Cosas - Poderosas Produccion Complta Banda Sax

q = 125 Eres Fiel letra y musica: Israel Houghton
Integrity's praise Music/bmi
 
x3
    
  D A/D C/D G/D
intro. 
 D  
          
5
  
A/D C/D G/D
a
   
 D 
           
9
A/D C/D G/D
           
13
Gadd9 Aadd9/G Gm7 C/G
17
 D
B                 
A C Gadd9
21
 D
                
A C Gadd9/B
25
 D
                
A C Gadd9
29
2nd vez a D
 Dsus2/F# Am7
               
Bbadd9 C
33 Dm7

C                 
37 Dm7 Dm7 C

            
unisono x 8 veces
         
1. 2-7
41

(las 2 ultimas solo brasses)
F2/Bb F2/A
D    

     
   
Educanzion Copyright 2004
Transición
2
F2/A D

8
  

47
      
F2/Bb A/D C/D G/D
  
     
52
 D
   
A/D C/D G/D

           
56
Gadd9 Aadd9/G Gm7 C/G
E
60
 D
                
A C Gadd9
64
 D
                
A C Gadd9/B
68
 D
                
A C Gadd9
72
Coda
 D2/F#
                 
Am7 Bb C
Bb/D Gm7 Am7

   
76 C/E

                   

Fill Drums

80

 
D
eres fiel.......... Educanzion Copyright 2004

Digno de Gloria Cindy Cruce ratcliff, Israel houghton,
Aaron Lindsey 2001 cruse ministries publishing
                   
G2/B C D/F# G2 G2/B C D/F# G2 Em7 Dm7 C
    

          
6 D/F# G2 Em C/A G2/B G/C Am/D G/E Am/D G/B C
   
 
Coro
                  
10 D/F# G G/B C D/F# G Em7 Dm7
    

               
14 C D/F# G Em11 Am7 G/B G/CAm/D G/E Am/D G/B C
 
    
G 1. 2.

                 
18 D/F# G G/B C D/F# G/B C G

Verso
    
           
23 C D D/E G/E C D G/B
  
                

27 C D B/D# Em7 Am7 G/B Dm7 C#7#9
  
    
           
31 C D D/E G/E C D G/B
  

  
       
   
   
   
35 C B7 D#dim Em7 Am7 G/B Bbm7 Ab/C Db
    

Coro
          
       
  
39 Db Eb/G Ab Ab/C Db Eb/G Ab Fm7 Ebm7 Db
 

      
         
43 Eb/G Ab Fm11 Bbm7 Ab/C Ab/Db Bbm/EbAb/F Bbm/Eb Ab/C
 

2
Eb/G Ab
       
            
47 Db Ab/C Db Eb/G Ab

Verso
       
 
     
    
51 Db Eb Eb/F Ab/F Db Eb Ab/C


                     
55 Db Eb C/E Fm7 Bbm7 Ab/C Ebm7 D7#9

  
               
    
59 Db Eb Eb/F Ab/F Db Eb Ab/C

 
           
    
  
 
   
  
63 Db C7 Edim Fm7 Bbm7 Ab/C Bm7 A/C# D
     
Coro

         
       
  
67 D E/G# A A/C# D E/G# A F#m7 Em7 D


                  
1.
A/DBm/E A/F# Bm/E A/C# D 2.

 
  
71 E/G# A F#m11 Bm7 A/C# A/C# Cm7
 

             
    
76 Bb/D Eb E7+ Eb
 

            

 
  
  
80 Db/Bb Bb/Ab Bb/G Ebmaj7 Dm7 Gm7 Cm7 Bb/D F7sus4
 
 
Puente
               
 
  
85 Bb9 A9

Abmaj7/Bb Bb9


            
89 Ab9 Cm7 Bb/D Eb F#9 Abmaj7/Bb

Ab9
    
3
                 
Abmaj7/Bb
   
93 Abmaj7/Bb Gmaj7/A

 

1.
         
          
97 Gbmaj7/Ab C7#5 F7#9 G9 Ab9 A9 Bb9
 
    
      

2. Gbmaj7/Ab
      
101 Cm7 Bb/D Dbm7 F#7#9
 
  
 Amaj7/B
               
   
104 Amaj7/Cb Abmaj7/Bb Gmaj7/A
 

1.

