1 x 24 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
420
Lucien Clergue (b. 1934)
Untitled (Nudes), ca. 1960
Four gelatin silver prints, printed 1982-1983. Three signed in ink
in the margin; each signed and dated in pencil with copyright
Each approximately 141/4 x 101/4 in. (30.5 x 26 cm.) or the reverse
$3,000-5,000
1,900-3,300
2,200-3,700
153
NEW YORK
421
421
Iceberg between Paulet Islands and the South Shetland Islands,
Antarctica from Genesis, 2005
Gelatin silver print. Credit blindstamp in the margin;
signed, titled and dated in pencil on the verso.
143/4 x 201/4 in. (37.3 x 51.3 cm.)
$6,000-8,000
154
3,800-5,200
4,400-5,900
NEW YORK
422
422
AlbertWatson (b. 1942)
Twelve Portfolio, 1977
12 gelatin silver prints with colophon. Each signed, dated
and numbered 6/12 in pencil on the verso. Contained in the
original glossy cardboard box with black and white title plate
flush-mounted to lid.
Box: 181/2 x 121/2 in. (47 x 31.5 cm.)
Print: 12 x 10 in. (30.5 x 25.5 cm.)
$8,000-12,000
5,100-7,800
5,800-8,900
Provenance: Phillips de Pury & Company New York,

19 October 2006, lot 178
155
NEW YORK
423
423
Annie Leibovitz (b. 1949)
Kate Winslet, New York, 1998
and numbered 6/40 in ink in the margin.
133/8 x 193/4 in. (34.2 x 50.3 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500
Provenance: James Danzinger Gallery,

New York
424
Annie Leibovitz (b. 1949)
Michael Jordan, New York, 1991
and numbered 5/40 in ink in the margin.
143/8 x 115/8 in. (36.5 x 29.5 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500
424
156
NEW YORK
425
425
Weng Fen (b. 1961)
Birds Eye View, Shanghai, 2005
Chromogenic print. Signed, dated and numbered 2/10
311/2 x 391/2 in. (80 x 100 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500
157
NEW YORK
426
426
Marilyn Minter (b. 1948)
Mardi Gras, 2007
Chromogenic print. Signed in ink on gallery label affixed to the
reverse of the frame. This work is number 2 from an edition of
5 with 2 artist proofs.
40 x 60 in. (101.6 x 152.4 cm.)
$15,000-20,000
9,700-13,000
11,000-14,700
Provenance: Salon 97, New York
158
NEW YORK
427
428
427
David Drebin (b. 1970)
Gold City, 2006
Chromogenic print. Signed in ink on label affixed to the reverse
of the frame. This work is number 1 from an edition of 10.
30 x 40 in. (76.2 x 101.6 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
428
David Drebin (b. 1970)
Trisha by the Pool, 2003
Chromogenic print flush-mounted on Sintra. Signed in ink on
label affixed to the reverse of the mount. This work is number
1 from an edition of 10.
30 x 40 in. (76.2 x 101.6 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
159
NEW YORK
429
429
Guido Argentini (b. 1966)
Thea Through a Blue Door, 2008
Chromogenic print, printed 2010.
Signed, dated and numbered 1/3
58 x 691/2 in. (147.3 x 176.5 cm.)
$6,000-8,000
3,800-5,200
4,400-5,900

New York
430
Brian McKee (b. 1977)
Uzbekistan #5, 2003
Chromogenic print flush-mounted on
aluminium. Signed, dated and numbered
1/5 in ink on a label affixed to the reverse
of the mount.
491/2 x 631/2 in. (125.7 x 161.2 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500

New York
160
430
NEW YORK
431
Kim Joon (b. 1966)
Duet W, 2007
Chromogenic print. Signed, titled and
numbered 26/30 in ink on the label.
271/2 x 193/4 in. (69.8 x 50.2 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
431
432
Alec Soth (b. 1969)
Hotel, Dallas City, Illinois, 2002
Dibond, printed 2006. Signed and
numbered 7/10 in ink on label affixed
to the reverse of the mount.
40 x 32 in. (101.5 x 81 cm)
$4,000-6,000
2,500-3,900
2,900-4,500
Literature: Sleeping by the Mississippi, n.p.

432
161
NEW YORK
433
Richard Misrach (b. 1949)
Windsurfer, Pyramid Lake Indian
Reservation, 1989
Chromogenic print, printed 1995.
Signed, titled, dated and numbered 3/10
30 x 40 in. (76.2 x 101.6 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500
Provenance: Ehlers Caudill Gallery LTD.,

Chicago
434
MassimoVitali (b. 1944)
Bari, 2003
Dibond and face-mounted to Plexiglas.
in ink on label affixed to the reverse of
the mount.
253/8 x 331/4 in. (64.5 x 84.5 cm.)
$7,000-9,000
433
434
162
2,500-3,900
2,900-4,500
NEW YORK
435
Anthony Goicolea (b. 1971)
Snowscape with Owls, 2003
aluminum. This work is number 14 from
an edition of 30 and is accompanied by
a certificate of authenticity.
295/8 x 295/8 in. (75.2 x 75.2 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700

New York
Literature: Anthony Goicolea, p. 122
435

436
JohnWawrzonek (b. 1941)
Textures Portfolio, ca. 1988
10 dye transfer prints flush-mounted to
board. Each print signed, titled and
numbered 66/100 in pencil on the mount;
titled and numbered in pencil with credit
stamp on the reverse of the mount.
Contained in a linen clamshell folio, cover
debossed in gilt.
Folio: 321/2 x 281/4 in. (82.5 x 71.8 cm.)
Print: 18 x 231/2 in. (45.7 x 59.7 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
The titles include: Wind, Water and Grass;

Wild Leaf and Flowers; Cliff with Flowers;
Blueberries; Red Flourishes on Gray
Branches; Crimson Companions;
Leaves and Light on Black Water;
Summer Morning; Vintage Textures;
Lichen with Cranberry Leaves.
436
163
NEW YORK
437
MichaelWolf (b. 1954)
tc39 from The Transparent City, 2007
Chromogenic print. Signed, titled and
numbered 6/25 with dated copyright in
ink on the verso; contained in original
gray paper envelope. This work is from
an edition of 25 plus 5 artist proofs.
197/8 x 25 in. (50.6 x 63.5 cm.)
$1,500-2,500
900-1,700
1,100-1,900
Accompanied by The Transparent City.

New York: Aperture, 2008. 112 pages, 60
color plates. Signed in ink on the title page.
437
Literature: TheTransparent City, pp. 28-29
438
Michal Chelbin (b. 1974)
Alicia in a Golden Dress, Ukraine, 2005
and numbered 6/30 in ink on the verso;
contained in original red paper envelope.
11 x 11 in. (28 x 28 cm.)
$1,000-1,500
600-1,000
1,100-1,900
Accompanied by Strangely Familiar:

Acrobats, Athletes, and OtherTraveling
Troupes. NewYork: Aperture, 2008. 112
pages, 55 black and white and color plates.
Signed and dated in ink on the title page.
Literature: Strangely Familiar, p. 97
438
164
NEW YORK
439
439
Cecil Beaton (1904-1980)
Charles James Dresses, Vogue, 1948
Cibachrome print, printed 1998. Titled, dated and annotated in
an unknown hand in pencil in the Beaton/Sothebys copyright
reproduction limitation stamp on the verso.
181/2 x 231/2 in. (47 x 59.7 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Literature: Mellor, Cecil Beaton, p. 76
165
NEW YORK
440
440
Dorian Leigh, Schiaparelli Rhinestones, Pre-Catalan, Paris,
August, 1949
Gelatin silver print, from Avedon/Paris, printed 1978. Signed
and numbered 28/75 in pencil with title and copyright credit
reproduction limitation stamps on the verso.
141/4 x 18 in. (36.5 x 47.7 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500
Published on the occasion of Richard Avedons retrospective

exhibition at the Metropolitan Museum of Art, New York,
September 3 - November 5, 1978.
166
NEW YORK
441
Clarence Sinclair Bull (1896-1979)
Greta Garbo from Inspiration, 1930;
from Queen Christina, 1933
Two gelatin silver prints. Inspiration: credit
blindstamp in the margin; MGM credit and
title stamps on the verso. Queen Christina:
credit blindstamp on the recto; titled in
pencil with MGM credit stamp on the verso.
Each approximately 121/2 x 93/8 in.
(31.7 x 23.8 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
441
442
LaszloWillinger (1909-1989)
Lana Turner, 1939
Gelatin silver print. Titled in pencil in an
unknown hand with credit stamp and
Edward Weston Collection copyright
reproduction limitation stamp on the
143/8 x 173/4 in. (36.5 x 45.2 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300

442
167
NEW YORK
443
George Barris (b. 1922)
Marilyn Monroe, 1962
Signed in ink on the recto; numbered
A.P. 1/2 in ink with copyright credit stamp
on the verso.
15 x 19 in. (38x 48.2 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
443
444
Marilyn Monroe, Malibu, 1962
Gelatin silver print, printed 1987. Signed in ink on the recto;
numbered A.P. 1/2 in ink with copyright credit stamp on the verso.
19 x 15 in. (48.2 x 38 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
444
445
Selected images of Marilyn Monroe, 1962
Four gelatin silver prints, printed 1987. Each signed in ink on
the recto; numbered 62/99 in pencil with copyright credit
stamp on the verso.
Each approximately 13 x 10 1/8 in. (33 x 25.6 cm.) or the reverse
$2,000-3,000
1,200-2,000
1,400-2,300

445
168
NEW YORK
446
Bert Stern (b. 1930)
Marilyn Monroe, Vogue, 1962
Inkjet print, printed 1994. Signed, titled
and dated in crayon on the recto; signed
and dated in crayon and numbered 500
in pencil with copyright credit stamp on
the verso.
225/8 x 193/4 in. (57.4 x 50.3 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500

the artist
446
447
Eve Arnold (b. 1913)
Marilyn, 1956
Numbered 99/99 in an unknown hand in
pencil on the verso; signed in pencil and
numbered in an unknown hand in pencil
on gallery label. This work is from an
12 x 17 in. (30.5 x 43.2 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
Provenance: Halcyon Fine Art, London