Gmaj7/A
                
 
  
108 C#7#5 F#7#9 Ab9 A9 Bb9
Amaj7/B
   
          
2.
 Gmaj7/A 
   

 
112 C#m7 B/D# Dm7 C/E F
 
Coro
         
          
115 F G/B C C/E F G/B C Am7 Gm7 F
 
     
   
       
119 G/B C Am11 Dm7 C/E Fmaj7(9)
  
 
   
 
      
123 Am9 Dm7 C/E C/F Dm/G C/A Dm/G C/E F
 
 
       
1.
 
F
             
127 G/B C C/E F2 G/B C2 C/E F2
 

       
2.
        
131 C Am7 Dm7 C/E C/F Dm/G C/A Dm/G C
 
Cosas Poderosas
Letra y Música: Coalo Zamorano
Intro
Solo Brass
Dm9 G13 Dm9 G13 A7+
           

Dm9 G13 Bbmaj7 Gm7 Asus4 A7(#5)

                       
6
                
11
Dm9 G13 Dm9 G13
A7(#5)
Dm9 G13 Dm9 G13
  
            
15
   
A 19
G13 A7(#5)
                  
19 Dm9 G13 Dm9
                
23
Dm9 G13 Dm9 G13
B
C Bb
                         
27 Bb(add2) Am7 Gm7 Dm7 Am7 Gm7 Asus4 Eb7(9)
B 32
Bb(add2) Am7 C Bb
                       
32 Dm7 Am7 Gm7 Asus4 Eb7(9)

2
Bridge
37 Dm9
  C13
 Dm9  
        
      
 
 
  
 
40 C13 Eb   Dm9  
           
C13 Dm9
  Ebmaj7

42
           
B 45
Dm7 C Bb Am7 Gm7
                         
45 Bb(add2) Am7 Gm7 Asus4 Eb7(9)
Ending
G13 G13
                
50 Dm9 Dm9
G13 G13
                
54 Dm9 Dm9
G13 G13
                
58 Dm9 Dm9
G13
        
62 Dm9
      
Educanzion Copyright 2004 
intro
Mi vida eres Tu
E E
 
    
E Bsus4 A Bsus4 E Bsus4 A Bsus4


5
                
  
               
9

A E
 
            
13 Bsus4 A Bsus4 E Bsus4 A Bsus4
   
  
17 E Bsus4 A Bsus4 F#-7 E/G# A Bsus4
           
   
        
21 E Bsus4 A Bsus4 E Bsus4 A Bsus4
   
   
  
25 E Bsus4 A Bsus4 F#-7 E/G# A
           
B C#-7 D D
 (half-time)
29
                
 BE Bsus4 A Bsus4 E Bsus4 A Bsus4

33
                
C#-7 B A Bsus4 E

37 Bsus4
                


41
                
Bsus4  E
2

C#-7 F#7 E7(#9)

                  
45
 

   
C E7(#9)
 
A13 E7(#9) 1. A13 D E
                              
49 2.
  (rEPITE

E7(#9) A13 E7(#9) A13
           
54
            
X3)
                          
E7(#9) A13 E7(#9) D E

58
 
D E Bsus4 A Bsus4 E Bsus4 A Bsus4

62
                
E Bsus4 A Bsus4 E Bsus4

66 Bsus4
              

D.C. al Coda
E
         
Bsus4 A Bsus4 E Bsus4 A Bsus4 e

               
70
 
Quien Como el Señor Israel houghton
integrity´s hosanna music
                  

Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2 Dm11 Gm9 C13
              

                             
 
6 Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2 Dm11 Gm9 C13
           
 
 
                         
          
Coro
  
 
                         
          
                     
18 Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2
        
                
21 Dm11 Gm9 Am7 Bbmaj7
  
Verso
    
           
24 Bbmaj9/C C7 Bbmaj9/C C7 Eb7 D7 C7 B7#11
  
       
 
 
Abmaj7/Bb
      
28 Bb7 C7#9/E F6 D7b9 G13
   
         
30 Bbmaj9/C C7 Bbmaj9/C C7 Eb7 D7 C7 B7#11
   
       
 