This image was taken at the Waldorf
Astoria Ballroom in New York City
where Marilyn Monroe and Laurence
Olivier were holding a press conference
for the upcoming film The Prince and
the Showgirl.
447
169
NEW YORK
448
Nobuyoshi Araki (b. 1940)
Untitled No. 174 from Personal
Sentimentalism in Photography, n.d.
in Japanese characters and annotated in
pencil with Taka Ishii Gallery credit and
print date stamp on the verso.
125/8 x 101/4 in. (32.2 x 26.6 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
Provenance: Taka Ishii Gallery, Tokyo

Literature: Personal Sentimentalism in
Photography, n.p.
448
449
Ruth Bernhard (1905-2006)
Skull and Rosary, 1945
Gelatin silver print, printed later. Signed
in pencil on the mount; signed, titled and
dated in pencil with copyright credit
stamp on the reverse of the mount.
131/2 x 93/4 in. (34.3 x 24.8 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Provenance: G. Gibson Gallery, Seattle

449
170
NEW YORK
450
450
South Africa, 1966
Gelatin silver print. Titled and annotated in pencil in an
unknown hand with copyright credit and Magnum credit
stamps on the verso.
61/4 x 91/2 in. (16 x 24.1 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
Provenance: Victoria Haas collection, New York
171
NEW YORK
451
Roger Ballen (b. 1950)
Show-off, 2000
141/4 x 141/4 in. (36.2 x 36.2 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
451
452
Hollywood, 1956
Signed in ink in the margin; signed, titled
and dated in pencil on the verso.
12 x 8 in. (30.6 x 20.3 cm.)
$1,500-2,500
900-1,700
1,100-1,500
Literature: Personal Exposure, p.163

452
172
NEW YORK
453
Tahiti, 1980
Signed in ink in the margin; signed, titled
and dated in pencil on the verso.
12 x 8 in. (30.6 x 20.3 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
Literature: Personal Exposure, p.124
453
454
Imogen Cunningham (1883-1976)
Self-portrait with Grandchildren in the
Funhouse, ca. 1955
Gelatin silver print, printed later. This
work is authenticated by Rondal
Partridge in a signed letter from the
Imogen Cunningham Trust.
95/8 x 75/8 in. (24.5 x 19.3 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Provenance: G. Gibson Gallery, Seattle

454
173
NEW YORK
455
456
455
Harold Edgerton (1903-1990)
Tennis Player in Motion, 1939 and Tennis Forehand,
Jenny Tuckey, ca. 1935
Two gelatin silver prints, printed later.Tennis Player;
signed and numbered 23/60 in pencil on the verso.
Tennis Forehand; signed in ink on the verso.
Each approximately 9 x 127/8 in. (24.5 x 32.6 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Provenance: Phillips De Pury & Luxembourg, 16 October 2003,

lot 135
174
456
Philippe Halsman (1906-1979)
Rhinoceros, Light Sculpture, 1950
Gelatin silver print, printed later. Signed, titled and dated in
pencil with copyright credit stamp on the verso.
123/4 x 10 in. (32.4 x 25.5 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
NEW YORK
Property from the Suzanne and Hugh Johnston

Weegee Collection
457
Weegee (1899-1968)
Projector Beam, 1956
Ferrotyped gelatin silver print. Collection credit stamp
on the verso.
105/8 x 135/8 in. (27 x 34.6 cm)
$3,000-5,000
1,900-3,300
2,200-3,700

Literature: Weegees People, n.p. (variant)
This is the most spectacular of the several versions of
the movie theatre beam that the Johnstons
commisioned from Weegee in 1956. With the beam
looking as if it is being poured from the projector booth,
Weegee seems to literally slow the speed of light in this
image. The unaltered version of this unique image was
featured in Weegees People.
457
458
459
Property from the Suzanne and Hugh Johnston Weegee Collection
Property from the Suzanne and Hugh Johnston Weegee Collection
458
Weegee (1899-1968)
Abstract Study, Forward Motion, ca. 1955
Gelatin silver print. Collection credit stamp on the verso.
93/8 x 75/8 in. (23.8 x 19.2 cm.)
459
Weegee (1899-1968)
Pisa, Distortion, 1957
Gelatin silver print. Collection credit stamp on the verso.
10 x 8 1/8 in. (25.3 x 20.6 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
$2,000-3,000
1,200-2,000
1,400-2,300
This image pays tribute to simple geometry with a mosaic of

repetative squares and circles. The eye dances around the
image, never quite able to avoid a twist or turn in the pattern or
hold onto a single shape.
Weegee said he wanted this imaginative treatment of the

well known Italian monument to be as unique as the original
architectural icon.
175
NEW YORK
460
New Mexico, 1952
Signed, titled, dated, numbered 1/30 and
annotated in pencil by Alexander Haas
with fascimile signature copyright credit
stamp on the verso.
167/8 x 115/8 in. (43 x 29.5 cm.)
$1,000-1,500
600-1,000
700-1,200
Provenance: Victoria Haas collection,

New York
460
461
Poland, 1961
Signed, titled, dated, numbered 4/30 and
annotated in pencil by Alexander Haas
with fascimile signature copyright credit
stamp on the verso.
177/8 x 12 in. (45.4 x 30.3 cm.)
$1,000-1,500
600-1,000
700-1,200
Provenance: Victoria Haas collection,

New York
461
176
NEW YORK
462
462
Alfred Eisenstaedt (1898-1995)
Central Park After a Snowstorm, NYC, 1959
Gelatin silver print, printed 1993. Signed and numbered 77/250
in ink in the margin; credited, titled, dated and annotated with
Time, Inc. copyright in an unknown hand in pencil on the verso.
211/2 x 141/4 in. (54.5 x 36.1 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Provenance: Circle Gallery, New York
177
NEW YORK
463
Yevgeni Khaldei (1917-1997)
Raising the Flag on the Roof of the
Reichstag, 1945
Two gelatin silver prints, printed ca. 1980.
Each signed in pencil with copyright
113/8 x 73/4 in. (28.8 x 19.6 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
464
Dmitri Baltermants (1912-1990)
Behind Enemy Lines, ca. 1941
Credit stamp in Cyrillic on the verso.
61/2 x 111/2 in. (16.4 x 29.3 cm.)
$2,000-3,000
463
464
178
1,200-2,000
1,400-2,300
NEW YORK
465
Arthur Rothstein (1915-1985)
Dust storm, Cimmaron County,
Oklahoma, 1936
Credited, titled and dated in an
unknown hand in pencil on the reverse
of the mount.
75/8 x 71/2 in. (19.5 x 18.9 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
466
Eugene Harris
Peruvian Flute Player, ca. 1955
11 x 137/8 in. (28 x 35.2 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Provenance: Kelmscott Gallery, Chicago

Literature: The Museum of Modern Art,
The Family of Man, cover
465
466
179
NEW YORK
Property from the Vermont Centre

for Photography
467
Rebecca Lepkoff (b. 1916)
Selected images near Jamaica, Vermont,
1950-1953
Three gelatin silver prints. Scott Nearing
Place: signed and titled in pencil in the
margin; signed, titled and dated 1950 in
pencil on the verso. Ma Smith, Jamaica,
VT: signed, titled and dated 1950 in
pencil on the mat overlay and on the
print verso. Clyde Smith- Logging:
signed and titled in pencil on the mount;
signed, titled and dated 1952-53 in pencil
on the reverse of the mount.
Each approximately 71/2 x 8 in.
(19 x 20.5 cm.) or the reverse
$3,000-5,000
1,900-3,300
2,200-3,700

the artist
After buying a summer home near
Jamaica, Vermont, Lepkoff started
documenting the lives of a community
that was dedicated to the ideas of
pacifism and self-sufficiency.
467
468
Margaret Bourke-White (1904-1971)
Untitled (Caterpillars on a Leaf), ca. 1934
131/2 x 10 in. (34.1 x 25.6 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
One summer I raised two hundred caterpillars

under rows of overturned glasses on the dining
room windowsill, brought each its favorite fresh
leaf diet daily, hoping some would complete
their dramatic life cycle and emerge as moths
and butterflies.
Margaret Bourke-White, Portrait of Myself, p. 13
468
180
NEW YORK
469
469
North Carolina, 1958
Gelatin silver print, printed later. Signed
in ink in the margin; annotated in an
unknown hand in pencil on the verso.
8 x 12 in. (20.2 x 30.5 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
Literature: Personal Exposures, p. 73;

Metzker; City Stills, pl. 33
470
Caf de Flore, 1948
Gelatin silver print. Titled and dated in
an unknown hand in ink with credit
stamp, Rapho agency stamp and various
editorial stamps and annotations on
the verso.
81/4 x 7 1/8 in. (20.7 x 18.2 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
470
181
NEW YORK
471
William Wegman (b. 1943)
Credenza, ca. 1995
Gelatin silver print with watercolor.
Signed, titled and dated 1991-1996
in pencil on the verso.This work is unique.
8 x 8 in. (20.3 x 20.3 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
Provenance: Greg Kucera Gallery, Seattle
471
472
Malick Sidib (b. 1935)
Les Amoureux de Disques, 1964
Signed, titled and dated in ink in
the margin.
97/8 x 61/2 in. (24.6 x 16.5 cm.)
$2,000-3,000
1,200-2,000
1,400-2,300
472
182
NEW YORK
473
473
Michel Comte (b. 1954)
Miles Davis, 1991
Gold selenium toned gelatin silver print. Signed, titled, dated
and inscribed in ink with credit stamp on the verso.
151/2 x 151/2 in. (39.6 x 39.6 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500
Provenance: gift from the artist to the present owner

Variations of this sitting, which took place at Miles Davis home,
were exhibited at Michel Comtes recent retrospective at the
Museum of Design in Zurich from 30 August 2009 - 3 January 2010.
183
NEW YORK
474
Anne Brigman (1869-1950)
Sanctuary, 1921
pencil on the mount; titled in ink on the
91/2 x 71/2 in. (24.2 x 19 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500
Literature: A Poetic Vision: The

Photographs of Anne Brigman, p. 53
474
475
Edward S. Curtis (1868-1952)
Homeward, ca. 1913
Orotone in the original studio frame.
Signed in the negative with the
original Curtis studio label on the
reverse of the frame.
Framed: 101/4 x 121/4 in. (26.1 x 31.2 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500
Provenance: The Rainbow Man,