            
Abmaj7/Bb

  
34 Bb7 C7#9/E F6 D7b9 G7(#9) Gb7#11
 
   
2 Puente
                
37 Fmaj9 Eaug7 Am7 Gm9 C7b9
                
41 Fmaj) Eaug7 Am7 D7#11 Gm9 B7b13 C9
                
45 Fmaj) Eaug7 Am7 D7#11 Gm9 C9
            
49 Fmaj) Eaug7 Am11 Bbmaj7 G7b13
    
53 C13 Bb5
      
      
                   
57 Bb5 C5 Bb5 C5 Bb5
  
1.2. 3.
      
59 C5 Bb5
  
           
                      
62 C11 Bb11 Eb6 Dm7b5 G7b13 C11 Bb11 Eb6 Dm7b5 G7b13
                  
 
66 C11 Bb11 Eb6 Dm7b5 G7b13 C11 Bb11 Eb6 Dm7b5 G7b13 Bb5
                    

70 Bb5C5 Bb5 C5 Bb5 C5

               
73 Bb5 Bb5 C5 Bb5 C5 C5 B5 Bb5
     
 
3
       

76 Bb5 Gb7#11
       
                      
80 Fmaj9 Dm9 Fmaj9 Bm7b5 C9 Fmaj9 Am11 C2 Dm11 Gm9 C13
      
 
 
                         
          
 
 
                  
88 Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2
        
                   
91 Dm11 Gm9 C13 Fmaj9 Am11 C2
       
 
Am11
                  
93 Dm11 C Fmaj9 Am11 C2 Dm11 Gm9 Bbmaj7

      
Con Humildad letra y musica: coalo zamorano
  
           
B/E Esus2 B/E Esus2 B/C# Esus2/C# B/A A
     
 
           
5 B/E Esus2 B/E Esus2 B/C# Esus2/C# B/A A
    
   
A E A/E E A/E

   
9
            
C#m7 A Bsus4

13
                
E A/E E A/E

17
                
C#m7 A Bsus4 Bsus4 G#m7


21
                  

B A E/G# A C#m7

25
                
A E/G# Bsus4 Bsus4 


29
                

 
             
     
 B/E Esus2
 
         
37 B/E Esus2 B/C# Esus2/C# B/A A
    
 
        
    
2 C
A E/G# A C#m7

45
                
A E/G# Bsus4 Bsus4 G#m7

49
                 

A E/G# A C#m7

53
                
A E/G# Bsus4 Bsus4

57
                

 
              
    
 
              
    

E

69
  
Venimos a Adorarte
Intro cindy cruce ratcliff, Israel houghton
           
2001 cruce ministries publishing
   
Eb Bb/D Db Ab2/C Bb2/C F2
   
Verso
       
 
          
6 F Am7 Dm11 Gm7 C B7#11
                 
10 Bbmaj7 Am7 Dm11 Gm7 Bb/C
 
                 
14 F Am7 Dm11 Gm7 C B7#11
 
            
       
18 Bbmaj7 Am7 Dm11 Gm7 C F
 
 Coro 
                          
22 Am Dm Gm C Eb/F F9Bbmaj7 A7 Dm11 Dbmaj9

Bb

1.
         
       
28 Gm11 Am7 Bb Gm7/C Ebadd9
  

2.
Al verso
                
33 Dbmaj9 Eb/Db Dbmaj9 Eb/Db
D.S.al Coda
 
              
37 F/C Bb/C F/C Cm7 Bb
 
 Coda
    
Gm7/C
            
41 Dbmaj9 Am7 Bb Gm7/C
Gm11
 
         
44 Ebadd9


2 Puente
     
        
        
47 Eb/F Bb/F F Eb/F Bb/F F Eb/F
 
  
1.2. 3.
                   
51 Bb/F F Eb Bb/D Bb/C F Eb/F
   
4.
              
       
55 Bb/D Bb/C F Eb Bb/D Bb/C F Eb
            
    
59 Bb/D Bb/C F Eb Bb/D Db2
 
      
62 Ab/C Bb2/C F2
  
letra y musica: Israel Houghton
Eres Fiel Integrity's praise Music/bmi
   
  gliss.
   