Sante Fe
475
184
NEW YORK
476
476
Alethea, 1872
Albumen print on original thin card mount with gilt-ruling.
Signed, titled, dated and annotated From Life Registered
Photograph Copyright Julia Margaret Cameron in brown ink
with Colnaghi blindstamp on the mount.
125/8 x 9 3/ 8 in. (32.2 x 23.6 cm.)
$5,000-7,000
3,200-4,600
3,600-5,200
Provenance: Sothebys New York, 7 October 1998, lot 4

Literature: Julia Margaret Cameron: The Complete Works, p. 231
The sitter is Alice Liddell, who as a child was the inspiration for
Lewis Carrolls Alices Adventures in Wonderland.
185
NEW YORK
PHOTOBOOKS
477
Cecilia Bull Hunter and Caroline Ogden
Childhood
New York:Thomas Y. Crowell, 1912.Text by Burges Johnson.
21 tipped-in photogravure plates. 4to. Tan cloth boards,
stamped in gilt, with photogravure plate flush-mounted to
the cover.
FIRST EDITION.
113/4 x 93/4 in. (29.8 x 24.7 cm.)
$600-800 300-600
400-600
477
478
Nell Dorr (1895-1988)
Mother and Child
New York: Harper & Row, 1954. 63 black and white plates. 4to.
Photo-pictorial paper wrapped boards over red cloth, spine
stamped in silver. Four page leaflet tipped to the verso of
the free-front end paper; Foundation note tipped to page
opposite title.
FIRST EDITION.
83/8 x 7 in. (21.2 x 17.8 cm.)
$500-700 300-500
300-600
478
479
In the American West
New York: Harry N. Abrams Inc., 1985. 113 black and white plates.
Folio. Tan cloth boards, debossed in black with flush-mounted black
and white plates to covers, in clear acetate dust jacket.
FIRST EDITION. SIGNED IN YEAR OF PUBLICATION ON FRONT-FREE END PAPER.
14 x 11 in. (35.6 x 27.9 cm.)
$600-800 300-600
400-600
Literature: Parr and Badger, The Photobook: A History II, p. 38
479
186
NEW YORK
480
Women are Beautiful
New York: Light Gallery, 1975. 84 black and white
plates. 4to. Gray cloth boards stamped in silver,
in photo-pictorial dust jacket.
FIRST EDITION. SIGNED ON THE HALF-TITLE PAGE.
81/4 x 91/4 in. (21 x 23.5 cm.)
$1,000-1,500
600-1,000
700-1,200
Literature: Roth, ed., The Open Book, pp. 306-307
480
481
481
Yasuhiro Ishimoto (b. 1921)
Chicago, Chicago
Tokyo: Bijutsu Shuppan-sha, 1969. Foreword by Harry Callahan, text by Shuzo Takiguchi.
208 black and white plates. Large square 4to. Black cloth boards, spine and cover
debossed in silver; contained in photo-pictorial slipcase.
FIRST EDITION. SIGNED ON THE TITLE PAGE.
11 x 11 in. (27.5 x 27.5 cm.)
$1,500-2,500
900-1,700
1,100-1,900
Literature: Parr and Badger, The Photobook: A History I, p. 289
187
NEW YORK
482
Jun Morinaga (b. 1937)
River, its shadow of shadows
Tokyo: Yugensha, 1978. 89 black and
white plates with several gatefolds. 4to.
Gray cloth boards, stamped in white on
cover and spine; contained in
photo-pictorial slipcase with original
cardboard packaging.
FIRST EDITION.
12 x 103/4 in. (30.5 x 27.3 cm.)
$800-1,200
500-800
500-900
482
Property from a Private Collection

483
Daido Moriyama (b. 1938)
Inu No Toki (Time of the Dog)
Tokyo: Sakuhinsha, 1995. 335 black and white plates. 4to. Black cloth boards,
cover and spine debossed, in photo-pictorial dust jacket with printed obi.
FIRST EDITION LIMITED TO 1500 COPIES. SIGNED ON VERSO OF FRONT-FREE END PAPER.
103/8 x 7 in. (26.5 x 17.8 cm.)
$600-800 300-600
400-600
483

484
Osamu Kanemura (b. 1964)
Spiders Strategy
Tokyo: Osiris, 2001. Text by Arata Isozaki. 102 pages,
80 black and white plates. Oblong 4to. Laminated
silver paper boards, cover and spine stamped in
black, in matching dust jacket with printed obi.
FIRST EDITION. SIGNED ON HALF-TITLE.
9 1/8 x 111/4 in. (23.2 x 28.5 cm.)
$300-500 100-400
200-400
Literature: Parr and Badger, The Photobook:

A History II, p. 318
484
188
NEW YORK
485
Kishin Shinoyama (b. 1940)
Hareta Hi (A Fine Day)
Tokyo: Heibonsha, 1975. 230 color plates. 4to. Black leatherette
boards, covers and spine stamped in gold, in original printed
acetate dust jacket.
FIRST EDITION. SIGNED ON REAR-FREE END PAPER.
111/2 x 8.5 in. (29 x 22 cm.)
$600-800 300-600
400-600
485
486
Kishin Shinoyama (b. 1940)
Six titles
Ketto Shashinron. Tokyo: Asahi Shinbunsha, 1971. 8vo. SIGNED.
Tanaka Ikko kosei. Tokyo: Kodansha, 1978. Folio. SIGNED.
Nude. Tokyo: Mainichi Shimbun Sha, 1970. Folio. SIGNED.
accidents 1, water fruit. Tokyo: Asahi, 1991. 4to. SIGNED.
Olele Olala. Tokyo: Shueisha, 1971. 4to. SIGNED.
Pari. Tokyo: Shiochosha, 1977. Folio.
$800-1,200
500-800
500-900
486
189
NEW YORK
487
487
Ikko Narahara (b. 1931)
Portici di Luce, Piazza San Marco
Tokyo: Unac, 1981. Five volumes. Oblong 4to. Four vols: 127 black and white
plates, each concertina bound in black cloth boards, debossed in black
and silver on cover. Appendix: brown textured wrappers, cover printed in
gray. All contained in charcoal cloth clamshell case, cover and spine
stamped in black and white with reflective disc flush-mounted to cover,
in original cardboard packaging.
FIRST EDITION. SIGNED AND NUMBERED A.P. ON A PAPER LABEL AFFIXED TO THE
INTERIOR OF THE CASE. THIS WORK IS FROM A LIMITED EDITION OF 350.
Each vol. approximately: 73/4 x 111/4 in. (20 x 28.5 cm.)
$1,000-1,500
600-1,000
700-1,200
488
YutakaTakanashi (b. 1935)
Machi (Town)
Tokyo: Asahi Shibun-sha, 1977. Color plates
throughout. White cloth boards, with printed
wrap-around paper label affixed to the covers
and spine, in original acetate dust jacket;
contained in cardboard slipcase with printed
wrap-around paper label flush-mounted on
covers and spine. Booklet and obi laid-in.
FIRST EDITION. SIGNED AND INSCRIBED ON THE
TITLE PAGE.
161/2 x 113/4 in. (42 x 30 cm.)
$800-1,200
500-800
500-900
Provenance: Okada Masahiko Collection

Literature: De Beaupr, Japon, pp. 36-37
488
190
NEW YORK
489
489
YutakaTakanashi (b. 1935)
Toshi-e (Towards the City)
Tokyo: Izara Shobo, 1974. Two volumes. Folio: 62 black and white
plates, one gatefold. Black cloth boards, with reflective metal
disk flush-mounted to cover, spine stamped in white. 4to:
54 black and white plates. Black wrappers with printed paper
label affixed to cover. Both volumes contained in black card
clamshell case with printed paper label affixed to spine,
overlapping to cover.
FIRST EDITION.
Folio: 161/2 x 11 in. (42 x 28 cm.)
4to: 10 1/8 x 71/4 in. (25.7 x 18.3 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
191
NEW YORK
490
Seiji Kurata (b. 1945)
Flash Up: Street PhotoRandom, Tokyo
1975-1979
Tokyo: Byakuyashobo,1980. 190 black and
white plates. 4to. Photo-pictorial paper
wrappers with printed obi, in original
FIRST EDITION.
111/2 x 81/4 in. (29.7 x 20.8 cm.)
$500-700 300-500
300-600
Literature: De Beaupr, Japon, pp. 46-47
490
491
ShomeiTomatsu (b.1930)
11.02 Nagasaki
Tokyo: Shaken, 1968. Text by Tamaki Motoi. 119 black and white plates. 8vo.
Photo-pictorial paper boards, printed label affixed to spine, in orginal acetate
dust jacket.
SECOND EDITION.
87/8 x 73/4 in. (22.5 x 19.7 cm.)
$800-1,200
500-800
500-900
Literature: Parr and Badger, The Photobook: A History I, pp. 276-277; Roth, ed.,
The Open Book, pp. 226-227
491
492
Ikko Narahara (b. 1931)
Where Time Has Vanished
Tokyo: Asahi Shimbun-sya, 1975.
100 black and white plates, 1 color plate.
Oblong folio. Blue silkscreened cloth
boards, black cloth spine printed in blue
and silver; contained in black
silkscreened paper wrapped slipcase
with printed paper label flush-mounted
to spine.
FIRST EDITION.
14 x 131/4 in. (35.5 x 33.7 cm.)
$700-900
492
192
400-600
500-700
NEW YORK
493
Nobuyoshi Araki (b. 1940)
Fourteen titles
All That Araki. Tokyo: Hakusuisha, 1994. 8vo. SIGNED.
Shi Sha Shin. Tokyo: NP, 1994. 8vo. SIGNED.
Pseudo Diary. Tokyo: Byakuya-shobo, 1980. 4to.
A No Nikki. Tokyo: Riburopoto, 1995. Oblong 4to.
Polaeroid. Kln: Oktagon, 1997. 16mo. SIGNED.
Shanghai Gairi. Kyoto: Korinsha Press, 1998. 16mo.
Chiro, My Love.Tokyo: Ikebukuro Book Center Libro, 1990. 8vo. SIGNED.
Tokyo Biyori. Tokyo: Chikuma Shobo, 1993. 8vo.
AAT Room. Tokyo: self published, 1994. 4to.
Theres a Camera Between Men and Women. Tokyo: Byakuya-Shobo,
1978. 8vo.
Pavillion. Tokyo: East Press, 1994. Oblong 4to. SIGNED.
Tokyo Tabi Nikki. Tokyo: Wise Publications, 2003. 4to. SIGNED.
Dotei Datcho-Kun. Tokyo: Riburopoto, 1995. 4to.
Bokujo Kitan. Tokyo: Publication Million, 1989. 4to. SIGNED.
$1,500-2,500
900-1,700
1,100-1,900
493
494
Ihei Kimura (1901-1974)
Pari
Tokyo: Nora-sha, 1974. 154 color plates.
4to. Cream cloth boards, spine debossed
in blue, in photo-pictorial card slipcase.
Pamphlet laid-in as issued.
FIRST EDITION.
101/8 x 7 in. (25.8 x 18 cm.)
$800-1,200
500-800
500-900
Literature: Parr and Badger,