Trombon     
    
  
10      gliss.
   
     1. gliss.  3 
      
23
     
 3 
          
2. gliss.
28
  
      
         gliss.        
gliss.
34 
      
39              gliss. 

      3 
          
47
       
 gliss.        gliss.
        
53
     
58              
 
 
    
        
      
64
  
2
69               
  
x4

74

                   

     
                       
79


   
.
                  
s
 glis
        
82
  
    
  
86
 
3
     
  
102
         
   
   
    
        
107
   
           
       
111
  

116
     
121      

   
Eres Fiel letra y musica: Israel Houghton
  
 
  
 
Tenor Sax    
9
  liss. 
g  
       

   liss.       iss.

21 1. gl

g
               
   
2.
  3 
27
   
      
3 

       

32

 gliss.           gliss. 
37
  gliss.                      
 
41
  ss.
gli  3
               
50
  gliss.     
            
56
    
gliss          
    
.
  
61
   
        
     
2
          
68
     

x4
       
73
            

        
77
           
  

        
81
                          
           3
84
          
99
 
              


105
  
         
 
      
             
110
   

    
114
  
     
  
        
119


 
 
 
 
Sax Alto
Substituto       
1ra voz
9

   liss. g

             
   gliss.  gliss

1.

21
          
       . 
  

2.

27
            
3 3
       
     

32 g
liss.
        gliss.
     
                      
gliss.

37
    
41

  
g
liss.
 3    
           
3   3       
  3    
49
      
  liss. g
      
54
         

           

59   
          
 
2
        
65
         
 
71
               

x4 (ultima 8 arriba)
   
76

                    
                   
80

----tacet 4 time----
 
 
          
s.
glis
                    
  
  
83
3
    
          
99
3  
 3    3 
   
         
104
          
  
   
109
             
    
            
115
 
       



120
            
      
   
Trompeta    
          gliss. 
10
 

  
           
23 1.
 3 
gli
   ss.    

  3       

2.
28
    gliss. 
     
34
     
         gliss.   gliss.    
39
           liss. g  3
        
  
47
3     
3
       
3
  
 
52
           
          

57
  gliss.              
  

                
63
  
2

          
68
     

x4 (ultima 8 arriba)
       
73
            

         
77 ----tacet 4 time----
      
       
        
81
                           
          
s.
3
84 glis
          

100
      
3 3
   
3
     
   
 
105
    
              

        
              
111
  
     
116    
   


        
121
 

Gloria a Dios Cindy Cruce ratcliff, Israel houghton,
Intro      
Trombon
       
    
            
7 Chorus
        
 
             
13

       

   
18 1.   
            
22 2.
   
Verse
   
         
      
   
30
        
     
Chorus
35
                   
   
41    
  
         
     
46
    
    Verse

     
      

51         
     
      

   
59
      

        
2
64
       
          

    
67     
1.
               
73
       2.         Chorus
 
  
       
77       
                
Bridge
82
          
               
  
86
       
                           
             
89
   
  

  
 
          
 
95 1.
   
                
 
2.

101
    
    
 
          

 
         
105
       
1.
  
       
 2. 
111

             
        
3
  
    Chorus

      
115
      
    
       
119
           
124

                       
        
1.
128      
         
132 2.  
          
        
   2001 cruse ministries publishing

Aaron Lindsey
      
Intro
Tenor Sax           
  
 Chorus

 
7

      
    
13
    
                  

18

1.
    
                 
22
    
2. Verse


         
 
    
30
            
   
  
Chorus

35

                       
       
41
              


46 Verse
      
           

51
       
         
59  
            
       
  
2
      
65
         


       
            
1. 2.

70
     
 
     
          
75 Chorus
   
      
    
80
  Bridge
                   
 
85
            
    
                
    
  
  
 
88
    
                  

93
     
1.
                   
   
98
 
            
              
         
102
                 
1.
        
105
              

                  

109 2.
        
      
Chorus 3
        
113
    
      

117
                      
  

122
         
                 
 
                             
1.
126
   
2.

         
130
    
        
    Aaron Lindsey 2001 cruse ministries publishing


    
Intro
Sax Alto
Substituto            
1ra voz
            
Chorus
 
7
       
13
         
             

  
18
  
1.   
          
22
 
2. Verse

             

  
       
30
      
   
     
Chorus
  
35
              
  
41
        
                
46
       Verse

            
51
      
             
   
59
     
             
2
                     
65 
   
              
69 1.
           
             
2.

74 Chorus

         
    
   
79

          
Bridge
                       
84

           
  
                
     
87
        

      
     
  
91 1.
        
           
   
2.
97
       
     
  
    
      
103
    
       

108
                      
1.

    
 


    Chorus
  
 2.       
112
      
             
  3

116          
      

     
  
121
             
         
125
        


      
   
1.
 
129 
             
   

132 2.
           
      
 
  
Intro  
             
Trompeta   
   
Chorus
 
7
            

13   
                     
 
18 1.
                   
  
22
 
2. Verse

        
     
  
30
  
        
     
    
Chorus

35

                    
41
                    
    
46 Verse
              
     
 
51 
               
   
59   
        
         
    
2
         
65
       

   
1.
       
69
                  
 
 
2.

74 Chorus

   
                 
  
79
 
    
       
Bridge
84
 
     
                    
               
87
                     
         
         
91 
        
1.
 
97        2.          
            
          
103
  
              
108
        1.       

            
     2.
Chorus
   
112
          
                 
3
        
116
            
   
121
             
  

           

           
125

 
  
1.
129
       
      
   
132 2.
   
        
          
Cosas Poderosas
   
gliss.
             
            
Trombone 
3
      
3
   
4
      
  
 
Tbn. 
          
      
3
6   
       

Tbn. 
       3
       
3

9 verse 7
Tbn.
  
   
verse
12
  
 
       
         
Tacet 1st Time
          
Tbn. 
       
         
16 HIt and of three 1st time
   
Tbn.           

   
    
play both times
20
     
Tbn.          
3 3

           
24
      
      
Tbn. 
3
        
bridge
           
28
Tbn.       

32
           
                  
   
Tbn. 
                    
2 3
35    
Tbn.
   
  
  
            
      
37
   
Tbn.     
3
 
             
PLay 3 times
 
       
41

tacet 1st time

Tbn.  
                   
  
45
 
Tbn.         
48
              
         
Tbn. 
Cosas Poderosas Letra y Música: Coalo Zamorano
                          
tenor saxophone    
3 3
      
    
4
   
6

          
3        
          


       3 3    
   

verse
  
9
  7
     
    
play 1st time
Tacet 1st Time   
13 verse
 
                     

    
play both times

17
                    
 

3
 
       
 
21
         

3
 
 
25
       

           
3
  
29
  
bridge
  
     
     
                    
32
   
 

                         

35 3
  
2

             
38 Chorus
  

           
3

  
  tacet 1st time
PLay 3 times
42
           
 
       
 
46
            


    
48
                 
       
Cosas Poderosas
         
3
           
   
Sax Alto
SUbstituto        
1ra voz
3
4
 
 
           

     
      
6
    3

      
  
9
        3   
3 verse    


7
    
 
 
13
verse
      play 1st time

 
               


Tacet 1st Time

 
 
       
play both times
17
        
    
       


3
21        
            


3
   
     

25


          
3
29
        
bridge
      
32
                  
              
3
   
         
35
                   

2 

 
    
38 Chorus
  
                
PLay 3 times 3
tacet 1st time 
      
  
42
             

      
 
 
46
        
         

48
          
                
 
Cosas Poderosas
                             
trompeta    
3

3
                    
4
   
        
      
6 3

           


       3 3  
   
verse
   
9
  7
     
    
play 1st time
Tacet 1st Time   
13 verse
 
                     

    
play both times

17
                    
 

3
21
      
            

3
            
25
 
          
3
     
29 bridge
    
    
     
                    
32
   
 

                         

35 3
  
2

            
38 Chorus
          

   
3
    
PLay 3 times
42
       
tacet 1st time
      
      
 
46
         
    

   
               
48
          
MI vida eres Tu Cindy Cruce ratcliff, Israel houghton,
 

    
 
Trombon 
Tacet 1 vez
23  lg is 
s.    
       