The Photobook: A History I, p. 297
494
193
NEW YORK
495
Kagerou (Dayfly)
Tokyo: Haga,1972. 114 black and white
and color plates. 4to. Embossed white paper
wrappers, contained in photo-pictorial card
slipcase with printed obi.
FIRST EDITION. SIGNED ON THE FRONT-FREE END PAPER.
10 x 7 1/8 in. (26 x 18 cm.)
$1,500-2,500
495
496
KoheiYoshiyuki (b. 1946)
Koen (The Park)
Tokyo: Sebunsha, 1980. 78 black and
white plates. 4to. Black paper wrappers,
in photo-pictorial dust jacket with red
printed obi.
FIRST EDITION.
10 1/8 x 81/4 in. (25.7 x 21 cm.)
$800-1,200
500-800
500-900
496
194
900-1,700
1,100-1,900
NEW YORK
497
Karyudo (Hunter)
Tokyo: Chuokoronsha, 1972. Introduction
byTadanoriYokoo, text by ShojiYamagishi.
104 black and white plates. 4to. White
paper boards, in green printed dust
jacket with brown printed obi, in orginial
FIRST EDITION. SIGNED ON HALF TITLE PAGE.
103/8 x 81/2 in. (26.4 x 21.5 cm.)
$4,000-6,000
2,500-3,900
2,900-4,500

The Photobook: A History I, p. 300
497
195
NEW YORK
498
Eikoh Hosoe (b. 1933)
Barakei Shinshanbun (Ordeal by Roses)
Tokyo: Shuei-sha, 1971. 39 black and
white plates and 6 color plates. Oblong
folio. Black velvet boards, color plate
flush-mounted to cover, in white cloth
folding chemise with printed illustrations
flush-mounted to interior, cover
debossed in red. Contained in original
cardboard slipcase, with printed paper
label affixed to cover.
FIRST EDITION THUS.
15 x 207/8 in. (38 x 53 cm.)
$2,500-3,500
498

499
Eikoh Hosoe (b. 1933)
Kamaitachi
New York: Aperture, 2005. 36 black and white plates, each on verso
of blue gatefold. Folio. Silkscreened white cloth boards in printed
acetate dust jacket; contained in lavish photographic clamshell
case designed by Tadanori Yokoo.
DELUXE LIMITED EDITION OF 500. SIGNED, STAMPED AND NUMBERED 54 ON
LABEL AFFIXED TO PASTE-DOWN END PAPER.
16 x 13 in. (40.6 x 33 cm.)
$500-700 300-500
300-600
Literature: Parr and Badger, The Photobook: A History I, pp. 284-285;

Roth, ed., The Open Book, pp. 248-249
This work is accompanied by the original exhibition and book
signing invitation with vellum insert from Aperture Foundation and
Howard Greenberg Gallery dated 2 November 2005.
499
196
1,600-2,300
1,800-2,600
NEW YORK
500
Tokyo
Hamburg: Ausbage Nannen-Verlag, 1965.
Foreword by Richard Friedenthal. 155
black and white plates. Folio. Black cloth
boards, spine debossed in red and white,
in printed dust jacket.
FIRST GERMAN EDITION.
14 x 101/4 in. (35.6 x 26 cm.)
$500-700 300-500
300-600
Literature: Roth, ed., The Book of 101

Books, p. 143; Roth, ed., The Open Book,
pp. 206-207
500
501
New York, 1954.55
Manchester: Dewi Lewis, 1995. 136 black
and white plates. Folio. Black cloth
boards, stamped in white on cover and
spine, in printed dust jacket.
FIRST EDITION THUS. SIGNED ON THE TITLE PAGE.
133/4 x 10 in. (35 x 25.4 cm.)
$400-600 200-400
200-500
501
197
NEW YORK
502
Richard Prince (b. 1949)
Spiritual America
New York: Aperture/ IVAM, 1989.
105 color plates. 4to. Laminated
photo-pictorial paper wrappers,
without dust jacket as issued.
FIRST EDITION.
111/4 x 73/4 in. (28.6 x 19.7 cm.)
$400-600 200-400
200-500
502
503
William Eggleston (b. 1939)
William Egglestons Guide
New York: The Museum of Modern Art, 1976.
Text by John Szarkowski. 112 pages with
48 color plates. 4to. Black leatherette boards,
gilt lettering on cover and spine, color plate
(Memphis) flush-mounted to cover, without
dust jacket as issued.
SIGNED ON TITLE PAGE.
91/4 x 91/4 in. (23.5 x 23.5 cm.)
$1,000-1,500
600-1,000
700-1,200

A History I, p. 265; Roth, ed., Book of 101 Books,
pp. 234-235; Roth, ed., The Open Book, pp. 308-309
503

504
Bill Owens (b. 1938)
Suburbia
San Francisco: Straight Arrow, 1973.
126 black and white plates. 4to. Textured
photo-pictorial paper wrappers, without dust
jacket as issued.
FIRST EDITION.
10 x 10 in. (25.3 x 25.3 cm.)
$400-600 200-400
200-500

A History II, p. 24; Roth, ed., The Book of 101 Books,
pp. 224-225; Roth, ed., The Open Book, pp. 296-297
504
198
NEW YORK
505
Dave Heath (b. 1931)
A Dialogue With Solitude
Culpeper: The Community Press, 1965.
Foreword by Hugh Edwards. 82 black and
white plates. 4to. Gray cloth boards,
spine stamped in brown, in photopictorial dust jacket.
FIRST EDITION.
111/4 x 81/2 in. (28.6 x 21.6 cm.)
$1,500-2,500
900-1,700
1,100-1,900

The Photobook: A History II, p.104
505
506
Ed van der Elsken (1925-1990)
Sweet Life
Kln: Verlag M. DuMont Schauberg, 1966. 178 black
and white plates. 4to. Black cloth boards, cover and
spine debossed in white, in photo-pictorial dust
jacket; contained in cardboard slipcase, spine
stamped and numbered 233.
FIRST GERMAN EDITION.
117/8 x 12 in. (30 x 30.3 cm.)
$800-1,200
500-800
500-900
Literature: Parr and Badger, The Photobook: A History I,

pp. 254-255
506
507
BruceWeber (b. 1946)
The Andy Book
Tokyo: Shotaro Okada, 1987. 64 black and
white and color plates. 4to. Photo-pictorial
paper wrappers, without dust jacket as
issued. Japanese booklet of captions laid- in.
FIRST EDITION.
12 x 93/8 in. (30.5 x 23.5 cm.)
$500-700 300-500
300-600
507
199
NEW YORK
508
508
Muhammad Ali (b. 1942)
GOAT: Greatest Of All Time
New York: Taschen, 2004. 792 pages, with 2 gatefolds and 9 metallic silkscreened double-page spreads.
Elephant folio. White silk boards, cover and spine in pink leather, contained in photo-pictorial silk clamshell case.
Accompanied by: Radial Champs, sculpture by Jeff Koons consisting of a wooden stool and two inflatables, and four
gelatin silver prints; each signed in ink in the margin by photographer Howard L. Bingham and Muhammad Ali titled:
Muhammad Ali, 1978; Cassius Clay in Louisville, 1963; Ali vs Liston II, 1965 and
Sitting on a Million Dollars, 1963.
DELUXE CHAMPS EDITION. SIGNED BY MUHAMMAD ALI AND JEFF KOONS ON STAMPED REPRODUCTION LIMITATION LEAF.
THIS WORK IS NO. 464 FROM A LIMITED EDITION OF 1,000 FROM A WORLDWIDE EDTION OF 10,000.
Folio: 19 3/4 x 193/4 in. (50 x 50 cm.)
Sculpture: dimensions vary
Prints: 16 x 101/2 in. (40.6 x 26.7 cm.) or the reverse
$5,000-7,000
200
3,200-4,600
3,600-5,200
NEW YORK
509
509
Helmut Newton (1929-2004)
Sumo
Cologne: Taschen, 1999. 464 pages. Elephant folio. Photo-pictorial
cloth boards, spine stamped in blue, with matching dust jacket.
Accompanied by original metal stand designed by Philippe Starck.
FIRST EDITION. SIGNED ON STAMPED REPRODUCTION LIMITATION LEAF IN BLUE
CRAYON. THIS BOOK IS NUMBER 8168 FROM A LIMITED EDITION OF 10,000.
Book: 28 x 201/2 in. (71.1 x 52.1 cm.)
Stand: 30 x 22 x22 in. (76.2 x 55.9 x 55.9 cm.)
$7,000-9,000
4,500-5,900
5,100-6,700
201
NEW YORK
510
Cindy Sherman (b. 1954)
Untitled Film Stills
New York: Rizzoli, 1990. Essay by Arthur C. Danto. 40 black
and white plates. Folio. Black cloth boards, spine stamped
in silver, in photo-pictorial dust jacket.
FIRST EDITION.
131/2 x 101/2 in. (34.5 x 27 cm.)
$300-500 100-400
200-400
Literature: Parr and Badger, The Photobook: A History II, p. 42
510
511
Passage: A Work Record
New York: Knopf, 1991. 71 color plates. Folio. Tan cloth boards,
in photo-pictorial dust jacket, in original publishers shrinkwrap.
FIRST EDITION.
123/4 x 11 in. (32.4 x 28 cm.)
$300-500 100-400
200-400
511

512
Visionaire
No. 32: Herms Travel Pouch, The Where? Issue
New York: Visionaire Publishing, 2000. Edited by
Stephen Gan; contributions by seven artists. 55 loose
cards with silver edging, in Herms leather pouch with
pencil. Contained in textured orange paper box, with
printed paper sleeve in original publishers shrinkwrap.
FIRST EDITION. THIS WORK IS NUMBER 1157 FROM A LIMITED
EDITION OF 3500.
73/8 x 87/8 in. (18.7 x 22.7 cm.)
$500-700 300-500
300-600
The contributing artists include Andreas Gursky, Mary

Ellen Mark, Wolfgang Tillmans, Bruce Weber, Lauren
Greenfield, Peter Lindbergh and Jeff Burton.
512
202
NEW YORK

513
Worlds in a Small Room

New York: Viking, 1974. 67 black and
white plates. 4to. Tan cloth boards, spine
debossed in black, in photo-pictorial
dust jacket.
FIRST EDITION. ASSOCIATION COPY SIGNED
AND DEDICATED TO LAURIE KRATOCHVIL.
103/4 x 105/8 in. (27.3 x 27 cm.)
$1,000-1,500
600-1,000
700-1,200
Laurie Kratochvil has been involved in

photography for over 25 years, perhaps
best known for her time spent at Rolling
Stone. Kratochvil has edited a number
of books and has curated several
photography exhibitions throughout the
United States and Europe. A work by
her husband, the photographer Antonin
Kratochvil, is offered in Session II, lot 231.
513
514
Lee Friedlander (b. 1934)
The American Monument
New York: The Eakins Press Foundation,
1976. Text by Leslie George Katz. 213
black and white plates. Oblong folio.
Screw-bound green cloth boards,
cover and spine stamped in black with
gilt ruling.
FIRST EDITION. SIGNED ON FRONT BLANK.
12 x 17 in. (30.5 x 43.2 cm.)
$1,500-2,500
900-1,700
1,100-1,900

The Photobook: A History II, p. 28; Roth, ed.,
The Book of 101 Books, pp. 236-237;
514
203
NEW YORK
515
Lee Friedlander (b. 1934)
Flowers and Trees
New York: Haywire Press, 1981. 40 black
and white plates. Folio. Spiral bound with
purple cloth boards, cover debossed in
black, green cloth interior.
FIRST EDITION. SIGNED OPPOSITE TITLE PAGE.
15 x 12 in. (38.1 x 30.5 cm.)
$800-1,200
515

516
La Banlieue de Paris
Lausanne: La Guilde du Livre, 1949. Text
by Blaise Cendrars. 135 heliogravures.
8vo. White paper boards, cover and spine
stamped in black, without dust jacket
as issued.
FIRST EDITION.
91/2 x 71/4 in. (24 x 18.5 cm.)
$800-1,200
500-800
500-900

The Photobook: A History I, pp. 187, 201;
Roth, ed., The Book of 101 Books,
p. 132-133
516
204
500-800
500-900
NEW YORK
517
517
Robert Frank (b. 1924)
Flower is...
Tokyo: Yugensha, 1987. 81 black and white plates. 4to. Gray silk
boards, cover and spine stamped in dark gray; contained in
gray cloth slipcase, spine stamped in dark gray, with black and
white plate (Fleurs) flush-mounted to cover.
FIRST EDITION. THIS WORK IS ONE OF 250 FROM A LIMITED EDITION OF 500.
133/4 x 101/4 in. (34.9 x 26 cm.)
$3,000-5,000
1,900-3,300
2,200-3,700
205
NEW YORK
518
Robert Frank (b. 1924)
The Lines of My Hand
Tokyo: Yugensha, 1972. 90 black and
white plates, with 2 gatefolds. Folio.
Black buckram boards, cover and spine
stamped in white. 32 page booklet with
staple-bound, paper wrappers laid in as
issued. Contained in black cloth
slipcase, spine stamped in white,
with black and white plate (Platte River,
Tennessee) flush-mounted to cover.
FIRST EDITION. THIS WORK IS ONE OF 500
FROM A LIMITED EDITION OF 1000.
133/4 x 101/4 in. (34.9 x 26 cm.)
$2,500-3,500
1,600-2,300
1,800-2,600
Literature: Parr and Badger, The

Photobook: A History I, p. 261; Roth, ed.,
The Open Book, pp. 286-287
518
519
Sol LeWitt (1928-2007)
Autobiography
NewYork: Multiples Inc., 1980. 1,098 black
and white plates. 4to. Photo-pictorial
paper wrappers, without dust jacket
as issued.
FIRST EDITION.
101/4 x 101/4 in. (26 x 26 cm.)
$1,000-1,500
600-1,000
700-1,200
Literature: Parr and Badger, The

Photobook: A History II, p. 155
519
206
NEW YORK
520

520
Josef Sudek (1896-1976)
Fotografie
Prague: Sttn Nakladatelstv Krsn Literatury Hudby a Umn, 1956.
232 black and white plates, with 6 gatefolds. 8vo. Natural cloth boards,
top edge black, cover debossed in black, in printed dust jacket with
gray satin bookmark.
FIRST EDITION. SIGNED, ANNOTATED PRAHA AND DATED 1958 ON TITLE PAGE.
95/8 x 67/8 in. (24.5 x 17.5 cm.)
$2,500-3,500
1,600-2,300
1,800-2,600
Literature: Roth, ed., The Book of 101 Books, pp. 144-145;

207
NEW YORK

521
Josef Koudelka (b. 1938)
Exiles
New York: Aperture, 1988. Text by Czeslaw Milosz. 62 black
and white plates. Oblong 4to. Brown cloth boards, cover
and spine debossed in black, in photo-pictorial dust jacket.
FIRST EDITION. SIGNED ON TITLE PAGE.
101/2 x 111/4 in. (26.7 x 28.6 cm.)
$600-800 300-600
400-600
521
522
Christian Boltanski (b. 1944)
Menschlich
Paris/Kln: Thouet Verlag/Verlag der Buchhandlung Walther Knig,
1994. Over 1300 black and white plates. 4to. Photo-pictorial card
wrappers, without dust jacket as issued.
FIRST EDITION.
$500-700 300-500
300-600
Literature: Roth, ed., The Open Book, p. 272
522

523
Dave Heath (b. 1931)
Korea
Toronto: Lumiere Press, 2004. Text by Michael Torosian. 25 black and
white plates, additional black and white plate and color plate tipped-in.
8vo. Gilt and black printed paper boards over black silk, with gilt lettered
paper label affixed to spine, without dust jacket as issued.
FIRST EDITION, LIMITED TO 200 COPIES. SIGNED AND DATED ON TITLE PAGE.
NUMBERED 145/200 ON COLOPHON.
91/4 x 75/8 in. (23.5 x 19.5 cm.)
$300-500 100-400
200-400
This book was published to celebrate the 50th anniversary portfolio of

the artists photographs taken in Korea from 1953-1954.
523
208
NEW YORK
524
Workers
New York: Aperture, 1993. 400 pages with numerous black and white plates
and several gatefolds. Folio. Gray cloth boards, spine debossed in gray, in
photo-pictorial dust jacket. 23 page booklet of captions laid into acetate pocket
on rear paste-down end paper. Contained in gray cloth publishers slipcase.
FIRST EDITION. SIGNED AND INSCRIBED ON TITLE PAGE.
131/4 x 10 in. (33.5 x 25.5 cm.)
$400-600 200-400
200-500
According to the production director of the book, which the present lot is
inscribed to, copies that include the publishers slipcase were only
circulated in-house.
524
525
525
Brigitte Lardinois, editor
Magnum Magnum
London: Thames & Hudson, 2007. 568 pages, 413 black and white and color plates. Folio. Tan linen boards, cover and spine debossed
in black and white, without dust jacket as issued. Contained in original printed cardboard carrying case.
FIRST EDITION. SIGNED BY 30 OF THE CONTRIBUTING ARTISTS ON HALF-TITLE.
155/8 x 13 in. (39.8 x 32.9 cm.)
$800-1,200
500-800
500-900
Signed by Chien-Chi Chang, Bruce Davidson, Elliott Erwitt, Paul Fusco, Bruce Gilden, Jonas Bendiksen, Jim Goldberg,
David Alan Harvey, Thomas Hoepker, Alex Majoli, Costa Manos, Susan Meiselas, Eli Reed, Larry Towell, Alex Webb, Alec Soth,
Hiroji Kubota, Bruno Barbey, Rene Burri, Thomas Dworzak, Nikos Economopoulos, Richard Kalvar, Josef Koudelka,
Patrick Zachmann, Paolo Pellegrin, Donovan Wylie, Peter Marlow, Martin Parr, Erich Lessing and Marc Riboud.
209
INDEX
Abate, Claudio 225
Brigman, Anne 474
Edgerton, Harold 455
Abbott, Berenice 316
Bull, Clarence Sinclair 441
Eggleston,William 503
Adams, Ansel Easton 313
Bull Hunter, Cecilia 477
Eisenstaedt, Alfred 462
Agosti, Paola 220
Bullock,Wynn 419
Erwitt, Elliott
81, 82, 83, 216, 452, 453, 469
Alborta, Freddy 92
Ali, Muhammad 508
Callahan, Harry 408
Altemuller, Andrea 79
Cameron, Julia Margaret 12, 318, 476
Anderson, James 15
Camisa, Alfredo 346
Araki, Nobuyoshi 493, 448
Cammas, Henri 36
Argentini, Guido 429
Caneva, Giacomo 18
Arnold, Eve 447
Capa, Robert 240
Artist Unknown 32, 40, 41, 43, 242
Carmi, Boris 75
Aszmann, Ferenc 277, 298
Carmi, Lisetta 224
Atget, Eugne 48, 49
Cartier-Bresson, Henri 205, 249
Avedon, Richard 369, 440
Castella,Vincenzo 254, 255, 258