 
31           1.  
  
58        
          
 
x3
63        

     
69       gliss.  
          
   
           
        
84

         
   
x3
    
93

 
       Aaron Lindsey 2001 cruse ministries publishing

Tenor Sax       
 
Tacet 1 vez
s.
 
23
lg is 
           
 
 
31    1.  
          
      
58
              
  
x3
63
              
      gliss.  

69
  
             
 
        
84 
          
               
x3
 
93
       
       Aaron Lindsey 2001 cruse ministries publishing
    

Sax Alto
Substituto   
1ra voz
Tacet 1 vez
 
23  s.  
 
is
   
gl 
    
 
 
31           1.  
   
 
58        
            
  
x3
 
63
   
        
 
69        gliss.  
                
 
84
              
  
     
   
x3
   
      
93
   
       Aaron Lindsey 2001 cruse ministries publishing

Trompeta       
Tacet 1 vez
lg is 
s.
 
23   
          
 
 
31    1.  
          
      
58
              
  
x3
63
              
      gliss.  

69
  
             
 
        
84 
          
               
x3
 
93
       
 glis
s.  gliss.
      
Trombon
       
 glis
          s.                
8


Chorus 1
         gliss.
       
12
       
18
    
        
      
Verse 1
23
   
           
          
28
             

      
32
   
    
              
36 Chorus 2
     
gliss.
          
42
       Verse 2    
  
      


           
47
 
       

52               
            
2

Bridge
       
56
            
   
65      
     
      
 
gliss
71
     . 
       
78
          
         

82
          
                  

86
               
          

90
           
         
101
           
               
          
105
             
     
          
109 Chorus 3
           
114
             
      
3
121
     
              
    
123
        
 
        integrity´s hosanna music
  s.  gliss.      
Tenor Sax glis
8    
         gliss.          
  

Chorus 1
12
     
 
             gliss  
 .
18
   
           

23
Verse 1
                   
  
    
28
                 
 
32
   
     
             
      
36
   
Chorus 2

        gliss.      
 
Verse 2
  
43
     
            

   
48
                
       
53 
                
    

2

Bridge
                
57
   
  
66
       
      
73
 
     gliss.      

          
78
        
 
        
82
                  
 
         
86
          
  
        
        
90
      
101
           
                

  
105
      
                 

109 Chorus 3
      
            
 
114
   
                   

3
         
121
    
      
123
     
         
   glis
s.  gliss.     
Sax Alto
Substituto         
1ra voz
8
         liss.  
g       
        

Chorus 1
 gliss. 
12
         gliss.
         
  
18
      
      
      
Verse 1
23
     
         
             
28
         
   
         
32
                

36
   
Chorus 2
 
     
gliss.
    

42
        Verse 2   

     

              
47
 
  


                    
52
     
2 Bridge Solo Trompeta (Harmon)
56
    
     
            
D9

C#AUG7

 

61 Solo Piano
F#-11 E9 A7 D9 C#AUG7 F#-11 E9 A9
       
68
    
gliss.

         

          
78
        
 
            
82
              
 
            
86
          

 
90
            
       
      
             
101
       
        
  
105
           
      
Chorus 3
   
       
109
        
 
     
 
114

                 
3
 
         
121
      


  
123
       
   
  gliss.  integrity´s hosanna music
  s.
  
Trompeta  
glis
       

8
       gliss.    
  
            

Chorus 1
12
   gliss.  
              gliss.  
 
18

        
      
23
Verse 1
                   
  
28
     
               



  
32
     
           
          
36 Chorus 2
    
        gliss.  

Verse 2

42

           
      

47
           
   

    

   
52
                  
     

2 Bridge Solo Trompeta (Harmon)
56
        G9 F#AUG7
 
         
  
61 Solo Piano
 B-11

A9

D7

G9 F#AUG7

B-11

A9

D9


68
    liss. 
g
       

           
78
        
         
82
                   
 
         
86
          
  
90
        
              

      
101

                  
  
105
       
                
  
109
 
Chorus 3
   
               

114
    
 
                  
 
 
3
121   
          
     
123
  
          
 
Con Humildad Letra y Música: Coalo Zamorano
         
Trombon
          
7         
       
 
33          
   
             
42
    
 
               
48
  

  
54
  
             
  

   
  
 
       
59
  
 
68
                
      
  
              
73

  
78
  3      
3 3
 
3

 
     
84
       

    
                  
Tenor Sax 
7
                  
  
  
33     
        
 
42
       

           
           
48
      
    
         
54
 
       
       
  
  
59
        
  
  
68
   
              
  
73      
     
3
    
 
79 3   
 3
  3   
    
 
        
84
        
            
Sax Alto
Substituto           
1ra voz
7
  
               
  
  
33  
       
   
       
42
   
        
                 
48


   
                 
54
         
 
     
  
59
    
   
  

  
68
         
         
  
73
    
            
 
   3   3  
  3   
78
  3 
 

        
84       
 
    
                  
Trompeta 
7
             
       
 
33  
            
 
42

                  
        
48
      
       
  
         
54
              
        
 
59  
       
  
68  
                 
 
73
                  
   3 
78
 
3 3 3
       
 
    
84
          
 
Venimos a Adorarte cindy cruce ratcliff, Israel houghton

    
 
Trombon
         
   
     
8
   
   

44  gliss.       
 
   
52
         gliss.
    
  
62       
   
      
70      
    
83
       gliss.  gliss.      
     

        
     
89
  

3
to 
      
95
             

 

101      
     3

  
 
109
     3  
     
2
         
115 gliss. gliss.
       
   
      
125     
   

   
 
131
1.2.
  3.
   
        
 
3
        
136
        

146             
       
 
152
          
   
   
   
         
163

 
      
168               

    
      
173
           
  
177          


     

 

Tenor Sax  
            
8  
          

44
     gliss.   

 
      
52
       gliss.
     
62
   
        
      
 
70
       
83     gliss.
 gliss.  

           
    
    
89
       

3
to 
            
95
     

   
101   3
        
109
     3    
      
2
115      gliss.
 gliss.
          
    
125   
      
  
      
  
     
131 1.2.

3.
 

  
3
      
     
136
 
   

          
146
        
 
152
        
 
   
    
       
163
      


                   
168

    
     
173
         
   

177
          
     
     
Sax Alto
Substituto            
1ra voz
8
    
      

     
  gliss. 
44
     
    
52       gliss.
   
   
62
        
  
70
    
          
 gliss.
 gliss. 
83 
      
         
             
89
   

3
to 
95
                
 

      

101
        
   

 
108
  3    3 
      
2
   gliss.
     
114
      

 gliss.     
123
 
         
            3.   
129 1.2.
     


3
        
135
       
 
 
145
           
     
 
150       
     
   
160
        
          
  
167 
         
      
172  
 
                     
177


              

 
        
Trompeta  
    
8 
          


  gliss. 
44
 
            
52       gliss.
      
62
 

        
70      
          

83
 gliss.
 gliss.  
     
          
89 3
                

to 
    
95
         
           
101

            
108
3   
3 
   
   


 
2
114
   gliss.
             
123
 gliss. 
              
        
129 3
   
1.2. 3.
         

    
 
135
 
          
   
145
             
 
150
      
      
 
160       
           
167
          
       

  
172
  

       

177

                

Cosas - Poderosas Produccion Complta Banda Sax

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Copyright:

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Cosas - Poderosas Produccion Complta Banda Sax

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Copyright:

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q = 125 Eres Fiel letra y musica: Israel Houghton

Integrity's praise Music/bmi

Bb/D Gm7 Am7

eres fiel.......... Educanzion Copyright 2004

Educanzion Copyright 2004

Dm9 G13 Bbmaj7 Gm7 Asus4 A7(#5)

Educanzion Copyright 2004

E Bsus4 A Bsus4 E Bsus4 A Bsus4

                  

                    

       

C#m7 A Bsus4 Bsus4 G#m7

A E/G# Bsus4 Bsus4 

39              gliss. 

   liss.       iss.

       

   gliss.  gliss

     

           

               

  3       

                  

    Aaron Lindsey 2001 cruse ministries publishing

                         

                         

      gliss.  

      gliss.  

        integrity´s hosanna music

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