Catalano,Tullio 305
Feininger, Andreas 315

Fenton, Roger 3, 5
Ferri, Fabrizio 219
Fitz, Grancel 306
Fontana, Franco 256, 257
Franck, Martine 217
Frank, Robert 517, 518
Friedlander, Lee 514, 515
Frith, Francis 39
Gabinio, Mario 301, 339
Baccarini e Porta 278
Cavalli, Giuseppe 283, 284
Bachmann, Gideon 243
Cecere, Oskar Luigi 260
Baldus, Edouard-Denis 28, 38
Chauffourier, Gustave Eugne 16
Ballen, Roger 112, 451
Chelbin, Michal 438
Baltermants, Dmitri 464
Clergue, Lucien 361, 420
Giacomelli, Mario
62, 63, 251, 252, 253, 366, 367
Gardin, Gianni Berengo 212, 214

Ghergo, Arturo 248
Ghirri, Luigi 261, 263, 264
Barbieri, Olivo 262
Coburn, Alvin Langdon 86
Gibson, Ralph 416
Barris, George 443, 444, 445
Colomb, Denise 246, 247, 343
Gladys 108
Basilico, Gabriele 211, 245
Colombo, Cesare 348
Goicolea, Anthony 435
Bassetti,Vitaliano 294
Comte, Michel 473
Gowin, Emmet 415
Battaglia, Letiza 228, 229
Constantin, Dimitrios 21
Grignani, Franco 359
Beato, Antonio 42
Courret, Eugenio 27
Guidi, Pietro 4
Beato, Felice 26
Cresci, Mario 265
Beaton, Cecil 88, 439
Cuccioni,Tommaso 17
Haas, Ernst 78, 204, 450, 460, 461
Benson, Harry 97, 98, 100
Cunningham, Imogen 417, 454
Halsman, Philippe 299, 456
Bernhard, Ruth 449
Curtis, Edward S. 475
Harris, Eugene 466

Heath, Dave 505, 523
Bertoglio, Italo 276, 279

Damico,Tano 221
Hoopker,Thomas 233, 234, 235, 236
Blumenfeld, Erwin 372
Da Re, Sandro 355
Horvat, Frank 374
Boltanski, Christian 522
Dal Gal, Pino 308
Hosoe, Eikoh 498, 499
Blakemore, John 116
Bonasia, Aldo 222
Day, Corine 368
Bonzuan, Mario 307, 312
De Biasi, Mario 287
Imboden, Connie 365
Boubat, douard
66, 332, 333, 337, 340, 342, 403
de Clercq, Louis 23, 24
Ishimoto,Yasuhiro 481
Boucher, Pierre 356

Bourke-White, Margaret 468
Doisneau, Robert
50, 51, 327, 328, 353, 470, 516
Bovis, Marcel 341
Donzelli, Pietro 290
Johnston, Alfred Cheney 357
Bradner, Heidi 84, 85
Dorr, Nell 478
Jones, Colin 109
Brancusi, Constantin 52, 53, 54, 55
Drebin, David 120, 427, 428
Jonvelle, Jean-Franois 360, 362

Joon, Kim 431
de Lagrange, Baron Alexis 34
Brandt, Bill 76, 77, 101, 215
Drtikol, Frantiek 87
Brassa 56, 58, 59
Du Camp, Maxime 33
Braun, Adolphe 6, 7
Dyar, Otto 302
Bricarelli, Stefano 338
Jacques, Ren 203, 347

Jodice, Mimmo 210, 266, 358
Kanemura, Osamu 484
Morel, L. 25
Sellerio, Enzo 206, 293
Keita, Seydou 376, 377
Morinaga, Jun 482
Sherman, Cindy 510
Kertsz, Andr
296, 322, 324, 326, 400, 401, 402
Moriyama, Daido 483, 495, 497
Shinoyama, Kishin 485, 486
Mulas, Ugo 226
Sidib, Malick 472
Khaldei,Yevgeni 463
Muray, Nickolas 406, 407
Sieff, Jean-Loup 331
Kimura, Ihei 494
Murray, Dr John 30, 31
Smerdon Roe, Charles 9, 10
Klein,William
105, 207, 375, 412, 500, 501
Muybridge, Eadweard 1
Snowdon, Lord 96
Kohei,Yoshiyuki 496
Kollar, Franois 345, 354
Korda, Alberto 239, 241
Kossikoff, Nikola 69, 70
Koudelka, Josef 521
Kratochvil, Antonin 231
Kurata, Seiji 490
Landrock, Ernest 274
Lanfranco, Nanda 117, 118
Lardinois, Brigitte 525
Lartigue, Jacques-Henri 60, 61, 89, 319
Laurent, Juan 14
Soth, Alec 432

Narahara, Ikko 487, 492
Stefani, Bruno 289
Ngre, Charles 29
Stern, Bert 446
Neto, Mario Cravo 115
Stettner, Louis 213, 363
Newton, Helmut 370, 509
Sudek, Josef 57, 520
Ninci, Giuseppe 20
Takanashi,Yutaka 488, 489
Ogden, Caroline 477
Teynard, Felix 37
Orkin, Ruth 94, 102, 404, 405
Tillmans,Wolfgang 259
Owens, Bill 411, 504
Tomatsu, Shomei 491

Tournachon, Adrien (Nadar Juene) 2
Parmiani, Giulio 295, 304
Tripe, Linnaeus 35
Patellani, Federico 292, 349, 351

Penn, Irving 371, 511, 513
van der Elsken, Ed 506
Leibovitz, Annie 423, 424
Peretti Griva, Domenico Ricardo

269, 270, 271
Van vechten, Carl 303
Leiss, Francesco Ferrucio 281, 282
Praturlon, Pierluigi 373
Lepkoff, Rebecca 467
Vender, Federico 311, 317
Prieri, Rinaldo 310
LeWitt, Sol 519
Veronesi, Luigi 285
Prince, Richard 502
Lucas, Cornel 95, 107
Visionaire 512
Pubblicazione Rondine 280
Vitali, Massimo 223, 434
Lehnert, Rudolf 274
Luxardo, Elio 350, 352

Lyon, Danny 413, 414
Various Artists 13, 409
Von Gloeden,Wilhelm 272

Radino, Francesco 208, 209
Von Ostheim, Othon 44, 45, 46
Ray, Man 320, 321

Macpherson, Robert 19
Rey, Guido 275
Mapplethorpe, Robert 119, 227, 325
Watson, Albert 422
Riefenstahl, Leni 72, 73, 74
Maraini, Fosco 273
Wawrzonek, John 436
Robertson, James 22, 26
Marville, Charles 47
Weber, Bruce 507
Robinson, Henry Peach 11
Marzoni, Ermete 218
Weegee 65, 457, 458, 459
Rodchenko, Aleksandr Mikhailov 297
Wegman,William 471
McCartney, Michael 99
Roiter, Fulvio 286, 288, 344
McCullin, Donald 232
Weiss, Sabine 244
McDonald, Sgt. James 8
Ronis,Willy 67, 68, 71, 80, 106, 110, 111,

329, 330, 334, 335, 336
Weng, Fen 425
McKee, Brian 430
Rothstein, Arthur 465
Midorikawa,Yoichi 200, 201
Ruzicka, Drahomir Josef 300
Minter, Marilyn 426

Misrach, Richard 433
Salas, Osvaldo 90, 91, 93
Molinier, Pierre 113, 114
Salas, Roberto 90
Mollino, Carlo 323
Salgado, Sebastio 237, 238, 421, 524
Moncalvo, Riccardo 268
Saudek, Jan 364
Monti, Paolo 250, 309
Secchiaroli,Tazio 291
Moore, Raymond 64
Sella,Vittorio 267
Weston, Brett 202

Weston, Edward 314, 418
Weston, Cole 418
Willinger, Laszlo 442
Winogrand, Garry 103, 104, 410, 480
Witkin, Joel-Peter 230
Wolf, Michael 437
211
CONDITIONS OF SALES & BUSINESS

These Conditions of Sale and Business are applicable to all three salerooms
unless explicitly varied herein and constitute the contract between Bloomsbury
Auctions (the Auctioneer as defined for each saleroom immediately below)
and the seller, on the one hand, and the buyer on the other. By bidding at the
auction, you agree to be bound by these terms. The Auctioneer is defined
as follows:
(A) London: The Auctioneer is Bloomsbury Auctions Ltd, 24 Maddox Street,
London W1P 1SS
(B) Rome The Auctioneer is Bloomsbury Auctions Italia S.r.l., Registered
office in Rome - Via Giosu Carducci No. 4, Capital Stock 105.000,00 fully
paid Recorded with the Companies Register of Rome and Fiscal Code
No. 09479031008 [R.E.A. RM-1165993]. Company with only one shareholder
operating under the direction and coordination, pursuant to Art. 2497bis of
the Italian Civil Code, by Bloomsbury Auctions Limited with offices in
London, Great Britain
(C ) New York Session: The Auctioneer is Bloomsbury Auctions Inc., 6 West
48th Street, New York, NY 10036.
1. The Auctioneer is the agent for the seller. The auctioneer is acting as
agent for the seller, except as may be otherwise indicated.The contract for
sale of any property is between the seller and the buyer.
2. Sellers warranty of title. The seller warrants to the buyer that he is
authorized to sell the property and is able to transfer good and marketable
title, free and clear of any liens, claims or encumbrances of any third party.
3. All lots sold as is. Except as set forth in the limited Warranty, below, all
property is sold as is. It is the buyers responsibility to examine the
property personally, and to ascertain for himself that he is satisfied with
the lots condition and with any other matters described in the catalogue
entry. Neither the auctioneer nor the seller make any representation,
warranty or guaranty about the property except as described in the
limited Warranty, and no statement in the catalogue, a condition report, or
any other oral or written statement shall constitute such a representation,
warranty, guaranty or any other form of assumption of liability. Estimates
of selling prices are not to be relied on as any representation that the
property will sell for that price, or as a representation of the value of the
property for any other purpose. Neither the auctioneer nor the seller shall
be responsible for any errors or omissions in the catalogue, except as
prescribed by the limited Warranty.
4. Where the Auctioneer has an interest in a lot. Lots in which the
auctioneer has any interest direct or indirect, whole or partial (other than
the selling commission) are designated by the symbol [o]. Such financial
interests may include, among other things, ownership of the property,
guarantees, or non-recourse advances secured only by the property being
offered for sale.
5. Bidder registration. Any prospective buyers must complete our
prescribed registration process in order to participate in the auction,
whether he intends to bid in person at the auction, by phone, by absentee
bid, or online. Upon registration, the buyer will be required, among other
things, to provide his name, permanent address, proof of identity, and, if
requested, the details of the bank from which payment will be made. The
Auctioneer reserves the right in its sole and complete discretion to deny
entry to the auction, to refuse permission for a prospective buyer to
participate in the auction, and to reject any bid.
6. Auctioneers discretion. The auctioneer has sole and complete discretion
to refuse any bid, to advance the bidding as he sees fit, to withdraw or
divide any lot, to combine any lots, and, in the case of error or dispute
during or after the sale, to determine the successful bidder, to continue
the bidding, to cancel the sale or to reoffer and resell the lot. If any dispute
arises after the sale, the records of the auctioneer shall be conclusive.
7. Absentee Bidding. As a courtesy to potential bidders who will not be
present at the auction in person or by agent or by phone, we will use
reasonable efforts to execute written bids received by us prior to the
auction, and to purchase the property on the bidders behalf at the lowest
possible price keeping in mind other bids and the reserve. Such absentee
bids must be received by us no later than the day before the auction and
must be in the currency of the relevant saleroom. If we receive more than
one identical absentee bid on the same lot, and at the auction these are
the highest bids, the lot will be sold to the bid that we received first.
Execution of written bids is a free service offered as a courtesy, and we do
not accept any liability for any error or failure that may occur in the
execution of written bids.
9. Internet bidding. At certain of our sales, bidders may choose to

participate in the auction online. Prospective buyers who elect to bid
online are solely responsible for assuring that the equipment and software
that they are using meet the technological requirements for the use of the
service. We offer this free service as a courtesy and do not accept any
liability for (i) errors or failures in the execution of bids, (ii) technological
failures of any kind, whether on the Auctioneers or the bidders side.
Online bids are subject to these conditions of sale and Business, as well
as the Bidder users terms and conditions available on our Website.
10. Reserves and estimates. Unless otherwise indicated as described below,
all lots are sold subject to a reserve, which is the confidential minimum
price below which the lot will not be sold. In no event will the reserve be
higher than the low pre-sale estimate for the lot.The Auctioneer may open
the bidding on any lot at any price below the reserve by placing a bid on
behalf of the seller. The Auctioneer may continue to bid on behalf of the
seller, either by placing consecutive bids or by placing bids in response to
other bidders, up to the amount of the reserve. No-reserve lots; where lots
are being sold without reserve, unless there are already competing
absentee bids, the Auctioneer, in his discretion, will generally open the
bidding at approximately 50% of the low pre-sale estimate for the lot. If
there are no bids at that level, the auctioneer will reduce the bid until there
are responsive bids, and will then continue up from there. Absentee bids
on no-reserve lots will, absent any higher bid, be executed at
approximately 50% of the low pre-sale estimate, or at the actual bid,
whichever is lower. If there is no bid on a no-reserve lot, the auctioneer
may deem the lot unsold. Estimates are provided as a guide only (save in
relation to the reserve as defined above) and are expressed in bold in the
currency of the sale Session below each lot in the catalogue. For the
buyers additional convenience, and only as a guide, we also show
indicative currency equivalents of the estimate in light type under each lot.
These currency equivalents are rounded and based on the following
approximate exchange rates at the time of the catalogue going to print
($1.5450 = 1 = 1.1350)
11. Successful buyer and transfer of risk. Subject to the auctioneers
discretion, the highest bidder recognized by the auctioneer will be the
buyer, and the fall of the hammer constitutes the conclusion of a contract
of sale between the seller and the buyer. Risk and responsibility for the
lot passes to the buyer 7 calendar days from the date of the auction, or on
collection or receipt by the buyer or his agents for shipping, whichever is
earlier. In no event will the auctioneer be responsible for any damage to
picture frames or glass contained therein. Any lot not paid for in full in
cleared funds and picked up or shipped within 7 days after the auction
are held by us at the buyers sole risk.
12. Payment. Buyer will pay as the purchase price the sum of the hammer
price, plus a buyers premium of 22% of :
(A) in Session I, the first 300,000; (B) in Session II the first 350,000; (C) in
Session III the first $500,000 of the hammer price and in all Sessions 12% of
the remaining amount of the hammer price and for the entire buyers
premium, any applicable sales, VAT (as described in 13 below), use or other
tax or fee (see section 24 below with respect to European Artist Resale Rights
charges). Payment in full, including all relevant taxes and fees must be made
in cleared funds immediately after the auction, unless we have agreed in
writing to a different payment schedule. Any lot not paid for in full in cleared
funds and picked up or shipped within 7 days of the auction will be subject to
a storage charge of 30/35/$50 per month. In the event of late payment, the
auctioneer also reserves the right to charge the buyer interest on any amount
due, which interest shall accrue at the rate of 1.5% per month, or the highest
rate allowed by applicable law, whichever is lower.Title to the property will not
pass to the buyer until all amounts due to us have been paid in full in good
cleared funds, even if we have agreed to release the property prior to receipt
of payment.
13. VAT in London and Rome only. In addition to the hammer price the buyer
will be subject to the following VAT charges:
(A) London: VAT at the rate of 17.5% will be applied to the buyers premium.
Lots which are daggered () in the catalogue are subject to VAT on the
hammer price as well as the buyers premium. Lots marked with an
asterisk (*) have been imported from outside the EU to be sold at auction,
and therefore the buyer must pay VAT at the reduced rate of 5% on the
hammer price in addition to VAT of 17.5% on the buyers premium.
(B) Rome Session: VAT at the rate of 20% will be applied to the buyers premium.
8. Telephone bidding. If a prospective buyer makes arrangements with us

at least one day prior to the sale, we will use reasonable efforts to contact
them and to allow them to participate in the auction by phone. We offer
this free service as a courtesy, and do not accept liability for failure to
reach the prospective buyer or for errors or failures in the execution of
telephone bids.
212
Where a buyer resides outside the EU and the purchased lot is to be directly
exported outside the EU it may be possible for him to reclaim some or all of
the VAT due on either the hammer price or buyers premium (or both, as
applicable) and such reclaims are to be the sole responsibility of the buyer
and the Auctioneer shall not be liable for the same.
14. Bidder is responsible. Unless the auctioneer has agreed in writing in

advance that a bidder is acting as an agent for a disclosed principal
acceptable to the auctioneer, by bidding at the auction the bidder accepts
personal liability to pay the full purchase price, as described in paragraph
12, above.The Auctioneer will only look to the buyer of record for payment
of the purchase price, and will only accept payment from the buyer of
record.
15. Compliance Matters. The buyer agrees to comply with any requests or
inquiries that the Auctioneer may make to assure compliance with
applicable laws and regulations, including but not limited to compliance
with money laundering laws. Failure to comply may result in cancellation
of the sale, at the sole discretion of the Auctioneer.
16. Payment required for release of purchases. The Auctioneer reserves the
right to retain sold items until payment in full in cleared funds has been
received of any amount owing to the Auctioneer or to any of its affiliated
or parent entities worldwide.
17. Liability of Auctioneer for inability to deliver purchased property.. In the
event that we are prevented by fire, theft or any other reason from
delivering purchased property to the buyer, our liability to the buyer, if any,
shall be limited to the purchase price paid by the buyer. Under no
circumstances shall we be liable for any compensatory, incidental or
consequential damages.
18. No liability for third parties. We do not accept any liability for the acts or
omissions of third parties with respect to the packing, handling, shipping
or storage of property, whether or not we have suggested them to the
buyer.
19. Customs issues. It is the sole responsibility of the buyer to ascertain
whether any item of property is subject to any export or similar
restrictions, and to obtain any necessary licenses or permits.The inability
or failure to obtain any necessary licenses or permits to be able to export
property shall not affect the buyers obligation to pay for the property. Nor
shall it constitute a basis to rescind the sale of the property or to recover
any expenses, fees or damages from the auctioneer. With respect to the
Rome Session II, we draw buyers attention to the following: the Buyer,
with respect to the lots declared of significant interest by the Italian State,
shall comply with the provision set forth in the Legislative Decree No. 42
of January 22, 2004 (so called Codice dei beni culturali). The export of
lots by Buyers, both resident and not resident in Italy, is governed by the
above mentioned provisions of law and are also subject to customs,
currency and tax-regulations in force. The Auctioneer shall not be held
liable for any restrictions on export of the sold lots or for any licenses or
permits that the Buyer must obtain under Italian law. In the event that the
Italian State exercises the right of pre-emption, the Buyer shall not be
entitled to receive either from the Auctioneer or from the Seller any refund
of the interest on the sale price and on the commissions already paid to
the Auctioneer.
20. Failure to pay. if the buyer should fail to pay for property that he
purchases, the Auctioneer and the seller will have all of the rights allowed
under law, including but not limited to the following: (a) to charge interest
as set forth above (b) to cancel the sale (c) to re-sell the property as we
see fit and to recover from the buyer any shortfall between the total
amount originally due to us, and the price on re-sale, plus any costs and
expenses of any kind arising from the default or the resale (d) to hold the
buyer responsible for the total amount due and to commence legal action
against the buyer to recover the full amount (e) to set off the outstanding
amount owed by the buyer against any debt that we, or any of our affiliated
or parent entities worldwide may have to the buyer (f) to apply any amount
received from the buyer to discharge any amount owed to us by the buyer,
regardless of how the buyer would prefer to allocate the payment (g) to
deny the buyer the right to participate in any auction held by us or by any
of our affiliated or parent entities worldwide, or to require the buyer to
provide a deposit before being permitted to bid (h) to exercise all of the
rights of a person holding security over any property in our possession
owned by the buyer, whether by way of pledge, security interest or in any
other way, to the fullest extent permitted by the law of the place where
such property is located. The buyer will be deemed to have granted us
such a security interest and we may retain such property as collateral
security for the buyers obligations to us (i) to pay the seller the total
amount originally due to him, or any portion thereof, in which event, we
will have the rights of the seller to pursue the buyer for that amount.
21. Copyright.As a general matter, the buyer will not acquire the copyright or
reproduction rights in any purchased property, and neither the Auctioneer
nor the seller make any representation or warranty that the buyer will
acquire any such rights.The copyright to the text of the auction catalogue,
as well as the digital images and the illustrations in the catalogue belong
to the Auctioneer.You will not reproduce or permit anyone else to reproduce
such text, images or illustrations without our prior written approval.
22. Severability. If any of the parts of these conditions of Sale and Business
shall be found by any court to be unlawful or unenforceable, such finding
shall not affect the validity of the remaining provisions, which will remain
binding and valid to the fullest extent permitted by law.
23. Governing law and courts. These conditions of Sale and Business and
the respective rights of the buyer, the seller and the Auctioneer hereunder,
or relating in any way to the conduct of the auction, will be governed and
construed in accordance with:
(A) London; the laws of England and Wales (B) Rome; the laws of the Republic
of Italy (C) New York; the laws of the state of New York. By bidding at the
auction, whether in person, by phone, on-line or by absentee bid, each bidder
shall be deemed to have submitted for the benefit of the Auctioneer, to the
exclusive jurisdiction of the courts as detailed immediately above.
24. Artists Resale Right for London and Rome only. Lots marked with a
delta symbol () are subject to the Artists Resale Right European Law.
The buyer agrees to pay the Auctioneer an amount equal to the applicable
resale royalty and we will pay such amount to the artists collecting agent.
Resale royalty applies where (A) for London Session I lots the hammer
price is 1,000 or more and (B) for Rome Session II lots the hammer price
is 3,000 or more. The amount is calculated as follows with reference to
the hammer price and the total royalty amount per lot cannot be more
than 12,500:
4.00%
up to 50,000 plus
3.00%
between 50,001 and 200,000 plus
1.00%
0.50%
0.25%
in excess of 500,000
Invoices will be issued in the currency applicable to each saleroom. For the
purposes of calculating the resale royalty threshold and amount for the
London lots the / rate of exchange will be the European Central Bank
reference rate on the day of the sale.
LIMITED WARRANTY FOR PROPERTY

1. The Auctioneer warrants for a period of 5 (five) years from the date of the
auction that the creator of each lot, the period, culture or origin identified
(collectively the authorship) is as set forth in the BoldType heading at
the beginning of the catalogue description of such lot, as amended by any
oral or written saleroom notices or announcements, and any such notices
or announcements will be deemed to have altered the warranty
accordingly. The Auctioneer makes no warranties whatsoever, whether
express or implied, with respect to any material in the catalogue entry
that is not in BoldType. Prospective bidders should refer to the Glossary
of Terms for an explanation of terms used in BoldType.
2. The warranty is not assignable. It is only available to the original buyer of
record (the Buyer), and is conditioned on: (i) the Buyer still being the
owner of the property, (ii) the Buyer notifying the auctioneer in writing
within three months of the Buyers having become aware of information
that would call into question the accuracy of the warranted information;
and (iii) the return of the property to the auctioneer by the Buyer in the
same condition as at the time of the sale to the Buyer.
3. Buyers sole and exclusive remedy under the warranty will be the
rescission of the sale and the refund to the Buyer of the original purchase
price paid by the Buyer for the property, without interest. The Auctioneer
shall have the right to require that the Buyer obtain and provide to the
Auctioneer the written opinions of two experts in the field acceptable to
both the Buyer and the Auctioneer, before the auctioneer decides whether
to cancel a sale pursuant to the warranty.
4. This limited warranty does not apply where (1) the authorship identified in
the catalogue is consistent with general scholarship at the time of the
auction, or where the catalogue discloses that there is division amongst
scholars; (2) the determination of the inaccuracy of the authorship
identified in the catalogue requires the use of a scientific process that
was not generally accepted at the time of the auction, or, in the
auctioneers sole discretion, would have been unnecessarily expensive or
may have caused damage to the lot.
213
Paul Blanca, Self-portrait decoration, 1985. 800-1200
AMBIGUITY:
Photographs From Two Important Private Collections
Rome, 15th June 2010 at 4.00pm
Exhibition
12th June 10.00 am - 6.00 pm
14th June 10.00 am - 6.00 pm
15th June 10.00 am - 1.30 pm
The catalogue for this sale will be available online only:
www.bloomsburyauctions.com/ambiguity
www.the-saleroom.com
www.liveauctioneers.com
Palazzo Colonna,
Via della Pilotta 19, 00187, Roma
t +39 06 679 1107 f +39 06 699 23077
Free Live Online Bidding
Andy Warhol (1928-1987)

Ingrid Bergman
Silkscreen printed in colours on Lennox Museum Board, 1983
Signed in pencil, numbered from the edition of 250
18,000-22,000
20th Century Prints

London, 24th June 2010
Now Welcoming Consignments
Contact Alexander Hayter:
ahayter@bloomsburyauctions.com
Rupert Worrall:
rworrall@bloomsburyauctions.com
Bloomsbury House
24 Maddox Street, London W1S 1PP
t +44 (0) 20 7495 9494 f +44 (0) 20 7495 9499
info@bloomsburyauctions.com
Free Live Online Bidding
Please fax to:
+44 (0) 203 291 2834

Whilst every care is taken in carrying out buyers
instructions, neither Bloomsbury, nor their staff can
be held responsible for any errors made.

LONDON: SESSION I
ROME: SESSION II
NEW YORK: SESSION III

Please bid on my behalf at this sale up the the price indicated below.
These bids are made subject to the conditions of sale in the catalogue.
I understand that if my bid is successful a premium of 22% of the first
300,000/350,000/$500,000 of each lot and 12% thereafter, together with
any applicable taxes and fees, will be added to the hammer price.
The three Sessions are being sold in three

currencies please ensure that any commission
bids as set out below conform to the currency
of the Session.
Buyers intending to clear purchases without delay are
advised to make arrangements for payment before
the sale, giving satisfactory bank or other references.
To aid legibility please fill in your details in BLOCK CAPITALS.
Failure to do so may mean that collection will be

delayed until cheques are cleared.
Forename
References and this bidding slip should arrive before

the day of the sale.
Surname
If you leave an odd bid, the Auctioneer will increase

your bid to the next highest figure.
Address
City
Postcode
Tel
Fax
Mobile
Email
Bids must be received the day before the sale, in

certain circumstances it may not be possible to
execute bids received on the day of the sale.
Your attention is drawn to our General Conditions of
Sale, available in the catalogue or in the saleroom.
Signed
Date
Please note that we accept most major credit/debit

cards for purchases and catalogues.
COMMISSION BIDDING SLIP
Sale Location
Lot No.
Max. Bid Price (excluding premium)

(//$) PLEASE STATE CURRENCY
Description
LONDON
ROME
NEWYORK
Bloomsbury Auctions
Bloomsbury House
24 Maddox Street
London W1S 1PP
Bloomsbury Auctions
Palazzo Colona
00187 Roma
Bloomsbury Auctions
6 West 48th Street
New York
NY 10036
Tel: +44 (0)20 7495 9494

london@bloomsburyauctions.com
Tel: +39 06 679 1107

Tel: +1 212 719 1000

LONDON
ROME
NEWYORK
Bloomsbury Auctions
Bloomsbury House
24 Maddox Street
London W1S 1PP
Bloomsbury Auctions
Palazzo Colona
00187 Roma
Bloomsbury Auctions
6 West 48th Street
New York
NY 10036
Tel: +44 (0)207 495 9494

london@bloomsburyauctions.com
Tel: +39 06 679 1107

Tel: +1 212 719 1000


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THE PHOTOGRAPHS SALE

LONDON, ROME, NEW YORK

Wednesday 19th May 2010

THE PHOTOGRAPHS SALE

Wednesday 19th May 2010

state may be subject to compensating use tax, and it is the buyers

Lots 1 to 199 in British Pounds

THE PHOTOGRAPHS SALE

Wednesday 19th May 2010

NewYork: Session III

Free live online bidding for this sale:

THE PHOTOGRAPHS SALE

Sale No. 35719

The photographers carriage is visible in

Includes views of Alpine peaks,

Includes views of Alpine peaks Lucerne, Grindelwald, Chamonix,

Provenance: Margaret Harker collection, Petworth

There is also a printed facsimile inscription

An archive of photographic studio portraits of the Royal Family,

Literature: Dorothea Ritter, Rom

Views show Porta San Paolo and the

Provenance: Galerie Texbraun, Paris

Provenance: Galerie Baudoin Lebon,

Views include: Fountain of Sultan Mahmoud, The Sehzade

Eugenio Courret arrived in Lima from France ca.1861 and

The views include a panorama of the city, a view of the Seine,

Provenance: Collection Marie-Thers et Andr

Provenance: Sothebys, Nineteenth

Literature: Kathleen Stewart Howe, Excursions along

Provenance: Galerie Texbraun, Paris

Provenance: Galerie Texbraun, Paris

Provenance: Michael Hoppen Gallery,

Provenance: Michael Hoppen Gallery,

Provenance: Andr Jammes collection,

Provenance: Andr Jammes collection,

Provenance: Andr Jammes collection,

Provenance: Andr Jammes collection,

Literature: Brassa, Fiesta in Seville,

Literature: Brassa, Fiesta in Seville,

Literature: Brassa, Fiesta in Seville,

Literature: Diary of a century, n.p.

Provenance: Light Gallery, New York;

Provenance: Collezione Luigi Carluccio;

Literature: Crawford, Mario Giacomelli,

Provenance: acquired directly from

Provenance: acquired directly from

Literature: Sur le fil du hasard, p. 151

Literature: Alexandra Nocke ed,

Provenance: acquired directly from

Provenance: acquired directly from the artist

Provenance: acquired directly from the artist

Coburns first book of portraits of the great and the good

Provenance: from the artist to Edward

Provenance: acquired directly from

Provenance: acquired directly from

Provenance: acquired directly from

Provenance: acquired directly from

Provenance: Ruth Orkin Photo Archive,

Provenance: Ruth Orkin Photo Archive,

Provenance: acquired directly from

From the series After Walter Sicket,

Provenance: acquired directly from the artist

Provenance: acquired directly from the artist

Provenance: Michael Hoppen Gallery, London